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FORTHCOMING
Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser
Cat: 992873 Rel: 31 Aug 24
 
Six-voice analogue variable character desktop synthesiser
Notes: Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 31 Aug 24 $1,135.92
(No payment required now - pay when released)
FORTHCOMING
Isla Instruments Caladan Expandable 8-Part Analogue/Digital Multi-Timbral Synthesiser (including 2 voice cards) Isla Instruments Caladan Expandable 8-Part Analogue/Digital Multi-Timbral Synthesiser (including 2 voice cards)
Cat: 995357 Rel: 31 Jul 24
 
Expandable 8-part hybrid multi-timbral desktop synthesiser including 2 voice cards
Notes: The ISLA Instruments Caladan Is an expandable 8-part analogue/digital multi-timbral desktop synthesizer module boasting multiple synthesizer engines by way of voice cards. Sharing much of its DNA with Isla's S2400 desktop sampler and the Futuresonus Parva MPE Synthesizer, released in 2015.

Without any voice cards installed, the Caladan has its own internal digital synthesizer engine with playback capabilities of Soundfont (.sf2) and SFZ multisample formats, with the added benefit of being able to run a (possibly multiple) plugin based synthesizer (VST, LV2, CLAP formats). Isla's target for this is 32-Voices (subject to change).

Voice Cards

Caladan has internal slots for up-to 8 voice cards, accessible via an easy access 'trap door' underneath the unit. Said cards are able to be essentially any type of synthesizer, be that pure analogue, digital or a hybrid of both. The voice card API will be open sourced with development kits made available, allowing other designers and developers to create synthesizer cards for use in the Caladan.

At launch, an improved version of the original Parva voice card will be available, the specifications of which are as follows:

Oscillators
3 Digitally-controlled analogue oscillators per voice
Sawtooth, triangle, and PWM waveforms
Variable-width saw waves
Tunable +/- 5 octaves
Hard Syncable
Independent level controls
Envelopes
4 4-stage (ADSR) envelopes per voice
Exponential curves for punchy attack and natural decay
Linear mode also available
Loopable envelopes
Routable to >40 destinations
Modulation
4 LFOs per voice
Sine, sawtooth, triangle, and square waveforms
Random sample-and-hold
Stepped LFOs
Free-running or key-synced
Routable to >40 destinations
Polyphonic Aftertouch
Filters
2 configurable voltage-controlled filters per voice
24db or 12db low-pass or high-pass modes
12db bandpass mode
Self-oscillating
Filter FM

Further Cards
Additionally, Isla also have the intention of creating the following voice cards.

Dual OPL3 4op FM card with analogue filters/VCAs (already in development)
SEM / OB-X card (already in development)
Analogue Percussion card
Mini Moog card
SH-101 card
String machine card
TB-303 Card

More Specifications.
MPE Support
RGB led rings (yes, you can change colours) enabling simultaneous viewing of parameters across different voices/cards per knob.
USB Host and Device ports, both class compliant for MIDI controllers.
Standard MIDI DIN In/Out/Thru
4 x independent CV & Gate inputs
8 x Stereo output busses
Main & Sub Mix outputs
High quality steel/aluminium enclosure, comparable in build/looks to the S2400 (and compatible with the same side panels for wood lovers)
Universal mains powered (100-250v AC)
Read more
coming soon $935.89
FORTHCOMING
Isla Instruments Caladan Expandable 8-Part Analogue/Digital Multi-Timbral Synthesiser (including 4 voice cards) Isla Instruments Caladan Expandable 8-Part Analogue/Digital Multi-Timbral Synthesiser (including 4 voice cards)
Cat: 995360 Rel: 31 Jul 24
 
Expandable 8-part hybrid multi-timbral desktop synthesiser including 4 voice cards
Notes: The ISLA Instruments Caladan Is an expandable 8-part analogue/digital multi-timbral desktop synthesizer module boasting multiple synthesizer engines by way of voice cards. Sharing much of its DNA with Isla's S2400 desktop sampler and the Futuresonus Parva MPE Synthesizer, released in 2015.

Without any voice cards installed, the Caladan has its own internal digital synthesizer engine with playback capabilities of Soundfont (.sf2) and SFZ multisample formats, with the added benefit of being able to run a (possibly multiple) plugin based synthesizer (VST, LV2, CLAP formats). Isla's target for this is 32-Voices (subject to change).

Voice Cards

Caladan has internal slots for up-to 8 voice cards, accessible via an easy access 'trap door' underneath the unit. Said cards are able to be essentially any type of synthesizer, be that pure analogue, digital or a hybrid of both. The voice card API will be open sourced with development kits made available, allowing other designers and developers to create synthesizer cards for use in the Caladan.

At launch, an improved version of the original Parva voice card will be available, the specifications of which are as follows:

Oscillators
3 Digitally-controlled analogue oscillators per voice
Sawtooth, triangle, and PWM waveforms
Variable-width saw waves
Tunable +/- 5 octaves
Hard Syncable
Independent level controls
Envelopes
4 4-stage (ADSR) envelopes per voice
Exponential curves for punchy attack and natural decay
Linear mode also available
Loopable envelopes
Routable to >40 destinations
Modulation
4 LFOs per voice
Sine, sawtooth, triangle, and square waveforms
Random sample-and-hold
Stepped LFOs
Free-running or key-synced
Routable to >40 destinations
Polyphonic Aftertouch
Filters
2 configurable voltage-controlled filters per voice
24db or 12db low-pass or high-pass modes
12db bandpass mode
Self-oscillating
Filter FM

Further Cards
Additionally, Isla also have the intention of creating the following voice cards.

Dual OPL3 4op FM card with analogue filters/VCAs (already in development)
SEM / OB-X card (already in development)
Analogue Percussion card
Mini Moog card
SH-101 card
String machine card
TB-303 Card

More Specifications
MPE Support
RGB led rings (yes, you can change colours) enabling simultaneous viewing of parameters across different voices/cards per knob.
USB Host and Device ports, both class compliant for MIDI controllers.
Standard MIDI DIN In/Out/Thru
4 x independent CV & Gate inputs
8 x Stereo output busses
Main & Sub Mix outputs
High quality steel/aluminium enclosure, comparable in build/looks to the S2400 (and compatible with the same side panels for wood lovers)
Universal mains powered (100-250v AC)
Read more
coming soon $1,131.70
FORTHCOMING
Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (black)
Cat: 994434 Rel: 30 Jun 24
 
37-key 8-voice virtual analogue keyboard synthesiser
Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Read more
coming soon TBA
FORTHCOMING
Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white) Korg microKORG 2 8-Voice Virtual Analogue Synthesiser (white)
Cat: 994440 Rel: 30 Jun 24
 
37-key 8-voice virtual analogue keyboard synthesiser
Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)
Read more
coming soon TBA
FORTHCOMING
Suzuki Omnichord OM-108 Synthesiser
Suzuki Omnichord OM-108 Synthesiser (ominichord synthesiser)
Cat: 1010491 Rel: 30 Jun 24
 
Omnichord synthesiser
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $783.23
(No payment required now - pay when released)
FORTHCOMING
UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black)
Cat: 1008956 Rel: 30 Jun 24
 
12-voice polyphonic binaural analogue-hybrid desktop synthesiser with super-wave technology
Notes: The Super 6 Desktop is UDO's fully featured 12-voice polyphonic, binaural analogue-hybrid synthesizer reimagined in a compact and super-flexible package. A harmonious marriage of state-of-the-art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

The desktop Super 6 takes everything the Super 6 is famous for and reimagines it in a more compact and super-flexible package. It is VESA compatible for use with widely-available monitor arms/mounts, rack mountable with a 7U footprint, and comes complete with robust retractable feet for a more ergonomic experience in desktop use settings.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

Compact, flexible and ergonomic

Offering the flexible and immediate control, gorgeous analogue sound and unrivalled build quality of the Super 6, but in a more compact package. The Super 6 Desktop is a fully-featured Super 6 analogue-hybrid 12 voice synthesizer, housed in a newly designed all-metal chassis. The Super 6 Desktop also includes ergonomic features such as VESA mount compliance, optional rack ears (7U) and robust flip up feet, as well as a huge 24-voice Super 6 polychain option.

Binaural analogue signal path

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

The no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. UDO have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.

Unit Size:(L x W x H) 45 cm x 29 cm x 10cm (w. collapsed back feet).
Net weight 6.2kg
Packaged Dimensions:(L x W x H) 59cm x 48cm x 20cm.
Gross weight: 8.4kg

Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $2,051.81
(No payment required now - pay when released)
FORTHCOMING
Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (maize yellow)
Cat: 1006314 Rel: 30 Jun 24
 
Semi-modular analogue synthesiser
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $1,957.07
(No payment required now - pay when released)
FORTHCOMING
Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (pink)
Cat: 1006316 Rel: 30 Jun 24
 
Semi-modular analogue synthesiser
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $1,957.07
(No payment required now - pay when released)
FORTHCOMING
Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (green brown)
Cat: 1006319 Rel: 30 Jun 24
 
Semi-modular analogue synthesiser
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $1,957.07
(No payment required now - pay when released)
FORTHCOMING
BLL Instruments Elyra 16-Voice Virtual Analogue & FM Synthesiser BLL Instruments Elyra 16-Voice Virtual Analogue & FM Synthesiser BLL Instruments Elyra 16-Voice Virtual Analogue & FM Synthesiser BLL Instruments Elyra 16-Voice Virtual Analogue & FM Synthesiser BLL Instruments Elyra 16-Voice Virtual Analogue & FM Synthesiser
Cat: 1007744 Rel: 30 Jun 24
 
16-voice virtual analogue & FM synthesiser
Notes: It starts with a dream

We are all fans of synthesizers, their vintage sound, classic and modern at the same time, their ability to mix several timbres. We love the musical journey that transports us while listening to each new presets.

We also like guitar and bass. Standing or sitting, in your studio or on stage, playing on guitar or bass is this tremendous energy, this way in which the intensity of the playing is in total connection with the music you want to create. A sweet ballad, a melodious arpeggio, a hell of a bass line, a stratospheric lead, an awesome riff.

