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Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: ***B-STOCK: Box opened, product in perfect working order***


Top-of-the-range version of Sennheiser's consistently excellent HD25 headphones, bundled with a full range of accessories. One of our favourite models for DJ and studio use.

Supplier's notes:
The HD 25 PLUS is identical in design to the HD 25 but spoils its users with extra accessories and two included cables. Users can choose between a coiled steel cable (length: 3m/1m) and a straight, 1.5m steel cable.

The PLUS version also comes with a handy storage pouch and a second set of ear pads in a soft velour version.

Notes: Easy self-assembly for Korg's intuitive oscilloscope, part of the Nu:Tekt range. Surprisingly useful as a tool for visualising sounds, dialling in synth patches and understanding how sound works.

Supplier's Notes:
The ultimate toolkit for the modern musician

The Nu:Tekt NTS-2 oscilloscope kit is a DIY multifunctional tool for musicians. Building on a 4-channel oscilloscope - monitoring control voltage (CV) and audio signals alike - NTS-2 also packs a flexible waveform generator, a spectrum analyser, and tuner functionality into a
build-it-yourself device which fits in the palm of your hand!

The NTS-2 kit is compact and easy to assemble with no soldering required, but don't let its size fool you - it packs a real punch!

It's an oscilloscope, tuner, FFT, and spectrum analyser that is accurate, intuitive, and incredibly useful. But that's not all - using its dual stereo IN, dual stereo THRU/OUT, and two separate OUTPUTs, you can wire it into your synth rig and use its dual waveform generators to give yourself an extra pair of oscillators or LFOs!

4 channel oscilloscope
FFT/Spectrum Analyser
Duel Waveform Generator
Tuner
Powerful connectivity

4 channel oscilloscope

With dual stereo inputs, you can visualise up to four signals at once, comparing and overlapping them with ease. A variety of display modes let you choose how you see your data, while the user interface is clear and quick, thanks to its dedicated menu buttons and clickable encoder knob, and 240 x 320 pixel 2.8" colour LCD screen. NTS-2 even has a powerful "Lissajous" mode - opening the door to creativity and making it possible to visualise widely available oscilloscope art, for extra fun with your device.

Dual Waveform Generator

A flexible Wave Generator mode provides 2 oscillators with dedicated outputs. Each oscillator can create a variety of waveforms - sine, square, triangle, sawtooth, pulse, and noise - whose shape and phase can be adjusted to suit many applications. These sounds can be used in the audio range or as control voltage sources, and they can be set to cycle continuously or act as one-shot impulses; that means you can turn them into LFOs, envelopes, triggers, and control voltage generators, as well as sound sources. Attaching the NTS-2 to any patchable synthesizer instantly expands its power.

FFT/Spectrum Analyser

NTS-2 also comes with a dedicated FFT (Fast Fourier Transform) mode with a real-time spectrum analyser.

Tuner

This multi-functional utility kit wouldn't be complete without a precise and easy-to-use tuner with multiple display modes.

Powerful connectivity

The NTS-2 offers many ways to connect to your rig. Alongside its 4-channel input and dual waveform output features, its dual stereo THRU/OUT ports enable you to keep it wired into your system, rather than constantly plugging and unplugging cables. NTS-2 lets you maintain your signal flow at all times - even when powered off. NTS-2 maximizes portability and flexibility by using either batteries or a USB-C power supply.

Specifications

Dimensions: 12.9 x 7.8x 3.9 cm
Weight: 130g (not including batteries)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time)
Inputs: 2 x 3.5mm Stereo, +/-10V max
Outputs: 2 x Through Output: 3.5mm Stereo, 2 x Output: 3.5mm Mono, +/-5V max

Oscilloscope

Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)

FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz

Waveform Generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable

Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Review: The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.

Notes: The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: Many monitoring setups contain a subwoofer as an essential ingredient. Although many studio monitors such as the aktiv 05, uniK 04 or uniK 05+ for example, provide sufficient bass frequency response for many applications, adding a aktiv 10s subwoofer will help you to provide a much better picture of the low frequencies in your mix. Whether you are producing classical 2.1 sound or 5.1 / 7.1 surround sound productions, aktiv 10s will easily and quickly become an important part of your monitoring setup. It's compact size with a stylish design, yet powerful output will easily convince you.

Features/specifications

10" bass reflex powered subwoofer
Amplifier power: 150W@100Hz, 4 Ohm, 0.1% THD
Subwoofer crossover frequency: 50Hz - 180Hz (adjustable)
Separate satellite output crossover frequency: @100Hz and flat (adjustable)
Phase control
Input level control
Power mode: standby and on
Inputs: balanced XLR, unbalanced 1/4" TRS
Outputs: balanced XLR
Input impedance: 20kOhm balanced, 10kOhm unbalanced
Foot switch input as mute control
Dimensions: 340mm(H) x 340mm(W) x 340mm(D)
Weight: 14 kg

Notes: The PodMic USB is an ultra-versatile dynamic microphone ideal for podcasting, streaming, gaming, voice overs, and other speech applications for content creation. It delivers rich, full-bodied sound and features both an XLR and USB output for connecting to an audio interface or mixer like a classic broadcast microphone, or directly to a computer for plug-and-play recording. The digital USB output features RODE's ultra-low-noise, high-gain Revolution Preamp™ and powerful APHEXr digital signal processing for capturing studio-quality sound with ease, and a zero-latency headphone output complete with level control, making recording seamless. For even more versatility, the PodMic USB is also fully compatible with iOS and Android mobile devices, offering a high-quality portable podcasting or streaming solution.

Swiss Army Mic

The PodMic USB is a super versatile dynamic microphone for capturing rich, broadcast-quality audio in any scenario you can throw at it. Thanks to its dual XLR and USB connectivity, it is just at home in a recording studio connected to an analog mixer as it is plugged straight into your computer, or you can even hook it up to your smartphone for a grab-and-go recording rig. PodMic USB is perfect if you want one flexible microphone that will make your content sound amazing in any context.

Pro Sound When Creativity Calls

Featuring a high-power neodymium capsule, the PodMic USB delivers warm, highly detailed audio with incredible clarity, making it exceptional in speech applications. It features an internal pop filter for minimizing plosives, an internal shockmount to reduce vibrations, and comes with a studio-quality external pop filter to make sure you can capture crisp, clean audio every time.

All-in-one Recording Solution

The PodMic USB features powerful on-board DSP (Digital Signal Processing) powered by APHEXr that makes it easy to capture professional sounding audio. Use VoxLab™ to quickly dial in the perfect sound, or dive deep into the granular controls for the high-pass filter, noise gate, compressor, and the legendary Aural Exciter™ and Big Bottom™. Monitor your audio with zero latency thanks to the headphone output, complete with on-board level control for controlling the volume of your audio. The perfect all-in-one recording solution.

