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Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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 More than 10 in stock $254.96
FORTHCOMING
Pittsburgh Modular Lifeforms Analog Delay Unit Module
coming soon $207.20
Cat: 648928 Rel: 25 May 17 • View all Synth modules
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: Updated version of the Pamela's Workout clock source module from one of the best Eurorack brands around. Now functions as a modulation source as well as clock, providing eight outputs of CV. Essential.

Supplier's notes:
'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $236.65
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Cat: 685134 Rel: 24 Jul 18 • View all Synth modules
 
Random gate/voltage generator - 18HP
Notes: You can always rely on Mutable Instruments. The Marbles module is another hit - not a sampler in the MPC sense, but a random gate and voltage generator. Sample-and-hold on acid.

Supplier's notes:
Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!
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 7 in stock $248.65
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Cat: 689804 Rel: 03 Sep 18 • View all Synth modules
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 More than 10 in stock $282.46
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Cat: 596644 Rel: 18 Dec 15 • View all Synth modules
 
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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 More than 10 in stock $265.01
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Cat: 557488 Rel: 19 Dec 14 • View all Synth modules
 
Analog computer synth module designed for musical purposes
Notes: MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to:

- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
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 8 in stock $289.00
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Cat: 686269 Rel: 27 Apr 18 • View all Synth modules
 
Universal, patch-programmable modulation source - 14HP
Notes: ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 More than 10 in stock $238.84
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Cat: 621354 Rel: 28 Nov 16 • View all Synth modules
 
Quadruple Low Frequency Oscillator (LFO) synth module in Eurorack format - 10HP wide
Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.
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 7 in stock $249.20
Cat: 697102 Rel: 06 Aug 18 • View all Drum machines
 
Drum machine featuring bold, hard-hitting pure analogue sounds
Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.
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 4 in stock $255.73
Cat: 734884 Rel: 15 Oct 19 • View all Synth modules
 
6HP VCO with auto-tuning & octave shift
Notes: Simplified version of the Furthrrrr Generator dual VCO, inspired by Don Buchla's designs. Through-zero linear FM, wavefolding, sub-oscillator and auto tuning. Proper west coast synthesis at its best.

Supplier's notes:
The Endorphin.es Godspeed is sort of the single oscillator version of the famous Furthrrr Generator. From its big brother it takes over the digital Thru-Zero core and the legendary wavefolder. But it also has new features like a sub-oscillator output and an immensely practical autotune function.

Especially for people starting with a modular system this oscillator is highly recommended. On 6HP it delivers all the features (and more) needed for diving into the depths of West-Coast-Synthesis!
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 3 in stock $256.28
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Cat: 718062 Rel: 18 Feb 19 • View all Synth modules
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 2 in stock $278.09
Cat: 561278 Rel: 16 Jul 15 • View all MIDI controllers
 
Pro controller & performance sequencer with 2 monophonic step sequencers & 16 track drum sequencer
Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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 1 in stock $214.92
Cat: 633368 Rel: 28 Nov 16 • View all Synth modules
 
All-analogue voltage controlled filter module - Eurorack compatible
Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection
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 3 in stock $288.99
Cat: 728383 Rel: 09 May 19 • View all Synth modules
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 3 in stock $295.54
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Cat: 620699 Rel: 10 Aug 16 • View all Synth modules
 
USB/DIN MIDI voice and clock interface synth module in Eurorack format - 6HP wide
Notes: The uMIDI provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.
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 2 in stock $231.20
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Cat: 640972 Rel: 27 Feb 17 • View all Synth modules
 
Stereo compressor in 4 HP
Notes: MSCL is a stereo compressor in 4 HP designed for your master bus to help "glue" your mix together. Inspired by the DBX "Over Easy" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn. Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.

Controls:

- Comp knob: Adjusts makeup gain, threshold, ratio simultaneously
- Attack Knob: Controls how fast the compressor will react to incoming transients
- Release Knob: Controls the speed in which the compressor will release
- Gain Knob: Adds up to +-35dB on the output
- Threshold Switch: Changes the threshold range
- Limit Switch: Limits the comp knob's makeup gain. Makes the MSCL operate more as a peak limiter

Other:

- Size: 4HP
- Input Impedance: 20k
- Side Chain Impedance 100k
- Output Impedance: 220 ohms
- RMS and Adaptive Detector Response
- Green/Red indicator for Gain/Reduction
- AC Coupled signal pass
- DC coupled bypass
- AC coupled Sidechain
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 1 in stock $242.10
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Cat: 671535 Rel: 28 Feb 18 • View all Synth modules
 
Versatile, easy-to-use four-track, eight step sequencer - 12HP
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes the features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with its own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control!
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 3 in stock $258.46
Cat: 563495 Rel: 08 Jun 15 • View all MIDI controllers
 
Universal MIDI controller unit for use with all MIDI-controllable hardware and software
Notes: The all-rounder has 8 push-encoders without detents, 9 faders and 8 buttons, all switchable to 8 controller groups that allow to control a total amount of 264 control parameters. A 4-digit-display and 8 leds show the current values of all controls.

