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Notes: Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.

LINNAEUS features include:

- Ultra-wide frequency range, exponentially voltage-controllable from sub-audio to ultrasonic via precise 1V/OCT and attenuverted CV inputs.

- Thru-zero linear frequency modulation via an internal modulation oscillator and/or an external linear FM input.

- Variable linear modulation index, voltage-controllable via an attenuverted CV input.

- Resonance (Q) exponentially voltage-controllable from 0dB to greater than 60dB via 6dB/V and attenuverted CV inputs.

- Continuously variable response characteristics independently selectable for each of the two channels via individual Response Enable controls. Characteristics include Lowpass (12db/oct and 6db/oct), Bandpass, Highpass (12db/oct and 6db/oct), Notch, and Low and High Shelving.

- Voltage control of response characteristics via an attenuverted CV input. Individual Response CV Enable controls let you independently enable or disable CV control of response for each channel.

- An integrated modulation oscillator with continuously variable waveform from Off through Sine, Triangle, Sawtooth and Square. Its frequency can be exponentially voltage controlled via an attenuverted CV input.

- A Track control that lets the modulation oscillator precisely track the filter's exponential frequency.

- Stereo inputs and outputs. LINNAEUS can process a stereo signal or two independent mono signals. While the two channels share the filter's cutoff/resonant frequency, the filter response characteristics can be independently controlled for each channel.

- The solid, high-quality construction you expect from Rossum Electro-Music.

What's with the egg?

The functional description above describes LINNAEUS as originally conceived and designed by Dave. However, late in the beta testing process, Rossum's tester, Chris Meyer, raised the possibility of alternative behavior that would let LINNAEUS function as a self-contained (i.e., no input required) stereo oscillator and/or FM percussion voice with some really powerful timbral capabilities.

While Rossum were initially hesitant to try to shoehorn the new functions into the existing interface, once Dave had prototyped them, it was clear to us all that they were just too cool not to include. So, Rossum have provided them in the form of alternate firmware accessed by pressing and holding the Egg button.

LINNAEUS is 16HP wide and 25mm deep.

Power requirements (max): 155mA +12V, 36mA -12V. Reverse polarity protected.

Notes: High-end amps and effects from vintage to modern with advanced flexibility

With the new GT-100 Version 2.0 update, BOSS' high-end multi-effects processor is now even more powerful than before, adding a host of great new features to its already formidable arsenal. Two new amp types are included, along with cutting-edge MDP effects, an acoustic guitar simulator, and an improved rotary effect. A convenient Guitar-to-MIDI function is on board as well, letting you connect to a computer to play soft synths and input MIDI note using your normal guitar. The GT-100's USB audio capabilities have been expanded too, providing greater flexibility for re-amping applications. And with the BOSS TONE STUDIO software, you can now edit GT-100 patches from a friendly graphical interface on your computer.

Advanced COSM Amps: Beyond Vintage

With its next-generation COSM processor, the GT-100 ushers in a new era of expression and sonic capabilities. Recreating the meticulous details of vintage amps and how they behave, the GT-100 excels in not only cloning classic amps, but in creating a new world of unimagined tones as well. The Amp Customize function lets you mutate classic amps beyond reality to construct completely new, unimagined sounds!

Simple and Intuitive User Interface

The GT-100's unique dual-LCD and eight-knob user interface provides fast access and intuitive control. There are no menus to navigate; every function is instantly available. The tone-customizing functionality has been improved as well-all patches, amps, and overdrives/distortions can be created from scratch and/or customized with the friendly graphical Tone Grid.

New Tonal Possibilities with the Accel Pedal

A new dimension of expression is available with the Accel pedal, which enables control of multiple parameters simultaneously, as well as time-variant effects such as Feedbacker, S-Bend, Twist, and more. Experiment with creative combinations of parameters and bring dynamic new sounds to your performances by interacting in real time with this cool pedal.

A/B Channel Divider Function

Another notable feature in the GT-100 is the versatile A/B Channel Divider. This lets you assign different amps and effects to each channel, either for blending together or switching between them with a footswitch. Going even further, you also have the ability to switch channels by playing strength or frequency range. With each channel capable of driving its own effects and amps settings, the range of tones gets wider and wilder! You can assign smooth, mild lead tones to the mid-to-high pitches, for example, and heavy, cutting tones to the lower notes-the tonal possibilities are endless.

Edit and Organize Sounds with BOSS TONE STUDIO

Available as a free download for Mac or Windows, BOSS TONE STUDIO gives you an intuitive graphical interface for creating and editing GT-100* effects patches from your computer via USB. The software also makes it easy to organize and archive patches, and to load them as needed for different gigs and recording sessions. If your computer has Internet access, BOSS TONE STUDIO provides an integrated connection to the BOSS TONE CENTRAL website, where you can preview and download free gig-ready patches created by top guitar pros directly into the GT-100.

*GT-100 Version 2.0 software is required for compatibility with BOSS TONE STUDIO.

BOSS TONE CENTRAL: Your Web Home for Free Patches, Instructional Vids, Artist Tips, and More

BOSS TONE CENTRAL is the ultimate destination for all players that use BOSS products. Evolving to include a growing selection of BOSS gear, this site gives you access to lots of premium content, including demo videos and free patches created by famous guitarists, touring pros, and session players.

Specs

AD Conversion: 24 bits + AF method

*AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.
DA Conversion: 24 bits
Sampling Rate: 44.1 kHz
Program Memories: 400: 200 (User) + 200 (Preset)

Effect Type:

COMP, PREAMP(*1), OD/DS(*2), EQ, FX1/FX2(*3), DELAY, CHORUS, REVERB, PEDAL FX, NS1/NS2, ACCEL FX

*1 PREAMP
NATURAL CLEAN, FULL RANGE, COMBO CRUNCH, STACK CRUNCH, HiGAIN STACK, POWER DRIVE, EXTREME LEAD, CORE METAL, JC-120, CLEAN TWIN, PRO CRUNCH, TWEED, DELUXE CRUNCH, VO DRIVE, VO LEAD, MATCH DRIVE, BG LEAD, BG DRIVE, MS1959 I, MS1959 I+II, R-FIER VINTAGE, R-FIER MODERN, T-AMP LEAD, SLDN, 5150 DRIVE, BGNR UB METAL*, ORNG ROCK REVERB*, CUSTOM

*2 OD/DS

MID BOOST, CLEAN BOOST, TREBLE BOOST, CRUNCH, NATURAL OD, WARM OD, FAT DS, LEAD DS, METAL DS, OCT FUZZ, A-DIST*, BLUES OD, OD-1, T-SCREAM, TURBO OD, DIST, RAT, GUV DS, DST+, METAL ZONE, '60S FUZZ, MUFF FACE, CUSTOM

*3 FX1/FX2

T.WAH, AUTO WAH, SUB WAH, ADV. COMP, LIMITER, SUB OD/DS, GRAPHIC EQ, PARA EQ, TONE MODIFY, GUITAR SIM., AC.GUITAR SIM*, SLOW GEAR, DEFRETTER, WAVE SYNTH, SITAR SIM., OCTAVE, PITCH SHIFTER, HARMONIST, OVERTONE*, SOUND HOLD, AC. PROCESSOR, PHASER, FLANGER, TREMOLO, ROTARY1, ROTARY2*, UNI-V, PAN, SLICER, VIBRATO, RING MOD., HUMANIZER, 2X2 CHORUS, SUB DELAY, TERA ECHO*

*Newly Added Features (Version 2.0)
A-DIST is available in OD/DS and in SUB OD/DS of FX2.
OVERTONE and TERA ECHO are only available in FX2.

Nominal Input Level
INPUT: -10 dBu
RETURN: -10 dBu
AUX IN: -20 dBu

Input Impedance
INPUT: 1 M ohm
RETURN: 100 k ohms
AUX IN: 47 k ohms

Nominal Output Level
OUTPUT: -10 dBu/+4 dBu
SEND: -10 dBu

Output Impedance
OUTPUT: 2 k ohms
SEND: 2 k ohms

Dynamic Range: 100 dB or greater (IHF-A)
Displays: Graphic LCD (132 x 64 dots, backlit LCD) x 2

Connectors
INPUT jack (1/4-inch phone type)
AUX IN jack (Stereo miniature phone type)
OUTPUT L/MONO, R jacks (1/4-inch phone type)
PHONES jack (Stereo 1/4-inch phone type)
EXT LOOP jacks (SEND, RETURN; 1/4-inch phone type)
AMP CONTROL jack (1/4-inch phone type)
SUB CTL1, 2/SUB EXP jack (1/4-inch TRS phone type)
USB port
MIDI connectors (IN, OUT)
DC IN jack

Power Supply: DC 9 V
Current Draw: 600 mA

Accessories:
AC adaptor(PSB-1U + AC Cord Set)
USB Cap
Owner's Manual

Options (sold separately)

Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500L/500H, EV-30, Roland EV-5
AC adaptor (PSB-1U)

*When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there.
(PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A)

Size & weight

Width: 542 mm / 21-3/8 inches
Depth: 271 mm / 10-11/16 inches
Height: 80 mm / 3-3/16 inches
Weight: 4.8 kg / 10 lbs. 10 oz.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.

