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Notes: A clever pedal design based on classics. Mix and match tone and distortion circuits from legendary Nobels ODR-1 Natural Overdrive and Ibanez Tube Screamer. Versatile stuff.

Supplier's notes:
Imagine the ability to combine the best and defining characteristics of different overdrive & boost pedals in order to create hybrid sounds no one has ever played through before. That is exactly what Keeley have engineered with the Noble Screamer.

It's a 4-in-1 pedal that gives you two very familiar drive circuits and two brand new amp-like overdrive and distortion tones. It's almost like pedal-modelling, except these are 100% analogue circuits, and you decide which tone-control or clipping-section you want to play through.

Toggle between battle-tested, classic overdrive effects or innovate your sound using new hybrid tones; let your ears be the judge. Even with all of these features, the pedal remains a user-friendly three knob overdrive. The innovation in the Noble Screamer doesn't end there; this new design features true-bypass or buffered, truly silent switching, on the fly. The Keeley Noble Screamer Overdrive and Boost is entirely manufactured at Keeley Electronics and is the first release in a new aluminium enclosure.

The Noble Screamer gives you two tone control circuits to choose from - a Broad Spectrum Tone Control or Narrow Focus Filter Control.

When the Tone Switch is up and in the OD Position you will hear a 'Spectrum' type of tone control that has the ability to go from a flat EQ to an EQ that has a boost in the treble and bass response. If it is in the TS Position you have a Low Pass Filter that rolls off the high frequencies only.

Diode Clipping

Also the pedal offers both styles of diode clipping - Hard and Soft Clipping: If the Clipping Switch is in the OD Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When in the TS Position that uses Soft Diode Clipping, like a tube amplifier softly overdriven.

Buffered and True Bypass

The Keeley Noble Screamer features Keeley's Vitamin K Infused Buffer for noise free switching. Keeley have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.

No more pops and clicks to distract from your music. If you want to turn that feature off and go back to true bypass, simply press and hold down the foot switch for two seconds and the pedal will switch to True-Bypass. This is great for players that want the effect of plugging directly into their amp when the pedal is off.

Alternatively, players that want a strong and clear signal even when the Noble Screamer is turned off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass. Enjoy truly silent switching and let your music be the only voice.

Made In The USA

Keeley design, engineer, and manufacture the Noble Screamer in Oklahoma City. Everything about the Noble Screamer is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.

Notes: 30 fully polyphonic pitch-shifting options under 15 square inches!

Offering a total of 30 pitch shift options and expanded controls, the Pico Pitch Fork is the next evolution in pitch shifting from Electro-Harmonix. The original Pitch Fork has garnered praise from all styles of player at every level and the Pico Pitch Fork brings even more features to the celebrated pedal in an impossibly small package.

The Pico Pitch Fork features 10 pitch shift intervals and three modes of pitch-shifting - Up, Down and Dual. Dual mode features specially paired pitch shift intervals to allow for more musical effects.

Controls on the Pico Pitch Fork are simple and effective. SHIFT selects the Pitch Shift interval. BLEND sets the wet/dry blend of the output mix while VOL adjusts the overall output volume. SWEEP controls pitch bend sweep time when toggling between bypass and effect and back to create automatic whammy effects. The Pico Pitch Fork's footswitch can operate in two modes: Latching and Momentary. Latching turns the effect on with one footswitch press and off with another while Momentary turns the effect on only when the footswitch is being held for instant bursts of pitch-shifting pandemonium.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Exceptional value from PreSonus's entry-level studio monitors, packing a surprising punch for such small speakers. Add the optional Eris Sub 8BT subwoofer for serious low-end power.

Supplier's notes:
Presonus' best selling studio monitors just got better! Eris 4.5 BT media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 25 watts per side of onboard power, the Eris 4.5 BT reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction through the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With four types of inputs, including fast, reliable, stereo Bluetoothr 5.0 connectivity, it's easy to connect just about any audio source to your Eris 4.5 BT reference monitors. High- and low-frequency controls let you easily adjust your Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

4.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
Fast, reliable stereo Bluetoothr 5.0 wireless input
50W, Class AB dual amplification
70 Hz to 20 kHz frequency response
100 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/4-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/4-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/4-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Eris speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 4.5 BTs precisely to your environment to further ensure the best sound possible.


Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Eris 4.5 BT offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Electronics

Voltage: 220-240V UK
Wattage: 25 Watts (Each Speaker)
Input impedance: 10 kO

Performance

Peak SPL: 100 dB (@ 1 meter)

Speakers
Crossover frequency: 2.8 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 9.50 x 6.40 x 7.00 IN

Product depth: 7" (17.8 cm)
Product height: 9.5" (24 cm)
Product width: 6.4" (16.3 cm)

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: The Morphor Plectrum - Analogue BBD Pluck is the successor of Morphor's successful module. Now only 8 HP instead of 10 HP with additional CV-able feedback!