What if we could express all that but with a great synth sound?

The dream came true, and even more!

A modern synth played like a guitar or a bass

Elyra is played with the typical gestures of playing guitar and bass and all the energy that comes from it. You play with your whole body.

There are two strumming aera for strings, one dedicated to back and forth and another dedicated to bass and arpeggios.

Elyra is designed to be played by both right-handed and left-handed people.

You can also play it placed on a table or on your knees like a groove box.

A powerful and unique composition tool

With up to 16 voices polyphony, spread across 16 instruments/layers and with is powerful sequencer, Elyra is more than a groovebox, it is a composition tool.
You can have one instrument with 16 voices or 16 instruments with one voice and everything in between.

Because Elyra is battery powered, you can carry it anywhere with you and play for several hours.

You can play and sequence all your other instruments via MIDI port.

A sound engine is made for this instrument by Kodamo.

At the core of Elyra there is a powerful and beautiful sound engine created for by Kodamo.

It is a virtual analogue engine based on subtractive synthesis with just enough FM synthesis to offer a vast sound territory.

It has many parameters to sculpt and create a unique sound.

Electronics and wood

Elyra is made of electronics and wood.

The electronic parts are designed in France and comply with environmental standards and in particular RoHS.

The body of the instrument is made of wood. It is cut and assembled in France. The wood is only chosen from sustainable or recycled sources.

Elyra is built to last.

Raised touch buttons

All Elyra buttons are touch sensitive pads made up of a slightly raised area allowing the user to feel physical feedback.

This is capacitive sensor technology which offers an extremely fast response time of 2 ms.

There are 5 distinct areas on the main panel:

the fretboard composed of 4 * 12 pads
the strumming area separated into two types, A and B
two assignable sliders
an OLED screen with its wheel and its 8 contextual buttons

Guitar/bass mode

At first you need a double trig to play a note in Guitar or Bass mode: the hand on the fretboard selects the note to be played, and the other hand uses one of the two strumming areas.

Each one of the four strings has its own two strumming areas.

The strumming area A, is made of a long and very thin relief pad. It is ideal for playing back and forth on one or more strings.

The strumming area B, is a double pad surrounded by holes in the main layer, it allows both bass type playing and is ideal for playing arpeggios.

Elyra retains the essential subtleties of guitar playing, when a note has just been played you can also, like in guitar, slide to another note, or do a Pull-off or a Hammer-on without using the strumming area again.

You can use the slider with your thumb to bend the notes.

Elyra can be tuned according to your needs. there are basic tunings, like the first 4 strings of a guitar E, A, D, G, or any open tuning, or like a Ukulele.

You choose the root notes of each string, and the choice is specific to each track in one project.

Specifications

Fretboard: 12*4 capacitive pads (2ms latency)
Sound Engine: Virtual analogue + FM
Polyphony: 16 voices shared by all tracks
Multitimbrality: up to 16 instruments/layers
Presets: 256 factory presets
1024 user presets
16 presets per project
Oscillators: 15 waveforms including sine, triangle, saw, pulse and noise
Pitch envelope
Amp envelope ADSR + delay
FM: envelope modulator (osc 2) + feedback level
Filter: filter type : HPF, LPF
Filter slope: 2 poles -12dB/oct, 4 poles -24d B/Oct
Envelope ADSR
LFO: 2 LFOs, 5 waveform, speed depth, delay, retrig position, sync to BPM
Effects: 3 master effects with individual send by tracks
Effect 1: distortion/overdrive
Effect 2: bitcruch or chorus
Effect 3: stereo delay or reverb
Sequencer: a pattern = up to 256 steps per track, 128 patterns per project
max 999 project by SD card
Power Supply: 5v USB bus power supply
Memory: SD card

Size and Weight

Width: 435 mm - 17 - 1/8 inches
Depth: 170 mm - 6 - 11/16 inches
Height: 40 mm - 1 - 37/64 inches
Weight: 1.2 kg / 2 lbs 12,3 oz
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $1,072.76
(No payment required now - pay when released)
FORTHCOMING
Meng Qi Honey Mini Touch-Based Noise Instrument
Cat: 1008035 Rel: 30 Jun 24
 
Mini touch-based noise instrument
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $41.06
(No payment required now - pay when released)
FORTHCOMING
Tangible Waves AE Modular VSYSTEM-2 Wavetable Synthesiser With Effects Processor
Cat: 1010403 Rel: 30 Jun 24
 
Wavetable synthesiser complete system with effects processor
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $388.46
(No payment required now - pay when released)
FORTHCOMING
Tangible Waves AE Modular VSYSTEM-1 Synthesiser & Sequencer
Cat: 1010370 Rel: 30 Jun 24
 
Modular synthesiser & sequencer complete system
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $289.51
(No payment required now - pay when released)
FORTHCOMING
PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser
Cat: 944640 Rel: 30 Apr 24
 
A unique duophonic hybrid-analogue synthesiser with dual filter, patches and full USB-C MIDI Control.
Notes: Mantis is a unique, duophonic hybrid synthesizer that was co-developed by the late Chris Huggett (of EDP Wasp, OScar & more fame) and is dubbed as a spiritual successor to the OSCar, sporting precision digital oscillators, dual state variable filters and more.

Mantis is a premium synthesizer, sporting a high quality 37-note velocity and pressure sensitive keybed, SSI2164 IC's for the VCF's and VCA's, custom high performance processors for the oscillators coupled with a pristine analogue signal path, which features a twice amplified gain structure for maximum clipping capabilities plus lush stereo digital FX.

The modulation capabilities are vast with:
Two unique ADSR's that feature "sustain fall" that allows you to create a drop before release...even while a key is held for greater sound design possibilities. The envelopes can also be set to cycle.
Two tempo-syncable LFO's with four waves, fade in and fade out parameters and a seriously wide operating range.
Ring modulation available at the mixer
And a unique modulation routing controller with 6 choices of modulation parameters, 6 choices of modulation sources and scale control, which used to scale the effect of the modulation.

In development over the last period of his life Chris threw everything into Mantis. Although incomplete when he sadly passed away in 2020, he handed the project over to Paul of PWM to carry on and continue the project.

PWM, with the support of Chris' estate, think this synthesiser deserves to be born into the world for everyone to enjoy!

PWM MANTIS Key Features:
Hybrid-Analogue Synthesiser, powerful digital oscillators with dual analogue filters
With Mathematically Generated Oscillators with a Pure Analogue Signal Path
A Modernised Design Architecture based on the WASP with an OSCar style filter designed by the late, great Chris Huggett
Duophonic - Two Fully Independent Voices each with 2 Oscillators plus Sub-Oscillator per voice
Dual Filters - Multi-Mode State Variable VCF's with Overdrive per voice that can be combined in Series or Parallel with Width Control
Keyboard - 37-Note Full-Size Semi-Weighted Keybed with Aftertouch plus Joystick
Fully featured Keyboard, Joystick and USB-MIDI Control for Easy Integration with any Studio or Live Environment
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $1,420.16
(No payment required now - pay when released)
FORTHCOMING
Korg microKORG 2 8-Voice Virtual Analogue Synthesiser Korg microKORG 2 8-Voice Virtual Analogue Synthesiser Korg microKORG 2 8-Voice Virtual Analogue Synthesiser Korg microKORG 2 8-Voice Virtual Analogue Synthesiser Korg microKORG 2 8-Voice Virtual Analogue Synthesiser Korg microKORG 2 8-Voice Virtual Analogue Synthesiser
Cat: 994425 Rel: 30 Apr 24
 
37-key 8-voice virtual analogue keyboard synthesiser
Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Read more
coming soon TBA
FORTHCOMING
Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser
Cat: 995048 Rel: 30 Apr 24
 
60-voice polyphonic wavetable desktop synthesiser
Notes: All the features of the Modwave MkII in a compact 4U 19" desktop/rackmount package. Modwave builds on the legacy of Korg's DW-8000 and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Like Modwave MkII, the Modwave Module provides an astonishing 60 stereo voices of polyphony - almost double the original Modwave's 32, and an unprecedented number for a wavetable synth at any price. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, Korg have updated all LFOs with options for free running, delayed start, and retriggering. Korg have also added a pre/post switch for reverb sends, new modulation sources, and more.

The Modwave Module is fully compatible with the sounds and samples of the original Modwave, Modwave Mk II, and Modwave Native software, as well as many third-party libraries. MIDI 2.0 Property Exchange and Polyphonic Aftertouch Support

With the latest software updates, all models of Modwave, hardware and software, now support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to the Korg Keystage controller.

Rack-Mount and Desktop

The Modwave Module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Specifications

Maximum Polyphony: 60 stereo voices
Dimensions (W x D x H): 483 x 172 x 107 mm / 19.02 x 6.77 x 4.21 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: modwave synthesis engine

Modulation

Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs

Other Sources

4x Envelopes, 5x LFOs, 2x Mod Processors, 2x Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +

Destinations: Most parameters can be modulated, including parameters of individual Motion Sequence Steps: Depending on Motion Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper

Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah

Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo

Master Reverb: Early Reflections, Overb

Master EQ: 4-band parametric EQ

General

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $735.87
(No payment required now - pay when released)
FORTHCOMING
Korg Opsix Module 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix Module 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix Module 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix Module 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix Module 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix Module 64-Voice Polyphonic Altered FM Synthesiser
Cat: 995067 Rel: 30 Apr 24
 
64-voice polyphonic altered FM desktop synthesiser
Notes: A new modular model that revolutionizes the music production environment.

