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Notes: Third-party clone of the open-source Mutable Instruments Plaits oscillator/sound source. All the same functionality in a compact 8hp format with full-size knobs for the key functions.

Supplier's Notes:
Functionally identical clone of the Mutable Instruments Plaits. Beehive strikes a nice balance between size, reducing 12hp down to 8hp, and playability by offering full size knobs for the four main functions. Beehive also retains the same depth of the original module at 25mm. This module uses After Later's new aluminum knobs which have a nice non-slip texture and allow for more finger space over the standard 1900H Davies knobs.

Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: The Bitmap is a bitcrusher with fractional bit reduction and sample rate modulation. The Bitmap 2 adds waveshaping, wavefolding, and a window comparator for extreme digital distortion. A drive control handles everything from single coil guitars to synthesizers, with +8 dBu maximum signal level and enough gain to sound like an overdriven mixer channel. Modulation and envelope control create dynamic, responsive distortion and digital artifacts.

The Bitmap 2 is tuned to provide maximum sustain without sputtering on staccato notes. Less extreme settings add layers of nonlinearities that interact in subtle ways, giving you the warmth and grit of 8- and 12-bit samplers. Sample rate reduction turns your guitar into 8-bit video game sounds or twists scales into inharmonic melodies. Sample rate modulation adds subtle motion or morphs your guitar into entirely new textures.

The Bitmap works with guitar, bass, synthesizers, drum machines, and other instruments or line level sources.

Size:3.05" x 4.75" x 2.5"
Input impedance:1 MO
Output impedance:< 1 kO
Bypass: analog buffered
Power: 9 VDC, center negative
Current: 250 mA

Notes: Ornament & Crime for 1U Intellijel format

This is functionally identical to the 3U version, just re-oriented to fit in 1U racks. Ornament & Crime is designed by mxmxmx.

The apps currently available in Ornament & Crime:

CopierMaschine is an enhanced version of the original quantising digital emulation of a four stage analogue shift register (ASR).

Harrington 1200 provides basic neo-Riemannian Tonnetz transformations of triadic chords, triggered by the digital (gate/trigger) inputs.

Automatonnetz combines Tonnetz transforms with a "vector" sequencer - it can be both a chord sequencer and a melody sequencer, but not of the usual kind.

Quantermain is a quad pitch quantiser for external voltages, with editable scales; it can do clocked (trigger-driven) quantising, or continuous quantising, with a latency of under 100 microseconds; it also features quad Turing Machines, May-Verhulst logistic maps or byte beats as optional, semi-random, internally generated CV sources.

Meta-Q is a dual-channel quantiser, similar to Quantermain, but also offering scale and note mask sequencing.

Quadraturia is a wavetable quadrature LFO, based on the "Easter egg" in the Mutable Instruments Frames module.

Low-rents is a dual Lorenz and Rossler (strange attractor) modulation generator, partially based on the "Easter egg" in the Mutable Instruments Streams module.

Piqued is a quad voltage-controlled envelope generator, based on envelope generator code from the Mutable Instruments Peaks module, but extending it with voltage control, additional envelope types, including re-triggering (looping) envelopes, additional segment shapes, adjustable trigger delays, and a unique Euclidean "trigger filter" which turns the app into a Euclidean rhythm generator which can output envelopes, not just gate or trigger pulses.

Sequins is a dual-channel step sequencer offering 4 "tracks" of up to 16 steps each; tracks can themselves be sequenced.

Dialectic Ping Pong is a quad bouncing ball envelope generator, based on a hidden mode of the Mutable Instruments Peaks module.

Viznutcracker, sweet! is a quad "byte beat" equation generator, which can be used as an audio source to generate curious but often interesting 8-bit noises and tunes, or which can be clocked by an external source to produce "byte beat" control voltage sequences. "Byte beats" were first described in 2011 by viznut (aka Ville-Matias Heikkila).

Acid Curds is both a chord quantiser (sometimes called a "harmonic quantiser" for external pitch voltages), and a chord progression sequencer.

References is an utility app that outputs specific reference voltages on each channel to help tune or calibrate VCOs and other modules. It also includes a high-precision frequency meter and note tuner, a high-precision BPM (beats per minute) tempo meter, and a closed-loop calibration mode.

Width: 30hp
12V: 85mA
-12V: 10mA

Notes: Little box, big reverb. Specially designed for huge, cavernous echo effects and ideal for infinite tails and frozen sounds, the Blackhole is an exceptionally high quality pedal at a very reasonable price.

Supplier's Notes:
Create haunting echoes, ethereal landscapes and otherworldly ambience with Blackhole, a reverb pedal as big and as mysterious as the cosmos. Blackhole takes you there - beyond the ambience of mere earthly Halls, Rooms, Plates or Springs. Blackhole will take you on a journey from cathedral-type spaces to a universe of out-of-this-world soundscapes.

It includes onboard tone controls, modulation, and infinite reverb settings with mono or stereo operation, MIDI control, preset storing, and most importantly a new compact, easy-to-use interface.

Blackhole features two types of infinite reverb. Infinity mode continuously layers new sound on top of a suspended reverb. Freeze mode holds the effect allowing you to play over the reverb tail. The Freeze Footswitch allows instant access to this feature.

Unlike other reverbs which may offer pre or post modulation, Blackhole features modulation built into the reverb structure itself. It's essentially a big multi-voice chorus, with unique tone-shaping ability. You can utilize extreme settings to smooth out the edges.

Like all Eventide pedals, Blackhole allows you to fine tune every aspect of the effect. With a new, user-friendly, intuitive interface, just about anyone can shoot for the moon and land beyond the stars.

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Introduce some precisely controlled chaos to your patches with the Orbit 3, based on the orbit of a particle through 3D space. Audio and low-frequency modes allow it to work as an oscillator or LFO.

Supplier's Notes:
In everyday usage, 'chaos' means 'disorder, 'randomness'. In mathematics however, chaos has a very specific meaning. Chaos theory deals with systems exhibiting highly irregular behaviour, seemingly random yet completely deterministic.

Applying this to the world of modular synths opens up a whole new world of modulation opportunities, introducing a natural irregularity to otherwise purely 'mechanical' music, yet with much more control and repeatability than just simple randomness.

In chaos theory, the combination of all possible oscillations at a specific set of parameters is known as the 'attractor'. Orbit 3 incorporates a modified electronic analogue of the classic double-scroll attractor. Since it contains some (bi)stable regions in addition to chaotic ones, this type is known as a 'strange' attractor.

The voltages at each of the module's outputs can be thought to describe the orbit of a particle through 3D space around two equilibrium points. The positions of these points, as well as the distribution of the orbits and rate of movement can all be adjusted under manual or voltage control.

Not just limited to low frequency modulation use, Orbit 3 can operate in the audio frequency domain as well, yielding a variety of waveforms from its three complementary output pairs. These span a wide range, from near-sine waves to white noise. The addition of temperature compensation and calibrated pitch tracking makes for an unconventional and lively, yet also accurate audio oscillator.

And when you need a break from all that musical chaos, simply connecting any pair of outputs to the XY inputs of an oscilloscope will surely not disappoint!

10 HP
+12: 70 mA, -12: 65 mA

Notes: More great value from TipTop's Eurorack reissues of classic Buchla modules. Noise sources, random voltages, sample-and-hold and integrator (slew) provide a range of modulation and processing options.

Supplier's Notes:
Offering tonnes of opportunity for creating unique instances of controlled randomness, TipTop Audio's Buchla Model 266t Source of Uncertainty is a recreation of the classic random voltage generator and sculpting module. Bringing back a classic set of Buchla's 200-series modules, the 266t recreates six different tools in one classic interface for all of the Eurorack community to bask in. The 266t divides into two sections of generation and modification, featuring two different processors and four generator types with one producing three flavours of analogue noise, labelled flat, -3dB/oct, and +3dB/oct.

The fluctuating random voltages section features two individual smooth voltage generators for adding wiggles and warbles to your modules, each controlled by a rate parameter with CV inputs for modulation. Right below is the quantized random voltage, offering a stepped random output that randomly decides voltage based upon one of two equations corresponding to a value called "n". Depending on the output, you can tune your range to a set amount of possibilities with n+1 output being more localized to the 5V range and the 2^n output having equal opportunity across all 10 volts. The final generator labelled stored random voltage produces two outputs of stepped voltage with an equally distributed random voltage output as well as a selectable bell distribution output that centres its options based on the probability control.