Various kinds of MIDI commands like program change, pitchbend, aftertouch and control change in relative and absolute mode with different acceleration amounts are possible. All these properties are fully programmable on the devices very fast and easy for each control separately.

The encoders can work as high resolution 14bit controllers too (control change or pitchbend) which makes them suitable for sensitive parameters like resonating filter cutoffs or similar things.

Use the internal 18 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup.

There you can control all the continues parameters like track volumes, rack macros, send amounts, track pannings and switchable patameters like clip launch/stop, mute, solo, rec arm, monitor and track select. A special control surface script for Ableton Live 8/9 with all necessary mappings is enclosed in the package. With that script you can also use two UC4 devices to control up to 16 tracks simultaneously.

Check out this amazing power box and you will get a reliable mate...
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 3 in stock $221.39
Cat: 458808 Rel: 25 Jul 12 • View all Filters
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

www.youtube.com/watch?v=P6FHbqRb9S4
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 1 in stock $249.74
Cat: 643384 Rel: 27 Mar 17 • View all Synth modules
 
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 1 in stock $200.66
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Cat: 731192 Rel: 19 Jun 19 • View all Synth modules
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 1 in stock $238.84
Cat: 557491 Rel: 19 Dec 14 • View all Synth modules
 
Two channel low pass gate synth module
Notes: A two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.

Revision 2 adds audio side-chain compression and expands CV generation and processing capabilities.
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 1 in stock $207.20
Cat: 431966 Rel: 17 May 12 • View all Studio mixers
 
Multipurpose studio mixer for live sound & recording
Notes: The Allen & Heath ZED-10 mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio input/output making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.

Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. The ZED-10 is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-10 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-10, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.
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 1 in stock $207.48
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Cat: 703012 Rel: 01 Oct 18 • View all Synth modules
 
Analogue-inspired parameterised digital percussion
Notes: Basimilus Iteritas Magnus is a digital drum synthesiser with its roots in the analogue world. At its heart is a six-oscillator additive synthesiser with adjustable waveform, harmonic spread, attack, decay and noise. These get fed into a built-in wave folder for extra crunch.

Size: 2 MU
Depth: 1.5 Inches
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 6 in stock $271.56
Cat: 664480 Rel: 11 Oct 17 • View all Synth modules
 
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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 1 in stock $237.74
Cat: 747621 Rel: 20 Sep 19 • View all Synth modules
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 5 in stock $243.19
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Cat: 580979 Rel: 03 Sep 15 • View all Synthesisers
 
Electric piano: A retro and superb package, 37 high quality mini keys
Notes: Sound:
Vintage Keyboard Sound Engine with six incredibly detailed vintage keyboard types.

Each keyboard type matches a carefully chosen Drive and Tremolo setting to provide an incredibly musical pairing.

The six keyboard types are:

- RdI, early '70s tine electric piano

- RdII, late '70s tine electric piano

- Wr, late '60s reed electric piano

- Clv, 70s struck string Clavinet

- Toy, toy piano

- CP, Yamaha CP80 electric grand piano

128-note polyphony ensures dropout-free performance.

Five stomp box-style effects with direct control@
The effect types are:

- Drive (adds harmonics and distortion)

- Tremolo (Auto-Pan for Rd) or VCM Wah with adjustable depth and rate

- Chorus with adjustable depth and speed

- VCM Phaser with adjustable depth and speed

- Digital or Analog-Type Delay with adjustable time and depth

- Reverb with adjustable depth

Control:
- Based on the FS action found on the flagship Motif XF, HQ (High Quality) Mini Keys provide premium feel and response for fast, accurate and natural playing

- Sustain pedal input allows the sustain function for all electric piano sounds

Mobility & Connectivity:
- Speakers

2W 3cm stereo speaker system lets you play any place, any time.

Specially designed bass reflex port technology enhances bass response for full, rich sound.

- USB

USB "TO HOST" allows MIDI connectivity to your USB-equipped computer or iOS device.

- Audio output

Dual 1/4"unbalanced line outputs provide connection to mixers, audio interfaces, DI boxes and more.

