Review: The Newcastle born, London based label Jaunt serves ups a second part of its remixes series to mark ten years in action. After Inland, Jonas Kopp, Jasper Wolff & Maarten Mittendorff and Gian appeared on the first instalment, now come Tripeo, Aubrey, BNJMN and Markus Suckut with a versatile pack of techno quality.
Review: Bonnie & Klein return to IIB with a gem of a track. Reminiscent of a lost alan parsons instrumental. The track meanders its way to a lovely guitar solo before the hypnotic synth parts carry us away.Already tried and test at La Torre perfect for the discerning sundowner.Ron Basejam excels on his remix, upping the tempo and delivering an awesome yacht disco bomb.
Review: 313 ROCK is a combination of old school house with Soul samples from the 70s and the 80s revisited with today's sound and club grooves... Composed by K Alexis, the EP offer a cosmic voyage with bassline and strings.AMore thanA« Aa good dance track »Athis is a sampling Orchestra Art piece.ADJ and producer K Alexis is one of Chicago's true heroes and cited by many as a pioneer in the city's sound with many of its releases regarded as classics.AHe has also worked with Larry Heard & Robert Owens, Dave Angel, Tjen Tjen, Felix Da Housecat and Will Smith.. He is now part of the family!
Review: After a relatively quiet 2018, 2019 has seen Craig Bratley back on form with edits and remixes on Magic Wand, Secret Fusion, Wonder Stories and Rebirth. This first release on new label Automatism sees Bratley continue to develop the themes presented on his ep for Futureboogie. The first track, 'Ursa Minor', is straight up cosmic disco. The influences behind 'Dark Matter' are apparent on hearing the first four bars and should strike a chord with fans of Vangelis and Carpenter. 'Exquisite Corpse' was previously released on a Throne Of Blood compilation. Here we have the Zero Gravity Mix , mixed down again and with the drums removed, we are presented with a new perspective, providing more space and dare I say it 'Gravity' Beautiful. To finish the EP, 'Running To Paradise' sees Bratley in full on Balearic mode and will sound perfect sat by the Adriatic
Review: The latest transmission on Aesthetic comes from Nolga, previously spotted alongside Michael James on the Hoarder label. The sound on this record is pure, classy minimal house executed with a fine ear for detail, leading in with the deep tracking "34100" before locking into the equally immersive "XYZ". The shuffle is strong on this 12", keeping up on the flip with the subtly dubby, utterly funky "Line Of Questioning" before launching into the crafty, bouncy tones of "Shelter". Immaculately produced with maximum body response in mind, this is another strong outing for Aesthetic and a promising next step for a highly promising producer.
Review: The funking, bumping sound of Aesthetic continues to bolster the impact of parent label Constant Sound, bringing a more colourful palette to realm of minimal tech house. The latest Aesthetic release comes from emergent talents Josh Baker & Alfa, working in collaboration to summon up some sprightly grooves to put a spring in your step. "Formulate" is especially bouncy, not least thanks to those nimble synth lines, while "No 800" takes things in a tougher direction without losing that groovy swing and rich sense of melody. "Exteria" completes the set with a particularly funky concoction that heads towards the deeper end of the night.
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Review: Emotional Rescue completes its trilogy exploring the music of Vox Populi with Alternatif Realisme. Highlighting the music that followed 1989's Aither (ERC030) as they transitioned from ethno-industrial roots towards a more expressive "world" sound, until the band's dislocation in 1994.
The band's development saw original members Axel Kyrou (electronics), Mitra (vocals) and Arash Khalatbari (percussion) augmented by a number of guest musicians, bringing an energy to their spontaneous recordings sessions at their studio.
The additional vocals of Dierdre Dubous is indicative of this change. Her onomatopoeia singing features heavily, invoking songs Letsam La, Chaque Jour Est Un Bon Jour and the ethereal She Walks So Easily Across The Sky.
With this, Mitra's vocals lift Chaque Jour Est Un Bon Jour, Razaye Axel Jube Hast and closing paean Chirine, showing their best. Surrounding instrumentals - often built out of long improvisational jamming - underpin. Soleymani Dub, with its Laswell dub groove is a clear stand out, while the melodics of Vapanda's Electric Garden come like a wonderful Woo outtake.
Largely unreleased, the recordings were a step outside of the changing shift towards a more digital sound. The album captures Vox Populi!, mixing their atmospheric mastery with heartfelt arias, that have familiarity but are completely unique.
Review: A1 Starting off the Ep with D'Funks track Follow me with Jazzy Chords and his signature 909 Drums and humming bass.
