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FORTHCOMING
Arturia MicroFreak Vocoder Limited Edition Arturia MicroFreak Vocoder Limited Edition Arturia MicroFreak Vocoder Limited Edition
Arturia MicroFreak Vocoder Limited Edition (synthesiser sequencer vocoder)
Cat: 789247 • View all Synthesisers
 
Vocoder
Notes: The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Timbre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing. Step up to the mic A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings. A new dress code First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already. The Freak within Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Box contents:
MicroFreak Vocoder unit
Electret mic with gooseneck and headphone adapter
Power supply

Size & weight
Instrument size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Instrument weight : 2.3 lbs. (1.02 Kg)

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MRP:$385.95 SAVE 17%
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Noise Engineering Desmodus Versio Stereo I/O Tail-generator Reverb & User-flashable DSP Platform Module
Notes: Proper creative stuff with this one. Lush, characterful stereo reverb with CV control, distortion, pitchshifting, a freeze button and more. Oh, and it's got user-customisable DSP firmware for good measure.

Supplier's Notes:
Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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MRP:$406.60 SAVE 13%
 More than 10 in stock $352.81
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quote 781603
Make Noise 0-CTRL Sequencer (B-STOCK) Make Noise 0-CTRL Sequencer (B-STOCK)
Cat: 793286 Rel: 01 Jan 90 • View all Synthesisers
 
***B-STOCK: Box opened, product unused***
Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables
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 1 in stock $364.65
Teenage Engineering POM-170 Home-Build Analogue Monophonic Synthesiser With Built-in Programmable Sequencer (B-STOCK)
Cat: 793289 Rel: 01 Jan 90 • View all Synthesisers
 
***B-STOCK: Box opened, product unused***
Notes: The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.
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 1 in stock $332.38
Empress Effects Echo System Dual Engine Delay Pedal Empress Effects Echo System Dual Engine Delay Pedal Empress Effects Echo System Dual Engine Delay Pedal
Cat: 783107 Rel: 24 Sep 20 • View all Effects pedals
 
Delay pedal
Notes: Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

In addition to delays, there's the super-useful reverb combos, which will elevate any guitar part. Oh, and don't forget Whisky mode, best accompanied by a dram of whatever you've got!

The pedal has 12 algorithm types, all with multiple variations. For example, there are 4 different tape delays on tap.

Emulations of classic tape and analog units are available, as well as our take on these types of delay.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Global tap tempo as well as local tempo with lots of subdivisions are available on all modes, in addition to being able to set the delay time directly with the knob.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

2 delays can be used at the same time, each with its own full set of controls and routed in serial, parallel or left/right.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your delay works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control Port(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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MRP:$593.77 SAVE 22%
 2 in stock $464.69
Maxon RTC600 Real Tube Series Compressor Pedal
Cat: 783428 Rel: 23 Sep 20 • View all Effects pedals
 
Compressor pedal
Notes: The RTC600 is like taking the finest studio-grade tube compressors and "squeezing" them all down into a single stompbox.

The RTC600 starts out with the same patented DBX compression circuit used in Maxon's popular CP-9 Pro+ pedal - this circuit provides a very smooth, transparent, almost "glassy" compression with very low noise floor, even at maximum settings. Your guitar sounds like your guitar, only with compression added to smooth out the dynamics.

The RTC600's dual-triode tube is positioned pre-compression, adding classic valve warmth to the signal without increasing noise levels.

With up to +30 dB of clean Gain, the RTC can be used as a clean booster or as an attenuator to clean up an already dirty amp.

The Addition of Attack and Release controls to the circuit allow for a wider variety of compression effects, including "Brick Wall" limiting and "Soft Knee" compression.

The RTC600 features an internal charge pump circuit that bumps the incoming voltage up to 25 volts, providing massive headroom and full-range frequency response. The RTC600 can be used with any instrument and for a variety of applications - it can be sent into an amp's front end, placed in an effects loop, or used as an outboard processor for home recordings.

The RTC600 features True Mechanical Bypass switching using a 3PDT switch. The RTC600 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

For studio-quality compression in a compact Stompbox, the RTC600 is the only REAL choice.

Rack tube compressors of this quality can cost thousands of dollars more than the RTC600.

TECH TALK:
The RTC600 features a completely new and improved circuit from its predecessor, the RCP660.

5 controls adjust the compression effect -

Threshold: Variable, 0dB to -40dB
Output gain: Variable, 0dB to 30dB
Compression Ratio: 1:1 to 1:Infinity
Attack time (for 20dB gain increase): Variable, 20mSec to 600mSec
Release time (for 20dB gain decrease): Variable, 140mSec to 700msec

A Gain reduction LED lights when the reduction is 4dB or more.

The RTC features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTC600 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTC600 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Max Output Level: +20dBu (at 1 kHz)

Residual Noise: -94dBu or less (Input shorted, IHF-A weighted)

T.H.D. +N: 0.02% or less (at 1 kHz, -10dBu output)

Controls:
THRESHOLD 0dBu to -40dBu
RATIO 1:1 to infinity: 1
GAIN 0dB to +30dB
ATTACK (for 20dB gain decrease) 20mSec to 600mSec
RELEASE (for 20dB gain increase) 140mSec to 700mSecSwitch: BYPASS/EFFECT (Mechanical True Bypass using 3PDT switch)I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED REDUCTION LED (When REDUCTION LED lights, compression is more than 4dB.)

Internal Circuit Voltage: 25 VDC (i12.5V) (DC to DC Converter)

Power Consumption: 240mA/9VDC

Dimensions: 121 (W) × 152(D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 580g / 1.3 Lbs. (without AC adaptor)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu=0.775Vrm
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MRP:$450.49 SAVE 15%
 1 in stock $380.77
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quote 783428
Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument
Cat: 662253 Rel: 29 Sep 17 • View all MIDI controllers
 
Compact, next-generation production & performance controller featuring integrated hardware & software system
Notes: Version 3 of NI's hybrid groovebox is a super-slick instrument, with the pad controller and Maschine software working in perfect harmony. Built-in audio interface, slick workflow and tons of sounds included to get you started.

Supplier's notes:
The new MASCHINE takes the classic groovebox workflow and makes it faster and more intuitive. Optimized based on customer research, it's packed with new features to boost your speed and increase your focus - all without breaking the workflow you love.

Bigger pads:
Big, bold, and in your face, the larger pads create more room for complex moves like flams and rolls. New technological updates make the pads more sensitive to lighter touches, for more expressive playing. And since the centre-to-centre distance is exactly the same, your muscle memory and workflow don't have to change.

Full colour, hi res screens:
With two full-colour displays and the four-directional push encoder, you can browse sounds, FXs, plug-ins, and instruments with a tactile, one-handed, completely visual workflow - simply find the thumbnail and load directly from the hardware. Plus, the high-res screens let you get more precise with your mixing, see an overview of your arrangement, or zoom in on waveforms to slice samples like a surgeon.

Studio-grade audio interface:
MASCHINE now comes with a studio-grade, 96kHz / 24-bit audio interface for pristine sound. Simply patch in a synth or add a dynamic mic for quick recording and sampling. Stereo line and MIDI ports make it a perfect centrepiece for any studio. Plus, it's USB-powered, so you can record anywhere with your laptop - or plug in the included power supply unit for brighter pads.

Faster workflow:
The new hardware layout cuts through the clutter to help you stay focused and get your ideas out fast. Instead of being hidden behind a shift-function button, some of the most-used features and functions can now be accessed directly with one touch.

8 touch sensitive knobs:
Go beyond tweaking with eight touch sensitive knobs. Touch once to activate special contextual menus, such as tag clouds, sound settings, and FX parameters. You can also map your most frequently used FX, instruments, or plug-in parameters to macros with the touch of a button.

