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Cat: 548432 Rel: 18 Sep 14 • View all MIDI controllers
 
MIDI foot controller featuring 10 foot pads with smart sensor technology
Notes: SoftStep is a leap forward in the evolution of MIDI foot controllers. 10 pads equipped with Smart Sensor technology each send up to 6 unique messages in 3 dimensions for unparalleled control.

SoftStep Basic Editor is an easy way to program presets taking advantage of the most commonly requested sources and messages.

SoftStep Advanced Editor allows you to take full advantage of the power and flexibility of the SoftStep. More fully featured than the Basic Editor, the Advanced Editor is for users who want to get the very most out of their SoftStep.

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Cat: 548434 Rel: 18 Sep 14 • View all MIDI controllers
 
Keyboard foot controller with solid "road-proof" build and backlit buttons for onstage use
Notes: 12 Step is a road-proof, portable keyboard controller for your feet. Each key is brilliantly backlit, has multiple functions, and can sense foot tilt and pressure.

12 Step is ready for the road with a build that you can trust to perform on stage after stage, night after night.

12 Step's keys respond to the velocity, pressure and tilt of your foot, giving new dimensions of expression to your performance.

No moving parts means you'll never accidentally break off a knob or button.

Perfect for triggering clips in Ableton Live, playing synth bass, swelling pads, organ stabs, or any other musical accents that fit your style.

The 12 Step Editor Software v2.0 was reprogrammed from the ground up, optimized for speed and ease of use, and given a snazzy new user interface.

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MRP:$334.99 SAVE 28%
 1 in stock $240.89
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Cat: 750529 Rel: 11 Nov 19 • View all Audio & MIDI interfaces
 
8-in/4-out 24/192 USB audio interface
Notes: Top of the new M-Audio Air range, the 192/14 is a super powerful audio interface at a very nice price. Eight analogue inputs, four outputs and MIDI. Great value for money.

Supplier's notes:
Conquer any recording session with professional studio quality and features:

The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+1/4" TRS combo inputs, (2) 1/4" line inputs and (2) 1/4" instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.

We've included software to match your style:

The AIR 192|14 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With 2 powerful DAWs to suit your production needs, AIR 192|14 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.

We've also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we've got your effects needs covered with Eleven Lite, 20 effect plugins and AIR's Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you'll have a virtual drummer, drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.

Hear the Performance Now - Not a Second Later:

When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don't want to be bogged down by "clicks," "pops" or latency. The AIR 192|14 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.

Connect Anything and Everything:

The AIR 192|14 features 8 inputs for simultaneously recording up to 8 channels at once to meet all your studio's recording needs. The (4) dedicated XLR/TRS Mic/Line combo inputs with Crystal Preamps and phantom power are perfect for recording a vocals, mic'ing up an acoustic guitar, vintage guitar or bass amp or the core elements of a drum kit. The (2) 1/4" dedicated Instrument inputs use specially designed to provide the cleanest signal from your guitar, bass or keyboard, while the (2) 1/4" dedicated Line inputs provide a pure uncoloured signal for connecting a tube preamp, keyboard, synth or mixer, and MIDI input and output for connecting any of your boutique synth gear.

Mix, Monitor and Provide:

At the centre of the AIR 192|14 is a large metal monitor volume knob with inlayed rubberized diamond textured comfort grip for dialling in your studio monitor's volume, and smoothly referencing your mix at both high and low levels. The monitor and headphone outputs feature a direct mono/stereo switch and direct/USB mix knob. The (2) 1/4" headphone outputs have independent volume controls, and source select switches let you create mixes to suit your and your artist's needs. In addition to the (2) 1/4" rear panel monitor outputs, the AIR 192|14 offers an additional (2) 1/4" outputs for connecting outboard gear.

Crystal Preamps, Pristine A/D Converters and Premium Components:

Our engineers designed the Crystal Preamps to provide engineers, producers and musicians with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|14 incorporates pristine A/D converters to provide 24-bit resolution digital audio for explosive dynamic range that captures every nuance and subtlety of your performance.

Segmented VU Meters for Dialling in Your Best Signal:

When capturing a performance, you want to get the best levels possible. With the AIR 192|14's segmented input VU LEDs (-20db through 0dB), you can dial in the perfect gain setting every time, so there's no more guessing how close or far away you are from optimizing your signal.

What's In The Box:

- AIR 192|14
- USB-C-to-USB-C Cable
- USB-C-to-USB-A Cable
- (2) 1/8" (3.5 mm) to MIDI Adapters
- Software Download Cards
- User Guide
- Safety and Warranty Manual
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MRP:$334.98 SAVE 26%
 1 in stock $248.62
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quote 750529
Cat: 626225 Rel: 18 Oct 16 • View all Synth modules
 
Four channel programmable drum controller
Notes: Welcome to the Eurorack Drum Machine:
The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. Eurorack drum programming has come to life.

Anything is a Drum:
Traditionally, patching up a modular drum kit was constrained by the amount of envelope and VCA modules in a system, restricting the number and complexity of percussion voices in most systems. Another option was to use dedicated drum modules that offer a limited sonic palate and few modulation options. The Lifeforms Percussion Sequencer breaks through these barriers by including a percussion tuned analog envelope and VCA on each channel. Patching anything from a basic sine wave to heavily modulated and processed noise sources through the Lifeforms Percussion Sequencer will quickly create a distinctive drum kit that takes full sonic advantage of the unique synthesis options available in any system.

The Mind of a Modern Drum Machine:
At the heart of the module is a 4 channel, 32 step beat sequencer designed for live performance. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Create and store up to 32 sequences using live performance or step mode recording with pattern lengths varying from 1 to 32 steps. Patterns can be copy and pasted to easily create multiple versions of a beat. The sequencer is driven by an internal tap tempo or external clock source. A dedicated clock in/out jack syncs the sequencer with other modules.

Four Integrated Analog Envelopes and VCAs:
Instead of limiting the drums to a few onboard voices or lo-fi samples, the Lifeforms Percussion Sequencer uses an analog envelope and VCA built into each channel to shape any audio source into a percussive instrument. The envelopes are designed with a razor sharp attack and variable decay/release allowing for maximum control over the output of each channel. The envelopes can also be used externally. A short envelope creates a trigger while longer envelopes can be used as a modulation source for oscillators, filters, or anything at all.

6 Adjustable Pattern Effects:
The Lifeforms Percussion Sequencer includes 6 unique pattern effects to expand the musical possibilities of traditional grid style beat programming. Effects include everything from swing and beat shifters to glitch and generative algorithms designed to manipulate the sequencer pattern. Each channel can run a unique instance of one pattern effect at a time. A master pattern effect channel is also available that affects all 4 channels of the sequencer. The combination of the channel effect and the master effect allows for up to two effects at a time on each channel. Each effect has one parameter that can be adjusted to dial in the perfect response.

- Shift Effect
Delays the trigger output of a channel by small divisions of the tempo. Use this effect to create half-step or stutter-step drum triggers. Effect knob controls the amount of channel shift. The range of shift is 1/8th to 7/8ths of a beat.

- Glitch Effect
Probability based glitch effect that creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some division of the clock, allowing for stuttering but not disjointed patterns. The probability is set using the effect knob. The range of the glitch effect is minimal to absolute chaos.

- Density Effect
Sets the number and timing of triggers created for each active step. The result can be anything from a doubling of the trigger to a rolling effect. The effect knob controls the trigger density.

- Morph Effect
Create evolving patterns. The morph effect is a probability based algorithm that modifies an existing pattern by adding or removing active steps. The effect knob sets the probability that the pattern will morph.

- Swing Effect
A classic drum machine effect meant to mimic the feel of a real drummer by shifting the timing of every other step. The effect knob controls the amount of swing.

- Add/Drop Effect
Temporarily add or drop steps from a pattern. The results are similar to the morph effect but changes to the pattern are not compounded as the pattern plays allowing the resulting pattern to stay anchored to the original sequence. The effect knob sets the probability that a step will be modified.
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Cat: 694973 Rel: 25 Jul 18 • View all MIDI keyboards
 
49 note 2nd generation synth-action keyboard with performance controls designed to improve your workflow
Notes: Panorama T4 is the first controller to deliver Nektar-level instrument plugin control in any VST/AU compatible DAW. Load patches directly from the keyboard and start controlling parameters immediately, with every change instantly visible on the LED display. Control any instrument plugin with one of the many included maps or customize and create your own. Discover new performance tools like the powerful chord, hold and note repeat functions.

