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Notes: Professional video and live-streaming made simple:

Create high-quality, attention-grabbing videos or stream live on all today's top sites. This new kit gives you all the tools you need to create professional video that will stand out from the crowd, with just your smartphone.

Always get the perfect shot:

The included iKlip Grip Pro is 4 accessories in one - a desktop tripod, handgrip, full-sized tripod and monopod, so no matter how or where you're shooting, you're covered! It fits any sized smartphone and most action cameras securely, to precisely position your phone to get the best angle whether you're at home or on the go.

The convenient 1/4" UNC mount on the top makes it easy to mount accessories like a ring light, and an included Bluetooth shutter lets you start and stop recording remotely.

Crystal clear audio:

iRig Mic HD 2 is a high-quality digital microphone with adjustable sensitivity to capture crystal-clear speech. It connects digitally to your smartphone, with Lightning, USB-C and Micro-USB cables included, and offers 24-bit, 96 kHz sound quality for truly professional results.

Its convenient handheld design is great for interviews or location work, and includes a tabletop tripod for hands-free, desktop use.

Set the scene:

Lighting can make or break a scene, so the iRig Video Creator HD Bundle also includes a 10" LED ring light with adjustable colour and brightness so you always look your best. With up to 3600LM brightness and an adjustable colour temperature between 3200-5500k, you can easily dial in the right lightning for any situation, mood or vibe.

And no batteries are required, just connect to any USB power supply or battery pack and shoot at home or on the go!

Works with all your favourite apps:

Whether you want to create fun, daily videos for your Instagram Story, kickstart your YouTube channel, or engage your favourite Facebook group with live-streaming content, the iRig Video Creator HD bundle works out of the box with any app that captures audio and video. So you can look and sound like a pro with an endless range of ways to create.

Create serious videos that will stand out from the crowd with the iRig Video Creator HD Bundle.
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 1 in stock $202.53
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EBS
Cat: 754903 Rel: 28 Nov 19 • View all Effects pedals
 
Analogue, high performance, multi-band compressor pedal
Notes: The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.
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Cat: 748126 Rel: 25 Nov 19 • View all Live mixers
 
10-channel professional effects mixer with USB
Notes: The Mackie ProFX10 v3 10-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.
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Cat: 757288 Rel: 27 Nov 19 • View all Synth modules
 
Crossmixer/panning combination module - 6HP
Notes: The FLAME "XPANMIX" module is a combination of an XFADER (Crossmixer) recorder and a PANNING Mixer recorder. The upper part of the module contains the XFADER with two inputs to one output. In the lower part of the module is the panning mixer with one input to two outputs left/right. The inputs are designed for audio or CV sources with a voltage range of +-5v (Audio Modular Level). In addition, the inputs can be switched separately to +6db audio (for external audio line level sources) using the slide switch on the rear panel.

The movements of the two mix controls can be recorded. The recording time per channel is over two minutes. The playback speed is adjustable in playback. The recorded track is played back once when the Play button is pressed briefly (one shot) or in the loop when the button is pressed a little longer.

Both mixers have a separate reset input as well as a separate CV input (+-5V) for controlling the mix e.g. by an LFO. The track data remains permanently stored (battery buffered memory).

In addition, the output of the XFader is routed to the input of the Panning Mixer if there is no cable in the PAN input. Both mixers are thus connected in sequence and can additionally mix the XFADER in the stereo image.
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Cat: 734884 Rel: 15 Oct 19 • View all Synth modules
 
6HP VCO with auto-tuning & octave shift
Notes: Simplified version of the Furthrrrr Generator dual VCO, inspired by Don Buchla's designs. Through-zero linear FM, wavefolding, sub-oscillator and auto tuning. Proper west coast synthesis at its best.

Supplier's notes:
The Endorphin.es Godspeed is sort of the single oscillator version of the famous Furthrrr Generator. From its big brother it takes over the digital Thru-Zero core and the legendary wavefolder. But it also has new features like a sub-oscillator output and an immensely practical autotune function.

Especially for people starting with a modular system this oscillator is highly recommended. On 6HP it delivers all the features (and more) needed for diving into the depths of West-Coast-Synthesis!
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Reloop Spin Portable DJ Turntable (portable turntable)
Cat: 735545 Rel: 08 Jul 19 • View all Portable & USB turntables
 
Portable turntable for vinyl lovers & scratch artists
Notes: Clever little portable deck from German DJ gear specialists Reloop. Designed for mobile scratching or crate digging. Bluetooth streaming and USB recording too. Bonus.

Supplier notes:
The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg
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 4 in stock $209.11
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Cat: 747621 Rel: 20 Sep 19 • View all Synth modules
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 1 in stock $244.14
Cat: 731192 Rel: 19 Jun 19 • View all Synth modules
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 2 in stock $239.77
Cat: 755446 Rel: 07 Nov 19 • View all Synth modules
 
Precision voltages module - dark edition
Notes: Sometimes real precision is required with pitch control voltages - this module features a super accurate "Cal" output, which is accurate to <1mV over 20V, translates to one cent over 20 octaves! It is ideal for calibrating the scaling of VCO's, indeed we have been using our own version of this circuit to calibrate our own MiniMod VCO's for the last three years.

