Search dance music

Notes: 8 triangle LFOs with relative frequencies and CV control.

Output voltage is +/- 5.25v (10.5Vpp).

Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .

The frequency range with the potentiometer is 80-90%.

Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.

Dimensions: 4 HP
25 mm deep

Notes: Expand your Eurorack system with the 2HP wide VCA, which offers maximum sound control despite its minimalist size. This highly flexible Voltage Controlled Amplifier is the perfect addition to any modular setup, designed to add depth, dynamics, and nuanced expressiveness to your sounds. Whether you're a seasoned modular enthusiast or a newcomer to the world of synthetic sound shaping, this VCA will impress you with its performance and versatility.

Ultra-compact design

With a width of only 2HP, this VCA fits seamlessly into any Eurorack setup and optimizes the available space for maximum creativity.

A standout feature of this VCA is the ability to manually switch between a linear and a logarithmic characteristic. This feature allows you to fine-tune the VCA to meet the needs of your sound design, from smooth, smooth fades to dramatic, exponential changes.

Use the VCA for a wide range of applications, from simple volume control to shaping dynamic amplitude modulations. Its flexibility makes it the ideal tool for experimental sound research as well as classic synthesizer sounds.

Intuitive operation

Despite its advanced features, the VCA remains intuitive to use. Switching between characteristics is straightforward, so you can focus on experimenting with your sounds.

Perfect for any setup

Whether you're in the studio or on stage, this VCA is a must-have for anyone looking to expand their sonic palette and refine control over their sounds. Its robust construction and reliable performance make it a trustworthy partner for all musical endeavors.

Notes: TBC

Notes: Introducing ADDAC's Cable Tester, a desktop utility that provides a reliable means to test the integrity of both mono jacks and ribbon cables, ensuring that every connection is secure and electrically sound.

Individual Wire Testing - Featuring the ability to test each wire within the ribbon cables independently with dedicated LEDs for every wire, providing a clear visual indication of the status of each connection, wires are also tested against their neighbouring wires to detect shorts.

Busboard monitor

The busboard monitor LEDs allows the user to check the state of the busboard power lines as well as the special CV/Gate functions. If the busboard has no +5v supply the led will be off likewise for the CV/Gate functions if not in use.

This is a desktop device, ADDAC provide a long power cable so that it can still be plugged into your rack.

As a safety precaution only power this board when you need to test a cable. Leaving it ON at all times can lead to unintended problematic misuses which, in a worst case scenario, can shorten your Eurorack PSU,

! WARNING !
DO NOT POWER MODULES FROM THE TEST SOCKETS!!

Compatible with all ADDAC System ribbon cables (power, expansions and interconnectivity: 112, 213, 807).

Also compatible with any standard Eurorack power ribbon cable (2x5 to 2x8 or 2x8 to 2x8).

! WARNING !
NOT ALL MANUFACTURERS FOLLOW THESE STANDARDS!
ALLWAYS NOTICE THE ORIENTATION OF THE HEADERS IF YOUR CABLE DO NOT FOLLOW THE STANDARD THEN MOST PROBABLY IS NOT COMPATIBLE.

Tech Specs:
30mA +12V
30mA -12V

Notes: ADDAC309 CV to Expression allows a simple and straight forward connection between modular and effect pedals that features expression pedal TRS inputs.

Instead of using an expression pedal into the effects pedal the user can use this module in between a CV source and the Effects pedal to be controlled.

This is a great way to control the available parameters on the effects pedals straight from a CV source.

ADDAC309 features 2 channels each with a CV Input with attenuator and a 1/4" jack output.

This is a passive module, the power needed for operation is taken from the pedal power instead of the modular frame, this allows for perfect matching of the pedal's operating voltage which can range from 3.3v to 9v.

Tech Specs:
4HP
3,5cm deep
Passive module

Notes: A revolution in modern synthesis, Pigments' approach to sound design is as intricate as it is accessible, letting users craft epic, high-resolution, surgically-precise and hard-hitting sounds with an all-encompassing interface, tailor-made for forward-thinking producers.

Limitless sound design

A powerful end-to-end software synthesizer, Pigments makes it easier than ever to explore an infinite spectrum of sound. Four forms of synthesis, 1500 + sounds, one-click modulation & sequencing, immediately expressive macros & FX - all instantly gratifying to use.

Vibrant and intuitive workflow

Visualize and refine your sound in style with an interface that matches your creative flow. Whether honing a composition in the Play View, tuning a color-coded modulation or seeing a patch or preset come alive with dynamic visualization - Pigments invites play and supports process.

