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Fulltone Plimsoul Hi-Gain Distortion/Overdrive Pedal
Cat: 782862 • View all Effects pedals
Distortion/overdrive pedal
Notes: For many, many years you've basically had 2 choices for your Overdrive/Distortion pedals: You could either get "Soft-clipped" Bluesy, slightly compressed, (Toob Screemer, FD2, etc.) type Overdrive pedals... or you could get "Hard-Clipped" (OCD, Distortion+, Boss DS-1, etc.) type Distortion pedals.

What if there was a pedal that offered both? There is now... the Fulltone PlimSoul with it's Patented and completely unique dual stage clipping circuit which VERY accurately replicates not only the sound, but *the feel *of a tube amp with all of its subtleties and complexities.

PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it... you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.

Touch sensitive? Doesn't get any better.

Clean up with the guitar's volume control? More than any, yes, even more than the OCD.

Speaking of OCD, people ask "What's the comparison?" Easy answer: OCD has an honest flat EQ, won't change your amp's tone. PlimSoul has a gorgeous enhanced Midrange and Lower midrange... excellent to transform a combo into a Marshall-like lead machine, not so necessary if you already have a Marshall-like amp.

Good with Humbuckers as well as Single coils?

Does it play nice with other pedals?
Yes, it has an Ideal 500K Input Impedance, ideal super low 10K output impedance.

Can I blend the 2 types of Distortion?
Yes, and you can have ONLY Soft clipped or ONLY Hard Clipped.
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MRP:$202.22 SAVE 17%
coming soon $168.51
Fulltone Secret Freq Dynamic Asymmetrical Clipping Overdrive/Distortion Pedal
Notes: What's this, another touch-sensitive, dynamic, natural sounding overdrive/distortion to confuse the marketplace?

Nope, this is the Fulltone Secret Frequency. Secret Freq. for short. Although it does the gig-friendly clean boost and OD thing as good as any, it goes well past that when asked to, right into Rock territory while retaining a natural sound.

Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your bread and butter OD/Distortion pedal.

But the 'Freq has WAY more tricks in its bag than your average transparent OD/Distortion... it just may knock a handful of OD/Distortions right off your 'board and straight on to Ebay thanks to another innocent looking knob labeled Freq.

What's this "Freq." knob?

Turn it Clockwise and my proprietary circuit adds as much as 20db of active narrow band juicy MIDRANGE right where it does the most good, it's like installing a wah-wah right where the distortion is being generated. But unlike turning on your wah-wah along with a distortion pedal, with the 'Freq. the bass and treble frequencies don't disappear... Very unique, and not to be confused with a simple active or passive midrange control tacked on to the end of the circuit, as is the case with all other pedals you've tried with a Mid control. Adding the 'Freq's midrange imparts WAY more sustain and lets you easily place the guitar in the mix where you want it, irrespective of volume... soundman's not going to bury you anymore.

What's it sound like?

Along with a slew of basic great OD/Distortion pedal sounds, it allows you to replicate a very, very wide range of your favorite guitar & amp sounds. Remember that when the 'Freq. knob is fully-counter-clockwise the Midrange enhancement effect is OUT of the picture and the pedal is a truly versatile and natural sounding pretty transparent OD/Distortion! At low to mid overdrive settings, turning the 'Freq knob up a little gets hammer-of-the-Gods penetrating PUNCH!

At more extreme (clockwise) Freq settings?

Brings a smile to your face an evokes the coolest Jimmy Page, Brian May, Michael Schenker, Robin Trower, Tom Scholz tones that you just couldn't previously get without a bunch of studio EQ, just the right setting on a great wah-wah, or a slew of British amps.
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MRP:$214.93 SAVE 17%
coming soon $179.11
Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal
Notes: The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the "Boost" channel in Fulltone's FD3 pedal.

Why does a guitarist need a "Boost" pedal?

A boost pedal is not only used to kick up your volume when it's time for your solo! A good booster can also solve a lot of problems in the modern guitarist's rig, because today's pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It's a wonder there's any signal left after all the stuff we put our signal through. Ever played through a 10' guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the "touch" is back.

What happens when the 2B is turned OFF?

That's the problem with other boosters...once they're OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to "unity gain" and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF...and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB!

Why is the 2B a great booster?

The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o'clock. It's subtle, you may not hear it, but you WON'T hear that shrill top end that other boosters can impart!

What's the DYNAMICS knob?

The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp's input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B's DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an "ok" amp feel responsive and juicy, and will keep you from distorting the amp's input, a problem plaguing most booster pedals.


Input Impedance: ultra-high 1.65mega ohms...Not a chance of any interaction issues with guitars or other effects
Output Impedance: ultra-low 300ohms..no chance of loading or interaction issues.
Max Gain: @ 20dB
Size: 4.5" x 2.1" x 2.3"
Weight= 12 ounces (with the included battery)
Power requirements: anything from 5 to 18 volts DC, 9 or 18 VDC recommended.
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MRP:$171.69 SAVE 17%
coming soon $143.08
Keeley Vibe-O-Verb	Ambient Reverberation Machine Pedal
Notes: This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.