Notes: Ever loved something so much you wanted to "bee-come" it? While Beetronics' circuits are primarily original, their bees had classic favourites they "Wannabee-d," so Beetronics embraced these buzzing wonders as their own hive of inspiration, infusing a generous dose of honeyed innovation to craft the ultimate dual overdrive.

The WANNABEE "BEELATERAL BUZZ" is a dual-drive pedal like no other. It combines two classic circuits, each offering three distinct FLAVORS, and lets users weave them together however they like. They can run them side by side or have one flow into the other, unlocking a world of tonal possibilities, as sweet as a jar of honey.

Circuit #0, Beetronics's Bluesbreaker-inspired creation, harmonizes vintage amp tones with crystal-clear crispness, all while preserving that beloved tube-like warmth. Plus, its three flavours give users control over the low-end oomph. Circuit #1 is Beetronics's take on the legendary Klon. All those iconic transparent overdrive tones are here, with a sweet honey twist. Unlike any other Klon, Beetronics' Circuit #1 offers a unique trio of flavours that grant users control over their clean blend level.

This pedal's core houses a truly exceptional Routing System, crafted by Beetronics' expert bees. It's the gateway to exploring unique tones. What makes it stand out is that it lets users not only choose the order of the circuits but also blend them in parallel, something other dual-drive pedals can't do.

In the centre position, users can use the volume controls to mix both circuits in parallel. And with the footswitch, they're in charge of when each circuit kicks in. Flick it to the right, and Circuit #0 flows into Circuit #1; shift left, and Circuit #1 flows into Circuit #0. When chaining one circuit into another, users can simply crank up the volume on the first to push the second into a thrilling buzz of distortion.

The WANNABEE draws inspiration from Beetronics' favourite overdrive circuits and then elevates them to a whole new level, enhancing their tone with a touch of honey and introducing innovative features. It unlocks a world of possibilities by blending both circuits in the most unique ways. Beetronics hopes this can be the ultimate overdrive tool to help users truly BEE THEMSELVES.

Product specs

Pedal Dimensions 5.5" x 4" x 2.5" (including knobs, switches and etc)
Pedal Weight - 1.1 lbs / 0.5 kg
Package Size - 6" x 5.25" x 3"
Requires 9VDC power supply (Centre Negative)
*Does not include power supply

Notes: ***B-STOCK: Box opened, product in perfect working order***


Pro features at a good price with this excellent four-deck controller. Large jog wheels, full four-channel mixer section, performance pads and much more. Designed for software including Serato.

Supplier's Notes:
With full audio control over 4 DJ software decks, toggle FX, and professional inputs and outputs, the NS4FX is a feature-packed DJ controller that unleashes the full creative mixing potential of event, club, and livestreaming DJs!

Mix Like an Artist

With full audio control over 4 independent channels, DJs can mix tracks, samples, loops, and more from up to 4 DJ software decks at once.

The 4 channels of the NS4FX each feature dedicated premium-quality volume faders, 3-band EQ, and large high pass/low pass Filter knobs.

Crossfader assignment switches on the front panel allow each channel to be assigned to side A or side B of the crossfader, or can be set to bypass the crossfader altogether. This ultimate flexibility is perfect for crafting artistic mixes on a livestream, creating exciting build-ups in the club, or preparing multiple songs in advance at events.

Sound Like a Pro with Premium Inputs and Outputs

The NS4FX boasts an impressive array of connectivity options, making it the perfect solution for mobile and event DJs as well as club jocks and livestreaming mixmasters. The balanced XLR main outputs deliver high-quality 24-bit audio, ensuring that event guests are always treated to an incredible, immersive dancefloor experience. The additional RCA booth output with dedicated control is perfect for sending audio to a personal monitor speaker or to an additional zone or area of a larger sound system. For events or gigs that call for more than one microphone for MCing or formal announcements, the NS4FX features 2 independent 1/4" microphone inputs with dedicated volume and tone controls. The Mic 1 input can be easily switch to an Auxiliary option to allow audio from a smartphone or external media device to be played through the RCA inputs on the back of the controller. Livestreamers that regularly feature guests or play external audio from other sources will certainly appreciate the audio freedom that the Numark NS4FX provides.

High-Quality, Performance-Focused Decks

The NS4FX is packed with all the pro DJ features needed for exceptional performances. The high-quality, touch-sensitive jog wheels are expertly calibrated for precision mixing and scratching. The centre of the wheels features a vibrant LED display that shows track position, BPM, pitch range, and time. The Layer button on each deck allows each side to toggle control quickly between multiple decks, making it easy to layer and mix up to 4 tracks at the same time. The long pitch sliders on each deck with selectable range offer ultra-precise control over tempo when mixing, and the Pitch Bend buttons allow for fine adjustments for perfectly aligned mixes. The 16 Performance Pads offer limitless mixing possibilities with selectable pad modes including Cue, Auto Loop, Fader Cuts, and Sampler (additional pad modes can be unlocked with Serato DJ Pro).

Professional DJ Looping and Effects Control

A dedicated loop section with multipliers on each deck grants quick access and control over seamless loops to extend mixes or craft custom transitions. To add additional flavour and creativity, the interactive FX section features 6 quick-launch software effects that are triggered by using the sturdy and fun paddle toggle switches. The FX area also provides full hardware control over the wet/dry mix and beat division to help DJs craft artistic and expressive performances.

Serato DJ Pro Ready

The Numark NS4FX comes with Serato DJ Lite software, allowing DJs to start mixing with 2 channels right away. Since the NS4FX is fully mapped and ready for Serato DJ Pro, DJs can upgrade to a full-featured, 4-channel mixing experience whenever they'd like!

Specifications

Outputs: 2 XLR balanced outputs, 1 RCA stereo output, 1 1/4" (6.35 mm) TRS headphone output 1 1/8" (3.5 mm) TRS headphone output
Inputs:, 1 RCA stereo input, 2 1/4" (6.35 mm) TS microphone inputs
Power: Via power adapter, DC 12 V, 2.0 A
Audio: 44.1 kHz, 24-bit
Dimensions (width x depth x height): 23.5" x 10.8" x 2.4" / 59.7 x 27.4 x 6.1 cm
Weight: 6.6lbs/3.0kg

Notes: Great value from this entry-level rotary mixer. Simple two-channel design with three-band EQ and an intuitive multi-mode filter. A strong rival to the Omnitronic TRM-202MK3.

Supplier's Notes:
Introducing the Headliner R2, a 2-channel rotary DJ mixer that is perfect for DJ's looking for precise control and a warm sound, without breaking the bank. Don't let the price tag fool you. The R2 is packed with features, like an analog filter and 3-band isolator EQs on each channel, and uses only high-quality components, including genuine ALPS potentiometers.

Featuring two stereo channels with selectable Line and Phono RCA inputs, each channel on the Headliner R2 comes equipped with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a filter activation switch.

The Master channel boasts an analog filter, headphone monitoring, and output control section. The analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls, giving you precise control over your sound. Independent Master and Booth outputs with volume controls, both with balanced XLR and unbalanced RCA connectors, give you the flexibility to connect to any sound system.

The headphone Cue control section is packed with features, including headphones volume control, headphones mix control (Cue/Master), and split monitor switch. You can easily switch between listening to the master output and the cue output, or blend them together in your headphones, giving you complete control over your mix. The high current headphone amplifier with, dual 1/4" and 1/8" jacks, allows you to use any type of headphones you prefer.

The Headliner R2 features genuine ALPS potentiometers, and a sturdy metal enclosure with stained wood side panels for a classic look that will complement any DJ setup. The modular internal construction, coupled with the external power supply connected via locking Mini XLR ensure superior audio performance.

The Headliner R2 is a reliable, high-quality mixer that will give your DJ performances that classic vibe. Whether you're spinning house, techno, or classic funk/soul/disco jams, this fun little mixer is the perfect addition to your setup.