As well as being a precision voltage source it is also a very accurate voltage adder, it has two channels (A & B) and both full volts (octaves) or 1/12th volt increments (notes) can be either added to or subtracted from the incoming signal. Perfect for adding a voltage offset to the output of a sequencer or it can be used to add switchable octaves to a VCO which only has course and fine tunes controls.

It also has a "mix" output, which allows either A channel on its own, or with the three way toggle switch channel B can either be added to, or subtracted from channel B, and this is in addition to the addition and subtraction per channel mentioned earlier.

Dimensions: 10HP wide, 26mm Deep
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Cat: 749081 Rel: 25 Oct 19 • View all Synth modules
 
Eurorack instrument interface with Neutrik combo connector - 8HP
Notes: Instrument Interface is a Eurorack pre-amp capable of bringing any type of audio signal to modular levels, thanks to its amplification circuit.

The module can drive regular and condenser microphones (+48V Phantom Powered), as well as Instrument and Line signals with a very low distortion ratio.

Going further from the regular re-amp operation, Instrument Interface offers some additional extra functions like a Trig/Gate extractor and Envelope Follower circuits, allowing you to use the character of your audio signal in more creative ways.
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Cat: 739889 Rel: 02 Oct 19 • View all Synth modules
 
Four-channel precision adder, buffered mult, and transposition tool
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.
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Cat: 750529 Rel: 11 Nov 19 • View all Audio & MIDI interfaces
 
8-in/4-out 24/192 USB audio interface
Notes: Top of the new M-Audio Air range, the 192/14 is a super powerful audio interface at a very nice price. Eight analogue inputs, four outputs and MIDI. Great value for money.

Supplier's notes:
Conquer any recording session with professional studio quality and features:

The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+1/4" TRS combo inputs, (2) 1/4" line inputs and (2) 1/4" instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.

We've included software to match your style:

The AIR 192|14 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With 2 powerful DAWs to suit your production needs, AIR 192|14 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.

We've also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we've got your effects needs covered with Eleven Lite, 20 effect plugins and AIR's Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you'll have a virtual drummer, drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.

Hear the Performance Now - Not a Second Later:

When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don't want to be bogged down by "clicks," "pops" or latency. The AIR 192|14 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.

Connect Anything and Everything:

The AIR 192|14 features 8 inputs for simultaneously recording up to 8 channels at once to meet all your studio's recording needs. The (4) dedicated XLR/TRS Mic/Line combo inputs with Crystal Preamps and phantom power are perfect for recording a vocals, mic'ing up an acoustic guitar, vintage guitar or bass amp or the core elements of a drum kit. The (2) 1/4" dedicated Instrument inputs use specially designed to provide the cleanest signal from your guitar, bass or keyboard, while the (2) 1/4" dedicated Line inputs provide a pure uncoloured signal for connecting a tube preamp, keyboard, synth or mixer, and MIDI input and output for connecting any of your boutique synth gear.

Mix, Monitor and Provide:

At the centre of the AIR 192|14 is a large metal monitor volume knob with inlayed rubberized diamond textured comfort grip for dialling in your studio monitor's volume, and smoothly referencing your mix at both high and low levels. The monitor and headphone outputs feature a direct mono/stereo switch and direct/USB mix knob. The (2) 1/4" headphone outputs have independent volume controls, and source select switches let you create mixes to suit your and your artist's needs. In addition to the (2) 1/4" rear panel monitor outputs, the AIR 192|14 offers an additional (2) 1/4" outputs for connecting outboard gear.

Crystal Preamps, Pristine A/D Converters and Premium Components:

Our engineers designed the Crystal Preamps to provide engineers, producers and musicians with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|14 incorporates pristine A/D converters to provide 24-bit resolution digital audio for explosive dynamic range that captures every nuance and subtlety of your performance.

Segmented VU Meters for Dialling in Your Best Signal:

When capturing a performance, you want to get the best levels possible. With the AIR 192|14's segmented input VU LEDs (-20db through 0dB), you can dial in the perfect gain setting every time, so there's no more guessing how close or far away you are from optimizing your signal.

What's In The Box:

- AIR 192|14
- USB-C-to-USB-C Cable
- USB-C-to-USB-A Cable
- (2) 1/8" (3.5 mm) to MIDI Adapters
- Software Download Cards
- User Guide
- Safety and Warranty Manual
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 2 in stock $272.89
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Cat: 756211 Rel: 22 Nov 19 • View all Synth modules
 
Powerful random voltage generator - 4HP
Notes: Nano Rand v2 is a reissue of the classic micro random module. It features a sample and hold, noise source, and random voltage generator in 4HP. It takes inspiration from and improves upon the analogue concept of a random voltage module; moving forward in leaps and bounds into the digital domain.

