Review: For their latest deep dive into the world of little-known electronic gorgeousness, Holland's Music From Memory crew has taken a trawl through the impeccable and largely overlooked catalogue of Japanese ambient musician Toshifumi Hinata. The essential "Broken Relief" draws on material recorded by the musician between 1985 and 87, joining the dots between gentle beat-scapes, inspired new age soundscapes, warm ambient explorations and glassy-eyed instrumentals rich in fluid fretless bass, twinkling pianos, shuffling rhythms and chords so tactile you might want to go to bed with them. It's an inspired set all told, with an impressive number of highlights. These include the evocative piano lament "Ikoku No Onna Tachi", the spacey ambient swirl of "Colored Air", and the undeniably Balearic grooves of "Atarashii Yuhbokumin".
Review: This is proving to be a big breakthrough year for Kosh, a producer hailing from Casablanca in Morocco. After making a first appearance last year on Casa Voyager, he's returned to that label a second time before dropping the "Endless Quest" 12" on eudemonia. But now he's made a marked leap forward with this transmission on 20:20 Vision, where his incredibly well-read take on vintage electro sounds right at home. There is quality pouring from every corner of this record, but we recommend you make a beeline for the sumptuous "Vicious Love," an acid-laced burner with soul to match its snarl.
Review: After years spent offering up impressive blends of ambient, drone, electronica and experimental drum and bass as ASC, James Clements has decided to commit more time to Comit (sorry), an alternative project which first surfaced via a debut single in 2016. Here the San Diego-based Brit delivers a first full-length excursion under the alias. There's plenty to soothe and seduce on the eight tracks stretched across two slabs of wax, from the undulating, occasionally skittish beats and sweeping chord sequences of opener "Behind Dulled Eyes" and the icy, doom-laden electronic melancholy of "Reverie", to the early Black Dog Productions flex of "Clouded Over" and the dubbed-out, slow motion bliss of "Soft Focus".
Review: Emotional Response do a great service here to all lovers of braindance craving new fixes since Rephlex shut up shop. Brainwaltzera's debut EP Marzipan was a self-released concern that sold out quickly back in 2016, meeting with emotionally charged responses from those wanting to nab a copy. Now it's more widely available, the gorgeous lilt of bubbling 101 melodies and delicate drum machine patterns can spread their wings and bring some healing vibes to a broader audience of electronica devotees. Coming on with the sensitivity of Wisp and other contemporary braindancers, this is how comforting home listening beats should be done.
Review: De:tuned are in the midst of a 10 part anniversary series, and this latest missive - the seventh in all - brings together a hefty selection of talents old and new on heavyweight vinyl. Jonah Sharp opens things as Spacetime Continuum and continues to fuse ambient, techno, and IDM on the absorbing cosmic adventure that is "Only One Sky." Scanner's "Mothlit" slows things down with a hip hop instrumental from outer space, and then the beats disappear altogether on Ross 154's suspensory ambient cut "Earth To Our Friends." Lastly, Leo Anibaldi's "Crion" will make your skin tingle with its deft and delicate melodies which float about like fireflies and leave gorgeous, glowing trails in their wake.
Review: Francois J Bonnet (a composer and electroacoustic musician) and Stephen O'Malley (the main man of metal band Sunn O)))) come together here for their first collaborative album. It combines O'Malley's doom laden guitar work with Bonnet's compositional skills to make for a dynamic soundscape that has the sort of grand ambient architecture that places you right at the heart of it all. Dark yet inviting, it is noise that nurtures and comforts you despite its rather foreboding overtones. Orderly yet alien, desolate yet filled with human emotions, "Cylene" makes for a compelling listen.
Superdiscount Presents Air - "Soldissimo" (Etienne De Crecy remix) (5:26)
Guts - "What Is Love" (3:47)
Alex Gopher - "The Child" (radio edit) (3:39)
Kazam - "Swag On" (2:13)
Flume - "Holdin On" (2:32)
Chinese Man - "I've Got That Tune" (4:08)
Deluxe - "Pony" (3:27)
Fakear - "Morning In Japan" (3:06)
Bonobo - "Terrapin" (4:40)
Nightmares On Wax - "Les Nuits" (radio edit) (3:31)
Review: Thanks to Massive Attack's recent anniversary reissue of their touchstone "Mezzanine" album, trip-hop is back in the headlines. While we don't expect a full-blown revival just yet, it's always worth dipping into the style and its hazy, dub-flecked and sample-heavy sound. This triple-disc genre retrospective from Wagram should be an essential listen for both confirmed trip-hop heads and newcomers alike. It contains plenty of well-known classics - see the contributions from I Monster, Tricky, Smith & Mighty, Kid Loco, Moby, Boards of Canada, Kruder and Doefmeister, Tosca and Nightmares on Wax, for starters - as well as under-appreciated underground hits and lesser-celebrated selections (Sabres of Paradise's remix of Red Snapper's "Hotflush" being the undoubted highlight).
Etron Fou Leloublan - "Le Desastreux Voyage Du Piteux Python" (10:43)
Jean Cohen-Solal - "Captain Tarthopom" (3:03)
ZNR - "Solo Un Dia" (3:01)
Red Noise - "Sarcelles C'est L'Avenir" (15:22)
Pierre Henry - "Generique (Theme De Myriam)" (2:20)
Horrific Child - "Frayeur" (8:42)
Jean Guerin - "Triptik 2" (2:19)
Dashiell Hedayat - "Fille De L'Ombre" (5:47)
Review: French post-rock group Nurse With Wound famously noted a number of artists on their legendary 1979 debut. This fascinating compilation on Finders Keepers finds band member Steven Stapleton chronicling them all, and it makes for an often intense story full of noise experiments, soot-black guitar playing and haunting atmospheres. Rarely less than peculiar, tracks like Jean Cohen-Solal's "Captain Tarthopom" sounds like a curious fairground ride, Red Noise's " Sarcelles C'est L'Avenir" is the stuff of nightmares and "Triptik 2" by Jean Guerin is as weird as music gets. As dark nights and spooky season approaches, this is a perfect go-to.
Review: Nathan Melja drew some favourable attention with choice outings on Mister Saturday Night, Black Opal and Technicolour, but now he's steering his own label Dream Real as a vessel for his wayward but warm sonics. This second release keeps the psyched out tone of his previous work intact, offering up four jams of illustrious synth work and fractured beats for the adventurous souls out there. "Ignore" is a vaporous cut of stuttering drums and fuzzy chord shapes, while "Steam" sports a more clearly defined rhythmic pulse for the deepest house heads. "Raindrops" cools things down to a downtempo lilt, and then "That F Sound" nudges towards a leftfield techno domain that Melja ably makes his own.
Review: The force is strong in this electrifying new EP from DAED, who last appeared on this label in 2017 on a VA release. There are shades of IDM to his complex synths and melodies, while kinetic broken beat drum programming powers the tracks along. The mood is melancholic on "Aria" which is so frantic it feels like it might eat itself, "Voidal" has fizzing, icy textures that will tie you in knots before "H2FSBF6" really pulls of some impressive synth acrobatics. "Ephemeris" is the warp speed closer that tarps you in a gorgeous digital world.