Opsix Module is a digital synth like no other. The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

Now, Korg has created a new form of Opsix, the module. This model supports MIDI 2.0 property exchange and poly aftertouch, and is an excellent companion to Keystage. It's also fully compatible with the sounds of the original Opsix, Opsix mk II, Opsix SE, and Opsix native software, as well as numerous excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed models, yet is easily transportable and fits neatly into any studio or desktop production system.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Opsix, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Opsix module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Opsix module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the Opsix. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications
Maximum Polyphony: 80 voices
Dimensions (W x D x H): 482 x 172 x 104 mm / 19.02 x 6.77 x 4.09 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter

Sound generating system: Altered FM sound generator
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step)
Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs:
Headphone (6.3 mm stereo phone jack)
OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack, half-damper not supported)
MIDI IN and OUT connectors
USB B port
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $683.23
(No payment required now - pay when released)
FORTHCOMING
Korg Wavestate Module 96-Voice Polyphonic Wave Sequencing Synthesiser Korg Wavestate Module 96-Voice Polyphonic Wave Sequencing Synthesiser Korg Wavestate Module 96-Voice Polyphonic Wave Sequencing Synthesiser Korg Wavestate Module 96-Voice Polyphonic Wave Sequencing Synthesiser Korg Wavestate Module 96-Voice Polyphonic Wave Sequencing Synthesiser Korg Wavestate Module 96-Voice Polyphonic Wave Sequencing Synthesiser
Cat: 995074 Rel: 30 Apr 24
 
96-voice polyphonic wave sequencing desktop synthesiser
Notes: A new modular model that makes a big difference in the music production environment.

Introducing the Wavestate module - all of the features of the Wavestate mkII in a compact 19" desktop/rackmount package.

In 2020, the acclaimed Wavestate brought KORG's Wave Sequencing to the next level. Featuring the radically re-imagined Wave Sequencing 2.0, the Wavestate delivers astonishing, ever-changing sounds with extensive hands-on control. Far from a nostalgic reissue, the Wavestate was designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition.

120 voices of polyphony, updated LFOs, and more

Taking full advantage of both a new enclosure design and new processing hardware, the Wavestate module provides an impressive 120 stereo voices of polyphony. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, we've also updated all LFOs with options for free running, delayed start, and retriggering, added new modulation sources, and more. A software update will also be available for the original Wavestate.

The Wavestate module is fully compatible with the sounds and samples of the original Wavestate, Wavestate mk II, Wavestate SE, and Wavestate native software, as well as many excellent third-party libraries.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Wavestate, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Wavestate module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Wavestate module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the wavestate. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications

Maximum Polyphony: 120 stereo voices
Dimensions (W x D x H): 483 x 172 x 113 mm / 19.02 x 6.77 x 4.45 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: Wave Sequencing 2.0
Maximum Polyphony: 96 stereo voices
Sounds: Ships with 261 Performances, 799 Programs, and 1,042 Wave Sequences
Storage for tens of thousands of user Performances Structure

Performance

4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Modulation: Controllers
Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x Program/Performance Mod Knobs
Other Sources: 3x Envelopes, Vector Envelope, 3x LFOs, 2x Mod Processors, 2x Key Track, Step Sequencer Lane, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate/Gate+Damper, Note-On Trigger/Note-On Trigger+Damper, Note Number, Aftertouch/Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +
Destinations: Most parameters can be modulated, including parameters of individual Wave Sequence Steps. Depending on Wave Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper
Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah
Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo
Reverb: Early Reflections, Overb
Performance EQ: 4-band parametric EQ

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W
Dimensions (W x D x H): 565 x 338 x 92 mm/22.24" x 13.31" x 3.62"
Weight: 2.9 kg/6.93 lb.

Included items

AC adapter
Accessories (sold separately)
DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $683.23
(No payment required now - pay when released)
FORTHCOMING
Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser
Cat: 1000935 Rel: 30 Apr 24
 
10-voice polyphonic sampler keyboard synthesiser & sequencer
Notes: WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $715.87
(No payment required now - pay when released)
FORTHCOMING
Korg NTS-1 Digital MK2 Nu-Tekt Synthesiser & Effects Kit (no soldering required) Korg NTS-1 Digital MK2 Nu-Tekt Synthesiser & Effects Kit (no soldering required) Korg NTS-1 Digital MK2 Nu-Tekt Synthesiser & Effects Kit (no soldering required)
Cat: 995082 Rel: 30 Apr 24
 
18-key, 8-step sequencer synthesiser with effects
Notes: Build it, tweak it, connect it; a world of synthesis at your fingertips!

The compact and incredibly powerful NTS-1 is back with an array of new features, a refreshed interface and more customization options than ever before.

Boasting a new keyboard, built-in sequencer, fresh sounds, and expanded MIDI capabilities, the NTS-1 mkII packs a gigantic set of features in the palm of your hand.

Powered by an even more powerful processor than its predecessor, the NTS-1 mkII unlocks its full potential and welcomes a new wave of custom content through its upgraded logueSDK.

This DIY synth and effects unit is not just powerful but also versatile, a must-have tool for both studio and stage.

New Multitouch keyboard

The NTS-1 mkII boasts a new 18-key multitouch keyboard, substituting the ribbon controller of the first generation, for precise playing and sequencing. This upgrade unlocks the ability to send MIDI note messages polyphonically, opening the doors to custom oscillators and effects leveraging the paraphonic potential of the NTS-1.

The centre of your performance

In addition to a powerful arpeggiator, the new 8-step sequencer opens a whole new world of musical possibilities. With live and step recording modes (with per-note gate length and velocity settings) available in combination with its new keyboard and easy octave switch, the NTS-1 mkII provides an intuitive and seamless performance experience.

The NTS-1 mkII takes the sting out of forgetting your creative sparks. A new autosave function recalls all the parameters used in your last performance, including the step sequencer data, so you can pick up right where you left off. No more struggling to remember knob tweaks and pattern edits!

But that's not all! NTS-1 mkII has a MIDI OUT output so you can use its internal sequencer to control other gear in your setup.

Powerful new engine, sounds and effects
NTS-1 mkII is an extremely powerful, flexible and fun-to-explore synth. While retaining the versatile features of its predecessor, this new iteration adds an array of new sounds, including new oscillator types and modulation possibilities, using its Audio IN signal as a modulation source to create FM, AM or RING sounds.

The NTS-1 mkII is also an incredibly capable and expandable FX unit. In the mkII, we added many new Modulation (distortion, fuzz...), Delay (tape delay, BPM synced delays...) and Reverb effects, as well as handy oscillator OFF and Filter THRU functions, making it a uniquely versatile piece of gear that will cover all your needs at home or on stage.

Expanded connectivity

Integrating the NTS-1 mkII is now easier than ever. In addition to the SYNC IN/OUT and MIDI IN, we've added a new MIDI OUT output for seamless connection and expanded performance possibilities with other gear. On top of that, most parameters on NTS-1 mkII have been made MIDI CC compatible for deeper control.

It is also now powered through a new USB-C bus.

Even more DIY fun

The new NTS-1 mkII retains the DIY kit format from the original, and offers new customization options with reversible anodized silver and metallic black side panels. And don't worry, we've kept the same form factor and dimensions as its predecessor meaning custom sides, stands and other custom parts will still fit!

A new and more powerful logueSDK

Powered by a new chip, the NTS-1 mkII has expanded processing power, making complex effects and oscillators more possible than ever before. A new development API is available for developers on Github.

Customization and 3D data

Thanks to its DIY nature and open design, the NTS-1 mkII is a highly customizable synthesizer that you can modify in several ways. In addition to the open source logueSDK that allows users to build their own custom oscillators and effects, the hardware of the NTS-1 mkII can also be physically modified cosmetically and functionally. To help you get started with physical customization, we are providing the necessary schematics and instructions to personalize your NTS-1 mkII in many different ways!

Free bundle of music software

The NTS-1 mkII comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Specifications

Keyboard: Multitouch keyboard
Sound generator system: 1 VCO, 1 Multimode filter, 1 EG, 3 LFO
Effects: MOD (CHORUS, ENSEMBLE, PHASER, FLANGER, SOFT CLIP, HARD CLIP, SINE FOLD, FUZZ), REVERB, DELAY
Input/output jacks: Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 3.3V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), MIDI OUT jack (3.5 mm TRS mini-phone jack), MIDI IN jack (3.5 mm TRS mini-phone jack), USB port (Type-C)
Power supply: USB bus powered
Current consumption: 500 mA or less
Dimensions (W × D × H): 129 × 78 × 39 mm /5.08"×3.07"×1.54"
Weight: 122 g/4.30 oz
Included items: USB cable, Assembly Instructions
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $166.86
(No payment required now - pay when released)
ASM Hydrasynth 8-Voice Wavetable Desktop Synthesiser With 24 Polytouch Polyphonic Aftertouch Pads (B-STOCK) ASM Hydrasynth 8-Voice Wavetable Desktop Synthesiser With 24 Polytouch Polyphonic Aftertouch Pads (B-STOCK) ASM Hydrasynth 8-Voice Wavetable Desktop Synthesiser With 24 Polytouch Polyphonic Aftertouch Pads (B-STOCK)
Cat: 1011058 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Desktop version of the mega Hydrasynth. The same amazing synth engine, paired with polyphonic, pressure-sensitive touchpads, making it an interesting creative alternative to the keyboard version.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's notes:
The HYDRASYNTH Desktop / Rack has the same great sound engine as the HYDRASYNTH Keyboard. The sound engine is a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The Hydrasynth Desktop / Rack has 24 polyphonic pressure touch pads so that you can play the unit without needing to connect a keyboard or other controller. Using multiple pad layout modes as well as quick to access scale modes, the Hydrasynth Desktop / Rack is easy to make music on.

The Hydrasynth Desktop / Rack comes with rack ears so that you can mount it in a standard 19" rack.
Read more
MRP:$946.42 SAVE 29%
 1 in stock $670.33
Arturia MicroFreak Stellar 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer (limited edition) (B-STOCK) Arturia MicroFreak Stellar 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer (limited edition) (B-STOCK) Arturia MicroFreak Stellar 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer (limited edition) (B-STOCK)
Cat: 1010714 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Stellar edition of the fantastic MicroFreak adds new features as well as a limited-edition paint job. Digital voices feed into the analogue filter to create a versatile hybrid sound engine.

Supplier's Notes:
MicroFreak Stellar is a hybrid synthesizer that combines digital oscillators, analogue filters, quirky modulation, a uniquely flat PCB keybed, and expressive sequencing with a subtly out-of-this-world aesthetic design.