Take Your Studio On The Road

Not only can you connect the PodMic USB to your favourite audio interface, mixer, laptop or computer, but it also connects seamlessly with iOS and Android smartphones and tablets. This means PodMic USB is the perfect tool for capturing broadcast-grade audio while you're away from the studio, or just want a more compact setup - it's a professional and portable recording rig for the road.

Sleek Looks, Built to Last

With its classic broadcast microphone aesthetic and sleek matte black finish, the PodMic USB exudes class, but it is also incredibly rugged and built to last. The PodMic USB is constructed from high-grade components housed in a super durable body, more than capable of surviving the rigours of everyday recording in the home, in the studio and on the road, and comes with an industry-leading five-year warranty.

PodMic USB User Guide

Discover everything you need to know about using your PodMic USB in this comprehensive user guide, including how to record with both the analog and digital connections, using the advanced DSP and more.

Compatible Rode Accessories: PSA1+, XLR-CABLE, Backpack, SC19
Specifications
Acoustic & Electrical:
Acoustic Principle: Dynamic
Polar Pattern: Cardioid
Address Type: End
Frequency Range: 20Hz - 20kHz
Output Impedance: 460O (XLR)
Maximum SPL: 148dB SPL
Equivalent Noise (A-Weighted): Analogue: 26dBA, Digital: 19dBA
Sensitivity: -57 dB re 1 Volt/Pascal (1.4 mV @ 94 dB SPL) +/- 3dB
Analogue Output Connectors: 3-pin XLR, 3.5mm headphone jack

Digital:

Digital Power Requirements: Via USB: 5V @ 100mA
Output Connection: USB-C
Bit Depth: 24-bit
Sampling Rate (kHz): 48kHz
Processing: APHEX digital signal processing
Minimum OS Requirements: Windows 10 / Mac OS 10.15

Mechanical:
Weight (grams): 900
Dimensions (millimetres): Length: 123, Width: 109: Height: 110

What's in the box:

PodMic USB
Pop Filter
SC29 (3m USB-C to USB-C Cable)

Notes: Representing the pinnacle of E Series engineering and performance, the E4 is the ultimate upgrade for every turntable enthusiast.

World-famous analogue audio specialist Goldring introduces its new flagship E Series moving magnet cartridge: E4. Designed as the ultimate upgrade for any modern budget or midrange turntable, E4 represents the pinnacle of E Series engineering and performance.

E4 is designed to be compatible with all medium-to-high-mass tonearms of the type found on the majority of budget to midrange turntables. And because it's constructed using the same high-quality core as the other E Series cartridges in the range, E4 is ideal both for those who wish to upgrade an obsolete cartridge in its entirety or those who want to boost the performance of their existing E Series cartridge by replacing the stylus.

New super-elliptical nude diamond stylus

The E4 features a 'nude' super-elliptical stylus of just 7.6 x 18 microns (0.3 x 0.7 mil), cut and polished from a single homogeneous piece of diamond. This makes for a lower effective tip mass of improved rigidity, which in turn means its ability to retrieve high-frequency detail is dramatically improved when compared to the 'bonded' elliptical stylus alternative. It's far less likely to 'mis-track' or overshoot when tracing high-frequency groove modulations, and because of its finely polished 7.6-micron profile it can more effectively fit into closely packed inner grooves. Lower distortion, improved transient response and a flat frequency response all contribute to superior fidelity when compared to any price-comparable alternative.

Hollow aluminium cantilever

To complement its low tip-mass stylus, the E4 features a hollow aluminium cantilever tube. The light weight and superior stiffness of the material allows the stylus to trace medium-to-high frequencies with greater accuracy, while simultaneously reducing distortion and mis-tracking.

Magnetic Duplex Technology

Stereo information is contained in a single 'V'-shaped groove that has perpendicular sidewalls angled at 45 degrees. Conventional cartridges, which use a single large magnet interacting with two vertically mounted coils (one for left-channel information, one for right) to extract a stereo signal from the groove, can permit high levels of crosstalk - and consequently only a modest amount of left- and right-channel separation. E4 uses Goldring's Magnetic Duplex Technology that positions two low-mass magnets at the same angles as the coils - so each magnet interacts only with its partnering coil. This allows the E4 to transcribe the information in the groove more accurately, and results in greater stereo separation and a more accurate soundstage.

Expert adjustment facility

'Azimuth' describes the angle that the vertical centre line of the stylus makes with the record's surface - it must be exactly perpendicular to the groove. Owners of budget and midrange turntables usually have no facility to adjust the azimuth, so it's vital the cartridge has been precisely adjusted before it's fitted to the turntable's tonearm - badly adjusted azimuth can cause increased crosstalk and uneven channel balance. E4 is designed to allow micro-adjustments to be made during the production process, ensuring each cartridge leaves the Goldring factory needing no further azimuth adjustment.

Technical Specifications

Frequency Range: 20 Hz - 20 kHz
Channel Balance: < 1.5 dB @ 1 kHz
Channel Separation: > 20 dB @ 1 kHz
Sensitivity: 3.5 mV (1 kHz @ 5 cm/s)
Static Compliance: 20 mm/N
Vertical Tracking Angle: 20-
Stylus Radius: 7.6 micron (0.3 x 0.7 mil)
Stylus Type Nude: elliptical
Load Resistance: 47 kO
Load Capacitance: 100- 200 pF
Internal Inductance: 400 mH
Internal Resistance: 410 O
Cartridge Mass: 6.9 g
Fixing Centre: 12.7 mm (0.5 in)
Playing Weight: 1.5 - 2.5 g (1.75 g recommended)

Notes: The BXx2 is a dual channel preamp, EQ and mixer based on the classic Boss BX series mixers. With the inclusion of both input gain and level controls, each channel can be overdriven, producing the signature saturated and lively sound the BX mixers are known for. The EQ controls provide the channels with simple but great sounding high and low shelf EQs for emphasising and shaping sounds and an additional 'Aux' input allows another mixer or extra sound source to be chained in.

Input gain controls

Sets the input gain of the channel preamp. Higher settings will cause source to overdrive the channel.

Inputs

In 1 - Input to channel 1 of the mixer.

In 2 - Input to channel 2 of the mixer.

Aux - Auxillary mix input for chaining with another mixer or extra source.

Fixed gain (-6dB).

EQ High

Sets the gain of the fixed high shelf EQ. Boosts high frequencies when set above 12 o'clock and cuts when set below.

EQ Low

Sets the gain of the fixed low shelf EQ. Boosts low frequencies when set above 12 o'clock and cuts when set below.

Level

Sets the channel level in the mix. Use level controls to trim back volume when overdriving the preamp.

Output

Audio output producing the mix of the 3 inputs.

Technical specifications

Power: +12V 10mA / -12V 10mA
Size: 8HP
Depth: 32mm

The BXx2 was designed in collaboration with Feedback Modules and is based on their single channel 'PRE BX' module.

Notes: The Tone Science Chance Delay is a unique concept in Eurorack modules as it combines chance and randomness, with pulse delay and pulse conditioning. It is a collaboration between electronic musician/composer Ian Boddy and AJH Synth.

