Review: Ubiquity is back with another of its two part 7"s, this time from contemporary soul group The Soul Surfers. Experts at covering the greats, they recently turned their hand to a classic from The JB's, while this time out it is Kool & The Gang's classic "Summer Madness" that gets a deep-cut and sexy make over. Part 1 is a sensuous slow burner with downtempo drums and heavenly guitar playing, while part 2 has harder drum grooves and dreamy , psyched-out guitars. It's another ageless rework that you need in your life.
Review: The Andromeda Orchestra project was last seen on Faze Action last year, when "Get Up & Dance" got the remix treatment by Nick The Record. This time around the project gets a serious disco treatment from Ray Mang, who stretches "Don't Stop" out across the A side for a nine minute pleasure ride that's heavy on the funk. "Kano Line Dance" kicks off the B side in another loose and nasty party jam, before the original Philly string busting brilliance of "Don't Stop" completes the set in fabulous fashion.
Review: Pal Joey is a legendary New York house producer. Whatever alias he assumes - and there are many - you can be sure of real quality, and this 7" features two of his best: As Soho he offers the jazzy keys and funked up house loops of "Hot Music" which samples Wynton Marsalis's "Skain's Domain". On the flip, he becomes Earth People and serves up pure house joy on "Dance" with its ebullient vocal yelps, party starting sax lines and timeless chords. It's the sort of celebratory, end of the night weapon that will send people home in absolute raptures.
Review: The Verdant label continues to plumb depths others fail to reach in the search for the most immersive techno emanating from the underground. On this split disc, the A side is under the control of Sirko Muller, who unfurls a masterful take on dub techno and minimal house as subtle as it is sublime. RV800 then remixes "Affinity" and makes it into a bouncy, acid-flecked groover that remains true to Verdant's deep dynamics. Jonno & Tommo take on the flip with the sultry mood piece "Efficacy," a spooked-out trip of a track that gets flipped into a slippery electro number by Havantepe.
Review: Joe has been behind some of the most inventive rhythms and hard hitting club tunes of the past decade. Always happy to veer off-piste while drawing on bass, dubstep, techno, 140bpm workouts and everything in between. Here the Londoner makes a break from home label Hessle Audio to land on the equally cutting edge Comeme. "Rio Lea" is the pick: it's a loose rhythm coloured with samba skip, soul drenched strings and Latin flair that transports you directly to South America. The others aren't bad either to be fair, with "Line To Earth" exploring a slower, dubbed out groove, and "Get Centred" working the dance floor into a frenzy with its mad xylophone melodies, tight, percolating drums and tense chord stabs.
Review: Since 2012, Munich duo COEO has served up a swathe of sample heavy, disco influenced house EPs for such labels as Let's Play House, Toy Tonics, Lagaffe Tales and Razor-N-Tape Reserve. Here they pop up on Razor-N-Tape's main edit label with something different: a quartet of traditional scalpel works from their personal stash. First up is the elastic, horn heavy disco-funk of "Express Lane", which is quickly followed by the skewed Arabic boogie-funk brilliance of "Libyan Sun". Over on side B, "Don't Oho" is a breezy revision of a sun-kissed Afro-disco workout that sounds like it would be capable of causing a commotion in the club, while "Move Your Body" makes merry with a warm, rich and intoxicating early '80s boogie-soul jam of unknown origin.
Review: Dark Entries has been at the forefront of the coldwave and synth revival that has slowly taken hold over the last decade. Next up they turn their attention to a reissue of an out of print EP from 1988 by Jordi Guber and Krishna Goineau as Velodrome. Villalobos has been known to drop cuts from it, which should give you a good idea of its musical style: freaky 80s electro built on steppy drums, with taut and twanging synths reverberating around the mix, as exemplified by the opener. "Glasfabrik" is a hyper-speed cut with a tongue in cheek vocal, while "Capataz" is the most well-known joint with its acid bass and crashing hits.