Plectrum is a high quality, fully analogue Eurorack module that can produce plucked string-like sounds. It is a compact all-in-one solution for generating amazing bass, acoustic guitar, percussion and other amazing sounds.

The module is based on the Karplus-Strong principle with a true analog audio path built with an authentic bucket brigade delay (BBD) circuit which is recognizable by its specific timbre. By using carefully chosen high quality components, this module has a rich, warm analogue sound.

Now being only 8 HP in width, you won't need a lot of space to get going and start creating some incredible sounds. If you're looking to fully sculpt the string-like sound, you can extend the internal Karplus-Strong loop by breaking out the signal and adding external modules like filters and/or FX modules to it.

Features

100% analogue
Karplus-Strong principle
Built with classic BBD chip
Break-out BBD loop
Internal/external loop switch
Trigger input
1V/oct input
Tune knob
Pitch modulation CV input
Feedback CV input
Colour CV input (i.e. internal loop LPF cut-off frequency)
Mono output

Specifications

Panel width: 8 HP
Panel height: 3 U
Module depth: 40 mm
Current draw: 12V : 40 mA | -12V : 40 mA | +5V : 0 mA
Dimensions: 128.5 x 40.3 x 40 mm
Weight: 259 g
Frequency Range: sub-audio range to roughly 800 Hz
Power Socket: 16-pin

Notes: Customized to transport and protect the new Pioneer DDJ-FLX4 and DDJ-400 Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles and heavy duty butterfly latches, it provides you with secure transport and workstation in one. Thanks to the integrated gliding laptop platform and the convenient cable access port, the setup is ready for action in no time at all.

Fits

Pioneer DDJ-FLX4
Pioneer DDJ-400
Pioneer DDJ-SB3

Basics

Heavy duty construction of 9 mm vinyl laminated plywood
Solid aluminium profiles and spring loaded latches
Incl. gliding laptop platform (removable)
Full padded interior keeps controller well-protected
Detachable front cover/panel

Specs

Outer measures: 59 x 40 x 20 cm
Inner measures: 44 x 29 x 4,5 cm (Controller-compartment)
Weight: 8,8 kg

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Eurorack is a synthesist's toy chest. Stompboxes are a guitarist's toy chest. Each industry offers a seemingly infinite variety of products that enable musicians to build systems unique to their needs and to create a signature sound. Each is also somewhat addictive. Rare is the musician who doesn't eventually need a larger toy chest to house the accumulated toys.

Fortunately for the budget-conscious musician, Eurorack modules and stompboxes have always existed in separate worlds - someone whose Eurorack system consumes an entire wall in their home is usually not the same person whose pedalboard now requires a dedicated roadie just to transport it to the gig.

Intellijel's Stomp removes the barrier between Eurorack and stompbox. It provides the modular synthesist with a portal to stompbox nirvana, and the guitarist with a wormhole to the sonic manipulations of Eurorack modules.

Stomp enables the modular synthesist to interact with the impressive assortment of delays, choruses, flangers, phasers, fuzz boxes, tremolos, wah-wahs, amp simulators, compressors, and pitch shifter pedals available to guitarists. If your effects pedal is adorned with an expression pedal input, Stomp supports that too, and even features a built-in LFO to modulate your pedal's expression input. Need something crazier? No problem. Simply patch any modulation source from your modular system into the expression control jack to override the built-in LFO.

Conversely, guitarists can plug their guitar directly into Stomp's RETURN jack, giving them access to the myriad filters, ring mods, wavefolders and - most importantly - the near-infinite CV modulation delights inherent in Eurorack.

Features:

Robust Neutrik 1/4" TS connectors for the SEND/RETURN and TRS for the Expression interface
Signals arriving at Stomp's RETURN jack pass through a Class A triode emulator, allowing for some tube-like overdrive at high gain setting.
Stomp is more than just a simple level shifter - it's also an impedance converter, which provides proper drive and loading for any FX pedals or instruments you connect.
Separate gain controls on both the SEND and RETURN. This enables you to adjust the level of any audio being sent to the FX pedals as well as any audio coming back into the modular. Not only does this allow you to optimize the signal-to-noise ratio, but by significantly boosting the RETURN level, you can achieve some pleasingly overdriven tones.
Supports both Instrument and Line levels via a front panel switch.
Use Stomp's RETURN circuit as a "direct box" for connecting any instrument.
The high input impedance of the RETURN circuit allows it to be used as a piezo pickup preamp for acoustic instruments.
Use Stomp in the studio as an active "re-amping" device to play pre-recorded tracks back through guitar amplifiers or pedals.
All inputs are protected for minimum RF interference.
Return signal can be phase inverted for use with those pedals or effects types that invert phase.
Low MIX output impedance for driving long cables, lower noise, and minimum interference from outside sources.
The Expression Pedal Output converts analogue CV sources (or the internal LFO) into an output compatible with most stompbox Expression inputs.