- Audio input

A 3.5mm aux line input lets you connect and hear mobile devices, tablets and more through the instrument.

Battery Operation:
- Battery powered - uses six "AA" batteries with five hours of life

Create your Soundmondo. Inspire and be inspired:
Soundmondo is a free sound sharing community that lets you discover, create and share reface Voices and Set Lists using Google Chrome any place, any time you're online.

Powered by Web MIDI, Soundmondo is simple to use - just connect reface to Chrome and you're ready to create or start browsing.
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 5 in stock $283.54
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Cat: 663389 Rel: 26 Oct 17 • View all Synth modules
 
Fully assembled field kit for experimenting with electro acoustic sound
Notes: The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!
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 3 in stock $237.75
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Cat: 538678 Rel: 17 Jun 14 • View all Subwoofers
 
10 inch glass composite powered subwoofer with built in crossover and resonance suppressing enclosure technology
Notes: To hear what's really going on at the bottom of your mixes, you need a subwoofer that speaks the truth. The Temblor T10 lets you take charge of the low-frequency foundation of your mix with a combination of quality components and design, plenty of inputs and outputs, and extensive user controls not normally available in this price range.

An ideal companion to Eris and Sceptre active reference monitors, the T10 complements full-range monitors without overshadowing them, extending the reach of your full-range system's low end with a musical and natural approach.
Powerful and musical, Temblor features high-quality components and design that enable it to deliver fast and accurate transient response, extending low frequencies without a hint of "tubbiness" or overshoot.

The Temblor T10 is an active subwoofer with a 10-inch glass-composite driver, built-in crossover, high-temperature voice coil, and damped rubber surround. Its cabinet features a front-firing, bass-reflex acoustic port and optimized, resonance-suppressing internal bracing. The enclosure has integrated rubber feet for stable placement.

In addition to outstanding accuracy and a frequency response that ranges from 20 Hz to 130 Hz, this combination of features enables the subwoofer to produce higher volume - up to 113 dB SPL - with less power than a sealed-box design. But make no mistake; the T10 has plenty of juice: 250 watts of Class AB power.

The result is a subwoofer that delivers accurate, tight low end and outperforms subs costing far more. With Temblor T10, you hear what the foundation of your mix really sounds like so you can produce your best mix from top to bottom.

The T10 provides more user controls than any other subwoofer in its class, enabling seamless integration into your listening environment.

The Temblor T10's extensive user controls include input gain (-30 dB to +6 dB, continuously variable) and a continuously variable low-pass filter (50 Hz to 130 Hz) that let you create a seamless crossover transition between your full-range studio monitors and subwoofer for a more accurate listening environment.

A switchable high-pass filter removes frequency content below 80 Hz from the full-range signal sent from the T10 outputs to the main monitors, avoiding destructive cancellation and reinforcement in the T10's upper range.
The result is a subwoofer that can be adjusted to perfectly complement not only our Sceptre CoActual and Eris active studio monitors but virtually any studio monitor.

The T10 also features a momentary footswitch (included) that bypasses the subwoofer, high-pass filter, and Sub Out. This allows your audio source signal to pass directly through the Temblor T10 to the full-range studio monitors, making comparing your mix with or without sub frequencies quick and easy. This helps to ensure your mix will sound good on a wide variety of systems.

Of course, we didn't forget the "small things" that can make a big difference: polarity invert and a ground-lift switch.

No other subwoofer anywhere close to the Temblor T10's price range offers a comparable selection of inputs and outputs.

The Temblor T10 provides a choice of three input pairs: two sets of balanced inputs (XLR and 1/4" TRS) and one pair of RCA unbalanced inputs. Pairs of inputs are provided in order to accept a stereo signal from your audio source.
When both of the balanced connections are in use, the TRS inputs will take precedence over the XLR inputs. The RCA inputs will sum into either balanced connection.

You get two pairs of balanced outputs: XLR and 1/4" TRS. The full-range signal connected to the stereo inputs on the T10 is passed through to these outputs so you can connect them to your main left and right studio monitors. If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent from these outputs.

The T10 also has a balanced XLR output that sends the low-frequency signal from the low-pass filter to a second Temblor T10 for the ultimate in smooth low end.
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 2 in stock $286.58
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Cat: 690903 Rel: 03 Jul 18 • View all Synth modules
 
Cascading analogue waveform sculpting oscillator - 12HP
Notes: True analog innovation, the Lifeforms Primary Oscillator was designed to stretch the boundaries of pure sonic sculpting. The Primary Oscillator uses unique cascading waveform processing to create increasingly complex, fully modulatable waveforms. Through the use of multiple interwoven waveshapers, a simple waveform can quickly mutate into something deeply dynamic and harmonically rich.

