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Items 51 to 100 of 331 on page 2 of 7
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Cat: 557451 Rel: 19 Dec 14 • View all Synth modules
 
Random voltage generator synth module
Notes: The "WoggleBug" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges).

The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!
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 1 in stock $234.77
Cat: 718065 Rel: 18 Feb 19 • View all Synth modules
 
4 track gate & trigger sequencer - 8HP
Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.
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 2 in stock $230.46
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Cat: 602195 Rel: 10 Aug 16 • View all Synth modules
 
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 5 in stock $225.06
Cat: 593467 Rel: 21 Dec 15 • View all Synth module accessories
 
104hp synthesiser module case with built-in power
Notes: In 2009 Tony designed the first Skiff to complement the vertically oriented cases available at the time by providing an ergonomic enclosure for our Rene and Pressure Points touch controllers.

Today the Make Noise Skiff provides a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is: the patch the artist has created. At one side there is a power button and the Make Noise logo is illuminated to show the power is ON.

Ships ready to use. Just add modules, patch cables, and inspiration.
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 2 in stock $237.99
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Cat: 593673 Rel: 13 Nov 15 • View all Synth modules
 
Meta modulator synthy module designed to blend and combine two audio signals - 10HP wide
Notes: Evolved from the oscillator mixing section of Mutable Instruments' desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods - some of them emulating classic analog circuits, some of them purely digital - are provided by the module.

With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.

Since many classic cross-modulation effects work best when the carrier is a simple waveform - for example, a sine wave for ring-modulation or a buzzing waveform for vocoding - Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input - freeing up one oscillator in your system for other duties!
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 3 in stock $204.60
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Cat: 557491 Rel: 19 Dec 14 • View all Synth modules
 
Two channel low pass gate synth module
Notes: A two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.

Revision 2 adds audio side-chain compression and expands CV generation and processing capabilities.
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 1 in stock $200.30
Cat: 625703 Rel: 15 Sep 16 • View all DJ controllers
 
Compact, intuitive DJ controller with Virtual DJ software - black
 1 in stock $289.69
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Cat: 702731 Rel: 18 Sep 18 • View all MIDI controllers
 
Maschine Mikro MK3 compact beatmaking instrument
Notes: Already a firm favourite. The third incarnation of NI's mini Maschine is better than ever. Sampling, sequencing, synths and much more in a compact box.

Supplier notes:
Meet MASCHINE MIKRO, your flexible, compact companion for making music with a laptop. Use it to tap out beats, play melodies, and build up tracks fast, fun, and hands-on. Want to start creating right away? We've thrown in everything you need including instruments, sounds, effects, and powerful tools like sampling and drum synths.

MIKRO gives you four different ways of getting hands-on with your music using the 16 pads. Drum beats in Pad mode, with color coding for kicks, snares, and other sounds. Switch to Keyboard mode to play melodies with the pads. In Chord mode, it's easy to lay down inspiring chord progressions. And in Step mode, program beats and patterns visually in a classic step-sequencer style on the 16 pads get exciting musical results quickly.

Find, audition, and swap sounds without stopping the music. Browse through your favorite instruments, and load samples, projects and kits. A compact screen guides the multi-function encoder so you know exactly what you're controlling, while staying in the creative flow.

Found a great sample? Hit the Sample button to quickly load it into your project from the software. Record from your audio interface to capture from vinyl, play in a guitar, or grab any other sound into your track. Shape and refine your samples using the powerful editing tools in the MASCHINE software.

You'll find inspiration using the selection of premium sounds, samples, instruments, and FX included with MASCHINE MIKRO. Plus it comes with full versions the popular synths MASSIVE, MONARK, and REAKTOR PRISM.

MASCHINE MIKRO gives you everything you need to get creating music, and it also works as plug-in in Ableton Live, Logic Pro, Cubase, FL Studio, or any other compatible DAW as a VST or Audio Unit. Use it to build up loops, then work with them in your DAW to quickly flesh out tracks, making it a powerful addition to your setup, however you make music.

Don't feel lost staring at a blank screen. Whether you're making your first track, or wanting to step up your game, we've got you covered. Discover exclusive content from our MASCHINE experts covering everything from your first steps, to diving deep into power features with our popular TruTorials.
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 1 in stock $203.54
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Cat: 452421 Rel: 11 Apr 12 • View all DJ interfaces
 
Professional digital vinyl system with 6-channel audio interface, 4-track decks and Remix Decks
Notes: Probably the easiest way to convert your turntable setup into a full four-deck digital vinyl system: audio interface, control vinyl, Traktor software and cables in one box (plus timecode CDs as a bonus). Bargain.

Supplier notes:
The Traktor Scratch A6 is the straight-up digital vinyl system for spinning MP3s using super-tight vinyl and CD control. The included Traktor Audio 6 interface, timecode vinyl and CDs, and the flagship Traktor software provide pro credentials at a very attractive price.

The Traktor Scratch A6 is designed for DJs who need rock-solid performance, amazing audio quality and incredible ease of use.The included Traktor PRO 3 software with Remix Decks allows for a new level of creativity, seamlessly merge the worlds of DJing and live performance. Powered by the Traktor Audio 6 interface, you can also expand your setup to include the Traktor Kontrol F1 for ultimate and intuitive control over the software's Remix Decks.