Specifications

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz - 20kHz (+/- 0.1dB)
THD + N: < 0.1%
EIN: -120dBu (150O Load)
Input Impedance: 3 kOhm

Line Inputs
Nominal Input Level: -10dBV (-7.8dBu)
Gain Range: -12dB to +12dB
Frequency Response: 20Hz - 20kHz (+/- 0.1dB)
THD + N: < 0.05%
Input Impedance: 47 kOhm

Phono Inputs
Maximum Input Level: -40dBu
Gain Range: -12dB to +12dB
Frequency Response: RIAA
THD + N: < 0.05%
Input Impedance: 47 kOhm

Main Outputs
Nominal Output Levels, balanced: +4dBu
Maximum Output Level, balanced: +20dBu
Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
Maximum Output Level, unbalanced: +12dBu
Frequency Response: 20Hz-20kHz (+/-0.5dB)
Residual noise: <-80dBu Dynamic Range: > 100dB
Crosstalk: < -65dB
THD + N: < 0.05%

Headphone Output
Maximum Output Level: 70mA/channel into 150O
Minimum Load Impedance: 32 Ohms/channel

Power Supply
Type: External with locking mini-XLR connector
Input Voltage: 100-240v ~ 50/60Hz
Output Voltage: +/-15V; 500mA
Voltage Range: 32 Ohms/channel

Notes: Chroma version of Arturia's flagship KeyStep Pro, a brilliantly versatile sequencer and controller keyboard capable of controlling MIDI synths, drum machines and analogue gear via CV.

Supplier's Notes:
KeyStep Pro Chroma

Sequencing mastermind recoloured

KeyStep Pro Chroma is a special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours. The same all-in-one power, with more edge.

The future is sequenced

Rediscover the controller keyboard that changed the sequencing game, upgraded with a futuristic exterior and supercharged with unique creative functionality.

Chroma aesthetic

Retrofit your musical setup with sleek cyberpunk attitude. KeyStep Pro Chroma features a dark grey casing, vivid blue LEDs, and striking knob caps.

Customize your flow

Exclusive to KeyStep Pro Chroma, you can customize the LED colours for each of your tracks - so every project and composition looks as unique as it sounds.

The must-have sequencer

KeyStep Pro remains the benchmark for hardware & software sequencing and creative performance alike. Chroma is no exception: your sequencing mastermind

Abundant connectivity

From Eurorack modules, to analogue synths and VST's, synchronize all your gear and unleash your creativity in style.

Enterdark mode

Fusing utility with aesthetics, creativity with beauty, and sleek design with vivid colour, KeyStep Pro Chroma delivers next-level performance with pure style.

Exterior

A dark grey shell simultaneously gives this controller space station futurism and classic car attitude.

Lights

Icy blue LEDs illuminate Chroma's metal exterior, while customizable track colours inject perfectly-contrasting vibrancy.

Controls

Complementing the cool grey shell and vivid LEDs, Chroma's controls feature premium, great-feeling stylish caps.

Control hardware, software & DAW at the same time

Looking for the best modular sequencer?

How about a MIDI controller for Ableton? Or a live performance keyboard that can sync all of your favourite synths to a DAW click track? KeyStep Pro's extensive list of controls, connections, and creative functions are designed to tick every box - let's take a closer look:

The ultimate multi-function controller

Command complex hardware setups, entire DAW setlists, modular racks, and more - all with a user-friendly workflow that prioritizes creativity.

KeyStep Pro remains unique and unmatched in its balance of performance-oriented playability, massive connectivity, and creative depth.

Main Features

Unique dark grey design with blue LEDs and stylish knob caps

Customizable track colours

37 note slim keys, velocity and aftertouch sensitive
LED above each key for efficient visual feedback

Four track step sequencer
16 step buttons, up to 64 steps per sequence
Up to 16 notes of polyphony per step

Melodic sequencer
Real-Time recording, step recording, step editing
Pitch, velocity, gate length, time shift and probability for each note
Scale quantization with user scales
Polyphonic CV outputs

Drum sequencer

24 part drum sequencer
Polyrhythm

Performance-oriented sequencer
Forward and two random playing modes
Pattern randomization
Quantized or unquantized recording
Looper

Arpeggiator

7 arpeggiator modes, 5 octave range

What's in the box

Box content

KeyStep Pro unit
Registration card
Quick Start
USB cable
Power supply

Dimensions
Size : 23.2 x 8.2 x 1.5 inches (589 x 208 x 38mm)
Weight : 5.9 lbs. (2.7 Kg)

Notes: Neatly implemented performance mixer with four stereo channels. CV control of level and pan, two pre- or post-fader stereo send busses, quiet mutes and cueing via a front-panel headphone socket.

Supplier's Notes:
Four channel stereo production mixer

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Mains Section

Two stereo sends outputs
Two stereo returns - which can also be used to directly insert into the main mix.
Main stereo outputs - level controlled with the slider and stereo VU meter.
Main mono output - summed output of the main L&R. If you are after an 8ch mono mix, you can use each channel in stereo mode, use the level control to control the level and then pan control to control the levels of the two channels.

Cue Section

1/4" Headphone jack along with level control
Fader control to listen to the main mix, cue mix, or an adjustable mix of the two.
Expandable

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 24hp
12V: 260mA
-12V: 225mA

Notes: Part of 1010's excellent Nanobox series, the Tangerine is a tiny powerhouse sampler. A fresh new approach to sampling, from one-shots to loops, all the way through to four-hour recordings.

Supplier's Notes:
Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

Notes: Yamaha's all-in-one portable production tool offers an exciting new take on music making. Synth and sampler engines combine with a built-in sequencer, allowing you to create tracks from scratch.

Supplier's Notes:
Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: Something a bit different here. Red Panda's Radius combines ring mod and frequency shifter circuits with pitch tracking and modulation. Controllable chaos which delivers unique bell-like tones, atonal phaser sounds and much more.

Supplier's Notes:
Ring modulator / frequency shifter.

The Radius is a ring modulator and frequency shifter with pitch tracking and an advanced LFO. It is designed around a novel "eight-quadrant multiplier" algorithm that smoothly transitions from ring modulation to frequency shifting and allows different frequency ratios for the upper and lower tones. Radius puts complex harmonic structures, bell-like tones, metallic textures, frequency shifting, soft tremolo, and bubbly phaser sounds at your fingertips.

A ring modulator multiplies two signal signals together to create new frequencies that are the sum and difference of the input frequencies. One signal is your instrument, and the other is an internal oscillator. The Radius can double the sum or difference frequency ratios and adjust their relative levels, unlocking a spectrum of timbres beyond traditional ring modulation.

Pitch tracking, a push-to-tune footswitch, and picking dynamics make the Radius responsive and predictable on stage. Hold the left footswitch and play a note to tune the carrier oscillator to that note. Pitch tracking maintains the pitch ratio as you play up and down the scale, or tracks by a ratio (or inverse) for more dynamic sounds. An expression pedal can be assigned to any combination of knobs.

The Radius has an advanced LFO with triangle, square, random waveforms and an eight step sequencer, all of which can be envelope triggered. The envelope follower makes it responsive to playing dynamics, and two "X" modulation waveforms create sweeping spectral changes.

Well-spaced controls and stereo input/output make the Radius perfect for sound design, synths, and creative mixing. A full MIDI implementation allows you to sync to MIDI clock, sequence parameter changes, and play the carrier oscillator from a keyboard.

The Radius is a musical ring modulator and frequency shifter that transforms the timbre of your instrument in new ways. With deep features and intuitive control, Radius modernizes classic electronic techniques for the future.

Dimensions: 3.1" x 4.75" x 2.5" (with knobs)
Shipping dimensions: 5.2" x 3.75" x 3.0"
Shipping weight: 1.1 lbs

Requires a 9V DC 250 mA power supply (not included).

Notes: Really nice take on an arpeggiator module here. Four-channel design features editable arpeggio patterns, CV control and transposition. Real-time performance meets customisable melody generation.

Supplier's Notes:
Four-channel arpeggiator with customizable patterns and CV control

Opp Ned is a four-channel arpeggiator designed for creating patterns that can be modified with CV. Opp Ned ships with 12 of Noise Engineering's favourite arps, including tetrads, major, pentatonic major, minor third, and pentatonic minor, but you can edit and save custom arpeggios to twelve memory slots. Recall your custom arpeggios manually or with CV using the Ptn input. If you ever want to restore the factory arps, just head to the Noise Engineering Customer Portal.

The transpose input makes it easy to combine Opp Ned with external sequencers, too!

Arps have never been easier than with Opp Ned.

Features

Size and Power
8HP Eurorack
+12v: 60mA
-12v: 10mA

Opp from Norwegian Opp for "Up"
Ned from Norwegian Ned "down"
"Ups and downs"

What's in the box

Module
Power cable

*** Noise Engineering no longer include screws with newly packaged modules. Bulk screws are available for purchase. ***

Notes: OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing.

Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: Universal drum synthesizer with roots in the analog world on a swappable oscillator platform

Basimilus Iteritas Alia is a parameterized digital drum voice with its roots in the analogue world. At its heart, the BIA is a simple six-oscillator additive and FM synthesizer with waveform, harmonic spread, and envelope controls. An adjustable noise oscillator and an extreme take on a wavefolder round out its synthesis abilities. Its straightforward controls make sound design fun and performable: create sub-shaking kicks, snares, hats, and unique drum hits with just a few tweaks.