Smart strip for new ways to play:
The Smart Strip opens up MASCHINE to whole new ways of playing. Use it like a keyboard wheel to pitch-bend and modulate sounds. Add new sonic textures, builds, or transitions with advanced performance FX like stutter and scratch. Or strum samples, synths, and drums like a guitar.
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MRP:$644.11 SAVE 25%
 7 in stock $482.98
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quote 662253
Omnitronic TRM202MK3 Rotary DJ Mixer Omnitronic TRM202MK3 Rotary DJ Mixer Omnitronic TRM202MK3 Rotary DJ Mixer
Cat: 652255 Rel: 01 Dec 17 • View all DJ mixers
 
2-channel rotary mixer with 3-band frequency isolator for DJs
Notes: The best value rotary mixer on the market. Entry-level rotary option from German brand Omnitronic offers similar features and sound to boutique mixers three or four times the price.

Supplier notes:
The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.

Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.
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 More than 10 in stock $395.84
Arturia KeyStep Pro 37 Key Portable USB MIDI Keyboard Controller & Multi Channel Polyphonic Sequencer
Cat: 762332 Rel: 20 Apr 20 • View all MIDI keyboards
 
USB MIDI keyboard & sequencer
Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.
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MRP:$476.31 SAVE 24%
 More than 10 in stock $362.50
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quote 762332
FORTHCOMING
Keeley Super Mod Workstation Modulation Pedal
Notes: Sonically drench yourself in swirling modulated tones. Not many effects can be as provocative as a chopping tremolo, a swirling rotary, a dreamy chorus, or a crazed filter sound. Nothing compares 2 a thick flanger or deep harmonic tremolo. Nothing goes better with modulation than delay and reverb. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds.

The Super Mod Workstation contains many of Keeley's finest effects. The Harmonic Tremolo in this unit is inspired by vintage brown face amps. The Keeley DynaTrem contained our first Harmonic Tremolo. Many consider this deeper and thicker sounding than the U Vibe type effect. The ADT in the Super Mod Workstation is from the 30ms Automatic Double Tracker. Last year that effect set the effect world on fire with the best complete ADT unit in a stomp box.

The Super Mod Workstation allows you to combine effects like Tremolo, Filter, Phaser, Chorus, Rotary Speaker, or Delay with other similar modulation effects, including delay or reverb! For example you can combine our famous 30ms Double Tracker sound in the ADT, with a Flanger, or an Echo, or Plate Reverb. Another example would be to use Bank 1 - Phaser sound, combined with Bank 2 - Delay. You can use the expression pedal to run delays into self oscillation feedback! You can Tap Tempo input a rate for the Harmonic Tremolo sound on Bank 1 and then use an expression pedal input for speed of the Rotary Cab sound on Bank 2. Decide it's #modulationFreeMonday? Well, you can use the Analog Delay on Bank 1 and a super wet Hall Reverb on Bank 2.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Super Mod Workstation has Tap Tempo for Mod Bank One, and external expression control on Mod Bank Two.

Super Mod Workstation effects include:

Tremolo w/triangle to sine waveform control

Harmonic Tremolo w/presence tone control

Filter Trem w/oscillator and random control

Phaser w/feedback control

ADT w/blend control

Rotary Cabinet Sim w/treble horn control

Digital Delay

Analog Delay w/dynamic modulation

Chorus/Vibrato w/blend control

Flanger w/positive or negative feedback

Hall Reverb

Plate Reverb

Tap Tempo on Modulation Bank 1

Expression Control on Bank 2
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MRP:$385.95 SAVE 17%
coming soon $321.63
FORTHCOMING
Keeley Tone Workstation Drive, Boost & Compressor Pedal
Cat: 782481 • View all Effects pedals
 
Drive/boost/compressor pedal
Notes: Introducing the Tone Workstation. The front end of your signal chain- this is where your tone develops. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Compression, Drive, Overdrive, Boost: you get it all here. The Tone Workstation is designed to be the first stage in your pedal board. It may even be the only pedal you bring to a gig. And we designed it that way.

Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. Adjust the Sustain control for increased compression or squeeze. As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.

Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive. First, the 1962 is Keeley's British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone. In the Katana Mode, only the volume works; the Tone and Drive are disabled. It's a clean sound people say you just can't turn off.

Last in the chain is Keeley's renowned Red Dirt overdrive. You get 15 years of modding tube screamers distilled into one toneful circuit. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! The Red Dirt circuit captures every nuance of your guitar's tone and delivers a classic, smoking hot, silky smooth lead tone.

Dimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.
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MRP:$385.95 SAVE 17%
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FORTHCOMING
Keeley Verb O Trem Workstation Powerful Reverb & Modulation Machine Pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT Workstation gives you the famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo.

So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT Workstation is a simple and beautiful sounding solution.

The Keeley VoT Workstation is a high-end Dual DSP effect workstation. Each effect, reverb and tremolo are given their own effects engine. This allows us to create rich and ornate filtering. These are studio quality sounds we that have been crafted over the years, refined by working musicians and studio engineers.

Reverbs
Keeley knows and develops reverb spaces. Fat, juicy, sonically rich spaces. Keeley 2 Spring Reverb is the real deal. It's so good sounding, they install it in The Amp now. In fact Keeley reverb has been developed in many other brand's pedals.

There are 8 petals to this flower: 2 Spring, 3 Spring, Plate, Hall, Chamber, Room, Fugue, and Slapback!

Each Keeley VoT Workstation reverb allows you to control:

Level - Output Volume Level for the reverb channel

Decay - this is the length of the reverb trails, the size of the ambient space. External Expression Control port on rear of unit.

Morph - Pre-Delay - The earliest reflections, sometimes heard as a slapback. This is great for setting up a reverb space that sounds huge, or you can dial it in so that it plays well with fast, percussive notes.

Effect Level - This is your Blend Control- how loud you want the reverb in your guitar mix.

Tremolos
A Lotus Flower of Tremolos- you have eight blooming tremolos in the Keeley VoT Workstation!

8 Vintage Tremolo modes: Sine Wave, Square Wave, Harmonic, Dynamic Harmonic, Pitch Vibrato, Ramp Trem, Les'Rotary Speaker, U-Vibe

Level - Output Volume Level for the tremolo-modulation channel

Rate - Speed of modulation, with on-board Tap Tempo, external tap input jack.

Depth - amount of volume change in effect. THROB.

Morph - Controls a variety of aspects including filter points, wave shape, duty cycle, tweeter/woofer control, etc. Instruction manual lists exact details.

VoT - Lotus
The VoT Workstation Tremolo allows you to have on-board Tap Tempo or you can use an external tap switch or generator. Expression pedal control gives you foot controlled access to the Reverb Decay control. This allows you blend the perfect amount of reverb into your guitar mix.
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MRP:$385.95 SAVE 17%
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Native Instruments Traktor Kontrol Z2 DJ Mixer Native Instruments Traktor Kontrol Z2 DJ Mixer Native Instruments Traktor Kontrol Z2 DJ Mixer
Cat: 468767 Rel: 02 Nov 12 • View all DJ mixers
 
2+2 channel mixer and DJ controller
Notes: NI's Z2 helps you get the most out of Traktor with two standalone Traktor/CDJ/turntable channels and two Remix Deck channels. Intuitive Traktor controls give you the best of both worlds.

Supplier's Notes:
TRAKTOR KONTROL Z2 is the world's first 2+2 DJ control mixer. Built tough for pro club use, the Z2 excels both as a state-of-the-art club mixer alongside turntables and CDJs, and as the hub of an advanced setup of Remix Decks and controllers.