Get ready to unleash the full sonic potential of your tracks thanks to the included Traktor Audio 6, the high-gain audio interface for DJs who demand premium sound quality and extra-loud output. With 6 inputs and 6 outputs, the TA6 is destined to be the centerpiece of your live or studio setup. And if you're looking for even more connectivity and a MIDI port (e.g. for MASCHINE sync), check out Traktor Scratch A10.

It's never been easier to spin digital files. Hook up the system in seconds thanks to the plug-and-play hardware and software integration. The software interface features an easy-on-the-eye Essential View, focusing on the important elements. Innovative TruWave colored waveforms let you see your tracks like never before.

With full iTunes integration, iPod compatibility and Crate Flick cover art browsing, selecting your tracks is a cinch. The included SoftSync feature gives you optional help in beat-matching.

The Traktor Scratch A6 offers an advanced selection of creative features for developing and defining your own trademark sound. Super-intuitive looping and cueing functions have been further enhanced with the addition of Remix Decks for integrating loops and one-shot samples into your sets.

Store your favorite loops in the library, along with the included loop content, and open up another dimension in creative DJing, easily remix and re-edit tracks on the fly.

Use the exclusive scratch sounds to spice up your routine and rock the 6 studio-quality effects which, thanks to the additional ins and outs on the audio interface, you can route like an external effects box.

The newly developed Native Scratch technology features Traktor Scratch MK2 timecode vinyl and CD control for the next step in tight timecode performance. Spin super-precise 2 kHz control signal on 120g vinyl, it feels just like your digital track was cut to a 12" and with the innovative vinyl marker stickers you get clear visual reference at all times.

Alternatively, use your CDJs with Traktor MK2 timecode in relative mode, and stay ahead of the competition, with Traktor's loops and hot cues and your CDJs' cue and manual looping functionality, you get the best out of both systems.
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MRP:$311.44 SAVE 21%
 2 in stock $246.61
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Cat: 437059 Rel: 17 May 12 • View all DJ controllers
 
MIDI controller and audio interface with a 4-channel internal soundcard
Notes: Allen & Heath have introduced the Xone:K2, a MIDI controller and audio interface with a 4-channel internal soundcard, configurable MIDI surface with tri-colour LED illumination, USB bus-power and incorporating Allen & Heath's proprietary X:Link to connect with other Xone equipment.

The K2 is designed to work with all MIDI-enabled DAW applications and interface with popular DJ software packages, such as Ableton, Traktor Pro and Serato Scratch Live. It has 52 physical controls, including 12 analogue and 6 endless rotary encoders with push switch, 4 linear faders, and 30 back lit performances switches, providing up to 171 MIDI control commands across 3 layers. The K2's MIDI interface can be configured by the user, so the unit can be left in Open Architecture (Latching Layers off) Mode or set to Latching Layers Mode.

The K2 has an internal 4-channel high quality soundcard, that can operate at 44.1/48 kHz, and all channels run from the PC to the unit, configured to provide 2 stereo channels, one for headphones one for master out L and R, allowing headphone cueing without interrupting the master out. There is also a dedicated 3.5mm headphone jack and a master out on RCA phono connectors.

It is possible to link 2 K2 units together to double the control area using Allen & Heath's proprietary X:Link protocol. The X:Link uses a standard RJ45 connector and distributes power and data, which means 2 units can be connected to your DAW using only one USB port.

The Xone:K2 is constructed with a strong plastic base and steel front panel employing A&H's nutted pot construction to be both lightweight and hard-wearing. Finally, the K2 comes with a carry case that doubles as a stand for ease of use for travelling DJs.

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 2 in stock $214.31
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Cat: 511234 Rel: 28 Nov 13 • View all Synthesisers
 
Compact synthesiser with pure analogue signal path
Notes: MicroBrute is pure analogue sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super-fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.

The MicroBrute was designed to be small but still retain an amazing sound quality. With a 100% pure analogue voice path and advanced interconnectivity via MIDI, USB, CV/GATE, this machine is a true powerhouse synthesizer that takes your sound to a new level.

A synthesizer is a musical instrument that is meant to be played. However, playing a synthesizer is more than just playing some notes on a keyboard and recalling someone else's presets. If that was the goal you could be looking at accordions or going to a department store to buy your keyboard (along with socks, milk and toilet paper) - but you aren't because you are more creative than that.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute give you the means to create, perform and be completely original every time you power up, it does so with astounding sound quality.
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 1 in stock $258.02
Cat: 693972 Rel: 05 Jul 18 • View all DJ turntables
 
Quartz-driven DJ turntable with direct drive motor
Notes: The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Quality direct drive motor and precision-engineered die-cast platter:

Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.

Statically balanced S-shaped tone arm:

The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.

Newly developed top panel and sturdy housing design:

The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.
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 3 in stock $218.61
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Cat: 589490 Rel: 10 Dec 15 • View all Synth modules
 
4 channel voltage controlled clock divider/multiplier synthesiser module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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 2 in stock $213.22
Cat: 589494 Rel: 10 Dec 15 • View all Synth modules
 
Compact, playable four-channel tap-tempo, clock-syncable LFO synthesiser module with variable skew and reset - 12HP wide
Notes: The Quad Pingable LFO is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.

The QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.

