Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.
Review: Outta Sight has only been around for two years but their catalogue would suggest otherwise. In this short space of time they've out our a truck loads of records, all in the form of sweet, highly sought after reissues - hot damn! Dee Dee Sight's "Comin Home Baby" gets the rounds this time and it's a peach. Those swingy rhythm & blues strings sounding so ahead of their time. The B side is "Standing In The Need Of Love", equally as amazing but more of anthem - we can almost imagine a lazy summer day in the mid 60s. Soulful would be too much of an understantement.
Review: While most remember Melba Moore for her string of disco and boogie-era classics, she actually started her career at the tail end of the 1960s recording soul stompers in Nashville. "The Magic Touch", which here gets the reissue treatment, is a typical Northern Soul style four-to-the-floor slammer that was recorded in 1967 when she was 22 years old and has previously only been issued on a hard-to-find 1986 single. This time round it comes backed with Maxine Brown's similarly popular Northern Soul scene staple "It's Torture", which remarkably went unissued until Kent Records discovered it in the Ace Records vault back in 1985.
Review: Texan soul man, Frank Wilson, receives a timely repress of his 1965 monster "Do I Love You (Indeed I Do)", a tune which remains highly sought-after in its original format, and one that is bound to fly off these shelves like hot cakes! Outta Sight's done a great job here, and the quality is class, offering the original cut in all its majestic, romantic glory...oh, do we love this! The flipside is the mellow "Sweeter As The Days Go By", a certified love ballad that is a pleasure to the senses, each and every time...
Review: Two sides, two years, two source labels: This powerful soul blast 45 captures two sides of LA songwriter Nolan's criminally short recording career. The A is his famous northern soul / Joy Division-riffed favourite "Keep On Keeping On" from 71 on cult soul imprint Lizard while the B "If I Could Only Be Sure" is a smoother R&B cut from his time on MCA's ABC imprint. Loose limbed feel good funk and swooning bluesy soul with big harmonies, this represents Nolan's diverse range with respect and timelessness.
Review: Chalalala move on. Outta Sight continue their two sides / two legends Atlantic 45 series with this beautiful celebration of The Pointer Sisters and The Drifters. Neither act require an introduction. The famous Oakland all-girl troupe take the lead with "Send Him Back", their sophomore single (that regularly fetches upwards of L100 a copy) it's a bubblegum soul frenzy with all the energy you'd expect from their breakthrough years. The Drifters carries a similar sense of focus and energy with vibrant backing vocals and a sunny side soul touch that will have you bouncing from here to next winter.
Lou Ragland - "Since You Said You'd Be Mine" (3:15)
Review: Two rare northern soul gems from two much slept-on OGs. West coast royalty Mitchell takes the A-side of this powerful 45" with the gutsy feel-good romp from 79. Fittingly titled "I'm So Happy", it's a driving piece of late 70s soul right down to the wolf whistles and band cheers. Flip for an equally potent spell from Lou Ragland. Usually famed for his four-figure cult piece "I Travel Alone", here we find him yearning with authenticity on the 1979-release "You Said You'd Be Mine". Backed by honeyed BVs and full band orchestration, this has the power to stop a dancefloor in its tracks almost 40 years later. And probably still will in 40 years time.