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Review: Jeff Mills has long been inspired by Fritz Lang's 1927 science fiction movie 'Metropolis' (as was Giorgio Moroder, whose work also influenced many Motor City techno producers of Mills' era) and first created his own truncated alternative soundtrack for it 23 years ago. 'Metropolis Metropolis' sees him revisit the idea, creating a brand-new, elongated soundtrack more befitting extended versions of the film (which famously was heavily edited on in its initial release). As you'd expect, the triple-vinyl album, which is made up of six side-length suites, mixes electronic and acoustic instrumentation, with ambient synth sounds and neo-classical orchestration sitting side by side. Throw in a healthy dollop of Mills' inherent Afro-futurism and some hypnotic, soft-touch grooves, and you have an inspired and far-sighted new soundtrack to an age-old classic.

Review: Electronic icon Jeff Mills links up with fellow Detroit talent Rafael Leafar for this one on his own Axis, and it is yet another sublime exploration of the cosmos through the medium of techno. Leafar brings all his next level multi-instrumentalist skills and strong love of jazz to the duo and when combined with Mills' ability to speak through his machines, it makes for a unique record. The icy percussion rolls deep, taking you into another dimension each and every time while the noodling sax brings sombreness and soul. Big, splashy cymbals, dark chords and a real sense of mystery and intrigue keep you utterly locked throughout.

Review: Last year Detroit techno stalwart Jeff Mills launched a new project, The Zanza, an ever-changing collective of jazz, Latin and electronic musicians who could help him explore his love of a wide variety of styles and genres. Following on from the project's debut release, Mills has now delivered a debut album that once again proves not only his versatility as a producer, but also the vivid, widescreen nature of his musical vision. Wonderland is not an ambient or techno album - though it does contain multiple nods to the latter - but rather a hybrid affair that draws great influence from Latin music (and samba in particular), jazz in many forms, dubbed-out electro, jazz-funk and, on the rushing 'The Time Is Tight', organ and piano-heavy gospel house.

Review: As Jeff Mills returns to his third deepest obsession after 909s and UFOs, he presents an addendum to his renewed Metropolis Metropolis soundtrack which doubles down on three of the themes and gives them a different framework through the lens of a 12". This is still the more cinematic end of the Millsian spectrum, but there's some intensity which may well be of use to the more dramatic or daring techno DJ. 'The Dance Rebellion Starts' is plenty loopy and disorienting, full of interwoven, clangorous patterns which should stay nicely in time if you get them locked in the mix. 'The Other Maria' might well be the star of the show though, a nightmarish, ever-building drone piece with some half-time percussion stalking around the edges for guidance. 'Freder's Reality Switch' completes the picture with a slightly more stable synths n' strings piece, but there's still that innate sense of otherness Mills always threads into his work.

Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.