BIA is a classic percussion module but you'll be blown away by how much more it can do. Use it for leads, basslines, or build a whole drum kit with some external CV. Plus, the envelope output means you can use the BIA for shaping and modulating other parts of your patch.

Basimilus Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: Part of Mackie's excellent ProFX series, the 12v3+ combines a 12-channel analogue mixer with built-in USB audio interface for quality recordings. Includes GigFX+ digital effects, colour LCD screen and Bluetooth input.

Supplier's Notes:
12-channel professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with award-winning Onyx preamps, channel EQ and analogue compression. Upgraded GigFX+ effects enhance your sound, plus you can edit and save your presets on the fly via the full-colour display. Switch between recording modes to track dry or include the FX, or use loopback mode to stream video games or perform over backing tracks without feedback. You can even bring in podcast guests over the phone via Bluetooth on a dedicated channel. With easy connectivity, the warmth of analogue and an upgraded FX engine, Mackie ProFX12v3+ is the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features

7 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1-4
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 11/12
Separate FX, monitor and subgroup busses
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line Inputs: 12
Mic Inputs: 7
Aux Sends: 1
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording Modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: Built for comfort as well as top-notch sound quality, Sennheiser's HD 490 Pros are a premium open-backed model for all production tasks. The Plus package includes a 3m cable, carry case and spare headband pad in addition to the standard bundle.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m/3m

Notes: Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)

Review: Recorded over three nights at the iconic Red Rocks Amphitheatre in Morrison, Colorado, endlessly prolific Aussie psych-rock auteurs King Gizzard & The Lizard Wizard invite you to experience their intense live shows in the closest manner to being there in person and the only way they know how (with an absurdly massive 12xLP self-proclaimed bootleg collection). Taken from performances on Oct 10th, Oct 11th and Nov 2nd of last year, these 80+ cuts run the gamut through the collective's heaviest, softest, most direct and ludicrously impenetrable sonic meanderings, whilst wrapped in individual sleeves with an accompanying photo journal of their great takeover of the Colorado plains.

Notes: VastWave is a complex analogue Oscillator with advanced waveshaping capabilities that invites new textural and harmonic exploration beyond subtractive synthesis principles.

Crossfading between harmonically rich folded waveforms and waveforms with Odd/Even harmonics, the VastWave waveshaper expands on the Principal Oscillator heritage, bringing an additional set of waveforms with Odd and Even harmonics and a pulse waveform derived from the Waveshaper's Final output stage.

Furthermore the linear FM input has a dedicated VCA for external FM amplitude modulation and an on board linear Glide delivers a more musical approach to this classic feature.

Features:

Voltage controlled complex waveshaping.
Triangle core.
FM input with voltage controlled amplitude for FM amplitude modulation.
On board linear Glide.
Voltage controlled Pulse-width modulation for Pulse and Final Pls waveforms.
Modern temperature and tuning stability.
High Frequency (VCO) or Low Frequency (LFO) operation.
External Timbre input with sine wave normalization if no external source is patched.
Attenuator/inverter knobs on all voltage controlled inputs.
Inverted or double Sawthooth waveform (selectable by jumper).


Specs:

Width: 16HP
Depth: 33mm
Power consumption: ###mA +12 / ###mA -12
Eurorack Format
Doepfer power connection

Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag

Notes: Proper futuristic amp modelling and effects courtesy of Mooer's next-level GE1000, featuring AI-driven auto-EQ and a five-inch touchscreen. Hook up to the GE Cloud app to edit and share sounds.

Supplier's Notes:
MOOER has consistently pleased the guitar pedal market with its GE multi-effect range, and its latest addition, the GE1000, is set to be no exception. The GE1000, built with a futuristic and sleek "Walking Star" design, builds upon past GE products, offering an even larger range of guitar processing effects, preamps, amp simulators, and features than previous entries.

The GE1000 comes preloaded with an impressive bank of guitar effects and amp simulations, but this is augmented further through MNRS GE Cloud support. MOOER's MNRS files consist of IR samples from real amplifiers, facilitating authentic feeling tones that can be downloaded, uploaded, and shared via MOOER's 'GE Cloud' app for free. The GE1000 also supports third-party IR files of up to 2048 sample points, enabling further expansion of the pedal's portfolio of amp simulators.

Further adding to the GE1000's impressive amplification and tone features, the GE1000 includes a cutting-edge AI-driven automatic equalizer, a first for MOOER. This automatically adjusts a 5-band EQ based on the user's playing and music style choice, providing further possibilities for creativity whilst still providing the flexibility of a manual-controlled EQ interface.

MOOER hasn't only focused on tone and pitch with the GE1000 exclusively, which is illustrated perfectly by the integrated Groove Station rhythmic toolkit, consisting of a style-specific drum machine and a looper. These features have been designed to work both independently and in tempo synchronization, making them adaptable for all types of jam. The looper even includes automated record and count-in functions, activating the loop recording when an input signal is detected, providing a unique hands-free looping experience.

MOOER has always excelled at providing innovative UI experiences, and the GE1000 is set to continue this trend. The pedal features a 5-inch high-quality coloured touch screen designed for intuitive multi-effect workflows while keeping some fan favourites from previous GE pedals. These include the signature MOOER multi-purpose control dials, buttons, and a quick-access expression pedal.

Additional flexibility can be found within the pedal's cutting-edge control systems, including programmable MIDI ports, bundled preset management software, and compatibility with the MOOER mobile app.

This level of flexibility is matched by the pedal's audio routing solutions, which feature Bluetooth playback, USB audio interfacing, serial and parallel TRS stereo FX LOOP compatibility, and industry-standard input and output ports.

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Notes: *** This version of UTILITIES comes with PULSAR-23 style turrets designed for connecting alligator clips. ***

UTILITIES contains a set of simple auxiliary modules to expand the functionality of the PULSAR-23 drum machine. UTILITIES modules can also be used with any gear that works with CV signals (Eurorack, semi-modular synthesizers, etc.).

The modules included in UTILITIES can be divided into two groups:
1) Passive elements such as switches, resistors, capacitors.
2) Various types of amplifiers and waveshapers, linear, non-linear, controlled and uncontrolled.
Passive elements are designed to expand the possibilities of switching and controlling the PULSAR.

Linear amplifiers are needed when you need to feed a signal from a device operating in a lower voltage format to the PULSAR inputs. For example, it can be a step sequencer with an output voltage of 5 volts, while the PULSAR needs 10 volts to fully trigger the drum modules. Or it could be the output of a cassette tape recorder, which has an output of 1 volt, while for normal operation the PULSAR needs an input level of an audio signal of 5 volts. Non-linear and controlled amplifiers and waveshapers are designed to control the signal level, while simultaneously changing its spectrum, distorting its shape and adding harmonics. The circuitry of these amplifiers is very simple and based on the early developments of the transistor era, with its inherent beauty and grace.

UTILITIES connectors are made in the PULSAR-23 format on pins designed to connect the alligator clips. There are also adapters for 3.5mm Eurorack mini-jacks.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

There are also adapters for 3.5mm Eurorack mini-jacks. The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

Power supply: DC +12 v 5.5 x 2.1 mm center plus
Current consumption: 50 ma max
Dimensions: 288 x 193 x 40 mm
Weight: 0.75 kg

Notes: Fuzz meets synth meets reverb in this clever pedal. Built-in drone VCO, noise generator, LFO and effects allow you to warp and twist input signals into completely new tones and textures.

Supplier's Notes:
Grone 2 Dark Drone machine Pedal Version

Blocks description

Drone VCO:

Generates sound based on equations converted to analogue signals, there are sixteen equations selected by algorithm up pot. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There's an expression jack input, EXP2 for controlling sampling rate.

NOISE GENERATOR: White noise with noise level pot.

Voltage Controlled Filter: MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION 1 amount pot, Expression jack input 1 controls filter cuttoff.

LFO1: Low frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.

Waveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes

FUZZ Section: gain stage that affects input signal, with controls for input gain and level.

Effects Section: Consists of a chorused reverb with delay, adding octave up or down component, with freeze function

Pots controls:
1-Blend controls mix of effects over final output signal
2-Octave blends mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component
5-Balance controls mixture from reverb and delay.
6-Pitch controls the sampling rate of the whole effects section, modifying delay time and reverb decay.

Footswitches:
1- Synth: mutes or enables the drone VCO and noise generator
2-Filter: Bypass for the VCF
3-Fuzz: Bypass for the fuzz that processes the input signal.
4-reverb: Bypass for the reverb/delay section
5-Freeze: toggles freeze function for reverb section

Jacks:
Input, Expression 1 input (VCF) Expression 2 (VCO sample rate), Output

Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: The excellent SSL 2+ interface gets bundled up with a vocal mic, headphones and accessories to get you started recording. Great value.