Looking at the processing section, the top-right sample and hold section is actually a track and hold processor, tracking the cv input and changing only at the next high input on the pulse in. The resulting CV output additionally has two alternate outputs that base off alternative pulse counts, and the pulse output alternatives similarly alternate each pulse count. The final section of the 266t lies in the integrator, featuring a simple yet very handy smoothing processor by determining the time it takes to reach from one CV value to the next. With all this versatility to work amongst many modules or even self-patch for related modulation, the Buchla Model 266t Source of Uncertainty will certainly make any modular system lively.

Specifications:

Size: 24 HP
Depth: 25mm
Power: +12V 150mA / -12V 100mA

Notes: This is a new build of a Monsoon, which is a variation of Mutable Instruments Clouds with separate CV and controls for the 4 "blend" functions. The 4 LEDs on the sliders indicate incoming control voltage for the 4 main parameters. The button which was used to select blend parameters now simply switches what the 4 LEDs display (audio input monitoring or monitoring the 4 blend amounts.) Parasites 2.01 firmware is loaded by default. Alternative firmware can be loaded by request.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA

Notes: Amazing value from this little Eurorack-compatible analogue synth. Loosely Moog-inspired semi-modular East Coast subtractive design with MIDI control and great sound.

Supplier's Notes:
East Beast

Fully analogue East Coast style semi-modular synthesizer

What's the first thing you think of when you hear the word "synthesiser"? Close your eyes and think about.

Anyway, for a lot of people, the word synthesiser invokes visions of big filter cutoff knobs, envelope generators, and importantly, big fat-sounding voltage-controlled oscillators. These are the hallmarks of East Coast-style synthesis.

East Beast is a fresh take on these old-school concepts with a few beastly twists thrown in here and there.

Furthermore, you can pop East Beast out of its included enclosure and it transforms right into a 40HP eurorack module
East Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, is a part of their 5th generation of analogue oscillators stemming from a super-serious 10 years of continued research into analogue oscillator development.

Its circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Most of the filters you are used to hearing are transistor ladder filters or copies of transistor ladder filters. East Beast's filter is not one of those. Pittsburgh's whole goal of making this filter for East Beast was to create a filter that's creamy smooth with no dead spots, a very common phenomenon in all filters, but check it out. This one's got no dead spots. From nasally to biting and elsewhere, it's all one large sweet spot.

East Beast's filter is a multi-mode filter, meaning it can be used as a low pass filter, high pass filter, bandpass filter, or a combination of the three for an even wider sonic palate.
Shape the beast in your own image
To further sculpt the sounds Cre8audio has included an envelope generator & LFO. The custom envelope circuit creates a snappy, percussive attack for expressive performance. The dual range LFO opens up a wide range of LFO and audio rate modulation possibilities.

Get patched.
Semi-modular means that the East Beast will work without any patch cables or anything. But what fun is that? Who doesn't want to have their own personal spaghetti mess of cables sticking out of their synthesizer to get wacky with?
East Beast has basically 9 different patchable modules (Oscillator, filter, envelope, VCA, LFO, multi-mod tool, sequencer, MIDI to CV converter, and button keyboard) with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. All for your patching pleasure.

As well as this, East Beast has MIDI in and a fancy MIDI thru so you can chain multiple MIDI monstrosities together- you can plug in a MIDI controller into East Beast and do as you wish.

But wait, there's more! East Beast includes quite a few additional performance features. You can dive in and dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module

Width when used as a module = 40hp
Depth when used as a module = 25mm
213mA power draw when running +12V rail
151mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x East Beast, 1x East Beast wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtail, and love (love's presence likely, but not guaranteed)

Notes: Bucket brigade delay gets pushed into exciting creative territory with this beauty from Joranalogue. Precise analogue delay with loads of character, capable of simple chorus and flanger or more exotic Karplus-Strong synthesis and comb filtering.

Supplier's Notes:
While digital audio processors are often plagued by latency issues, analogue circuits are known for their instant response. But what if you want to delay a signal on purpose, without the use of tape or digital memory? Enter the bucket brigade delay (BBD) line: a series of capacitor 'buckets', which pass the incoming signal along at a high rate in order to delay it.

Delay 1 is a fully analogue BBD-based delay module with a multitude of features geared towards modern musical use. An integrated temperature-compensated, high-frequency voltage controlled oscillator (VCO) provides the 'clock' signal necessary to drive the delay line within 1 to 50 ms.

By increasing the drive frequency to over 20 kHz, the classic 'BBD clock whine' problem is solved, while still providing a wide range in delay time. Classic chorus, flanger and echo effects are easily achieved using the dry/wet blend, feedback and damping parameters.

To greatly reduce distortion and noise, Delay 1 includes a newly developed control circuit. The improved fidelity is maintained at a multitude of signal levels by an integrated high-performance compander, while maintaining signal dynamics.

The module's 'split phase' topology provides two different dry/wet mixes, which may be used to convert mono signals to stereo, for complementary comb filtering and more.

Delay 1 also allows you to experiment with Karplus-Strong synthesis, an exciting technique to create string and percussion type sounds. This is made easy by an integrated noise transient generator, driven by the 'pluck' input, and by the clock VCO's 1 volt per octave response.

By re-engineering the classic analogue delay line, Delay 1 brings the unique magic of BBDs into the contemporary electronic musician's arsenal.

Analogue bucket brigade delay line.
Integrated temperature-stable high-frequency BBD clock VCO with fine and coarse tuning.
Split-phase topology with additive and subtractive dry/wet blend outputs.
Blend, feedback and damping (feedback filter) parameters. Positive or negative feedback with low or high pass filtering.
High-performance BBD drive circuitry and transparent compander chain ensure optimal signal fidelity.
Dedicated pluck trigger input for Karplus-Strong synthesis.
High-frequency BBD clock input and output to synchronise multiple delay lines.
Impedance-compensated outputs with dual-colour LEDs.
Trim potentiometer accessible from the front panel.
Premium mounting hardware: black screws, black nylon washers and matching hex key.
High-quality components and assembly; designed and made in Belgium.

12 HP | +12: 125 mA, -12: 95 mA

Notes: The E1 from Pro-Ject Audio Systems is the first E-Line turntable, aiming to deliver a great sound experience on a limited budget, hand made in Europe. It doesn't matter if you are a beginner, returnee or experienced vinyl fan. The E1 won't disappoint you! Our Plug & Play design with pre-adjusted tracking force and anti skating by our experienced technicians in the factory provides you the best settings for your turntable. Just lean back and enjoy your favourite records. The new E1 is available in three different versions to fit everyone's needs. All three models are equipped with an 33/45 RPM electronic speed switch.

The stylish CNC-machined composite fibre plinth, available in high gloss black, high gloss white or walnut finish, is carefully manufactured to ensure there are no hollow spaces inside. The lightweight and low friction 8,6" aluminium tonearm is optimized for the high quality Ortofon OM5e cartridge and will bring out its maximum potential. The new ABS Polymer main platter is strengthened with purpose-designed ridges in order to create an ideal, anti- resonant platform for your vinyl. To protect your E1 from dust, you will also find an elegant acrylic dustcover with adjustable hinges in the box. Boasting premium materials, stylish aesthetics and a rich, lively sound, the extensive development process has ensured that there has been no compromise in the sound performance despite such an affordable price.

In the box:

E1 with Ortofon OM5e cartridge
Directly soldered RCA Phono Cable (1,23m)
Felt mat
Dust cover
Adapter for 7" singles
Power supply

Technical Specs

Speed: 33, 45
Drive Principle: Belt Drive
Speed Variance: 33: +/-0.7%; 45: +/-0.6%
Wow & Flutter: 33: +/-0.25%; 45: +/-0.23%
Platter: Strengthened ABS Polymer
Signal to noise: 65dB
Tonearm: 8.6" Aluminium Tube
Effective arm length: 8.6" (218.5mm)
Overhang: 22.0mm
Effective Tonearm Mass: 7g
Included Accessories: 15V DC / 0.8A power supply, dust cover, 7" single adapter
Power Supply: 15V 0.8a
Power Consumption: 4.5W
Dimensions (W x H x D): 420 x 112 x 330
Weight: 3.5kg net

Notes: Huge power in a compact package with this upgraded 10-inch design from Alto's TrueSonic 4 range. Bluetooth connectivity and DSP give added control via the Alto app.

Supplier's Notes:
2000-watt 10-inch 2-way powered loudspeaker with Bluetooth, DSP & app control

TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application. With a 10-inch woofer, and a 1.4-inch compression driver, TS410 delivers 2000W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all. With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.


Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points.

Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and wedding

Specifications

Output Power: 2000W
Drivers Low-Frequency: 10.0" driver, 2.0" (50 mm) high-temperature voice coil. 1 x 650 W RMS @ 2 ?.
High Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 350 W @ 4 ?.
Crossover Frequency: 2 kHz
Maximum SPL: 130 dB (peak), 127 dB (continuous) (dB-SPL @ 1 m)
Frequency Response: 57 Hz - 20 kHz (+/-3 dB)
Frequency Range: 48 Hz - 20 kHz (-10 dB)
Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced) (1) XLR output (Link) (1) IEC power cable input
Input Impedance Line: 10 K? balanced, 20 K? unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -? to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/Volume Control Range: -? to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2 Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)
Power Connection: IEC
Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 900W
Fuse: 100-120V T10AL AC250V; 220-240V T5AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grill
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 21.1" x 12.6" x 12.5" / 536 x 320 x 317 mm
Weight: 26.0 lbs. / 11.8 kg

Notes: For Eons, man has thought the sound of thunder to be from the heavens above, echoing boastfully over us as we stay safe from its greatness. However, legend tells of a stoic and indomitable beast residing in the highest mountains seen and heard only by the most brash of travelers. With gnarled and twisted horns, this creature emits a sound thicker than Earth's crust to command attention and warn all who stand in his way. This is Eons.

Eons is a five-state fuzz capable of massively thick sounds ready to test the limits of any amp's grill cloth. Use the Voltage (lightning bolt) knob to crank up to 18 volts into the pedal's circuit for massive, open fuzz sounds, or choose to starve it down to 3 volts for spatty, gated fuzz. Experiment with the Voltage and Mode knobs for nearly endless styles of fuzz tones. Find vintage-inspired sounds emanating from the stages of Woodstock to chaotic three-chord punk rock. Eons is ready for a fight.

The Eons features a five-position rotary knob that offers the following clipping configurations. Think of them as different "flavors" of the pedal:
I. Silicon soft clipping traditional fuzz that's well rounded with a huge sound; compressed and smooth.
II. Silicon clipping with an added bass boost that boosts the low end at the beginning of the circuit; compressed and crunchy.III. Germanium soft clipping with a feel of "what if a distortion and fuzz had a kid?"; crunchy and dynamic.
IV. LED clipping diodes with a slight high-end cut; dynamically dark.
V. Hard clipping silicon transistors combined with LED and Silicon soft clipping diodes. The rowdiest of the modes with tons of gain: compressed, loud, and angry.

Specs

The Eons comes in a sandy tan enclosure color with red, cream and black ink. Artwork features a stoic four horned, Markhor goat illustrated by Adam Forster.
9V DC, center negative, 100mA min
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.

Notes: Part performance mixer, part utility module, with 4 channels of VCA, summed to a stereo output, Tannhauser Gates is AFA's first stereo module.

Based loosely on the Buchla 100 series Gates, each channel boasts a discrete VCA with a rich overdrive sound, stereo panning, a tilt EQ and an easily accessible mute switch. Each channel can be used individually as a mono track or all four can be summed down to the stereo output. The four channels have an individual CV input, or they can all be controlled via the master CV input. The Tannhauser Gates also hosts the capability for a stereo send and return path, expanding your sonic arsenal to other processing modules.

Tannhauser Gates is designed with future expansion in mind. Adding up to three more Tannhauser Gates modules, it is possible to build a performance mixer system of up to 16 channels, all summed to a single output module. The back side of the module is equipped with a number of expansion headers.

Power consumption: 146mA at +12 V and 94mA at -12 V
Depth: 34mm
HP : 20

Notes: A 22hp version of Mutable Instruments Elements. It is functionally equivalent and therefore runs all firmware options and having identical sound characteristics. This version is great compromise between the tight spacing of Atom and full size original, which is a bit large.

Width: 22hp
12V: 130mA
-12V: 10mA

Module power connector can be connected either way on the module side.

Notes: Seeking to recreate the sounds of the Klon Centaur overdrive pedal and Dumble guitar amps, the Crazy Tube Unobtanium combines the holy grails of germanium diodes and all-analogue amp-in-a-box tone. Incredible value.

Supplier's Notes:
Introducing the Unobtanium, a rare sonic element born out of legendary tones.

A mythical overdrive meets the tone and feel of two iconic amplifiers. Crazy Tube Circuits have accurately recreated the circuit of the high headroom overdrive with the magic blend of clean and overdriven tones and added extra features for versatility. The amp-in-a-box section uses an all-analogue circuit to capture the essence of two legendary D-style tube amplifiers. From tube-like compressed fat clean to sweet singing overdrive with blooming harmonic overtones. Combine both sides for near infinite smooth sustain and enter sonic bliss while a passive series effects loop gives you the option to connect your beloved pedals between the overdrive and amp section, building your ideal rig

Right side: K-style pedal overdrive circuit including the fabled germanium diodes
Controls: gain, treble (tone), volume, bypass mode and clipping / compression
Wide gain range control: from transparent boost to high headroom overdrive
Treble control is an active circuit to boost or cut treble
Volume knob sets overall output. Huge amount of dB boost available
Toggle switch to select between the original buffer bypass to add clarity and run long cables or
true bypass
Toggle switch to select between stock clipping / compression or enhanced gain and
headroom/output

Left side: D-style Amp in a box overdrive
Controls: gain, emphasis, tone, volume, amplifier voicing toggle
Gain control: from clean boost to sweet singing overdrive
Emphasis control is a pre-drive EQ to control presence and bottom end response
Tone knob controls the amount of post overdrive high end frequencies
Volume knob sets overall output. Match bypassed volume or use as a clean boost or preamp
Toggle switch selects between 2 distinct D-style overdrive circuits
SSS: clean and transparent overdrive with natural organic compression
ODS: higher gain overdrive with enhanced mid frequencies and harmonic overtones
External footswitch input to select amplifier voicing (bypasses on board toggle switch)
Internal trimmers adjust EQ and volume boost of D-style overdrive voicings

Features:

Dual overdrive with independent operation
Two legendary sonic elements combined in one device
Passive series effects loop to connect other pedals between the two sections or use them separately
Runs internally at 18V DC for higher headroom and tube-like performance
Exceptional pick attack response - almost infinite smooth sustain when both sides are combined
Top mounted jacks
Click-less True Bypass design via high quality relay
Power Supply: Use only 9V DC center negative power supply (not included)
Current consumption 83mA
Pebble grey die-cast enclosure with black ink in old school type print
Made in Greece

Notes: A multi-purpose module designed to combine noise and modulation sources, slew, sample-and-hold, envelope following and more. Extremely versatile way to add randomness and controlled movement to patches.

Supplier's Notes:
Flurry collects and connects a number of practical modular synthesis tools, focused on clocks, noises, and randomness to create a module that is rife with opportunities for exploration and experimentation. Equally capable as a synthesis source, modulator, clock, or signal modifier; It is bound to find a way to bring new life and dimensions to your synth patches.

Core Functions:

A clock and random pulse source with adjustable and modulatable rate
Accurate pink and white noise sources
Analogue sample & hold and track & hold circuits with very low droop
Analogue slew with adjustable slew time and edge selection (rising edge, falling edge, or both)
Envelope follower
16 noise synthesis algorithms, each with 2 parameters.

One of Flurry's more interesting aspects is its collection of digital noises, which provide a wealth of interesting noises, suitable for either audio or modulation purposes. Each noise type has its own pair of unique parameters to further dial in the desired characteristics, with the primary parameter under CV control.

Most people consider noise to be "undesirable," and product developers expend great effort to design circuits that minimize noise. So why make a module designed specifically to create noise?

Indeed, unwanted noise is undesirable. But not all noise is unwanted. Synthesizing the sound of wind or waves are a couple of the more obvious uses for a noise generator, but the possibilities go far beyond. The crack of a snare hit; the breathiness of a flute sound; an added sizzle to a resonant pad - all are within the sonic domain of noise.

But noise has many other benefits beyond simply being heard. Noise happens to make a wonderful modulator. When noise is used to modulate a filter's cutoff frequency, or an oscillator's pitch or pulse width, then all sorts of raspy, buzzy, gritty timbres are obtained.

Noise is also a key ingredient in sample & hold circuits - a technique most commonly used to generate stepped, random voltages. The circuit works by sampling an input signal's voltage each time you send it a clock pulse, and holding that voltage until the next clock pulse. So, naturally, Flurry also contains the requisite clocking tools! Two of the most common destinations for the S&H output are a filter's cutoff frequency (creating stepped, clocked timbral changes), and oscillator pitch (which produces random notes at clocked intervals).
Of course, you might not always want your voltages to change so abruptly at each clock pulse. Maybe you'd prefer they wobble about gradually and with more grace? To do that, you need a slew circuit, and once again Flurry has you covered - allowing you to select not just the slew time, but also whether the slew is applied to rising voltages, falling voltages, or both. A flick of the switch, and that Slew circuit becomes an envelope follower, enabling Flurry to generate envelopes from input signals (syncing to drum hits are a common use).