Size: 8HP
Depth: 35mm
Power: 47mA @ +12V 13mA @ -12V

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: From the outset, KMA Machine's goal was to create the most flexible analogue upper octave pedal ever yet produced. Based on a highly refined and improved version of the Shriek circuit from KMA's venerated MOAI MAEA pedal, the MANDRAKE brings an even more robust and present upper octave to the sonic table. By combining that upper-octave might with a versatile, yet highly intuitive user interface, the pedal provides a ton of killer tonal options in a very modern and pedalboard-friendly package.

"The humanesque abomination, begat of the evils that once fertilised his empire of dirt, now senses the bleak emptiness of the air that surrounds him. In recognition of his harvest and the perpetual change to his existence, his mesmerising scream is both devastating and euphoric, so all those that encircle him are subdued from the aural toxicity that emanates from the disfigured effigy."

Octave up pedals (as used by so many legendary performers including Hendrix, Tony Iommi, Josh Homme, Billy Corgan, Jack White and so many more), can really give added bite to your sound. But often, many of these fun tools can be untamed and lead to nasty clashing overtones.

With MANDRAKE however, KMA didn't want to just make a one trick pony octave up device. The powerful and ultra-fast tracking Shriek circuit was expanded on with its edgy and fuzzy character that's reminiscent of many of the best vintage octave-up devices. To do this, a 2nd order Low-Pass Filter was introduced, a TIMBRE and individual Mix controls to KMA's well-regarded circuit to make it way more versatile in a single pedal. Let's look at those cool new things in more detail.

The FILTER control helps to tame your upper harmonics, as well as to improve tracking, letting you achieve unhinged, cutting and shrieking mayhem when the control is fully turned all the way to the left. While turning the knob in the other direction gives a more mellow and blooming synth-like texture. The FILTER section is also very useful for tailoring the upper octave effect to different instruments and pickups, where getting the right tone is not a "one size fits all" equation.

In addition, to enable the octave voicing in MANDRAKE to be sculpted exactly to your own personal taste, the TIMBRE control defines the amount of fuzzy gain present in the upper octave. This allows you to perfectly blend in the pedal's tonality with the rest of your signal chain. Turning the control fully counterclockwise, gives a slightly crunchy and percussive tone that's ideal for melodic arpeggio enhancements. While cranking the TIMBRE knob fully clockwise will transform MANDRAKE into a crushingly saturated doom-hammer, instantly ready to wreak havoc with each power chord you throw at it!

Topping off the features, the DRY and OCT+ controls allow the dry signal and effected upper octave to be mixed independently, for precise tonal balancing. This is especially handy when using MANDRAKE together with other dirt pedals or when you just want to retain the natural body and attack of your instrument.

Subtle descant or decimating octaval Armageddon? With MANDRAKE the choice is totally yours!

Notes: Think of the MFD like a tiny DJ mixer: two stereo inputs, one stereo output, with the option to cue either input and crossfade between the two. A simple idea very well executed.

Supplier's Notes:
Inspired by DJ mixers, the MFD allows you to cue and crossfade between signals. Ideal for live performance as well as jamming out ideas in the studio.

Supplier's Notes:
The 'MFD' is a 2-channel stereo crossfader designed for live DJ-style mixing and jamming in Eurorack. Two mono or stereo inputs are mixed to a single stereo output via direct or voltage control. Additional Cue controls provide preview monitoring of either input pre-mix via dedicated Cue switches and an output.

Voltage control over the crossfade and DC coupling allow for further creative uses such as a high quality stereo VCA or as a mix processor for either stereo audio signals or CV.

The MFD is designed to have very low noise and cross bleed and employs equal power crossfading for smooth constant level blending between signal sources.

Features:

Two channel stereo crossfader with voltage control.
Approx equal power crossfading.
Cue output switches for direct monitoring of either stereo input (pairing well with HPO for headphone monitoring).
Can be used as a high quality stereo VCA.
DC coupled for use with both audio and CV.
Skiff friendly with reverse power protection.
Two year warranty.
Made in England.