All-new Macro FX and Flux Mode in the latest TRAKTOR software expand your creative arsenal. And the heavy metal, standard installation-height chassis, sturdy RGB control buttons, and Innofaders assure rock-solid dependability. Whatever your style, however you play, welcome to the future of mixing.

Combining the best of all that's come before it, TRAKTOR KONTROL Z2 takes a powerful two-channel stand-alone mixer, adds an additional two channels for Remix Decks, puts TRAKTOR SCRATCH PRO 3 in the package and rolls it out in luxurious style.

The ultra-stable, aircraft-grade aluminum chassis provides an intuitive layout instantly familiar to DJs, offering unprecedented sonic control. Throw in an integrated premium audio interface and dedicated TRAKTOR controls for cue points and Remix Decks and your options become infinite. Whatever your style, you've never had control like this before.

TRAKTOR KONTROL Z2 delivers the reliability and pro sound quality essential for the world's biggest stages and hottest clubs.

Pro XLR outputs, a booth output and 24-bit sound quality mean your sets hit with maximum impact. Precision knobs, buttons, multi-colored cue point controls and Innofaders give you ultra-accurate control of your sets. Whether spinning vinyl, CDJs, playing digital files, or using TRAKTOR SCRATCH timecode control, switching formats is just a push of a button away - lightning-fast, uninterrupted creative flow. And the heavy metal chassis means your busy schedule won't take its toll on your new tool of choice.

Think you know your limits? You're about to erase them.

For the first time, TRAKTOR KONTROL Z2 adds Macro FX to the TRAKTOR software. Build a big drop or destroy your track beyond recognition with fresh new effect combos like Wormhole, LaserSlicer and Bass-o-matic - get expressive sound manipulation with intuitive, one-knob action.

Flux Mode tracks the time while you're juggling cue points or looping, and lets you drop back in at exactly the right moment - a powerful weapon for all creative DJs.

Integrate multiple TRAKTOR KONTROL F1 and X1 controllers with plug-and-play simplicity thanks to the Z2's USB hub, freeing up additional ports on your laptop.

Start using the included flagship TRAKTOR SCRATCH PRO 3 with Remix Deck technology and TRAKTOR SCRATCH timecode vinyl in record time - simply connect the Z2 to your computer with a single USB cable.

Connect your turntables or CD decks with the inputs on the mixer and start using timecode control via vinyl or CDs. And thanks to TRAKTOR's advanced HID integration, the Z2 integrates effortlessly with the latest Pioneer CDJ generation and mixers.
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MRP:$644.11 SAVE 27%
 More than 10 in stock $472.21
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Waldorf Blofeld Desktop Synthesizer (Shadow edition, black) Waldorf Blofeld Desktop Synthesizer (Shadow edition, black)
Cat: 467331 Rel: 05 Sep 12 • View all Synthesisers
 
Synthesiser + Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack
Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
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 3 in stock $354.96
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Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020***
Notes: Softube's hardware controller gives hands-on control of your mixes. Works with any DAW and pairs seamlessly with Softube and Universal Audio plugins.

Supplier's notes:
Sound. Workflow. Control:
Quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs - there are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.

Modern Workflow:
The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is needed - the hardware is tightly integrated with the Console 1 software, straight out of the box.

Timeless Sound:
Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E console - probably the most used high end console in the history of music recording. Softube's emulation was developed in close collaboration with SSL, and it's included with the purchase of Console 1.

Expand Your Options:
Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.

A Lifetime of Mixing:
Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you'd expect from a high end analog console.

Add More Consoles:
In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modelled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series for Console 1, British Class A For Console 1 and Summit Audio Grand Channel for Console 1, with more to come.

Control Your DAW:
Console 1 works with any major DAW on the market. But certain DAWs - currently Presonus Studio One and Cakewalk SONAR - feature additional integration, meaning you can use the Console 1 hardware to control vital DAW functions such as track selection, volume, send levels, pan and solo/mute. We aim to have this functionality added for all DAWs.

And the Winner Is:
The first-generation Console 1 was an immediate success and did not only receive prestigious awards and praise from the pro audio press - but more importantly, the end users loved it. Even seasoned engineers such as Michael Brauer, Jason Goldstein, Dave Isaac and Gareth Jones took the system to their hearts.

Upgraded Hardware:
Three years after the original Console 1 release, it is time to introduce the Mk II version. It has the same build quality as the original units, with some minor layout changes such as more visible LED markers. More importantly, efficient manufacturing processes have made the system much more affordable.
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MRP:$618.29 SAVE 41%
 6 in stock $366.79
Intellijel/Applied Acoustics Systems Plonk Percussion Module
Cat: 643387 Rel: 21 Aug 17 • View all Synth modules
 
Physical modelling percussion synthesiser module - 12HP
Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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MRP:$409.18 SAVE 16%
 9 in stock $345.29
ALM Squid Salmple 8 Channel 4 Output Sampler Module
Cat: 733238 Rel: 18 Jul 19 • View all Synth modules
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: Our favourite module of 2019. Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird. We love it.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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Noise Engineering Basimilus Iteritas Alter Parameterized Digital Percussion Module (black faceplate)
Cat: 641949 Rel: 18 Apr 17 • View all Synth modules
 
Analogue-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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MRP:$429.84 SAVE 21%
 2 in stock $337.76
Waldorf Blofeld Desktop Synthesizer (white)
Cat: 370595 Rel: 20 Oct 09 • View all Synthesisers
 
Synthesiser comes with a FREE copy of The Waldorf Edition software, includes D Pole Filter Module, PPG Wave 2.V & Attack
Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.
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MRP:$451.78 SAVE 23%
 3 in stock $348.76
Softube Console 1 Fader Mixer Controller ***FREE HARMONICS PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 Fader Mixer Controller ***FREE HARMONICS PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 Fader Mixer Controller ***FREE HARMONICS PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 Fader Mixer Controller ***FREE HARMONICS PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020***
Cat: 752457 Rel: 24 Oct 19 • View all MIDI controllers
 
10-fader DAW control surface with world-class analogue sound
Notes: Improving feel and workflow, and making the best of hardware and software available in one place, Console 1 Fader allows you to raise the sound quality bar to new heights. Mixing a masterpiece isn't easy, but with Console 1 Fader there's no limit to what you can do. Now's the time.

Ten touch-sensitive 100 mm Alps motorized faders give premium professional feel and feedback, while the weighty powder-coated steel chassis means durability and substance in a sleek Scandinavian design.

Fader includes two console emulations (Tube and Discrete). Way more than a simple controller, Fader enriches the sound of your tracks in the same ways as a true analog console.

Riding faders is muscle memory for many mix engineers. For those of us who play the desk like an instrument, Console 1 Fader gives quick and intuitive control over volume, saturation, filtering, and much more.

The Console 1 mixing ecosystem is so much more than a simple DAW/plug-in controller. It's an efficient, elegant, and amazing-sounding modern mixing solution, combining hardware and software to give you the best of both worlds: the versatility, affordability, and usability of in-the-box mixing, alongside the workflow, feel, and focus dedicated hardware can bring.

Console 1 Fader can be used alone, or in combination with the original Console 1 channel strip controller for a tight 'complete desk' experience. You can even use multiple Console 1 Fader units to build the ideal workflow for your specific studio.

There are many ways to mix a masterpiece, but riding faders is a matter of muscle memory for a lot of us. And for good reason - reaching out and grabbing five or ten different sounds or groups at once, and quickly adjusting, listening, adjusting, listening, balancing... it's a full-body discipline, and software alone can't come close.

Tapping into the same purpose-designed software environment as the original Console 1 channel strip controller, Fader brings new levels of control over the wider world of your mix. You can ride up to ten channels at once, working volume, high-and-low-cut filter values, drive and drive character (modeled desk saturation), and more. Then page up for ten more channels. And ten more, until you have easy access to your whole mix, even when tracks number into the hundreds.