2nd Gen Panorama Keybed:
Panorama T4 features a 2nd generation Panorama synth-action keybed. Dampened and carefully balanced across the keyboard with medium tension, which means the activation force required is in the middle of the range established for professional keyboards. Five velocity curves shift the emphasis from soft to hard, giving enough choice to cater for any playing style. A fixed option enables velocity values to be set by controls, including the wheels.

Beats on tap:
Designed with finger drumming in mind, Panorama T4's 8 large velocity and pressure sensitive pads are the perfect tool for beat creation. Triggering at an extremely low threshold, they will capture ghost notes and flams as easily as you can play them. If the factory settings are not expressive enough for you, it's even possible to calibrate each pad individually for optimum performance.

Each pad can be assigned any MIDI note number or MIDI CC message for use as MIDI trigger or toggle buttons - and assigning sounds couldn't be easier: Activate Pad Learn, select a pad, play the required note or drum sound on the keyboard and assignment is done. A Pad Bank Button left to the pads gives you access to another 8 pads, for a total of 16 pads within a pad map. 8 such pad maps are available for recall at any time.

Key and pad repeat:
Located just above the wheels are the Key Repeat and Pad Repeat buttons. Press to activate the repeat function and notes will be repeated at the set rate. Change the rate in real-time from 1/4 - 1/96 note values, change the tempo, add some swing and set an accent interval.

Repeat settings for pads and keys are independent of each other, so one can be set for the drum beat and the other for an instrumentation part. The Repeat's trigger mode can be set to repeat from the point of playing a note or to sync with the beat. Clock source can either be internal or external MIDI clock.

Access all areas:

Nine 30mm faders, 8 assignable LED buttons and 8 encoders are at the centre of the T-series' control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products.

When used with Nektar DAW integration or Nektarine, the controls provide flexible pre-mapped DAW- or plugin-control, giving you deep tactile control right from the hardware. The DAW integration files also contain automatic catch-up and soft-takeover functions to avoid parameter jumping when you switch between devices.

Instant feedback:
The custom LCD display provides crisp and clear feedback for all your settings: Here is where you select Panorama's different modes, access global parameters and navigate your software. With DAW Integration and Nektarine, you will even see your software's mixer and plugin parameters right there.

The 4 soft buttons below the display will change their function according to the selected menu for fast access. The 4 mode buttons to the right of the display allow you to change from internal mode to DAW or plugin control at the touch of a button. The Multi button is reserved for Nektarine.

Bitwig 8-track included:
Bitwig 8-Track is included with every Panorama T4. So you can start producing, performing, and designing sounds like a pro from day one. Bitwig 8-Track gives you access to over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package', a highly versatile handpicked selection of loops, clips and samples, is also included to help you get started. So put all that together and you have a powerful sketchpad for your musical ideas featuring the acclaimed workflow of Bitwig Studio.

***Now includes DAW integration support for PreSonus Studio One***
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Cat: 519838 Rel: 19 Feb 15 • View all Electronic drums
 
Percussion pad with on-board sound storage and 8 dual zone isolated rubber pads
Notes: SamplePad Pro is the all-in-one percussion instrument that knows no bounds. Isolated and responsive dual-zone pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computerieven a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you're looking for in a pad-based instrument - and more.

SamplePad Pro is streamlined and sleek. The backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.

Want more? No problem. SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer. A convenient module mounting kit is available.

With SamplePad Pro, there's no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds - each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next "must-have" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.

Equipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1/4" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. As an added bonus, SamplePad Pro includes a stereo aux input - with level control - so you can play along to your smartphone or MP3 player, rehearse the set list, or jam to your favorite tunes.
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 2 in stock $275.60
Cat: 655329 Rel: 31 Jul 17 • View all Synth modules
 
Analog snare drum synthesis with external input - 13HP
Notes: From classic electro snares to warping, alien percussion, the Mutant Snare is a radical departure from the static sounds of the 808!

MIX and DRIVE:
- MIX lets you blend between the SHELL and SNAPPY tones that make up the overall snare drum
- Turn up the DRIVE to get overdriven snare tones with intense harmonics. The purple LED indicates when the snare begins to overdrive
- Like the other Mutant Drums, signal levels have been normalized for modular level input and output (up to 20Vpp)

SHELL synthesizes the drum skins:
- Analog bridged-t sinewave oscillators, for those organic-sounding tones we've come to love from the 808
- TONE control blends between the two sinewaves of different frequency
- SHELL PITCH lets you tune one of the sine waves, to change the pitch of your snare drum