All of the Delay Space in the reverb engine for the pedal are in the Fibonacci series. What does this mean for you? You'll probably make more money, look better (see golden ratio below) and find true happiness. But what this means for Keeley is a secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy's La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34...

Harmonic Reverb
This mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with the a delicious hint of Vibe! Dynamic Dimension Canyons?!

Vibrato Reverb
Pitch Bending Reverberation Machine. From mild chorus to spacey bayou tones! Too grande to call our modulated chorus, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other.

Phaser Modulated Reverb. Maybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.
Enjoy these "Lost Reverbs" Vibe-O-Verb, reverbs that never were- until now.
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MRP:$189.50 SAVE 17%
coming soon $157.92
Keeley Verb O Trem Workstation Powerful Reverb & Modulation Machine Pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT Workstation gives you the famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo.

So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT Workstation is a simple and beautiful sounding solution.

The Keeley VoT Workstation is a high-end Dual DSP effect workstation. Each effect, reverb and tremolo are given their own effects engine. This allows us to create rich and ornate filtering. These are studio quality sounds we that have been crafted over the years, refined by working musicians and studio engineers.

Keeley knows and develops reverb spaces. Fat, juicy, sonically rich spaces. Keeley 2 Spring Reverb is the real deal. It's so good sounding, they install it in The Amp now. In fact Keeley reverb has been developed in many other brand's pedals.

There are 8 petals to this flower: 2 Spring, 3 Spring, Plate, Hall, Chamber, Room, Fugue, and Slapback!

Each Keeley VoT Workstation reverb allows you to control:

Level - Output Volume Level for the reverb channel

Decay - this is the length of the reverb trails, the size of the ambient space. External Expression Control port on rear of unit.

Morph - Pre-Delay - The earliest reflections, sometimes heard as a slapback. This is great for setting up a reverb space that sounds huge, or you can dial it in so that it plays well with fast, percussive notes.

Effect Level - This is your Blend Control- how loud you want the reverb in your guitar mix.

A Lotus Flower of Tremolos- you have eight blooming tremolos in the Keeley VoT Workstation!

8 Vintage Tremolo modes: Sine Wave, Square Wave, Harmonic, Dynamic Harmonic, Pitch Vibrato, Ramp Trem, Les'Rotary Speaker, U-Vibe

Level - Output Volume Level for the tremolo-modulation channel

Rate - Speed of modulation, with on-board Tap Tempo, external tap input jack.

Depth - amount of volume change in effect. THROB.

Morph - Controls a variety of aspects including filter points, wave shape, duty cycle, tweeter/woofer control, etc. Instruction manual lists exact details.

VoT - Lotus
The VoT Workstation Tremolo allows you to have on-board Tap Tempo or you can use an external tap switch or generator. Expression pedal control gives you foot controlled access to the Reverb Decay control. This allows you blend the perfect amount of reverb into your guitar mix.
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MRP:$380.27 SAVE 17%
coming soon $316.89
Keeley Super Mod Workstation Modulation Pedal
Notes: Sonically drench yourself in swirling modulated tones. Not many effects can be as provocative as a chopping tremolo, a swirling rotary, a dreamy chorus, or a crazed filter sound. Nothing compares 2 a thick flanger or deep harmonic tremolo. Nothing goes better with modulation than delay and reverb. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds.

The Super Mod Workstation contains many of Keeley's finest effects. The Harmonic Tremolo in this unit is inspired by vintage brown face amps. The Keeley DynaTrem contained our first Harmonic Tremolo. Many consider this deeper and thicker sounding than the U Vibe type effect. The ADT in the Super Mod Workstation is from the 30ms Automatic Double Tracker. Last year that effect set the effect world on fire with the best complete ADT unit in a stomp box.

The Super Mod Workstation allows you to combine effects like Tremolo, Filter, Phaser, Chorus, Rotary Speaker, or Delay with other similar modulation effects, including delay or reverb! For example you can combine our famous 30ms Double Tracker sound in the ADT, with a Flanger, or an Echo, or Plate Reverb. Another example would be to use Bank 1 - Phaser sound, combined with Bank 2 - Delay. You can use the expression pedal to run delays into self oscillation feedback! You can Tap Tempo input a rate for the Harmonic Tremolo sound on Bank 1 and then use an expression pedal input for speed of the Rotary Cab sound on Bank 2. Decide it's #modulationFreeMonday? Well, you can use the Analog Delay on Bank 1 and a super wet Hall Reverb on Bank 2.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Super Mod Workstation has Tap Tempo for Mod Bank One, and external expression control on Mod Bank Two.

Super Mod Workstation effects include:

Tremolo w/triangle to sine waveform control

Harmonic Tremolo w/presence tone control

Filter Trem w/oscillator and random control

Phaser w/feedback control

ADT w/blend control

Rotary Cabinet Sim w/treble horn control

Digital Delay

Analog Delay w/dynamic modulation

Chorus/Vibrato w/blend control

Flanger w/positive or negative feedback

Hall Reverb

Plate Reverb

Tap Tempo on Modulation Bank 1

Expression Control on Bank 2
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MRP:$380.27 SAVE 17%
coming soon $316.89
Keeley Tone Workstation Drive, Boost & Compressor Pedal
Cat: 782481 • View all Effects pedals
Drive/boost/compressor pedal
Notes: Introducing the Tone Workstation. The front end of your signal chain- this is where your tone develops. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Compression, Drive, Overdrive, Boost: you get it all here. The Tone Workstation is designed to be the first stage in your pedal board. It may even be the only pedal you bring to a gig. And we designed it that way.

Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. Adjust the Sustain control for increased compression or squeeze. As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.

Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive. First, the 1962 is Keeley's British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone. In the Katana Mode, only the volume works; the Tone and Drive are disabled. It's a clean sound people say you just can't turn off.

Last in the chain is Keeley's renowned Red Dirt overdrive. You get 15 years of modding tube screamers distilled into one toneful circuit. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! The Red Dirt circuit captures every nuance of your guitar's tone and delivers a classic, smoking hot, silky smooth lead tone.

Dimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.
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MRP:$380.27 SAVE 17%
coming soon $316.89
KMA Audio Machines Cirrus Delay & Reverb Pedal With Tap Tempo & Modulation
Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.
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MRP:$222.57 SAVE 17%
coming soon $185.47
Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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MRP:$354.83 SAVE 31%
 More than 10 in stock $244.22
Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair) Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair)
Cat: 666506 Rel: 14 Dec 17 • View all Studio monitors
3.5-inch powered studio monitors with Kevlar Woofer & 1-inch silk-dome tweeter
Notes: Tiny format but big sound from these entry-level Presonus monitors. Surprisingly punch bass response from a 3.5-inch bass driver. A good starting point for newcomers to production.

Supplier's notes:

PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Kevlar woofers deliver a cleaner overall sound:
Every Eris-series studio monitor utilizes a custom-woven Kevlar low-frequency driver. The weave and nature of the Eris E3.5's 3.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.

Smooth high end and wide sweet spot:
The Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear everything accurately.

Easy-to-use controls:
A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E3.5 active media reference monitors offer easy-to-adjust high- and low-frequency controls. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier level. Be careful with that volume knob, though: Eris E3.5s are driven by an onboard 25 watt/side power amplifier and can get a lot louder than you may expect, while still delivering clear, accurate audio.

Connect to virtually any line-level source:
With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E3.5 is equipped with rear-panel, 1/4-inch TRS and RCA inputs, as well as front-panel 1/8-inch stereo, unbalanced line inputs for use with mobile audio devices. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone or tablet. The loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:
Like all PreSonus monitor speakers, the Eris E3.5 offers consistent, accurate listening, with the smooth and even frequency response that has made Eris monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space.
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 More than 10 in stock $81.95
Click for better price!
or call +44 20 7424 1960
quote 666506
Old Blood Noise Signal Blender Parallel Effect Blender/Mixer/Router Pedal
Notes: The Signal Blender provides a number of parallel routing solutions through its use of a pair of send/returns, primary input and output, switching, and volume control.

Signal Blender can be used as a:
Parallel effect blender
3-to-1 mixer
1-to-3 splitter
Active ABY in either direction
Volume level setter

and more.

A courtesy 9V power outlet and phase correction switches for both Sends add further versatility to this box. Clever switching allows for latching or momentary on/off action.

The Signal Blender uses standard 9V center negative power, and has a current draw of 31 mA.
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MRP:$151.34 SAVE 17%
coming soon $126.12
Joue Fire Drum Pad For Board Play Modular MIDI Controller (yellow, orange)
Notes: Drum pads- Fire colour scheme
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MRP:$44.51 SAVE 17%
coming soon $37.09
Flame uMGT MIDI To Gates Or Velocity Outs Module Flame uMGT MIDI To Gates Or Velocity Outs Module Flame uMGT MIDI To Gates Or Velocity Outs Module
Cat: 781487 • View all Synth modules
MIDI to gates/velocity outputs module
Notes: The FLAME uMGT converts 12 Midi notes (one octave) to gates or velocity outputs.
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MRP:$216.21 SAVE 17%
coming soon $180.16
Intellijel 3.5mm Jack Eurorack Modular Synth Patch Cables (pack of 5, 24"/60cm)
Cat: 563728 Rel: 10 Mar 15 • View all Audio cables
Assorted colour patch cables with length of 24"
Notes: 3.5mm Patch Cables - 5 PAK Assorted Colours 24" (60cm)

Excellent quality patch cables for use with Eurorack modules.

Made by AdInfinitum.

Included colours:
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 More than 10 in stock $16.42
Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay Samson S Patch+ 48 Point Patch Bay
Cat: 624099 Rel: 19 Dec 16 • View all Audio patchbays
Fully balanced 48-point patchbay with 1/4" TRS connectors
Notes: The Samson S Patch Plus features high quality miniature toggle switches allowing each channel to be configured for either Normalled, Half-Normalled or Thru operation. The S-Patch Plus will provide reliable operation while maintaining a clean signal path with it's solid construction, 48 1/4" phone plugs on the front and 48 1/4" phone plugs on the rear.

You can instantly change any channels configuration without the need to remove the unit from the rack as the mini-toggle switches are conveniently located on the front panel. S-Patch Plus is one of the best entry level patch bays on the market. It helps you work cleaner and faster allowing you to focus on making a better production - a great value for money product for the small home studio owner.