At its core is an 8 bit microcontroller which allows for an extremely versatile, and more importantly, musical type of random. Containing four random voltage algorithms that include random stepped voltages, random LFO waveforms and frequencies, random frequency audio rate square waves, and a combination of all algorithms, Nano Rand creates a signal that would otherwise take a multitude of modules to produce. On top of the fluctuating random voltage output, it is also capable of producing the most musical random gate output in the Eurorack format. When externally clocked, Nano Rand generates random gate outputs that are musically related to the incoming clock signal. It chooses between eighth, sixteenth, quarter and many other rhythmic divisions, creating unique evolving rhythms.

With a clean, intuitive interface and more random per square millimetre than ever before, Nano Rand is the ultimate in musically significant aleatoric meanderings.

Changes from v1:

- Noise output converted to analogue white noise circuit with extremely flat frequency response
- Algo button converted to smaller version
- Added reverse power protection
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 1 in stock $202.54
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Cat: 734840 Rel: 15 Jul 19 • View all Synth modules
 
Analogue VCO focused on all aspects of modulation - 12HP
Notes: The OSC1 from Future Sound Systems presents a voltage-controlled analogue oscillator with a few features unexpected of a basic oscillator, with a particular focus on covering all bases of signal modulation. Once triangle, sinusoidal and pulse waveforms are derived from its sawtooth core, each waveform is passed through a VCA. The outputs from these VCAs are then summed at the Mix output, which can be switched between 2- and 4-quadrant-multiplication modes. These two QM modes allow for a plethora of amplitude modulation effects to be achieved. Level controls for each waveform dictate both static level, but also depth of modulation through careful design of the control summation. Each individual waveform output is taken pre-VCA for maximum patching flexibility.

Shape modulation of the triangular, sinusoidal and pulse waveforms is also available. Both the triangular and sinusoidal waveshapes can be skewed forward or backward into ramp-like shapes, whilst shaping the pulse wave gives standard pulsewidth modulation.

Frequency modulation is available in both Linear and Exponential modes. The OSC1 also tracks to 1V/Octave over four octaves in its audible (HF) range, but can also be used as a low frequency oscillator in LF mode.

A Sync input allows for the OSC1 to be reset by an external signal. A rising edge will reset the sawtooth wave to its peak, from which it descends. The Inject input, meanwhile, allows for external signals to interfere with the sawtooth core. This allows for intermodulation-type effects to be produced, and opens new realms of chaotic oscillations.
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Cat: 739134 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $249.61
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Cat: 742229 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $269.32
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Cat: 731220 Rel: 15 Jul 19 • View all Synth modules
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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 1 in stock $260.56
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Notes: Nice price for a comprehensive Pocket Operator drum bundle: PO-12 Rhythm, PO-24 Office and PO-32 Tonic plus cases and sync cables for them all. A lot of drum options in a small box.

Supplier's notes:
Ultimate Cocktail - The Complete Beatmaker Kit!

All the beats in one box, from the solid drum samples of Teenage Engineering's renowned PO-12 rhythm, to the weird and wonderful sounds of the PO-24 office and finally the full spectrum that is PO-32 tonic.

Ultimate Cocktail includes:

- PO-12 Rhythm
- PO-24 Office
- PO-32 Tonic
- CA-X Pro Case, Grey (x3)
- Mini Cables (x3)
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 5 in stock $238.66
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Cat: 755403 Rel: 12 Nov 19 • View all Synth modules
 
Bucket brigade delay module - 30HP
Notes: A-188-2 is another module that is based on a so-called Bucket Brigade Device (BBD). If you are not familiar with BBDs please refer to the A-188-1. There you can find some details about this special type of circuits.

The main difference between A-188-1 and A-188-2 is the type of BBD circuit that leads to completely different module principles and sounds. The A-188-1 uses different single BBD chips with one signal input and one signal output only. In contrast the A-188-2 uses as so-called tapped BBD that has available six outputs - the so-called taps after the BBD stages 396, 662, 1194, 1726, 2790 and 3328. In the A-188-2 we use this special BBD circuit (MN3011) to obtain these module features:

The module has available two separate mixing sub-units. For both mixers the levels and polarities of each BBD output can be adjusted to obtain two different mixtures of the BBD outputs. A new type of potentiometers with centre detent and centre terminal is used for the BBD mixing controls to have a better feel for the neutral position. Each mixer has a wet/dry control at its output that allows choosing between the pure input signal (original), the BBD mix or anything in between. The two outputs can be treated as stereo outputs but it is also possible to use one of the outputs for other applications (details in the next paragraph).

The A-188-2 has a feedback section available that is very similar to the one in the A-188-1. But as we now have 6 different BBD outputs available 6 different feedback types are possible. The feedback input socket is normalled to the "396" output (not to "1194" as shown in the scheme, the front panel is correct). But by patching the feedback socket to any of the single output sockets another BBD tap can be used for the feedback to obtain different sounds. Even external feedback processing is possible (e.g. with a VCA for voltage controlled feedback). The feedback control has polarizer function, i.e. the neutral position is at the centre. Left from the centre the feedback signal is subtracted from the input signal, right from the centre it's added (negative/positive feedback). Even for this potentiometer the new version with centre detent is used.