Supplier's Notes:
SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2+ interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2+ interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2+ interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2+ Interface

Bring Your Productions To The Next Level

The SSL 2+ Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2+
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm

Notes: Skippy is a matrix and non-matrix polyrhythmic sequencer (linear and logarithmic) which offers four completely independent tracks with a very simple interface: one button per track, one function per screen, no sub-menus.

Possible saving of 64 configurations.

Internal connection with expander module (coming soon) and with Zazou, generative composition module (coming end of 2023).

Functions per track

- BPM (10 to 400)
- Number of steps (1 to 64)
- Linear or log
- Random function
- Chaotic function
- Direction: clockwise, counterclockwise, ping-pong, pause
- Number of steps before the start of the sequence
- Number of steps before the end of the sequence
- Gate duration

Specific algorithms

- Euclidean (Bjorklund)
- Matrix Patterns
- microtiming patterns
- matrix rotation

Clock

- External clock input or Reset
- Clock output
- 1/1, 1/4, etc.

Menus

- BPM
- STEP
- BEGIN
- END
- GATES
- PROBA
- CHAOS
- WAY
- SWING
- GAUSS
- EUCLID
- TILES
- POLYR
- JAZZY
- SPIN
- PAUSE
- RESET
- SYS: save, load, new, clk/rst, clk

Tech Specs

Width: 10 HP
Depth: 32 mm

Current Draw:
+12 V 0 mA
-12 V 0 mA

Notes: Mûmack is built from a temperature-stabilized analog source producing the three classic waveforms: triangle, saw, rectangle. This basic signal can be altered or enriched in several ways, which can be combined with each other, and associated with one VCA per mode.

Peak Compressor:
In the central position the signal is not modified. Turning the potentiometer to the right or to the left will compress the signal positively or negatively. It is this signal that will then feed Usual, Mûm and Hack. An LFO is dedicated to the compressor, controllable in speed and amplitude. A CV input with attenuator can also control the compressor.

USUAL:
The three waveforms are freely mixable, a CV input and a potentiometer can change the shape of the rectangle wave (PWM). The compressor intervening upstream, it can strongly influence the final form and the amplitude of USUAL. This produces complex analog waveforms, moving in time with the LFO or the CV input. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

MÛM:
The Waveform potentiometer move the waveform of Mûm continuously from a attenuated triangle to a more pronounced triangle, then to a sinusoid and finally to a square wave. An LFO allows you to add a vibrato adjustable in speed and amplitude. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

HACK:
Mûm's signal is taken up in a Wavefolder + compressor. Depending on the settings of the Peak compressor, and the three LFOs, we obtain complex, moving, organic waveforms. Again the linear potentiometer allows to mix the signal with the others, and to adjust the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

ALL:
The three channel (Usual, Mûm, Hack) are mixed and brought together in a single output. The output volume is adjustable and a CV input with attenuator works like a VCA.

MIXER & VCA
The voltages produced by Mûmack, as is the case with many analog VCOs, can be high. The mixer allows them to be attenuated if necessary. Each of the three channels, and the product of the three, can be controlled by the VCA, with attenuator. The VCA is designed to add distortion at high values. The mixer is exponential for more subtle adjustments in low values.

Dimensions
30 HP
40 mm deep

Current Draw
155 mA +12V
155 mA -12V
0 mA 5V

Notes: Sixteen Seconds Delay vintage eurorack version, inspired by the original looping delay from 1983.

The device topology is the same as first digital delays from that era, with an all-analogue signal path, pre emphasis and de-emphasis, compression and expansion, antialias and reconstruction filtering and input output buffering and mixing.

Digital processing is limited only to analogue to digital conversion, memory management and storage and digital to analogue conversion, all in glorious eight bits.

There's also an analogue triangle Low Frequency Oscillator for modulating delay time/pitch Maximum delay time has been increased to 32 seconds, there are toggle switches for slow/fast speed/pitch , freeze function and reverse playback.

On board modular inputs for CV control of sample rate, infinite/freeze, reverse, slow/fast, reverse, delay line retrigger for sync and stutter experimentation.

Slider illuminated controls are delay time coarse, delay time fine, sweep rate and depth, feedback and mix.

Proudly hand built in Uruguay, by Maneco Labs also creators for the Grone Drone machine Eurorack, Tabletop and Pedal drone generators among others.

Notes: Fire-themed version of the expressive J-Play Pack from Joue. Based around the idea of making music more organic and natural, the Play Pads transform the J-Play's behaviour, allowing you to control and perform in a range of ways.

Supplier's Notes:
The J-Play transforms your musical experience with a complete system combining an expressive multi-instrument, an intuitive application and interactive content to practice.

A unique playing experience

The J-Play instrument merges the quality of traditional musical instruments with the technology of the digital world. It is sensitive to natural gestures for unparalleled expressivity. It is also a modular instrument, once placed on the J-Play Board, the interchangeable Play Pads instantly transform the instrument into a guitar, keyboard, drums, xylophone or vocal effects station. Each pad has its own bank of instruments. Explore different musical styles and experiment with new sounds thanks to the integrated effects!

With you, everywhere you go, the design of the J-Play has been thought out to adapt to all playing styles. Compact and lightweight, it slips easily into a backpack and follows you on the go. Don't let any musical idea slip away!

Intuitive & powerful app

Create, modify and share your songs in an intuitive way thanks to the included application. No need to spend hours on overly complex music software anymore, the Joue Play application guides you step by step through the process of creating music to make it intuitive. The app has been designed as a simplified music creation software: making music is easy and fun!

The Joue Play app is freely available for Windows, macOS, iPadOS and very soon for iPhone (before end of 2023).

Exclusive content

Practice at your own pace and recreate your favourite songs: each week, a new playable cover track is added to the large collection of well-known covers already available in the J-app. Replay the rhythms of your favourite artists, and get creative by remixing them. Change the sounds, the tempo or add your own rhythms!

Grow with it

The perfect instrument for beginners, a great first step into digital music making for musicians but also a powerful MPE MIDI controller for advanced music producers. The J-Play will always suit your style in accordance with your skills and needs. Discover a whole new way to control your software. Combine all your controllers into one device that will always be at hand in your studio or on stage.

1 wooden board
5 Play Pads (Fire): guitar, piano, drum, audio, keys
USB-C to USB-C cable
Storage bag
J-App included with dedicated tutorials and sound banks

(!) If you want to use your J-Play with an iPad, make sure the port type. USB-C to lightning adapters are available as accessories.

Notes: Building on the familiar dual VCO core arrangement of Carrier and Modulator, Mindphaser is a complex oscillator which departs from this bit of ancestral DNA with a modern toolkit focused on searing, phase-modulated leads, percussive basslines and other-worldly effects!

A diverse palette of intermodulation and harmonic experimentation is offered through the Modulation Bus, its unique Waveshaper and the dedicated Thru-zero Phase Modulation Bus. An intuitive interface provides colour-coded visual feedback and responsive indication while performing in dimly-lit environments.

Two precision analogue oscillator cores

Precision, wide-range V/oct ramp cores, each ranging from deep subsonic to supersonic frequencies (ramp cores, and not triangular, deliver the ideal waveforms for analogue phase accumulation in the TZ-PM Bus)
Each core generates fundamental waveshapes which interact and mangle one-another through the complex Modulation Bus and TZ-PM bus
Simultaneous waveform outputs for each base shape
Dedicated button to toggle between RAMP or SAW for each core, inverting the phase of the ramp output
V/oct, linear FM and exponential FM inputs which are all independent of the TZ-PM functionality. The Carrier's FM occurs inside the core itself, separate from the TZ-PM bus.
DC-coupled linear FM

Carrier

The heartbeat of Mindphaser, focused on audio-rate generation. Drives the WAVESHAPER and TZ-PM bus. This core's frequency range spans the audible spectrum.

- An external hard SYNC IN forcibly resets the core, useful for punchy sequences, percussive basslines and drum synthesis -- or to sync to another VCO.

- Coarse and fine controls conveniently span the audible spectrum. Ranges further with external CV.

Modulator

An extremely wide range oscillator, spanning from deep LFO frequencies all the way up to supersonic sound! Four base waveforms and diverse internal routing options form a versatile palette of modulations for the CARRIER to feed on.

- Activating hard SYNC on the Modulator locks its core to the Carrier's heartbeat. The effect can be dramatic. Try this while phase modulating!

- Octave RANGE switch lets you quickly flick up and down between octaves. All the way beyond audio-rate and LFO speed octaves. Perfect for experimenting with different PM sidebands and taming the wide frequency range of the Modulator.

- Manual PW (Pulse Width) control and dedicated CV input for PWM.