On the pulse

Pigments' sonic powers truly shine at the forefront of contemporary music production. Its vast and clear-cut sounds are no stranger to world's leading electronic genres - from trap, bass music and EDM to house, electro, lo-fi, electronica, cinematic sounds and beyond.

Make it your own

Personalize Pigments to suit your setup and create your own sounds with custom appearance, play modes, audio routing, preset playlists, external sound sources and more.

What's new in Pigments 5

Pigments 5 introduces multi-core processing, a new generative sequencer, the ability to input external audio as well as a refreshed interface and new curated content and sounds - enabling an even greater sonic palette to play with.

NEW multi-core processing - Pigments now operates with greater CPU efficiency, allowing more users to explore this powerful softsynth with ease.

NEW generative sequencer - featuring one-click sequence generation and new play modes, as well as saveable presets and sequence browsing. Make use of the sequencer lock to apply

sequence settings to any sound.

NEW external audio input - you can now process any audio with Pigments from the Utility engine, by routing the sound to the instrument through the track sidechain input. Additional FX routing options have also been integrated. NEW curated content and sounds - discover a selection of 100 new factory presets alongside new wavetables and samples in Pigments 5, comprising more than 1500 sounds. NEW refreshed interface - including an improved play view, with new waveform visualisers and other enhancements. NEW preset expansions - 3 new sound banks including 150 presets in each, showcasing a range of bold, colorful and expansive sounds that Pigments is renowned for.

Features

Two engines in parallel

Virtual Analog triple-osc engine
Complex Wavetable engine
Sample and Granular engine
Harmonic Oscillator additive engine
Includes Engine Crossmod

Utility Engine

5-shape Virtual Analog Oscillator
2 Sample-based Noise Engines
External audio input

Two filters

Classic filter types from V Collection instruments
Modern filter types
Continuous series/parallel routing

Powerful FX section

2 Insert buses, 1 Send bus, 3 FX per bus
Modulable parameters
18 algorithms including Shimmer Reverb, MultiBand Compressor, Chorus JUN-6, and more.

Advanced modulation system

Color-coded workflow
Drag-and-drop assign, hover-over adjustment
Envelopes, LFOs, Function generators, Random src, and more
4 dynamic, assignable Macro controls

Visual interface

Graphical representation of the most important modules
Simplified Play Mode
Dark or Light themes

Polyrhythmic Sequencer and Arpeggiator
Create complex, custom and evolving sequences/arps
Advanced random sequence generator
Sequencer lock & browser

Extensive library of 1500 presets
MTS-ESP microtuning compatibility
MPE compatibility
NKS controller compatible

Included software

Arturia Pigments
Arturia Software Control Center

Notes: Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms

Notes: The PULSE case is the perfect case for your Akai APC64: an ideal travel solution for mobile producers and musicians.

PULSE cases are made of rigid moulded EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a ballistic nylon exterior, super-soft velvet interior, and an ultra-smooth zipper.

With a spacious storage pocket for cables, and a comfortable handle, this case comes equipped with all the features you'll need for travel. Ultra-compact and totally flat, it can also pack easily into your backpack, carry-on, or a larger flight case.

PULSE Case For Akai APC64
Perfect fit for the Akai APC64
Rigid moulded case that provides excellent protection
Super-soft velvet interior and spacious pocket for cables
Compact and lightweight

Specifications

Perfect fit for your Akai APC64
Versatile and lightweight
Spacious and comfortable handle
High-quality Analog Cases logo zipper puller
Exterior Dimensions: 17.90 x 13.20 x 2.00 Inches

***Please note: the APC64 is not included, it is shown in the pictures for demonstration purposes only. ***

Notes: The CubuSynth Dual Vintage VCA is a nice sounding, zero bleed, analog Voltage controlled amplifier based on the LM13700 Dual OTA. It can work as two independent VCAs or as a stereo unit, and CV input 1 on channel 1 is normalized to the CV input 1 on channel 2. (same signal can control both Channels).

The Original concept is designed by Tom Wiltshire aka "Electric Druid". For more information visit:

https://electricdruid.net/design-a-eurorack-vintage-vca-with-the-lm13700/

1 LEVEL
Sets the Amplitude for each channel.

2 CV AMOUNT
Attenuates the Control voltage from CV input (3)

3 CV
CV input for the amplitude Modulation. The input on channel 2 is
normalized from CV on channel 1 when nothing is plugged in.