With all these features, plus the ability to create random pulses, clock to external pulses, and perform more esoteric track & hold duties, Flurry is a noise lover's toolbox.

Width: 8HP
Depth: 34mm
Power: 116mA @ +12V 30mA @ -12V

Notes: An expander module for Rossum's powerhouse Assimil8or sampler module, the Locutus provides MIDI in, out and thru connections over 5-pin DIN sockets, letting you take full control of the module alongside other MIDI gear.

Supplier's notes:
Locutus is designed to interface Assimil8or with MIDI instruments, controllers, and sequencers to provide multichannel modulation and new polyphonic possibilities.

Locutus includes a special cable to connect to the Assimil8or CPU behind the panel.

Locutus is 6 HP wide and 25mm deep.

More pricing and availability information is coming soon.

Locutus is on display in the MIDI Association booth #9901 at NAMM 2023 where Locutus and Assimil8or will be performing with a Rossum SP-1200 Reissue, an Oberheim OB-X8, and other new and vintage MIDI-equipped instruments.

MIDI Association booth #9901 is dedicated to the MIDI@40 Lifetime Achievement Award winners, including Rossum Electro-Music co-founder Dave Rossum.

From the MIDI Association: "At Saturday's anniversary celebration, lifetime achievement awards will be presented to (or posthumously honour) legendary music industry innovators who created the modern music production environment of synths, drum machines, and sequencers, including Bob Moog, Don Buchla, Ikutaro Kakehashi, Tsutomu Katoh, Roger Linn, Tom Oberheim, Alan Pearlman, Dave Rossum, and Dave Smith."

Notes: Stylus ELITE technical data

Output voltage at 1000 Hz, 5cm/sec. - 8,5 mV
Channel balance at 1 kHz - 1 dB
Channel separation at 1 kHz - 25 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3 dB - 20 - 20,000 Hz
Tracking ability at 315Hz at recommended tracking force - 100 um
Compliance, dynamic lateral - 13 um/mN
Stylus type - Nude Elliptical
Stylus tip radius - r/R 8/18 um
Tracking force range 2.0-4.0 g
Tracking force recommended - 3.0 g
Tracking angle - 20-

Concorde cartridge weight - 18.5 g
Recommended exclusively for Concorde ELITE

Notes: Part of Xaoc's range of modular mixing tools, the Bohumin 1966 is a commander module for Ostrawa stereo mixer modules, adding a second stereo aux bus, voltage control and manual attenuators with clickless mutes

Supplier's notes:
Bohumin [bo'xumin] is an expander for Xoac Deives' Ostrawa full stereo mixer module. By connecting to Bohumin, Ostrawa gains a second full stereo AUX bus with voltage control over the amount of the effect on each channel. Bohumin features manual attenuators for stereo returns of both AUX A and AUX B, as well as four gate inputs for automated clickless muting of each stereo input channel. Please note that Bohumin is not compatible with Ostrawa's sister module Praga. Similarly, Praga's expander Hrad cannot be connected to Ostrawa. However it is possible to chain any combination of Ostrawas and Pragas, and each of them may have its corresponding expander attached.

Technical details

10hp, skiff friendly
Power drawn from Ostrawa: +50mA/-40mA

Notes: Part of Xaoc's Leibniz binary system, the Rostock is a digital delay line capable of processing triggers, audio, CV and video signals. Another useful module from the unique Leibniz series.

Supplier's Notes:
Rostock is a component of the Leibniz Binary Subsystem. It is a data pipeline, a FIFO (first in - first out) shift register, or a very short digital delay. The module operates similarly to a BBD delay or an ASR (analogue shift register), except that it is digital. It consists of a chain of memory cells that pass bits from one to another at each clock cycle. The delay length is variable from 1 to 64 stages (with optional looping and scrambling). It works by processing data in the Leibniz bus and must be connected to other Leibniz modules using data ribbon cables at the back. Rostock may process data sequences representing rhythms, control voltages, audio-rate signals, and even video signals because the bits can change at extreme rates (up to 2MHz). In addition, its memory may be digitally looped. Delaying and looping is a fundamental building block for sequence automation, pattern and chaos generation, and various cybernetic modular patches. Thus, Rostock is a multi-purpose open-ended device that invites creative thinking.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Current draw: +70mA/-40mA
Reverse power protection

Notes: The SoundForce Chorus 6 is 16HP Juno style BDD chorus with plenty of CV inputs. It is using the Xvive MN3009 and the same audio path as the original circuit. It can do the classic Juno I, II and I+II modes. I+II modes are available from both the Juno 6 and Juno 60, each in mono (as the original) or stereo, giving you 4 I+II options. But the manual and external modes can take the module away from sweet and pretty sound territories right into weird and noisy soundscapes.

Some tech-talk:

A chorus effect is created by mixing a dry signal with a delayed signal. The delay time is modulated by an LFO to create more movement. To create some stereo width, the left and right modulation are 180 degrees out of phase. Exactly like the chorus in the Juno 6/60/106, the delay is made with MN3009 BBD chips. Also as in the original design, filters are added both before and after the BBD chips in an attempt to hide some of the artefacts of this very crude IC.

To get the audio "moving" through the chain of MOSFETs in the BBDs, driver signals are needed. This used to be done with the MN3101 BBD driver chip. Unlike the MN3009, there is no clone available of this ancient IC and this was a chance to add some modernity to the design. The drivers were replaced by a modern STM32 micro-controller along some extra ICs to convert the 3.3V logic to the negative voltage needed by the MN3009.

In order to recreate a genuine Juno-type modulation, the BBD driver signals of my Juno-106 were sampled over a few periods. Using the timer peripherals of the STM32, a replica of the BBD driver signals can be sent out to the MN3009's. Although the driver signals only follow a very basic triangle LFO shape and could have been generated using direct synthesis in the firmware, this method gives an exact copy of the original driver signals including all the potential imperfections.

Implementing a digital programmable chip also allows a digital-style interface with tactile switches and LEDs as in the original Juno interface. The last used mode is saved and loaded when the module powers on. The CV inputs (with the exception of the MIX CV) are acquired by the STM32 ADC and can modulate the BBD driver signals based on parameters in the firmware.

Features:

The SoundForce Chorus 6 has 4 main modes: I, II, I+II, MAN for manual and EXT for external. I and II are the classic Juno modes available in the Juno 6/60/106. Press both I and II to enter the I+II mode. While holding down I and II, press the OFF button to cycle through the 4 I+II options:

- Juno 60 mono - 1hz - 8% depth
- Juno 60 stereo - 1hz - 8% depth
- Juno 6 mono - 8hz - 25% depth
- Juno 6 stereo - 8hz - 25% depth

In I, II and I+II, only the mix controls can influence the sound, all the other parameters are fixed and CV inputs are not active.

Mix control:

Using the slide pot (fader) or the CV input, the mix between the dry input signal and the BBD delays output can be set. The orignal Juno balance is reached when the slide pot is in the middle (without CV connected). The mix control is a VCA-based crossfader and is 100% analog which means it can withstand really high audio rate frequency modulation.

MAN mode:

The manual mode gives you the opportunity to control every parameter of the chorus and gives you acces to the LFO that modulates the BBD delay times. Here is what you can tweak:
- time slide pot: sets the start delay time
- rate slide pot and CV input : sets the frequency of the delay time modulation
- depth slide pot and CV input: sets the depth of modulation around the start time
- mix slide pot and CV input: see above
- LFO wave: selection of different waveforms to modulate the delay time
- range: selection of 3 different frequency ranges for the LFO (S: 30Hz to 500Hz | M: 1Hz to 100Hz | L: 0.016Hz/1min to 10Hz)

In manual mode, the EXT IN CV input can be used to change the LFO wave, range or add additional modulation of the delay start time.

EXT mode:

In external mode, the BBD delay times can be modulated using an external signal through the EXT IN cv input. Plug in a CV source from your eurorack case into the EXT IN, set manually the starting delay time using the time slider and use the EXT ATT slide pot to attenuated the incoming CV signal (equivalent to setting the depth). In external mode, the depth/rate sliders and CV inputs are not active.