Waveshaper

This isn't a classic waveshaper! Developed anew from the ground up, this waveshaper is focused on deep harmonic experimentation and audio obliteration. Each waveshaper parameter is capable of being "turned up to 11".

FOLD up to 5 octaves above the fundamental Carrier frequency. A ceiling forms at maximum, imparting additional harmonics.

FEEDBACK the waveshaped and phase-modulated audio through a signal path internal to the waveshaper.

AMPLITUDE modulation spans thru-zero, allowing for full-range ring modulation effects with bipolar CV or audio signals.

CLIP the final stage of amplitude with the switch to introduce a last stage of harmonics before the complex signal exits through the final OUT.

Switchable inverting attenuators on each CV input, for quickly inverting the behaviour of your modulation. The indicator illuminates red to tell you the attenuator has been inverted.

Two distinct waveshaping modes

A press of the shape switch toggles Mindphaser between RAMPOID (green) and TRIANGULAR (yellow) waveshaping modes.

These modes have a remarkable effect on the behaviour of wavefolding and overall character of the final complex OUT, in addition to TZ-PM Bus character.

RAMPOID mode folds more asymmetrically, with raucous, buzzing harmonic artefacts as you sweep and introduce TZ-PM

TRIANGULAR mode folds more symmetric, splitting the complex sine wave at its peak centre of the waveform. TZ-PM character is less raucous, and more smooth.

TZ-PM Bus

Thru-zero phase modulation in the ANALOGUE realm! Unlike its digital counterpart, analogue TZ-PM has its own character we've come to expect from analogue circuitry!

A dedicated, voltage-controlled phase modulation bus completely separate from the Mod Bus
Modulator's SINE wave normalled to the PM SOURCE input
SOURCE input allows you to modulate phase with any signal you patch in
Dedicated voltage-controlled INDEX (amount)
Manual phase lets you zero in (or not!) on the base phase before introducing modulation
Independent of the Linear FM circuitry in the Carrier core

Mod Bus

The internal modulation powerhouse, normally fed by the Modulator core, but external signals are patchable as well.

Select from the PULSE, RAMP/SAW or SINE output of the MODULATOR, or inject your own SOURCE to the bus.

Voltage-controlled INDEX behaves like a macro control when combined with various amounts and polarities dialled in at each CV destination.

Internal sends include the Carrier's classic Linear FM, Amplitude, Feedback and TZ-PM Index, with variable amounts and polarities!

Modulator waveforms internally feeding the Mod Bus behave unipolarly, for predictable modulation of every Mod Bus destination, without external patching. By patching in one of the Modulator's bipolar waveform outputs manually (or any external signal), you can override this behaviour.

Dimensions
30 HP
24 mm deep

Current Draw
110 mA +12V
100 mA -12V

Notes: Gross, gritty, and dark industrial-strength voice on a swappable oscillator platform. Pangolin approved.

Manis Iteritas Alia is a voice based on the architecture of Basimilus. It was designed to be grittier and more aggressive by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis Iteritas Alia is fantastic for leads, basslines, drums, darkness, detuned swarminess, or pure mayhem. Plus, MIA's dedicated envelope output is a great modulation source for the rest of your patch.

MIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

A portion of the proceeds of every Manis Iteritas Alia sold goes to pangolin conservation.

Width: 10HP
Depth: 22mm

Notes: Gross, gritty, and dark industrial-strength voice on a swappable oscillator platform. Pangolin approved.

Manis Iteritas Alia is a voice based on the architecture of Basimilus. It was designed to be grittier and more aggressive by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis Iteritas Alia is fantastic for leads, basslines, drums, darkness, detuned swarminess, or pure mayhem. Plus, MIA's dedicated envelope output is a great modulation source for the rest of your patch.

MIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

A portion of the proceeds of every Manis Iteritas Alia sold goes to pangolin conservation.

Width: 10HP
Depth: 22mm

Notes: Hybrid additive phase-modulation voice on a swappable oscillator platform

Debel Iteritas Alia is a hybrid additive phase-modulation voice inspired by classic and experimental synth sounds from across the decades. Three synthesis algorithms range from classic FM plucks and basses to all-out additive anarchy. DIA features a two-parameter envelope with a huge range of shapes and timing, making it easy to dial in the exact sound you want. With CV over every parameter, a dedicated envelope output, and an absolutely massive timbral range, Debel Iteritas Alia is a powerhouse synth voice in a compact package.

DIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Cleverly designed melodic looping sequencer/sampler, offering four pattern banks each with 16 steps, aiming to bring 'DAW-style' workflows to Eurorack - sample reversing, pitch shifting, and so on.

Suppliers notes:
Torus is an overdub looper for harmonic playback. It offers four, 16-step pattern banks for sequencing as well as other sample manipulation techniques. It was designed to bring daw recording workflows (sample reversing, pitch shifting, sequencing, etc.) to eurorack cases.

Inputs:

A, B, C, D - buttons for choosing the current pattern. When combined with chain, these buttons can be used to sequence a pattern chain. Individual chains can be support 16 steps and are kept in sync with torus's global clock.

Chain - button for chaining behaviours. Chain + A, B, C, D can be used to sequence a pattern chain. Chain + record can be used to record multiple patterns in series and then chain playback. Chain + clear can be used to clear all recorded patterns. Chain + tap can be used to reset the current pattern when it contains recordings.

Mix - knob and CV used to blend between the input signal and the recorded pattern.

Record - button and gate in for turning on and off recording. When a pattern is not recorded, record will turn on and in sync with the clock. When a pattern is recorded, record will immediately turn on and off overdubbing.

Oct - buttons for octave shifting pattern buffer playback. Oct buttons can be used to clock divide/multiply an input clock signal.

Reverse - button and gate in for reversing buffer playback.

Harm - knob and CV for choosing harmonic pattern playback speeds. Playback speeds include both integer clock multipliers and perfect intervals.

Tap - button for tapping in tempos for the internal clock. Tap will repeat the current note when the current pattern contains recordings. Combine with chain to reset the entire pattern when the current pattern contains recordings.

Clear - button and gate in for clearing the current pattern. Combine with chain to clear all recorded patterns.

Clock - gate in for clock syncing

In L and in R - audio input, left will be converted to stereo if there is no right input.

Outputs:

Harm out - gate output mapping to harmonic playback resets. This gate output will range from 1-16x the clock out frequency depending on the harm knob/CV value.

Clock out - gate output for the global clock. The output gate frequency will be 0.25-4x the input clock speed based on the oct button state.

Reset - gate output when the current pattern has reset.

Out L and out R - audio output

100 mA +12V 40 mA -12V 0 mA 5V

16 HP 35mm deep

Notes: Monolith is a pitch-shifter reverb inspired by west coast synthesis techniques. It utilizes a time-domain based FM algorithm that acts as a shimmer.

Inputs:

In L and In R - audio input, left will be converted to stereo if there is no right input
Blend - knob and CV for controlling the fade between the dry and FM audio signals
DJ filter - knob and CV for controlling the reverb delay line filtering
Wet - knob and CV for controlling the reverb decay
Mod - knob and CV for controlling the scale of FM modulation. Low mod values correspond with microtonal pitch regions. High mod values correspond with multiple octave shifts.
On - button and CV gate for toggling on/off FM modulation. When FM modulation is turned on/off, the FM modulator oscillator is reset.
Quant - button and CV gate for toggling on/off FM pitch quantization.
Freq and v/oct - knob and CV for controlling the frequency of the FM modulator oscillator. Also control reverb pre-delay.
Shape - knob and CV for controlling FM modulator oscillator shape. Shape wavetable transitions from sine wave (8 o'clock) to triangle wave (12 o'clock) to square wave (4 o'clock).
Clock - CV gate for tempo syncing modulator oscillator period.

Outputs:

Out L and out R - audio output
Gate - CV gate out that is period synced with the FM modulator oscillator

100 mA +12V 40 mA -12V
14 HP 35 mm deep

Notes: Updated version of Source Audio's excellent Nemesis delay features an all-analogue dry signal path, meaning your original signal passes through unadulterated. Same versatile delay options, including patches based on vintage and modern hardware.

Supplier's Notes:
The NEMESIS Delay ADT is an updated version of Source Audio's award-winning NEMESIS Delay. It has all the tones and features that made the original NEMESIS so popular and includes some key updates including an analogue dry through signal path.

Analogue dry through means that the guitar's dry signal maintains a 100% pure and unprocessed analogue signal adding only the delay you choose. Other new features include enhanced MIDI functionality, 100 factory loaded presets, and an updated collection of delay effects easily accessible with the pedal's intuitive interface. The updated NEMESIS is also compatible with over 1,000 Neuro user presets created for the original NEMESIS Delay.