4 CV2
A second CV input for amplitude modulation, without attenuator

5 IN
Input for Audio Signal

6 OUT
Output for the Audio Signal

Dimensions
8 HP
25 mm deep

Current Draw
9 mA +12V
9 mA -12V

Notes: The CubuSynth 6xLevel module is a 8hp passive Attenuator, which allows scaling of CV and audio signals. The inputs are normalized from the outputs above, which allows passive multiplication with attenuation. The normalized path is attenuated by the potentiometer before, so you can also create very subtle changes (e.g. Fine tune a VCO).

The white lines on the Front panel mark the normalisation routing.

Dimensions
8 HP
12 mm deep

Current Draw
Module does not draw current

Notes: Discover the new dimension of your sound design with the ultra-compact 2HP wide ADSR Envelope Generator in Eurorack format. This precise tool is specially designed for synth enthusiasts who don't want to miss out on professional dynamic control in their Eurorack system. Despite its small size, this ADSR generator offers a plethora of features that will take your soundscapes to the next level.

Compact design

With a width of only 2HP, this envelope generator fits seamlessly into any Eurorack setup without wasting valuable space.

Customise your sounds with full ADSR control - Attack, Decay, Sustain and Release can be intuitively adjusted to bring your sounds to life

There is also a built-in LED display that gives you real-time visual feedback on the current phase of the envelope. This way, you always have an overview of the dynamic progression of your sounds.

With the ability to choose between three timebase settings (S, M, and L), you can flexibly adjust the envelope time base to suit your musical needs. From fast, crisp pulses to long-drawn-out, atmospheric evolutions, expand your expressive possibilities.

Manual Trigger

A special highlight is the manual trigger button. This allows you to trigger the envelope independently of external signal sources, ideal for spontaneous performances or experimenting with new sound ideas.

Dimensions
2 HP
42 mm deep

Current Draw
15 mA +12V
5 mA -12V
0 mA 5V

Notes: Introducing the CTRL CASE PUSH 3 - the perfect protective solution for live performers on the go. Custom designed to a hold the new Ableton Push 3 and is a very lightweight and convenient solution to carry the standalone instrument well protected to your next studio or live session. Crafted from rigid Durashock moulded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize power plug, audio cables and accessories.

Fits

Ableton Push 3
Ableton Push 2
Ableton Push

Specs

Outer measures: 43 x 37 x 10,5 cm
Inner measures: 39 x 33 x 5 cm
Weight: 1,3 kg

Notes: Protective cover and inclined stand. All in one piece. On one side, it's a cover that protects the OP-1, shielding keys, screen, and knobs. But leaving the side connectors uncovered, so you don't have to unplug it to cover it.

It also provides the option to use it as an inclined stand for the OP-1, simply by reversing its position. Fitting snugly around the perimeter of the synthesizer.

The cover is decorated to resemble the recording view of the OP-1.

***The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Notes: The double stand is intended to house two Behringer synthesizers, with the ability to improve the operating position on both.

At the same time, it saves a lot of space on the surface, ideal for optimizing the space in our studios.

The stand includes rubber feet so it won’t scratch or slip.

It is compatible with Model D, K2, Pro 1, Neutron, Cat, Wasp

Notes: A digital DJ looking for a professional, durable case solution for your Ableton Push 3? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Ableton Push 3, this case is perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,90 kg / 1.98 lbs
Outer Dimensions (W x H x D): 42.4 x 40.7 x 6.1 cm | 16.7 x 16.0 x 2.4 inch
Inner Dimensions (W x H x D): 38.4 x 32.2 x 4.5 cm | 15.1 x 12.7 x 1.8 inch
Material: Durashock moulded EVA foam

Protection:

Covers main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Extra space for cables
Heavy duty handle
Easy grip zipper pulls

Fits

Ableton Push 3 + extra cables

Notes: The ISO-PUCK mini is the new little brother of the popular ISO-PUCK, offering the same benefits but designed for lighter speakers and monitors. The IsoAcoustics ISO-PUCK mini provide an innovative new approach in isolating studio monitors, speakers and other systems. This unique design provides a high degree of isolation while resisting lateral movement and oscillations, which results in greater sound clarity and focus. This versatile isolation tool is possibly the most cost effective upgrade available for improving the performance and clarity of your speakers or monitors.

Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in / outputs, and a common out / input. Each time a pulse is received at the trigger input socket, the common out / input is connected to the next in / output. After the fourth in / output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out / input immediately back to the first in / output (see Fig. 1). Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LEDs indicate the active in / output (i.e. the on that is connected to the out / input at any particular time).

Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier's Notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that let's users make music, right out the box.
Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that lets users make music, right out the box. With a creative plug-and-play workflow, versatile assignable controls, 500 curated sounds from Analog Lab's massive library, and a bundle of world-class creative software, MiniLAB 3 is designed to finally help beginners and professionals to get truly immersed in their music creation flow, whatever their style.

Hands-on, easy to use

From the great-feeling keyboard to the smart DAW-integrated pads & faders, to the real-time mini display, every aspect of MiniLAB 3 is designed to be intuitive, expressive, and a joy to use - for beginners and pros alike.

Creative features

Enjoy a workflow that aids the creative process, with features like a built-in arpeggiator, Chord mode, custom DAW presets, and easy transposition. Making music has never been so accessible.

Portable, compatible design

MiniLAB 3 is built to fit seamlessly into any setup, from bedroom to stage, with its compact & lightweight design, deeper DAW integration, and MIDI out & USB-C connectivity.

Eco-Designed

MiniLAB 3 is built with longevity and sustainability in mind. A rugged road-ready design, 5-year warranty, minimum 50% recycled plastic construction, and 100% recycled packaging means this controller goes the distance.

Creative software included

On top of a world-class MIDI controller, users get a full package of premium music-making software, from an industry-standard DAW to well over 500 synth & keyboard presets.

Production-ready bundle

Everything that users need to start creating their own music. Explore premium tools like Ableton Live Lite, Analog Lab Intro, UVI Model D grand piano, and Native Instruments "The Gentleman upright piano; enjoy access to millions of royalty-free lifetime loops & samples with a Loopcloud 2 months subscription + 1 Welcome pack + 1 pack of your choice; get to grips with playing keyboard, finger drumming, DAW production, and even music theory with a Melodics "unlimited" trial subscription & bonus lessons.

What's fun to play with

MIDI Control Center

Use the Midi Control Center to customize your MiniLAB. You can change the Velocity curves (keyboard and pads), the Knobs acceleration, the Pedal input type and polarity, the Message types with their Min and Max values, the MIDI Channels, and much more. Shape the MiniLAB exactly the way you need it to be.

Switch MIDI Channel - Shift + a key with a number above it will change the MIDI Channel.

Hold a note - When engaged, every note played will be held. Playing new notes will replace the previously held notes.

Chord mode- Shift + Hold will activate "Chord mode". Then, just play one note and it will play the full chord with the pressed note as the root note. You can record a custom chord by keeping Shift + Hold pressed while entering up to 16 notes.

Transposition - Transpose the whole keyboard by octaves or semitones by pressing Oct or Shift + Oct.

Transport Control - While pressing Shift, you can use the corresponding pads to Play, Stop, Record, Loop, and tap the tempo.

Arpeggiator mode - Shift + Pad#1 engages/disengages the Arp. Long press Shift + Pad#1 to enter the Arp settings. Then use the 8 knobs or the main encoder to set the Arp as you please.

Hold + Chord + Arp - Can be activated at the same time, allowing you to keep the Arp running while tweaking the parameters of a preset.

Pad banks - Shift + Pad#2 toggles between Bank A and B).

Programs - Shift + Pad#3 cycle through the programs. Arturia and DAW programs will automatically connect to any Arturia Software or DAW if there is one open on the computer. You can create and add some User Programs to customize the MIDI CCs, notes, pad colours etc.

Arturia Program - use the main encoder to browse through presets. Press the Main encoder to select a Preset. Long Press the main encoder to like/unlike the Preset. Shift + Main encoder will browse through Types. Select one, and then browse through the filtered presets.

DAW Program - use the main encoder (turn or click), and "Shift + the main encoder" (Shift + Turn and Shift + Click) to access different features depending on the connected DAW.

Back Panel connectivity
USB-C = Connect to a computer or a power source
Control Input = you can set the pedal input to be Sustain, Expression or Footswitch.
MIDI Out = Send midi through MIDI Din port

Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA

Notes: The Kenton Thru-5 is a high quality MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. It is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Notes: Module A-160-2 is an enhanced version of the standard clock divider A-160. The module is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Clock input will take any digital signal from, eg. LFO, MIDI sync, or the gate from a MIDI-CV interface. At the outputs, you have access to three sets of seven different sub-divided clock signals, from half the clock frequency down to 1/128. The low/high levels of the output signals are 0V and about +10V.