Interplanetary synth explorer

Discover the same loveable hybrid beast that sent the synth world into a spin, but primed for launch and ready for an interplanetary sonic voyage. MicroFreak Stellar features the same inspiring, bonkers sound but embellished with a unique space-age design.

Digital, wavetable, sampling, granular...

Treat yourself to only the weirdest & most wonderful paraphonic synth sounds with MicroFreak's multimode sound engine. Choose from numerous algorithms, including Wavetable, Chord, 4 new Sample & Granular engines and many more, and immediately customize your patches with 4 intuitive con-trols and real-time visual feedback.

Multi-mode analogue filter

Unlock truly unique hybrid tones by combining MicroFreak's digital sound engines with a crunchy resonant analogue filter, inspired by the classic Oberheim SEM. With low-pass, band-pass, and high-pass modes, you can make this 'Freak whisper, scream, or launch into self-oscillating orbit.

Modulation matrix

Quickly rewire MicroFreak's architecture and delve deep into complex sound design with its modulation matrix, offering up to 7 simultaneous destinations and 5 sources, including an ADSR envelope, cycling envelope, and 6-shape LFO.

Sequencing & randomization

Blur the lines between sequencing & arpeggiation and create spontaneous melodies, motifs, and rhythmic patterns on the fly. MicroFreak encourages musical exploration, expression, and evolution with its unique Spice & Dice randomization feature, ribbon controller, and 4 lanes of automation.

A unique keybed

Change the way you play and unlock fresh musical expression with MicroFreak's distinct PCB keyboard. It's flat, it's fast, and it's fit for everything from lightning-fast solos to instant arp creation; not only is it pressure sensitive, but it offers poly-aftertouch too!

What's in the box

Box content

MicroFreak Unit
Universal PSU
Registration card
2x MIDI port adapters

Instrument dimensions

Size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Weight : 2.3 lbs. (1.02 Kg)
Read more
MRP:$346.35 SAVE 14%
 1 in stock $297.14
FORTHCOMING
Korg Opsix MK2 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix MK2 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix MK2 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix MK2 64-Voice Polyphonic Altered FM Synthesiser Korg Opsix MK2 64-Voice Polyphonic Altered FM Synthesiser
Cat: 995087 Rel: 29 Mar 24
 
64-voice 37-key polyphonic altered FM keyboard synthesiser
Notes: A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Polyphonic Motion Sequencing

Opsix mk II features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the Opsix also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Monster Modulation Matrix

The Opsix mk II 's modulation possibilities are genuinely mind-blowing. With six operator modes and 40 preset algorithms, plus the ability to create your own, Opsix mk II offers you dynamic sonic options.

This synthesis is supercharged with the processors that come at the end of the signal chain. The MOD section works separate from the operators, with three EGs and three LFOs; and 12 virtual patches for a wide variety of routing possibilities. Use these features for a huge range of modulation to create swirling soundscapes or add rhythmic motion to your sounds.

Throw the Dice

Use the Randomize feature if you're in the mood for unexpected sonic discoveries. Press the button marked with the die icon to completely scramble the synth's parameters, generating a new, unique sound. You can use the Randomize feature for all parameters or just for the operators, the algorithm, or the sequences.

You might strike gold with your roll, but if not, just try again or use the result as a starting point for your next new sound.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 29 Mar 24 $735.87
(No payment required now - pay when released)
Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black) Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black) Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black)
Cat: 933550 Rel: 19 Mar 24
 
Hybrid monophonic physical modeling synthesiser
Notes: A unique hardware synth, Aodyo's Anyma Phi uses physical modelling mixed with virtual analogue oscillators and filters, creating a versatile setup for sounds from resonant acoustic timbres to experimental hybrid sounds.

Supplier's Notes:
Explore and create your own sounds

Discover Anyma Phi, the essential physical modelling synthesizer. Your portal to creating new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

The best of both worlds

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Create Unique Sounds; sound design for all

The matrix provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation: Excite, Vibrate, Resonate, Global, and Animate.

Infinite Possibilities; a semi-modular powerhouse

Beyond the matrix lies an insanely powerful semi-modular synthesis engine where you can harness a wide variety of oscillators and effects, and control them effortlessly using an impressive modulator system. Going so deep into sound design has never been easier before with such a small box!

Anyma Phi Editor; standalone, but well-connected?

The Anyma Phi can hold up to 200 patches, and everything you need to create them is right on the machine. You can also benefit from the large screen of your computer (PC or Mac) to edit, manage and share patches even more easily, in a streamlined environment that displays all the synth modules at once and their interactions in real time. Learn more about the Anyma Phi's Updates and Downloads.

MIDI Controller; In tune with its environment

With its small form factor, it can sit on your keyboard, or anywhere on your desk. You can control it using any MIDI controller, keyboard or sequencer, with first-class support for wind controllers, like Sylphyo. And it also shines with World and microtonal music*!

Just Tap and Scratch; the world is your oyster

With its stereo input, you can also use the Anyma Phi as a versatile effects processor for your other gear, or use any external sound to excite its resonators and other physical models. And you don't even need a mic to get interesting sounds: just tap and scratch directly on the case of the Anyma!

Technical specifications:

Hybrid monophonic synthesizer, with physical modelling components
Memory: 200 patches
Stereo audio outputs:
L-R 1/4" mono line jack outputs
1/4" stereo headphone jack output
Stereo audio inputs:
1/4" stereo jack audio input
Internal piezoelectric mic when external input unplugged
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine:
3 oscillator slots (more than 40 types, including wind/string physical models, modal resonators, virtual analogue and digital algorithms)
5 effect slots (more than 30 types, including resonators, granular processors, and FM operators) along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots (more than 40 types, including envelope generators, LFO, curves, interpolators, slew limiters, sequencers, physical and algorithmic processes, etc.)
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with sidechain input and min/max/curve/smoothing
Responsive to pitch, pitch-bend, velocity, breath control/expression, as well as 4 other controller inputs (with MIDI learn)
External MIDI CC control for the matrix and the entire patch (via NRPN)
World-class microtonal support: up to 8 custom tunings, 50 onboard presets, onboard editor, MTS import/export
Built-in arpeggiator: 15 patterns, internal/external MIDI clock sync, custom triggers
Support for up to 3-note paraphony when building a patch
External audio processors
Automatic random patch generation (optional)
Free software editor/librarian (Mac/PC)
225 x 120 x 70 mm (8.9 x 4.7 x 2.8") and 900 gr (2 lbs)
Included: Anyma Phi, 5V PSU and USB cable
Designed and made in France
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 1 in stock $450.57
Future Retro Vectra 29-Keys Hybrid Synthesiser
Cat: 854774 Rel: 12 Mar 24
 
29-keys hybrid keyboard synthesiser
Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.
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 8 in stock $1,599.12
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak)
Cat: 955441 Rel: 08 Mar 24
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
Read more
 7 in stock $1,457.00
Click for better price!
or call +44 20 7424 1960
quote 955441
Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay
Cat: 1001110 Rel: 07 Mar 24
 
37-key analogue paraphonic synthesiser with modular expansion bay
Notes: Keyboard version of Pittsburgh's superb Taiga synth, combining Moog-style East Coast elements with Buchla-inspired West Coast synthesis. Premium 37-key model with velocity, aftertouch and 24 HP expansion bay.

Supplier's Notes:
Modern Analogue Keyboard with Expansion Bay

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analogue synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expressive keyboard instrument.

Exploring the larger keyboard format, spreading controls out, and adding larger knobs makes sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay.

Taiga Keyboard oscillators

Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analogue synthesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator.

The "Pittsburgh Filter"

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analogue delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analogue delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment.

Open Architecture

Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga Keyboard is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 64 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Modular Expansion Bay

Staying true to our modular roots, we've added a 24hp powered eurorack Modular Expansion Bay that lets you personalize your Taiga Keyboard to your sound and performance needs. Simply remove the metal plate that covers the bay and add eurorack compatible modules. The modular bay helps you make Taiga Keyboard's sound completely your own.

Complete Set of Modular Tools

Taiga Keyboard includes a host of fully modular, analogue, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga Keyboard toolset is deep enough for any type of sonic exploration.

Keybed and additional MIDI control

Taiga Keyboard as its name would suggest, has an integrated 37 key keyboard with aftertouch, as well as pitch bend and modwheel. The keyboard can be used as a separate USB / Din MIDI controller using the Local On/Off modes.


Taiga Keyboard's key range can be easily changed using the dedicated octave up and down buttons that are located adjacent to the pitch bend and modwheel.

Taiga Keyboard features and other info:

Paraphonic synthesizer with unique additive elements
37 note aftertouch equipped keybed with full-sized keys
Fully patchable - use Taiga Keyboard's components as separate modules with external devices or reroute its internal patching.
24hp powered Eurorack Modular Expansion Bay
64 point patch bay for rerouting internal signal flow and integrating external sound and modulation sources
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
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MRP:$1,500.17 SAVE 13%
 2 in stock $1,300.15
Click for better price!
or call +44 20 7424 1960
quote 1001110
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak)
Cat: 951312 Rel: 08 Mar 24
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: The kind of instrument Soma Labs do so well: weird but wonderful. Based around 32 complex digital synth algorithms and 12 note velocity- and pressure-sensitive sensors, transposition techniques allow you to play the full range of a grand piano.

Supplier's Notes:
TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
Read more
 7 in stock $1,471.74
Click for better price!
or call +44 20 7424 1960
quote 951312
FORTHCOMING
Doepfer A-100 Basic System 3 Full Analogue Modular System (LC6v case with PSU)
Cat: 982339
 
Full analogue modular system
Notes: The new basic system 3 from Doepfer is a return to Dieter Doepfer's original vision of analogue modular synthesis. Modules can be connected via front panel audio and CV connectors and used in infinite combinations. The Basic System 3 is an easily accessible and well-structured system that can be used by enthusiasts and beginners alike. It can be used as a base for exploring sound synthesis and electronic sounds, or as a supplement to delve deeper into different types of synthesis. For example, it is possible to create 4-part paraphonic patches or create complex sounds using the ring modulator. Percussion and drum sounds can also be created in a variety of ways alongside the classic synth sounds. The system's two filters can also be set to self-resonance to provide additional sound sources. The Waveshaper can be used to modify simple sounds and change their overall timbre. As each user's personal requirements are different, blank panels are installed that can be replaced with modules. This means there is no need to buy a new cabinet.