Expandable with world-class sounds
Because all the audio signal processing happens in our award-winning component-modeled software, you can switch out the 'circuitry' of your console instantaneously for a different desk sound across your whole project, or even channel by channel.

In addition to the two analog console sounds Fader ships with, you can purchase any of our Console 1 channel strips and use those classic desk sounds with Fader.

Selected features

Fader modes
Fader allows you to quickly and intuitively control track volume, drive level, drive character, input gain, low cut, high cut, and up to three send levels, all from the same high quality motorized faders.

Transport controls
The three assignable buttons work by default as basic transport controls for the major DAWs, but each can be assigned to a keycommand of your choice (e.g. CTRL+Z), for whatever use you can imagine.

Encoder
Mounted on a high-grade all-metal potentiometer, Console 1 Fader's single encoder offers control of pan per track, but also unlocks a powerful stereo spatialization tool, to widen or consolidate your individual tracks, situating each sound perfectly in your mix.

Layer mode
With our innovative new 'Layer Mode' you can create layers of tracks, putting many levels of mixing at your fingertips. Low cut all your guitars at once, or saturate your groups early on for a top-down effect in seconds.

In short
A 10-fader approach to Console 1, our hybrid hardware/software mixing ecosystem
High quality hardware, designed and built for both feel and function
Take fast and intuitive control of volume, saturation, filtering, and more
Two awesome-sounding component-modeled console emulations included
Expand your sonic options with Console 1 expansion channel strips (sold separately)
'Layer Mode' allows you to organise and affect your mix in powerful new ways
Spatializer tool offers fast per-channel control of stereo width
Works with all major DAWs straight out of the box - no MIDI-mapping required
Use alone, or in combination with the original Console 1 channel strip controller
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MRP:$695.74 SAVE 31%
 6 in stock $479.74
Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones
Cat: 718817 Rel: 06 Feb 19 • View all Studio headphones
 
Premium quality closed-back studio headphones for monitoring, editing & mixing
Notes: The Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you'd expect from a Neumann product. The NDH 20 is thus ideally suited to monitoring and mixing tasks, even in loud and noisy environments. Circumaural memory foam ear pads offer high long-term comfort.

Critical Listening and Mixing - In the Studio, At Home, On the Road:

While many other closed-back headphones are marred by nasty resonances in the mid-band, making it difficult to come to reliable mix decisions, the NDH 20 offers an astonishingly detailed, well-balanced sound image, similar to Neumann's acclaimed studio loudspeakers. Superior sonics along with large memory foam ear pads make the NDH 20 a pleasure to wear for long periods without fatigue.

The NDH 20 uses newly designed drivers (38 mm/1.5") with high-gauss neodymium magnets to ensure high sensitivity and minimized distortion, thus allowing the user to listen to the pure audio signal without unwanted coloration. The mechanical construction, too, meets the highest standards. The adjustable headband is made of flexible steel while the ear cup covers are machined from lightweight aluminium. For easy transportation the headphone is foldable and can be placed into the supplied soft cloth bag. Two detachable cables (one straight, one coiled) and a 6.3 mm (1/4") adapter are also included.

Applications:

The NDH 20 is suited to all applications that require high sound isolation such as monitoring for musicians and engineers in the tracking room as well as FOH work. It is also an excellent choice for critical listening, free from disturbance from the outside world and, vice versa, without causing disturbance to people nearby due to leakage. Thanks to its extended frequency response ranging from 5 Hz to 30 kHz the NDH 20 is particularly helpful to check the upper and lower extremes of the audio band.

Unlike most other closed-back headphones, the Neumann NDH 20 is suited to mixing purposes too. An unusually even frequency response and natural stereo image allow for mixing with confidence and ensure compatibility to all playback systems. The NDH 20 is thus an indispensable tool for working on the road. Of course, it is also an excellent headphone for audiophile entertainment.
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MRP:$566.66 SAVE 37%
 5 in stock $354.97
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quote 718817
Arturia Keylab MkII 49 Key USB MIDI Controller Keyboard (black) Arturia Keylab MkII 49 Key USB MIDI Controller Keyboard (black)
Cat: 694336 Rel: 30 Aug 18 • View all MIDI keyboards
 
Expressive, versatile & powerful next-generation 49-note USB MIDI controller keyboard - black
Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.
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MRP:$527.94 SAVE 28%
 4 in stock $379.70
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Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine
Cat: 775223 Rel: 30 Apr 20 • View all Vinyl cleaning
 
record cleaning machine
Notes: Superb vinyl cleaning machine from a trusted name in hi-fi. Cleans records in around 30 seconds per side, using eco-friendly cleaning solution and leaving the vinyl spotless and dry. Check out our full review.

Supplier's notes:
The VC-S2 ALU elevates the performance of affordable record cleaning solutions to new levels. Based on years of experience and research, this model boasts superior performance and the ultimate ease of use.
Boasting a striking aluminium surface that's not only visually appealing but is able to withstand excessive fluid spill without compromising the chassis. The VC-S2 ALU houses a class-leading vacuum motor to clean records, residue free, in as little as one or two rotations. The very best results are achieved with one rotation forward, followed by one backwards. The drive motor also makes one rotation within 2 seconds, which is about three times faster than comparable products. The end-result is a faster and more effective cleaning process for the cost. The motor is also a new purpose-chosen type, designed to last for an extended lifetime.
A new aluminium screw-on clamp, lined with a rubber pad, protects the record label from cleaning fluid and avoids damage to the label. The robust metal arm is easy to use, mechanically stable and focuses all suction power directly onto the record surface.
The VC-S2 ALU is supplied with Pro-Ject's own eco-friendly, non-alcoholic vinyl cleaning concentrate, Wash-IT. It offers very good cleaning results and reduces static charge, so record wear and stylus wear are significantly reduced. It also evaporates in the air, dramatically reducing the number of times you need to empty the large built-in 2.5l waste liquid tank. For when there is a fluid build-up, the VC-S2 ALU also features a handy level indicator telling you the ideal time to empty the tank.
The VC-S2 ALU is a clear and obvious investment toward great sound and extended record life. The aluminium finish exemplifies the high-end build-quality throughout. The increased size and upgrade in components allow for quicker and quieter operation, while retaining a high level of effective deep-groove cleaning. For those who are serious about their sound, and the longevity of their record collection, the VC-S2 ALU is a must-try addition to your home.
Key Features:
New cabinet made out of aluminium composite panels
Aluminium surface able to withstand cleaning fluid spill without compromising the chassis
Superfast & superstrong cleaning
Superior motor for long lifetime
2.5l waste tank for smooth airflow
New aluminium clamp prevents damage from cleaning fluid
High-end build-quality for improved ease of use
VC-S Kit is compatible for cleaning juke box records
Cloth Cover available

Technical Data
Construction:
Aluminium Composite Panels (0.4mm alu / 4mm PE / 0.4mm alu)
Speed:
30 RPM
Power Consumption:
800W Max
Dimensions (W x H x D):
415 x 325 x 272mm (fully assembled)
Weight:
8.0 kg
Supplied Accessories:
Vacuum Arm
Clamp
Felt Strips
Brush
Wash-IT 100 (+ mixer bottle)
Optional Accessories:
VC-S 7" Kit
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MRP:$553.75 SAVE 17%
 6 in stock $461.46
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Qu-Bit Bloom Fractal Sequencer Module (black faceplate)
Cat: 740273 Rel: 02 Oct 19 • View all Synth modules
 