Controls and jacks:
- Tap tempo button ("Ping") for manually setting the tempo
- Ping jack sets tempo with an external clock (any complex signal can be used as a clock)
- On/mute button enables or mutes the output (latching button)
- Skew knob and CV jack control the waveshape by altering the ratio between rise and fall times
- At 0% Skew (0V of CV), the shape is a "plucky" near-expo curve
- At 1% Skew (just over 0V of CV), the shape is ramp-down
- At 50% Skew (about 5V of CV), the shape is a triangle
- At 100% Skew (about 10V of CV), the shape is ramp-up
- Skew knob provides offset to the incoming CV signal, so any range of CV is acceptable
- Reset jack restarts the LFO without changing the tempo (rising edge triggered)
- OUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)
- LED flashes and dims to the signal on the OUT jack
- Tap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack
- On/Mute button lights up when channel is On

Advanced:
- Ping and Reset inputs use comparators, so any waveshape can be used for triggering (audio waves, complex LFOs, even the QPLFO itself!)
- Trim-pot on PCB allows for adjustment of comparator threshold value

- "Fire-on-unmute" jumper per channel:
- When this optional jumper is installed, pressing the On button to turn the channel on will reset the LFO.
- If the jumper is not installed (factory default), pressing On will unmute the LFO without resetting (LFO runs in the background when muted)

- Bipolar/Unipolar jumper:
- Setting jumper to Bipolar makes the outputs -5V to +5V
- Setting jumper to Unipolar makes the outputs 0V to +10V
- One jumper controls all four channels

- One-shot mode: Reset jack can be used to trigger a one-shot envelope if the external ping clock is stopped. See manual for detailed discussion

- Floating Reset mode: Holding a high gate on Reset jack allows the waveshape to run freely without automatically re-syncing to the ping clock. A bare cable plugged into the jack causes a high gate

- Connects to other modules using ribbon cables:
- Outputs can connect to the 4ms VCA Matrix, or the 4ms SISM, the Circuit Abbey Intermix or the Toppobrillo Mixiplexer
- Normalization of ping jacks can connect to the 4ms Quad Clock Distributor
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 1 in stock $253.08
Cat: 525143 Rel: 15 Aug 14 • View all MIDI controllers
 
Akai Pro's new flagship Ableton Live controller designed for Ableton Live, with included production software package
Notes: In 2009, Akai Professional collaborated with the creators of Ableton Live, a powerful music performance and production software environment, and introduced the original Ableton Performance Controller-APC40. The instrument raised the standards of controller design, revolutionized hardware and software integration, and proved to be an essential performance tool for Ableton Live users everywhere. Building upon this original partnership, Akai Professional now introduces an all-new, reimagined Ableton Live controller-APC40 mkII.

The new APC40 mkII incorporates five years of user feedback into its design. Almost every aspect of the original APC40 has been deliberated, reworked, and improved to provide extended controller functionality, countless musical capabilities, and a smarter workflow. In addition to its sleek look, veteran APC40 users will immediately notice the enhancements that include an RGB clip-launching grid, reinforced fader design, revised knob lay out, and much more.

APC40 mkII features a 5x8 RGB clip-launching grid that's built for dexterous exploration: launch clips and create or perform your song from the ground up using 40 responsive triggers. RGB lighting provides visual feedback and displays three clip statuses-loaded, playing, and recording-so you can intelligently perform without looking at your computer. You can also color code your clips with the RGB lighting for advanced visual organization, and use the Shift button and directional arrows to manipulate the scope of the 5x8 grid.

APC40 mkII comes equipped with an array of assignable faders and knobs: nine reinforced faders and eight channel control knobs are arranged in-line with each channel for an intuitive layout and smarter workflow. Eight Device Control knobs make it easy to tweak device parameters and light up to provide visual feedback of each parameter. In addition, the Sends button enable users to cycle through all eight send buses right from their APC40 mkII. The A/B crossfader has also been reworked and can be assigned and re-assigned without ever having to touch the mouse.

APC40 mkII comes pre-mapped to Live for an instant performance and production setup. When APC40 mkII is plugged into your computer, its hardware controls correspond 1 to 1 with Ableton Live's interface-no additional configuring is required. In addition, all of APC40 mkII's controls can be re-assigned on the fly for customized setups that change with your performance or production style. APC40 mkII is also powered over USB and supports plug-and-play connectivity, allowing you to take this controller from the studio to the stage or wherever you go. Whether you are an electronic music artist and Live is your canvas, a DJ using Live for performance and real-time mixing, or a more traditional musician using Live on stage or in the studio, you will find the APC40 mkII to be the intuitive, powerful instrument that directly links your inspiration with Ableton Live.

APC40 mkII comes packed with a music production suite that includes a version of Ableton Live, two high-definition virtual synthesizers, and 5GB of professional samples and loops for immediate out-of-the-box music creation. Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Also included is the Puremagnetik Effect Racks, a collection of over 200 sophisticated audio effects engineered for instant sound sculpting. This collection comes packed with an endless variety of channel strips, DJ and live sound effects, glitch racks, amp racks, modulators, filters, beat processors, and noise boxes. Hybrid 3, by AIR Music Tech, is a virtual synthesizer for electronic musicians, DJs, sound designers, and music producers who love to get their hands dirty. Create anything from fat, retro synth sounds to edgy, modern leads and everything in between. SONiVOX Twist is a spectral morphing synthesis virtual instrument. Comprised of a dynamic interface, an advanced pattern generator, and onboard effects, Twist lets you create serious sounds using simple controls. Finally, five Toolroom artist launch packs and five Prime Loops sample packs feature an eclectic mix of sounds from today's electronic music scene. Jumpstart your inspiration with these premium instrumental loops, drum kits, one-shots, and more.
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 1 in stock $287.06
Cat: 676518 Rel: 15 Feb 18 • View all Synth modules
 
Multi-function Eurorack module - 10HP
Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.
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 1 in stock $221.83
Cat: 633369 Rel: 05 Dec 16 • View all Synth modules
 
Analog signal processing module with simultaneous four & six-stage outputs - Eurorack compatible
Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection
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 1 in stock $212.69
Cat: 512084 Rel: 10 Dec 13 • View all Vocal microphones
 
Large diaphragm condenser microphone with revolutionary new shock mount and carry bag
Notes: The NT1 is a revolutionary new 1" diagphram condenser microphone from RODE.