Stereo inputs:

The Chorus 6 can be used with either mono or stereo input signals. When the right channel is unconnected, the left channel is sent to the right jack so it can be used with mono signals. When using both inputs, each input signal is going through its own BBD delay line.

BBD delay time range:

The Chorus 6 gives you in the MAN and EXT modes a delay range that it is about doubled compared to the I/II modes. The original Juno chorus was using only a very limited range of the BBD chip and really stayed in the sweet spot. Extending to the full spectrum of the MN3009 yields pretty horrible high pitch noise at audio rate modulation, so the range has been limited to a usable section. When you apply high frequency modulation with great amount of depth, the delay time will be pushed in the extremities of its time range and quite nasty artifacts will appear in the form of squeaks and whines. Please note this is a characteristic of the BBD. If you want to reduce those artifacts, reduce the depth of modulation. On the other hand, if you are looking to add characteristic and vibe to the sound, audio rate modulation and plenty of depth will help you to get there.

Input levels:

Both Eurorack and Line level signals can be used as input for the Chorus. A small slide switch between the 2 PCBs can switch between Euro and Line. In Euro levels, the input signal is attenuated to an healthy level that is well below the BBD distortion point. Some headroom is also needed as the chorus is a sum of the input signal and the modulated delayed signals. For that reason, when the chorus is turned off the output attenuation is about 50% of the input level. When the chorus is on, the resulting output amplitude is similar to the input level. Line levels are also accepted by the module when the switch is on Line. Please note that Line levels input will be amplified to the Eurorack levels range at the output of the module. So the output levels are Eurorack in both Euro or Line input ranges.

Specifications:
16HP
Depth: 38mm (including power connector)
Power: +12V 76mA, -12V 35mA

Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V

Notes: Updated version of Arturia's consistently popular MIDI keyboard series, featuring a bigger screen and new performance features.

Supplier's Notes:
Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V

Notes: A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide

Notes: Psychdelic Vocal Trip

Designed for vocals, the Echo Master is a lo-fi, analogue tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use with any of your favourite effects pedals on your vocal sound without any adapters.

The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.

Controls

Time: Controls the delay time, with numbers labelled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases.

F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation.

Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix.

Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals as well as the delay generated by the Echo Master.

*Alternate Backplate: Back in stock baby! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. This recently upgraded V3, comes with a handgrip screw for more torque (although it resembles the V1, this is a much sturdier model). **Please note- cords, microphone, and stand are not included.

Specifications

Dimensions: 6.09" x 3.45" x 2.75" (including hardware).
Weight: 16oz. (w/ Alternate Back Plate 30oz.)
Power: 9V (runs on standard 2.1mm negative center 9V adapter).
Current Draw: 25 mA.

Notes: RackBrute 3U is a comprehensive Eurorack housing, transport, and protection solution. Featuring configurable positions, dependable power supply, and maximum practicality, you can be assured your precious modules will be well guarded.

Don't worry; your beloved modules are under heavy guard.

Modular gear is a precious commodity, and you need a versatile housing and security system to accommodate them. A first glance, you'll see that this is a perfectly fitted 3U, 88 HP case made of a light but strong aluminium chassis, fitted with wood side panels.

Deceptively simple, RackBrute is far more than a simple box. It includes many smart additions, such as the included +12V / -12V / +5V power supply that ensures that keeps everything up and running, and the multi-position handle system that not only lets you carry your collection with ease, but also lets you deploy an optimal operating angle, whatever your preference.

Ready for anything

Secure an unobstructed viewpoint over the theatre of operation, and hold the position 'til further orders.

In addition to keeping your modules safe and secure, RackBrute 3U gives you total control of the situation, no matter the context. The first of its secret weapons is the Link fastening system. Paired with the included handle, it will let you choose one of several configurations and orientations for your modular arsenal. Whether you want your gear stealthy and prone, or standing to attention, RackBrute is at your command.

The second trick up its sleeve is the stalwart, ever-reliable, power supply module. Including two independent circuits to supply common modular voltages, it will more than cover your need for +12V, -12V and +5V, providing up to 1600mA in total.

Thirdly, its robust power rail includes a sophisticated noise-filtering technology, and provides 20 standard slots to leave plenty of space for your collection.

Once you're powered, in position, and locked down, you'll feel like your modular rig could withstand a siege.

Joining forces with allies

Always remember the Modular Republic's motto: Unity is strength.

The Link fastening system not only equips the RackBrute 3U, but also its large-calibre sibling, RackBrute 6U as well the MiniBrute 2 and MiniBrute 2S. No matter the combination you go for, you can make the most out of your extensive module collection, or create a powerful EcoSystem with the extensive CV/Gate connectivity of the MiniBrute 2 and 2S.

It's also worth noting that although this technology comes straight from the top secret Arturia research labs, they are working for the greater good. The Link system is patent-free, so you can expect more and more Link-enhanced equipment to become available in the near future.

Do not wait for reinforcements, bring them yourself.

Let's move out

Arturia have made sure that your gear would arrive without any scratches.

When carrying precious cargo, dozens of fragile modules, a unique and irreplaceable collection, you need to be certain of their safety. With RackBrute 3U, you have nothing to fear: from the handle, all the way to the threaded nut strips, you'll find strong aluminum and steel. Wherever you go, however long your journey, however heavy your setup, RackBrute was built to last. Even transporting two RackBrutes or a RackBrute and a MiniBrute 2 is totally risk-free thanks to the built-in Spacers, eliminating any chance of collision.

If you are planning an undercover mission, the dedicated, discrete RackBrute Travel Case will keep your precious equipment free from harm.

When you need to take your show on the road, rehearse, or even just rearrange your creative space, you can depend on RackBrute.

What's in the box

Box content:

RackBrute 3U unit
Power cord
Instrument dimensions
Size : 19 x 6.6 x 3.3 inches (484 x 167 x 83mm)
Weight : 4.7 lbs. (2.1 Kg)

Main Features:

Eurorack format, 88 HP
Aluminum Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (2 separate circuits of 800mA)
Up to 900mA on 5V (USB + 5V modules)
Power rail with noise filtering
20 standard power slots with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration

Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz

Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.

Notes: Excellent quality portable turntable from the legendary Stanton brand. Rechargeable batteries, Bluetooth streaming and recording direct to USB. Ideal for portablism.

Supplier's Notes:
Stanton STX

Limited edition portable scratch turntable

Razor sharp cuts, right away

The STX is the only portable turntable that comes with a factory-installed mini Innofader Nano crossfader. Designed to last over 4 million cycles, this buttery-smooth fader and can be easily swapped between left and right positions to accommodate both left-handed and right-handed scratch styles. The independent crossfader Cut-In and Curve knobs deliver an unrivalled level of crossfader customization, allowing DJs to precisely calibrate the crossfader to suit their own style. This level of customization, along with the ultra-stable platter and tonearm, makes it easy to achieve the absolute cleanest cuts possible.

Scratch whenever, wherever

Second only to a sharp, ultra-precise crossfader, ease of portability is vital for a portablism-focused turntable. High-quality rechargeable Lithium-ion batteries are included with the STX, providing enough portable power for hours of mobile use. The batteries can easily be charged by connecting the unit to a computer or wall charger using the USB C input. For extended scratch sessions, the USB C input can also be used with external power sources for even more cutting time. To top everything off (literally), the latching lid also functions as a stackable, latching base, bring the STX to standard turntable height.

Well-connected for creators

Performing with beats and loopers is as simple as connecting a smartphone wirelessly with Bluetooth or with the 1/8" stereo input. The USB port with one-touch recording makes it fast and easy to record high-quality session audio for social media content creation, while the stereo RCA outputs allow you to connect external mixers and speakers for live performances.

Performance ready

The modification culture is alive and well in the portablism world. Since the inception of this art form, we've seen ingenious designs and customizations. The most popular and utilitarian mods are already included on the STX, including a Start/Stop button, an on-board speaker, and a pitch slider with Ultra-Pitch selection switch. These key features allow for inspiring performances right out of the box and provide a solid foundation upon which DJs can further customize to match their own unique portablist style.