Custom waveshapers include a harmonic sine wave; a sine processed to add just enough harmonics to give a resonant filter something to dig into. Next, the included blade wave processor is an evolution of our custom modulation circuit, creating modulatable ramp and pulse waves. The fragments generator is an analog downsampler capable of crushing waveforms to dust without ever sounding thin or cold. Also included, the timbre wave folder enables deep spectral change by repeatedly folding the waveform in on itself until the original waveform is unrecognizable.

The Primary Oscillator is not meant to be a clean oscillator that produces perfect waveforms. Controlled signal interactions and the unique set of cascading waveshapers at the heart of the Primary Oscillator allow for a uniquely musical approach to experimenting with a wide array of interesting sounds. Instead of relying only on the standard set of simple wave shapes, the Primary Oscillator builds on the basics to offer a powerful palate of infinitely variable waveforms. No other analog oscillator offers such a creative and deep set of audio processing tools.
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 1 in stock $232.29
Cat: 616173 Rel: 27 Jul 16 • View all Handheld recorders
 
4-track handheld audio recorder with built-in X/Y stereo microphnones
Notes: Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond
At Zoom we're always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level.
The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.
Welcome to the new gold standard in field recording.

The Filmmaker's Favorite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
* +4dBu line-level is not supported.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ?" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.
The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs and Outputs:
Inputs - The two locking combo connectors accept either XLR or 14" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.
Outputs - A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

Three Ways to Record:
STEREO MODE uses the built-in X/Y microphones (or external mics) and is convenient for recording live performances, acoustic instruments, dialogue, and more.
In 4CH MODE, you can record with the built-in X/Y mics and two external inputs simultaneously, great for getting live room sound and a stereo board feed at the same time.
MTR MODE (Multi-track Mode) turns your device into a four-track studio, with built-in effects, overdub functions, and the ability to work with previously recorded sound files.

Recording Functions:
Pre-Record (for STEREO/4CH mode) - Pre-Record ensures that you'll never miss the start of a great take. The device is continuously listening, keeping the previous two seconds* of audio whenever you hit RECORD.
*One second when recording at 96k or working 4CH mode.
Auto-Record (for STEREO/4CH mode) - Auto-Record automatically starts recording when a user-set sound level is detected. There's also an Auto-Record
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 2 in stock $223.37
Cat: 598329 Rel: 13 Jan 16 • View all VST instruments & samplers
 
Virtual instrument plug-in for PC/Mac
Notes: With its comprehensive design, Trilian brings many different types of bass together into one extraordinary-sounding virtual instrument.

The Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality. The Trilian is the successor to Spectrasonics' award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. The Trilian's 34 GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses.

Powered by next generation STEAM Engine technology, the Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere synth allowing Trilian's sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits.

The acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software's intuitive, automatic selection of legato and release articulations as the user plays and the extensive Round-Robin variations introduced for natural sounding bass lines with repeated notes, create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the basses features multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass.

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 1 in stock $218.11
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Cat: 601494 Rel: 28 Mar 18 • View all Synth modules
 
Sophisticated rhythm creation & manipulation module - 14HP
Notes: Pattern and rhythm creation and manipulation module for creating musically useful rhythms and patterns from a variety of inputs - it's a module that will jam along with you.

36 algorithms in 6 sets covering Variables, Multiples, Probability, Logic, Phase and Gates with configurable CV control over all parameters.

Takes regular clocks and generates rhythmic patterns, takes rhythmic patterns and generates new patterns, takes irregular and random patterns and generates new, irregular and probability-based patterns.

The patterns can be rhythmic, continually evolving or entirely random and can be controlled and manipulated via multiple CV options.

Can also be used as a utility module to perform Clock Division/Multiplication, Phase-Shifting and Logic-related tasks.
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 2 in stock $207.20
Supro 1310 Tremolo Pedal (effects pedal)
Cat: 640522 Rel: 13 Feb 17 • View all Effects pedals
 
Tremolo effects pedal, with switchable amplitude/harmonic tremolo modes & expression pedal input
Notes: The Supro Tremolo is an analog stompbox designed to recreate two of the most desirable vacuum tube based modulation effects found in American amplifiers of the 1960's. The Supro Tremolo pedal's AMPLITUDE / HARMONIC switch allows the musician to choose between these distinctly different, vintage effects. AMPLITUDE mode provides the traditional swampy, tremolo sounds generated by bias modulating the power tubes in the original Supro amps. HARMONIC mode provides the psychedelic tones of Leo Fender's brownface and blonde amps from the early 60's. We've implemented Leo's unique "harmonic tremolo" effect within the output stage of the pedal to create an "amp-like" modulation experience.