SNAPPY adds some noise to the snare:
- An analog white noise generator feeds the SNAPPY circuit
- An external input lets you patch any sound source you like into the SNAPPY generator
- Voltage control of SNAPPY decay
- SNAPPY feeds into an analog selectable high-pass or band-pass filter
- Voltage control of filter cutoff frequency
- When nothing is plugged into the cutoff CV input, the SNAPPY envelope OR the adjustable sinewave from the SHELL generator normalize through the CV attenuverter for cutoff CV. A jumper on the back of the module allows you to select which of these internal modulation signals are routed here
- Filter has three resonance settings: classic 808 (low resonance), high resonance, and self oscillation
- Bipolar attenuators (aka: 'attenuverters') on CV inputs
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 1 in stock $208.85
Hittin' The Ramp: The Early Years 1936-1943 (limited hand-numbered gatefold 180 gram vinyl 10xLP box set + booklet in slip-case)
Cat: HLP 9042. Rel: 29 Oct 19
Jazz
  1. Honey Hush (2:51)
  2. Stompin' At The Panama (Skoller's Shuffle) (2:58)
  3. Betime (Sleepy Moan) (2:52)
  4. Thunder (2:48)
  5. Mutiny In The Nursery (2:52)
  6. FDR Jones (3:13)
  7. The Sheik Of Araby (2:14)
  8. The Blue Danube (2:51)
  9. Button, Button (2:51)
  10. Jingle Bells (2:38)
  11. Swanee River (2:26)
  12. With Plenty Of Money & You (2:13)
  13. Don't Blame Me (2:24)
  14. Lullaby In Rhythm (2:49)
  15. Dark Rapture (3:09)
  16. The Wiggly Walk (2:52)
  17. Flea Hop (2:41)
  18. Chopsticks (2:41)
  19. Patty Cake, Patty Cake (2:44)
  20. Blue Skies (2:08)
  21. Liza (2:59)
  22. Three Blind Mice (2:12)
  23. Caravan (2:18)
  24. There's No Anesthetic For Love (3:14)
  25. Dixie Jamboree (3:01)
  26. Ta-da-ah (2:36)
  27. Riffin' At The Bar-b-q (2:05)
  28. Harlem Swing (2:31)
  29. I Lost Control Of Myself (3:19)
  30. The Land Of Make Believe (2:51)
  31. That Please-be-mineable Feeling (2:16)
  32. Dancing In The Street (3:08)
  33. You're So Different (3:05)
  34. I Wouldn't Have Known It (2:33)
  35. Let's Get Happy (2:18)
  36. Undecided (2:26)
  37. 'Taint What You Do (2:56)
  38. Do You Wanna Jump, Children (2:45)
  39. Riffin' In F Minor (2:09)
  40. Ol' Man Mose Ain't Dead (3:31)
  41. Blue Lou (3:00)
  42. Honey (2:11)
  43. Russian Lullaby (2:09)
  44. Georgie Porgie (2:20)
  45. The Limp (2:53)
  46. Snug As A Bug In A Rug (2:37)
  47. Liebestraum (3:22)
  48. Fidgety Joe (2:58)
  49. Thwo Against One (3:02)
  50. Some Like It Hot (3:08)
  51. Crazy Rhythm (2:01)
  52. Moonglow (3:02)
  53. Don't Let The Moon Get Away (2:44)
  54. My Blue Heaven (1:37)
  55. I Was Doing All Right (2:17)
  56. I Can't Get Started (2:43)
  57. Old Man Moon (2:14)
  58. Carry Me Back To The Old Virginny (2:18)
  59. Moon Strong (3:10)
  60. Baby, Won't You Please Come Home (2:22)
  61. Rosetta (2:11)
  62. Trompin' (2:46)
  63. You're My Life (2:54)
  64. Hoy Soy (2:36)
  65. Take 'em (2:25)
  66. Scategoria (2:29)
  67. Rhythm Serenade (2:34)
  68. Rib Town Shuffle (2:46)
  69. Music'll Chase Your Blues Away (2:02)
  70. I'll Gather Up My Memories (3:32)
  71. A Fool's Affair (3:34)
  72. Jump, Jack, Jump (2:47)
  73. I Knew A Time (3:08)
  74. Mine You'll Always Be (3:18)
  75. Doin' The Bow Wow (2:44)
  76. Lilla Mae (2:18)
  77. I Like To Riff (2:47)
  78. On The Sunny Side Of The Street (2:53)
  79. Black Spider Stomp (2:38)
  80. By The River St Marie (2:24)
  81. Slew Foot Joe (2:13)
  82. 1-2-3-4 (2:09)
  83. Crazy 'bout Rhythm (2:03)
  84. Off The Beam (2:17)
  85. King Cole Blues (2:07)
  86. Jivin' With The Notes (1:59)
  87. Never Mind, Baby (1:45)
  88. I'm A Perfect Fool Over You (2:37)
  89. Lovely Little Person (2:21)
  90. Love Me Sooner (2:31)
  91. Sentimental Blue (2:42)
  92. Goin' To Town With Honey (2:21)
  93. Sincopated Lullaby (1:49)
  94. Fallin In & Out Of Love (1:48)
  95. Let's Do Things (2:01)
  96. Jumpy Jitters (1:50)
  97. Nothing Never Happens (2:34)
  98. What'cha Doin' To My Heart (1:35)
  99. Bedtime (2:46)
  100. Honey Hush (2:20)
  101. French Toast (2:18)
  102. Vine Street Jump (2:43)
  103. B Flat (2:33)
  104. You Send Me (2:10)
  105. Love Is My Alibi (3:12)
  106. Pogo Stick Bounce (2:17)
  107. Whatcha' Know, Joe? (2:37)
  108. Sweet Lorraine (2:55)
  109. Honeysuckle Rose (2:35)
  110. Gone With The Draft (2:44)
  111. This Side Up (2:44)
  112. Jumpin' With The Mop (2:26)
  113. Jam Man (2:04)
  114. Let's Try Again (3:04)
  115. Fudge Wudge (3:49)
  116. Smokey Joe (1:57)
  117. Windy City Boogie Woogie (2:23)
  118. Ode To A Wild Clam (2:26)
  119. Let's Try Again (3:09)
  120. Whatcha' Know, Joe? (2:12)
  121. Lazy River (1:46)
  122. Georgia On My Mind (2:48)
  123. Rockin' Chair (3:15)
  124. A Little Jive Is Good For You (3:37)
  125. You've Changed (3:09)
  126. Babs (2:25)
  127. Scotchin' With The Soda (2:32)
  128. Slow Down (3:10)
  129. Early Morning Blues (2:45)
  130. The Romany Room Is Jumpin' (2:31)
  131. This Will Make You Laugh (3:12)
  132. Stop! The Red Light's On (2:37)
  133. Hit The Ramp (3:20)
  134. I Like To Riff (2:48)
  135. Call The Police (3:03)
  136. Are You Fer It? (3:04)
  137. That Ain't Right (3:13)
  138. Hit That Jive, Jack (2:57)
  139. Indiana (4:51)
  140. I Can't Get Started (4:58)
  141. Tea For Two (4:52)
  142. Body & Soul (5:11)
  143. Com, Vid, Veedle (2:58)
  144. All For You (3:25)
  145. Hip Hop Hooray (2:23)
  146. I Know That You Know (2:11)
  147. I'm Gonna Move To The Outskirts Of Town (3:43)
  148. Pitching Up A Boogie (3:13)
  149. I'm Lost (3:17)
  150. Beautiful Moons Ago (2:26)
  151. Let's Spring One (2:46)
  152. Slender, Tender, & Tall (2:08)
  153. I've Found A New Baby (4:43)
  154. Rosetta (5:11)
  155. Sweet Lorraine (4:56)
  156. I Blowed & Gone (4:48)
  157. Solid Potato Salad (2:07)
  158. FST (Fine, Sweet & Tasty) (3:06)
  159. Got A Penny (2:37)
  160. Let's Pretend (3:18)
  161. My Lips Remember Your Kisses (3:11)
  162. I'm An Errand Boy For Rhythm (1:51)
  163. Straighten Up & Fly Right (2:43)
  164. Honey Hush (2:51)
  165. By The River St Marie (2:10)
  166. I Like To Riff (2:31)
  167. Black Spider Stomp (2:55)
  168. Sweet Lorraine (3:21)
  169. Early Morning Blues (2:52)
  170. Gone With The Draft (2:21)
  171. Trompin' (1:47)
  172. Sweet Lorraine (2:59)
  173. Gone With The Draft (2:42)
  174. Scotchin' With The Soda (2:28)
  175. Gone With The Draft (2:26)
  176. The Romany Room Is Jumpin' (2:33)
  177. Hit That Jive, Jack (2:14)
  178. Beautiful Moons Ago (3:34)
  179. Honeysuckle Rose (3:21)
  180. I Know That You Know (2:52)
  181. Solid Potatp Salad (2:12)
  182. My Lips Remember Your Kisses (3:07)
  183. Straighten Up & Fly Right (3:01)
 in stock $206.78
Cat: 770695 Rel: 05 Feb 20 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.
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 1 in stock $203.04
Cat: 762013 Rel: 05 Feb 20 • View all Effects pedals
 
double looper stereo looping pedal
Notes: Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.
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MRP:$284.12 SAVE 22%
 1 in stock $221.25
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Cat: 569859 Rel: 23 Apr 15 • View all Record bags
 
DJ messenger bag with high quality 1680 denier black ballistic nylon exterior & 4 ply taslan nylon lining, limited edition release!
Notes: The Leather Edition North To South Messenger Bag is designed for the person on the go.

Built with room to haul this messenger bag is wide enough to fit a heavy stack of records, a laptop, and still have room for the rest of your stuff, making it a great choice for DJs, business professionals, or really anyone who needs a sharp looking bag!

Made to last and complete with a Tucker & Bloom lifetime warranty.
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MRP:$366.01 SAVE 41%
 2 in stock $217.11
Cat: 628699 Rel: 16 Nov 16 • View all Shoulder bags
 
Record bag for holding up to 150 7" singles, with shoulder strap & zippered storage pocket
Notes: Zippered 7" single bag for storing up to 150 records, plus accessories.

The bag is constructed of Milled chrome tanned leather and features a detachable and fully adjustable shoulder strap for practicality and comfort.

"After decades of touring with bags that would eventually wear down and be replaced by the newest flavour of the month, this collaborative opportunity with Tucker & Bloom presented me with my first chance to help develop a product that is not only practical for the working class DJ who carries 45 RPM records, but further, almost any other working professional looking for a durable, high quality shoulder bag to add to their tool kit or traveling luggage."
- Rich Medina
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MRP:$333.75 SAVE 36%
 3 in stock $211.95
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Cat: 644208 Rel: 06 Apr 17 • View all Synth modules
 
High density octal linear VCA module - 18HP
Notes: VC8 is a high density VCA module designed to give you a large number of VCAs with CV level and OFFSET control, along with optional VCA controlled dual sub-mix capability.

The VC8 combines eight high-class VCAs with linear characteristics in one module. Each channel offers a modulation input plus attenuator, a bipolar offset potentiometer and a level LED. Routing options enable the user to create sub-mixes of four channels.
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 3 in stock $281.23
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Cat: 766857 Rel: 21 Feb 20 • View all MIDI controllers
 
sequencer & controller
Notes: Make music on a smooth, illuminated surface that fits in the palm of your hand. Play beats. Shape melodies. Control sound just by touching the super-sensitive surface of a next-generation MIDI controller.

On one dynamic surface you can play beats, basslines, chords, and melodies - and tie them all together to make amazingly multi-layered songs.

Lightpad M pairs with desktop and mobile sound engines that include hundreds of high-resolution sounds ranging from strings to drums. They're all custom-made for MIDI Polyphonic Expression (MPE) on the Lightpad Block's unique surface.

Access the world's largest library of MPE sounds in ROLI Studio Player, a versatile plug-in that integrates seamlessly with your BLOCKS. Featuring expressive macro controls for every sound, plus inspiring tools including Smart Chords, a Multi-Layered Arpeggiator and an Audio Effects Rack, ROLI Studio Player has everything you need to make your music.