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 More than 10 in stock $139.89
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quote 624099
Tiptop Audio Stackcable 20cm Patch Cable (green)
Cat: 595783 Rel: 19 Jan 16 • View all Audio cables
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser Korg Wavestate Wave Sequencing Digital Synthesiser
Cat: 761104 Rel: 16 Apr 20 • View all Synthesisers
digital synthesiser
Notes: Loosely inspired by the brand's classic Wavestation synth, the Wavestate updates the sound with a new approach to Wave Sequencing. Classy sound, powerful modulation and good hands-on performance options.

Supplier's notes:

KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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Arturia KeyStep Portable USB MIDI Keyboard Controller & Sequencer Arturia KeyStep Portable USB MIDI Keyboard Controller & Sequencer
Cat: 598836 Rel: 26 Jul 16 • View all MIDI keyboards
Slimkey controller keyboard & sequencer with velocity and aftertouch
Notes: KeyStep is a new breed of portable musical tool combining the functionalities of a keyboard controller with a polyphonic step sequencer to control both analog and digital devices.

You need a portable USB MIDI controller but also want a keyboard that provides a musical playing experience? You have some MIDI modules you want to connect as well but don't want the footprint of a large keyboard? You have modular and analog gear you want to control via CV/GATEs? You want a step sequencer with polyphonic capability that can sync to your favourite modern and vintage gear? If only a single piece of gear could do all of this...

It's the touch...
The KeyStep controller does all this and more.
We started by designing our own "slim key" keyboard action, balancing the best features of compact mini-keys with the musicality of full-sized keys into this new keybed. The size, velocity and aftertouch of this new design provide the freedom of portability without sacrificing playability.

We also designed a new polyphonic step-sequencer with 8 programmable memories that you can recall at the turn of knob. You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. We also included the ability to record, overdub, and transpose your sequences in real time and still play the keyboard live.

Add a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.

...and the possibilities
These features alone would make KeyStep the best portable keyboard controller on the market. But we take it further by giving you a wealth of connectivity options: USB MIDI (of course), standard MIDI in and out (check), clock sync and DIN sync jacks (yes!), and CV/GATE outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough.

Keystep is the perfect performance controller in a compact package.

Adapts to your setup!
KeyStep was imagined and designed to become the modern musician's trump-card.
Whatever your setup, KeyStep will merge into it to overdrive your workflow and effectiveness. With KeyStep and its range of connections you can control any digital or analog synthesizer from the past, today and even tomorrow. Sequence them all!
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 More than 10 in stock $101.73
Tiptop Audio Stackcable 90cm Patch Cable (black)
Cat: 595790 Rel: 19 Jan 16 • View all Audio cables
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $5.82
Teenage Engineering OP-1 Accessory Kit Teenage Engineering OP-1 Accessory Kit
Teenage Engineering OP-1 Accessory Kit (synthesiser & sequencer accessory kit)
Cat: 784900 Rel: 16 Sep 20 • View all Synth accessories
Accessory kit for OP-1
Notes: The OP-1 world is continuously evolving with new accessories and new OS updates adding more effects and functions with every release. With OP-1's modular architecture, all this new functionality comes without adding any complexity to the user interface or resulting in over-clustered screens. Your OP-1 will always be intuitive and simple to use.

Accessories included in the OP-1 Accessory Kit:

3.5 mm plug-in radio antenna for better signal reception when indoor or in remote areas.

Mount the crank accessory on OP-1's blue knob and press shift + rec. Your OP-1 is now in "hand-crank-recording mode". Use the crank to create some real vintage old skool recordings. It's also possible to crank counter clockwise, to record backwards. All in realtime. The crank also lets you use the endless sequencer as a hand cranked music box! Just enter the notes and crank the crank! The crank LFO lets you crank any parameter.

Bender mounts on the orange knob and comes with a rubberband that is attached around the blue knob for elasticity. By selecting the bender in the LFO browser, you may bend any parameter you like. Everything from pitch to filter or synthesizer parameters.

Brick Shaft:
Brick shafts are LEGOr compatible shafts that you put on any of the knobs. Now you may mount any lego part. Why not put on a big lego rubber wheel for that extra grip? Or build your own motor driven programmable LFO together with LEGOr MINDSTORMS? The brick shaft comes in four colors and lets you experiment with any parameter. It supports any idea you may have that involves LEGOr bricks.
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Chord MIDI Cable (black, 3m)
Cat: 416486 Rel: 26 Jan 11 • View all MIDI cables & adapters
5 pin DIN to 5 pin DIN MIDI cable
Notes: A high quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable comes with low loss conductors and global shielding ensure a clean data stream. It is terminated at each end with a 180- 5-pin DIN plug.

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MRP:$5.09 SAVE 62%
 9 in stock $1.91
Mutable Instruments Rings Resonator Eurorack Module
Cat: 596644 Rel: 18 Dec 15 • View all Synth modules
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument
Cat: 662253 Rel: 29 Sep 17 • View all MIDI controllers
Compact, next-generation production & performance controller featuring integrated hardware & software system
Notes: Version 3 of NI's hybrid groovebox is a super-slick instrument, with the pad controller and Maschine software working in perfect harmony. Built-in audio interface, slick workflow and tons of sounds included to get you started.