Ideal For:

Smoothly blending and monitoring 'tracks' or 'scenes' during a live set.
High quality VCA use for stereo based sources.
Voltage controlled crossfading and mixing of both CV and Audio signals.
Other advanced uses including audio rate modulation, stereo panning effects and a CV controlled FX send.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 6HP

Depth: 32mm

Review: Les Claypool is of course best known for spearheading Primus, the twisted funk metal pioneers that put slap bass at the top of the agenda. As a virtuoso musician with the most inquisitive of minds, Claypool naturally explored many other musical avenues beyond Primus' oddly-angled jams, and this box set does a damn fine job of summarising those exploits through the lens of his Prawn Records label. Spread across seven LPs, we're treated to remastered versions of projects such as The Fearless Flying Frog Brigade, Colonel Claypool's Bucket Of Bernie Brains and The Fancy Band. You're as likely to wind up in weirdo jazz hoedowns as funked-out rock music, but in between these niches there are so many other undefinable surprises in store.

Notes: Lo-fi looks, killer sound. Serious filth here from Death By Audio. Surprising versatility with simple controls, offering mild overdrive if you want but specialising in grimy fuzz.

Supplier's Notes:
Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe.

This Death By Audio pedal has hand spray-painted graphics covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

Controls

Volume: Controls the overall output level.

Fuzz: Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz.

Tone: A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.

Specs

Dimensions: 5.87" x 4.72" x 2.5" (including hardware)
Weight: 18 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery)
Current Draw: 1 mA

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


More bang for your buck? Omnitronic's four-channel offering is a competitively priced alternative to entry-level mixers from Pioneer or A&H. Built-in mp3 playback from USBs and audio streaming over Bluetooth.

Supplier notes:
- 4 input channels with gain control, LED level meter, 3-band equalizer, cue button and channel fader
- DJ microphone channel with level control, 2-band equalizer, on/off and talkover switch
- Integrated Bluetooth audio streaming for your smartphones and tablets
- MP3 player with USB port and blue LCD screen
- Pre-fader listening to all input channels and the master output via adjustable stereo headphones output
- Crossfader with assignment switches and adjustable curve
- Master channel with level and balance control
- 10-digit stereo LED level meter
- Adjustable monitor output (DJ booth)
- 10 line and 2 phono inputs via RCA jacks
- Balanced XLR and RCA outputs
- Record output, independent of the master

Notes: You must absolutely own Skippy to use this module; it cannot operate independently.

The firmware version 2.21 or higher must be installed on your Skippy.

Additional features:
1 CV gate or trig input for Reset
1 CV gate or trig input for Play/stop
1 Reset button
1 Play/stop button
1 Live mode on/off button
16 function potentiometers distributed over 4 rows: you can freely choose a function (BPM, STEP, BEGIN, END, GAUSS, GATE, PROBA, CHAOS, SWING, WAY) for each row.
1 row of 4 algorithm potentiometers: you can freely choose an algorithm (Euclid, Jazzy, PolyR, Tiles) for each potentiometer.
The Save function takes into account the settings used in Skippy Live.
The selected parameters for Skippy Live are automatically saved.

Technical specifications:
10 HP
Depth: 25 mm
Power consumption:
+12 V 0 mA
-12 V 0 mA
+5 V 15 mA
Comes with a connector to Skippy and Knurlies.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Solid power amplifier designed to run PAs, DJ rigs and passive studio monitors. 250 watts RMS power and 2000 watts peak. Strong, clean and reliable power at a very low price.

Suppliers notes:
The XGA-2000 amplifier offers clean, reliable power in a durable, lightweight enclosure. If you demand professional amplification performance, the XGA-2000 is perfect for delivering pure, consistent wattage night after night.

With 2000 watts of Instant Peak Power (250 watts RMS), the XGA-2000 is ideal for powering PA systems and DJ rigs. To ensure seamless, reliable performance, the amp features front-to-rear airflow and a cooling fan for thermal stability, DC output protection and short circuit protection.

For true connecting convenience, the XGA-2000 boasts XLR and 1/4-inch balanced inputs and three Speakon outputs. The unit also provides front panel indicators for Signal, Clip, Protect and Bridge, plus level controls for channels 1 and 2. Selectable modes for Stereo and Mono Bridge give you even more flexibility, while its sleek, lightweight design ensures total portability.

With clean, dependable power in a resilient, 17-pound enclosure, the XGA-2000 offers unmatched value for anyone who is serious about sound.

Notes: Stereo version of Erica's DJ-style filter module designed with drums in mind. Simple three-knob interface gives control over joint low-pass/high-pass resonant filter with CV input.