The Lightpad Block is custom-designed to be the most powerful music-making device to fit in a pocket. The sensors underneath the pliable surface are finely calibrated so you can play with precision. Undulating microkeywaves provide additional tactile feedback. High-definition colors light up the surface, so you can move quickly between notes, instruments, and scales.

Lightpad M is one piece of an award-winning music creation system: BLOCKS. Connect to a Seaboard Block, Live Block, Loop Block, Touch Block - or more Lightpad Blocks including the Lightpad M. All Blocks snap together and work together wirelessly. Mix and match, and build your instrument as you grow!

Unboxed
Lightpad Block.
ROLI Studio.
Ableton Live Lite.
Strobe2.
Equator Player.
Cypher2 Player.
ROLI Dashboard.
ROLI Connect.
Max MSP License (Six Months).
USB-C to USB-A Cable.
Quick Start Guide.
One Year Full Warranty.
Tech Specs
Dimensions and Weight
Width: 94mm (3.7 inches).
Height: 21.8mm (0.86 inches).
Depth: 94mm (3.7 inches).
Weight: 260g (0.57 pounds).

Battery
4 hour battery life.
2 hour charge time.

Connectivity / Ports
USB-C port (MIDI out and power).
Full MIDI compatibility over USB and Bluetooth LE.
8 DNA connectors.

Power
USB / DNA Input Voltage: 5.0V i 0.2V DC

Bluetooth
15 meter Bluetooth range.
Mac OSX only.

Compatibility
Desktop Requirements
Mac OSX 10.12+.
Windows 10.
Intel Dual Core i5 2.5GHz+.
4 GB RAM (8 GB RAM recommended).
2 GB hard drive space.
Internet connection to register/download software.
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MRP:$248.14 SAVE 18%
 1 in stock $204.70
Cat: 671657 Rel: 19 Mar 18 • View all Record bags
 
Flexible, waterproof record bag with room for 60 records
Notes: The MUTO Record bag: designed to be as flexible in transit as it is in the DJ booth, this record bag has both traditional access from the top as well as split-compartment capabilities to make on-the-go organization a breeze. With room for 60 records, secure attachments for a trolley system, multiple-carrying strap arrangements, quick-access side pockets, and a padded laptop sleeve, the MUTO Record Bag is ready to hit the road and built to take a beating. Designed with input from Eli of Soul Clap Records and a full year and a half of testing this bag comes with our lifetime warranty and our personal vote of confidence.

Record Bag Dimensions: 13" tall, 13" wide, 11" deep.
Side Pockets: 11" wide, 6" tall, 2" deep.
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MRP:$346.16 SAVE 37%
 2 in stock $219.19
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Cat: 675860 Rel: 08 Jun 18 • View all Record bags
 
Flexible, waterproof record bag with room for 60 records - olive green
Notes: The MUTO Record bag: designed to be as flexible in transit as it is in the DJ booth, this record bag has both traditional access from the top as well as split-compartment capabilities to make on-the-go organization a breeze. With room for 60 records, secure attachments for a trolley system, multiple-carrying strap arrangements, quick-access side pockets, and a padded laptop sleeve, the MUTO Record Bag is ready to hit the road and built to take a beating. Designed with input from Eli of Soul Clap Records and a full year and a half of testing this bag comes with our lifetime warranty and our personal vote of confidence.

Record Bag Dimensions: 13" tall, 13" wide, 11" deep.
Side Pockets: 11" wide, 6" tall, 2" deep.
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MRP:$366.01 SAVE 37%
 2 in stock $230.56
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Cat: 750415 Rel: 10 Oct 19 • View all Audio & MIDI interfaces
 
6-in/4-out USB 3.0 audio interface with 32-bit/192kHz resolution
Notes: Cubase developers Steinberg also know a thing or two about interfaces. The UR44C is a solid 6-in/6-out option with built-in MIDI interface and a pair of headphone outputs. Nice price, too.

Supplier's notes:
Finding a location for making high quality band or ensemble recordings has got a whole lot easier with the UR44C. With multiple high-quality inputs/outputs, professional-grade components, DSP effects and flexible use with computer or iOS device, all wrapped up in a compact, roadworthy package, anywhere is now your recording studio.

Write and record songs with your friends:

Gather your friends to produce music in exceptional quality with the UR44C, a rugged, portable audio interface that features flexible inputs and professional-level 32-bit/192 kHz recording quality. Four state-of-the-art D-PRE microphone preamps will capture your vocals and acoustic instruments in stunning detail, while Hi-Z and line inputs, plus MIDI In/Out, allow an entire group to be recorded, capturing the unique vibe of an ensemble performance. With two independent headphone outputs, latency-free monitoring with effects and Cubase AI recording software included, the UR44C is your key to producing great grooves together.

Make great band recordings - everywhere:

Studio time is expensive, as all bands know, but with the UR44C you can record in your rehearsal space, on stage and indeed anywhere, while not compromising on audio quality. Its rugged but compact, lightweight construction mean it can be taken anywhere and you can use it with both Windows/Macintosh computers and iOS devices. It can even be powered by an iPad Pro or a pocket-sized USB power pack. With onboard DSP effects and plenty of outputs for re-amping, it's your perfect portable partner for recording on location, then mixing elsewhere.

Take your sound to the stage:

The UR44C is a great onstage partner. As well as its rugged, road-ready construction and high-quality, reliable performance, you can use its multiple outputs for click and backing tracks. Mix your live input, via the UR44C's mic, Hi-Z and line inputs, with playback from the included Cubase AI, another DAW or an iOS recording app and use the MIDI In/Out to incorporate a wide range of hardware and trigger sounds from your VST instruments. It all means you can deliver a full performance, no matter if you're a solo artist or the member of the band making sure that all backing tracks are played reliably.
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MRP:$421.83 SAVE 33%
 1 in stock $284.39
Cat: 677567 Rel: 03 Apr 18 • View all Synth modules
 
Sample-based percussion module - 12HP
 5 in stock $227.46
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Cat: 679926 Rel: 13 Jul 18 • View all Synth modules
 
Analogue synth voice module
Notes: Device is a combination of three individual Frequency Central modules:

- System X Oscillator
- Raging Bull VCF/VCA
- System X Envelope

Modules can be used individually, or as an integrated synth by using normalised internal connections.
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 2 in stock $232.63
Cat: 757907 Rel: 11 Jan 19 • View all Filters
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Are your effects chains suffering from radioactive decay? The Transmutron allows you to combine pedals (and Eurorack effects) within its sonic reactor to create new and exciting compounds! Different results can be achieved using one of three modes: Fission (crossover filter), Fusion (crossfader), and Fallout (resonant wide-notch filter).

In the primary mode, Fission, the signal from your guitar, bass, synth, or drum machine is split into separate frequency bands, sent simultaneously to different effects, and then recombined to a single output (or two separate outputs). The Splitpoint parameter can be controlled manually or with an expression pedal, and simultaneously injected with a control voltage (CV) source for extremely dynamic reactions!

In Fusion mode, the Splitpoint instead acts as a pre-FX level crossfader, rather than splitting the signal into separate bands. This allows for less extreme blends, especially when modulating. In the third mode, Fallout, a resonant wide-notch filter is applied to both pre-FX channel signals, cutting a hole and creating a phasing-wah effect when using an expression pedal or LFO to sweep the Splitpoint back and forth.

To further shape the signals sent to your effects, the Transmutron is equipped with dedicated hi and low cut filters. In Fission and Fallout modes, the cutoff frequencies of these filters also define the end-to-end sweepable range of the Splitpoint parameter and its centre frequency. The filters have selectable slopes of 12, 24, or 48 db/oct, which also affects the crossover filter, and greatly enhances the resonance of the wide-notch filter. If further separation of the parallel FX channels is needed, a dedicated phase switch is on-hand.

Both FX channels have two sets of sends and returns: 1/4-in for guitar pedals and line-level effects, and 3.5mm for Eurorack level processing. For each channel, the 1/4-in and 3.5mm FX loops can be used simultaneously, as they are in series (3.5mm then 1/4-in). The FX sends are half-normalled so they can be used as buffered copies without affecting the returns. Additionally, the 3.5mm FX loops for each channel can be independently switched to pedal/line-level using internal dip switches, which allows for seamless integration with the Boredbrain Patchulator 8000.