It can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also "divide by n" clock division.

There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere between from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds.

The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status.

Includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length.

Compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system.

Key features:

Chance, Gate Delay time and Pulse Length can all be set manually or controlled using external CV voltages.

The 'TRIG' push button allows manual triggering, and Chance will be applied to any manual triggering too.

Fast processing allows operation into the lower audio range, so it can perform sub bass generation on drone type sounds. In this mode the Length pot (or an external Length CV) can be used to change the PWM of the output waveform.

After the initial trigger pulse has been acted on, further incoming pulses are ignored until the current cycle has finished. This useful feature allows it to perform "divide by n" division on gate pulses, so it can be used for clock division, and the delay function can be used to add a "swing" away from the rhythm.

Gate pass through mode - if the Length pot is set to zero, then the incoming gate length is preserved, so in this case the gate has Chance and Delay time applied to it, but the outgoing gate length is the same as the incoming gate length.

By setting Chance to 100% and Delay to zero (0.5mS) it can be used as a Gate to Trigger converter, or a Trigger to Gate converter, depending on the Pulse length set with the LENGTH control. We can also use an external Length CV to shorten or increase the length of the output pulse in real time.

Fast and slow ranges for both DELAY time and PULSE length - Fast range is 0.5mS to 2 Sec and Slow Range is 2 Sec to 30 Sec.

Green status LED shows when the output pulse is high.

Front panel controls

Chance Control and CHA Input

This sets the probability of an incoming trigger or gate being passed through to the Pulse Generator circuit. The chance can be set anywhere between 0% and 100%.

The CHA input allows an external control voltage (CV) to control chance remotely. In this mode the Chance control acts as an attenuator for the incoming CV. With the Chance control fully clockwise a CV of +5V will give 100% chance, and lower CV voltages reduce the Chance accordingly. For example, a +2.5V CV will give a 50% chance. The attenuator function is useful if we are using higher control voltages of for example 0 to +10V. If we set the Chance control to the 12 o'clock position it would then halve the incoming CV signal, so in this case +10V will give 100% chance and +5V will give a 50% chance. Negative CV voltages are ignored and will be treated in the same way as zero volts..

Delay Control and DEL Input

This sets the delay amount that is applied to the leading edge of the incoming Gate or trigger received at the IN jack (or a press of the Manual Trigger button), assuming that the "Chance" has been determined to be positive. With the Delay Time switch set to FAST the Delay range will be from 0.5mS to 2 Seconds. With the Delay Time switch set to SLOW the Delay range will be between 2 Seconds and 30 Seconds.

The DEL input allows an external CV voltage to control Delay Time remotely. In this mode the Delay control acts as an attenuator for the incoming CV. With the Delay control fully clockwise a CV of +5V will give the maximum Delay time of either 2 Seconds or 30 seconds depending on the position of the Fast / Slow switch. Lower CV voltages reduce the Delay Time accordingly, so if we apply a CV of zero volts then we will get the minimum Delay time. The attenuator works on any CV patched to the DEL input in the same manner as described for the Chance control.

Length Control and LEN Input

This sets the length, or rather pulse width of the output pulse. With the LENGTH Switch set to FAST the pulse length can be anywhere between 0.5 mS to 2 Seconds. With the LENGTH Switch set to SLOW the pulse length can be between 2 seconds and 30 Seconds.

The LEN input allows an external CV to control Delay Time remotely. In this mode the Length control acts as an attenuator for the incoming CV in the same manner as the Chance and Delay controls.

Setting the Length control to zero invokes "Gate pass through" mode - in this case the incoming gate length is preserved, so the incoming pulse or trigger will still be affected by the Chance and Delay controls, but the outgoing gate length will be the same as the incoming gate length. Turning the Length control slightly clockwise will then invoke the minimum pulse length around control position 1, and further clockwise rotation will increase the Pulse Length as expected. This behaviour also applies to external CV's patched to the LEN input, where a CV of 0V will enable Gate pass through mode.

Fast / Slow mode switches

These switches allow the selection of Fast or Slow mode for Delay time and pulse length, so these ranges can be selected independently for Delay and Length. Fast range is 0.5 mS to 2 Seconds, and Slow range is 2 Seconds to 30 Seconds.

TRIG Switch

The TRIG push button allows manual triggering, and Chance will also be applied to any manual triggering, so depending on the setting of the Chance control, pressing the button has a chance of not doing anything! Holding the button down keeps the incoming gate high for as long as the button is pressed, however this is only really relevant in "Gate pass through" mode - normally only the leading edge of the input pulse is used.

IN - input jack

Connect your input here - a gate, output from an LFO, or even waveforms from a VCO. Any negative component of the input voltage will be ignored, so unipolar or bipolar signals can be used.

OUT - output jack

This outputs the binary pulse (or stream of pulses) that are generated by the Chance Delay circuitry. The gate low level is 0V and gate high level is +6V. The green status LED shows if a pulse is currently being generated.

Module Width: 8hp
Module Depth: 26mm (Including power lead)
Current Usage: 25mA Positive, 6mA Negative

Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Morph across the spacetime spectrum.

Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces-Theatre, Temple, and Cosmos-as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it's fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both "red" and "green" values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Knob-by-knob

Size: Sets the size of the reverb space.

Blend: Sets the balance between wet (reverb) and dry (clean signal)

Tone: Clockwise from noon, this control applies a high-pass filter, making the reverb sound brighter. Counter-clockwise from noon, this control applies a low-pass filter, making the reverb sound darker.

Morph Rate: Sets the time it takes for parameters to change between "red" and "green" values when the Morph footswitch is engaged.

Morph: Enable morphing for any combination of the 4 on-board knobs. Push to toggle through knobs, press and hold to select. Press and hold again to deselect.

Preset Select: Push to toggle through 4 pre-loaded presets, press and hold to select. To save a custom preset after making changes, press and hold. Presets can also be toggled and selected using only footswitches (see manual).

Space Select: Push to toggle through 3 available reverb spaces.

Three evocative spaces

The three unique space algorithms found inside of Cosmosis are entirely original and comprise a combination of primary source impulse responses, imagined reflections, and inspired mathematics. Theatre is a vintage-inspired small room sound ranging from cozy to reflective; Temple is a rich and flowing larger space featuring long reflections in both parallel and series; and Cosmos makes use of divine inspiration to create an enormous spectrum of harmonically-informed reverb. Kill the Size knob in any space to conjure a ghostly, full-wet "reverse" reverb effect.

Enter the world of cosmosis

A portal of such divine proportions was always missing in the Pigtronix universe. One day, traveling further than ever before into the outermost reaches of what he knew to be true, Marvin caught glimpses of refracted light and mist hovering in the atmosphere of a new, far-distant planet. This was the long-sought Cosmosis-a planet that takes in the sounds of the galaxy, sublimates them, and ushers them to the other side forever changed.