The following modules are included in the basic system 3:

1x A-108 6/12/24/48dB Low Pass Filter
2x A-110-1 Standard VCO
1x A-118 Noise / Random
1x A-121-2 Multimode Filter
1x A-131 VCA exponential
1x A-132-3 Dual linear/exponential VCA
1x A-137-1 Wave Multiplier I
1x A-138j Inverting/Interrupting Mixer (Janus Mixer)
1x A-138b Mixer logarithm.
1x A-138s Mini Stereo Mixer
1x A-140 ADSR Envelope Generator
1x A-140-2 Dual Mini-ADSR
1x A-147-4 Dual VCLFO
1x A-151 Quad Sequential Switch
1x A-160-2 Clock Divider II
1x A-171-2 VC Slew Processor / Generator
2x A-180-2 Multiples 1
1x A-184-1 Ring Modulator/S+H/T+H/Slew Limiter
5x Blind Panel 4HP

The following Patch cables are included:

5x A-100C15 Cable 15cm yellow
10x A-100C30 Cable 30cm black
15x A-100C50 Cable 50cm grey
5x A-100C80 Cable 80cm red
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $2,693.99
(No payment required now - pay when released)
FORTHCOMING
Folktek Resonant Garden Electronic-Acoustic Hybrid Instrument
Cat: 983105
 
Electronic-acoustic hybrid instrument
Notes: The Resonant Garden is an electronic-acoustic hybrid instrument designed to create anything from beats and oddities to dense soundscapes.

The garden utilizes three Alter circuits each equipped with a mic pre-amp, and 4 sprout (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and affected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations.

Monolithic vs Discrete

A Monolithic version of the Resonant garden consists of a single faceplate for the entire instrument.

A Discrete version of the Resonant garden consists of 7 faceplates, three for each Alter module and four for the sprouts. The discrete version allows for individual sprout and Alter modules to be moved around or substituted with other modules. Keep in mind the power and audio distribution system is designed for the configuration shown here, but can easily be hand wired with standard cables (sold separately). The maximum depth for modules in the garden box is 33mm.

Effects

There are two Alter 1 units and one Alter 2 unit. Each Alter 1 has seven DSP effects which are selected by touching the copper hexagon:

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Alter 2 has the following effects:

1 - analogue delay
2 - reverb with infinite capture and lp + hp filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones
7 - time stretch glitch

Control

On each of the Alter sections, the following is present:
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Acoustics

Each garden panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Routing

1/8" stereo inputs with separate level/gain control for right and left channels. These level controls can also act as mute as they can take the signal to 0. They can also add gain to a quiet signal.
In its natural state, each Alter utilizes the garden panel acoustics and each Alter outputs its own signal. By plugging in to the left input of any Alter, the mic amp is bypassed. This means that the signal can be chained from one alter to another, utilizing the single final output. This chain of effects can result in an incredibly broad range of sound.
- use all effects in parallel (3 sets of stereo output)
- use two in series and one in parallel (2 sets of stereo output)
- use all in series (single stereo output)
- peak level indicator for clipping levels at the input

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument we ship.

Included
- Power Supply: 12v positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Printed manual
- Four (4) black 6" (15cm) 3.5mm TS mono patch cables
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

Dimensions
- 76 HP Total Width, Sprouts: 7 HP, Alters: 16HP
- Mounting Rails are 406.16mm long
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $1,226.45
(No payment required now - pay when released)
FORTHCOMING
Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor
Cat: 983110
 
Acoustic electronic synthesiser & audio effect processor
Notes: Acoustic Electronic "synthesiser" and external audio effect processor with CV control. Little sister of the Resonant Garden.

The Nano Garden is an acoustic-electronic hybrid designed to create anything from beats and oddities to dense soundscapes. From its inception in 2006, the original garden has gone through many changes and refinements: micro garden, luminist garden and illuminist garden and finally this latest and likely final version of what is essentially an expanded micro garden.

The Nano Garden essentially utilizes a single Alter circuit with 7 effects selected specifically for this instrument. Each is also equipped with a mic pre-amp, and 2 garden (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and effected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations. Aside from the internal mic, the nano can be used to process external signals with any of the internal effects as well.

Effects

There is a single Alter in the Nano which has seven different DSP effects, selected by touching the copper hexagon. The effect list is different than either Alter 1 or 2 - these are selected specifically for the Nano (this selection is subject to change):

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - choral reverb
5 - palindrome reverse delay - backward/forward repeat
6 - pitch delay
7 - time stretch/glitch

Control

- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or cv input is visualized on the control panel.


Acoustics

Each sprout panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.

Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument Folktek ship.

Included

- Power Supply: 12V positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $562.17
(No payment required now - pay when released)
Tangible Waves AE Modular Synth Explorer Ultimate Modular Synthesiser System
Cat: 967514 Rel: 13 Feb 24
 
Complete modular synthesiser system.
Notes: Complete system built on Tangible Waves's AE modular format. Includes analogue sound sources, drum sampling, sequencing and everything needed to make music in a single unit.

Supplier's Notes:
The Synth Explorer "Ultimate" is a fully featured modular synthesizer which has been designed primarily for educational purposes. It offers a lot of synthesis features in a very small and portable package and includes the modules that invite for DIY modification and experimentation with code and circuits.

This system includes the following modules:

MASTER I/O (power, MIDI, CV/Gate, Audio in/out)
2OSC/d (two oscillators with sawtooth and square waveforms)
DRUMKIT 010 (lofi drum samples)
2LFO (two low frequency oscillators with various waveforms)
2ENV (two attack/decay envelopes with looping function)
WASPFILTER (an iconic filter with a lot of character)
SVFILTER (a state variable filter which can go into self oscillation)
2VCA (two voltage controlled amplifiers)
BRAEDBOARD (a blank canvas for circuit experiments)
2S&H (dual sample and hold)
2ATT/CV (dual attenuator and CV generator)
MM-DIV (multi mode clock divider)
SEQ8 (8 step CV and Gate sequencer with different run modes)
QUANTIZER (4 channel CV quantizer with many different scale modes)
METER (oscilloscope, frequency spectrum, tuner, voltmeter)
GRAINS (fully programmable module based on the Arduino)
MIXER 4-4 (two 4 channel mixers)
DELAY (analogue delay)
HPAMP (headphone amplifier with dual outputs and volume control)
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 1 in stock $985.90
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quote 967514
Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser
Cat: 956175 Rel: 06 Feb 24
 
The development of Don Buchla's legendary modular analogue synthesiser.
Notes: Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."
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 2 in stock $5,075.31
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quote 956175
Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser
Cat: 994413 Rel: 05 Feb 24
 
37-key 24-voice virtual analogue keyboard synthesiser
Notes: Combining analogue-style sound with digital convenience, the KingKorg Neo is a proper all-rounder for both recording and live performance. Features modelled emulations of classic Korg synth features.

Supplier's Notes:
The KingKORG NEO: a virtual analogue synthesiser that stands out with its analogue-like layout and intuitive, flexible editing. This compact powerhouse features 37 full-size keys and a versatile vocoder, making it perfect for both studio and stage. With our cutting-edge XMT sound engine, it delivers a wide range of classic and futuristic sounds. Designed for the contemporary musician, the KingKORG NEO is the ultimate tool for exploring new soundscapes and pushing musical expression.

KingKORG NEO features our XMT virtual analogue sound engine. XMT stands for eXpanded Modelling Technology and was created to offer an expansive array of sounds while ensuring simplicity in operation.

Gone are the days of laborious oscillator adjustments for sound crafting. The KingKORG NEO streamlines this process with pre-set algorithms. These carefully designed combinations of different oscillator types and quantities empower you to quickly shape rich, stage-ready tones with ease.

Embracing the demand for diverse tonal capabilities, the KingKORG NEO comes loaded with a wide range of oscillator algorithms. From the classic sawtooth and square waves to the more intricate noise patterns typical of analogue synthesizers, and extending to PCM/DWGS, this synthesiser is equipped to cater to an extensive variety of musical needs and preferences.

Crafting character with iconic modelled filters

In the heart of the KingKORG NEO lies its meticulously designed filter section, a cornerstone in defining the synthesiser's unique sonic character. Korg have infused KingKORG NEO with a diverse range of filters, each adding a distinct flavour to your sound creations, an aspect where analogue modelling truly shines.

The KingKORG NEO's filter collection is a treasure trove for sound designers. It encompasses a wide array of essential analogue modelling filter types, enabling you to sculpt sounds with precision and ease. But there's more. Korg have painstakingly modelled filters that echo the iconic analogue monophonic synths of the '70s - the go-to for punchy leads and deep basses. Korg have also captured the essence of polyphonic synths from the vibrant new wave era of the '80s, and the legendary filters from Korg's own MS-20 analogue synth.

One of the most captivating features of these filters is their ability to self-oscillate when you dial up the resonance - a hallmark of classic analogue synthesis. This capability opens up a world of sonic possibilities, from creating ethereal textures to crafting powerful, resonant tones.

Vocoder wizardry

KingKORG NEO synth comes equipped with a balanced XLR input on its front panel, and includes a rugged, high-quality microphone. This setup invites you to dive into the world of vocoding instantly.

At the core of the KingKORG NEO's vocoder is a sophisticated 16-band filter, rivalling dedicated vocoder machines. This powerful feature allows you to craft classic vocoder tones, but that's just the beginning. By shifting the filter frequency with the formant shift function and finely adjusting the level and pan of each band, you open the doors to an array of unique and original sounds. Whether you're aiming for vintage charm or contemporary edge, this vocoder adapts effortlessly to any genre or style.

But there's more - the KingKORG NEO redefines flexibility. Timbre B can ingeniously be used as a modulator, providing an alternative to the traditional microphone input. This allows the vocoder effect to be seamlessly blended with the synth sound, paving the way for limitless sonic exploration.