Review: Once again here edit king Mr. K turns his attention to one of the many hits penned by New Orleans legend Allen Toussaint. This time it's a 1978 tune from The Pointer Sisters that they still use as a concert opener whenever they play, despite the fact it didn't chart that well on release. That didn't stop it becoming a dance floor hit though, here the synths are polished up and drawn out with an added acappella and the whole thing dazzles. On the flip is an excellent edit of Gene Harris' cover of Stevie Wonder's transcendent "As", fine-tuned for 2019 and beyond with emphasized percussion and a sinewy extension that cuts the bulk of the lyrical intro and lets Harris's electric piano and the all-star choir shine.
Review: Clear the way when you see them coming through! Three albums deep since 2016, Jalapeno's in-house funk machine The Allergies wheel up with more brand new material. "Every Trick In The Book" shakes and slides with a wry psychedelic groove, a familiar vocal, big horns and lavish dollops of the feel-good flare the Bristol duo have made their signature. Need something spicier? Flip over for "Nuff Respect" where long-standing MC partner in vibes Andy Cooper steps up to cover one of the all time OGs: Big Daddy Kane. Back up and bow.
Engine Dub Number 9 (Jorun Dusted Out Space Echo edit) (4:34)
Opening Act (feat Emskee) (2:43)
Review: Fresh Pressings return with goods that are true to their name. It's Portugal by way of Halifax, Nova Scotia hip hop DJ and producer Jorun Bombay who is behind this one. He pioneered the scene in his native Canada, has led his own talent-filled coalitions and built up a fine discography over the last 15 years. This is a welcome new addition that finds him add tons of dubbed out space echo to "Engine Dub Number 9" while raw, funky breaks power it along. "Opening Act (feat Emskee)" is a more rolling beat with old school mic work and crisp hits.
Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
Review: Butter Sessions latest must-check release comes courtesy of Melbourne-based rising star Furious Frank, whose recent EP on Paper-Cuts was particularly impressive. "Ahora Si" is similarly inspired, with the young Australian producer placing Ivy Barkakati's "Sueno Latino" style whispered vocal over a bold, alluring blend of jangling dream house pianos, rugged acid lines, sunrise-ready chords and loose-limbed analogue beats. He provides his own dream house style interpretation (the brilliant "Frank's Sunrise Mix") before inviting Ivan to give his take on the track. He adds some tribal percussion whilst retaining the cut's inherent dreaminess before Canadian producer D. Tiffany re-imagines "Ahora Si" as a bass-heavy chunk of UKG/breakbeat house fusion.
Review: Anyone who takes their electronic music history seriously should already be hip to this one, but a brief rundown for those new to the roots of electro and techno. Cybotron were the project from Richard Davis and Juan Atkins, who went on to help forge the sound of Detroit techno as Model 500. Released in 1983, their debut album "Enter" was a blueprint for so much music that came after, with "Clear" being the standout track that send 80s heads spinning into a state of funky future shock. This tasty little 7" reissue puts "Clear" on the A side, and 1981 sci-fi boogie belter "Alleys Of Your Mind" on the flip. Two evergreen gems no machine music aficionado should be without.
Review: New York hip hop outfit Missin' Linx's debut release is notable for two reasons: firstly, it features two stone cold jams in the deep cut of "MIA" and the woody boom-bap and smooth flow of "Lock'd". But secondly, and more importantly, "MIA" made use of David McCallum's "The Edge" break before Dr Dre did. Dre's use of it on "The Next Episode" might be more famous, but now you know who did it first.
Review: Kalita Records has thus far proved adept at sniffing out obscure, overlooked classics and reissuing them. Their latest "flip" is as rare, little known and hard-to-find as they come: a one-shot 1985 Caribbean boogie cut from Bahamian musicians Stirling March (now a minister and gospel singer) and bassist Rocky Rolle. "Under Cover Lover" is bright, breezy and sun-kissed, with jaunty synthesizer lead lines and hammered-out piano parts dancing above a tasty groove that fully showcases Rolle's boogie bass skills. Stirling March's lead vocal is superb too, with the Bahamian slickly delivering the loved-up lyrics with aplomb. The flipside "Instrumental" version is typical of New York style boogie dubs of the period, with more attention on the drums, bassline and ricocheting vocal snippets.
