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Review: Athens Of The North represent one of Australia's finest soul exponents Renee Geyer. "Be There In The Morning" comes in two forms... The 1977 version will be recognised from her most successful album of the time Moving Along. An upbeat fusion of soul and funk with mild disco nuances, it comes with confident orchestration and an instantly infectious, ultimately emphatic chorus. The real coup here, however, is the softer, dreamier earlier version that's so rare it never left the confines of her native country. It's digging like this that makes the young-but-hugely-potential rare music label Athens Of The North a very exciting prospect for record collectors.

Review: It's always a buzz to see a new Athens of the North 7" drop onto our shelves. This first drop of the year comes from label regulars Coast to Coast who had their unreleased and self-titled soul album reissued here back in October 2021. It is the opening track from that glorious record that gets its own pressing on 45 rpm here with an instrumental on the flip. The original from core members Mark Beiner and Ben Iverson, 'Love Is The Same' has glorious vocal falsettos and super sweet rhythms that bring feel-good vibes like no other.

Review: Athens of the North is back in business this new year with a couple of singles as well as a new album dropping before the end of January. This time it is Bo'vel's Changes album that gets served up on wax having teased the act by including them on a compilation Just A Touch late last year. Their soul sound is distantly UK-centric but with influxes from dub, funk and more. That is well showcased here across ten tracks that were famously made in the mid-90s in Manchester without a big budget or big press campaign but became cult classics all the same.

Review: Athens of the North has got some fantastic and previously unreleased lo-fi goodness on their hands here. It comes from Lee Tracy and Isaac Manning's back catalogue and has been boosted subtly by some studio drumming from ECLA which adds a little more heft to it. 'Foxy Lady' is a lithe funk jam with shimmering synths and snappy snares over nice broken beats. It is backed with 'Jesus Going To Clean House' which is a standout cut from the album that has got many heads falling over themselves so good is it. The vamping chords and dusty deep house drums could all be a forgotten Chicago classic while the vocal is a real one packed with emotion.

Review: .Athens of the North has been a buy-on-sight for years. The Edinburgh-based soul, disco and funk reissue label rarely ever misses and does some of the most tireless digging in the game as this latest 7" shows. It is a spotlight on one of the best tunes made by Anthony Brightly while working with a young Wendy Walker. 'We've Got One' is dub tinged slow-motion funk with a glorious vocal, and on the flip is Legal Assault's 'Nice & Slow'. This one is also from the Sir George label and a sensuous deep soul and lo-fi gem with steamy vocals and lush chords.

Review: Multi-talented artist James Alexander Bright unveils soulful anthem 'Fall For You' and funky track 'Viper Flames' in the superb Athens of the North, all as a tease his forthcoming third solo album on the label in mid-2024. Reflecting on love's power in 'Fall For You', Bright's upcoming release follows his acclaimed debut album 'Headroom' and contributions to Groove Armada's 'Edge Of The Horizon'. His second album, 'Float', garnered praise for its eclectic blend of styles. These new tuns show what he is all about - sunny soul with standout keys and dreamy vocals that melt even the stoniest of hearts.

Review: The supply of superlative sounds from Athens Of The North knows no bounds - rarely does a week go by with out the well regarded reissue label coming thorough with yet another obscure, forgotten, overlooked or rare gem that has is immediately fall in love. Falling into those categories again is this 7" 'The Sands of Zanzibar, Pt. 1' from Leonard Grandson. It is a floating groove that will swells the heart and is super hard to find in original form. It is thought to be from 1977 and was recorded in a Hollywood studio. Leonard sounds not unlike Steve Wonder and really hits a sweet spot on this one.

Review: Having previously shone a light on lovers rock via two volumes of his For The Love of You compilations, dusty-fingered selector Sam Don has turned his attention to 'underground UK soul'. In practice, that largely means - though not uniformly - street soul of the late 80s and 90s. It's a simple idea, executed brilliantly, with Don working tirelessly to get the blessing of all the artists involved. Sweet, synth-heavy and lusciously loved up, the 12 tracks on show are undeniably excellent, with the many highlights including the piano-sporting, breakbeat-driven dancefloor pleasure of Kofi's 'Step By Step', the sax-sporting shuffle of Jenny B's 'Sexy Eyes (Club Mix)', the bubbly 80s soul cheeriness of Cavalier's 'Don't Touch' and the bustling post-boogie brilliance of 'Passion' by Taffy.