Supplier's notes:
The new MASCHINE takes the classic groovebox workflow and makes it faster and more intuitive. Optimized based on customer research, it's packed with new features to boost your speed and increase your focus - all without breaking the workflow you love.

Bigger pads:
Big, bold, and in your face, the larger pads create more room for complex moves like flams and rolls. New technological updates make the pads more sensitive to lighter touches, for more expressive playing. And since the centre-to-centre distance is exactly the same, your muscle memory and workflow don't have to change.

Full colour, hi res screens:
With two full-colour displays and the four-directional push encoder, you can browse sounds, FXs, plug-ins, and instruments with a tactile, one-handed, completely visual workflow - simply find the thumbnail and load directly from the hardware. Plus, the high-res screens let you get more precise with your mixing, see an overview of your arrangement, or zoom in on waveforms to slice samples like a surgeon.

Studio-grade audio interface:
MASCHINE now comes with a studio-grade, 96kHz / 24-bit audio interface for pristine sound. Simply patch in a synth or add a dynamic mic for quick recording and sampling. Stereo line and MIDI ports make it a perfect centrepiece for any studio. Plus, it's USB-powered, so you can record anywhere with your laptop - or plug in the included power supply unit for brighter pads.

Faster workflow:
The new hardware layout cuts through the clutter to help you stay focused and get your ideas out fast. Instead of being hidden behind a shift-function button, some of the most-used features and functions can now be accessed directly with one touch.

8 touch sensitive knobs:
Go beyond tweaking with eight touch sensitive knobs. Touch once to activate special contextual menus, such as tag clouds, sound settings, and FX parameters. You can also map your most frequently used FX, instruments, or plug-in parameters to macros with the touch of a button.

Smart strip for new ways to play:
The Smart Strip opens up MASCHINE to whole new ways of playing. Use it like a keyboard wheel to pitch-bend and modulate sounds. Add new sonic textures, builds, or transitions with advanced performance FX like stutter and scratch. Or strum samples, synths, and drums like a guitar.
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Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables) Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables) Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables)
Cat: 519789 Rel: 10 Feb 14 • View all Studio headphones
Professional monitoring headphones with 45mm large aperture drivers and fully detachable cables
Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.
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Befaco M3 Knurlies Eurorack Synth Module Screws (pack of 50) Befaco M3 Knurlies Eurorack Synth Module Screws (pack of 50) Befaco M3 Knurlies Eurorack Synth Module Screws (pack of 50)
Cat: 668668 Rel: 09 Nov 17 • View all Studio accessories
Pack of 50 screws specially designed for Eurorack
Notes: Knurlies are the first screws specially designed for Eurorack - engineered with love by Befaco to make re-arranging your case a matter of minutes!

Knurlies can be fastened by hand, phillips, slot or allen, and include plastic washers to avoid rack-rash.

These screws are M3x7mm, so they can also be used on 3mm thick panels as well as regular 2mm ones.
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 More than 10 in stock $23.06
ADDAC System ADDAC305 Manual Latches Module (black faceplate)
Cat: 776301 Rel: 15 Sep 20 • View all Synth modules
Manual latches module
Notes: The ADDAC305 Manual Latches is a combination of 8 manual latching switches in a small and elegant module: each button toggles between Gate high / Gate low when pressed, outputting a 5V gate signal. Additionally 4 of the 8 available latches, sport inputs and can act as manual latching switches, allowing the incoming signal to pass to the output when the button is toggled.

Format: Eurorack
Width: 8 HP
Depth: 2.5 cm

CV inputs: i 10v
Gate outputs: 0 +5v

Max current: 10mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC304 Manual Gates Module (black faceplate)
Cat: 776300 Rel: 15 Sep 20 • View all Synth modules
Manual gates module
Notes: With the ADDAC304 Manual Gates, you'll be getting 8 manual gates (0 +5v) in a nifty package - a perfect way to perform on and control your modular system.

The ADDAC304 comes with an interesting twist: 4 out of the 8 available gates can act as momentary switches, outputting the signals in their respective inputs when each gate's button is pressed.

Format: Eurorack
Width: 8 HP
Depth: 2.5 cm

CV inputs: i 10v
Gate outputs: 0 +5v

Max current: 10mA
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ADDAC System ADDAC504 Probabilistic Generator Module (black faceplate)
Notes: This is a complex Gate / CV generator based on probabilities.


Knob 1:
%1 = Gate 1 Probability
5TG = Fifth Output Type: Trigger/Gate
N1 = Note 1 Tuning

Knob 2:
%2 = Gate 2 Probability
T.SIZE = Trigger Size
N2 = Note 2 Tuning

Knob 3:
%3 = Gate 3 Probability
DIR = LOCK Mode Direction: Backwards/pendulum/forward
N3 = Note 3 Tuning

Knob 4:
%4 = Gate 4 Probability
S.SIZE = LOCK Mode Sequence Size: up to 16 steps
N4 = Note 4 Tuning

Knob 5:
SWING X = Clock Swing X: 1 to 16
Y = Clock Swing Y: 1 to 16
N5 = Note 5 Tuning

Gate Outputs Behaviour:

At every clock input, based on the four knobs probability settings, the module will select one active gate out, only one of the five gates will be active at all times. All Gate outputs can also behave as a Trigger instead, Trigger size can also be adjusted.