Although the body of the new NT1 closely resembles the NT1-A, the microphone has been completely redesigned from the ground up, with the only shared component being the mesh grille.

RODE's design engineers approached the NT1 as a marriage of innovation and tradition, starting with the capsule which is a completely new design. Codenamed the HF6, it is the perfect example of RODE's fusion of artistic design approaches and cutting-edge manufacturing techniques, and features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise. It has been developed with a focus on detailed midrange response, coupled with silky smooth high frequencies, and warm, round, bass reproduction to make the NT1 an absolute standout in its class.

In another world-first for RODE, the transducer itself is suspended inside the microphone using Rycote's industry-leading Lyre system, minimizing external vibrations at the capsule level. The capsule is then married to high-grade electronics that have been designed to provide the lowest noise level of any studio microphone available. The NT1 is an incredibly quiet microphone, measuring only 4.5dBA of self-noise.

Its body is machined from 6061 aluminium and then nickel plated for resistance against corrosion. Finally it is coated in a durable, military-grade ceramic layer, using advanced electrostatic application techniques developed by RODE to ensure an extremely hard wearing finish that is resistant to scratches or marks.

The NT1 is supplied with the revolutionary new RODE SMR shock mount. Featuring a unique double-Lyre suspension system, the SMR enhances the existing superior vibration cancellation of Rycote's Lyre system by using a smaller inner Lyre to act as a tensioning element. This maintains each Lyre in the neutral position where it is most efficient at cancelling vibration. The SMR's removable all-metal pop filter is as effective as it is visually striking, providing an integrated solution for plosive protection that is easily washable and designed to last as long as the shock mount and microphone.
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 1 in stock $241.41
Cat: 695368 Rel: 01 Aug 18 • View all Synth module accessories
 
Angled 2 x 84 HP Eurorack case with PSU & power cord
Notes: Eowave Studio Cases are made of metal, with wooden side panels to give them a modern look. The case here is angled, and features two rows with 84 HP each. A power supply and Bus Boards are built-in.
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 2 in stock $214.31
Cat: 740870 Rel: 19 Nov 14 • View all DJ turntables
 
B-STOCK: Product in perfect working order, missing plastic clip
Notes: ***B-STOCK: Product in perfect working order, missing plastic clip***


This professional stereo turntable features a high-torque direct-drive motor for quick start-ups and a USB output that connects directly to your computer.

Other features include: forward and reverse play capability; cast aluminum platter with slip mat and a start/stop button; three speeds 33/45/78; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-10% or +/-20% adjustment ranges; and removable hinged dust cover.

A selectable internal stereo phono pre-amplifier allows the turntable to plug directly to components with no dedicated turntable input. A USB cable and adapter cables are included along with Mac- and PC-compatible Audacity software to digitize your LPs.

The AT-LP120USBC BK comes complete with the Audio-Technica AT95E cartridge and is also compatible with all Audio-Technica cartridges and any 1/2 inch mount cartridge from other manufacturers.
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 1 in stock $240.15
Cat: 533653 Rel: 04 May 16 • View all DJ mixers
 
14 input, 4 channel DJ mixer with 3 band EQ and microphone inputs
Notes: This 14 input, 4 channel professional DJ mixer is ideal for mobile use and installations. Each channel has 3 band EQ with individual volume control that can be assigned to either side of the cross fader or cue mix fader. It features USB IN/OUT for playback or recording, and there are 3 x microphone inputs, great for karaoke and DJ set-ups.
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 1 in stock $202.45
Cat: 714259 Rel: 17 Jan 19 • View all Audio & MIDI interfaces
 
Premium audio interface with advanced guitar tone shaping
Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.
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 1 in stock $263.93
Cat: 492003 Rel: 17 Jun 13 • View all Studio monitors
 
Active studio monitor with 8" cone woofer and 1" dome tweeter
Notes: The Yamaha HS8 is the new flagship model of Yamaha's HS series of active studio monitors, taking its cues from the ever popular and much demanded NS-10.

The Yamaha HS8 Active Studio Monitor features biamplified full range 2 way speakers rated at 75W and 45W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as the home project studio. The HS range of monitors has been designed in the same tradition of the legendary NS10M monitors.

Yamaha HS8 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology right across the HS range, which also helps to deliver a clean and precise signal. The HS8 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.
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 6 in stock $230.46
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Cat: 664480 Rel: 11 Oct 17 • View all Synth modules
 
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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 1 in stock $234.76
Cat: 640972 Rel: 27 Feb 17 • View all Synth modules
 
Stereo compressor in 4 HP
Notes: MSCL is a stereo compressor in 4 HP designed for your master bus to help "glue" your mix together. Inspired by the DBX "Over Easy" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn. Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.