Model Cosmosis

Model name: Cosmosis
SKU: COS
Function: Stereo Ambient Reverb with Morphing
Category 1: Reverb
Expression: TRS Remote
Bypass: Buffered

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
Body

Length (in): 3.25
Width (in): 4.5
Height (in): 2.2
Weight (lbs): 1

Notes: Space-conscious lowpass filter and volume processor.

A combination of VCF + VCA + Mixer that lets you mix three different sound sources, and shape their tone, and levels in a breeze.

The Pony Filter is built around the SSI2144 FATKEYS Chip. Has the elegant sound of the classic transistor filter without the associated distortions, due to Dave Rossum's "improved ladder" topology.

Features

3 Channel Mixer (Out normalized to channel three for feedback)
Temperature-compensated Q and frequency.
Compensated Volume VS Resonance
2 Cuttof CV INs.
CV 1 Selectable routing Cut-Off or Cut-Off+VCA
Voltage controlled Q
Two Segment Peak Meter

Specifications

Four-pole, 24 dB/octave
Current needs: +12V=50mA, -12V=45mA
Width: 6 HP
Depth Assembled Version: 22mm
Depth DIY Kit Version: 40mm
Designed, kits prepared and assembled in Barcelona.

Notes: Lo-fi looks, killer sound. Serious filth here from Death By Audio. Surprising versatility with simple controls, offering mild overdrive if you want but specialising in grimy fuzz.

Supplier's Notes:
Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe.

This Death By Audio pedal has hand spray-painted graphics covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

Controls

Volume: Controls the overall output level.

Fuzz: Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz.

Tone: A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.

Specs

Dimensions: 5.87" x 4.72" x 2.5" (including hardware)
Weight: 18 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery)
Current Draw: 1 mA

Notes: Endless Processor (Ex)pander Kit opens new possibilities for Endless Processor!

Now, there is pitch control over both channels. You can shift one octave up or shift down to a full sound stop, covering multiple octaves, effectively replicating the variable speed replay effect. This allows for the creation of new textures from existing sounds.

Additionally, with the expansion PCB, the Endless Processor gains an SD card slot that enables you to store up to 5 sound banks. This means everything sustained in both channels can be saved to preserve those happy accidents! However, this is not just a simple save and recall process. It allows more performing possibilities: sustain new sounds, play with them, and then recall the stored ones, all with respect to the fade controls.

And if that's not enough, there's a bonus! With the help of our web tool, you can upload the sound banks saved on the SD card and extract clickless loops of each layer in WAV format. You can then import these loops into your DAW or hardware sampler to build your composition on top of the captured sounds.

Endless Processor Expander Kit contains:

Endless Processor Ex module
Expansion PCB for the Endless Processor
Cable to connect Ex module to the expansion PCB

Width: 4HP

Depth of Endless Processor with expansion PCB attached: 45mm

Depth of Endless Processor Ex module: 30mm

Notes: You must absolutely own Skippy to use this module; it cannot operate independently.

The firmware version 2.21 or higher must be installed on your Skippy.

Additional features:
1 CV gate or trig input for Reset
1 CV gate or trig input for Play/stop
1 Reset button
1 Play/stop button
1 Live mode on/off button
16 function potentiometers distributed over 4 rows: you can freely choose a function (BPM, STEP, BEGIN, END, GAUSS, GATE, PROBA, CHAOS, SWING, WAY) for each row.
1 row of 4 algorithm potentiometers: you can freely choose an algorithm (Euclid, Jazzy, PolyR, Tiles) for each potentiometer.
The Save function takes into account the settings used in Skippy Live.
The selected parameters for Skippy Live are automatically saved.

Technical specifications:
10 HP
Depth: 25 mm
Power consumption:
+12 V 0 mA
-12 V 0 mA
+5 V 15 mA
Comes with a connector to Skippy and Knurlies.

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: The MUSE DRIVER - Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more.

This Pedal combines a three-control blues driver circuit with two switches for the voicing of Drive and Tone characteristics. Robert and Andy developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive. Switch to Andy's clipping style for a brighter and more articulate attack.

Every part of the circuit has been optimized for tone and the demanding needs of a recording and touring artist such as Andy Timmons. Simply adding the MUSE DRIVER to your pedalboard will make your rig sound better. This professional grade overdrive can be switched between true-bypass and buffered bypass at any time.

Andy Timmons - Tone Switch

This drive pedal gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy's preferred voicing and low-end response. Each note in a chord is clear and articulate. If the Tone Switch is down and in the RK Position that features the legendary Phat Boost providing more low-end frequency response, perfect for pushing up vintage or single coil pickups.

Full Range Overdrive - Germanium Toggle Switch

The MUSE DRIVER combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping - this mode features asymmetrical LED and silicon diode clipping and is Andy's Super AT Mod sound. Drive Switch Down for RK Clipping - now the circuit features two germanium diodes for clipping. This mode can sound a bit like a vintage fuzz pedal with a softer, smoother feel.

Muse Driver - Buffered Bypass or True Bypass

The pedal features our industry leading buffer for noise-free switching. Keeley Electronics have developed a buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. Switch between true-bypass and buffered on the fly. Simply press and hold the foot switch for two seconds and the pedal will switch between true-bypass and buffered bypass! You decide what works best in your rig.

Made In The USA

Keeley Electronics design, engineer, and manufacture the Keeley Electronics/Andy Timmons MUSE DRIVER in Oklahoma City. Everything about the MUSE DRIVER is geared towards the professional musician and their quest for an inspiring tone when performance demands it. From the meticulously built circuit boards to the newly fabricated aluminium enclosure; we make guitar effect pedals like finely crafted musical instruments.

Notes: Excellent value here. Alto's portable speaker is designed to fill a room with just one unit, plus the option to link two units wirelessly for even bigger sound. Built-in battery gives up to 100 hours of playback from a single charge.

Supplier's Notes:
Uber FX MK2 is a powerful but portable battery powered PA system with Bluetooth technology. Its 5-speaker, 320-degree sound array is the perfect solution for delivering hours of clear, punchy sound from microphones, instruments, mobile devices and more. Uber FX MK2 is not just for musicians - it's also perfect for many other indoor and outdoor events including business meetings, training sessions, backyard parties and award/graduation ceremonies - and with up to 100 hours of charge, it doesn't matter whether you have access to AC power or not.

Powerful and Clear

The innovative 200W, 5-speaker system features an 8" Woofer, stereo tweeters and full-range side-firing drivers providing 320- of audience listening area. The side-firing speakers also make for excellent live performance monitoring. UBER FX MK2 features two input channels, each with its own independent volume control and 2-band EQ and digital effects, and there's an additional third 3.5mm aux input.