A special feedback can be obtained if one of the mix outputs is used for the feedback function. In this case for each tap the positive or negative feedback share can be adjusted. This leads to multiple peaks and/or notches in the frequency response of the module.

For each tap of the BBD a separate output socket is available. These sockets can be used for changing the feedback loop - as mentioned above -, for voltage controlled mixing of the taps - e.g. with the voltage controlled mixer A-135 or other applications that require access to each single tap.

The A-188-2 uses the same high speed VCO (HSVCO) for the BBD clock as the A-188-1. The clock and consequently the delay time can be controlled manually (delay control) and by the two control voltage inputs CV1 and CV2. The sensitivity of CV1 is approximately 1V/oct. CV2 is equipped with a polarizer (a new type of potentiometers with centre detent). The HSVCO has a clock output available that is normalled to the clock input socket. These sockets can be used to link different BBD modules and to run them with the same clock. But even other applications with frequency dividers (e.g. A-163) or PLL (e.g. A-196) are conceivable. A voltage composed of the manual delay control, CV1 and CV2 is available at the CV out socket, e.g. to control an external clock suppression filter as the A-188-2 is not equipped with such a filter (same as for the A-188-1).
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 1 in stock $217.87
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Cat: 738639 Rel: 09 Jul 19 • View all Synth modules
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
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 1 in stock $212.39
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Cat: 751766 Rel: 23 Oct 19 • View all Synth modules
 
DSP based effects module - 18HP
Notes: Module A-187-1 is a DSP based effects module. Four parameters of the selected digital effect are voltage controlled. The main effect (e.g. reverb, delay, pitch-shifter, equalizer) is selected by the two small buttons effect up/down. The upper row of the display shows the effect that is currently selected. In the lower row the four parameters are shown as well as a small bar left from the abbreviation that displays the current parameter value. Each parameter can be adjusted manually (upper potentiometer row) and modified by external control voltages (lower row of the potentiometers and upper row of the sockets). The lower row of the sockets contains the two audio inputs and outputs.

Another button (bypass) is used to turn the effect on/off. When bypass is chosen the upper line of the display shows in turn "BYPASS" and the name of the pre-selected effect. In the bypass mode another effect can be pre-selected and called-up by pressing the bypass button again. Even the effect parameters can be adjusted and are displayed with the bar graphs. But they become effective not before the bypass mode is left.

The module is equipped with two audio inputs and two audio outputs because the DSP board features stereo audio processing. The audio inputs can process usual A-100 signal levels without clipping/distortion. For higher levels external attenuators (e.g. A-183-1) or VCAs may be used.

A ready-made DSP board is used inside the A-187-1 module. Consequently, only these effects and parameters are available that are supported by the DSP module. Some parameters can be changed only in steps or with audible artefacts. The DSP board has 20 Bit DA and AD converter with 32 kHz sample rate available. The inter sound processing uses 24 Bit.
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 1 in stock $266.04
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Tascam Series 102i USB Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718909 Rel: 27 Jun 19 • View all Audio & MIDI interfaces
 
10-in/2-out portable USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.

iZotope award-winning plug-in included:

Tascam SERIES 102i/208i - iZotope Neutron Plug-inNeutron Elements provides an easy, fast way to a professional mix - and it is included with every purchase of a Tascam SERIES interface. Neutron brings mix workflows to the 21st century with four modern mixing tools in one mothership plug-in, featuring mix assistance powered by machine-learning with unrivalled quality and speed.
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 3 in stock $250.72
Cat: 743356 Rel: 10 Oct 19 • View all Effects pedals
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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 2 in stock $205.83
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Cat: 741570 Rel: 29 Jul 19 • View all Synth modules
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 3 in stock $204.73
Cat: 736453 Rel: 21 Aug 19 • View all Studio monitors
 
Single 2-Way active studio monitor with wave guide
Notes: Updated version of the hugely popular E8. Reshaped waveguide gives a broader sweet spot, while new bass drivers extend the bottom end. The originals were already great value - these are even better.

Supplier notes:
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speaker with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E8 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 35 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E8 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E8 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
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 2 in stock $217.87
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Cat: 746914 Rel: 11 Sep 19 • View all Handheld recorders
 
Four-track audio recording for music, film, podcasting & beyond
Notes: The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.

Welcome to the new gold standard in field recording.

The Filmmaker's Favourite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favourite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row centre.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a 1/8" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favourite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artefacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the centre with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.

The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs:
The two locking combo connectors accept either XLR or 1/4" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.