Supplier's Notes:
As its name suggests, the Erica Synths DJ VCF STEREO module provides sound treatment functionality typically found on DJ decks - it is fully open when the cutoff knob is at 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is initiated. Additionally, there is a nice-sounding, adjustable resonance parameter. This provides hands-on control over the sound during performances as well as unconventional timbre modulations that are hard to achieve with conventional state variable filters.

Features

Fully analogue stereo DJ-style VCF
Manual cutoff and resonance control
Two cutoff CV inputs, one with an attenuverter
Technical specifications:

Audio level: 10Vptp
CV level: -10V - +10V
Filter slope: 24dB/oct
Power consumption: +109mA, -101mA
Module width: 8HP
Module depth: 35mm

Notes: Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits.

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.
12HP eurorack module

Notes: A lot of fun from this quirky little box, designed to hold up to eight minutes of samples and then allow you to trigger, warp and manipulate them in real time with hands-on controls.

Supplier's Notes:
Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits:

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.

Notes: Xkey37 LE- 37 reasons to go (slightly) bigger.

One more octave.

Same beautiful design... but longer.

20% lighter than a 11-inch MacBook Air!

New Xcable means more exciting possibilities.

MIDI OUT. Sustain and expression pedals inputs

Enough room for two-handed playing.

Portability meets functionality. Awesome!

Xkey 37 LE sets you free!

Real Keys- 37 full size keys. Shut your eyes and you'll think you're playing a regular piano.

Portable- Lightweight and tough. Xkey is the perfect traveling companion.

New Xcable- The Xport connector now gives you access to MIDI OUT, sustain & expression pedal inputs. With just one cable!

Slim Design- Main aluminium body is only 3.9mm high. That's 36% less than the new iPad Air.

Aluminum Body- Robust, high quality construction. Looks great. Same finish as a MacBook.

100% MIDI- Use Xkey with your favorite music apps on your favorite devices. Works out of the box.

Polyphonic Aftertouch- Your pressure on the keys controls the effect individually. Professional studio standard feature.

Customizable- Download the free Xkey Plus application. Configure your keyboard how you like it.

Velocity Sensitive- Play loud with one hand, soft with the other. There's 128 levels of sensitivity.

USB Powered- No battery needed. The Xkey is powered and upgradable via a single USB cable (provided).

Regular Updates- Benefit from upcoming new features. Upgrade your Xkey online!
Smart Buttons- Octave Change, Pitch Bend, Modulation, and Sustain function buttons.
Controls- 37 full-size keys (3 octaves).
100% MIDI compliant.
Velocity sensitive.
Polyphonic aftertouch.
Pressure sensitive Pitch bend and Modulation buttons, with continuous MIDI control data.
Octave +/- push buttons.
Sustain button.
USB Powered (no external power supply needed).
Firmware upgradable via USB.
Configurable via Xkey Plus free app for iOS, Mac OSX, and Windows.

Connectors

Micro USB connector (cable provided).
Activity indicator LED.
Xport connector (proprietary Xcable provided)
MIDI OUT (DIN-5 through Xcable).
Sustain Pedal input (6.35mm (1/4") jack through Xcable).
Expression Pedal input (6.35mm (1/4") jack through Xcable).

Dimensions
Width: 553 mm (21.77 in)
Height: 135 mm (5.31 in)
Depth: 16 mm (0.62 in)
Weight: only 880 g (1.94 lb) - 20% lighter than a 11-inch MacBook Air!

Power consumption
~ 125mW / 25mA

Included in Package
Xkey37 / Xkey37 LE (37 keys)
Xcable Included with Xkey37, optional for Xkey37 LE (with MIDI OUT, expression and sustain pedals inputs)
Micro USB cable.
Quick Start Guide.

Notes: Zeus Guitar Pedal Power Supply

NU-X have built an enviable reputation as guitar pedal experts and great guitar sound starts with the power source. Using standard 9Vdc power adaptors usually releases unwanted noise into the signal chain and unstable power can adversely affect the operation and even life expectancy of some boutique pedals. Zeus is an extremely low noise, high current power supply designed specifically for audio effect circuits with 6 fully isolated 9V outlets, 3 switchable 9/12/18V outlets and a fully variable 6-12V outlet. This lightweight and efficient power supply has the flexibility and reliability to run a full pedal board, even with multi-effect units added, with problem-free operation.

Extremely low noise circuitry
Fully isolated outputs
Multiple voltage options
High current capacity
Supplied with various DC link cables to havndle most pedal input types
Supplied with a 2-outlet combiner lead with 2.5mm DC plug for higher power units.