Fully Wireless

With Bluetooth 5.0, the Alto Uber FX MKII offers robust streaming, linking and control: You can stream from any device to Uber FX MK2, and wirelessly connect a second Uber FX MK2s to create a stereo PA system using your favourite music streaming app. The Alto Pro App for iOS and Android provides control of mixing functions wirelessly for convenient control from anywhere. The simple single screen mixer allows you to select a channel and control all parameters effortlessly,

Portable and Convenient

Uber FX MK2 is incredibly easy to transport with its telescoping handle and wheels; it also has a handy top storage compartment, side bottle opener and front panel lighting. There are also two USB charging ports to keep your devices topped up.

Portable battery-powered 200W speaker with 320 degree sound

320 Degree Sound
Innovative 200W, 5-speaker system fills the room
All day battery
100 hours of sound on a single charge
Easy to Transport
Less lifting with telescoping handle and wheels
Create your own Mix
Built-in 2-channel mic/line/instrument mixer with EQ and FX
Stream Music Effortlessly
Bluetooth 5.0 enabled streaming and control
Wireless Control
Alto Pro Control App on iOS and Android
Stereo Speaker Link
Expand to two speakers with Bluetooth Linking
Charge your Devices
Includes two USB charging ports
Set the Right Sound
Music and Live Performance EQ presets
Third Input
Additional 3.5mm aux input
Made for Events
Top storage compartment, side bottle opener and front lighting

Tech information

Output Power: 200 W

Charge Port: 5V, 1A

Mic Inputs 1-2
Connector: XLR / 1/4" TRS Combo Input Connector
Dynamic Range: 108 dB (A-weighted)
THD+N: <0.01%
Noise EIN: >-110 dB (A-weighted)
Maximum Input Level: +1.5 dBu
Gain Range: 50 dB
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Input Impedance: 600 O

Line Inputs 1-2
Connector: XLR / 1/4" TRS Combo Input Connector
Dynamic Range: 108 dB (A-weighted)
THD+N: <0.01%
Maximum Input Level: +16 dBu
Gain Range: 24 dB
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Input Impedance: 20 kO

Instrument Inputs 1-2
Connector: XLR / 1/4" TRS Combo Input Connector
Dynamic Range: 108 dB (A-weighted)
THD+N: <0.02%
Gain Range: 24 dB
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Maximum Input Level: +6 dBu
Input Impedance: 1 mO

Channel EQ
EQ Configuration: Channels 1 and 2 have independent 2-band shelving EQs
High EQ Filter Type: 12 dB/octave shelving filter
High EQ Cutoff Frequency: 12 kHz
High EQ Gain/Attenuation: +/-15 dB
Low EQ Filter Type: 12 dB/octave shelving filter
Low EQ Cutoff Frequency: 80 Hz
Low EQ Gain/Attenuation: +/-15 dB

Aux Inputs
Connector: 1/8" (3.5 mm) TRS Input Connector
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Maximum Input Level: +12 dBu
Input Impedance: 20 kO

Line Output
Connector: 1/4" (6.35 mm) TRS Output Connector
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Output Level: Fixed +10 dBu
Input Impedance (unbalanced): 100 O

Amp/Drivers
Frequency Response: 60 Hz - 20 kHz
Max SPL: 110 dB
Power Amp: 100 W RMS mono-bridged
LF Driver: 8.0" 203 mm woofer
HF Drivers: (2) 1.0" / 25 mm tweeters
Side Drivers: (2) 3.0" / 76 mm drivers

Bluetooth Specifications
Profile: A2DP, AVRCP
Version: 5.0
Frequency: 2402 - 2480 MHz
Range: Up to 100 feet / 30.5 meters*

Battery
Type: lead-acid battery
Capacity: 12V, 7A, 84 Wh
Life: Up to 100 hours
Charging Time: 10 hours

USB-A Charging
Front USB Port: 5V, 1A
Top USB Port: 5V, 2.2A

Power
Connection: IEC
Voltage: 100-240 VAC, 50/60 Hz, 120 W

Dimensions (height x width x depth):
19.4" x 10.4" x 15.1" / 493 x 383.6 x 266.6 mm
Weight: 22.9 lbs. / 10.4 kg

Notes: CV Random is a random CV generator with 4 types of randomness and a triggerable sample-and-hold function.

Sliders allow you to set the internal clock tempo (RATE), shape the probability of triggering (PROB), blend old with new values (RND) and set the shape of all four random outputs (SHAPE).

4 different sliders

RATE

Sets the tempo of the internal clock. The CV input below the slider adjusts the clock rate, with 1V/oct calibration when the CV attenuverter is 100%. Upon each clock trigger, the RATE slider light blinks, and there is a chance for the internal random source to generate a new value.

PROB

This probability is set by the PROB slider, and if a new value was generated, the PROB slider light blinks and a pulse is emitted from the TRIG output.

RND

When the internal random source generates a new value, it mixes the previous value with a random value, with an amount specified by the RND slider.

SHAPE

The SHAPE slider sets the shape of all four random outputs. At its lowest position (0%), all outputs immediately jump to the new random value (the target value) when the clock is triggered.

At non-zero positions, the outputs interpolate between the previous and the target value, using a different behaviour for each output.

Internal random clock source

Whenever the clock activates, the RATE slider's light flashes. At the same time, there's a chance that the internal random source will create a new value, depending on the PROB slider's setting.

If it does create a new value, the PROB slider's light flashes too, and a pulse comes out of the TRIG output.

External IN & TRIG inputs

If the TRIG input is patched, the RATE slider is ignored, and the internal clock is only triggered when an external trigger is received. The PROB slider is used to filter this trigger by applying some probability.

Self-modulation

Thanks to a switch in the back of the module, you can normalize the LIN output to the 4 CV inputs and adjust the amount of modulation for each parameter with the attenuverters.

This adds another layer of randomness to your results, enabling more dynamic and unpredictable outcomes.

SHAPE Outputs

The STEP output jumps to the new value in one step at 0% SHAPE, and divides the transition into 16 steps at 100% SHAPE.

The LIN output immediately reaches the new value at 0% SHAPE, and takes the whole clock cycle to do so at 100% SHAPE, staying constant in between.

The EXP output shifts exponentially, becoming linear at 100% SHAPE, with its pace adjusted by the SHAPE slider.

The SMTH output transitions smoothly, with the speed controlled by the SHAPE setting, holding at the target until the cycle ends.

Specifications

Dimensions 10HP - 50×128,5mm
Current 63 mA +12V / 11 mA -12V / 0 mA +5V
Input & Output Signals +/-10V
Impedance Input 10k - Output 10k
Materials PCB and Panel - FR4 1,6mm
Depth 40mm including connectors (Skiff friendly)

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

Features

Premium Keybed quality
49 note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls
1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls
Smart features

Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple
Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content:
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 49 keys
Size : 31.1 x 9.45 x 2.76 inches (790 x 240 x 70mm)
Weight : 6.1 lbs. (2.76 Kg)

Notes: Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behaviour of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint-realized in flawless detail by the company that designed the original.