32 step sequencer with fractal-like pattern generation
Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.
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MRP:$393.69 SAVE 18%
 4 in stock $321.63
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1999 (remastered) (Super Deluxe Edition)
1999 (remastered) (Super Deluxe Edition) (180 gram vinyl 10xLP box set + DVD + book + MP3 download code in slip case)
Cat: 060349 7850051. Rel: 29 Nov 19
Funk
  1. 1999 (LP 1: original album remastered) (6:19)
  2. Little Red Corvette (4:59)
  3. Delirious (4:06)
  4. Let's Pretend We're Married (7:21)
  5. DMSR (8:21)
  6. Automatic (LP 2: original album remastered) (9:24)
  7. Something In The Water (Does Not Compute) (4:03)
  8. Free (4:55)
  9. Lady Cab Driver (7:55)
  10. All The Critics Love U In New York (6:11)
  11. International Lover (6:39)
  12. 1999 (LP 3: Promo mixes & B-sides remastered - 7" Stereo edit) (3:36)
  13. 1999 (7" mono Promo-only edit) (3:37)
  14. Free (Promo-only edit) (4:30)
  15. How Come U Don't Call Me Anymore ("1999" B-side) (3:43)
  16. Little Red Corvette (7" edit) (3:08)
  17. All The Critics Love U In New York (7" edit) (3:13)
  18. Lady Cab Driver (7" edit) (5:05)
  19. Little Red Corvette (dance remix Promo-only edit) (4:33)
  20. Little Red Corvette (Special dance mix) (8:28)
  21. Delirious (LP 4: Promo mixes & B-sides remastered - 7" edit) (2:41)
  22. Horny Toad ("Delirious" B-side) (2:11)
  23. Automatic (7" edit) (3:40)
  24. Automatic (video version) (8:22)
  25. Let's Pretend We're Married (7" edit) (3:44)
  26. Let's Pretend We're Married (7" mono Promo-only edit) (3:44)
  27. Irresistible Bitch (Let's Pretend We're Married B-side) (4:07)
  28. Let's Pretend We're Married (video version) (4:03)
  29. DMSR (edit) (5:06)
  30. Feel U Up (LP 5: Vault tracks) (6:41)
  31. Irresistible Bitch (4:40)
  32. Money Don't Grow On Trees (4:21)
  33. Vagina (3:27)
  34. Rearrange (6:15)
  35. Bold Generation (5:52)
  36. Colleen (5:20)
  37. International Lover (LP 6: Vault tracks - take 1 - live In Studio) (7:19)
  38. Turn It Up (5:26)
  39. You're All I Want (2:54)
  40. Something In The Water (Does Not Compute) (3:59)
  41. If It'll Make U Happy (4:16)
  42. How Come U Don't Call Me Anymore? (take 2) (6:13)
  43. Possessed (LP 7: Vault tracks - 1982 version) (8:49)
  44. Delirious (Full-length) (5:58)
  45. Purple Music (10:55)
  46. Yah, You Know (3:10)
  47. Moonbeam Levels (2019 Remaster) (4:03)
  48. No Call U (LP 8: Vault tracks) (4:30)
  49. Can't Stop This Feeling I Got (2:40)
  50. Do Yourself A Favour (8:56)
  51. Don't Let Him Fool Ya (4:37)
  52. Teacher, Teacher (3:37)
  53. Lady Cab Driver/I Wanna Be Your Lover/Head/Little Red Corvette (Tour demo) (7:02)
  54. Controversy (LP 9: live In Detroit 11/30/82) (5:34)
  55. Let's Work (5:32)
  56. Little Red Corvette (4:11)
  57. Do Me, Baby (7:24)
  58. Head (6:44)
  59. Uptown (2:37)
  60. Interlude (0:26)
  61. How Come U Don't Call Me Anymore? (6:40)
  62. Automatic (LP 10: live In Detroit 11/30/82) (6:49)
  63. International Lover (8:41)
  64. 1999 (9:58)
  65. DMSR (7:52)
  66. Live In Houston 12/29/82 (DVD)
! low stock $306.55
Make Noise 0-CTRL Sequencer Make Noise 0-CTRL Sequencer
Cat: 776070 Rel: 04 Jun 20 • View all Synthesisers
 
tabletop synthesiser
Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables
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MRP:$489.21 SAVE 17%
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Befaco Hexmix Mixer Module (assembled)
Cat: 670606 Rel: 11 Jan 18 • View all Synth modules
 
6-channel performance mixer with three band EQ, mute & pan - 28HP
Notes: Hexmix System is a six channel performance mixer specially designed for Eurorack.

The system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.

The mixer has a strong inspiration in classical DJ mixers, providing sharp EQ's for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.

The unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.

The system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a conventional tabletop mixing deck.

This is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.

Inputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA, you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.

Each Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.

Gain is set to unity, so it will act as an attenuator of the input signal. Mutes are clickless, as they are vactrol based. This circuit provide some decay on the mutes, rather than a sharp cut.

Switches have latch position and momentary ones to unmute the channel, providing some really nice performative capabilities.

EQs are quite sharp (12dB) inspired in classic DJ mixers to aggressively cut selected frequencies.

Master section has its own EQ and volume control for the mix of all channels. Master EQ is software than individual channel's (6dB) and it's meant to provide control over the final mix.

It's possible to change output level from line to synth with a switch located in the back.

This will be pretty useful when used in combination with Hexpander, that provides a balanced out at line level. Like this it's possible to have a mix at synth level to re-route the master signal while having an output to PA.
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MRP:$553.75 SAVE 20%
 5 in stock $441.03
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Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface
Cat: 756315 Rel: 20 Apr 20 • View all Audio & MIDI interfaces
 
audio & MIDI interface
Notes: PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.
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 4 in stock $482.98
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Endorphin.es Blck_Noir 7 Channel Hybrid Drum Generator Module (black faceplate) Endorphin.es Blck_Noir 7 Channel Hybrid Drum Generator Module (black faceplate)
Cat: 688859 Rel: 10 Sep 18 • View all Synth modules
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
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 3 in stock $464.69
Polyend Poly 2 Polyphonic MIDI To CV Converter Module
Cat: 732315 Rel: 11 Sep 19 • View all Synth modules
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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 3 in stock $333.45
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Ecler NUO 2.0 Professional DJ Mixer Ecler NUO 2.0 Professional DJ Mixer Ecler NUO 2.0 Professional DJ Mixer Ecler NUO 2.0 Professional DJ Mixer Ecler NUO 2.0 Professional DJ Mixer Ecler NUO 2.0 Professional DJ Mixer Ecler NUO 2.0 Professional DJ Mixer Ecler NUO 2.0 Professional DJ Mixer
Cat: 318390 Rel: 24 Jun 08 • View all DJ mixers
 
Professional DJ mixer with 2 mixing channels
Notes: Two-channel DJ mixer from one of our favourite brands. Ultra-simple design with three-band full-cut EQ and sweet sound on a par with much more expensive boutique mixers. One for the purists.

Supplier's notes:
The NUO 2.0 mixer is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style.


The NUO 2.0 mixer features the professional characteristics that made its predecessors acclaimed worldwide and it equips the best analogue components available in the market place in order to obtain the highest sound performance.



Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 mixer will please all your needs thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, FX Send control per channel in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ.

Its superb sound quality and robust format, plus balanced XLR master output and booth output for monitoring make it also a perfect mixer for small installations.