Power supply: 100-240Vac, 50/60Hz (IEC)
Outputs: 6 x 9VDC, 3 x 9/12/18vDC, 1 x 6-12Vdc variable (all DC5521 jack)
USB output current: 1.5A (Type-A outlet)
Dimensions: 195 x 101 x 42mm
Weight: 658g

In the box

The box for this item contains :

Zeus guitar pedal power supply
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.5m
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.3m
1 x DC jack reverse polarity cable (5.5x2.1mm) straight to angle 0.5m
1 x DC jack (5.5x2.1mm) to 3.5mm plug cable 0.5m
1 x twin DC jack (5.5x2.1mm) socket to single DC plug (5.5x2.5mm)
1 x IEC power lead

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch

Notes: Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-5 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.

The RC-5 features the most advanced interface available in any compact looper pedal. The LCD lets you keep an eye on loop status as you perform, with a backlight that changes colour to indicate recording, overdub, and playback states. And coupled with the multi-function parameter knob, it's quick and easy to navigate rhythms, kits, system settings, and more in the heat of the moment.

The RC-5's versatile pedal switch controls all looping functions-record, overdub, play, stop, and undo/redo. But deeper control is also supported if you need it. Connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. Players with advanced systems will love the TRS MIDI I/O, which saves space and enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.

With 57 preset rhythms and seven different drum kits, the RC-5 is ready to elevate loop and practice sessions with inspiring grooves for any style. For each rhythm, A/B variations can be selected from the panel or controlled via MIDI while performing. The RC-5's looper engine also includes a cool reverse function that's great for infusing your music with fresh sonic colours.

The RC-5 provides 99 phrase memories, letting you store loops as fast as you create them. In addition to audio, a phrase memory includes the selected rhythm and kit, so it's ready to go when you call it up. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-5 becomes a pedalboard playback hub for lesson material, jam tracks, or backing music for your next gig.

Notes: Make your playing soar with majestic ambience

Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb.

Multi-Dimensional Processing for Superior Tone

Roland's innovative Multi-Dimensional Processing (MDP) analyses audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

TE-2: Inspirational Echo

Thanks to MDP, the TE-2 delivers an amazing new ambience effect that satisfies and inspires. Complex internal processing produces an incredibly deep and spacious sound, dramatically enhancing the straight guitar tone without overwhelming it. Through the TE-2's simple, familiar stompbox controls and incredible sensitivity to your playing dynamics, an extremely wide range of sounds can be achieved. And with the expressive Freeze function, you can hold the current effect sound to create rich soundscapes for lead playing and sonic exploration.

The 100th BOSS Compact Series Model!

The TE-2 Tera Echo represents a milestone as the 100th model in the long history of the BOSS compact series. Starting with the release of the OD-1 Overdrive in 1977, BOSS' legendary stompboxes have been integral tools of artistic expression for millions of players around the world. Fuelled by a spirit of dedication and innovation that began nearly four decades ago, the TE-2 carries on the BOSS legacy of bringing inspiring, leading-edge technologies to musicians everywhere.

Specifications:

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E. LEVEL knob, TONE knob, FEEDBACK knob, S-TIME (Spread Time) knob
Indicator: CHECK indicator (Used for indication of HOLD, and to check battery)
Connectors:, INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 90 mA

Expected battery life under continuous use:
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options: (sold separately): AC adaptor (PSA series)

Size & weight (including battery)

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 435 g / 1 lb

Notes: SkipLog, a probability processor with sequence capturing and looping features, along a range of other versatile functions waiting to be explored.

SkipLog is a 3-channel rhythmic probability processor designed for inventive rhythmic exploration in modular setups. Introduce unpredictable rhythmic possibilitis to your creative flow.
SkipLog's basic operation is simple: when a trigger or gate is received at one of its three channels' inputs, the same channel’s Probability knob allows you to control the likelihood of these triggers or gates reaching the output. This inputs are internally connected .

SkipLog continuously captures the binary outcomes of its use, storing them for potential sequences. Activate the Loop function to break from pattern creation and loop the recorded sequences. Individual Loop Length knobs for each channel allow adjustment of the loop sizefrom 1 to 16 or 32 steps (as selected on the back), providing evolving rhythmic patterns.

To fine-tune your arrangement, SkipLog introduces functions like Mute for real-time channel silencing, Inv for signal inversion, and Choke for establishing channel priorities. Lastly, the G/T (Gate/Trigger) Mode enables users to specify whether the channel output is a gate or a trigger.

Dimensions
8 HP
33 mm deep

Current Draw
100 mA +12V
22 mA -12V

Notes: Journey to New Sonic Frontiers

With the SY-1, it's never been easier to infuse your creative arsenal with BOSS's legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it's as simple to use as a standard stompbox, so you don't need any background in synth programming to bring a new world of sonic textures to your music.