When tape-based echoes were standard in the music world, the RE-201 was a leader in its class. Equipped with three evenly spaced tape heads and a spring reverb tank, it could produce everything from clean, single delays to dense, rhythmic echoes and ambient washes. The RE-201's appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Last but not least, analogue preamp circuitry was a key ingredient in the Space Echo's rich sonic recipe.

In developing the RE-2 and its big brother, the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. We carefully analysed several vintage RE-201s, including a pristine original unit from the BOSS and Roland factory archive. Everything that influences the sound has been recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, spring reverb character, and more.

The RE-2 squeezes the complete sonic character of the RE-201 into the classic BOSS compact pedal format. The 11-position mode selector lets you dial in different virtual tape heads with or without spring reverb, and you can balance the echo/reverb blend with independent level knobs. Every behaviour is accurately replicated, such as the gradual pitch change that occurs with Repeat Rate tweaks and the runaway feedback that happens when maxing the Intensity knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-2 takes the Space Echo experience further with versatile features for today's music. Delay time has been doubled and tap tempo control is supported, and there's a cool Twist function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available, and it's possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

Modes: 11 modes
Nominal Input Level: INPUT A(MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A(MONO), INPUT B: +7 dBu
Input Impedance: INPUT A(MONO), INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A(MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A(MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A(MONO), OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A(MONO), OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass

Controls: MODE knob, REPEAT RATE knob, WOW & FLUTTER knob, INTENSITY knob, TONE knob, ECHO knob, REVERB knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT A(MONO) jack, INTPUT B jack, OUTPUT A(MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 75 mA

Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: (including battery)450 g / 1 lb

Review: Famously first released in 1973 and transferred to CD in the 1980s with no significant remastering, the Beatles two colour-coded 'best of' collections have long been in need of an overhaul. Apple has typically gone all-out on this 50th anniversary re-issue, not only remastering everything (or at least those tracks that hadn't already been tweaked by Giles Martin in recent years), but also expanding each collection to three discs via the addition of other fan favourites and tracks that missed out first time round. As for the vinyl itself, it has been half-speed remastered to guarantee superior sound quality. This boxed edition boasts both compilations, plus an insert with fresh liner notes from music journalist-turned-Guardian scribe John Harris.

Notes: Module A-147-4 is a dual voltage controlled LFO (Low Frequency Oscillator). Each LFO has the five waveforms triangle, sine, rising and falling sawtooth, as well as rectangle available. The rectangle output features manually adjustable pulsewidth and pulsewidth modulation by means of an external control voltage. The core waveform is triangle. The other waveforms are derived from triangle by means of waveform converters. The frequency of each LFO can be adjusted manually and modulated by means of an external control voltage with associated attenuator and polarity switch. By means of a jumper the basic frequency range of each LFO can selected: about 0.02 Hz (~ 50 seconds) ... 2.5kHz or about 0.0017 Hz(~ 600 seconds) ... 220Hz. That way each LFO can be used also as a VCO with a max. frequency of about 2.5kHz. Each LFO features a reset input which can be used to reset the triangle signal.

The module has these controls and in/outputs available:

Control F : manual control of the frequency, for each LFO the frequency range can be selected by means of a jumper from two values (see technical notes)

frequency coverage of control F in the high frequency range: about 0.075 Hz (~ 13 seconds) ... 1,4kHz

frequency coverage of control F in the low frequency range: about 0.007 Hz (~ 140 seconds) ... 125Hz

Control CV: attenuator for the signal applied to the CV socket, by means of a jumper a small positive voltage can be applied to the switching contact of the /CV/ socket, as long as no patch cable is connected to /CV/ socket the CV control then works as fine control for the frequency

Switch CV Pol.: polarity switch for the signal applied to the socket /CV/

Control PW/PM: combined control for manual and CV control of the rectangle pulsewidth:

when no patch cable is connected to socket /P/ the control is used to adjust the pulsewidth (PW) manually

when a patch cable is connected to socket /P/ the control works as attenuator for the external CV signal with a basic pulsewidth of 50:50.

Socket /CV/: frequency control voltage input, in the factory the module is adjusted so that the sensitivity of this input is exactly 1V/octave when the CV control is fully CW.

Socket /R/: reset input, according to the associated jumper the reset input is edge triggered or level controlled (see technical notes for details)

Socket /P/: pulsewidth control voltage input

Sockets with waveform symbol: output of the waveform in question (triangle, sine, rising and falling sawtooth, rectangle)

The output voltage ranges are about -5V ... +5V (10Vpp), except the rectangle output

For the rectangle output one can choose by means of a jumper if the range is about -5V ... +5V or 0...+10V.

LED: visual control of the LFO (triangle)

The inputs of the module are labelled with white characters on black background (in the text included into two slashes). The outputs are labelled with black characters.
Technical notes and special features:

The basic frequency range of each LFO can be selected by means of a jumper. The settings correspond to two different capacitor values for the VCO circuit. The relation between the two ranges is about 1:11. When the upper range is selected frequencies from about 0.02 Hz up to 2.5kHz can be generated. For the lower range the values are about 0.0017 Hz ... 220Hz. To obtain these full frequency ranges external control voltages are required. With the frequency control F only the frequencies mentioned above are possible.

Apart from that the range for the manual control F can be reduced to obtain a finer resolutuion. For this a jumper has to be removed. The range of control F is then reduced to about 1:4.5 only.

In the factory the starting voltage of the triangle output after a reset is adjusted to 0V, i.e. the triangle starts from 0V with the rising slope after a reset. By means of a trimming potentiometer the starting voltage can be adjusted to another value (e.g. to -5V).

Another jumper is used to set the reset behaviour to edge triggered or level controlled. When set to edge triggered the rising edge of reset signal is used for the reset (independent of the duration of the "high" state of the reset signal). When set to level controlled the triangle output remains at the starting voltage as long as the reset signal is "high". Only when the reset signal turns "low" the triangle starts.

Dimensions
8 HP
45 mm deep

Current Draw
80 mA +12V
70 mA -12V

Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

Notes: Pro quality PA/DJ amp at a reasonable price. 3000w of power and under 10kg weight make the XGA-3000 reliable and effective.

Supplier's Notes:
Light and extremely powerful, always a low price.

Clean, reliable power in a durable 18lb enclosure. If you demand professional amplification performance, the XGA-3000 is perfect for delivering pure, consistent wattage night after night, year in and year out! This system brings 3,000 watts of Instant Peak Power making it ideal for PA systems and DJ rigs. Gemini have designed this with patented front to rear airflow technology powered by a variable speed thermal stabilizer to guarantee seamless, reliable performance every single night! The XGA-3000 offers clean, dependable power in a lightweight body at an unmatched value.

Review: This triple pack box set from Craft Recordings takes a look at legendary jazz saxophonist Sonny Rollins and his run for Lester Koenig's revered Los Angeles label Go West. As well as presenting seminal albums Way Out West and Sonny Rollins and the Contemporary Leaders in full, this collection also presents six additional alternative takes from both album sessions, allowing listeners to hear the development of such iconic recordings as 'Come, Gone'. With additional liner notes from noted music historian Ashley Kahn and an interview with Rollins from 2021, this is an authoritative look at a true legend in the legacy of jazz.