The A-160-2 also has a reset input. Whenever a reset signal is sensed, all outputs are set to certain levels which depend upon the selected mode.

These are the most important features of the module:

Three different sets of dividing factors, selected by a three-position switch at the front panel:
- Power of two: 2, 4, 8, 16, 32, 64, 128
- Prime numbers: 2, 3, 5, 7, 11, 13, 17
- Integer: 2, 3, 4, 5, 6, 7, 8

Two output modes, selected by a two-position switch at the front panel:
- Gate mode: outputs act like the outputs of typical binary dividers
- Trigger mode: in this mode the outputs are AND-wired with the clock signal (i.e. the clock pulsewidth affects the pulsewidth of the outputs)
- Clock edge type selected by a jumper on the pc board:
- Positive: the rising edge of the clock signal triggers the state change of the outputs
- Negative: the falling edge of the clock signal triggers the state change of the outputs

Reset behaviour by two jumpers on the pc board:
- Level triggered: the level at the Reset input triggers the Reset
- Edge triggered: the edge of the signal at the Reset input triggers the Reset
- Positive: a high level (> 2.5V) or the rising edge at the Reset input triggers the Reset
- Negative: a low level (< 1 V) or the falling edge at the Reset input triggers the Reset

Output polarity selected by a jumper on the pc board:
- Positive: non-inverted outputs
- Negative: all seven outputs are inverted

Width: 4HP / 20mm
Depth: 35mm (Measured from the rear side of the front panel)
Current: +12V: +50mA, -12V: -0mA

Notes: The 'HPO' is an affordable super slim and skiff friendly no frills stereo headphone driver output for your modular synthesiser. Includes a volume control and ability to double up a mono signal into stereo. A great use for that left over 2hp in a skiff or larger system.

Give loved ones, friends and acquaintances a break from your musical 'genius', the HPO offers a solitary cell for focused creativity impregnable from undeserving non-believers.

Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-155:

Designed for medium size speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

6.1"x7.5"/15.5x19cm Short: 2.9"/9.5cm Tall: 8.75"/22.5cm 40 lbs/18kg

Notes: This is a simple 1U module designed to allow the monitoring of a system using headphones. However, if your cat isn't easily scared, the headphone jack doubles as a TRS stereo line level output. Simply connect the signal that you want to monitor to the 1/8? jacks, plug in your headphones, and adjust the volume as desired.

Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult

Notes: A Digital DJ looking for a professional, durable case solution for your Akai MPC One+ controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Akai MPC One+ controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 0,56 kg / 1.232 lbs
Outer Dimensions (W x H x D): 38.3 x 28.6 x 6.7 cm | 15.1 x 11.2 x 2.6 inch
Inner Dimensions (W x H x D): 37.3 x 27.6 x 5.7 cm | 14.6 x 10.8 x 2.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior

Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits: Akai MPC One+, Akai MPC One, power adapter & extra cables

Please note: The Akai MPC One Controller is not included in this purchase, it is shown for demonstration purposes only.

Notes: The mmT is an optional 3HP expander which connects directly to the expand socket on the rear of the mmMidi using supplied cable.
It maps the third configured MIDI channel key presses to corresponding trigger/gate outputs as shown on the mmT front panel.
It's useful for controlling drum modules and in particular the ALM Squid Salmple.

Dimensions
3 HP
38 mm deep

Current Draw
30 mA +12V
0 mA -12V

Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output

Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that lets users make music, right out the box. With a creative plug-and-play workflow, versatile assignable controls, 500 curated sounds from Analog Lab's massive library, and a bundle of world-class creative software, MiniLAB 3 is designed to finally help beginners and professionals to get truly immersed in their music creation flow, whatever their style.

Hands-on, easy to use

From the great-feeling keyboard to the smart DAW-integrated pads & faders, to the real-time mini display, every aspect of MiniLAB 3 is designed to be intuitive, expressive, and a joy to use - for beginners and pros alike.

Creative features

Enjoy a workflow that aids the creative process, with features like a built-in arpeggiator, Chord mode, custom DAW presets, and easy transposition. Making music has never been so accessible.

Portable, compatible design

MiniLAB 3 is built to fit seamlessly into any setup, from bedroom to stage, with its compact & lightweight design, deeper DAW integration, and MIDI out & USB-C connectivity.