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MRP:$400.15 SAVE 14%
 5 in stock $345.61
HEDD Type 05 Active Studio Monitor (single) HEDD Type 05 Active Studio Monitor (single)
Cat: 738763 Rel: 09 Jul 19 • View all Studio monitors
 
Bi-amplified studio monitor featuring 7-inch woofer and 1-inch HEDD AMT (Air Motion Transformer) HF driver
Notes: The Type 05 model is a real multi-tasker. Its strong performance, digital connectivity, and compact size turn it into the ideal choice for mobile broadcast stations, recording studios, multichannel-setups, and VoIP conferences. The Type 05 is based on a 2-way-system that provides a solid fundament and a high degree of accuracy in the frequency range between 45Hz and 50kHZ by coordinating the interplay between a 6"-woofer and a high-resolution Air Motion Transformer (HEDD AMT).

Type 05 is, like all of our Series ONE studio monitors, additionally equipped with a modular connection system. Besides standard analogue XLR and RCA connections, the Type 05 features an empty card slot that we have designed to read Dante (Audio-over-IP) and other digital audio protocols.
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 8 in stock $350.66
Empress Effects Zoia Modular FX Synthesiser Pedal Empress Effects Zoia Modular FX Synthesiser Pedal Empress Effects Zoia Modular FX Synthesiser Pedal Empress Effects Zoia Modular FX Synthesiser Pedal Empress Effects Zoia Modular FX Synthesiser Pedal
Cat: 783109 Rel: 10 Sep 20 • View all Effects pedals
 
Synthesiser pedal
Notes: Well on its way to becoming a cult favourite already, Empress's Zoia brings modular synthesis to a compact pedal format. Create effects, synths, controllers or modules to integrate with other instruments.

Supplier's Notes:

The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, these modules have been created for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Input Impedance: >= 1M ohms
Output Impedance: 100 ohms
Frequency Response (-3dB): 10Hz - 23.4kHz
Total Harmonic Distortion: 0.22%
Dynamic Range: 105.5 dBA
Input Headroom (no pad): +0.5 dBu
Input Headroom (6dB pad): +5.7 dBu
Input Headroom (12dB pad): +10.8 dBu
Output Headroom: +16.2dBu
Power Input Connector: 2.1mm Barrel Connector
Power Input Voltage: 9V DC (center negative)
Required Current: 300mA
Height (enclosure only): 1.75"
Height (including controls): 2.625"
Length: 5.7"
Width: 3.75"
Weight: 1.5lbs
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MRP:$619.58 SAVE 22%
 8 in stock $481.89
Studio Collection (half-speed remastered) (reissue)
Studio Collection (half-speed remastered) (reissue) (limited gatefold 180 gram coloured vinyl 18xLP box set + book)
Cat: 472028 8. Rel: 28 Jun 19
 
Rock
  1. Queen
  2. Queen II (LP1)
  3. Queen II (LP2)
  4. Sheer Heart Attack
  5. A Night At The Opera
  6. A Day At The Races
  7. News Of The World
  8. Jazz
  9. The Game
  10. Flash Gordon
  11. Hot Space
  12. The Works
  13. A King Of Magic
  14. The Miracle
  15. Innuendo (LP1)
  16. Innuendo (LP2)
  17. Made In Heaven (LP1)
  18. Made In Heaven (LP2)
 in stock $356.04
Intellijel Quadrax 4 Channel CV Controllable Function Generator Module
Cat: 747527 Rel: 18 Nov 19 • View all Synth modules
 
Quad Function/Burst Generator/LFO with CV Matrix
Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.
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 7 in stock $330.23
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Tiptop Audio ZDSP NS Voltage Controlled Digital Signal Processor Module
Cat: 688915 Rel: 25 Jun 18 • View all Synth modules
 
Open-source, cartridge-based, digital sound processing & generating platform
Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.

An assortment of interchangeable cards, programmed by Tiptop Audio and specialists like Valhalla DSP, provide a wide range of boutique effects algorithms such as Halls of Valhalla, Time Fabric, Clocked Delays and Grain De Folie. Tiptop Audio also offers blank Z-DSP cartridges and a development tool called NumberZ for developers, students and power users who want to design their own effects and cards with the FV-1 DSP chip programming language. Blank cards can be loaded using programs that are freely available for non-commercial use and can be found in the modular community through online forums. With each card swap, the Z-DSP takes on new effect algorithms, changing like a digital chameleon and bringing colourful digital effects processing to your Eurorack setup.

The Z-DSP comes included with 2 cards: Halls of Valhalla and Dragonfly Delay MKII.
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! low stock $407.67
Behringer K2 Analog Semi Modular Synthesiser
Cat: 688736 Rel: 19 Jun 20 • View all Synthesisers
 
Analog semi-modular synthesiser based on Korg's legendary MS20
Notes: Channelling the Korg MS20, Behringer serve up a desktop module with attitude. Semi-modular design plays nicely with Eurorack gear to add a dose of the aggro MS sound to your rig.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Your K-2 comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right!

The very heart of K-2's sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2's VCF Peak controls provide emphasis to the signals at the crossover frequency.

K-2's authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2's waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2's pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.

K-2's Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz - and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control.

While it is a monophonic instrument (one note at a time), K-2's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.

For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path!
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 1 in stock $301.18
Pioneer PLX-500 Direct Drive Turntable (white) Pioneer PLX-500 Direct Drive Turntable (white) Pioneer PLX-500 Direct Drive Turntable (white) Pioneer PLX-500 Direct Drive Turntable (white)
Cat: 622119 Rel: 16 Sep 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Pioneer's budget deck offers a more affordable take on the flagship PLX1000's key features. Classic Technics-style layout and design. Really good value at this price point. Also available in black.

Supplier notes:
Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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 2 in stock $321.63
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Presonus Studio 1810c 18x8 USB-C Audio & MIDI Interface Presonus Studio 1810c 18x8 USB-C Audio & MIDI Interface Presonus Studio 1810c 18x8 USB-C Audio & MIDI Interface Presonus Studio 1810c 18x8 USB-C Audio & MIDI Interface Presonus Studio 1810c 18x8 USB-C Audio & MIDI Interface
Cat: 717594 Rel: 05 Feb 19 • View all Audio & MIDI interfaces
 
Versatile USB-C 18x8 audio interface
Notes: Ideal for producers and small bands who want to record audio from a wide range of sources, the Studio 1810c 192 kHz USB-C audio interface records up to 18 simultaneous inputs, including ADAT and S/PDIF, and features PreSonus XMAX mic preamps, DC-coupled line outputs, and MIDI I/O. A complete, all-in-one recording package, the Studio 1810c offers control-room integration with included Studio One Artist music production software and free UC Surface control software and is backward compatible with USB 2.0 and 3.0 connections.

World-class recording software included:

Seamlessly integrated with the included PreSonus UC Surface control software for macOS, Windows, iPad, and Android tablet and Studio One Artist music production software, the Studio 1810c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment - including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour:

The 18-in, 8-out Studio 1810c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including 4 microphone inputs with XMAX mic preamps, 4 dedicated line inputs, 8 channels of ADAT Optical input (4 channels at 96 kHz), and S/PDIF inputs. In addition to the main L/R outputs, you get four DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs with A/B switching for monitoring different mix streams. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 1810c audio interface operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

The flexible production tool:

With cue mix headphone monitoring, onboard monitor mixing, pristine mic preamps, abundant line inputs, and up to 192 kHz sample rate, the Studio 1810c will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform live. An excellent companion for any recording software, the Studio 1810c's integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 1 in stock $313.12
Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine
Cat: 775229 Rel: 30 Apr 20 • View all Vinyl cleaning
 
record cleaning machine
Notes: Compact record cleaner based on the more expensive VC-S2. Quick and easy way to clean and care for your vinyl, improve sound and prolong stylus life.