SY-1 SYNTHESIZER Sound Tryout

Get interactive with Boss' custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

Expressive Synth Sounds, No Programming Needed

The SY-1 transforms any guitar or bass into a versatile synthesizer that's fun, inspiring, and ready to play. Backed by advanced tech first developed for the SY-300, this super-cool pedal delivers a huge selection of analogue-style synth sounds while occupying minimal space on your board. What's more, all the sounds are polyphonic, allowing you to play both single notes and chords.

Plug-and-Play and Latency-Free

The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. Thanks to custom DSP and the latest BOSS innovations, the SY-1 offers latency-free performance that's a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way.

A Universe of Synth Sounds Inside

With its 11 categories and 121 total sounds, the SY-1 puts an enormous array of synth colours at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone/Rate and Depth knobs, you're able to adjust any synth voice just how you like, including changing the pitch on some sounds.

At Home in Any Rig
As a standard BOSS compact, the SY-1 drops into a serial pedal chain like any other stomp. But with the send/return loop and dedicated mix controls, it's also possible to blend one or more pedals in parallel with the SY-1's synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations.

Enhance Performances with Real-Time Control
The SY-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. You can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone/Rate control.

SY-1 Sound Types

LEAD 1/2 - A wide range of sounds suitable for single-note soloing.
PAD - Full tones that work great with chords, from layered pads to synth brass and more.
BASS - Fat synth bass sounds, including filtered and sub-octave tones.
STR - Classic analogue-style strings, including layered voices and sweeping textures.
ORGAN - A large selection of organ sounds, including many with rotary-style modulation.
BELL - Percussive synth sounds with metallic resonance.
SFX 1/2 - A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ 1/2 - Pulsating sounds with rhythmic pitch or filter changes.

Specifications

Nominal Input Level: INPUT, RETURN: -20 dBu
Input Impedance: INPUT, RETURN: 2.2 M ohms
Nominal Output Level: OUTPUT, SEND: -20 dBu
Output Impedance: OUTPUT, SEND: 1 k ohms
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass

Controls: Pedal switch, GUITAR/BASS switch, TYPE knob, VARIATION knob, TONE knob, DEPTH knob, EFFECT knob, DIRECT knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
EXP/CTL jack: Stereo 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 115 mA

Expected battery life under continuous use: Alkaline: Approx. 2 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9 V, 6LR61)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Heigh: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: ***B-STOCK: Box damaged, slight surface marks, otherwise in perfect working order***


The Sefour Vinyl Addict Feeder is a compact and elegant vinyl storage solution that can hold up to 300 vinyl records in an upright, feeder-style format. The stylish and sleek design gives you instant access to all of your vinyl and with built-in chrome bars, you can organise your vinyl to always have your favourites to hand. Compact and functional, the Vinyl Addict Feeder is only 95cm tall, making it ideal for apartment living where space is at a premium. Designed in a sleek, all-black finish, the Vinyl Addict Feeder will complement any living space or anywhere in the house you choose to put it. Ideal for DJ's or music enthusiasts, the Vinyl Addict Feeder will become the centrepiece of your setup.

Specifications

Weight: 20kg
Dimensions (W x H x D): 95 x 33 x 46cm
Colour: Brown

Notes: The Classic CUBE, Evolved for Maximum Flexibility

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE LX Guitar Amplifier carries on this long tradition, evolved with the latest BOSS advancements for unmatched flexibility. This desktop powerhouse is the ultimate guitar amp for home practice and jamming with friends. And with a generous array of connectivity options, its range extends to performing, recording, and many other applications.

Meet the Moment

With its compact size and authentic BOSS tones, the DUAL CUBE LX delivers instant gratification for everyday playing at home. And its ultra-flexible design lets you go much further when you want, providing advanced features that reach well beyond the capabilities of other desktop amps.

Practice and Jam Anywhere

Indoors and out, enjoy big, immersive sound with custom-designed stereo speakers and versatile power with the included AC adaptor or eight AA batteries.

Perform On Stage

Use the stereo Line Out jacks to directly connect to a PA system and perform with pro BOSS amp sounds, complete with mic'd cab emulation and expansive stereo effects.

Record to Your Favourite DAW

Use the DUAL CUBE LX to capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link.

Elevate Your Livestreams

With the Phones/Rec jack and mic volume control, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your guitar sounds.

Play Along with Backing Music

The DUAL CUBE LX offers many ways to play along with backing music from a mobile device or computer, including a stereo aux input, USB and i-CUBE Link Loopback, and an optional Bluetoothr adaptor.