Review: After his hugely well received lovers' rock compilations for this label, Sam Don digs deep into the rich world of UK sweet soul on this - typically - excellent new compilation from the wondrous ashes of the North. He comes up with plenty of mega hard to find and expensive musical treasures that have all been painstakingly researched and tracked down. It was a short lived but fertile scene in the underground back in the 90s and if you didn't; know that already you will after one listen through of this - the sounds are highly danceable with silky, low-lit melodies and steamy and seductive vocals for loved up late night dancing.

Review: Ben White - not the same Ben White that plays as a defender for Arsenal - was just 25 when he was brought by Eddy Bongo Brown of the Funk Brothers to the Motor City to play with Marvin Gaye. It was five years after that when he lay down this single - his only one, although it is said there are some lost tapes featuring a full album on them out there somewhere. We hope it is found as this is excellent - 'I Would Have To Be A Fool' is a super smooth soul with nice funky rhythms and a hint of disco energy. 'Just Give Love A Try' is a more slow and lavish groove with choral backing and fancy piano.

Review: Given their respective careers, you'd expect this surprise debut album from Balearic nu-disco specialist James Bright and Groove Armada member Tom Findlay to be rather good - or at least sonically attractive with good grooves and quality musicianship. It is, of course, with the pair opting for a glossy, 80s-influenced synth sound, bubbly electronic grooves, sun-splashed Balearic pop intent and authentically executed nods to West Coast electrofunk and nu-disco pioneers Metro Area. Our picks of a very strong bunch include the synth-fired blue-eyed soul of 'Slow Dance', the sunset-ready gorgeousness of 'Flowers', the low-slung, late-night AM radio vibes of 'It's Only Rain' and the Morgan Geist-esque 'NY Disco (Smile)'.

Review: The untouchable Athens of The North has got another carefully sought-out reissue on its hands here with Bobby Boyd's self-titled album. He was a Lafayette Afro Rock Band member, highly talented and, we think, rather overlooked instrumentalist and singer and his work has appeared often on this label who have single-handedly been getting him the attention he deserves as a result. Now it all comes to fruition in fine style with this ten-track pearler - a mix of his upbeat funky grooves, more tender and downbeat soul swooners and plenty of gorgeous sounds in between, not least the jazzy grooves of 'How Do You Hang On To A Dream.'

Review: The story of this one revolves around San Diego native Anthony "Antone" Williams. He was one day alone in a studio, messing about with the gear and before he knew he it lay down the haunting rhythm that underpins the tune now presented here by the good folks at Athens of the North. It's a sinister, restless one that got released as a hugely limited 7" on Unity Records with otherworldly soul production and a pained vocal up top. Post punk soul, some call it, and that's a fitting descriptor. A remix appears on the flip but the allure of the original is hard to beat.

Review: Athens of The North delivers once again here with another delightful reissue of a soul classic by Bernetia Miller And The Soul Groovers. An original of this Georgian gem is insanely rare and in fact the Athens boss himself has never actually seen a copy. It was recorded in the studio of Phil Walden's studio in Macon, Georgia and Bernetia herself has said it took many takes and plenty of hard work to get the result they wanted. Backing band The Soul Groovers had their own bus on which they toured plenty and this reissue is from the master tapes owned by Bernetia. 'You Can Tell Me Goodbye' has lo-fi drums and raw horns with a yearning vocal while 'I've Gotta Keep On Lovin' You' is more slow and steady and emotionally moving with a more tender vocal.

Review: Athens of the North 'house band' East Coast Love Affair recently returned to action with 'I'm So Glad', a driving disco-funk outing tailor-made for sweaty club sessions. For this speedy follow-up, they've recruited effortlessly soulful vocalist Theo Suess and musically flipped the script. Built around skittish lo-fi beats, immersive chords and bubbly synth-bass, 'Tonight' sits somewhere between deliciously deep house and lo-fi boogie. It's genuinely brilliant, with Suess providing an immaculately emotive lead vocal on the A-side main mix. The flip-side 'Dub' is superb, too, with snippets of Suess's vocals echoing across an enveloping, loved-up instrumental backing track.