Eco-Designed

MiniLAB 3 is built with longevity and sustainability in mind. A rugged road-ready design, 5-year warranty, minimum 50% recycled plastic construction, and 100% recycled packaging means this controller goes the distance.

Creative software included

On top of a world-class MIDI controller, users get a full package of premium music-making software, from an industry-standard DAW to well over 500 synth & keyboard presets.

Production-ready bundle

Everything that users need to start creating their own music. Explore premium tools like Ableton Live Lite, Analog Lab Intro, UVI Model D grand piano, and Native Instruments "The Gentleman upright piano; enjoy access to millions of royalty-free lifetime loops & samples with a Loopcloud 2 months subscription + 1 Welcome pack + 1 pack of your choice; get to grips with playing keyboard, finger drumming, DAW production, and even music theory with a Melodics "unlimited" trial subscription & bonus lessons.

What's fun to play with

MIDI Control Center

Use the Midi Control Center to customize your MiniLAB. You can change the Velocity curves (keyboard and pads), the Knobs acceleration, the Pedal input type and polarity, the Message types with their Min and Max values, the MIDI Channels, and much more. Shape the MiniLAB exactly the way you need it to be.

Switch MIDI Channel - Shift + a key with a number above it will change the MIDI Channel.

Hold a note - When engaged, every note played will be held. Playing new notes will replace the previously held notes.

Chord mode- Shift + Hold will activate "Chord mode". Then, just play one note and it will play the full chord with the pressed note as the root note. You can record a custom chord by keeping Shift + Hold pressed while entering up to 16 notes.

Transposition - Transpose the whole keyboard by octaves or semitones by pressing Oct or Shift + Oct.

Transport Control - While pressing Shift, you can use the corresponding pads to Play, Stop, Record, Loop, and tap the tempo.

Arpeggiator mode - Shift + Pad#1 engages/disengages the Arp. Long press Shift + Pad#1 to enter the Arp settings. Then use the 8 knobs or the main encoder to set the Arp as you please.

Hold + Chord + Arp - Can be activated at the same time, allowing you to keep the Arp running while tweaking the parameters of a preset.

Pad banks - Shift + Pad#2 toggles between Bank A and B).

Programs - Shift + Pad#3 cycle through the programs. Arturia and DAW programs will automatically connect to any Arturia Software or DAW if there is one open on the computer. You can create and add some User Programs to customize the MIDI CCs, notes, pad colours etc.

Arturia Program - use the main encoder to browse through presets. Press the Main encoder to select a Preset. Long Press the main encoder to like/unlike the Preset. Shift + Main encoder will browse through Types. Select one, and then browse through the filtered presets.

DAW Program - use the main encoder (turn or click), and "Shift + the main encoder" (Shift + Turn and Shift + Click) to access different features depending on the connected DAW.

Back Panel connectivity
USB-C = Connect to a computer or a power source
Control Input = you can set the pedal input to be Sustain, Expression or Footswitch.
MIDI Out = Send midi through MIDI Din port

Notes: Plastic dust cover for Soma Laboratory Terra.

*** The Terra is not included, it is shown in the pictures for demonstration purposes only. ***

Notes: The DS2 is a compact desktop studio arm that's ideal for microphones, cameras, smartphones, lights and other accessories up to 900g. With its heavy base stand, there's no need for clamps or mounting points - simply sit it on your desk or other flat surface. It features two pivot points so you can quickly reposition your equipment, and its integrated cable guide slots will ensure your desktop remains tidy.

Weight (grams): 1471g
Dimensions (millimetres):
Length: 170mm
Width: 120mm
Height (folded): 190mm
Height (extended): 380mm
Maximum Capacity: 900g

Compatible Products (including, but not limited to): Can be used with any microphone, accessory or other product that is under 900g and either features or is compatible with an accessory that has a 3/8" or 1/4" thread mount.

Thread Mount: 3/8"-16 UNC Thread (1/4"- 20 UNC adapter included in the box)

In The Box:
DS2 Arm
DS2 Base
M4 Screws (x2)
3/8" to 1/4" thread adapter
M3 Hex key
Quick Start Guide

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.

Notes: Module A-119 (External Input / Envelope Follower) is designed to allow external audio signals to be integrated into the System A-100. It comprises a pre-amp, envelope follower, and comparator.

The pre-amp has two inputs: an unbalanced input for line level signals, with a gain factor of from 0 to 20, and a balanced input with a gain factor of from 0 to 500, for insertion of low level signals, for instance from a microphone or electric guitar.