Controls:

- Comp knob: Adjusts makeup gain, threshold, ratio simultaneously
- Attack Knob: Controls how fast the compressor will react to incoming transients
- Release Knob: Controls the speed in which the compressor will release
- Gain Knob: Adds up to +-35dB on the output
- Threshold Switch: Changes the threshold range
- Limit Switch: Limits the comp knob's makeup gain. Makes the MSCL operate more as a peak limiter

Other:

- Size: 4HP
- Input Impedance: 20k
- Side Chain Impedance 100k
- Output Impedance: 220 ohms
- RMS and Adaptive Detector Response
- Green/Red indicator for Gain/Reduction
- AC Coupled signal pass
- DC coupled bypass
- AC coupled Sidechain
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 4 in stock $240.15
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Cat: 640977 Rel: 30 May 17 • View all Synth modules
 
Stereo filter module in 6HP with high pass & low pass circuits
Notes: The WMD Overseer is a stereo filter inspired by those commonly found on DJ mixers and DJ software. It features two filters on one knob, stereo ins and outs, bypass switch, and a fun stereo "Tilt" function which offsets the filter cut-off frequency across the stereo field creating some dizzying stereo effects.

Controls:

- Bypass Switch: Turns the filter on and off. LED will be red when the filter is engaged. Toggles on button release.
- Filter Cut-off Knob (the big one): Turn Left for Low-Pass filtering and Right for High-Pass filtering. No filtering in the middle. Becomes offset with CV.
- Filter Cut-off Switch: Switched to the left limits both filters to audible frequencies so you cannot accidentally filter out all signal. Switched to the right disables the limit allowing you to filter the signal into oblivion.
- Resonance knob: Controls the amount of frequency boost at the cut-off point. Will not self-oscillate. Knob becomes offset with CV.
- Tilt Knob: In the middle applies no tilt. Rotate left or right to off set the offset to the filter cut-off on each side. Knob becomes offset with CV.
- Tilt Switch: Allows you to apply the Tilt function to either or both HP and LP. Left for LP, right for HP, centre for both.
- HP - LP Knobs: Attenuverters for incoming CV over the filters.
- HP - LP Switch: Switch to the right sends 5V to the HP - LP knobs and turns them into independent controls for the cut-off frequency of both filters, allowing you to control both filters at the same time with these independent knobs.

Jacks:

- HP: CV input for the High-Pass filter
- LP: CV input for the Low-Pass Filter
- Tilt: CV input for the Stereo Tilt function
- Res: CV input for the Resonance of both filters
- Master: CV Input over both filters, accepts -5V to +5V

Other:

- Input Impedance: 40k
- Output Impedance: 220 ohms
- Frequency Response: 20Hz to 20kHz +-1dB
- LPF Cut-off Range (-3dB Fc)
- Limited LPF: 22Hz to 32kHz
- Unlimited LPF: 1Hz to 32kHz
- HPF Cut-off Range (-3dB Fc)
- Limited HPF: 3Hz to 12kHz
- Unlimited HPF: 3Hz to 38kHz
- Signal Path: AC Coupled at all times
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 1 in stock $272.45
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Cat: 689032 Rel: 19 Jun 18 • View all Synth modules
 
Electroacoustic workstation - Eurorack version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
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 1 in stock $236.91
Cat: 638395 Rel: 08 Feb 18 • View all Audio & MIDI interfaces
 
Monitor controller & USB audio interface with 2 mic preamps, 4 selectable stereo inputs & 3 selectable stereo outputs
Notes: The Mackie Big Knob Studio+ Monitor Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio+ features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio+ offers high-resolution USB interfacing with resolutions up to 192kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio+ is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.

***Now with Pro Tools First (including The Musician Collection), Waveform OEM and DAW Essentials Collection - upon registration***
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 1 in stock $257.38
Cat: 736453 Rel: 21 Aug 19 • View all Studio monitors
 
Single 2-Way active studio monitor with wave guide
Notes: Updated version of the hugely popular E8. Reshaped waveguide gives a broader sweet spot, while new bass drivers extend the bottom end. The originals were already great value - these are even better.

Supplier notes:
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speaker with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E8 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 35 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E8 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E8 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
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 2 in stock $214.31
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Vermona Kick Lancet Drum Machine (percussion synthesizer)
Cat: 420715 Rel: 30 Mar 11 • View all Drum machines
 
Analogue kick drum generator
Notes: The Kick Lancet generator is a handy analogue percussion synthesizer with priority to kick-drum sounds.

The heart of the Kick Lancet's sound structure is an analogue oscillator that produces sine and square waves, which can blend seamlessly from one to the other. 2 independent envelope generators with a decay/release phase can modulate the oscillator's frequency and the VCA. Additionally the VCO pitch can be modulated by the fast LFO (3Hz to 3 kHz, triangle). Noise and a pulse signal can be added in the mixer section. Vermona have a balls-controller for making it really big.

The Kick Lancet can be triggered by MIDI but beside that there are 3 different trigger inputs. A gate trigger, which impulse can trigger the Kick Lancet in normal way with additional accent or completely dynamical depending on the incoming voltage, a simply short current trigger (i.e. momentary foot switch) and an audio input, which offers the possibility to trigger the Kick Lancet by an audio signal statically or dynamically. Drum pads can also be connected here.