Features

Mini Innofader Nano crossfader installed
Independent Crossfader Cut-In and Curve controls
Rechargeable batteries (included)
USB C input for charging batteries and for external power connection
Bluetooth and 1/8" stereo input for smartphone looper apps
Direct-to-USB recording
Built-in speaker
Pitch slider with Ultra Pitch option
Stackable latching lid
Start/Stop button
33 1/3, 45, and 78 RPM switch
Stereo RCA outputs
1/4" and 1/8" headphone jacks

Technical Specifications

Connections

(1) RCA line-level output (stereo pair)
(1) 1/4" (6.35 mm) stereo headphone output
(1) 1/8" (3.5 mm) stereo headphone output
(1) 1/8" (3.5 mm) stereo input
(1) USB-C port (charges the internal battery)
(1) USB-A port (USB flash drive recording)
Speeds 33 1/3, 45, 78 RPM (45 RPM adapter included)

Power

(2) 3.7V Li-ion batteries
Dimensions (width x depth x height)

13.0" x 13.0" x 4.0" (3.25" without cover attached)
330.2 x 330.2 x 101.6 mm (82.6 mm without cover attached)
Weight: 5.3 lbs./2.4 kg

Notes: Music's best octave pedal in a powerhouse pico package!

EHX's smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.

The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.

Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.

Lightning-fast tracking with perfectly precise octave tones

3 volume knobs control level of SUB OCTAVE, OCTAVE UP, and DRY tones

TONE knob with 3 filter modes

Tone Mode applied tilt-EQ to all output

Low Pass Mode applies a resonant low pass filter, which allows low frequencies to pass while cutting higher frequencies of the Sub and Octave Up voices

High Pass Mode applies a high pass filter, which allows high frequencies to pass while cutting lower frequencies of the Sub and Octave Up voices

Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: This is a digital effects pedal in a compact format, including reverse delay - pitch shifter - delay and modulated reverb.

Effects engine is 12 bit and includes analogue filtering before and after digital conversion, based on vintage eighties units' topologies, but it allows for all the effects to be simultaneously available.

Despite its complexity, operation is simple and intuitive, all functions are directly controlled by the corresponding knob.

Pots controls:

1-Blend controls mix of effects over final output signal
2-Octave blend mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component 5-Balance controls mixture from reverb and
delay.
6-Sample rate controls the frequency operation for the whole pedal, modifying delay time
and reverb decay.
7-Reverse blends the reverse component with the direct signal.

Indicators:

Signal: indicates clipping, the input path has compression and limiting so it gives an idea of how hard you are driving the pedal.

Tap: blinks at the rate of the delay, depending on tap and sample rate.

Tap/freeze: turns red while tapping time, blue indicates reverb freeze.

Bypass: global effect on/off

Footswitches:

1-Tap/ freeze works as a tap tempo for the delay and reverse delay, and freeze/infinite for reverb, selected by the associated toggle switch. Max delay time is around 6 seconds, depending on sample rate setting.

2-Bypass: buffered bypass for the whole pedal.

Power consumption: 150 milliamps.

Notes: The next generation of Ableton Live controller from Akai, the APC64 is designed for seamless integration with the software, or as a standalone step sequencer and controller. The 64 velocity sensitive pads handle playing, recording, clip launching, sequencing and much more, while eight assignable touch strips offer extensive hands-on control.

Supplier's notes:

APC64; Next generation Ableton live controller.

Touch the future

Leap into a new world of musical possibility in the studio, on stage, and anywhere creativity leads you with the powerful APC64.

Ableton live controller; with sequencer and touchstrips

The new Akai Professional APC64 is a powerful next-generation Ableton Live controller for studio and live performance.

It features 64 RGB velocity-sensitive pads with poly aftertouch, and 8 fully assignable Touch Strips for instant hands-on control of devices, pitch, modulation, and much more. APC64 also works as a standalone 32-step 8-track Step Sequencer and controller with 3 MIDI ports and 8 CV/Gate outputs to take full control of synths, drum machines, or modular rack devices.

In-depth control of Ableton Live

Enter the matrix

APC64 features a vibrant 8x8 pad matrix of 64 velocity-sensitive RGB pads with poly aftertouch for playing chords, synth leads, Ableton Live's Drum Racks and of course launching Clips in Session View.

Touch the future

Add a whole new level of expression and control to your music production and live performances with 8 fully assignable Touch Strips with RGB LED indicators. Get control of Ableton Live's devices - including Auto Filter, Delay, Reverb, Impulse, Simpler and more - right at your fingertips. Adjust macros, mixer volume, pan, and effects sends as well as writing automation.

Visual feedback and control

APC64 includes a smart colour LED screen with a fast push encoder for real-time visual feedback of your parameters. Move around Ableton Live's devices and mixing environments while keeping track of each parameter on the screen. APC64 also features dedicated transport control with Play, Stop, and Record for capturing your ideas along with 8 Track Mute and Solo buttons for mixing and live performance.

Standalone step sequencing

APC64 features an internal 32-step 8-track Step Sequencer enabling completely DAW-less control of your favourite synths. With 8 CV/Gate outputs and 3 1/8" MIDI ports, you can connect, sequence, and capture your favourite modular racks, keyboards, classic drum machines, and more. Add continuous control and expression using the 8 Touch Strips for a whole new level of performance. Apply additional creative dimensions to MIDI notes using the Probability, Velocity, and Mutate functions for further experimentation.

Powerful production and performance

APC64 facilitates a seamless workflow within Ableton Live; from triggering samples and loops in Ableton Live's Drum Rack, all the way to writing expressive melodies using the Notes, Scale, and Chord modes. Use the onboard Step Sequencer to generate inventive melodic patterns that can be instantly transferred to Ableton Live using the Send To Clip function. Apply swing and quantize to your beats or use APC64 to arm and record vocal tracks directly in Ableton Live sessions.

Ableton drum rack/simpler control

APC64 features a dedicated Drum Mode allowing you to play and record beats, loops, and slices using an Ableton Live Drum Rack or Simpler device. Capture additional inspiration using the 8 Touch Strips to control Ableton Live's FX racks during beat making and performance.

Included software bundle

Ableton Live Lite 11

APC64 Includes Ableton 11 Lite for all your software music production needs in one package to produce, perform, arrange, record, edit, mix and master your music. Live Lite includes sounds, instruments, and sequencing, recording, and arranging capabilities.

Air music instruments/plugins

APC64 Includes a collection of professional plug-in instruments and effects so you can start producing out of the box. Included are the following plugins: TubeSynth, Electric, Ether, Halfspeed, Vocal Tuner, Flavor, and the Sonivox Essential Keyboard Collection.

Custom editor software

Create your own custom layouts with the included desktop software editor for Mac/PC to personalize and store pre-sets for quick recall in standalone.

Key specs

Display
Graphical full colour LCD
Connections: USB-C, 8x 1/8" (3.5 mm) CV/Gate, 2x 1/8" (3.5 mm) MIDI Output, 1x 1/8" (3.5 mm) MIDI Input
Dimensions (width x depth x height): 10.7" x 14.6" x 1.4" 272 x 371 x 34.5 mm
Weight: 3.5 lb/1.6 kg

Notes: The Beam Splitter is a single pedal meant to create a massive sound. It is three different takes on overdrive, voiced to work together perfectly. Two of them can be delayed in time, and all three can be run in parallel or split out to three separate sources.

Beam Splitter takes a mono input and makes it wildly bigger than before. Things stretch in time and compress in dynamics, and a rich harmonic wash is achieved without sacrificing clarity.

To be washed in sound, does it have to be one big sound, or will a number of small sounds do the trick? To create a wall of sound, same question, but also how does it stay solid? How can sound waves make a wall, and is it just a moment in time; will it always crash down?

Why record your guitar thrice when Beam Splitter exists?

Beam Splitter is best seen in three sections - Purple, Green and Blue.

Purple is a hard-clipping distortion that can be seen as the core gain sound of Beam Splitter.

Of Beam Splitter's three gain sections, it is arguably the heaviest and most compressed. It has three controls, identified by their purple knobs and labels - Gain, Volume and Tone.

Green is an overdrive with both soft and hard clipping. It is the lightest and brightest of the three gain sections in Beam Splitter. Also featuring Gain, Volume controls the green gain circuit features a Time knob, which sets the delay time, up to 125 sections. When blended in parallel with the other drives, this delay time can create anything from tight comb filters to loose doubling delays to short slapback.

Additionally, there is a Decay knob, which sets the feedback of the delay, from one repeat up to many repeats trailing off. In comb filter settings this can increase resonance.

Blue is a transistor Overdrive and the most neutral and reactive of the three gain circuits, with a gain range somewhere in the middle. Its Gain switch sets the amount of breakup. In the down setting, it is less overdriven, with less compression in the mids and highs. In the up setting, it is more overdriven and aggressive. It also boasts Time and Decay controls, on top of the Tone and Volume knobs and gain switch.

The pedal's Deviate control is a shared knob that sets the amount of random variation in the delay time of the Blue and Green drive sections. The more it is turned up, the farther their delay times can deviate, and the faster those deviations happen. When at zero, the delay times are fixed, above zero, each Time knob sets that sections delay time.