The knobs set the probabilities of each gate to be chosen, here's an example of how this operates

With all first four knobs at 12 o'clock the first Gate has 50% of being the chosen one, the remaining 50% of the times will be passed through the next knobs. So Gate 2 at 12 o'clock has 50% of the remaining 50% left by setting one, which leaves it with 25% chance of being the chosen one, the remaining 25% will be passed through Knob 3 which will have 12.5% chance of being the chosen one, the remaining 12.5% will be sent to Setting 4 which will have a probability of 6.25%. The remaining percentage left by the 4 Settings will always be the probability of Gate 5, in this case the remaining 6.25%.

Here's a couple more examples.

All knobs at 12 0'clock
Setting 1 = 50% chance, 50% left for remaining settings.
Setting 2 = 25% chance, 25% left for remaining settings.
Setting 3 = 12.5% chance, 12.5% left for remaining setting.
Setting 4 = 6.25% chance, 6.25% left for Gate 5.

All knobs at 9 0'clock (aproximate values)
Setting 1 = 20% chance, 80% left for remaining settings.
Setting 2 = 16% chance, 64% left for remaining settings.
Setting 3 = 12.8% chance, 51.2% left for remaining setting.
Setting 4 = 10.24% chance, 40.96% left for Gate 5.

Tuning and CV outputs:

While in the Tuning page you can use all knobs to set the 5 pitches
When in tuning page knobs should be rotated one at a time!
While rotating the knobs the CV out 4 will be used as a monitor, the other 3 CV outs will be behaving normally.
The module detects which pot is being rotated and outputs the relative pitch CV on CV out 4 for all knobs.
While on this page the tuning will be quantized or not relative to the panel Quantize on/off switch. Even if this process is done in quantized mode the module always store the free value in order to allow quantisation to be turned off later.
Once you're happy with the tuning you can exit the page, new values are stores to memory while exiting the page.
When tuning the module detects both the note selected and the relative octave.

CV Outs behaviour
This will be easier to explain with examples

Let's say we tuned these notes:

C0 or 0v
D1 or 1.166v
F2 or 2.466v
G3 or 3.583v
A4 or 4.75v

1. Next Logic out calculated is gate 3.
CV outs 1-2-3 will output a note in octave 2, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 3 (F2)

2. Next Logic out calculated is gate 5.
CV outs 1-2-3 will output a note in octave 4, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 5 (A4)

Out 1-2-3 is octave related
Out 4 always output the original tuned note

Knobs Pages access:

MENU/TRIGGER button is used to access pages
After power up it gets to first page by default.

Page 1:
MENU/TRIGGER button is off and blinks with clock inputs

Page 2:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up meaning you're in Page 2, changing knobs will affect the secondary function.
Releasing the button jumps to Page 1

Page 3:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up, keeping it pressed without moving any knob for 3 more seconds makes the Button led go off. At this time you can release the button. After that the button will light up meaning you're in page 3, or the tuning page.
Pressing the button one time jumps to Page 1

Soft-Recall and Memory:

Knob positions are stored in memory while in operation to be able to have a soft recall of the settings, so when jumping from page to page you'll need to rotate the knob until you find the last setting and only then they start to operate. Whenever the pot crosses the last setting point the MENU/TRIGGER button will blink indicating that the knob is now active.

Page 2 & 3 have permanent memory so it will always load the last settings after power up.
Page one is volatile and powers up with the initial knobs settings.
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Keeley Delay Workstation Delay & Reverb Combi Pedal
Cat: 782388 Rel: 16 Sep 20 • View all Effects pedals
Delay & reverb pedal
Notes: Ultra-tweakable delay and reverb designer based on powerful DSP chips. Dial in everything from vintage tape delays to plate reverbs, modulated stereo echo effects and more.

Supplier's Notes:

The Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine. Combining Keeley's unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool.

With the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces. You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space. Need rhythmic delays with some shimmer? It's here. Always wanted to have the perfect ducking delay? One that backs out of the way until your done with your notes, then the echoes fill in. "Ducking" is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes. Wanna get twisted? Try the Pitch delay into the Flanged Reverb.

The Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging. There are two delays included in the reverb bank. You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side.

Effects Include:

Slapback w/reverb

Tape Delay w/tone control

Multi-Head Echo w/3 head control

Analog Delay w/dynamic modulation

Digital Delay w/inverse dynamic modulation

Subdivided Delay w/dotted eighth, eighth, triplet, sixteenth

Ducking w/compression ratio

Pitch Shifting delay with w/octave up/down control

Spring Reverb w/tension control

Chamber Reverb w/filter control

Hall Reverb w/tone control

Plate Reverb w/tone control

Shimmer w/octave up control

Flanged Reverb w/vibrato or random modulation
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EMW ADSR SH 4X Envelope Generator (black faceplate)
Cat: 775111 Rel: 17 Sep 20 • View all Synth modules
Envelope generator
Notes: Quad EG based on the ADSR SH module
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EMW Gate Delay Module (black faceplate)
Cat: 775713 Rel: 17 Sep 20 • View all Synth modules
Delay module
Notes: The EMW GATE DELAY module can induce a delay on a gate signal. The delay amount can be adjusted using the SET and RESET knobs on the front panel. A delayed gate signal or pulse is very useful to promote the trigger of envelopes and other modules in alternative moments in a patch, creating some very interesting and unexpected effects and modulations.