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 2 in stock $227.22
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Cat: 572805 Rel: 14 May 15 • View all Effects units
 
1U spring reverb unit using a spring tank from Accutronics, ideal for use with any kind of audio signal - UK power adapter included
Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.
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 1 in stock $262.76
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Cat: 690690 Rel: 10 Oct 18 • View all Music production software
 
Music creation, production & mastering software - Professional edition
Notes: Work better, faster. Studio One 4 Professional is designed for ease of use without sacrificing effectiveness. It seamlessly combines the time-tested recording studio model with today's beat-oriented production process, so musicians of all genres can bring their musical ideas to sonic reality - quickly and easily.

Studio One doesn't dictate a workflow but provides the tools and flexibility for musicians to follow their own musical path. Songwriters prototyping a song will love the new Harmonic Editing features, which allow Instrument and Audio Tracks to follow chord progressions dynamically. For EDM and hip-hop producers, the next-generation Impact XT and Sample One XT virtual instruments are complete production environments - auto-slice, dice, sample, de-construct, and trigger synched loops with an intuitive workflow. Patterns and a new Drum Editor bring step sequencing and drum machine-style music creation into the 21st century. Studio One is also a complete mastering suite, including DDP import/export for CD duplicators and digital delivery for online streaming and publishing.

There's a very good reason why so many musicians have switched to Studio One from older, more rigid programs. Built on a modern foundation that's not bogged down by legacy code, Studio One provides an efficient, creative companion from initial inspiration to final master. Its efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, advanced virtual instruments, mastering, and video player - you spend your time creating music, not wondering what to click next. The 64-bit double-precision mix engine is state of the art, while the smooth, analogue quality of the virtual instruments comes from proprietary techniques that provide much higher controller resolution. That's why Studio One just plain sounds better.

The reason why Studio One resonates with musicians is simple: PreSonus listens. Many new features in Version 4 are the direct result of user feedback, including AAF import/export so users can bring song data from their old DAW into Studio One. Add the most flexible arranging tools of any music program, full integration with Notion for superior notation, over 20 GB of carefully curated content, analogue console emulation, advanced step sequencing, unified hardware control with the FaderPort series of hands-on controllers, and much more - it's no wonder that Studio One continues to gain new followers every day.

***Studio one 4.5 is here!***

Studio One 4.5 is now available for all owners of Studio One 4. It includes over 70 new features and improvements that benefit both traditional recordists as well as contemporary nonlinear producers.
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 1 in stock $273.54
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Cat: 625058 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Vintage Transistor Core VCO Module
 1 in stock $267.06
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Cat: 625060 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 2 in stock $225.08
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Malekko Quad LFO Module (synth module)
Cat: 676892 Rel: 31 Aug 18 • View all Synth modules
 
4-channel LFO generator with 16-step sequencer - 12HP
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

To create a sequence of automation for an LFO, hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.
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 1 in stock $277.83
Cat: 637404 Rel: 10 May 17 • View all Synth modules
 
Flexible six channel audio hub in Eurorack format
Notes: Packed with deep signal routing options and high quality preamps, the System Interface is a flexible audio hub, perfect for both studio and live performance. Squeezed into 24hp.

The System Interface is a six channel mixer with three channels featuring high quality preamps and stereo panning. Signal routing options include a post level auxiliary send with stereo aux return, and independent assignable bus and main mix sends. Headphone output can be assigned to the main mix, bus, or both.

Preamps on channels 1, 2, and 3 offer 15x of clean gain with a unique soft clipping overdrive circuit. They are perfect to raise the level of external, line level gear to modular levels or to dirty up an already modular level signal. Channel 1 has a dedicated output designed to allow it to function as an input for external sources without hogging the bus or aux send.

Because most mixes do not require each channel to have a full complement of features, channel 4, 5, and 6 share auxiliary, bus, and main mix controls allowing for maximum channels within a small footprint.

Three independent signal paths open the mixer up to complex routing possibilities. The auxiliary send can be used as an effects send or alternative mix while the bus is used to cue up sounds for live performance or to split the mixer channels into 2 independent mixers. The possibilities are deep.
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 1 in stock $248.76
Cat: 540502 Rel: 08 Jul 14 • View all Handheld recorders
 
Multitrack handy recorder with large backlit LCD display and 4-track simultaneous recording
Notes: Zoom products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like the flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.

X/Y recording allows you to cover a wide area yet still capture sound sources in the centre with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberised material to isolate the unit from the H5 body and thus minimise vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise - equivalent to the sound of a jet aircraft from less than 200 feet away - enabling you to capture sounds louder, closer, and cleaner than you ever could before.

In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.

The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards - even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a 1/8" mini phone jack. The H5 supports a +4 dB (professional) input level and utilises the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.

There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Just 2 AA batteries - either alkaline or rechargeable NiMH - are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files.

The H5 can operate in two different modes - choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks) - and it captures audio in the two most commonly used file formats: WAV and MP3.

The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronisation in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites - allowing you to quickly and easily share your creations around the world.
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 3 in stock $229.64
Cat: 616173 Rel: 27 Jul 16 • View all Handheld recorders
 
4-track handheld audio recorder with built-in X/Y stereo microphnones
Notes: Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond
At Zoom we're always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level.
The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.
Welcome to the new gold standard in field recording.

The Filmmaker's Favorite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
* +4dBu line-level is not supported.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ?" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.
The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs and Outputs:
Inputs - The two locking combo connectors accept either XLR or 14" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.
Outputs - A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

Three Ways to Record:
STEREO MODE uses the built-in X/Y microphones (or external mics) and is convenient for recording live performances, acoustic instruments, dialogue, and more.
In 4CH MODE, you can record with the built-in X/Y mics and two external inputs simultaneously, great for getting live room sound and a stereo board feed at the same time.
MTR MODE (Multi-track Mode) turns your device into a four-track studio, with built-in effects, overdub functions, and the ability to work with previously recorded sound files.