The Supro Tremolo pedal features pre-amp and power amp sections, with an actual output transformer deployed to recreate the magnetic saturation and coloration of the original vacuum tube based effects found in these historic amps. Along with the standard modulation controls for speed and depth, the Supro Tremolo also features a gain circuit that allows the musician to overdrive the output stage, right where the modulation effects are created. The GAIN control sets the amount of "preamp" gain in the pedal. As you turn the gain up, the "power amp" circuit will gradually be pushed into overdrive. This control gives you a wide range of sounds from clean to grind, with magnetic saturation occurring as the power section is pushed into overdrive. As you crank up the gain, the overall output level of the Supro Tremolo is automatically compensated in order to maintain consistent signal level. This allows the musician to use the GAIN control to alter the texture of the modulation effects without an overwhelming increase in audio output level.

SPEED and DEPTH controls determine the rate and amount of modulation present in the effect. An industry-standard TRS expression pedal can be used to control the speed of the Supro tremolo. When an expression pedal is in use, the on-board SPEED knob is used to set the maximum value. The rate of modulation is indicated by the pulsing LED status indicator. All Supro pedals are assembled in Port Jefferson, NY, USA, featuring custom-tooled, anodized, brushed-aluminium enclosures, 9V battery or AC powered operation, rear-mounted metal jacks, easy-access side-mounted battery drawer and studio-friendly, noiseless (click-free) true-bypass switching.
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 1 in stock $218.11
Cat: 627849 Rel: 14 Oct 16 • View all Synth modules
 
Source module with four combinations of low-pass filters and/or VCAs
Notes: SPUTNIK QUAD VCF/VCA is a Quad Low-pass Gate and each of the four independent gates have a selectable switch for VCF, COMBO and VCA . CV input varies the gain from -120dB to +3dB gain. The control knobs for each will also determine levels and cut-off frequencies. Outputs include individual outputs, "ALL" (all outputs summed for voltage controlled mixing), "ODD" (1+3 outputs summed) and "EVEN" (2+4 outputs summed).

The module is a four-fold combination of low-pass filters and/or VCAs. Its functions are extended by three different mix outputs.

A channel can be used as a low pass filter, as VCA or as a combination of both functions. Latter corresponds to the behaviour of acoustic instruments, where increase in volume changes the harmonic spectrum. The CV input controls the gain in a range of -120dB to +3dB. In addition to the channels' direct outputs the module contains mix outputs. ALL provides you with the mix of all four channels, ODD with the mix of channels 1+3, EVEN mixes channels 2+4.

Connectors:
- Per VCF/VCA channel: signal input, CV input, individual output
- Mix outputs for all channels, odd channels and even channels
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 1 in stock $274.82
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Cat: 557510 Rel: 19 Dec 14 • View all Synth modules
 
Controller/analog sequencer module that is played by hand
Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.
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 2 in stock $215.92
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Cat: 602195 Rel: 10 Aug 16 • View all Synth modules
 
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 4 in stock $215.94
Cat: 620700 Rel: 10 Aug 16 • View all Synth modules
 
Versatile Multimode VCF + Phaser synth module in Eurorack format - 10HP wide
Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.
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 1 in stock $211.57
Cat: 593467 Rel: 21 Dec 15 • View all Synth module accessories
 
104hp synthesiser module case with built-in power
Notes: In 2009 Tony designed the first Skiff to complement the vertically oriented cases available at the time by providing an ergonomic enclosure for our Rene and Pressure Points touch controllers.

Today the Make Noise Skiff provides a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is: the patch the artist has created. At one side there is a power button and the Make Noise logo is illuminated to show the power is ON.

Ships ready to use. Just add modules, patch cables, and inspiration.
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 2 in stock $241.01
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Cat: 643385 Rel: 29 May 18 • View all Synth modules
 
Touch-sensitive control surface for Eurorack - 20HP
Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.
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 2 in stock $271.56
Cat: 593673 Rel: 13 Nov 15 • View all Synth modules
 
Meta modulator synthy module designed to blend and combine two audio signals - 10HP wide
Notes: Evolved from the oscillator mixing section of Mutable Instruments' desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods - some of them emulating classic analog circuits, some of them purely digital - are provided by the module.

With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.