Moreover, each of the three oscillators, A and B timbres, can be individually selected as a source for the microphone input. This unique feature enables you to synthesize a rich mix of voice and instrument, creating a fusion of timbres that's both innovative and captivating.

Masterful effects

The KingKORG NEO elevates your sound with three master effect slots, each offering six distinct effect types.

The PRE FX slot brings the grit and edge of effects like distortion and amp simulator. MOD FX infuses your tracks with the classic charm of phaser, chorus, and tremolo. For creating expansive atmospheres, the REV/DELAY slot offers ambient effects including hall reverb and modulation delay. Adjusting and selecting these effects is straightforward, thanks to dedicated dials on the front panel for each slot, complemented by FX control knobs for detailed fine-tuning.

Virtual patching

Embrace the spirit of classic synthesisers like the MS-20 with the KingKORG NEO's innovative Virtual Patch system. This intuitive feature brings the flexibility of physically patching synthesizers into the digital age. With six Virtual Patch assignments available for each timbre, you can virtually connect control signals like EG, LFO, or joystick movements to key sound parameters, including pitch and cutoff. This seamless integration allows for intricate modulation and a deeper exploration into sound-shaping, giving your music a new dimension of sonic creativity.

A universe of inspiration

KingKORG NEO's extensive library of 200 stage-ready preset programs is created for the modern music maker. These presets span across eight categories like SYNTH, LEAD, and BASS and offer an intuitive gateway to finding the perfect sound for any scenario.

Step up with arpeggiation

The KingKORG NEO comes equipped with a versatile step arpeggiator, a tool that breathes life into your performances by automatically generating arpeggio phrases based on the chords you play. Tailor your sound even further by selecting from six different arpeggio types. You can specify the duration, interval, and on/off status of each step, opening up a vast array of rhythmic possibilities.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: XMT (eXpanded Modeling Technology)
Maximum Polyphony: 24 voices
Timbres: Max. 2 timbres (Layer / Split)

Oscillator
Structure: 3 oscillators (choose from analog, noise, DWGS, PCM, and MIC IN types)
Number of types: 138 types (32 analog and noise, 40 DWGS, 65 PCM, 1 MIC IN

Filter
Structure: 1 filter (choose from LPF, HPF, BPF)
Number of types: 18 types (7 LPF, 5 HPF, 6 BPF)

Modulation
Structure: EG 2 units, LFO 2 units
Routing: Virtual patches 6 set

Effect
Sections: Program effects x 3 (PRE FX, MOD FX, REV/DELAY) + EQ (2Band)

Types:
PRE FX: 6 types (DISTORTION, DECIMATOR, RING MOD, GT.AMP, EP.AMP, TONE)
MOD FX: 6 types (FLANGER, CHORUS, U-VIBE, TREMOLO, PHASER, ROTARY) REV/DELAY: 6 types (HALL, ROOM, PLATE, TAPE ECHO, MOD DELAY, BPM DELAY)

Vocoder: 16-band vocoder, formant shift function, formant hold function
Arpeggiator: Up to 8 steps (number of steps can be changed), 6 types (UP/DOWN/ALT1/ALT2/RANDOM/ TRIGGER)

Programs
Number of programs: 300 programs (200 preset / 100 user)
Number of categories: 8 categories

Displays
Main: 16 x 2 character OLED display
OSCILLATOR, FILTER: 128 x 64 pixel OLED display

Audio

Mic input
Connector: XLR type (balanced)
L/MONO,R output
Connectors: 6.3mm TS phone jacks (Unbalanced)

Headphone output
Connector: 6.3mm (1/4") stereo phone jack
DAMPER (half-damper not supported)
SWITCH/PEDAL
MIDI IN/OUT
USB B connector

Power Supply: AC adapter jack (DC12V)
Power consumption: 9W
Dimensions (W x D x H)@ 565 x 338 x 92 mm / 22.24" x 13.31 " x 3.62
Weight: 3.1kg / 6.83 lbs.
Included items: AC Adapter, Vocoder mic (+ windscreen)
Accessories (sold separately): XVP-20: Expression/volume pedal, EXP-2: Foot controller, DS-1H: Damper pedal, PS-1, PS-3: Pedal switch
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MRP:$999.06 SAVE 10%
 2 in stock $899.05
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quote 994413
FORTHCOMING
Synthetic Sound Labs Soleil Lo-Fi MIDI String Synthesiser
Cat: 977158
 
Lo-fi MIDI string desktop synthesiser
Notes: Inspired by the early vintage string synths of the '70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.

Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.

The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a "paraphonic" instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.

MIDI is input via a 3.5mm TRS Type "A" jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.

MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non-volatile memory.

A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8") jacks.

Specifications:

Controls

Fine Tune - (Approx. +/- 1 semitone)
Detune - (Approx. +1 semitone)
Wave - (Sawtooth thru variable Pulse Width)
Modulation Rate
Attack Rate
Decay Rate
Volume

Inputs
3.5mm MIDI TRS Type "A" Standard wiring
2.1mm Co-axial 2.1mm Power - Center Positive - NOT included

Outputs
Audio Out - ~2V peak-to-peak
Gate Out - 0 to +5V

Indicator LEDs
MIDI Activity (Orange)
Gate Active (Orange)

MIDI Implementation
Note On, Note Off, Running Status
Mod Wheel: 176 (B0 hex)
Pitch Bend: 224 (E0 hex)

Power
2.1mm Coaxial, +8 to +18V DC Center positive, reverse polarity protected
(User supplied adapter)

Size
4.5" W x 2.4" H x 1.25" D (not including pot shafts)
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $186.34
(No payment required now - pay when released)
Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK)
Cat: 996144 Rel: 01 Jan 90
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.
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MRP:$1,999.17 SAVE 22%
 1 in stock $1,556.39
Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK) Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder (B-STOCK)
Cat: 993666 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag
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MRP:$599.01 SAVE 21%
 1 in stock $472.54
Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser Melbourne Instruments Nina 12-Voice Analogue Polyphonic Synthesiser
Cat: 939909 Rel: 18 Jan 24
 
12-voice analogue polysynthesiser with motorized controls.
Notes: Melbourne's hybrid synth combines analogue circuits with wavetable options, all controlled by motorised knobs. A beautiful flagship instrument with lush sound and features to back up its unique interface.

Supplier's Notes:
NINA combines the tactile and sonic qualities of classic analogue synths with modern functionality, patch recall and automation.

NINA: 12 Voice Analog Polysynth
4 part Multi-timbral
Motorized, recallable, automatable, assignable, and robust high resolution control panel
Unlimited & quick to edit Modulation Matrix
3 Oscillators per voice. 2 Analog VCOs, 1 Digital Wavetable.
Patch morphing
Onboard effects

NINA Specifications

Oscillators

3 Oscillators per voice. 2 Analog VCOs, 1 Digital Wavetable.
Oscillator 1 & 2 with waveforms morphable between triangle to sawtooth and PWM square-wave.
Sub octave mode for VCO 1 square wave.
Hard Sync Oscillator 2 from VCO 1.
Fine & Course tune control with up to 8 octave range.
96kHz 24bit Wavetable Oscillator Resolution.
User loadable Wavetables.
Selectable Fuzz & Noise sources - Pink, White, Oscillator 1 & 2 XOR (Fuzz).
LFO with selectable shapes, through-zero modulatable rate & level controls.

VCF
Classic 4 pole transistor ladder VCF
Modulatable resonance, available as a matrix destination.
Extremely over-drivable, or perfectly smooth low noise modes.
Dedicated control for Envelope to Cutoff modulation amount.

VCA
Traditional ADSR envelope with ultra-fast slopes possible.
Melbourne Instruments designed four-quadrant (through zero) VCA.
Stereo: 2 VCAs per voice.
Infinite panning.

Unison polyphony
Play up to 12 voices in unison or polyphonically.
Mono Triggered and Legato modes.
Selectable polyphonic panning schemes

Modulation
Extensive modulation matrix. 16 sources to 27 destinations. No bus count limitation.
Morphable modulation settings.
Quick to edit MOD mode. Select a source and dial in amounts instantly on control panel.
All MOD amounts are through zero (bipolar)

Patch morphing

Morph between patches to create new timbres.
Morph entire patch including Modulation Matrix.

ADSR envelope generators

2 x ADSR envelopes available as mod sources
Modulate Attack, Decay, Sustain, Release, and Level using velocity or any other mod source

Multi-timbral layers

Up to 4 layers for 4 Timbres controllable via MIDI channel and note ranges
User selectable number of assigned voices per layer
Optional linked note ranges across layers for quick keyboard splits & layering

Effects

Upgradable VST3 effects algorithms built on an Open Source architecture.
96kHz 24bit resolution
Parallel or Series mix modes. Parallel mode retains analogue sound.

Sequencer

Up to 16 Step Polyphonic
Adjustable note value
Hold mode
Send Sequencer to Arpeggiator
Tempo sync from external source

Computer

Hackable Open Source software built on a powerful Raspberry Pi 4 running Elk Audio OS.

Connectivity

Audio Out
4 assignable line level outputs.
Stereo main outputs with effects.
Aux outputs (3 & 4).
Headphone output.

Audio In
3 TRS Balanced Line or CV Inputs.
1 TRS/XLR Combo. Mic for line/CV input.
CV +/-10V max. Analog gain and offset trim.

Physical

Weight: 5.5kg (12.1lb)
Dimensions (length x width x depth): 446mm x 230mm x 71mm.
Solid metal construction.
19" rack mount ears available.
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 1 in stock $3,682.52
Cyclone Analogic TT-303 v2 Bass Bot Analogue Monophonic Synthesiser & Sequencer (red)
Cat: 975221 Rel: 08 Jan 24
 
Analogue monophonic synthesiser and sequencer
Notes: Red version of Cyclone's excellent bass synth, replicating the sound of the iconic Roland TB-303. Fully analogue synth with modernised sequencer and classic acid sound.

Supplier's Notes:
A full analogue synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favourite synths!

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original).

