Review: Woof! Hyperdub bring together two of the most recognisable and enigmatic artists of recent times on this 10", as Zomby and Burial square down ahead of the former's new album for the label. Zomby's Ultra LP is undoubtedly one of this year's most anticipated albums and "Sweetz" suggests it may be a very moody affair indeed. Whilst rooted in UK dance, Zomby and Burial do look elsewhere for inspiration too. Just under seven minutes long, "Sweetz" veers through various sub-heavy soundscapes with intermittent rhythmic patters and a distinctive looped vocal sample whose pitch changes with dramatic effect.
Review: Minuendo calls upon Vincent Inc and Danijel Kevic to kick off their latest single, and they do so in fine style with the luxurious sweeping chords of "Space". Twinkling pianos, speech samples and a carefully measured set of deep house drums make this the consummate slice of pool-side dance music for those who can still find some sun at this time of year. Lola Allen steps up to the B side with something a little more sassy in the shape of "Afrofusion Jazz". As the title might suggest, there's a mixture of influences tumbling into this track, most notably with some wildly filtered jazz organ and funk licks stewing in the pot, and just when you think it's going to break it swerves off into submerged Moodymann territory. This is unpredictable house music at its finest.
Review: There's a truly unique story behind this latest discovery from DJ Amir. Another great find from his Strata master tapes licence acquisition, TJ was written on the label of an undated, unmarked demo reel. No other information besides the beautifully raw soul on tape. Literally nothing is known about who TJ was (or were). Similarities with Shuggie Otis or perhaps Darondo are strong as the stripped back lightly treated guitars and his hazy, yearning vocal technique come on strong throughout. From the full bodied soul funk of "Love Flower" to the looped faraway harmonies and simple guitar backbone of "Time Is Wasting", the music is as strong the mystery itself. Beautiful.
Review: Resurfacing Sun Ra treasures from the 1950s have become increasingly prominent and, by now, his younger fans can truly explore this legend's never-ending catalogue in its original vinyl format. Modern Harmonic are the ones responsible here, and reissuing "The Lady With The Golden Stockings is a great move on their part because it's one Ra monster that we'd been missing from our catalogue; the percussion, the sax and the general feeling of potential deconstruction at any given point make this a truly stupendous affair. "Spontaneous Simplicity" is calmer, more psychedelic and, if we're not mistaken, there's a very early drum machine rambling on in the lower end of the mix, while "Love In Outer Space" finishes this off with Ra's own voice backed by a more traditional sway from the famous Arkestra.
Review: Prepare to fire! Skeppy's got a brand new cut and he's and everyone's allowed a cheeky buzz on it. Yes it's finally time to get your grubby paws on the long-awaited "Musket". One of the Exit Records artists' most divisive of tunes, unlike his darker deeper tackle it's a jaunty, spiky jump-up tune. Addictive, fun to mix and guaranteed to get the crowd all wound up, this has all the hallmarks of a festival D&B anthem this summer. Grab it while you can.
Review: Seleccion Natural is Oscar Mulero, Exium and Reeko, a techno dream team who have a new album on the way this autumn. Before that they offer up two tracks from it on a tidy 10" that brims with modular synthesisers, samplers and drum machines. "Split Didactics" will rewire your brain with squeaking lines and cantering kicks making for a real techno riot, and "A New Description Of Hell" layers up hammering kicks with howling synths into a rigid and unrelenting groove. Making this extra special is artwork by none other than Silent Servant.
Review: Italian artist Paul Santangelo has been having fun messing with the sometimes po-faced traditions of the house music scene through a raft of home made productions on SoundCloud, but now with his Venetian Causeway label he's able to prove the clout to be found in his music. On this 10" the arch title "Generic House Traxx" actually does a disservice to the quality of the music contained within - Santangelo does a fine job of whipping up monosynth bass and ethereal pads astride an uptempo beat that, while familiar, has an atmosphere with considerable depth to it. "Please Him" on the B side goes further out on a mellow electro tip, plaintive leads and aqueous chords flirting with 808-style beats.
Review: Spanish sound sorcerer Santana steps over to Porn Wax for a highly limited marble vinyl 10". "Disco Panorama" stomps with a beautifully sedate groove as clouds of synths cast a subtle spell over the beats. "Magic Words", meanwhile, is a more stripped back affair where the emphasis is focused squarely on the big lolloping bassline and a series of emotional chords ebb and flow over the top. Genuinely stunning. And with a guarantee of no digital and no represses, this really can't be missed!
Review: DJ Sotofett's Wania imprint closes a wild and entertaining 2017 off with a pair of masterful EPs, both of them showcasing the Norwegian's genre-crossing tastes and outlook. First up is this steely 10", spear-headed by newcomer Salik, out of London Town. Up until now, the imprint has predominantly focussed on the US styles of dance music, a rough and ever-quirky blend of house and techno, but Salik's "Inna Brixton" verges on much more UK-centric territories with its near six minute spew of moody energy, clicking and bouncing steadily to the sound of deep, treacherous sub bass. The flipside features DJ SO-PHAT himself, coming through with a beatless away of acid-tinged melodies that blend into a tight little rhythm, before dissipating into a loose pool of drones and bass - Sotofett at his most outlandish. An essential buy.
I Have Been Waiting For You (DJ Duckcomb Digimix) (7:19)
Review: Emotional Rescue serve up a balmy curveball cut perfect for the summer months. Glen Ricks "I've Been Waiting For You" was originally released back in 1983 on the highly collectible Seraff label and recently reissued by the label (ERC081). Here, as an accompanying release to that boogie version is a 1990 digital rework for the Xterminator label. With a distinctive swung riddim and smoothly incorporated dubbed out chords, Ricks' vocal channels the most soulful Jamaican deliveries, sealing the deal on this evergreen jam that sounds great in original and version forms. DJ Duckcomb steps up with a tender "Digimix" that retains the dusty crunch of the original with just a little extra bite in the beats.
Review: Launched over the summer, the Rasta Vibez label looks to bridge the gap between drum and bass and classic dub and reggae that has grown somewhat since the heyday of Jungle. If you were swayed by the distinct charms of the debut drop Jungle On Broadway, it's highly likely you will be compelled to check out this second 12". There's no complex science to either "Ice Cream Sound" or "World A Jungle Music" just a well executed take on a formula that has worked perfectly well many times over; delay and fx meet classic dub strains and jungle rhythms uptown
Review: Vibez almighty! Another skank-packed doublet from Dutch soundsystem crew. This time Gunmen and Mystic Pulse are at the controls... The former gets his digidub dancehall vibe on with rapid-fire MC toasting and booty-busting halftime switches ("Greetings") while the latter carves out a soulful sun-kissed shaker that skanks so sweetly it could make Aries blush. Highly limited... Don't sleep.