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width 18HP
Depth 32mm
Power requirements ~60mA +12V/~58mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: Simple, powerful and high-quality voice recording solution, ideal for interviews, videography and podcasting. Clip on the lavalier microphone and record directly into the tiny battery-powered unit in high-quality 32-bit float resolution.

Supplier's Notes:
Small Appearance, Big Impact.

Videographers love the Tascam DR-10L Pro portable recorder with clip-on microphone as an easy and unobtrusive solution for capturing audio for video. Combining the clip-on convenience of a lavalier microphone with an ultra-compact portable recorder, this form factor solves many of the problems content creators often face. It's a superior solution for busy events such as weddings and on-location film shoots.

While traditional wireless microphone systems can pose workflow concerns, the rock-solid performance of a Tascam wired lavalier recorder is proven and assured. Simple plug-and-go operation also makes the DR-10L Pro an easy backup system for your typical voice recording setup.

The DR-10L Pro's 32-bit float recording technology lets you capture a whisper, a scream and everything in between with impeccable fidelity, ultra-low noise and no need to fine-tune gain levels. Support for wireless timecode sync with Atomos products, the ability to wirelessly control up to five recorders from the app*, plus long battery life and generous storage capacity make the DR-10L Pro ideal for professional applications.

*optional AK-BT1 required for app control and wireless timecode sync

Ultra-compact and lightweight, the DR-10L Pro is the perfect solution when stealth is a priority. Fitting in the palm of your hand and weighing just 65 grams, this recorder is easy to hide at film shoots, weddings, stage performances, and other projects where invisibility is crucial.

The included belt clip attaches easily and securely to clothing, allowing you to capture great audio without compromising your talent.

Using the DR-10L Pro's standard 32-bit float recording mode, two analogue-to-digital converters (ADCs) capture sound over an enormous dynamic range without distortion or excessive noise. This means that videographers can avoid having to discard recordings due to poor levels. With 32-bit float resolution, there's no need to adjust input gain levels, so you can set up faster and be confident that you're recording excellent audio in every situation.

The included TM-10L microphone captures clear, detailed audio while handling high sound pressure levels without distortion, making it the perfect lav mic for 32-bit float recording with the the DR-10L Pro.

Whether you're recording people at a wedding reception, a busy convention or a lengthy ceremony, the DR-10L Pro is ready for service as long as you are. There's no need to worry about changing batteries during recording: the DR-10L Pro personal recorder runs on just two AAA batteries for up to 24.5 hours*.

In addition, files are saved on the microSD card approximately every 20 seconds during recording to minimise the risk of data loss due to unexpected power cuts.

*Lithium batteries

With the optional AK-BT1 Bluetooth dongle, up to five DR-10L Pro recorders can be controlled wirelessly from iOS, iPadOS and Android devices using the free DR-10L Pro CONNECT app. The app allows videographers to check device status*, view the recorded waveforms in real time and create up to five presets. A preset can be applied to a single recorder or to all controlled units at once. You can also use the app to name devices for easy identification, for example "Bride", "Groom", and so on.

With the optional AK-BT1 Bluetooth dongle, the DR-10L Pro is ready to wirelessly synchronise timecode with supported Atomos products. Timecode allows videographers to perfectly align audio with video, even when there is no audio on the camera.

Timecode is critical for videographers when dealing with multi-camera video shoots, saving valuable time in post-production.

*Audio monitoring via app is not supported

Whether you're in a dark environment or outdoors in the sun, the DR-10L Pro's highly visible OLED display lets you confirm settings at a glance.

You can check your battery level, recording status, and input levels directly from the display, and all advanced functions are just a few button presses away.

The DR-10L Pro lavalier recorder has a headphones output for easy monitoring. You can listen to the input before or during recording, and also check the quality of your recordings immediately without having to first transfer them to a computer.

The DR-10L Pro comes bundled with a free version of RX Elements, a groundbreaking audio repair and noise reduction tool from iZotope. RX Elements gives videographers powerful audio restoration capabilities that need to be heard to be believed, from seamlessly removing coughs and background noise to reducing wind roar and ambient noise. Live video shoots for weddings, on-location interviews, and documentaries can present countless post-production challenges, and RX Elements gives videographers the tools they need to overcome them.

Specifications

Storage media and file formats

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (64-512 GB)

Recording and playback formats:
WAV: mono/poly (BWF format), 44.1/48 kHz, 16-bit, 24-bit, 32-bit float
MP3: 44.1/48 kHz, 128/192 kbit/s (recording) 32-320 kbit/s (playback)

Analogue audio inputs and outputs
Microphone input: 3.5-mm mini TRS jack (with screw lock)
Maximum input level: -11 dBu
Gain range: 7.5-38 dB
Input impedance: +/-2 kO
Included microphone: TM-10L
Sensitivity: -42 dBV/Pa
Maximum sound pressure level: 115 dB SPL
Supply voltage: 2.3 V
Analogue output (Headphones jack): 3.5-mm mini stereo jack (dual mono audio output)
Maximum output power: 10 mW + 10 mW (THD =0.1 %, 32 O)

Audio performance
Frequency response (input to recorded data): 20 Hz - 20 kHz, +0/-1 dB
Distortion: 0.01 % (1 kHz, input level -21 dBV)
Dynamic range: +/-105 dB

Power supply and other specifications

Power supply
2 AAA batteries (alkaline, NiMH or lithium rechargeable, sold separately)
USB bus power from a computer

Power consumption (batteries): 0.3 W (maximum)
Current consumption (USB bus power): 0.1 A (maximum)
Dimensions (W × H × D): 53 mm × 51 mm × 21 mm (excluding protrusions)
Weight@ 65 g (with batteries), 43 g (without batteries)
Permissible operating temperature range: 0-40 -C

Battery operation time
Conditions: WAV recording at 48 kHz, 32-bit float, mic connected, headphones not connected, limiter off, mono file, continuous operation, in hours:minutes (JEITA CP-2905)
Alkaline battery (Evolta)
16:30: No Bluetooth connection
16:00: Bluetooth connection

NiMH battery (Eneloop)
11:30: No Bluetooth connection
10:30: Bluetooth connection

Lithium battery (Energizer Ultimate Lithium)

24:30: No Bluetooth connection
23:00: Bluetooth connection

Note: Operation times may vary depending on the recording media being used. Reduced battery life when using headphones.

Notes: Introducing a limited edition re-release of this iconic electronic instrument in a modular format.

This limited edition of 75 units is a tribute to the pioneering work of Dutch musician and instrument maker Michel Waiswisz (1949 - 2008), who first invented the Cracklebox with Geert Hamelberg in the late 1960s.