Outputs:
A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

What's included with the H4n Pro:

- H4n Pro Handy Recorder
- Protective case
- 2 x AA batteries
- Operation manual
- Download license for Steinberg Cubase LE and WaveLab LE software
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 3 in stock $238.66
Hittin' The Ramp: The Early Years 1936-1943 (limited hand-numbered gatefold 180 gram vinyl 10xLP box set + booklet in slip-case)
Cat: HLP 9042. Rel: 29 Oct 19
Jazz
  1. Honey Hush (2:51)
  2. Stompin' At The Panama (Skoller's Shuffle) (2:58)
  3. Betime (Sleepy Moan) (2:52)
  4. Thunder (2:48)
  5. Mutiny In The Nursery (2:52)
  6. FDR Jones (3:13)
  7. The Sheik Of Araby (2:14)
  8. The Blue Danube (2:51)
  9. Button, Button (2:51)
  10. Jingle Bells (2:38)
  11. Swanee River (2:26)
  12. With Plenty Of Money & You (2:13)
  13. Don't Blame Me (2:24)
  14. Lullaby In Rhythm (2:49)
  15. Dark Rapture (3:09)
  16. The Wiggly Walk (2:52)
  17. Flea Hop (2:41)
  18. Chopsticks (2:41)
  19. Patty Cake, Patty Cake (2:44)
  20. Blue Skies (2:08)
  21. Liza (2:59)
  22. Three Blind Mice (2:12)
  23. Caravan (2:18)
  24. There's No Anesthetic For Love (3:14)
  25. Dixie Jamboree (3:01)
  26. Ta-da-ah (2:36)
  27. Riffin' At The Bar-b-q (2:05)
  28. Harlem Swing (2:31)
  29. I Lost Control Of Myself (3:19)
  30. The Land Of Make Believe (2:51)
  31. That Please-be-mineable Feeling (2:16)
  32. Dancing In The Street (3:08)
  33. You're So Different (3:05)
  34. I Wouldn't Have Known It (2:33)
  35. Let's Get Happy (2:18)
  36. Undecided (2:26)
  37. 'Taint What You Do (2:56)
  38. Do You Wanna Jump, Children (2:45)
  39. Riffin' In F Minor (2:09)
  40. Ol' Man Mose Ain't Dead (3:31)
  41. Blue Lou (3:00)
  42. Honey (2:11)
  43. Russian Lullaby (2:09)
  44. Georgie Porgie (2:20)
  45. The Limp (2:53)
  46. Snug As A Bug In A Rug (2:37)
  47. Liebestraum (3:22)
  48. Fidgety Joe (2:58)
  49. Thwo Against One (3:02)
  50. Some Like It Hot (3:08)
  51. Crazy Rhythm (2:01)
  52. Moonglow (3:02)
  53. Don't Let The Moon Get Away (2:44)
  54. My Blue Heaven (1:37)
  55. I Was Doing All Right (2:17)
  56. I Can't Get Started (2:43)
  57. Old Man Moon (2:14)
  58. Carry Me Back To The Old Virginny (2:18)
  59. Moon Strong (3:10)
  60. Baby, Won't You Please Come Home (2:22)
  61. Rosetta (2:11)
  62. Trompin' (2:46)
  63. You're My Life (2:54)
  64. Hoy Soy (2:36)
  65. Take 'em (2:25)
  66. Scategoria (2:29)
  67. Rhythm Serenade (2:34)
  68. Rib Town Shuffle (2:46)
  69. Music'll Chase Your Blues Away (2:02)
  70. I'll Gather Up My Memories (3:32)
  71. A Fool's Affair (3:34)
  72. Jump, Jack, Jump (2:47)
  73. I Knew A Time (3:08)
  74. Mine You'll Always Be (3:18)
  75. Doin' The Bow Wow (2:44)
  76. Lilla Mae (2:18)
  77. I Like To Riff (2:47)
  78. On The Sunny Side Of The Street (2:53)
  79. Black Spider Stomp (2:38)
  80. By The River St Marie (2:24)
  81. Slew Foot Joe (2:13)
  82. 1-2-3-4 (2:09)
  83. Crazy 'bout Rhythm (2:03)
  84. Off The Beam (2:17)
  85. King Cole Blues (2:07)
  86. Jivin' With The Notes (1:59)
  87. Never Mind, Baby (1:45)
  88. I'm A Perfect Fool Over You (2:37)
  89. Lovely Little Person (2:21)
  90. Love Me Sooner (2:31)
  91. Sentimental Blue (2:42)
  92. Goin' To Town With Honey (2:21)
  93. Sincopated Lullaby (1:49)
  94. Fallin In & Out Of Love (1:48)
  95. Let's Do Things (2:01)
  96. Jumpy Jitters (1:50)
  97. Nothing Never Happens (2:34)
  98. What'cha Doin' To My Heart (1:35)
  99. Bedtime (2:46)
  100. Honey Hush (2:20)
  101. French Toast (2:18)
  102. Vine Street Jump (2:43)
  103. B Flat (2:33)
  104. You Send Me (2:10)
  105. Love Is My Alibi (3:12)
  106. Pogo Stick Bounce (2:17)
  107. Whatcha' Know, Joe? (2:37)
  108. Sweet Lorraine (2:55)
  109. Honeysuckle Rose (2:35)
  110. Gone With The Draft (2:44)
  111. This Side Up (2:44)
  112. Jumpin' With The Mop (2:26)
  113. Jam Man (2:04)
  114. Let's Try Again (3:04)
  115. Fudge Wudge (3:49)
  116. Smokey Joe (1:57)
  117. Windy City Boogie Woogie (2:23)
  118. Ode To A Wild Clam (2:26)
  119. Let's Try Again (3:09)
  120. Whatcha' Know, Joe? (2:12)
  121. Lazy River (1:46)
  122. Georgia On My Mind (2:48)
  123. Rockin' Chair (3:15)
  124. A Little Jive Is Good For You (3:37)
  125. You've Changed (3:09)
  126. Babs (2:25)
  127. Scotchin' With The Soda (2:32)
  128. Slow Down (3:10)
  129. Early Morning Blues (2:45)
  130. The Romany Room Is Jumpin' (2:31)
  131. This Will Make You Laugh (3:12)
  132. Stop! The Red Light's On (2:37)
  133. Hit The Ramp (3:20)
  134. I Like To Riff (2:48)
  135. Call The Police (3:03)
  136. Are You Fer It? (3:04)
  137. That Ain't Right (3:13)
  138. Hit That Jive, Jack (2:57)
  139. Indiana (4:51)
  140. I Can't Get Started (4:58)
  141. Tea For Two (4:52)
  142. Body & Soul (5:11)
  143. Com, Vid, Veedle (2:58)
  144. All For You (3:25)
  145. Hip Hop Hooray (2:23)
  146. I Know That You Know (2:11)
  147. I'm Gonna Move To The Outskirts Of Town (3:43)
  148. Pitching Up A Boogie (3:13)
  149. I'm Lost (3:17)
  150. Beautiful Moons Ago (2:26)
  151. Let's Spring One (2:46)
  152. Slender, Tender, & Tall (2:08)
  153. I've Found A New Baby (4:43)
  154. Rosetta (5:11)
  155. Sweet Lorraine (4:56)
  156. I Blowed & Gone (4:48)
  157. Solid Potato Salad (2:07)
  158. FST (Fine, Sweet & Tasty) (3:06)
  159. Got A Penny (2:37)
  160. Let's Pretend (3:18)
  161. My Lips Remember Your Kisses (3:11)
  162. I'm An Errand Boy For Rhythm (1:51)
  163. Straighten Up & Fly Right (2:43)
  164. Honey Hush (2:51)
  165. By The River St Marie (2:10)
  166. I Like To Riff (2:31)
  167. Black Spider Stomp (2:55)
  168. Sweet Lorraine (3:21)
  169. Early Morning Blues (2:52)
  170. Gone With The Draft (2:21)
  171. Trompin' (1:47)
  172. Sweet Lorraine (2:59)
  173. Gone With The Draft (2:42)
  174. Scotchin' With The Soda (2:28)
  175. Gone With The Draft (2:26)
  176. The Romany Room Is Jumpin' (2:33)
  177. Hit That Jive, Jack (2:14)
  178. Beautiful Moons Ago (3:34)
  179. Honeysuckle Rose (3:21)
  180. I Know That You Know (2:52)
  181. Solid Potatp Salad (2:12)
  182. My Lips Remember Your Kisses (3:07)
  183. Straighten Up & Fly Right (3:01)
 in stock $206.91
Cat: 747637 Rel: 25 Sep 19 • View all Music production software
 