Supplier's notes:
Vinyl Care
The VC-E is a compact, affordable vinyl record cleaning machine (RCM). Inspired by the developments made in the Pro-Ject VC-S2 ALU design, VC-E offers a string of premium features in a smaller package that's suited to smaller record collections and tighter space.
Boasting a striking aluminium surface that's not only visually appealing but is able to withstand excessive fluid spill without compromising the chassis, the VC-E still houses a sufficiently powerful vacuum motor to clean records, residue free, in as little as one or two rotations. The very best results are achieved with one rotation forward, followed by one backwards. The drive motor also makes one rotation within 2 seconds, which is about three times faster than comparable products. The end-result is a faster and more effective cleaning process for the cost.
A screw-on clamp, lined with a rubber pad, protects the record label from cleaning fluid and avoids damage to the label. The robust metal arm is easy to use, mechanically stable and focuses all suction power directly onto the record surface.
The VC-E is supplied with Pro-Ject's own eco-friendly, non-alcoholic vinyl cleaning concentrate, Wash-IT. It offers very good cleaning results and reduces static charge, so record wear and stylus wear are significantly reduced. It also evaporates in the air, dramatically reducing the number of times you need to empty the built-in 0.5l waste liquid tank.
If you demand the best sound from your hi-fi, and want to protect your precious investment in your record collection, the VC-E is an essential tool for delivering on both fronts.
Key Features:
Compact, new cabinet made out of luxurious materials
Clean records quickly and efficiently
0.5l tank for vacuumed cleaning liquid
Eco-friendly cleaning fluid effeciently cleans and removes static load off records
Screw-on clamp with rubber pad protects record label from cleaning fluid
Cloth cover available

Technical Data
Construction:
Aluminium Composite Panels (0.4mm alu / 4mm PE / 0.4mm alu)
Speed:
30 RPM
Power Consumption:
800W Max
Dimensions (W x H x D):
310 x 266 x 210mm (fully assembled)
Weight:
6.5kg
Supplied Accessories:
Vacuum Arm
Clamp
Felt Strips
Brush
Wash-IT 100
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MRP:$424.67 SAVE 17%
 6 in stock $353.90
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Erica Synths Sample Drum Module
Cat: 690936 Rel: 18 Apr 19 • View all Synth modules
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 1 in stock $320.54
Vermona Melodicer Sequencer Module
Cat: 677524 Rel: 04 May 20 • View all Synth modules
 
sequence module
Notes: The Melodicer from Vermona is a CV/Gate sequencer with an innovative concept; the melody sequencer offers twelve faders for setting the note probability and two dice-(or random) buttons for generating melody and rhythmic structure.
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MRP:$484.05 SAVE 18%
 More than 10 in stock $395.85
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Mackie Pro FX16 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX16 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX16 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX16 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX16 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX16 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle Mackie Pro FX16 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle
Cat: 748131 Rel: 25 Nov 19 • View all Live mixers
 
16-channel 4-bus professional effects mixer with USB
Notes: Looking for one of the best value mixers on the market? Well, here you go! 16-channel version of Mackie's latest ProFX series includes built-in effects, USB interface and plenty of analogue I/O options.

Supplier's notes:
The Mackie ProFX16 v3 16-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.
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 2 in stock $373.58
Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller
Cat: 731924 Rel: 03 Jun 19 • View all Studio & speaker controllers
 
Console-style, precision monitor control
Notes: Building on over 20 years of expertise in analogue console heritage, Nero has been designed to give you powerful control over your monitoring. Featuring a comprehensive range of I/O, console style monitor control, Precision Matched Attenuation Technology and more... Nero will quickly become the core of your studio.

Inputs:

As your studio grows it becomes harder to control. Nero enables you to centralise, connect and control all your monitoring needs from your desktop using Nero's array of stereo inputs.

Outputs:

Reference your mixes on up to three sets of speakers, independently set and match volume for all speakers and audition and assign your sub to any monitor path. Nero also provides one dedicated monitor grade headphone amp and three foldback grade headphone amps, making sure you're ready to take on the loudest of sessions with crystal clear headphone mixes.

Assignable Sub:

Easily assign a sub to activate when switching to a monitor path of choice but maintain the ability to switch it on and off without losing your saved preset. Nero also lets you audition the sub on any alternative set of speakers without forcing you to assign it permanently.

Smart Touchpoints:

Smart Touchpoints enable you to customise your workflow on the fly. Easily route and configure Nero's outputs and monitor controls to create monitoring combinations that suit your needs. Simply hold down a Smart Touchpoint to put it into setup mode, select your routing options and press it again to save.

Precision Matched Stereo Volume Control:

Nero perfectly matches the volume of the left and right channels of your stereo signal using Audient's custom Precision Matched Attenuation Technology. Unlike other monitor controllers, this prevents any deviation in volume between your left and right monitors or unbalancing of your stereo image, enabling you to monitor accurately and mix with confidence.

Console Style Monitor Control:

Utilising Audient's vast experience in implementing monitor control in both recording consoles and desktop controllers, Nero features David Dearden designed circuitry and a range of flexible monitor controls including dedicated talkback, cut & dim along with polarity, mono, speaker select and cue mix monitoring.
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 5 in stock $360.35
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Spectrasonics Omnisphere 2 Power Synth Virtual Instrument Software (USB) Spectrasonics Omnisphere 2 Power Synth Virtual Instrument Software (USB) Spectrasonics Omnisphere 2 Power Synth Virtual Instrument Software (USB) Spectrasonics Omnisphere 2 Power Synth Virtual Instrument Software (USB)
Cat: 598313 Rel: 13 Jan 16 • View all VST instruments & samplers
 
Virtual synthesiser instrument, with new audio import feature, 400 new DSP waveforms for the oscillator & over 3,000 new patches
Notes: After many years of development, Spectrasonics are thrilled to announce that Omnisphere 2! This is the first v2.0 of any Spectrasonics instrument and it's truly a gigantic one! Check out the new feature list and the video introduction by Spectrasonics Founder and Creative Director, Eric Persing.

Vast New Synthesis Possibilities:
- Audio Import - Use your own audio file as a soundsource in Omnisphere
- Over 400 New DSP Waveforms for the Synth Oscillator - an increase of 100X
- Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
- Powerful New Granular Synthesis algorithm
- Deeper FM/Ring Mod capabilities for aggressive timbres
- 8 New Filter Types - New Power Filters, Vowel, Resonators
- New Unison Drift models Analog Polysynth behavior
- Expanded Modulation with new sources and many more targets
- Polyphonic LFO and Modulation Envelope options
- Soundsource Reversing

Now includes over 10,000 sounds!
- More than 3,000 New patches and soundsources from acclaimed Spectrasonics Sound Design Team
- New Omnisphere EDM library with cutting-edge, modern sounds
- New Exclusive Soundsources from Diego Stocco's Custom Built Instruments
- New category of Phrase-based Soundsources for granular synthesis
- Hundreds of new Circuit Bent Soundsources
- Many Innovative new Psychoacoustic Soundsources
- New Melodic Cave Stalactites Soundsources
... and much, much more!