The Cracklebox was a small, handheld device designed as a way to explore new sonic territories. It was one of the first electronic musical instruments to use circuit bending techniques in the creation of electronic music. It allowed musicians to manipulate and control electronic circuits in real-time, creating a wide range of unique and experimental sounds. He used a circuit from a toy piano as the basis for the instrument, and then added a series of touch-sensitive pads that were connected to the circuit. When a player touched one of the pads, the circuit would be completed, producing a crackling sound.

The Cracklebox was probably the first commercially available portable self-powered alternative 'keyboard' analogue electronic instrument with inbuilt loudspeaker.

In the 1970s about 4000 Crackleboxes were built and sold by STEIM in Amsterdam.

Nowadays many people refer to the The Cracklebox as the archetype of 'glitch' or 'circuit bending'.

In the decades since its invention, the Cracklebox has continued to be an important and influential instrument in the world of electronic music. It is still in use today, and is considered a classic example of the potential of electronic music to create unique and innovative sounds.

This Eurorack recreation includes a 9v battery, swappable through the front panel, this allows to isolate the current flowing through the user's fingers from the Eurorack frame PSU, protecting the user from undesired electrical shocks. The internal speaker has been removed, a transformer has been used instead to isolate the output signal.

The output generated can be used as an audio, as a gate or a cv signal, when using it as a cv source, due to the specific qualities of the signal, users may want to send it through other modules as slews, sample and holds, quantizers to tame/control it's peculiar cv output.

Controls:

- The module features an on/off switch to turn off the 9v battery (remember to turn it off when you turn off your Eurorack system).
- A Power Starve knob, reduces the 9v voltage feeding the circuitry changing it's overall timbre/pitch
- An Output Gain knob to control the output volume.
- A Boost switch to add more presence to the signal.

Tech Specs:

12HP
5.5 cm deep
20mA +12V
20mA -12V
9v battery required

Notes: The Herzlich 4x4 Switched Passive Matrix Mixer is a fresh dose of hot old school synth flavor right into your signal chain - inspired by the Buchla and Synthi matrix mixers of yore, the Herzlich 4x4 Passive Switched Matrix Mixer will give you all the joys of an old school matrix mixer, and none of the pesky conveniences of a modern one!

Looking for a super clean, powered matrix mixer that will treat your signals with velvet gloves and behave with mind-numbingly boring predictability? Then you've taken a wrong turn, and instead of finding the pristine tedium you sought, you have uncovered a sleeping beast, an uncut diamond the size of a bell pepper and an all-red rainbow all in one. No power needed, and a super slim profile for even the shallowest skiff user.

The Switched Passive Matrix Mixer will set your heart ablaze with its glorious commitment to happy accidents and unapologetic jank. With absolutely no electronics to rein in the monster that resides in its circuitry, you will be delighted and shocked as you turn the knobs and click the switches, to find channels that bleed gently into each other, pots that alter channels other than their own, and switches that may take your desire to open and close them as suggestions rather than commands.

You'll think you've fallen asleep in the pale glow of your DAW and awoken to a nightmare at first, but very soon, you will discover it is a creative dream. Step into the shoes of the composers of yesteryear, and discover how your unintended accidents mixing CV or audio turn into beautiful and unexpected compositions. Find beauty in the strange interconnectedness of the switches and pots, as you try to brave and tame them. Reach synth transcendence with the psychedelic potential of passive matrix mixing, and open your heart to the multitudes of possibilities contained with the power of 70s circuit design.

Dimensions
20 HP
22 mm deep

Current Draw
Module does not draw current

Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.

Notes: The Erica Synths Black DADSR (Delay-Attack-Decay-Sustain-Release) is a fully analogue envelope generator that gives you extended control over events in your modular synth. It's a looping exponential envelope generator that has voltage control over each stage of the envelope. An independent Gate Delay section adds extra functionality to design advanced soundscapes, like delayed modulation e ects, wave morphing, etc.

SPECS:
Attack time (with max CV) 0...2,5" (4,4")
Decay time (with max CV) 0...5" (12")
Sustain level 0...10V
Release time (with max CV) 0...4,5" (10")
Gate delay time 0,7"
CV level (full sweep) -5V - +5V
Panel width 10HP
Module depth 30mm
Power consumption 42mA@+12V, 58mA@-12V


ATTACK
Set the attack time of the envelope

GATE
Patch the gate signal here to start the envelope. If nothing is patched here, the gate input is normalled to the gate

DELAY OUT
CV ATTENUATORS
These are CV attenuators for attack, sustain and release stages

SUSTAIN
Set the sustain level of the envelope

GATE DEL
Set the gate delay time

TRIGG
You can retrigger the envelope at any stage by applying trigger signal here. The trigger alone initiates an AD envelope instead of ADSR

DELAY OUT
This is the gate delay output. The gate delay section can be used independently to control other modules in your modular setup

D GATE
If you wish to use gate delay functionality, patch the gate signal here

BP OUT
This is the bipolar output - the CV here is centered against 0V and this output serves as an LFO

EG OUT
This is the envelope generator output

M. GATE
This is the manual gate button. A built in LED gives a visual reference of the output voltage

RELEASE
Set the release time of the envelope

DECAY
Set the decay time of the envelope

LOOP
This is a LOOP switch. When it's ON, the envelope generator outputs a signal for which the rise time is defined by the Attack setting and the fall time is defined by the Release knob setting.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Inspired by the legendary Moog CP3 mixer, the 713 tweaks the old-school discrete circuits into three stereo inputs and one mono channel, summing to stereo with adjustable feedback and clipping to add character.

Supplier's Notes:
ADDAC713 is the stereo version of ADDAC System's 703 Discrete Mixer.

Inspired by Moog's CP3 mixer, this is a fully discrete analogue mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

This new version was initially thought of as a percussion mixer, with mono inputs and panning, to allow placing percussive voices in the stereo field, while keeping channel 4 in mono for low end sources like a kick drum or Bass. In the development process ADDAC System slightly changed this initial idea, adding stereo inputs for the first 3 channels, but still kept the 4th channel in mono.

All four [GAIN] controls go to extreme levels, the first 3channels also feature [PAN] controls. Feedback is used to overdrive the whole mix. As the control is turned clockwise the sound will be clipped harder until it goes completely off, this happens as feedback is increased the audio bias reference also moves up, at extreme levels it offsets the whole signal upwards until it completely goes above the top rail clipping the whole signal hence the resulting gate effect.

The [MASTER OUTPUT] sets the overall output gain of the mixer, the two leds monitor the audio output signal. The Soft clipping switch engages an anti-click circuit which adds a low pass before the output, the switch allows 3 states: Soft low pass / Off / Hard low pass.

Features:

Three channels with stereo inputs, gain and pan knob
One channel with mono input and gainknob
Feedback/gate knob
Master output volume knob
Soft clipping switch
Two Led Monitors for Left and Right channels

Tech Specs:

8HP
4cm deep
80mA +12V
80mA -12V