Recording Functions:
Pre-Record (for STEREO/4CH mode) - Pre-Record ensures that you'll never miss the start of a great take. The device is continuously listening, keeping the previous two seconds* of audio whenever you hit RECORD.
*One second when recording at 96k or working 4CH mode.
Auto-Record (for STEREO/4CH mode) - Auto-Record automatically starts recording when a user-set sound level is detected. There's also an Auto-Record
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 2 in stock $202.10
Cat: 563495 Rel: 08 Jun 15 • View all MIDI controllers
 
Universal MIDI controller unit for use with all MIDI-controllable hardware and software
Notes: The all-rounder has 8 push-encoders without detents, 9 faders and 8 buttons, all switchable to 8 controller groups that allow to control a total amount of 264 control parameters. A 4-digit-display and 8 leds show the current values of all controls.

Various kinds of MIDI commands like program change, pitchbend, aftertouch and control change in relative and absolute mode with different acceleration amounts are possible. All these properties are fully programmable on the devices very fast and easy for each control separately.

The encoders can work as high resolution 14bit controllers too (control change or pitchbend) which makes them suitable for sensitive parameters like resonating filter cutoffs or similar things.

Use the internal 18 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup.

There you can control all the continues parameters like track volumes, rack macros, send amounts, track pannings and switchable patameters like clip launch/stop, mute, solo, rec arm, monitor and track select. A special control surface script for Ableton Live 8/9 with all necessary mappings is enclosed in the package. With that script you can also use two UC4 devices to control up to 16 tracks simultaneously.

Check out this amazing power box and you will get a reliable mate...
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 3 in stock $218.61
Cat: 734840 Rel: 15 Jul 19 • View all Synth modules
 
Analogue VCO focused on all aspects of modulation - 12HP
Notes: The OSC1 from Future Sound Systems presents a voltage-controlled analogue oscillator with a few features unexpected of a basic oscillator, with a particular focus on covering all bases of signal modulation. Once triangle, sinusoidal and pulse waveforms are derived from its sawtooth core, each waveform is passed through a VCA. The outputs from these VCAs are then summed at the Mix output, which can be switched between 2- and 4-quadrant-multiplication modes. These two QM modes allow for a plethora of amplitude modulation effects to be achieved. Level controls for each waveform dictate both static level, but also depth of modulation through careful design of the control summation. Each individual waveform output is taken pre-VCA for maximum patching flexibility.

Shape modulation of the triangular, sinusoidal and pulse waveforms is also available. Both the triangular and sinusoidal waveshapes can be skewed forward or backward into ramp-like shapes, whilst shaping the pulse wave gives standard pulsewidth modulation.

Frequency modulation is available in both Linear and Exponential modes. The OSC1 also tracks to 1V/Octave over four octaves in its audible (HF) range, but can also be used as a low frequency oscillator in LF mode.

A Sync input allows for the OSC1 to be reset by an external signal. A rising edge will reset the sawtooth wave to its peak, from which it descends. The Inject input, meanwhile, allows for external signals to interfere with the sawtooth core. This allows for intermodulation-type effects to be produced, and opens new realms of chaotic oscillations.
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 2 in stock $246.61
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Cat: 510945 Rel: 21 Mar 14 • View all Record bags
 
Record bag for holding up to 150 7" singles, with shoulder strap and zippered storage pocket
Notes: Zippered 7" single bag for storing up to 150 records, plus accessories.

The bag is constructed of Milled chrome tanned leather and features a detachable and fully adjustable shoulder strap for practicality and comfort.

"After decades of touring with bags that would eventually wear down and be replaced by the newest flavor of the month, this collaborative opportunity with Tucker & Bloom presented me with my first chance to help develop a product that is not only practical for the working class DJ who carries 45 RPM records, but further, almost any other working professional looking for a durable, high quality shoulder bag to add to their tool kit or traveling luggage."
- Rich Medina
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MRP:$347.63 SAVE 36%
 1 in stock $223.99
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Cat: 730429 Rel: 29 Apr 19 • View all Effects pedals
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $208.91
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Cat: 660962 Rel: 21 Aug 17 • View all MIDI controllers
 
Compact, versatile DAW controller with high speed USB 2.0 connectivity
Notes: Massive control, Modular components, Minimum footprint:

Seize control of your productions with the Icon Platform M+ DAW Controller, adding true tactile control via USB 2.0 to your Digital Audio Workstation (DAW) and production system. The all-new Platform M+ is a MIDI control surface designed for producers, engineers and musicians who want the hands on control of a mixing console and the flexibility of modern "in the box" digital music production within a smaller physical workspace.

With nine (9) full sized motorized faders, eight (8) rotary dual-function encoder knobs, backlit buttons for Mute, Solo, Automation and Transport control, a jog wheel, and access to your entire mix by banking across tracks in groups of 8 or 1 channel at a time, all the primary functions of your DAW are now at your fingertips.

Control any Digital Audio Workstation:

The Platform M+ integrates with most popular Digital Audio Workstations. Mapping presets for Cubase, Nuendo, Ableton Live, ProTools, Logic, Reason, Studio One, Bitwig, Samplitude and Reaper are loaded at our factory. Mackie Control or HUI protocols provide seamless interfacing with your DAW's functions. But even if your preferred DAW is not on this list, you can still map its functions with our intuitive MIDI learn mode.