Additional NEMESIS Delay ADT features include stereo ins & outs, full MIDI functionality with 5-pin MIDI DIN and through ports, tap tempo with 15 different beat divisions, 8 onboard presets (128 with MIDI), bypass trails, external expression control, and a delay "freeze" function engaged by holding down the tap tempo footswitch.

NEMESIS Delay ADT captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought-after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. At the opposite side of the spectrum, you'll find an advanced collection of sophisticated and specialized delay effects.

In addition to the basic 12 delay engines available on the front panel, the NEMESIS Delay ADT also features 12 extended delay engines for a total of 24 engines in all. These additional "back 12" effect engines offer a variety of tonal options and can be selected using the Neuro App or via MIDI. Any of these effects can be used to overwrite the default effect engines on the effect dial or can be stored as user presets.

Job one in the development of the NEMESIS Delay ADTwas to create a flexible, easy-to-use, and great sounding delay pedal. Out of the box, that's exactly what it is - plug in, select from the twelve onboard delay engines and make beautiful music... simple. But there is much more here than meets the eye - the truly "Big Idea" behind our One Series pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Neuro Mobile App are free downloads for iOS, Android, Mac, and Windows.

Additional parameters found in Neuro include Diffusion, Distortion, Wow and Flutter, Advanced Filtering, Sample Rate Reduction,12 different Tap Tempo Beat Divisions, Polyphonic Pitch Shifting and much more. Neuro's complete collection of delay effects includes "Sweeper" (a modulated filter delay), "Degrade" (with sample rate reduction), "Sequenced Filters," "Warped Record", "Chorus," and more.

Customized presets can be published to the cloud and made accessible to the entire Neuro Community. To date there are well over 8K published presets available for One Series pedals in Neuro. After editing your preset, burn it directly to the pedal and access it easily without reconnecting the Neuro App.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Wireless PRO is the ultimate wireless microphone, packed full of powerful features that offer incredible flexibility for recording pristine audio for your content. Never lose a take with 32-bit float on-board recording, keep all your video and audio flawlessly synchronised with timecode, and capture incredible-sounding content effortlessly with intelligent GainAssist technology. The Wireless PRO delivers everything you could possibly want from a compact wireless microphone system, and much more.

State-of-the-art Wireless Audio

RODE pioneered the ultra-compact wireless microphone category with the original Wireless GO and this legacy carries on with Wireless PRO. Utilising state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, it delivers crystal-clear, incredibly stable audio with a range of up to 260m. Wireless audio you can rely on in almost any recording application.

Never Lose a Recording

There's nothing worse than pulling your audio into your editing software and realising your recording clipped and can't be used. With the Wireless PRO, this is a thing of the past. 32-bit float on-board recording means your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too loud or too quiet. Never worry about setting your gain perfectly again. Gamechanger.

Audio and Video, Perfectly in Sync

With the Wireless PRO's timecode capability, you can perfectly synchronise your audio and video with ease - no need for complex and expensive external timecode systems.

Pristine Audio in Any Situation

In addition to its 32-bit float on-board recording, the Wireless PRO offers a plethora of features that promise pristine audio in any situation. Ensure your audio is smooth and balanced with intelligent GainAssist technology. Precisely match your mic to your camera with flexible gain controls and tailored presets. Add an extra layer of protection with the safety channel. Perfect recordings, every time.

The Ultimate Pro Recording Kit
The Wireless PRO comes with everything you need to get set up and recording wireless audio right out of the box. Included are two professional Lavalier II microphones that are perfect for recording on-screen talent, as well as furry windshields for outdoor use, a pair of MagClip GO to attach your transmitters anywhere, a smart charging case and a handy accessory pack to store your lavs, cables and clips.

Connect to All Your Devices

Thanks to its analogue (3.5mm) and digital (USB-C) outputs, the Wireless PRO is universally compatible with cameras and other audio devices, both iOS and Android smartphones and tablets, and Windows and Mac computers.

Easy Configuration and Control

Check your audio levels at a glance with the bright LCD display and configure settings on the fly with dedicated controls for everything from gain adjustment to triggering recordings. Customise the system to your needs anywhere using your computer or smartphone with the RODE Central app. Complete control over your setup, so you can be ready for any recording situation.

Monitor and Record

Monitor your audio in the field with the Wireless PRO's high-power headphone output, complete with on-board level control, or connect a headset or narrator microphone such as a lavalier to capture a third audio track. Ultimate versatility.
Specifications Acoustic & Electrical (Wireless PRO)

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dB SPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5m TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 10.15 above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Acoustic & Electrical (Charge Case)
Mechanical
Battery Capacity: 4200 mAH
Power Requirements: 5V/3A via USB-C
Charging Time: 2.5 hours
Charge Current: 2A (maximum)
Total charges (TXs and RX): 2 complete charges
Connection Type: USB-C (SuperSpeed USB-C cable required for optimal data transfer speeds)

Mechanical
Weight (grams)
TX: 35RX: 36
Charge Case: 177
Total: 284

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
Charge Case: 101 (W) x 82 (L) x 70 (D)

What's in the Box:

Wireless PRO TX
2 x Transmitter
30cm USB-C Lightning Cable
1 x SC21
30cm USB-C to USB-C Cable
1 x SC22
Premium Lavalier Microphone
2 x Lavalier II
Magnetic Clip for Wireless GO
2 x MagClip GO
Furry for the Wireless Go II
3 x Furry
Wireless PRO Receiver
1 x Receiver
Wireless PRO Charge Case
1 x Charge Case (PRO)
Wireless PRO Accessory Case
1 x Accessory Case
SC34 USB-C to C SuperSpeed Cable
1 x SC34
3.5mm TRS Patch Cable
1 x SC2

Notes: *** This version of UTILITIES comes with with screws instead of pins. Also designed for connecting alligator clips, just more affordable. ***

UTILITIES contains a set of simple auxiliary modules to expand the functionality of the PULSAR-23 drum machine. UTILITIES modules can also be used with any gear that works with CV signals (Eurorack, semi-modular synthesizers, etc.).

The modules included in UTILITIES can be divided into two groups:
1) Passive elements such as switches, resistors, capacitors.
2) Various types of amplifiers and waveshapers, linear, non-linear, controlled and uncontrolled.
Passive elements are designed to expand the possibilities of switching and controlling the PULSAR.

Linear amplifiers are needed when you need to feed a signal from a device operating in a lower voltage format to the PULSAR inputs. For example, it can be a step sequencer with an output voltage of 5 volts, while the PULSAR needs 10 volts to fully trigger the drum modules. Or it could be the output of a cassette tape recorder, which has an output of 1 volt, while for normal operation the PULSAR needs an input level of an audio signal of 5 volts. Non-linear and controlled amplifiers and waveshapers are designed to control the signal level, while simultaneously changing its spectrum, distorting its shape and adding harmonics. The circuitry of these amplifiers is very simple and based on the early developments of the transistor era, with its inherent beauty and grace.

UTILITIES connectors are made in the PULSAR-23 format on pins designed to connect the alligator clips. There are also adapters for 3.5mm Eurorack mini-jacks.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

There are also adapters for 3.5mm Eurorack mini-jacks. The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

Power supply: DC +12 v 5.5 x 2.1 mm center plus
Current consumption: 50 ma max
Dimensions: 288 x 193 x 40 mm
Weight: 0.75 kg

Notes: With the Zomo Flightcase D-Live-4 NSE, you can expand your DJ gear with a reliable partner that securely accommodates and stylishly showcases your Denon DJ SC Live 4 DJ controller. This high-quality flight case stands out for its robustness and elegance and belongs to the trendy NSE Series - Night Style Edition, which is renowned for its unique aesthetics and durability.

The Flightcase D-Live-4 NSE is the perfect shield for your DJ controller, whether you're traveling by car or air. These resilient cases are ready to face any challenge and protect your valuable equipment from the toughest stage conditions.

The flight case is made from 9mm thick laminated plywood, providing extra stability. This material safeguards against impacts and scratches, effortlessly withstanding the demands of touring. The sturdy construction is further enhanced by robust ball corners and specially reinforced, black lacquered aluminum profiles that ensure long-lasting durability while adding an attractive appearance to the case.

The Zomo Flightcase D-Live-4 NSE is incredibly user-friendly. The lid and front panel can be quickly and easily removed before each gig, even with the DJ controller still inside the case. This allows you to be ready for action at any time and focus entirely on your performance.

Not only does the Zomo Flightcase excel in practicality, but it also boasts an impressive visual appeal. Its elegant NSE Edition in black is a true eye-catcher that commands attention and emphasizes your professionalism. The case features convenient butterfly latches for secure handling, allowing for easy opening and closing of the lid.

You can rely on its high durability and optimal fit, ensuring your DJ controller receives the placement it deserves-secure, protected, and stylish.