A2 Adam Collins from Omni A.M. and Mark Ambrose found this one from the Vaults .A grooving bassline with Adam on the vocal effects with funky drums and with a tripped out sound from a Roland Jupiter 6.
B1 D'Funk takes it back the to the sound of the early 90's when House was moving into Drum and Bass. Great chords with his signature 909 programming over a break beat and a deep baseline.
B2 Mark Ambrose's Machine Man track is the faster and darker track on the Ep. A track that can be played slowed down as well. A old school bassline , heavy drums and tripped out effects.
Review: Carl Finlow returns with a double vinyl 8 track album, following a prolific run of singles for Lone Romantic, Electrix, Craigie Knowes and Orson. Apparatus is a forward thinking album that reflects Finlow's return to live touring with many tracks hitting harder and darker, pushing his electro sound into new directions and soundscapes. Flawless production is something we have come to expect from Mr.Finlow yet he has managed to raise his game yet again with Apparatus. The album means business from the start, kicking off with the title track, 'Apparatus', a no-nonsense assault on the system with fast tight drum programming, heavily vocoded vocals and powerful synths. The pace continues on the record with 'Bind' and 'Carbon Deposits', Structure' but there are also pure electro cuts like 'Differential' and moody grooves in 'Ampere' and 'Viroids'.
Finlow has been on a staggering run of form and Apparatus continues this remarkable purple patch with a new lease of electro energy. It's not surprising that every credible electronic master on the planet from Weatherall and Craig Richards to Dixon and Maceo Plex are all fans of his work.
Review: Here we have another Tech-House/Techno EP from Zooted and Booted Records... "Are You Ready"! The original mix by Dylan Debut and David Coker is a four to the floor bassline smasher that just keeps building and building until its deep analogue twisted cords send you in to a trance with solid 909 hats that sizzle all the way through. There's also the solid jacking house mix on the EP by none other than Mr deepjacking, Tommy Largo, that will shuffle its way through any bumping party, keeping it dirty and deep until the a.m. There's no stopping this EP as next on the list is an ultra-sweet deep and chunky mix by those classic Ornate boys Jonno & Tommo. This mix is hot and late night too but with some twisted extra layer and bumps that will send any man or woman crazy!!! Last but not least is the upfront dance hall thumper by none other than Eddie Leader, the bad man behind Hudd Trax. This mix has lush added extra keys and a solid old school analogue feel with some dirty little rave action running through it, but still keeping it in tune with today sounds and production. This mix would sit seriously well with the sun coming up at 5 am dancing on a beach surrounded by palm trees and thousands of party people! Play loud!
Review: Italian crew Unknown Collective come correct on this latest Purism joint as they drop some seriously bumping deep house heat to get bodies popping with approval. "Nodi" is the consummate A side jam, all exuberant energy and rock solid functionality, just like a DJs best friend should be. "Virgo" is, on the surface, a slinkier affair, but don't be fooled as there's some serious weight in that bassline which will absolutely rock on a proper soundsystem. "Arya" is the dreamier cut on the record - the groove is still solid, but there's a dreamy tone to the pad hovering in the background and the track is sprinkled with all kinds of extra sonic delights to toy with your mind at the hazy end of the dance.
Review: Versalife's second release for 20/20 Vision sees Dutch producer Boris Bunnik aka Conforce return with another slab of signature electro.
'Clandestine Development' serves up dark tones and melodies layered within insistent electro beats and growling bass, that sounds huge on big room systems. 'Aegis' delivers a double dose of mechanical funk, played over atmospheric strings and auditory acid delights.
On the B side 'Lamba' continues to impress with a moody laidback bass line holding the groove down over a solid rhythm & dystopian keys. Wrapping things up the title track 'Asimov's Code' plays out like war drums from space pounding away after a blissful intro of building synths.
Review: Nigel Hayes is probably best known for his collaboration with Funk D'Void as Chaser, but as Stop demonstrates, his solo work is just as impressive. It sees the UK producer move from the cinematic ambience into sleek, pulsating deep grooves. UK's Jack Bowditch has been moving through the dance music circuit over the years now and has found himself with a new alter ego in Collate. He teams up with established Romanian producers Balaur for the riveting deep classic Spinnin Voices on Astrolife. B-side opener DJ Rocca presents a nudisco odyssey into misty lands of shuffly beats, incessant basslines. Studio don Vincent Inc always bring unforgettable impressions & inspiration for mind, body & soul. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles and magical experiences. And now we're asking other's to join the sound conversation.