Eurorack (3U) form factor - 6 HP width
Power consumption: +12V [29mA] / -12V [0mA]
Weight: 64g
Depth: 50mm
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EMW 10V Level Converter Module (black faceplate)
Cat: 775767 Rel: 17 Sep 20 • View all Synth modules
Converter module
Notes: 8-cannel voltage converter

Eurorack (3U) form factor
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EMW Voltage Controlled Filter MG24 Module (black faceplate)
Cat: 774633 Rel: 17 Sep 20 • View all Synth modules
Voltage controlled filter module
Notes: The EMW VCF MG24 is a Moog style 24db/oct low-pass resonant filter. Its sound and response were designed to be as close to the Minimoog filter as possible. This module has a 2-CH input audio mixer with individual input level control and two modulation inputs with individual input level control. Self-oscillation is very linear and ranges from 10Hz to beyond 20KHz.
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EMW VCO102 Analog Voltage Controlled Oscillator Module (black faceplate)
Notes: The EMW VCO 102 is a Voltage controlled oscillator with two waveforms (SQUARE and SAWTOOTH) that incorporates all analog technology. Its transistor core circuit design guarantees a vintage and powerful sound. This oscillator was designed to produce very precise waveforms and have a good stability and 1V/octave frequency tracking over five octaves.
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EMW Digital Noise Module (black faceplate)
Cat: 774770 Rel: 17 Sep 20 • View all Synth modules
Noise module
Notes: The EMW Digital Noise is a digital noise generator that works great for creating a wide range of noise sounds such as Atari-like tones, synthetic drum sounds, explosions, etc. The frequency of the generator can be either set by the Frequency knob or modulated by any CV signals patched into the Mod In input. There's also a switch available on the front panel that let's you select the frequency range (low / high).
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EMW Pot Action Recorder Module (black faceplate)
Cat: 774862 Rel: 17 Sep 20 • View all Synth modules
Recorder module
Notes: The EMW POT ACTION RECORDER is a very useful module that allows the user to create personalized modulation waveforms. It records the user's action on a potentiometer and generates 5V (-2.5 to +2.5V) control voltages that mimics the action applied to the potentiometer. The action recording can occur at any point and it is incorporated to the voltage output instantaneously. The playback speed can also be slowed down or increased.
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EMW Stereo VCA Voltage Controlled Amplifier Module (black faceplate)
Notes: The EMW 'VCA' module is a high quality Voltage Controlled Amplifier. It features a three channel audio mixer (with individual level controls), two CV inputs (Env and Mod) with independent inputs and level controls, as well as a Initial Level (Bias) control.
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EMW Triple Voltage Controlled Amplifier Module (black faceplate)
Cat: 774896 Rel: 17 Sep 20 • View all Synth modules
Voltage controlled amplifier module
Notes: VCA 3X is a simple yet great solution for synth users looking to add more VCAs to their setup in a single and compact module. This module features 3 VCAs with individual Signal and CV inputs and outputs.
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EMW Dual Low Frequency Oscillator Module (black faceplate)
Notes: The EMW LFO 2X has two totally independent LFOs in only 6HP rack space. Both LFOs feature triangle and square wave outputs, a switch to control the frequency range (Fast/Slow), frequency adjust knobs and LED indication. LFOs are essential tools when working with modular systems since they are the kind of modules that can be used in every patch to modulate parameters of other modules.
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EMW MIDI Oscillator Module (black faceplate)
Cat: 774615 Rel: 17 Sep 20 • View all Synth modules
MIDI oscillator module
Notes: The EMW MIDI Oscillator is a digital oscillator based on the EMW WCS-1 synthesizer. It responds directly to MIDI signals (C1 to C6) and generates 3 waveforms: Sawtooth, Square, and Sub-oscillator.The sub-oscillator waveform is not a simple square wave. it has it's own unique shape and sound characteristic, ideally designed to be mixed with the another waveforms.

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MRP:$113.19 SAVE 20%
 1 in stock $90.08
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EMW Multi Band-Pass Voltage Controlled Filter Module (black faceplate)
Cat: 774765 Rel: 17 Sep 20 • View all Synth modules
Voltage controlled filter module
Notes: The EMW 3-CH MULTI BAND-PASS FILTER is a filter specially designed to alter the sound of waveforms, giving them an alternative coloration and adding movement to the sound. The module has three parallel resonant band-pass filters with independent frequency modulation capabilities. The 3 modulat ion inputs (with dedicated attenuators) can be used to add a lot of movement to your patch. The Multi BP Filter is great filter for creating formant sounding patches.