Zomo Flightcase D-Live-4 NSE Features

Perfect fit: Custom-made for the Denon SC Live 4, the Zomo Flightcase D-Live-4 NSE provides optimal protection and a snug fit, keeping your DJ controller safe and well-protected.
Premium construction: Crafted from laminated 9mm plywood, the flight case offers a robust and durable structure that withstands both impacts and scratches.
Additional protection through interior padding: Soft interior padding safeguards your DJ controller from damage and unwanted influences, providing a secure and protected storage space.
Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even with the DJ device still inside the case. This is ideal for fast access before and after performances.
Elegant and eye-catching design: With its sleek design in the black NSE Edition, the Zomo Flightcase captures attention and highlights your professionalism as a DJ.
Sturdy butterfly latches: These ensure a secure closure of the flight case while remaining easy to use. They also provide the option to attach an optional lock for additional security.
Transport-friendly: Integrated handles make the flight case easy and comfortable to transport.
Long lifespan: The flight case's sturdy ball corners offer additional protection against impacts and vibrations, contributing to its extended lifespan.

Technical Specifications

Compatible devices: 1x Denon DJ SC Live 4
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 13.7 kg
Exterior dimensions: 716 (width) x 501 (depth) x 206 (height) mm

Notes: The Zomo Flightcase P-SL-A9 NSE is a set case suitable for the Pioneer DJ DJM-A9 mixer and 2x Pioneer DJ PLX-1000 turntables and convinces with a lot of details. The P-SL-A9 NSE flight case adds a new equipment case to the popular NSE series. This modern flightcase is incredibly robust to survive the hard tour everyday life without problems.

Abrasion, as well as cigarette burns, cannot harm the Flightcase P-SL-A9 NSE, thanks to the solidly processed, laminated 9mm plywood. Developed for the strenuous tour use, the Zomo Equipment flight cases are definitely tour-ready and protect your more expensive DJ equipment from damage, moisture or falls.

Thanks to the extra wide and black painted profiles made of aluminum and the massive ball corners, the Zomo DJ Case offers a very high durability. To exclude slipping of the DJ mixer, the DJM-A9 Equipment Flightcase is equipped with an excellent inner padding, which reliably protects the equipment from damage and scratches.

Even while your gear is still in the case, the front panel can be easily and quickly removed at the gig. The Zomo EA-1 angle adapter is recommended as a seperate accessory to connect the headphones even easier to the mixer.

The Pioneer DJ Equipment Case in the black NSE (= Night Style Edition) offers not only professional quality, but also convinces with a classic look - definitely an eye-catcher! For an incredibly secure fit of the lid and easy unlocking and locking provide the helpful butterfly snap locks. Additionally all NSE equipment cases are lockable with an optional padlock for higher protection against theft.

Features Zomo Flightcase P-SL-A9 NSE

Provides effective protection against shocks and scratches
High quality and workmanship for hardest use
Extra solid construction
classic design
High quality inner padding for best hold
Practical ball corners
High-quality butterfly fasteners
Integrated carrying handles for easy transport
Removable lid

Technical data

Suitable equipment: 1x Pioneer DJ DJM-A9 and 2x Pioneer DJ PLX-1000
Outer material: 9mm plywood
Color: Black (NSE)
Weight: tba
Outer dimensions: 1449 (width) x 563 (depth) x 209 (height) mm
** The devices shown and/or mentioned on the photos are NOT included!

Suitable devices:
Pioneer DJ DJM-A9
Pioneer DJ PLX-1000

Suitable brands: Pioneer DJ

Laptop shelf included: No

Notes: The Zomo Flightcase Rane Four Plus NSE Flightcase is custom-made for the Rane FOUR controller. Zomo expands its selection with the stylish NSE (= Night Style Edition) Flightcase, adding a new equipment flightcase to the lineup. In addition to its stylish appearance, the equipment case also impresses with its robust construction.

Thanks to the extra strong, black-painted aluminum profiles and the extra solid ball corners, the Zomo DJ Case offers exceptional durability. The practical internal padding of the Flightcase Rane Four Plus NSE guarantees secure protection for the Rane DJ controller against scratches, defects, or other damage.

The stylish, advanced design in the black NSE (= Night Style Edition) complements the concept of the Zomo Flightcase, not only with incredible professional quality but also in terms of design. The helpful butterfly latches allow for easy opening and locking, ensuring a highly secure hold of the lid. All NSE equipment cases can also be locked with an optional lock.

Cigarette embers, heat, and abrasion cannot harm the Flightcase Rane Four Plus NSE, thanks to the high-quality, laminated 9mm plywood. Designed for the rough stage environment, Zomo equipment flightcases are naturally suitable for road and air travel.

The front strip can be quickly and easily removed, even while your DJ gear remains in the case.

Features Zomo Flightcase Rane Four Plus NSE

High-quality flightcase suitable for the Rane FOUR controller
Provides high protection against shocks, scratches, or external damage
Professional craftsmanship for rugged touring use
Extra stable construction
Classic design in dark black NSE optics
Removable front strip - controller can remain in the flightcase
Useful storage for notebooks
Sturdily crafted interior padding for optimal grip
Convenient ball corners offer reliable protection against shocks and vibrations
Premium butterfly latches for quick closure
Practical handles for easy transport
Detachable lid
Technical Specifications
Compatible devices: 1x Rane FOUR
Retractable shelf for 1x 17-inch notebook integrated
Outer material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 19.3 kg
External dimensions: 873 (width) x 522 (depth) x 218 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: Yes

Notes: *** Onyx Edition ***

Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Notes: *** Onyx Edition ***

Reverb and reverse delay go to the next level with this "ambient creation machine". Two DSP circuits with analogue feedback allow you to create epic soundscapes, time-stretching effects and more.

Supplier's Notes:
Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as... Lore.

Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Having two analogue feedback paths allows each program to incorporate a unique mix of affected and unaffected feedback. The two feedback paths interact and build off of each other organically, offering the user a wide array of sounds and behaviours to experiment with.

Programs:

I. Reverse Delay into Reverse Reverb: Program 1 combines reverse delay with reverse reverb with a focus on organically interacting feedback paths. Space and ambiance build as the signal is reversed, re-reversed, reverberated, and reversed again within the feedback network. Experiment with the X knob to control how reversed your delay trails are with left being least reversed and right being fully reversed. Lots of fun with big, eerie minor chords!

II. Reverse Delay into Octave Up Reverb: Program 2 is a "light reverb" that combines octave-up harmonic feedback with an expansive, airy, reverb tank to create a breathy, spacious ambiance. Use the Regen knob to introduce a playful shimmer into the reverb decay. Increase the X knob to control the decay of the reverb. It sounds especially great with delicate fingerpicking parts.

III. Reverse Delay into Octave Down Reverb. Program 3 is a "dark reverb" that combines octave down harmonic feedback with heavy filtering and harmonic distortion, to create a sound that is thick, rich, and murky. Use the Regen knob to bring a lower octave into the reverb decay. Increase the X knob to control the decay of the reverb. Add in some high gain or fuzz to alter the time-space continuum.

IV. Reverse Reverb into Forward Reverb. Program 4 is a dual reverb program, featuring reverse reverb into forward reverb, Dual harmonic feedback paths allow the user to dial in octave up and octave down, and time stretching allows for control of the size and character of the space. Perfect for instantly transforming guitar into rich ambient pads. Use the Feedback knob to add a lower octave to the reverse reverb. Conversely, use the Regen knob to add an octave up to the reverse reverb decay. Control the decay of the forward reverb with the X knob. To channel all things ambient, experiment with dynamic picking and strumming techniques with the mix fully wet for ethereal drones and pads.

V. Pitch Delay into Pitch Delay. Program 5 features two "duelling" pitch delays, which shift the input signal up and down in complementary or opposing directions, allowing the user to create intricate harmonic patterns in the feedback network. Behaves like a sequencer at higher delay times and like a harmonizer at lower delay times. Use Feedback and Regen knobs to control various amounts of pitched delay repeats. Use the X knob to change the order of the 4th, 5th, and octave intervals that the pitch delay steps through. Experiment with short staccato notes to create some very interesting rhythmic parts!

Dive / Rise - Holding down the tap tempo switch will momentarily shift the clock rate of the pedal down or up and will hold it at that rate for as long as the switch is pressed. The direction of the dive can be changed by simply pressing bypass and tap simultaneously. A green LED over tap will indicate rise is set and a blue LED will indicate that dive is set.

The Mod knob will control the amount of modulation applied to the wet signal. Holding down bypass and adjusting the Mod knob will adjust the modulation rate. The bypass LED will blink to show your set mod rate.

Specs:

The die-cast enclosure's exact size is 3.62" x 4.79" x 2.25" including knobs.
Buffered bypass.
Power requirements are 9VDC, center negative (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.