How complex the reaction is up to you! From simple tone shaping using only a couple effects, to interconnected combinations of pedals and Eurorack modulation madness, the Transmutron is just the tool you need to reactivate your effects!
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 1 in stock $268.82
Cat: 561114 Rel: 15 Oct 15 • View all Studio mixers
 
Compact analogue mixer with 12 inputs and iconic Soundcraft "Ghost" mic preamps with ultra-low noise performance
Notes: The Signature 12 is a high-performance 12-input small format analogue mixers with onboard effects. It features smooth, premium-quality faders with GBr Series audio routing with flexible pre/post switching on each Aus, and subgroups with powerful routing and switching options as well as dedicated outputs. The console is built using tour-grade robust metal construction and top-quality components and have an internal universal power supply.

All Soundcraft Signature Series consoles incorporate Soundcraft's iconic Ghost mic preamps, directly drawn from the company's top-of-the-line professional consoles, to deliver extraordinary audio quality with high headroom, wide dynamic range and exceptional resolution and clarity with a superb signal to noise ratio. They employ Soundcraft's Sapphyre Assymetric EQ for perfectly equalizing every vocal and instrumental element in a mix with the unmistakable musicality inherent in every Soundcraft console, plus the GB Series audio routing technology famous in thousands of live venues worldwide.

They all include a wide variety of built-in Lexicon studio-grade reverb, chorus, modulation and other effects and dbx limiters on the input channels. The consoles offer XLR and switchable Hi-Z inputs that enable guitars, basses and other instruments to be directly connected.

All the consoles come with a 2-in/2-out USB interface. Accompanying the consoles are free downloads of the Lexicon MPX-L native plug-in and Ableton Live 9 Lite.

In addition, the consoles feature smooth, premium-quality faders with GBr Series audio routing with flexible pre/post switching on each Aux, and subgroups with powerful routing and switching options as well as dedicated outputs. The Signature Series are built using tour-grade robust metal construction and top-quality components and have an internal universal power supply.

Recommmended for: Houses of Worship, Music Venues, Musicians & Bands, Theatres, Tour Sound
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 2 in stock $280.31
Modor Comb Filter Module (synth module)
Cat: 700648 Rel: 18 Oct 18 • View all Synth modules
 
14HP Eurorack digital filter
Notes: What is a Comb Filter? It is a digital filter where the input signal is mixed with a slightly delayed version of the input signal. You won't hear it as some kind of an echo, as this delay is very short (40ms at max). But the mixing process creates a number of equally spaced peaks and holes in the frequency spectrum, that make it look like the teeth of a comb. That's where the name 'Comb Filter' comes from.

Comb filters are typically used to make chorus and flanger style effects. These effects are created by modulating the delay time. With longer and relatively fast modulated delays you receive a chorus effect. With short to very short slowly modulated delays, combined with some feedback you'll get the typical sound of a flanger unit.

So, the most interesting parameter in this is the delay time. That determines the frequency spacing of the comb teeth. So that's why there's a CV control for it. The typical chorus and flanger effects are made by modulating the delay time with a triangle LFO. So there's a triangle LFO onboard the module, with speed control. If you don't enter any CV in the CV1 connector, it is normalled to this internal LFO to make typical effects. CV2 is normalled to the reverse signal of CV1, to make Modor's typical wide stereo effects, just as on the NF-1 synthesizer. But of course, you can enter your own CV signals in there: LFO's, Envelopes or some rhythmically undulating spacy voltage signals...

The centre big DELAY control sets the delay time, the DEPTH control sets the amount of CV modulation of the delay time. DEPTH can go positive and negative.

The MIX control sets the dry/wet mix. The FEEDBACK controls the amount of feedback. It can be set both positive and negative. The SPEED control sets the pace of the internal triangle LFO.
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 2 in stock $201.61
Cat: 607114 Rel: 10 May 16 • View all Synth modules
 
Discrete SVF with Moog CP3 mixer module - 14HP wide
Notes: Comments from the creator:
"It started life as the SVF design (based on the J. Haible discrete 2040 gain cell) which Scott Stites posted over at electro-music in April. I'd been wanting to work with another filter for a while and this one looked interesting, so I started playing with it. I lopped off the audio input section and grafted on the CP3 mixer (moar transistors!) and that's what you're hearing in this rather short clip. It's definitely interesting! A very thick, rich-sounding filter with a lot of different personalities depending on how hard you drive the inputs."

- 30 mA +12V
- 30 mA -12V
- 0 mA 5V
- 45 mm Depth
- O 4.75 (12 Votes) Average Rating
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MRP:$281.64 SAVE 27%
 2 in stock $205.75
Notes: Eurorack version of one of the most capable modular VCOs ever made. Insanely precise tracking and top-notch temperature stability. Proper old-school analogue business.

Supplier's notes:
The Synthesis Technology E300 Ultra VCO is an analog oscillator based on the MOTM-300 5U module, with an updated design engineered in collaboration with Dave Rossum of Rossum Electro-Music.

The E300 uses modern temperature-controlled exponential converters without the expensive MAT-02EH + Tempco found in the MOTM-300. It also incorporates variable HFT (High Frequency Tracking) for a wider, more accurate 1V/Oct input. The SYNC circuit is a simpler hard sync type, with accurate detection of any waveshape/frequency used. There is an added -1OCT/-2OCT sub-octave squarewave output, which is phase-aligned with the sawtooth.

The VCO core is a new sawtooth-based circuit with improved linearity and a unique saw-to-triangle converter with no glitch in the transition peaks.

Just like the MOTM-300, the E300 is designed to be the best tracking analog VCO available (over 10 octaves) with the lowest temperature drift (typically less than 0.1Hz over a 24hr period).
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MRP:$433.00 SAVE 31%
 2 in stock $297.77
Cat: 749780 Rel: 29 Aug 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


You've been waiting all your life for the ZVEX Fuzz Factory Eurorack module. Over the years there have been many requests from the synth community for a Fuzz Factory that would behave the same way for them as the Fuzz Factory does for guitarists. The self oscillation, the gating, the gooey, sticky fuzz, all of that strange wonderful interactive excitement has arrived in this incredibly controllable box of mayhem...

Basic controls include:

- Three position range switch settings of 0db, -20db, and -40db, critical for fixing the operating level
- Knobs and CV ins for the standard Fuzz Factory controls Gate, Comp, Drive, and Stab
- New knobs and CV ins for Input Level, Input Impedance, Fatness and Dry/Wet mix
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 1 in stock $285.13
Cat: 757955 Rel: 17 Dec 19 • View all Effects pedals
 
Vintage Blackface Fender amp in a box with a boost
Notes: Fender Blackface amps (1963-1968) are widely considered as the most recorded amps in the history of music. And for a good reason.

Mad Professor Super Black has the Fender Blackface tone in the box! The whole amp signal path is replicated inside. You can turn your amplifier easily into 60's Fender glory! Don't be afraid to plug the Super Black pedal also straight into the return jack of your amp ?s FX loop. This way you can bypass the preamp of your amp and get the sound of a full Blackface amp signal path without the colour of your amps preamp.

Super Black amp-in-a-box pedal will deliver the punchy, mid scooped and sparkling chimey clean tone that Fender Blackface amplifiers are known and famous for. And this might be the most sought after Fender sound!

Super Black will also deliver the most beautiful and amp-like break up tone you could imagine. Gain and Volume controls are making sure you will achieve the sweet spot and nail this iconic tone at any volume, still retaining full clarity. So Super Black makes it easy to get the ultimate break up tone also with your big high headroom amp or with a big Fender amp too that is too loud when you crank it up till 6 where it is finally giving the goods.

Fender Blackface amps, when pushed nearly all the way, are producing fantastic classic overdriven tones as well. At this point even the smallest models are fairly loud though. Enter the Mad Professor Super Black and you have a rocking machine at your feet at any volume.

Also, we at Mad Professor Amplification, noticed some variation on amounts of both low end and compression depending on the model when we took both big and small Blackface amps into a close look. Therefore we added two mini switches, one for the bass and one for the compression. You get to tailor these characteristics, whether you want more or less, by adjusting these two switches.