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MRP:$199.67 SAVE 19%
 1 in stock $162.15
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EMW Multiwave Digital Oscillator Module (black faceplate)
Cat: 774606 Rel: 17 Sep 20 • View all Synth modules
Digital oscillator module
Notes: The MULTIWAVE DIGITAL OSCILLATOR is a MIDI controlled oscillator with 40 waveforms in the main osc. section + 8 sub-osc. waveforms. It uses a multi-algorithm structure to produce very dynamic waveforms, with CV control over many key parameters. Spreaded over the 40 internal waves there are synthesis methods like wavetable modulation, FM, wave distortion, formant shifting, timbre stretching and windowed sync. This allows the module to create a large timbral palette.
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MRP:$358.65 SAVE 19%
 1 in stock $289.33
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EMW Analog Sample & Hold Module (black faceplate)
Cat: 774885 Rel: 17 Sep 20 • View all Synth modules
Sample & hold module
Notes: Fully featured analogue sample and hold with tons of options. Built-in LFO/clock, analogue noise and glide/portamento on the output. Nicely versatile and good value.

Supplier's Notes:

The EMW S&H is a very complete module that features an exclusive EMW design which incorporates a wide range oscillator (that controls a Sample & Hold circuitry) and an internal LFO oscillator with 2 waveforms. It also has an analog noise generator and Gate and Trigger outputs. It can be controlled by either the internal clock or any external oscillator / LFO.
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MRP:$184.41 SAVE 21%
 1 in stock $145.20
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EMW Switched Patch Module (black faceplate)
Cat: 775804 Rel: 17 Sep 20 • View all Synth modules
Patch module
Notes: Patch (multiples) module that can assign the incoming signal to buss number 1 or to buss number 2. All channels which have the switch in the same position shares the same signal, so you can create your groups and configure the multiples as you wish.

Eurorack (3U) form factor - 8 HP width
Power consumption: +12V [0mA] / -12V [0mA]
Weight: 74g
Depth: 22mm
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MRP:$81.40 SAVE 21%
 1 in stock $64.65
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EMW Voltage Controlled Filter OB12 Module (black faceplate)
Cat: 774627 Rel: 17 Sep 20 • View all Synth modules
Voltage controlled filter module
Notes: The EMW VCF OB12 is a12db/oct State Variable VCF carefully designed to produce a very 'fat' and deep sound. It features a 2-input audio mixer, 2 odulation inputs, and separate LPF and HPF outputs.
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MRP:$166.61 SAVE 21%
 1 in stock $131.42
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EMW Voltage Controlled Filter Synt12 Module (black faceplate)
Cat: 774629 Rel: 17 Sep 20 • View all Synth modules
Voltage controlled module
Notes: The EMW VCF SYNT12 is a Synthacon style 12db/oct low-pass resonant filter. The sound and response were designed to be as close to the Steiner-Parker Synthacon filter as possible. This module has two individual audio inputs, one for the band-pass section and one for the low-pass section. It also features two modulation inputs with individual level control. Try patching the same audio signal into both inputs (BPF and LPF) for very interesting effects.
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MRP:$157.70 SAVE 20%
 1 in stock $126.12
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EMW Master Mixer 4X Module (black faceplate)
Cat: 775120 Rel: 17 Sep 20 • View all Synth modules
Mixer module
Notes: 4-input VCA stereo mixer w/ pan, stereo out, metering

50mm deep
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MRP:$248.00 SAVE 26%
 1 in stock $184.41
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EMW Envelope Follower Module (black faceplate)
Cat: 775441 Rel: 17 Sep 20 • View all Synth modules
Envelope follower module
Notes: The EMW Envelope Follower module is capable of creating control voltages from an audio source, trigger pulses, gate signals and also from other control voltages. It can also generate trigger and gate pulses when the incoming signal goes above a certain threshold (that can be adjusted on the front panel via the threshold level control). You can set the response (attack/decay) time for fast or slow response. Extract the envelope of an audio signal or change the time characteristics of other control voltages with the EMW Envelope Follower.
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MRP:$100.47 SAVE 21%
 1 in stock $79.49
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EMW Pulse Counter Module (black faceplate)
Cat: 775646 Rel: 17 Sep 20 • View all Synth modules
Pulse counter module
Notes: The EMW Pulse Counter module is a binary counter that activates each output with a high voltage level (+5V) corresponding to the number of incoming pulses. It also have a RESET input that resets the counter each time a pulse is applyied.These module can be used to create triggers or gates to trigger other modules in diferent time ocasions and is very usefull for creating rythmic modulations and/or drum triggers.

Eurorack (3U) form factor - 6 HP width
Power consumption: +12V [15mA] / -12V [0mA]
Weight: 61g
Depth: 50mm
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MRP:$94.11 SAVE 20%
 1 in stock $75.25
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EMW Phaser 4 Four Stage Analogue Phaser Shifter Module (black faceplate)
Notes: The EMW analog 4-stage Phaser produces one of the deepest and most powerful effects used in electronic music. The analog phase-shifter effect differs a lot from the one created by digital processors mainly because it features a warm and penetrating sound characteristic that is very hard to emulate, This is a must have module for any modular synthesizer setup.
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MRP:$184.41 SAVE 22%
 1 in stock $144.13
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