New Interface:
- Redesigned Wider User Interface with many improvements
- New Show Modulation pane opens modulation routings/sources on left side
- New Mini-Browser available at all times
- Larger Full Browser Design

Enhanced Browsing Experience:
- Sound Match feature instantly locates any related sounds in the library
- Sound Lock allows endless useful variations by locking sound aspects while you browse
- Easy Sound/Project Sharing for collaborators and third party libraries
- Greatly Improved sound organization system
- Fast Progressive Loading allows rapid auditioning
- Browse Patches by Mood
- Expanded Genres
- Browse by Oscillator type
- Boolean search options

New Arpeggiator Features:
- Note transposition for step seq-style patterns
- Arp pattern lock while browsing
- Speed Offset control allows slow down/speed up effects
- New modulation capabilities

25 New FX Units:
- Innerspace
- Quad Resonator
- Thriftshop Speaker
- Classic Twin
- Bassman
- Hi-Wattage
- Rock Stack
- Brit-Vox
- Boutique
- San-Z-Amp
- Stompbox Modeler
- Metalzone Distortion
- Toxic Smasher
- Foxxy Fuzz
- Analog Phaser
- Analog Flanger
- Analog Chorus
- Analog Vibrato
- Solina Ensemble
- Vintage Tremolo
- Envelope Filter
- Crying Wah
- Stomp-Comp
- Precision Compressor
- Studio 2-Band EQ

Flexible New FX Features:
- 16 FX units per patch
- Full matrix modulation of every FX slot
- New Aux FX rack per patch with Pre/Post fader sends
- Hundreds of New FX Presets and Racks
- Lock FX while browsing

Improvements/Special Features:
- Live Mode with key splits
- Enhanced Orb with Attractor mode
- Tweak Trilian Custom Controls Interface inside Omnisphere
- Global Clock Speed (Halftime, Doubletime, etc)

- and more!
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 5 in stock $363.57
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Verbos Electronics Multi Envelope Module
Cat: 700723 Rel: 28 Aug 18 • View all Synth modules
 
Dual multi-envelope generator - 22HP
Notes: Reimagining the envelope generator, several shapes of 4 stage functions are available simultaneously on each of the two parts in the Multi-Envelope. From the same set of controls and voltage control inputs, each shape has its own dedicated output. All at the same time... Delay Attack Decay Sustain Release, Attack Hold Decay Sustain Release, Delay Attack Hold Release and (on the upper generator) Attack Decay Attack Release. End pulse outs allow chaining and looping. Gate and Trigger inputs can be used alone or together to control re-trigger characteristics. The "shape" control blends continuously from linear ramps to RC curves typical of East Coast Synthesis, without changing the overall time. The upper generator also has gate outs that are high during each stage.
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 2 in stock $425.96
Genelec 8020D 2 Way Compact Active Monitor (single, dark grey) Genelec 8020D 2 Way Compact Active Monitor (single, dark grey)
Cat: 650848 Rel: 30 May 17 • View all Studio monitors
 
2-way active studio monitor - grey
Notes: Small but deeply impressive desktop monitors. Two-way design based around a 4-inch woofer which produces much better bass response than you'd imagine possible for such a compact speaker.

Supplier's notes:
When workspace is at a premium, don't compromise on quality. With the 8020D, Genelec's renowned accuracy and reliability will fit your project and your space.

The Genelec 8020D is small in dimensions, but big in ambition. The 8020D, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8020. Designed to suit the broadest possible range of listening environments, 8020D thrives when space is at a premium, and draws on the innovation of the 8000 Series for an unrivalled near-field experience.

Trust in the colour-free, accurate reproduction of the Minimum Diffraction Enclosure (MDE), while relying on the precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW). And when you're finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From post-production studios to OB vans and DAW-based rooms, the 8020D is your near-field solution of choice.
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MRP:$553.75 SAVE 37%
 4 in stock $346.37
Synthesis Technology E440 Discrete OTA VCF Module Synthesis Technology E440 Discrete OTA VCF Module Synthesis Technology E440 Discrete OTA VCF Module
Cat: 660465 Rel: 24 Jan 18 • View all Synth modules
 
Analog discrete low pass filter with three simultaneous filter types, plus overdrive & voltage controlled resonance - 14HP
Notes: The E440 is based on the 5U MOTM-440 filter with additional features such as separate outputs for each filter slope and an input Drive control.

You have probably heard of the SSM2040 filter chip, used in the Prophet-5 Rev 2, Voyetra 8, and others. Although short-lived, the SSM2040 filter had a unique sound different from a Moog, ARP, or other 4-pole lowpass filters. Why? The design used a clever discrete OTA gain cell that responds beautifully as additional gain is added to the input signal.

The E440 provides three simultaneous filter slopes: 2 Pole (12dB), 3 Pole (18dB), and 4 Pole (24dB) for selective timbral shaping. Voltage control of filter resonance (rarely found on other filters) is also available.
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 2 in stock $342.06
Soundcraft Signature 12 MTK Analog Mixer With Onboard Effects & Multi Channel USB Audio Interface Soundcraft Signature 12 MTK Analog Mixer With Onboard Effects & Multi Channel USB Audio Interface Soundcraft Signature 12 MTK Analog Mixer With Onboard Effects & Multi Channel USB Audio Interface Soundcraft Signature 12 MTK Analog Mixer With Onboard Effects & Multi Channel USB Audio Interface
Cat: 561117 Rel: 10 May 16 • View all Studio mixers
 
High-Performance 12-input small format analogue mixer with onboard effects and ultra-low latency USB audio interface
Notes: Mix, record and produce your Signature sound:
Drawing on over 40 years experience in live sound mixing, the Signature Multi-Track mixers bring together an ultra-low latency USB recording interface, a superb analogue mixer and the unrivalled British sound of Soundcraft. Whether you're recording a live gig or a studio rehearsal, mixing a band, or producing a demo, Signature Multi-Track mixers deliver great sounding results thanks to high-grade Ghost preamps, the most musical EQ in the business, pristine Lexicon effects and powerful dbx dynamics - all designed to let you discover your Signature sound.

Overview:
The Soundcraft Signature 12MTK incorporate Soundcraft's iconic Ghost mic preamps, directly drawn from the company's top-of-the-line professional consoles, to deliver extraordinary audio quality with high headroom, wide dynamic range and exceptional resolution and clarity with a superb signal to noise ratio. They employ Soundcraft's Sapphyre Assymetric EQ for perfectly equalizing every vocal and instrumental element in a mix with the unmistakable musicality inherent in every Soundcraft console, plus the GB Series audio routing technology famous in thousands of live venues worldwide.

It includes a wide variety of built-in Lexicon studio-grade reverb, chorus, modulation and other effects and dbx limiters on the input channels. In addition, the console's multi-track USB audio interface allows any VST/AU/AAX/TDM/RTAS plug-ins to be inserted on any input channel, enabling studio plug-ins to be seamlessly integrated with live performances. Accompanying the consoles are free downloads of the Lexicon MPX-L native plug-in and Ableton Live 9 Lite.

The console is designed to deliver pristine recordings. Both have an ultra-low-latency USB interface that flawlessly captures every channel, which can then be mixed or transferred to a DAW for further mixdown and production. The consoles offer XLR and switchable Hi-Z inputs that enable guitars, basses and other instruments to be directly connected.

The Soundcraft Signature 12MTK features smooth, premium-quality faders with GB Series audio routing with flexible pre/post switching on each Aux, and subgroups with powerful routing and switching options as well as dedicated outputs.

Both the Soundcraft Signature 12MTK and Soundcraft Signature 22MTK are built using tour-grade robust metal construction and top-quality components. Both have an internal universal power supply.
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 1 in stock $355.05
Kali Audio Independence IN-8 3 Way Powered Studio Monitor (black, single) Kali Audio Independence IN-8 3 Way Powered Studio Monitor (black, single) Kali Audio Independence IN-8 3 Way Powered Studio Monitor (black, single)
Cat: 754479 Rel: 05 Dec 19 • View all Studio monitors
 
Innovative 3-way studio monitor, featuring the same woofer & tweeter as Kali's celebrated LP-8
Notes: Big and powerful nearfield monitors from the California brand. Tri-amped three-way design with an 8-inch bass driver for serious bass power. Hugely impressive and reasonably priced.

Supplier's notes:
Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage:

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

Imaging:

We know. We keep harping on about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic centre, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

Clarity:

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimetre peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
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MRP:$471.14 SAVE 30%
 2 in stock $328.03
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