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Specifications

Bass Bot TT-303

VCO

Monophonic
Waveforms: Sawtooth or Square
Frequency Range: 20Hz-850Hz

Main Controls

Tempo Knob
Volume Knob
Track/Pattern Bank Selector Knob
Mode Selector Knob
Power On/Off Switch

Audio Controls

Tuning Knob
Filter Cutoff Frequency Knob
Filter Resonance Knob
Filter Envelope Modulation Amount Knob
Filter Envelope Decay Knob
Accent Amount Knob
Waveform Selector Switch

Data Storage

User Patterns: 432 (9 banks of 48 patterns)
Pattern Lab Patterns: 108 (9 banks of 12 patterns)
Preset Patterns: 108 (9 banks of 12 patterns)
User Tracks: 9

Operating Modes

Pattern Write | Loop Edit |Pattern Lab | Arpeggiator
Pattern Play | Preset | Track Play | Track Write | MIDI

Per-step Modifiers

Down Octave | Up Octave | Accent | Slide
Mute | Hammer | Rest / Tie

Pattern Features

Pattern Length: 1-64 steps
Per-step modifier assignment
Time scales: 16th note, 32nd note, 8th note triplet,
16th note triplet
Assignable pattern LED color
Pattern Copy / Paste functions
Intelligent procedural pattern generator
Pattern-based Arpeggiator
Pattern Mutate function

Track Features

Visual track programming system
Maximum Length: 144 bars | Per-bar transpose option

Global Features

Shuffle Amount | Slide Time | Gate Length |
Illuminated buttons: 26
Tap Tempo Input | Automated VCO calibration |
System LED colour |
MIDI In / Out channels

Outputs

Main Mix (1/4" mono, +15dBu)
Headphone (1/4" stereo, +10dBu)
VCO Waveform (1/8", Sawtooth: 5Vp-p, Square: 3.7Vp-p)
Control Voltage (1/8", 1V/octave, range 1V 5V)
Gate (1/8", 0V 12V)
Accent On (1/8", 0V 5.5V)
Clock (1/8", DIN Sync compatible, 0V 5V)
Start/Stop (1/8", DIN Sync compatible, 0V 5V)
MIDI Out / Thru

Inputs

Filter In (+4dBu nominal, 100kO input impedance)
Power (9VDC, 300mA) | MIDI In

PC Functions

Cyclone Studio application for PC & Mac enables Bass Bot software update and user data backup & restore using MIDI/SysEx transfer.

Physical

Dimensions: L310mm x W130mm x H35mm
Weight: Unit 783g (Boxed with accessories) 1.332kg

Included Accessories: 100-240v Universal Power Adapter | Near Invisible Force Field | Case Transporter | Printed User Manual

Available Accessories: 7 Lines 1/8 to 1/4 output cable snake | Triple 100-240v Universal Power Adapter
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MRP:$356.88 SAVE 12%
 1 in stock $313.72
Click for better price!
or call +44 20 7424 1960
quote 975221
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK)
Cat: 991874 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Super 6 is a 12-voice polyphonic, binaural analog-hybrid synthesizer. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analog tech. It is flexible, powerful and refined with a gorgeous analog tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analog signal path and flexible modulation.

Although UDO's first production synthesizer, the Super 6 is a result of many years of hard work and numerous iterations of development. Our mission with the Super 6 has been to harmonise what we love about archetypal electronic instrument design with modern, novel synthesis technologies that excel at generating spatially dynamic results.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

BINAURAL ANALOG
SIGNAL PATH
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

MASSIVE MODULATION WITHOUT MENUS
Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

INSPIRED BY THE CLASSICS,
BUILT FOR TODAY
The Super 6 is an instrument that is borne of a long-held passion for synthesizers. In designing the Super 6 we wanted to create an instrument that feels familiar at first glance, but offers new and inspiring opportunities when delving deeper. The layout and aesthetic is an homage to some of the classic synthesizers that have inspired us for many years i the instrument's features and capabilities bring these ideas firmly into the 21st century.

ANALOG VOICE ARCHITECTURE
Alongside an analog amplifier section, the Super 6's main filter is an analog 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

TRUE NO-COMPROMISE BUILD QUALITY
An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
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MRP:$2,626.61 SAVE 15%
 1 in stock $2,220.09
IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK)
Cat: 991621 Rel: 01 Jan 90
 
B-STOCK: Box damaged, missing documentation, product in perfect working order
Notes: ***B-STOCK: Box damaged, missing documentation, product in perfect working order***


Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit
Read more
MRP:$757.98 SAVE 54%
 1 in stock $346.01
Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder
Cat: 944880 Rel: 20 Dec 23
 
The special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.
Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag
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MRP:$599.01 SAVE 19%
 1 in stock $483.30
Korg Modwave MK2 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave MK2 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave MK2 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave MK2 60-Voice Polyphonic Wavetable Synthesiser Korg Modwave MK2 60-Voice Polyphonic Wavetable Synthesiser
Cat: 978249 Rel: 20 Dec 23
 
60-voice polyphonic 37-key wavetable keybaord synthesiser
Notes: Second-generation version of Korg's superb ModWave synth, building on the legacy of the iconic Wavestation with 60-voice polyphony, Kaoss Physics and Motion Sequencing 2.0.

Supplier's Notes:
Modwave is a synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0. The new Modwave mkII provides an astonishing 60 voices of polyphony almost double that of the original Modwave. All LFOs have been updated with options for free running, delayed start, and retriggering, and a pre/post switch for reverb sends has been added, alongside new modulation sources, and more.

Modern monster synth

In 1985, Korg introduced the DW-8000 - a synth which combined digital wavetables with rich analogue filters to give users sounds which were impossible to create with analogue oscillators.

Modwave builds on the DW legacy, transforming it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Over 200 factory wavetables each contain up to 64 waveforms. 30+ Modifiers can be used to change their basic character, and 13 Morph Types to process them in real-time. Using the unique, realtime A/B Blend, it's possible to create new hybrids from any two wavetables.

Expanded possibilities

Modwave can be expanded by importing new wavetables using the free Editor/Librarian software. There are many free and commercial wavetable libraries in the standard Serum format, or you can create your own using the free, cross-platform WaveEdit software (available in a custom version for the Modwave). Wavetables can be layered with samples from the built-in, multi-gigabyte PCM library, or import your own 4 GB of samples using the Sample Builder software.

Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators-plus multi-lane Motion Sequencing and Kaoss Physics.

Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the Modwave mkII achieves 60-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.

KAOSS in motion

Modwave introduced two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. KaossPhysics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that is extraordinarily powerful.

Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the Wavestate Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording to help you create complex and evolving phrases that other step sequencers cannot.

Modwave's evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. There are hundreds of preset sounds empowered by this new architecture, organised by front-panel category buttons, and all instantly customizable via the four Mod Knobs. Modwave'sdistinctive wavetable timbres start with aggressive basses & leads, and lush ambient pads which will add a new dimension to your tracks. But that is just the beginning.

Those who want to dig deeper will find an endless source of discovery; with the Modwave's unique synth architecture, you'll be finding new things for a long, long time. Save as many of your sounds as you like; there's room for thousands more. You can also load your own samples, import wavetables in standard formats, and create your own wavetables using the free WaveEditsoftware.

KAOSS Physics

Kaoss Physics models a ball rolling on a surface and bouncing off walls. The surface can tilt in any direction, and a bump with variable height/depth and location attracts or repels the ball. Adjustable friction slows the ball's travel, and adjustable time controls the speed of the entire model. All of these characteristics are modulatable, so you can change them in real-time!

Start the ball by flicking a finger on the x/y pad, or launch the ball automatically using another modulation source. You can even directly control the ball by holding your finger on the pad. The position of the ball produces eight modulation signals, which can be used to control any modulation destination: the X and Y locations, the distance from the centre, the angle relative to the X axis, and separate signals for +/- X and +/- Y.

Walls can slow down the ball, as if they were padded, or accelerate the ball, like bumpers in a pinball machine. The walls can also be removed entirely, so that the surface wraps around to the opposite edges like a vintage arcade game.
The modelled environment can create specific modulation effects. For instance, use a centered bump with negative height so that the modulation values always eventually return to 0. Or, position a bump with positive height on a side or a corner, to push modulation values away from that zone.

The result is an interactive controller that amplifies your physical gestures, transforming them into complex musical results.

Motion Sequencing 2.0

Motion Sequencing 2.0 is evolved from the Wavestate's Wave Sequencing 2.0. Timing, Pitch, Shape, and four sets of Step Sequence values are separated into "Lanes," each with their own loop start and loop end, adding a deeper, more customizable level of phrase and modulation recording.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a step sequence value may be matched with a different duration, pitch, and shape every time that it plays. You can modulate each Lane's loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The dual onboard arpeggiators can interact with Motion Sequences for even more possibilities.

Wavetables

Wavetables are sets of single-cycle digital waveforms, arranged in a specific order. The wavetable's "position" determines which waveform is played. Moving the position with an envelope, LFO, or other modulation source creates subtle or dramatic changes in timbre. Some wavetable systems switch abruptly from one waveform to another; others crossfade smoothly between them. Modwave can do either one.

Modifers

Use over 30 Modifiers to alter the character of any wavetable at load time. For instance, isolate the odd or even harmonics, add weight through anti-aliased quantization or saturation, or revisit the gritty character of old-school wavetable synths with the Vintage 8 & 12 options.

Morph

The 13 Morph Types let you stretch, squeeze, reflect, and otherwise alter the wavetables in real-time, changing their timbre andiwhen modulatedicreating additional motion in the sound. Sync creates classic swept-sync timbres, using only a single oscillator. Three special Morph TypesiFM, AM, and Ring Modimodulate Osc 2 with Osc 1, and the last two even apply to samples.

A/B Blend

Using the unique A/B mode, oscillators can blend any two wavetables with phase-synchronous precisionidifferent from simply layering voicesiopening up a dimension of intermediate waveforms. Add body to otherwise "thin" waveforms, for instance, or a touch of sizzle to a mellow timbre. Even fade between two different "modifier" versions of the same wavetable. A/B Blend can be modulated in real-time, of course.

Or, step outside the box with Korg's unique Multi Filter, which creates modulatable blends of multiple modes simultaneously - now with presets on a front panel knob, for easier exploration of its many possibilities.