The Envelope Follower reads the signal level of the input, and puts out a proportional voltage as an envelope at its own output.

The comparator generates a gate signal whenever the input goes above an adjustable trigger threshold.

Three LED's help you keep track of overload, the envelope, and the gate signal.

Notes: Erica Pico INPUT module is just what you need to interface your modular system with external synths or even your mp3 player or mobile phone.

It boosts external signal to modular synth signal level.

With the Pico Input, line signals from, for example, a synthesizer, drum-computer, audio interface or smartphone can be raised to modular level. The module delivers up to 40 dB of gain. Thanks to its two channels, users can comfortably process mono as well as stereo material.

The Pico Input comes equipped with two signal paths. Each signal path features an audio input, a volume potentiometer and an output. Up to 40 dB of amplification are available. Using jumpers on the circuit board, it is possible to dampen the maximum gain to 20 dB. The module's first input is a stereo jack, meaning the user can connect a smartphone or tablet without any adapter cables. In this case, incoming signals are distributed internally to both channels.

Notes: Total Mixing Performance in a Small Package:

MIDImix is a portable compact high-performance mixer that has the unique ability to control your Digital Audio Workstation (DAW) with the press of a single button, giving all musicians and producers complete, uncomplicated mastery over mixing and processing of their digital music creations on the go.

Until now, you had to build and layer your mixes at the performance site first, then transfer that mix at a later time to your DAW for post-mix processing and manipulation. What a pain. This is not the way you'd like to do it, because of the time lag between constructing the initial mix and then not being able to work on it until later in your DAW. This meant you only had a limited ability to create the exact mix you wanted in real time.

The On-Site Mixing Problem Solved:

Akai Professional's portable MIDImix solves this problem completely. With Akai Professional's famous build quality and cutting-edge engineering, it combines a high-performance mixer with 8 individual line faders and a master fader, 24 control knobs arranged 3 per channel and 1 to 1 mapping with Ableton Live (Ableton Live Lite is included). You can send all the mixer's settings to their DAW with a single press of a button, for unprecedented management and precise control over your DAW's functionality. This is great - it means that you can mix and modify/manipulate your projects concurrently in real time, giving you a much wider array of creative options as a result of the far greater creative flexibility afforded by MIDImix.

Nothing Else Like It:

Up until now, there was just no solution for musicians and producers who needed a compact, easily portable way to mix and process their projects on site. But MIDImix is the best solution for portable mixing on the go. MIDImix offers an intuitive, familiar mixer layout, solid connectivity with the most popular DAWs, and legendary Akai Professional quality. MIDImix is exactly what you need to do great mixes and professional processing on site - at the same time.

Notes: The 'S.B.G' is a compact utility module intended for the interfacing of guitar effect pedals with your eurorack modular system.

It provides both attenuation and amplification of audio signals for level matching together with a crossfade control to conveniently adjust the wet/dry mix of a processed signal. The module also offers regulation of outgoing CV signals for safer use of pedal expression inputs.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~30ma
Size: 4 HP
Depth: 22mm (including power header)

Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: The Nano Pulsar takes tremolo beyond the ordinary and mundane. Equipped with a collection of tremolo-modulating waveforms and the option of operating in Triangle or Square Wave modes, the Nano Pulsar is a tremolo/panner treasure chest. In mono, it's simply amazing, or, connect it in stereo to create shifting waves of sound that surround you and fill your space with weaving, pulsating energy.

For all its power, the Nano Pulsar's layout is intuitive and using it is easy. There's often a perceived volume drop with tremolo when the effect is engaged so we've included a Volume control. It allows a player to fine-tune their output level when the effect is on, and is a very useful addition.

The Nano Pulsar's Depth knob adjusts the amount of tremolo applied to the signal. Past maximum (around 1 o'clock) the modulation becomes asymmetric and warps the audio signal between positive and negative phase. This creates a unique style of tremolo which sounds great alone or can be used in combination with other effects like the Oceans 11's Shimmer patch to produce compelling synth-like sounds and textures.

The Rate knob provides a full range of speed adjustments for the tremolo or pan effect, and when you start to max out the Rate and Depth controls you enter ring modulation territory for a surreal sonic joyride!

Unlock a world of advanced sound shaping and control. Create tremolo and panning effects that go from sublimely beautiful to downright shocking. The compact Nano Pulsar will be your do-it-all, go to pedal for all things tremolo and panning.

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Stereo Out
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 30mA

Notes: iLok3- now available with USB-C connection.

With USB-C ports becoming increasingly commonplace, PACE have launched a USB-C version of the iLok3. Customers whose computer only has USB-C ports can use this iLok without an additional USB Type-A to USB Type-C adaptor.

This new version does not replace the USB-A iLok3 - both versions will be available.

Notes: Module A-183-9 is a simple power supply for up to four devices which can be powered via USB (e.g. keyboards, smartphones). An LED shows is the +5V are present.

The module has no USB function but provides only the +5V supply for USB devices.

A control LED shows if the +5V are present.

Note: The module requires an A-100 case with built in power supply A-100PSU3. Only this A-100 supply has the required +5V available. We do not recommend the usage of an older A-100 case with A-100PSU2 as this would require the +5V adapter A-100AD5 and the max. current would be limited to 100mA.

Notes: This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.

Active vs Passive mults:

With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.

Comes with a black and gold panel, power cable and one year warranty.

Usage note:

The red stripe of the power ribbon cable goes towards the top of this module.

Notes: Pulse case for Elektron Digitakt / Syntakt / Digitone

The perfect lightweight travel case for your Digitakt, Syntakt, or Digitone! Just zip it up and go make music anywhere. Our durable PULSE cases are designed for mobile electronic musicians.

PULSE cases are made from moulded EVA that holds its shape and provides excellent protection. This case is designed to hold the Digitakt or Digitone along with its power supply, and it also includes a nylon mesh compartment for holding your cables.

Specifications

Perfect fit for your Digitakt or Digitone + cables
Versatile and lightweight
Spacious and comfortable handle
High quality Analog Cases logo zipper puller
Interior dimensions 10.25 x 7.25 x 2.75 inches

Notes: The Headliner 2-Tier Desktop Synth Stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits two compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

The Headliner 2-Tier Desktop Synth Stand is adjustable in width from 7.3" to 11.5" and fits a variety of devices from Roland, Korg, Elektron, and more (partial list below). It is made from solid steel and includes non-slip rubber strips for added stability.

Features
Fits two devices like synthesizers, controllers, drum machines, and effects modules
Improve your workflow and stay organized while fitting more gear on your production desk
Angled stand makes it easier to reach knobs and view LCD screens
Solid steel construction with non-slip rubber pads keep stand in place
Width adjustable from 7.3" to 11.5"
Best fits devices from 8" to 14" in width
Each tier has a depth of 7"
Overall dimensions of stand (WxDxH): 7.3"-11.5" x 14" x 10.75"
Includes non-slip rubber strips
Fits: Akai Fire, Akai LPD8, Akai MPX8, Alesis SR-16, Arturia SparkLE, Behringer Crave, Behringer TD-3, Behringer RD-6, Dreadbox Typhon, Elektron Digitone, Korg nanoPAD2, Korg SQ-1, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca Kick, Korg Volca NuBass, Korg Volca Sample 2, Native Instruments Maschine Mikro MK3, PreSonus ATOM SQ, Roland Boutique Series, Roland MC-101, Roland TB-3 Touch Bassline, Roland TR-6S, and more.

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: The shorter and wider brother to the popular Triatt module!

The four handy knobs can act as active attenuators (unipolar) or attenuverters (bipolar) depending on the setting of the two-position switches above each one.

Each input is normalled to a precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 v or -5 to +5 v depending on the position of the mode switch.

- 2 modes for each channel
- 5v normalled to each input
- With external signals it acts as active/buffered attenuator/attenuverter/mixer
- Each output normalled to mix into the adjacent channel on the right making it possible to do sub mixes in groups of 2, 3 or all four channels.

Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.

Notes: A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V

Notes: Dynamic super-cardioid vocal mic, which helps to reduce spill and feedback. Ideal for presentations, conferences, choirs, rehearsal rooms, and stage. Easily eliminates ambient noise. Superb high frequency reproduction.

More focus. More presence:

Maximum focus, enhanced presence: the E845 delivers differences you can hear. Its expanded high frequency range creates space for demanding dynamics with a high signal quality. Vocals become more alive and sound wider and more open - even at different speaking proximities. Designed as a super-cardioid, the E845 easily eliminates ambient noise. A reliable, easy-to-use companion for presentations, conferences, spoken word performance, choirs as well as rehearsal rooms and on stage.

In the box:

1 x E845
1 x Microphone Clip
1 x Pouch

Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!