Full boxed version of Reason 11 music production software from Propellerhead
Notes: Now a plugin as well as a DAW. Updated version of the much-loved production suite includes five new devices to expand your sonic options even further.

Supplier notes:
Just starting out on your musical journey or well on your way to your next album? Wherever you are, Reason's legendary rack of synths, instruments and effects is ready to turn good ideas into great music. On its own or in your favourite DAW as a VST plugin.

Reason is easy to get into but as deep as you want it to be. Reason's inviting rack of instruments and effects is a sonic playground where inspiration comes to life. Create, compose, mix and finish your music - Reason will help you along the journey, from inspiration to mixdown.

All music, no distractions:

Reason is designed to act and feel like a musical instrument. What you see is really what you get. No hidden screens, sub-menus or dialogs to flip through. Drag and drop instruments and sounds, tweak anything you see on screen and save it all in a single document.

All the control at your fingertips:

Twist knobs, push buttons, move faders - Reason's interface looks and feels like an instrument and seamlessly integrates with your favourite hardware controller. Record your knob and fader movements to create rich, automated mixes. As easy as that.

Endless experimentation:

Flip the rack over to access the backside with all the audio and CV cables and connectors. Here you can manually route anything to anything, just like in a real studio. Or simply leave it to Reason to automatically hook it all together, unlike a real studio.

What's new with Reason 11?