Review: Fire in the hole! Quite literally; "Nar" is Arabic for fire and it's been one of the hottest dubs in the Lipsky brothers' Simple Symmetry sets for quite some time. Jaunty, free-footed, laced with an intoxicating eastern riff and a springy 80s bassline, it has hips slinking from 0-60 in less than seconds. So do the remixes: Autarkik gives it an "Age Of Love" style trancey slither while Inigo Vontier reboosts the percussive element for a much heavier hypnotic experience. Feeling fired up yet?
Review: Back in April, Blawan and Pariah rebooted their hardware-based Karenn project after a five-year hiatus via a rugged EP on their freshly minted Voam imprint. Here the pair inaugurates a new series, Voam Club Archive, in which they'll offer up tracks recorded during live performances. For fans of raging, hard-wired club techno, there's much to enjoy, from the intoxicating, acid-fired stomp of "Berlin - Live Cut 1" and the redlined intensity of the dark and distorted "Berlin - Live Cut 2", to the Sheffield style bleep melodies, wild electronics and Lory D style grooves of "Rome - Live Cut 1". Arguably best of all, though, is the metallic, forthright insanity of closing track "Amsterdam - Live Cut 1".
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: The latest smooth groover on Is It Balearic? is Michael David, who comes with that gorgeous, 80s tinged sound to make you suck your cheeks in and nod approvingly. "Melona" is a blissful dream of cascading keys and languid guitar strums, which Chris Massey then shuffles up for a snappy, funk-laced remix. "Onewish" opens the B-side up in a swirl of vocoder flex and liberal dub FX, before "Two Voices" casts off towards the horizon on a bed of beautiful keys. Opulent musicality and pristine production make this a must-buy Balearic transmission - the perfect tool to keep the summer alive.
Review: This Juno exclusive is a hip hop beat from Australia that has had props from Public Enemy's DJ Lord, no less. A heartfelt eight-minute medley from Brisbane's DJ Bacon whose title is a mash up of Run-DMC and Beastie Boys, it is said that more than 150 samples feature on the two tracks and the resulting collages are real bangers. "RUN-BST Megamix (Part 1)" skews iconic vocals, cow bells, stabs and punctured kick drums through a streetwise lens, and part 2 on the flip offers a more tender groove with soulful vocals over crisp hits.
Review: Swedish house producer HNNY gave up DJing in 2016 but has still been working on music in the background, and we're glad he has, because the two cuts here for new label born out of a Stockholm audiophile bar, Hosoi, are lovely. A side "By" conjures a gorgeous mood with soft snares and what sounds like Spanish guitar strumming away beneath aching vocal coos. Flip over for "Hosoi", a dreamy downtempo groove with live sousing drum work and incidental chords that drift by on a warm breeze. This EP is a perfect tonic for those needing a break from busy modern life.
Review: Since its release in 1973, Ze Roberto's debut single "Lotus 72 D" has become something of an in-demand item amongst collectors of soul-fired Brazilian "MPB". So much so, in fact, that Mr Bongo has licensed it and served up this 7" reissue. In its original A-side form, the track is a carnival-ready slab of samba-soul brilliance rich in razor-sharp horn blasts, rich bass guitar, punchy hand-percussion and twinkling jazz piano solos. Roberto's confident vocals take centre stage, inviting us towards the dancefloor. Over on the flip you'll find a "Fast Version" of Roberto's tribute to 1972 Formula 1 champ Emerson Fittipaldi. This has a slightly more dancefloor-centric tempo, an effect achieved when it was accidentally pitched up for inclusion on a 2001 compilation.