Customise your setup:

The compact size (40cm x 20cm x 4.5cm) of this DAW controller means it should fit comfortably into any studio setup. But, the Platform M+ is also designed to be the nerve centre of your very own scalable, customizable, modular audio production system. Add the Icon Platform D2 Backlit LCD Display Module to keep track of every parameter, channel and control value in your mix.

A variety of additional expansion modules are also planned for future release, adding more faders, knobs and pads; providing even greater power, versatility and creativity. With the Icon Platform M, you can build the control surface that suits your needs.

In the Box:

- Icon Pro Audio Platform M+ Audio and MIDI Control Surface for DAWs and Plug-Ins
- Software CD
- USB 2.0 Cable
- AC Adapter
- Limited 1-Year Warranty
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MRP:$328.24 SAVE 25%
 5 in stock $246.01
Cat: MFO 46515. Rel: 08 Mar 18
 
Rock
  1. IOU
  2. Road Games
  3. Metal Fatigue
  4. Atavachron
  5. Sand
  6. Secrets
  7. Wardenclyffe Tower
  8. Hard Hat Area
  9. None Too Soon
  10. The Sixten Men Of Tain
  11. Flat Tire
  12. Then!
 in stock $251.99
CME
Cat: 605857 Rel: 18 Mar 16 • View all MIDI keyboards
 
Ultra slim 37-key Bluetooth 4 MIDI keyboard, with robust aluminium body
Notes: Ultra Slim. Great Design.

Lighter than an iPad!
Xkey Air is made from rugged, brushed aluminium. The same material that is used in Macs.
It only weighs 610g (1.34 lbs) so you won't even know it's there. Pop it in your backpack, or use the optional Xkey carry case.

Mac. iPhone / iPad.
(PC and Android can be connected with the WIDI BUD accessory)

Slip Xkey Air into your backpack or carry case and you're good to go.
Connect it to your favorite device, launch your favorite app - and your recording studio is open for business. Xkey Air is pro standard. But even if you're still learning to play the keyboard, you'll love the quality and features.
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 1 in stock $241.62
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Cat: 717404 Rel: 17 Nov 17 • View all Effects units
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Mr Hyde is the first in a new series of 'synthBlocks'. These are small table top effects processor, and later synthesisers and sequencers. Designed by renowned UK synth designers Analogue Solutions who have over 24 years in the industry.

Mr Hyde is an analogue filter effects box use for subtle to extreme filtering and modulation effects.

SynthBlocks are used to process any sound that you feed into it from your DAW, Mixer or some musical instrument (with prior pre-amplification where necessary). To give your plug-ins some real analogue hardware life.

Mr Hyde has 1/4" input and output jacks on the rear, so it can be connector straight to a mixer or DAW audio interface without the need for adaptors.

On the top panel are mini jack sockets to patch with a semi-modular synth, such as AS's very own Fusebox, or to Eurorack and other modular systems.

Mr Hyde can change the sound in subtle ways, such as nice sweeping filtering, right up to mangled FM mayhem!

Designed, engineered, and hand built in England.
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 1 in stock $200.91
Cat: 700962 Rel: 21 Oct 19 • View all Synthesisers
 
Portable synth/effect processor
Notes: Quirky little synth and effects box with some interesting features. Simple square wave oscillator, LFO and filter design with lo-fi digital delay. Wacky stuff but lots of fun.

Supplier notes:
MFOS Echo Rockit is a small, portable synth/effect processor. The Echo Rockit makes unusual sounds and will give you hours of creative sound making fun. You'll make sounds you'd swear would require a modular, and all in the palm of your hand.

About the Anti-Feature "Significant noise at echo times > 340ms". The PT2399 is designed to produce echoes in the range of 40mS to 340mS. In addition to those delay times, the Echo Rockit allows you to explore lower clock rates that result in longer echo times. However, the longer the delay you select, the more noise will be contributed by the PT2399's single bit A to D conversion mechanism.

Specifications:

Type: Analogue
Synthesis: Oscillator(s)

Oscillators: 1
Waveforms: Square
Osc Modulation: LFO

Filters: 1
Types: 12dB Slope (2-pole), Low Pass, Resonance
Filter Modulation: LFO, Oscillator

LFO: 1
LFO parameters: Triangle, Square

Polyphony: 1
Timbrality: 1
Tuning: Atonal
Modes: Mono

Effects: Delay & Echo

Case: Desktop
Controls: Knobs, Switches. 3,5 mono jack input
Dimension: 20 x 15 x 6,5 (cm)
Material: Plexiglass
Front panel: Aluminium (1mm thick)

Audio Output Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio Output Count: 2
Audio Input Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio input Count: 2
Control voltage: 1 NOT BE 1V/Oct
Power: 9V power supply 300 mA/1mA max (euro)
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Cat: 742229 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $267.06
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Cat: 730434 Rel: 11 Jun 19 • View all Drum machines
 
Polyrhythmic drum module featuring raw analogue drum sound
Notes: - 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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 4 in stock $268.15
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Cat: 742228 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: More aggro filth from the troubled minds at Schlappi Engineering. This time it's a distortion/filter module with touch-sensitive metal conductors for hands-on control. Screaming saturation and self-resonance ideal for angry techno. Nasty.

Supplier notes:
The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $267.06
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