Since many classic cross-modulation effects work best when the carrier is a simple waveform - for example, a sine wave for ring-modulation or a buzzing waveform for vocoding - Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input - freeing up one oscillator in your system for other duties!
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 2 in stock $205.02
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Cat: 702731 Rel: 18 Sep 18 • View all MIDI controllers
 
Maschine Mikro MK3 compact beatmaking instrument
Notes: Already a firm favourite. The third incarnation of NI's mini Maschine is better than ever. Sampling, sequencing, synths and much more in a compact box.

Supplier notes:
Meet MASCHINE MIKRO, your flexible, compact companion for making music with a laptop. Use it to tap out beats, play melodies, and build up tracks fast, fun, and hands-on. Want to start creating right away? We've thrown in everything you need including instruments, sounds, effects, and powerful tools like sampling and drum synths.

MIKRO gives you four different ways of getting hands-on with your music using the 16 pads. Drum beats in Pad mode, with color coding for kicks, snares, and other sounds. Switch to Keyboard mode to play melodies with the pads. In Chord mode, it's easy to lay down inspiring chord progressions. And in Step mode, program beats and patterns visually in a classic step-sequencer style on the 16 pads get exciting musical results quickly.

Find, audition, and swap sounds without stopping the music. Browse through your favorite instruments, and load samples, projects and kits. A compact screen guides the multi-function encoder so you know exactly what you're controlling, while staying in the creative flow.

Found a great sample? Hit the Sample button to quickly load it into your project from the software. Record from your audio interface to capture from vinyl, play in a guitar, or grab any other sound into your track. Shape and refine your samples using the powerful editing tools in the MASCHINE software.

You'll find inspiration using the selection of premium sounds, samples, instruments, and FX included with MASCHINE MIKRO. Plus it comes with full versions the popular synths MASSIVE, MONARK, and REAKTOR PRISM.

MASCHINE MIKRO gives you everything you need to get creating music, and it also works as plug-in in Ableton Live, Logic Pro, Cubase, FL Studio, or any other compatible DAW as a VST or Audio Unit. Use it to build up loops, then work with them in your DAW to quickly flesh out tracks, making it a powerful addition to your setup, however you make music.

Don't feel lost staring at a blank screen. Whether you're making your first track, or wanting to step up your game, we've got you covered. Discover exclusive content from our MASCHINE experts covering everything from your first steps, to diving deep into power features with our popular TruTorials.
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 1 in stock $206.12
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quote 702731
Roland Aira TB3 Touch Bassline (bass synthesizer)
Cat: 522654 Rel: 17 Apr 14 • View all Synthesisers
 
Bass synthesiser based on the classic TB-303
Notes: Based on the wildly influential TB-303, the new TB-3 Touch Bassline is a performance-ready bass synth with meticulously authentic sound and intuitive controls engineered to play.

It's the TB...

...Evolved.

Nobody could have anticipated what would happen to the world of dance music when Roland's now-legendary TB-303 was embraced by inventive musicians on both sides of the Atlantic. Since the 1980s, the TB-303 has been a staple of electronic music. It is the defining sound of Acid House and has since been the marquis instrument on an array of groundbreaking electronic dance tracks. It's not only been used to write songs, but it has songs written about it. In fact, the release of the TB-303 has been heralded as one the key events in the history of dance music. Not bad for a little silver box.

Launched in 1981, the TB-303 continues to be an indispensable bass synth for dance music. Roland have meticulously analysed the circuitry of the TB-303 piece-by-piece and down to the individual circuit behaviour.

Using Analogue Circuit Behaviour technology Roland have fully reproduced both the saw-tooth and square wave oscillators as well as the -18dB/octave ladder low pass filter used in the original TB-303, capturing that unmistakable cutoff and resonance character.

In addition to the faithful reproductions of classic TB tones, the TB-3 is packed with 134 sounds that live and breathe. Bubbling synth basses, hard distortion basses, trippy delay sounds and drippy effects. They're all here - and then some.

A TB bass line not only sounds unique, but it has its own trademark feel as well. The TB pulses. It drives. It bubbles and it percolates. That's why Roland worked so hard to faithfully reproduce the Accent, Slide, and Step Sequencer behaviour of the original unit.

But Roland's vision went beyond simple reproduction.

The truth is, the step entry on the original TB-303 was difficult to use, the keyboard was difficult to play, and special manoeuvres were required for the shuffle functions.

So Roland experimented with a variety of prototypes in our quest to create the optimal TB interface.

The new TB-3 is equipped with a brightly lit, green and red, pressure sensitive touch pad that lets you seamlessly create patterns and interact with the unit during performance. In addition to pitch and volume, you can tweak filters and even control modulation by simply pressing down on the pad with your finger. It also makes the keyboard a breeze to play.