An arsenal of effects

Modwave's superb effects deliver production-ready sounds. Each Layer has three dedicated effects, plus a send to the Performance's master reverb, followed by a master parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS and Kronos), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.
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MRP:$735.87 SAVE 14%
 1 in stock $630.60
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quote 978249
IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro 37-Key Paraphonic Dual-Filter Analogue Synthesiser (B-STOCK)
Cat: 990994 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit
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MRP:$757.98 SAVE 53%
 1 in stock $355.40
LEP Arpopone Analogue Melody & Bass Line Generator Desktop Synthesiser (wooden box version) (B-STOCK) LEP Arpopone Analogue Melody & Bass Line Generator Desktop Synthesiser (wooden box version) (B-STOCK)
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
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 1 in stock $296.34
IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK) IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser (B-STOCK)
Cat: 985434 Rel: 01 Jan 90
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late
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MRP:$547.43 SAVE 29%
 1 in stock $387.05
Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (white) (B-STOCK) Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (white) (B-STOCK)
Cat: 986696 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!
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MRP:$462.16 SAVE 14%
 1 in stock $398.99
UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser
Cat: 945397 Rel: 20 Nov 23
 
20-voice dual layer polyphonic binaural analogue hybrid synthesiser with super-wave technology
Notes: Stacked with up to 20 voices of polyphony, the Super Gemini boasts an immensely powerful sound engine where a performance isn't just a single sound, but an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Spectrally rich digital hardware oscillators of unique construction, decorated with a plethora of expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past. The result is a core- sound that is rich, evolving, engaging and addictive.

Stacked with up to 20 voices of polyphony, each performance is an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Unique spectrally rich digital hardware oscillators, decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past.

Matching sonic innovation with tactility, the Super Gemini is equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, in addition to a custom engineered ribbon sensor for individual note articulation and a gestural way to explore your sound. With 256 performance and patch slots, 64 interchangeable waveforms and 16 sequences, you can safely store and edit your sounds without concern.

As the second synth in the 'Super' series, the Gemini represents a quantum leap in UDO's technology - building on the acclaimed rich sound pioneered by George Hearn and the Super 6. Adopting a true-stereo Binaural signal path with dual FPGAs and twin effects processors, Gemini will take you on an adventure of spectral dynamics, of glittering frequency and shattering subharmonics, of comfort and discord, expectations and surprises.

Duality in control

Equipped with dual synth-control levels, the Super Gemini gifts you with comprehensive and immediate control over multiple patches/timbral layers, calling out for you to tweak, mold and transform your performances in an unprecedented real-time form. This is a synth that opens new heights of powerful and immediate play.

The power of play

With a total of 20 voices, the option to split and stack patches, each with its own individual arpeggio or sequence, and an uncompromisingly powerful sound engine, the Super Gemini allows you to push sonic boundaries and to explore the acclaimed UDO sound to the fullest.

Inspired by the classics built for today

Super Gemini fuses a state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology. This harmonious marriage of old and new encompasses all that is great from the era of classic analogue polyphonic synthesizers, yet in an unparalleled form factor which is immensely powerful, flexible, and reliable.

Binaural synthesis

Employing a true-stereo signal path, the Super Gemini twins its 20 voices to form 10 'super voices'. As a result, the left and right channels, and each of your ears, are assigned a complete synthesizer voice. This empowers UDO's championed warm analogue tone, and enables you to create extremely dynamic spatial sounds.

Unlimited expression

Featuring a custom-designed ribbon controller and a 61-note semi-weighted keyboard with polyphonic aftertouch, the Super Gemini will enhance your musicianship from the first touch, opening up new ways for you to explore and express your sound.

True no-compromise build quality

Forged entirely from aluminium and steel, the Super Gemini is undeniably robust. Equipped with an array of superior quality mechanical controls, the Super Gemini is engineered for reliability and service. As a loyal workmate and companion, this instrument is designed to stand the test of time.
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 1 in stock $3,667.78
Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Desktop Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Desktop Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Desktop Synthesiser Groove Synthesis 3rd Wave 24-Voice Polyphony & 4-Part Multi-Timbral Wavetable Desktop Synthesiser
Cat: 973094 Rel: 17 Nov 23
 
A wavetable desktop synthesiser with 24-voice polyphony and 4-part multi-timbral capacity.
Notes: Serious synth options here, with a 24-voice polyphonic, four-part multi-timbral design based on the iconic PPG wavetable approach, updated and blended with analogue filters. An absolute powerhouse of an instrument.

Supplier's Notes:
The 3rd Wave desktop module a powerhouse wavetable synth with 24-voice polyphony and 4-part multi-timbral capability that's like having four independent synthesizers at your fingerprints.

It has all of the power, all of the polyphony, all of the multipart capability, all of the I/O, and all of the awesome sound quality of the full keyboard version.

Each of its 3 oscillators per voice can be any of these 3 choices:
A classic PPG 8-bit wavetable with all the original processing
A high-resolution anti-aliased 96KHz wavetable
Analogue modelled waveforms with spline interpolation

Create up to 64 custom wavetables of your own using the built-in Wavemaker. With the sample-to-wavetable capability, you can connect an audio source to the audio input and generate a wavetable at the touch of a button.

Classic legacy, modern sound

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that's a product of its expanded wavetables and warm, organic-sounding analogue filters, 4 independent parts, and 24 voices.

It boasts not only a punchy, Dave Rossum-designed 2140 analogue low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures.

4-part multi-timbral

With 24-voices, the 3rd Wave has enough power for the most note-intensive performances.

And that polyphony really comes into play with its ability to layer up to 4 independent parts or split zones -- each with a completely different sound, sequence, and dual effects.

Each part has independent panning, volume, and a dedicated stereo physical output. Use the multiple outputs and part placement to create spatial audio mixes.

Modulation matrix

The secret weapon of any synth is its mod matrix, and the 3rd Wave doesn't disappoint.

With 16 assignable slots, 12 additional fixed-source slots, 27 sources, and 114 destinations, it has the flexibility of a modular.

And all of this power is per multipart. That means up to 4 independent layers of sound, each with its own mod matrix.

Sequence notes, songs and parameters

The 3rd Wave's sequencer is an inspiring tool for both composers and sound designers because it is pattern-based and can sequence notes, songs, and parameter changes.

For composing and performing, enter notes and chords in real time with or without quantization for maximum groove and arrange up to 24 patterns of up to 32 measures in length into songs just as easily.

Sound engine

3 High-resolution Digital Oscillators Per Voice

64 total user wavetable positions with 48 wavetables that contain 64 waveforms per table (32 legacy PPG waves with room for another 16 of this type)
32 original 8-bit wavetables from the PPG 2 series instruments with room for 16 more user created 8 bit wavetables
7 high-resolution modelled analogue waveforms (sine, saw, triangle, supersaw, pulse, white noise, pink noise)
VCO sync
Free-running oscillators
Linear FM
6-stage wave envelope per oscillator with variable time and position that can be looped
Optional wave flow section that allows for no wavetable as well as no waveform interpolation
Upper wavetable mode as with the original PPG 2 series
Unison, poly unison, and chord unison mode with variable voice count

Analog Low-pass Filter (per voice)

Dave Rossum designed, classic, 2140 low-pass resonant filter
24 dB per octave slope
variable saturation amount
optional resonance compensation

State-Variable Filter (per voice)
12 dB per octave slope
Continuously variable between low-pass, notch, and high-pass, operation with optional band-pass mode

4 ADSR+ Delay Envelopes
Filter, Amplifier, plus 2 additional envelopes switchable between exponential and vintage PPG-style response
Freely assignable to multiple modulation destinations

4 Low-Frequency Oscillators
Triangle, sawtooth, reverse sawtooth, square, pulse 1, pulse 2, pulse 3, and random (S&H)
Variable delay
Note reset
Syncable to master clock BPM

2 Digital Effects
BBD, stereo delay, tape delay, chorus, phaser, flanger, distortion pedal, rotating speaker, ring mod, room reverb, hall reverb, super plate reverb - most modelled on famous hardware devices
Syncable to master clock BPM
Parameters modulatable via mod matrix

Wave maker tool

Built-In Custom Wavetable Maker

"Sample-to-wave" functionality. Connect an audio source to the 3rd Wave's Audio In port, press "Make Waves" and the synth samples the audio to create a custom wavetable
Samples to convert can also be brought in as a 96 kHz wav file through USB
Store up to 32 custom wavetables
64 waveforms per wavetable
Accepts pitched or un-pitched material as input
96 kHz sampling rate
16-bit resolution
1024 cycles per waveform, converted automatically to cover entire keyboard range
Flexible wave-sampling length

Sequencer

Performs both Note and Parameter Sequencing
1 song per multi-part
24 sequences per song
32 measures per sequence
Variable quantization resolution per sequence (32nd, 16th, 8th, quarter, half, whole note, or quantization off)
Swing

Arepggiator

1 Arp per Multi-part
Up, down, up/down, and assign modes
Variable range (1, 2, or 3 octaves)

Mod matrix

16-slot Modulation Matrix Per Multi-Part

16 slot modulation matrix with 27 mod sources and 114 mod destinations
12 additional fixed-source mod paths
Modulation assignment buttons enable quick and easy modulation routing
Mod Matrix runs at audio rates
Sequencer can record and play mod parameter changes in real time

Controls

77 knobs and 39 buttons enable deep, comprehensive editing with minimal menu diving
Pitch and Mod Wheels
Full-sized, five-octave, semi-weighted, premium Fatar keyboard with velocity and aftertouch

Programs

500 factory programs. User rewritable

In/out

4 Stereo outputs (2x 1/4" phone jack per part)
Headphone out (stereo 1/4" phone jack)
MIDI In, MIDI Out, and MIDI Thru
USB port for bidirectional MIDI communication
Audio Input for creating user wavetables from external audio source (1/4" phone jack)
Sustain/footswitch input
Volume pedal input
Expression pedal input

Power

1 universal IEC AC power inlet for internal power supply
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 2 in stock $4,287.55
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