And there is more! We added our all time best seller overdrive pedal, Sweet Honey Overdrive, to boost the front end of the Super Black. Sweet Honey Overdrive pedal into a Blackface amp is a magic combination! Now you have even more possibilities when you are fine tuning your overdriven tones with the rest of your gear. Having its own on/off switch plus Volume and Drive controls you can use the Sweet Honey circuit separately too.

The combination of all above is meaning that the Mad Professor Super Black is a jack of all trades pedal in a best possible way. Plugging in the Super Black is like striking gold in a studio or live stage when tone seeking!
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 2 in stock $225.39
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Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $259.50
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Cat: 655795 Rel: 08 Aug 17 • View all Synth modules
 
Hi-pass filter module in Eurorack format - 12HP
Notes: Designer Tim Caswell: "The 8106 is a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. Three dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, one amp for the hi-pass filter, four (with added buffers) for the low-pass, and one for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4075, the tonality, especially when overdriven, is distinct."

Interface and feature Maestro Greg St. Regis, opted for the 6dB over the 12dB/18dB "tap" for the second filter output, due to its colourful, and starkly contrasting character.

And yes, this INPUT drive hits harder - much faster than our other filters - so there is plenty of dirt to go around, but a familiar and comforting Roland-y quality/tonality/flow is definitely home base, especially with a nice SLIM O top-dead-centre square wave is riotously coursing and pulsing through the 8106's veiny through-hole circuitry.

7 Pots:
FREQ, RES, FREQ CV, RES CV, HPF, INPUT, OUTPUT

2 Switches:
FULL/HALF TRACK, 6dB/24dB

Patch Points:
1V/O, FREQ CV, 6dB OUT, RES CV, INPUT, OUTPUT

- PCB Mounting Scheme: Through-hole
- Size: 12hp
- Depth: 38mm including connectors
- Power Usage: 40mA, 35mA (+12 / -12)
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 1 in stock $250.21
JBL
Cat: 761987 Rel: 10 Feb 20 • View all PA speakers
 
PA speaker with Bluetooth
Notes: A lot of PA power in a convenient package. Huge 1,000-watt power with handy features like automatic feedback suppression and EQ presets, all weighing in at under 10kg.

Supplier's notes:
The JBL IRX108BT portable powered PA loudspeaker delivers class-leading volume and clarity, total ease of use and an unrivalled feature set at our most affordable price point.

Sound amazing with a custom, pro-grade system engineered to outperform larger competing systems. Real-world EQ presets let you dial in optimal tone in an instant - no experience necessary - and built-in dbx DriveRack Automatic Feedback Suppression lets you crank it up with confidence. Play music, soundtracks and backing tracks with Bluetooth audio streaming, and ensure your voice carries over background music with one-touch ducking. Two mic/line combo inputs and an XLR loop-out round out this lightweight, durable PA.

Performers, content producers, fitness instructors and presenters on the go can count on the versatile, full-featured IRX108BT to serve up stunning, pro-quality sound, every time.
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MRP:$370.97 SAVE 22%
 2 in stock $288.45
Cat: 655847 Rel: 06 Sep 17 • View all Synth modules
 
Quad digital OSC module - 12HP
Notes: Deeply featured 12hp module with four digital oscillators - each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V/O input, by 1V/O inputs 1-4, and widely detuned, or switched to a preset chord formation - a major move beyond the 'one note samba' monophonic, module choreography - scooch over Grainy, Quadnic is cookin' up digi-vittles for four. "Come 'n' git it!" and stay in record: the Quadnic is non-programmable; when the power recycles, the Quad defaults to voice 1 active with current pot positions. All edits are live; all edits are volatile. Exciting. Always fresh.

The Four Oscillator Structure image gets one into the weeds of the sound. Control of all the OSCs parameters globally without sacrificing individual CV control is now a reality: essentially a sensible polyphonic mode with individual CV control. Previous OS Master Modes used only OSC 1 as the controlling CV - the additional mode uses all 4 controlling CVs. Changing stronger together.

Master Matters:
- With MASTER mode switched on, the oscillator responds to it's own CV input
- Oscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +/-1 octave offset
- Oscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master
- When all 4 oscillator switches/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators
- To get all oscillators to same pitch, adjust the Pitch and Fine controls
- To get all oscillators to play the same sound (they are quite independent), adjust all controls
- All 4 OSC lights on, with Master selected or flashing: unison can detune massively up to 4 octaves
- All 4 OSC lights on, with master not selected: unison and Chord produce chords

Inputs and Outputs:
1V/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.
1V/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.
1V/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.
1V/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.
Proc CV - Process CV input. +/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.

Out 1 - Oscillator 1 output.
Out 2 - Oscillator 2 output.
Out 3 - Oscillator 3 output.
Out 4 - Oscillator 4 output.

- Size: 12hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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 1 in stock $230.56
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Cat: MFO 46515. Rel: 08 Mar 18
 
Rock
  1. IOU
  2. Road Games
  3. Metal Fatigue
  4. Atavachron
  5. Sand
  6. Secrets
  7. Wardenclyffe Tower
  8. Hard Hat Area
  9. None Too Soon
  10. The Sixten Men Of Tain
  11. Flat Tire
  12. Then!
 in stock $246.07
Cat: 719167 Rel: 22 Mar 19 • View all Effects pedals
 
Fully analogue echo/delay effects pedal
Notes: The Supro Delay is a premium, all-analogue echo pedal that uses a pair of new-production MN3005 "bucket brigade" IC chips to deliver sounds ranging from 20ms slapback up to 600ms of buttery vintage delay. Far superior in fidelity to the low-voltage MN32XX series chips more commonly used in modern stompboxes, the high-voltage MN3005 IC chips found in the Supro Delay provide sweeter echoes with dramatically increased headroom and dynamic range, due to their robust 15V power rails.

In addition to TIME, REPEATS and LEVEL knobs, the Supro Delay features a newly-designed FILTER control that provides both low-pass and band-pass functions on a single knob. This unique filter design provides both the dark and murky echoes associated with BBD analogue delays as well as bright tape echo sounds that evolve over time with extended repeats. Drawing inspiration from the golden era of analogue pedals and recording to tape, the Supro Delay was designed by Howard Davis, master engineer behind the legendary late-1970's EHX Deluxe Memory Man and the Pigtronix Echolution.

Supro Delay offers an Expression input which can be assigned to control of the TIME, REPEATS or LEVEL knobs using a standard TRS expression pedal. The Supro Delay comes housed in a custom-made anodized aluminium chassis and features soft-touch, click-free, true bypass switching, as well as internally switchable Dry Kill and Trails functions. The Supro Delay runs on standard 9VDC power, using internal voltage-doubling to provide world-class headroom in a compact analogue delay pedal.
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 2 in stock $226.43
Cat: 730432 Rel: 11 Jun 19 • View all Synthesisers
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
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 2 in stock $297.76
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Cat: 739131 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - black faceplate, 18HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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MRP:$338.71 SAVE 24%
 1 in stock $256.42
Cat: 739132 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 18HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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MRP:$338.71 SAVE 24%
 1 in stock $256.42
Cat: 739133 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - black faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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MRP:$280.40 SAVE 19%
 1 in stock $226.43
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Cat: 739134 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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MRP:$280.40 SAVE 19%
 1 in stock $226.43
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Cat: 761230 Rel: 15 Oct 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 1 in stock $257.45
Cat: 730434 Rel: 11 Jun 19 • View all Drum machines
 
Polyrhythmic drum module featuring raw analogue drum sound
Notes: - 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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 2 in stock $252.27
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Cat: 706888 Rel: 10 Dec 18 • View all Synth modules
 
Quadrature sine wave VCO/state variable filter - 18HP
Notes: The SPIN section is a quadrature sine wave oscillator. The GRIND section compares each phase against the input signal, then subtracts the resulting square waves from the input signal. If the spin section is either damped enough or enough signal is fed into it from the GRIND section then it will stop oscillating and become a state variable filter.

The Angle Grinder tracks volts per octave and can be used as a sine wave oscillator with voltage control over harmonic content available at the GRIND OUT. With no input it's four phase related sine outputs (0, 90, 180, and 27 degrees) remain clean from 0.1Hz to over 20kHz and are suitable for quad panning or XY applications.

With an input signal applied the GRIND out ranges from quadrature pulse width modulation (at LFO rate) to sync-like metallic tones (at audio rate). When GRIND is fed into the SPIN then it becomes a nonlinear feedback network with the faders and corresponding CV inputs providing instinctive control over phase cancellation, oscillation, and distortion. The four phase related outputs will become low pass, band pass, high pass, and inverted band pass filter outputs.