Deviate intends to create a more realistic sense of doubled players, with random variations in timing as if you were playing to the track twice. It can also give the impression of flanging, chorusing or broken vibrato, depending on the settings.

The Expression jack is used to externally control the Deviate knob using a TRS expression devices with standard polarity and tip connected to the wiper.

Beam Splitter has a mono input. From there the signal goes out to Purple, Green and Blue drive sections in parallel. If only plugged into the Purple Out Jack, all three sections will join in parallel mono at that Output. Green and Blue can each be broken off into their own output by plugging into the corresponding Out jacks.

In this way you can have a full 'stereo' setup.

Notes: Your studio headphones

DT 900 Pro X

Trusted sound meets performance and flexibility

In launching the open-back DT 900 PRO X, Beyerdynamic are unveiling circumaural studio headphones, which are set to usher in a era for the long-established, Heilbronn-based company. While the classics of the PRO series are regarded as reference products in professional studios all over the world, the PRO line is suitable for flexible use both in the studio and while on the move. It is all made possible by the STELLAR.45 driver that loudly reproduces the best sound in studio quality without any distortion - with all playback devices.

Professional audio quality

Trusted studio sound meets high performance

The STELLAR.45 sound transducer, developed and produced in Heilbronn, Germany, delivers that proven Beyerdynamic sound at previously unattained levels of studio-headphones-class performance. This is down to the neodymium ring magnet as well as copper-clad high-tech wire. The trade-off between electrical conductivity and the weight of the wire is unique. In combination with the three-layer speaker diaphragm featuring integrated damping layer, this has created a highly efficient driver system that performs superbly on all playback devices.

The innovative membrane structure controls the axial motion of the voice coil and ensures that it remains securely positioned in the magnet gap even during high oscillations. Another benefit is vast and natural frequency response. The fast response of the transducer and the detailed transient response, produced by the low coil weight, create a sound that is always reliable and distortion free even at high sound pressure levels.

Flexibility

Wide range of applications on all playback devices



Anytime, anywhere - the wide range of applications offered by the PRO X line unleashes your creativity. Be it on an audio interface, laptop, tablet or mobile phone: Thanks to the high-performance STELLAR.45 driver, the PRO X headphones with an impedance of 48 ohms reproduce sound at volume and power to familiar levels of studio quality - on all playback devices. The cable concept is also demonstrably suitable for everyday use: the removable mini-XLR cable can be swapped out as required to be replaced with cables that have different lengths or feature other connectivity options.

Superb wearing comfort

Tailored fit for extra-long sessions

The PRO X line also embodies what these professional headphones have always been synonymous with: maximum wearing comfort. The robust spring steel headband design assures the over-ear headphones provide a secure fit and ensures durability. The supple velour ear pads are soft to the touch, as you would expect, and guarantee superior ventilation. The headband ergonomically adapts to the shape of the wearer's head with the aid of soft memory foam and, like the ear pads, can be replaced if required.

Design & materials

Built to last, featuring a sleek, robust design

Black, minimalist and reduced to the essentials. In a word: PRO.

As far as the design of and materials used in the PRO X line are concerned, attention was paid to the resilience of all components: metal headband, GRP components, a robust mini-XLR connector and hard-wearing cable. This means you are geared up on a daily basis for any professional application.

Sustainability

Sustainable headphones - made in Germany

The PRO X line headphones have been designed for daily use in challenging conditions. This is why they are handmade in Germany using premium quality materials. If required, nearly all the headphones' components can be replaced, turning these headphones into an investment that makes sense for every creator.

Technical data

Transmission type: Wired
Earpad material: Velours
Nominal impedance headphones: 48 ohms
Weight headphones without cable: 345 g
Headphone frequency response: 5 - 40,000 Hz
Nominal sound pressure level: 100 dB SPL (1mW/500Hz)
Sound coupling to the ear: Circumaural (around the ear)
Cable & plug: 3 m or 1.8 m straight cable, detachable, with 3-pin mini XLR & stereo jack (3.5 mm & 6.35 adapter)

Notes: Upgraded Pro version of the outstanding FX Aid multi-effects module. 200 onboard stereo effects, customisable via an online app, with added CV inputs and even more physical controls. Superb.

Supplier's Notes:
FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: Part of the new Boss 200 series, the RV-200 is a seriously classy reverb. With a choice of 12 algorithms, things quickly move from classic ambience to the pitch-shifted arpeggiated madness of the new Arpverb program.

Supplier's Notes:
Ambient Bliss

The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types-including the newly developed Arpverb-provide everything from subtle spatial colour to complex, dreamy textures for ambient explorations. Quickly dial in sounds with the fast-access interface. Save favourites in 127 memories. And take performances to the next level with flexible onboard footswitches, deep external control support, and head-turning creative tools like Warp, Twist, and more.

Studio-Grade Processing

The RV-200 features a powerful reverberation engine with class-leading sound quality, backed by custom BOSS DSP, 32-bit AD/DA, 32-bit floating point processing, and a 96 kHz sampling rate. Every algorithm offers true studio-grade performance, with exceptional detail and definition from the shortest early reflections to long, floating tails spanning multiple seconds.

Twelve Distinctive Reverbs

From essentials like Room and Hall to deeply immersive reverbs like Shimmer, Slowverb, and the cool new Arpverb, the RV-200 gives you the ambient colours you need for every song and style.

Room

Simulates the reverberation characteristics of a small room. Select from four room sizes with the Param knob.

Hall

Simulates the reverberation characteristics of a concert hall. Select from three hall sizes with the Param knob.

Plate

Simulates the reverberation characteristics of a studio plate reverb. Balance the high and low damping of the reverb with the Param knob.

Spring

Simulates the distinctive sound of the hardware spring reverb effect found in guitar amplifiers. Select the number of springs with the Param knob.

Shimmer

Creates long, dreamlike reverberations rich in harmonic content. Adjust the harmonic character and diffusion with the Param knob.

Arpverb

A newly developed BOSS reverb that creates an arpeggio type of sound with evocative pitch-shifted tails. Use the Param knob to adjust the attack of the arpeggio sound.

Slowverb

A sweet ambient reverb with gentle attack and soft harmonics. Param adjusts the amount of direct sound blended with the reverb, allowing you to create deep, immersive tones.

Modulate

Adds a modulation effect to a rich hall reverb sound. Adjust the modulation depth with the Param knob.

+Delay

Combines a delay with reverb, with the length of both effects controlled with the Time knob. Use the Param knob to adjust the delay level.

Lo-Fi

A specialty reverb with limited bandwidth and added distortion. Adjust the distortion amount with the Param knob.

Gate

A distinctive reverb effect that abruptly cuts off the reverb tail. Use the Param knob to control the timing of the gate effect.

Reverse

Plays the reverb sound in reverse. Adjust the high-frequency character with the Param knob.

Instant Sound Creation

Like all 200 series pedals, the RV-200 offers a powerful yet intuitive panel that lets you realize great sounds with minimal effort. Along with core parameters such as reverb time, effect level, and pre-delay, there are variable high and low filters to perfectly balance the verb for your application. You also have a density control to adjust the weight of the sound, plus a parameter knob with access to multiple sound-shaping tools that are unique to each type.

Expressive Performance Control

The RV-200 includes memories for storing 127 reverb sounds, so your favourite setups are always ready to go. Two onboard footswitches pack a lot of performance versatility, with numerous options to reassign their targets to suit your needs. For example, you can bypass the effect, scroll through memories, and activate a Hold function to carry on the reverb effect for as long as the switch is pressed. It's also possible to assign powerful performance effects such as Warp, Twist, and Fade.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes- ROOM, HALL, PLATE, SPRING, SHIMMER, ARPVERB, SLOWVERB, MODULATE, +DELAY, LO-FI ,GATE, REVERSE
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohms
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/HOLD switch, MODE knob, TIME knob, PRE-DELAY knob, E. LEVEL knob, PARAM knob, LOW knob, HIGH knob, DENSITY button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: DENSITY indicator, MEMORY (MAN, 1--4) indicators

Connectors
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type, CTL 1, 2/EXP jack: 1/4-inch TRS phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type, DC IN jack, USB port: USB2.0 micro B (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adapter (sold separately)
Current Draw: 260 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height(including rubber feet): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

Notes: Dial in Professional Sounds in Seconds

The BOSS ME series has been a favourite of performing guitarists for over three decades, combining multi-effects power with intuitive hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this versatile all-in-one processor makes it easy to build customized sound setups for every playing situation.