In Reason 11, Reason's Rack can now be used as a plug-in:

- Full Rack Extension and ReFill support
- Patches fully compatible between plug-in and DAW
- Incredible value - Includes 55 devices: 15 Instruments / 29 Effects / 8 Utilities / 3 Players

5 new devices:

- New Chorus / Ensemble with four unique algorithms
- New Phaser / Flanger / Filter with extensive modulation
- Bus Compressor, Channel Dynamics, Channel EQ

Improved workflow featuring highly requested features:

- Curved automation
- Improved vertical zoom
- Audio clip crossfade
- Mute MIDI notes, paintbrush tool, snap to grid, visual feedback in key edit and more

System Requirements:

MacOS: Fast, stable internet connection for installation and registration, Intel Mac with multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Mac OS X 10.11 or later (64-bit), Monitor with at least 1280x768 resolution, CoreAudio compliant audio interface or built-in audio hardware, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required

Windows: Fast, stable internet connection for installation and registration, Intel or AMD multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Windows 7 or later (64-bit), Monitor with at least 1280x768 resolution, Audio Interface with ASIO driver, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required
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 2 in stock $260.56
Cat: 749628 Rel: 30 Sep 19 • View all DJ equipment bags
 
Durable padded trolley bag for DJ equipment
Notes: A new standard in mobile remixing is here with Odyssey's Remix MK2 Series bags. Mobile multi-functionality infused with a sleek high-end exterior design. Take your controller, laptop, tablet, compact gear stands, headphones, cables, mics, portable hard drives, and other digital DJ essentials from one gig to the next in style.

Fits gear such as: Akai APC40, Akai MPK 25, American Audio Encore 2000, American Audio VMS4, American Audio VMS4.1, American Audio VMS5, Denon DN-MC3000, Denon DN-MC4000, Denon DN-MC6000/DN-MC6000MK2, Gemini G2V, Gemini G4V, Gemini GMX, Hercules DJControl Jogvision, M-Audio Xponent, Native Instruments Maschine Studio, Native Instruments S2, Native Instruments S2 MK2, Native Instruments Traktor Kontrol S4, Native Instruments Traktor, Kontrol S4 MK 2, Native Instruments Traktor Kontrol S5, Novation Nocturn 25, Novation Remote SL MKII, Novation Zero SLMKII, Numark IDJ3, Numark Mixdeck Express, Numark Mixtrack, Numark Mixtrack II, Numark Mixtrack III, Numark Mixtrack Platinum, Numark Mixtrack Pro, Numark Mixtrack Pro II, Numark Mixtrack Pro III, Numark NV, Numark NVII, Pioneer DDJ-400, Pioneer DDJ-ERGO, Pioneer DDJ-RB, Pioneer DDJ-RR, Pioneer DDJ-SB, Pioneer DDJ-SB2, Pioneer DDJ-SR, Pioneer DDJ-SR2, Reloop Beatmix 2, Reloop Beatmix 2 MK2, Reloop Beatmix 4 MK2, Reloop Beatpad, Reloop Beatpad 2, Reloop Terminal Mix 4, Reloop Terminal Mix 8, Roland DJ-202, Roland TR-808, Roland TR-909, Vestax VCI-300, Vestax VCI-380, Vestax VCI-400, Vestax VCM-600 and many others.

Fits other DJ accessories such as: Up to 17" Laptops, DJ Mixers, Tabletop CD/Media Players, Serato Scratch, Traktor Scratch and other Digital Interfaces, Laptop/Gear Stands and much more!
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 1 in stock $205.82
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Cat: 744064 Rel: 12 Sep 19 • View all Synth modules
 
Digital wavetable oscillator - 16HP
Notes: Klang Stadt is the latest FC iteration of Electric Druid's VCDO digital wavetable oscillator. It features a number of advantages over the previous Waverider design:

- Improved PWM filtering
- Addition of Sub Two output
- Addition of Klang output
- Addition of Xmod feature
- Onboard LFO for riding the waves
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 2 in stock $225.52
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Cat: 717051 Rel: 03 Jun 19 • View all Effects pedals
 
Versatile modulation effects pedal
Notes: The Mad Professor Double Moon is a small, easy to use and super versatile pedal for a wide variety of modulation sounds. True analogue bucket brigade signal paths with a Tone control makes the Double Moon a long-awaited modulation pedal for today's guitar player.

Double Moon pedal has 11 carefully designed modes that will let you dial in, not only all of the classic modulation effects, but far beyond that. All of the sounds are easily reached from a rotary switch: 3 chorus effects, 3 dual chorus effects, 3 flanger effects, flanger+chorus and a vibrato.

You can further on fine tune the LFO wave or Regen depending on the mode by the Control knob. The Depth knob will let you dial in the desired amount of the effect and the Speed knob will control the speed of the effect.

Modulation effects from mild to deep, motionless to faux-Leslie type, it's all there with the added Tone control!
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 2 in stock $217.87
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Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $280.27
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Cat: 700962 Rel: 21 Oct 19 • View all Synthesisers
 
Portable synth/effect processor
Notes: Quirky little synth and effects box with some interesting features. Simple square wave oscillator, LFO and filter design with lo-fi digital delay. Wacky stuff but lots of fun.

Supplier notes:
MFOS Echo Rockit is a small, portable synth/effect processor. The Echo Rockit makes unusual sounds and will give you hours of creative sound making fun. You'll make sounds you'd swear would require a modular, and all in the palm of your hand.

About the Anti-Feature "Significant noise at echo times > 340ms". The PT2399 is designed to produce echoes in the range of 40mS to 340mS. In addition to those delay times, the Echo Rockit allows you to explore lower clock rates that result in longer echo times. However, the longer the delay you select, the more noise will be contributed by the PT2399's single bit A to D conversion mechanism.

Specifications:

Type: Analogue
Synthesis: Oscillator(s)

Oscillators: 1
Waveforms: Square
Osc Modulation: LFO

Filters: 1
Types: 12dB Slope (2-pole), Low Pass, Resonance
Filter Modulation: LFO, Oscillator

LFO: 1
LFO parameters: Triangle, Square

Polyphony: 1
Timbrality: 1
Tuning: Atonal
Modes: Mono

Effects: Delay & Echo

Case: Desktop
Controls: Knobs, Switches. 3,5 mono jack input
Dimension: 20 x 15 x 6,5 (cm)
Material: Plexiglass
Front panel: Aluminium (1mm thick)

Audio Output Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio Output Count: 2
Audio Input Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio input Count: 2
Control voltage: 1 NOT BE 1V/Oct
Power: 9V power supply 300 mA/1mA max (euro)
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 9 in stock $227.71
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Cat: 739133 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - black faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $249.61
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Cat: 739131 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - black faceplate, 18HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $271.51
Cat: 739132 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 18HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $271.51
Cat: 730432 Rel: 11 Jun 19 • View all Synthesisers
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
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 3 in stock $290.13
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Cat: 730434 Rel: 11 Jun 19 • View all Drum machines
 
Polyrhythmic drum module featuring raw analogue drum sound
Notes: - 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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 4 in stock $272.61
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Cat: 742228 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: More aggro filth from the troubled minds at Schlappi Engineering. This time it's a distortion/filter module with touch-sensitive metal conductors for hands-on control. Screaming saturation and self-resonance ideal for angry techno. Nasty.

Supplier notes:
The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $271.51
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Cat: 738775 Rel: 11 Jul 19 • View all Keyboard stands
 
Two-tier, standing-height, heavy-duty keyboard stand in black, with carry bag
Notes: The new standard in column keyboard stands is here; STAY's TOWER is a sturdy and ingeniously designed solution. Made from ultra-strong extruded aluminium, TOWER weighs nearly half of the leading column stand, yet supports comparable weight easily. Support legs are curved to lift the stand off the floor, allowing pedal placement wherever the player desires - even under the stand. TOWER also breaks down in seconds and comes with a sectioned carry bag for easy transport of all components.

- Maximum load capacity: 120 kg
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 5.4 kg
- Tote bag included
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 1 in stock $213.48
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Cat: 749862 Rel: 15 Oct 19 • View all Synthesisers
 
Four-part polyphonic desktop synthesiser with virtual analogue synthesis
Notes: Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 5 in stock $294.51
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Cat: 752843 Rel: 19 Sep 19 • View all Filters
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Vintage Soviet synth circuitry reimagined. CV input, LFO output and pedal control for versatility. Easily one of the most brutal filters on the market. Legendary.

Supplier notes:
The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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 1 in stock $268.50
Genki Instruments Wave Ring Controller (Bluetooth MIDI controller)
Cat: 744609 Rel: 06 Sep 19 • View all MIDI controllers
 
Wearable Bluetooth MIDI controller
Notes: Wave is the ring that allows musicians to easily control sound, shape effects and send commands with the motion of their hands. It offers six functions that can be used individually or combined in any way you like: Tilt, Pan, Roll, Vibrato, Tap, Click.

Four different motions allow you to control any parameter in a new way. By tapping any surface you can trigger notes or samples. Easily accessible buttons on the ring allow you to cycle between presets, send commands and simply pause Wave so you can move your hands freely without changing anything.

You can easily customize each function to suit your setup. You can for example customize:

- Movement range
- Sensitivity of taps (how hard you need to hit the surface)
- CC values of output
- Which note values are sent out by taps and button clicks

Users can use Wave with Softwave, a software layer that allows users to intuitively map movements to MIDI messages or host AU/VST3 plugins and create their own presets. Softwave comes for free with every Wave and has a built-in synthesizer engine so users can start playing right away.

With the purchase of Wave users also receive access to Native Instrument's Reaktor Blocks which includes Waveblock. Waveblock connects Wave instantly to Blocks and allows users to combine Wave out of the box with Reaktor's powerful synthesis engine.

Wave also works as a stand alone MIDI controller that connects to your DAW. Each function can be mapped to control different parameters directly within your DAW.

The Wavefront module is the Eurorack receiver for Wave that allows Wave to connect to modular synthesizers. With Wavefront you can completely bypass the computer and bring unprecedented sound control, effect shaping and manipulation to modular setups.
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 2 in stock $293.95
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Cat: 754477 Rel: 31 Oct 19 • View all Studio monitors
 
LP8 powered studio monitor
Notes: Weighty sound from the California brand's 8-inch studio monitors. Clear, revealing sound with particularly good high-end detail thanks to the waveguide and 1-inch soft dome tweeter.

Supplier's notes:
Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
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 2 in stock $245.23
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