The TB-3's evolved Step Sequencer is easy to use and allows seamless switching between pattern creation and performance. Of course, an attractive aspect of the original TB-303 was how it would sometimes generate unintended sounds as the user maneuvered through its complex and cryptic pattern creation operation. In order to inject that element of chance and discovery, the TB-3 has automatic pattern generation and random pattern modification.

The TB-3's Scatter function features slicing, reverse, gating and other effects, instantly creating variations, stutters, and glitches that would normally require painstaking editing in a DAW. Complex, per-step functions are triggered easily with the Touch Pad and a single finger. Keep things fresh and interesting with 8 different types of Scatter variations and 10 levels of Scatter Depth - all controllable in realtime and in perfect sync.

You can connect the TB-3 to your computer via its USB jack for USB bus power and to send and receive Audio and MIDI data.

The TB-3 can receive MIDI clock information to sync with external devices including other AIRA series units.

The TB-3 is designed to work seamlessly and look great with other products in the AIRA series.
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 1 in stock $245.49
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quote 522654
Cat: 511234 Rel: 28 Nov 13 • View all Synthesisers
 
Compact synthesiser with pure analogue signal path
Notes: MicroBrute is pure analogue sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super-fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.

The MicroBrute was designed to be small but still retain an amazing sound quality. With a 100% pure analogue voice path and advanced interconnectivity via MIDI, USB, CV/GATE, this machine is a true powerhouse synthesizer that takes your sound to a new level.

A synthesizer is a musical instrument that is meant to be played. However, playing a synthesizer is more than just playing some notes on a keyboard and recalling someone else's presets. If that was the goal you could be looking at accordions or going to a department store to buy your keyboard (along with socks, milk and toilet paper) - but you aren't because you are more creative than that.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute give you the means to create, perform and be completely original every time you power up, it does so with astounding sound quality.
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 1 in stock $261.29
Cat: 675764 Rel: 13 Apr 18 • View all Synth module accessories
 
88 HP comprehensive Eurorack case with 5 HP power module & Arturia Link system
Notes: RackBrute 3U is a comprehensive Eurorack housing, transport, and protection solution. Featuring configurable positions, dependable power supply, and maximum practicality, you can be assured your precious modules will be well guarded.

Modular gear is a precious commodity, and you need a versatile housing and security system to accommodate them. A first glance, you'll see that this is a perfectly fitted 3U, 88 HP case made of a light but strong aluminium chassis, fitted with wood side panels. Deceptively simple, RackBrute is far more than a simple box. It includes many smart additions, such as the included +12V / -12V / +5V power supply that ensures that keeps everything up and running, and the multi-position handle system that not only lets you carry your collection with ease, but also lets you deploy an optimal operating angle, whatever your preference.

In addition to keeping your modules safe and secure, RackBrute 3U gives you total control of the situation, no matter the context. The first of its secret weapons is the Link fastening system. Paired with the included handle, it will let you choose one of several configurations and orientations for your modular arsenal. Whether you want your gear stealthy and prone, or standing to attention, RackBrute is at your command.

The second trick up its sleeve is the stalwart, ever-reliable, power supply module. Including two independent circuits to supply common modular voltages, it will more than cover your need for +12V, -12V and +5V, providing up to 1600mA in total.

Thirdly, its robust power rail includes sophisticated noise-filtering technology and provides 20 standard slots to leave plenty of space for your collection.

Once you're powered, in position, and locked down, you'll feel like your modular rig could withstand a siege.

The Link fastening system not only equips the RackBrute 3U, but also its large-calibre sibling, RackBrute 6U as well the MiniBrute 2 and MiniBrute 2S. No matter the combination you go for, you can make the most out of your extensive module collection, or create a powerful EcoSystem with the extensive CV/Gate connectivity of the MiniBrute 2 and 2S.
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 1 in stock $224.20
Cat: 554444 Rel: 05 Feb 15 • View all Audio & MIDI interfaces
 
Rackmountable USB audio/MIDI interface with ultra-HDDA (High Definition Discrete Architecture) mic preamps
Notes: The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.

Built into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel.

Whether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I/O for almost any music recording application.

TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding from any interface in their range. A gain range of 56dB makes them ideal for any type of mic - dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-16x08 makes your tracks sound like a record.

TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 100 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests.

The first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. (Guitar effect plug-ins sold separately.)

The Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive, high SPL instruments like drum tracks.

Eight XLR mic inputs and eight TRS inputs can be used simultaneously for 16-track live recordings. Capture every detail of live performances or rehearsals for later mixdown.