Fast Sound Creation

With its knob-driven interface and diverse effects selection, the ME-90 lets you build configurations and tweak tones with the ease of a stompbox-filled pedalboard-without the hassle of fastening tape, power distribution, and multiple connection cables. Just dial up an amp model or effect type within a category and turn the knobs to get the sound you want. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing your custom creations.

Flexible Real-Time Control

The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Use Memory mode to call up complete patch setups with the footswitches, and then switch to Manual mode for direct on/off control of each effect category within the patch. The footswitch LEDs light in different colours for quick identification in the heat of a performance. It's also possible to set all LEDs to light in a fixed colour for each mode if desired.

High-Quality BOSS Effects

The ME-90 puts a massive library of BOSS effects at your command, offering seven different categories filled with selections derived from the flagship GT-1000. Everything you need is here, from overdrives and distortions to pitch/mod effects, delays, and high-quality reverbs. You also get 11 dedicated Pedal FX, a looper, and specialized effects such as acoustic simulation and down tuning. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.

Premium Amp Sounds with AIRD Technology

Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by our advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo sounds to punishing high-gain stacks, and you can access more selections in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and you can load three of your favourite speaker IRs to personalize sounds to your taste.

Edit, Customize, and Expand

BOSS Tone Studio for macOS and Windows extends your creative range, allowing you to edit tones and change out some amp and effect types with alternate selections. In addition, you can save and organize patches for different gigs, download pro setups at BOSS Tone Central, and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 also supports the optional Bluetoothr Audio MIDI Dual Adaptor, enabling you to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.

Light, Durable, and Ready to Travel

The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for.

Specifications
Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 97 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN: -10 dBu
Maximum Input Level: INPUT: +7 dBu, RETURN: +7 dBu
Input Impedance: INPUT: 1 M ohm, RETURN: 1 M ohm
Nominal Output Level: OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu, SEND: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater, SEND: 10 k ohms or greater

Controls:BANK DOWN/AMP switch, BANK UP/EQ switch, CTL/REV switch, MEMORY/MANUAL switch, 1/COMP switch, 2/OD/DS switch, 3/MOD switch, 4/DELAY switch, PEDAL FX switch, Gt. AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, GAIN knob, BASS knob, MIDDLE knob, TREBLE knob, LEVEL knob, REVERB knob, COMP/FX1 TYPE knob, SUSTAIN/SENS/-1OCT knob, ATTACK/TONE/-2OCT/DEPTH knob, LEVEL/PEAK/DIRECT knob, OD/DS TYPE knob, DRIVE knob, TONE knob, LEVEL knob, MOD TYPE knob, RATE/KEY knob, DEPTH/HARMONY knob, E.LEVEL/RESONANCE knob, DELAY TYPE knob, TIME knob, FEEDBACK knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob, PEDAL FX pedal
Display: 7 segments, 2 characters (LED)

Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adapter
Current Draw: 190 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 6.5 hours
* This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"

Options (sold separately)
AC adaptor: PSA-S series
Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL
Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb / 7 oz

Notes: Really clever stuff here. The Octaves VCO takes an additive approach, layering harmonics on top of a fundamental frequency to create complex tones. Control the six bands via CV to adjust the harmonic content.

Supplier's Notes:
A harsh and funky take of an additive Oscillator.

Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!

You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.

The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!

Features
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.

Specifications
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.

Notes: Motomouth is an analogue 3-Band, Sedra + Espinoza Bandpass Filter (DABP) with resonant frequencies that are tuned to the same resonant frequencies found in the human mouth and nose cavities, and these can be varied, independently, to form different 'mouth shapes,' to emulate vowels such as A, E, I, O and U. Motomouth can emulate 16 vowels and 'morph' or 'glide' between each vowel using a single Control Voltage input (1V/Oct), and a Gate to 'snap' to each vowel when required.

Two of the bands (F1 and F2) are used to form the mouth cavity, and the third band (F3) is used to form the nasal cavity, which is reasonably static. Varying F3 makes little significant difference 'in the mix,' but having it is important.

The single Control Voltage is decoded to control F1 and F2 independently, because the frequency bands for each vowel are not proportional to each other over the vowel range. So Motomouth has learned how to 'speak,' so to speak, but it still needs to learn more, and that's where you come in.

Specifications:
Module width: 12HP
Module depth: 42mm
Power draw:
+12V: 80mA
-12V: 4mA

Notes: Stylish, good-quality powered speakers suitable for home listening or DJ practice. Built-in Bluetooth for streaming, auto standby and remote control for convenience.

Supplier's Notes:
Keep things simple without forfeiting performance. Housed within YU's compact MDF cabinets is everything you need to get the most out of your favorite tunes. Bluetooth 4.2 with aptX provides high-quality streaming, a single RCA input covers all your analog needs, and a SUB OUT port gives you the option to really crank up the bass. Equipped with 4-inch Kevlarr drivers and 1-inch silk dome tweeters, this high-performance powered speaker system delivers smooth, natural sound while ensuring you experience the full impact of lower frequencies. For laid-back listening, use the provided remote to make quick volume, tone and balance adjustments, as well as control playback while streaming via Bluetooth.

High-performance materials. Exceptional sound.

Silk Dome Tweeters
YU's 1-inch tweeters are made from silk to deliver a high-frequency range that is bright and refined. Their dome shape improves sound dispersion to ensure your ears capture every sound, regardless of where you are in the room.

Never miss a beat.

Signal Detection
Automatic standby and power-up mode conserves power when you're away and continues playback when your music starts playing.

Streaming
Play tunes from the palm of your hand.
Featuring integrated Bluetooth 4.2 with Qualcommr aptX technology, YU lets you stream high-quality audio directly from any Bluetooth-enabled device. Sit back and enjoy your carefully curated playlist from anywhere in the room.

Nearfield
Upgrade your desktop setup.
Take your desktop setup to the next level by connecting YU to your computer via its RCA input.

To reduce vibration and improve soundstaging, use YU with SP9 desktop speaker stands.

Take control of your sound.

Packed with functionality, the YU series remote makes listening to audio more convenient. Quickly switch between sources, tune your sound to fit your space, and control playback while streaming via Bluetooth.

Notes: Part of Erica's brilliant valve-based Fusion range, this is not your typical VCA. Waveshaping and ring modulation are the key features here, twisting and warping signals to great effect.

Supplier's Notes:

The Fusion VCA/Waveshaper/Ringmodulator is a complex sound processor that combines VCA, waveshaper and ringmodulator. It's not a regular VCA; it can operate as one, but most of the power of the module is in advanced modulations - with two CVs applied simultaneously to different stages of the VCA, audio rate modulations, using ringmodulator as a waveshaper - your imagination is the limit!

Low power consumption due to miniature vacuum tubes.

Technical specifications:

Audio Input level: 10Vptp
CV input level (full swing): -10V - +10V
Panel width: 14HP
Module depth: 36mm
Power consumption: 48mA@+12V, 69mA@-12V

Notes: The Wash is a dream come true for ambient player and ushers in a new chapter in the world of delays. It accomplishes the arduous task of creating an organic, below-the-mix wash. Normally this requires stacking 3-4 reverb and delay pedals at the end of your chain. The unique "Wash Circuit" creates the perfect wash with only one pedal.

For the new version (V2), Hungry Robots worked hard to squeeze the circuit into a smaller enclosure while keeping the build quality and tone quality identical. The circuit that hundreds of users have fell in love with is unchanged. The new versions are 2 inches smaller left and right. In addition to the smaller enclosure, the new option for top mounted jacks can save you a lot of board space.

At its most basic utility, The Wash is an outstanding analog-voiced, tap-tempo delay with just over 1000ms of delay time.

The Wash circuit is what makes the pedal stand out from other delays on the market. The Wash circuit adds reverb to the signal and through a complicated network of internal feedback loops, subtle multi-head Binson effect, and what is known as "ripple effect," It works to add a hauntingly beautiful wash to your signal in ways that can't be accomplished by stacking a reverb and a delay in series. It does all of this while keeping the clarity and presence of your original signal without getting lost in the soup of decay.

The Wash reacts to your playing unlike the common DSP reverb/delays with an infinate sustain function. There is a dynamic quality to it that is hard to replicate with any other single pedal.

The "Ripple" knob controls The Ripple Effect. The Ripple Effect is a feature in which each successive delay trail slowly scatters and transforms into reverb. The "Resonance" knob is to fine-tune the resonance and decay of the wash. The Middle "The Wash" knob controls the mix/level of the wash.

Current Draw: 92-93 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma