Sly & Lovechild - "The World According To Sly & Lovechild" (Andrew Weatherall Soul Of Europe mix) (8:25)
Deniro - "Epirus" (6:34)
Psyche - "Crackdown" (5:59)
Hiver - "Paert" (7:04)
Aphex Twin - "Vordhosbn" (4:46)
Review: South Korean star Peggy Gou continues her seemingly unstoppable rise by serving up her first ever DJ mix CD. It's a contribution to one of the longest running series in the business, DJ Kicks, and she's used the opportunity to showcase the depth and variety of the music in her crates. Beginning with the classic early '90s ambient of Spacetime Continuum, Gou flits between humid, mid-tempo Balearic house (her own "Hungboo"), acid-fired downtempo electronica, throbbing 1990 peak-time anthems (Weatherall's ace but largely forgotten remix of Sly & Lovechild), hypnotic techno minimalism, main room throb-jobs (Hiver), pulsating electro, classic breakbeat hardcore, post-dubstep, dark tribal drum jams and sunrise ready Motor City brilliance (Deniro).
Review: John Talabot joins the likes of Scuba, James Holden and Motor City Drum Ensemble to contribute to the long running DJ-Kicks mix series that's deftly proved there's still mileage in the commercially released Mix CD despite this podcast heavy age we live. The usual double LP edition culls ten cuts from the weighty 27 track mix which the Hivern Disc lad has described as "not an easy mix. It's quite strange". If you've seen Talabot DJ you know the Barcelona based artist digs deep and that's represented well on these ten cuts, with Andy Stott's lurching take on Maps and the similarly minded Tempel Rytmik ( the new project from Talabot and Alexander 'Genius of Time' Berg) contrasting nicely with the more effervescent house from Axel Boman, MCDE and Paradise's Deep Groove. Kudos too for the inclusion of Samo DJ's "Tai Po Kau"!
Review: Although she's offered up plenty of high-grade DJ mixes in the past, this volume in the "DJ Kicks" series marks Laurel Halo's first commercially available mix-up. The sometime Hyperdub producer has dutifully delivered something rather special, somehow joining the dots between 29 diverse and disparate cuts in the manner of a true turntable maestro. Beginning with the melodious experimentalism of her own "Public Art", Halo giddily charges between mutant industrial funk (Stallone The Reducer, Final Cut), thrusting electronic disco (Red Axes), deep techno (Parris), mind-altering acid-style intensity (Rrose), stomping, sweat-soaked peak-time techno (Machinewoman, FIT Siegel), polyrhythmic bass music (Facta, one of her Livity Sound collabs with Hodge) and an impressive array of cuts that defy easy categorization. The resultant all-action mix is nothing less than stunning.