Authentic Amp Tones

With its finely tuned stereo speaker system, the DUAL CUBE LX produces full, punchy guitar tones that belie the amp's small footprint. Choose from eight versatile amp types, all with natural feel and organic response honed with decades of BOSS amp development. Whatever your style or skill level, you'll find expressive sounds to build techniques and deliver inspired performances. There's also a dedicated mic preamp type, allowing you to use the amp as a portable vocal PA system.

Onboard BOSS Effects

The DUAL CUBE LX includes a variety of BOSS stereo and mono effects to enhance your sound. Out of the box, you can spice up tones with four mod effect types or Heavy Octave and add ambience with delay or two types of reverb. If you want to go even deeper, it's possible to change out effects and adjust settings via the DUAL CUBE LX Editor.

Deep Sound Customization

The intuitive panel controls on the DUAL CUBE LX make it easy to craft compelling sounds in the moment. Each amp type includes three user memories, allowing you to store all the knob settings for quick recall. And with the DUAL CUBE LX Editor, there's a world of additional creative power to explore. Select different amp and effect variations, adjust detailed parameters, and more from your Mac or Windows computer.

Stereo In for Modelers and Pedalboards

The DUAL CUBE LX features a special Stereo In amp type for connecting stereo devices, complete with advanced spatial processing that makes it sound like you're playing through a much larger cabinet. By default, it provides rich, full-range sound for an amp/effects processor such as the GT-1000, GT-1000CORE, GX-100, GT-1, or IR-200. With the DUAL CUBE LX Editor, you can alternately choose a neutral guitar amp tone inspired by the famous Roland JC-120, giving you an ideal platform for exploring the stereo capabilities of pedals like the BOSS 500 and 200 series.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the onboard looper and switch memories while performing.


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: GUITAR/STEREO IN L, R: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L/MONO, R: -10 dBu
Speakers: 10 cm (4 inches) x 2
Controls: POWER switch, AMP TYPE knob (ACOUSTIC SIM, JC CLEAN, US COMBO, BRIT COMBO, HI-GAIN STACK, METAL STACK, EXTREME, MIC, STEREO IN), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, EFFECTS knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE), DELAY/REVERB knob (DELAY, REVERB, SPRING), TAP button, MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, MEMORY, TAP, REC, PLAY, DUB

Connectors: GUITAR jack/STEREO IN L, R jacks: 1/4-inch phone type, i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA), FOOT SW jack: 1/4-inch TRS phone type, Bluetooth ADAPTOR connector: Dedicated connector, USB port: USB B type,, DC IN jack

PHONES/REC OUT jack: Stereo, Miniature phone type (Stereo, CTIA), LINE OUT L/MONO, R jacks: 1/4-inch phone type

Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8
Current Draw360 mA

Expected battery life under continuous use
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)
Options (sold separately)
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL
Size & weight

Width: 341 mm / 13-7/16 inches
Depth: 162 mm / 6-7/16 inches
Height: 215 mm / 8-1/2 inches
Weight (excluding AC adaptor): 3.3 kg / 7 lbs 5 oz

Notes: Transpos lets you transpose three CV channel with a single source.

Adder:

The voltage of each CV input can be varied by plus or minus two octaves depending on the switch and the potentiometer of each channel. Transpos uses precision regulators: for example if we increase by a fifth with the switch on "+" we reduce it by a fifth when we pass on "-".

Transposer:

The 1V/o CV input will influence each of the three channels. By turning the CV potentiometer you can globally increase or decrease the transposition of the three channels at the same time.

Dimensions
8 HP
40 mm deep

Current Draw
70 mA +12V
70 mA -12V
0 mA 5V

Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.

Notes: As an Old Blood Noise Endeavors take on reverb, BL-37 Reverb Variable-Clock Effector is a new voice with a streamlined control set: a reverb both more immediate and more degraded than any other.

Thanks to its simple yet intuitive and interactive control set this modulated reverb can be quick and highly reflective or slow and stretchy with noticeable pitched undulations.

The sheer audacity of sound, to fill a room, to fill our heads, to fill our hearts. To act digitally as if tangible, as if these walls could talk, as if this were a real space and not a series of all-pass filters and modulated delays meant to capture the idea of somewhere we'd been before and something we'd done before and something we were before, as if. To give control over the whole thing, to simply stretch by hand the entire clock! It's a heck of a concept really.

BL-37 is a reverb pedal. It is lush but also ringy, and easily stretchable. It modulates, and sometimes that modulation feels certain, an obvious pitch bend, while other times it washes, simply a shimmering softening element. The control set for BL-37 is simple. A Clock slider sets the timing of the entire system - the sample rate that determines signal fidelity, the timing of the reverb, and the speed of the modulation within that reverb are all affected as the slider slides. Additional controls for Feedback, Mix, and Volume allow you to further craft the spatial voice in play here.