The function of the Angle Grinder depends on both the position of the knobs and the presence of an input signal.
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 1 in stock $257.45
Cat: 690787 Rel: 31 May 18 • View all Synth modules
 
Powerful, hand-wired tube distortion module featuring American military grade low-noise tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v/octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with American military grade low-noise tubes, type 5654. This one sounds better than the 6J1P and offer higher gain.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $267.78
Cat: 742228 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: More aggro filth from the troubled minds at Schlappi Engineering. This time it's a distortion/filter module with touch-sensitive metal conductors for hands-on control. Screaming saturation and self-resonance ideal for angry techno. Nasty.

Supplier notes:
The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $266.74
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Cat: 640527 Rel: 01 Mar 17 • View all Effects units
 
Speaker emulation for electric guitar, with 16 speaker cabinet models
Notes: Guitarists are a strange breed. They love modifications just as long as nothing actually changes. Never change a winning team is their approach: the favourite guitar, the good old amp and that particular speaker cabinet. The final link in the chain is the defining resonating body to capture the magical sound.

Electric guitarists looking for the perfect way to mike up for live or for recording now have one of the simplest and most workable solutions available - which also sets new standards in sound quality. Brought together in a compact, lightweight metal box are 16 legendary speaker cabinets. Recorded with the best microphones and digitally converted using today's cutting-edge Convolution Technologie, every detail is locked down. But why conserve the sounds digitally? Simply because analogue equipment cannot capture all the acoustic complexities and nuances the speakers produce. Convolution Technologie on the other hand is able to reproduce the complete array of tones and the uniqueness of each cabinet down to the last detail.

Virtual Speaker-Cabinet Collection:
Just pick your favourite cab, fine-tune the sound with the Mic-Position controller and away you go! 16 classic, world-renowned cabs are available in the BluBox: 5 legendary Marshall cabs with vintages from 1965 and 1980 but also the glorious, cult cabinets from Vox, Mesa-Boogie and Fender. Of course, Also included are the BluGuitar NANOCAB and FATCAB which have been rapturously received in music world for their huge sound.

BluBOX is the ideal partner for all eventualities. Whether on stage or in the studio - wherever you need striking sounds of the highest quality miked up or recorded. All this works with the BluBOX directly and even without a speaker cabinet!

BluBOX - The new Speaker Emulation with the most legendary cabinet / microphone combinations of the past 50 years music history, captured for the discerning professional. Great sounds, simple use, small package! The Sound of Tone Innovation.

Cabinets:

NANOCAB - BluGuitar 1x12"
FATCAB - BluGuitar 1x12"
STACK 1965 - Original Marshall 4x12" Celestion (Alnico 15Watts)
STACK 1967 - Original Park 4x12" Celestion (Greenback 25 watts)
STACK 1970 - Original Marshall 4x12" Celestion (Greenback 25 Watts 55 Hz)
STACK 1971 - Original Marshall 4x12" Celestion (G12h30)
STACK 1980 - Original Marshall 4x12" Celestion" (G12h75)
METAL V30 - Mesa/Boogie Rectifer Standard 4x12" Celestion V30
METAL CL80 - Celestion Classic Lead 80 in custom built 4x12" cabinet
JAZZ 120 - Roland Jazz Chorus 120
TWEED 1x12 - Vintage '57 Fender Tweed Deluxe
SILVER 1x12 - Fender Princeton Silverface 1x12"
BLACK 2x10 - Fender '64 Vibroverb 2x10"
BLACK 2x12 - Vintage Fender Twin Reverb 2x12" orange JBL mixed with Jensen C12K
BLACK 4x10 - Vintage 60s Fender Super Reverb 4x10"
BLUE 2x12 - Original Vox AC30 JMI 2x12" Celestion Blue Bulldog
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 1 in stock $204.70
Cat: 754477 Rel: 31 Oct 19 • View all Studio monitors
 
LP8 powered studio monitor
Notes: Weighty sound from the California brand's 8-inch studio monitors. Clear, revealing sound with particularly good high-end detail thanks to the waveguide and 1-inch soft dome tweeter.

Supplier's notes:
Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
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MRP:$321.34 SAVE 30%
 2 in stock $225.44
Cat: 754479 Rel: 05 Dec 19 • View all Studio monitors
 
Innovative 3-way studio monitor, featuring the same woofer & tweeter as Kali's celebrated LP-8
Notes: Big and powerful nearfield monitors from the California brand. Tri-amped three-way design with an 8-inch bass driver for serious bass power. Hugely impressive and reasonably priced.

Supplier's notes:
Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage:

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

Imaging:

We know. We keep harping on about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic centre, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

Clarity:

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimetre peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
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 6 in stock $288.45
1982-2010 (10xLP + booklet in slip-case)
Cat: PYLN 100. Rel: 23 Oct 18
Techno
  1. Fitness To Purpose (5:04)
  2. Warsaw Ghetto (3:48)
  3. Violent Playground (3:49)
  4. Murderous (5:44)
  5. Smear Body (5:46)
  6. Join In The Chant (6:06)
  7. Alarm (3:42)
  8. Let Your Body Learn (2:53)
  9. Let Beauty Loose (2:24)
  10. Into The Large Air (4:12)
  11. Murderous (instrumental) (5:04)
  12. Fitness To Purpos (mix Two) (4:56)
  13. Join In The Chant (Burn!) (5:25)
  14. Let Your Body Learn (Twelve Inch mix) (6:29)
  15. Join In The Chant (Metal mix) (5:17)
  16. Hearts & Minds (3:48)
  17. For Fun (3:05)
  18. Control I'm Here (3:53)
  19. Captivate (3:58)
  20. TWA (4:56)
  21. Blood Money (4:31)
  22. Shame (4:01)
  23. Drive (5:05)
  24. Without Belief (4:19)
  25. Control I'm Here (Command Control Confront mix) (6:41)
  26. Shame (mix No 2 William Orbit) (5:55)
  27. KIA (PK mix) (4:37)
  28. Captivate (William Orbit mix) (6:13)
  29. Hearts & Minds (mix Subsonic) (6:14)
  30. Backlash (William Orbit mix) (6:15)
  31. Getting Closer (4:16)
  32. Nobody Knows (4:07)
  33. One Mans Burden (3:50)
  34. All Over (3:34)
  35. My Heart (4:07)
  36. Lightning Man (4:58)
  37. Rope (3:26)
  38. Hold On (3:46)
  39. Fun To Be Had (4:46)
  40. Lightning Man (The Industry vs The Ebb remix) (6:33)
  41. Fun To Be Had (long mix George Clinton) (7:15)
  42. Getting Closer (The Kitchen mix) (5:08)
  43. Fun To Be Had (Dust Brothers Master mix) (5:18)
  44. Lightning Man (RSW mix) (5:06)
  45. Getting Closer (The Trance mix) (7:15)
  46. Reasons (4:18)
  47. Lakeside Drive (3:56)
  48. I Give To You (5:06)
  49. Sugar Sweet (3:18)
  50. DJVD (4:20)
  51. Time (4:58)
  52. Ascend (5:17)
  53. Godhead (4:28)
  54. Trigger Happy (4:23)
  55. Family Man (Jaz Coleman mix) (3:56)
  56. Come Alive (Alan Wilder mix) (6:11)
  57. Lovesick (Flood mix) (4:00)
  58. Higher (Barry Adamson mix) (5:58)
  59. Ascend (Vince Clarke Anonymous mix) (5:01)
  60. I Give To You (Pestilence) (6:12)
  61. Godhead (remix) (4:39)
  62. Cherry Blossom (5:31)
  63. Hear Me Say (4:08)
  64. Kick It (3:38)
  65. I Thought (5:21)
  66. Floodwater (3:35)
  67. Border Talk (3:27)
  68. In Decline (5:36)
  69. Living Out Of A Bag (5:37)
  70. Boy (4:18)
  71. Our Own World (5:36)
  72. Friend (Brittle mix) (4:15)
  73. Beats Me (4:37)
  74. Kick It (Adrian Sherwood - Compulsion edit) (4:52)
  75. Kick It (Popular music mix) (3:55)
  76. I Thought (Final Sin) (8:25)
 in stock $205.75
VARIOUS
Electric Eclectics (20x12" + 1-sided 7" in silk-screened luminescent sleeves + t-shirt (size L) in flat packed wooden box limited to 247 copies)
Cat: FREE 001 L. Rel: 07 Feb 19
 