The eight XLR mic inputs have switchable +48V phantom power to use up to 8 condenser mics at the same time. The two front panel TRS line inputs are switchable between instrument level and line level input with adjustable gain. An additional six TRS line ins on the rear of the unit are switchable between -10dB and +4dB. All of the jacks support balanced or unbalanced 1/4" signals.

When powered on with out a USB connection, the US-16x08 functions as an 8-channel microphone preamp. Mics pass through the Ultra-HDDA preamps to the eight balanced line outputs on the rear panel. Use the interface to add additional high-quality mic inputs to a mixer an another audio interface.

Digital processing features like the DSP Monitor Mixer and advanced USB drivers make sessions with the US-16x08 comfortable for the musicians and engineer. The DSP Mixer includes processing for a polished-sounding headphone mix without latency delay from your DAW software, fueled by a Blackfin DSP processor. And new drivers, re-written from the ground up, provide beter compatibility and performance on Mac, Windows and iPad recording systems.

The converters and electronics on the US-16x08 allow you to record at audio resolutions up to 96kHz/24-bit for detailed acoustic productions. No matter what your session's sample rate is set for, the high-quality analog and digital design make your recordings sound their best.

The US-16x08 uses USB 2.0 to connect to your computer, found on nearly every computer manufactured in the last 10 years. Simply connect the interface to any available USB port. USB 2.0 provides plenty of data bandwidth, even when recording 16 channels at 96kHz/24-bit. The US-16x08 will also work with USB 3.0 jacks on your computer.

Powered by an Analog Devices BlackFin DSP processor, the US-16x08 includes an advanced digital mixer for monitor mixing. Each input includes 4-band EQ, a low-cut filer, and compressor. The DSP mixer can store up to 10 snapshots as scenes - making it easy to recall mixer settings. An additional tab opens a digital patchbay to route signals to any output.
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 1 in stock $247.82
Cat: 633369 Rel: 05 Dec 16 • View all Synth modules
 
Analog signal processing module with simultaneous four & six-stage outputs - Eurorack compatible
Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection
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 1 in stock $212.66
Cat: 589494 Rel: 10 Dec 15 • View all Synth modules
 
Compact, playable four-channel tap-tempo, clock-syncable LFO synthesiser module with variable skew and reset - 12HP wide
Notes: The Quad Pingable LFO is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.

The QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.

Controls and jacks:
- Tap tempo button ("Ping") for manually setting the tempo
- Ping jack sets tempo with an external clock (any complex signal can be used as a clock)
- On/mute button enables or mutes the output (latching button)
- Skew knob and CV jack control the waveshape by altering the ratio between rise and fall times
- At 0% Skew (0V of CV), the shape is a "plucky" near-expo curve
- At 1% Skew (just over 0V of CV), the shape is ramp-down
- At 50% Skew (about 5V of CV), the shape is a triangle
- At 100% Skew (about 10V of CV), the shape is ramp-up
- Skew knob provides offset to the incoming CV signal, so any range of CV is acceptable
- Reset jack restarts the LFO without changing the tempo (rising edge triggered)
- OUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)
- LED flashes and dims to the signal on the OUT jack
- Tap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack
- On/Mute button lights up when channel is On

Advanced:
- Ping and Reset inputs use comparators, so any waveshape can be used for triggering (audio waves, complex LFOs, even the QPLFO itself!)
- Trim-pot on PCB allows for adjustment of comparator threshold value

- "Fire-on-unmute" jumper per channel:
- When this optional jumper is installed, pressing the On button to turn the channel on will reset the LFO.
- If the jumper is not installed (factory default), pressing On will unmute the LFO without resetting (LFO runs in the background when muted)

- Bipolar/Unipolar jumper:
- Setting jumper to Bipolar makes the outputs -5V to +5V
- Setting jumper to Unipolar makes the outputs 0V to +10V
- One jumper controls all four channels

- One-shot mode: Reset jack can be used to trigger a one-shot envelope if the external ping clock is stopped. See manual for detailed discussion

- Floating Reset mode: Holding a high gate on Reset jack allows the waveshape to run freely without automatically re-syncing to the ping clock. A bare cable plugged into the jack causes a high gate

- Connects to other modules using ribbon cables:
- Outputs can connect to the 4ms VCA Matrix, or the 4ms SISM, the Circuit Abbey Intermix or the Toppobrillo Mixiplexer
- Normalization of ping jacks can connect to the 4ms Quad Clock Distributor
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 2 in stock $238.84
Cat: 589490 Rel: 10 Dec 15 • View all Synth modules
 
4 channel voltage controlled clock divider/multiplier synthesiser module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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 1 in stock $215.92
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