Electro
  1. Carl Finlow - "The Lure Of Perfection"
  2. Carl Finlow - "FMeral"
  3. Carl Finlow - "Fundamental Force"
  4. Carl Finlow - "Subaqua"
  5. Microlith - "Untitled 81 4"
  6. Microlith - "Untitled 97 4"
  7. Microlith - "Untitled 103 6"
  8. Microlith - "Untitled 105 2"
  9. Cignol - "Blanket Data"
  10. Cignol - "Sys Reboot"
  11. Cignol - "Acid Tears"
  12. Cignol - "Number"
  13. MetaComplex - "Simulation Model"
  14. MetaComplex - "Digital Reflection"
  15. MetaComplex - "Cellular Warfare"
  16. MetaComplex - "DataCortex"
  17. MetaComplex - "Hadron Escape"
  18. MetaComplex - "Cognitive Map"
  19. Nullptr - "Many Worlds"
  20. Nullptr - "Amsler Grid"
  21. Nullptr - "Zonules"
  22. Nullptr - "Vitreous"
  23. Nullptr - "Sclera"
  24. Nullptr - "2nd Build"
  25. Nullptr - "Heterophoria"
  26. Scape One - "Chaotic Solitude"
  27. Scape One - "Fissle"
  28. Scape One - "Gneiss"
  29. Scape One - "Quartz"
  30. Nebenprodukt - "Biomimicry"
  31. Nebenprodukt - "Greenwashing Companies"
  32. Nebenprodukt - "Zero Liquid Discharge"
  33. Nebenprodukt - "Marine Calamities"
  34. Nebenprodukt - "Electrochemical Oxidation"
  35. Nebenprodukt - "Fluid Dynamics"
  36. Nebenprodukt - "Blue Dyed Organism"
  37. Franck Kartell - "Halo"
  38. Franck Kartell - "Lueurs"
  39. Franck Kartell - "Phosphorescence"
  40. Franck Kartell - "Electroluminsecence"
  41. Franck Kartell - "Flash"
  42. Franck Kartell - "Retour A L'Obscurite"
  43. KAN3DA - "Island Sky"
  44. KAN3DA - "Leda & The Swan" (Full version)
  45. KAN3DA - "Choirpeggio"
  46. KAN3DA - "Kohonen Network"
  47. KAN3DA - "Complex Jam"
  48. Das Muster - "Veranderungen"
  49. Das Muster - "Die Verlorenen"
  50. Das Muster - "Bedurfnisse Erwecken"
  51. Das Muster - "Die Ankunft Des Meisters"
  52. Das Muster - "Optionen"
  53. Das Muster - "Unbekannte Krafte"
  54. Das Muster - "Horizontale Drehung"
  55. Das Muster - "Zeittunnel"
  56. Das Muster - "Optionen" (The Lover At Galibier Alek Stark remix)
  57. Johan Inkinen - "Freakzone"
  58. Johan Inkinen - "The Blue Nights"
  59. Johan Inkinen - "My RRE Material"
  60. Johan Inkinen - "Alley Cruise"
  61. Johan Inkinen - "Rottweiler GBG"
  62. Johan Inkinen - "The Silent Callback"
  63. Luxus Varta - "Liquid Days"
  64. Luxus Varta - "Varta"
  65. Luxus Varta - "Lumeria"
  66. Luxus Varta - "Sonic Dream"
  67. Luxus Varta - "Werner"
  68. Luxus Varta - "1991"
  69. Obergman - "Coherence"
  70. Obergman - "Dual Manifolds"
  71. Obergman - "Helicoverpa"
  72. Obergman - "Interlaced"
  73. Obergman - "Hidden Variable"
  74. Obergman - "Continuum Slice"
  75. Foreign Sequence - "Stellar Parrot Funk"
  76. Foreign Sequence - "Greasy Strangler"
  77. Foreign Sequence - "Space Out"
  78. Foreign Sequence - "The Dancer"
  79. Foreign Sequence - "Dunal Symbiosis"
  80. Mesak - "Cry For Oldschool"
  81. Mesak - "A Plus B"
  82. Mesak - "(I Want) Blood!"
  83. Mesak - "Zuleima"
  84. Mental Note - "The Balloon Women Of Helium 8008"
  85. Mental Note - "Krankenhaus"
  86. Mental Note - "Stink Valve (Pungent Funk Expunger)"
  87. Mental Note - "Hydrogenated Triangles"
  88. Mental Note - "Sick Willian"
  89. Cygnus - "El Gato"
  90. Cygnus - "El Cocodrila"
  91. Cygnus - "Cycario"
  92. Cygnus - "You Like Danger"
  93. Noise&Noise - "Sociology Of The Universe"
  94. Noise&Noise - "God & Man Die Together"
  95. Noise&Noise - "Cybernetics"
  96. Noise&Noise - "The Clash Of Civilizations"
  97. Noise&Noise - "Ephemeral Human"
  98. Noise&Noise - "Humans Are The Sex Organs Of Technology"
  99. Noise&Noise - "Respect For The Deep Sea"
  100. Noise&Noise - "Abstract Materialism"
  101. Hieroglyphica - "Reaction RMX"
  102. Heimelektronik - "808tec"
  103. Darren J Horgan - "Analog Frequency"
  104. Acidulant - "Metronix"
  105. Jensen Interceptor - "Unknown Future"
  106. Luke Eargoggle - "Twilight Zone"
  107. Automatic Tasty - "Fuck Sake, My Heart Has Unwravelled (& Now The Threads Keep Catching On Everything)"
  108. Mutex - "Binary Perceptions"
  109. Aquagonia - "Contro Tempo"
  110. Noamm - "Empty Love"
  111. Binary Digit - "Full Bucket Experiment"
  112. Martin Matiske - "Loving Me"
  113. Arpanet - "Einstein Ring"
 in stock $266.74
Cat: 627849 Rel: 14 Oct 16 • View all Synth modules
 
Source module with four combinations of low-pass filters and/or VCAs
Notes: SPUTNIK QUAD VCF/VCA is a Quad Low-pass Gate and each of the four independent gates have a selectable switch for VCF, COMBO and VCA . CV input varies the gain from -120dB to +3dB gain. The control knobs for each will also determine levels and cut-off frequencies. Outputs include individual outputs, "ALL" (all outputs summed for voltage controlled mixing), "ODD" (1+3 outputs summed) and "EVEN" (2+4 outputs summed).

The module is a four-fold combination of low-pass filters and/or VCAs. Its functions are extended by three different mix outputs.

A channel can be used as a low pass filter, as VCA or as a combination of both functions. Latter corresponds to the behaviour of acoustic instruments, where increase in volume changes the harmonic spectrum. The CV input controls the gain in a range of -120dB to +3dB. In addition to the channels' direct outputs the module contains mix outputs. ALL provides you with the mix of all four channels, ODD with the mix of channels 1+3, EVEN mixes channels 2+4.

Connectors:
- Per VCF/VCA channel: signal input, CV input, individual output
- Mix outputs for all channels, odd channels and even channels
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 3 in stock $260.53
Click for better price!
or call +44 20 7424 1960
quote 627849
Cat: 760152 Rel: 30 Dec 19 • View all Shoulder bags
 
cotton black 12" record case
Notes: Chateau vinyl offeres a perfectly protected, shock absorbing and cushioned space for 75 x 12inches.
Two equal subdivisions that can be divided to both sides.
This unique feature makes record selecting more comfortable in different club situations.
Each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable solution to protect and extend the life of your chateau vinyl. Advise to all the flying DJs: don't check-in without!
Read more
 1 in stock $201.61
Click for better price!
or call +44 20 7424 1960
quote 760152
Notes: Chateau vinyl offeres a perfectly protected, shock absorbing and cushioned space for 75 x 12inches.
Two equal subdivisions that can be divided to both sides.
This unique feature makes record selecting more comfortable in different club situations.
Each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable solution to protect and extend the life of your chateau vinyl. Advise to all the flying DJs: don't check-in without!
Read more
 2 in stock $216.09
Click for better price!
or call +44 20 7424 1960
quote 760153
Items 201 to 250 of 259 on page 5 of 6
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