Review: Rocafort Records has excelled itself once again with this release, a four-track journey into "oriental jazz" by a quartet of international musicians helmed by young Turkish pianist, composer and arranger Gokhan Surer. He describes his style as "world, fusion, jazz", which is a neat summary of the exotic, evocative and emotion-rich material on offer. Check first the warm occidental jazz shuffle of "Chimera" before recoiling in wonder at the Turkish strings, double bass, hushed percussion and jazz-funk style electric piano solos of "Dere". Over on side B, "Makam Rasta" is an inspired fusion of reggae, jazz-funk and Arabian instrumentation, while "Onbesli" is a rolling fusion cut underpinned by hip-hop style beats.
Review: Trinidadian Deep is a master of long, winding, enchanting house grooves that are deep but also spiritual and laced with afro percussion. Shelter acquires his latest two efforts and the glorious "Native Culture" opens things in subtly uplifting fashion. Trilling organ chords rise through the mix to give life to the jumbled drums and sustained pads in the background which keep things deep and ensure maximum hypnosis. "Eggun" has a more bubbling sense of rhythm, with vocal coos and surging chords peppering the track and bringing motion. Powerful stuff.
Review: De:tuned are in the midst of a 10 part anniversary series, and this latest missive - the seventh in all - brings together a hefty selection of talents old and new on heavyweight vinyl. Jonah Sharp opens things as Spacetime Continuum and continues to fuse ambient, techno, and IDM on the absorbing cosmic adventure that is "Only One Sky." Scanner's "Mothlit" slows things down with a hip hop instrumental from outer space, and then the beats disappear altogether on Ross 154's suspensory ambient cut "Earth To Our Friends." Lastly, Leo Anibaldi's "Crion" will make your skin tingle with its deft and delicate melodies which float about like fireflies and leave gorgeous, glowing trails in their wake.
Review: Pure, infectious, filthy, brilliant club energy. Steve Marie takes the a-side by the horns, first with the ravey, jacked up acid cut "JuplVtrax", then the nimble drum work and ducking and diving synths of "Psychedelia", which brings to mind flickering old VHS of illicit field gatherings from the nineties. Astral Body then takes you even deeper down the rabbit hole with the manic 303 and hyperdrive drums of "Galaxy Beat". "Equinox" closes things out with surging solar waves, rippling acid modulations and kaleidoscopic colours that leave you breathless. Reach for the lasers, etc.
Review: Spain's Fanzine hits double figures by welcoming Nullptr (the alter ego of British artist Eddie Symons) for some heat that has made him a cult favourite over the last decade. The man behind Cambridge electro night Motherchip Connexion and his own [d]-tached label invites you to strap in and surge through the skies with him on a pulsating journey that finds him tease real funk out of his machines. From sombre and stripped back cuts of lonely electro to masterfully melodic affairs via devastatingly emotional groovers, this EP does it all in fantastic fashion.
Review: Fresh from delving into his ambient side on the pastorally-enhanced "Loom Dream" album for Whities, Leif revives his self-manned Tio Series with another double-shot of delicate but impactful cuts outside the conventional slipstream of modern techno. The rhythms fall crooked, the synths trickle, bubble and cascade around the groove and the atmosphere remains humid and heady, especially on ear-snagging B-side "Rumex". "Montpelier" sports more explicit dubby flourishes and a spread of sonic flora and fauna in the middle distance that truly brings the track to life.
Review: Hoarder continues to impress here with another classy collection of serious club heat. It comes from Italian born, New York based artist Fr!sky Buziness and marks his best work to date. All four tracks deal in proper, original tech house with a superbly smooth and seductive sense of late night funk. "Grey Goo Romance" has a gooey groove with sci-fi motifs that race along, while "Bananafish" channels early Terry Francis with its clipped and slick drums and swirling cosmic pads. "Skyhook" is awash with alien lifeforms and brain cleansing synth tones that are shiny and reflective, then finally "Aurora" pumps the party with perfectly pressurised drum loops and a whole ecosystem of spaced out sound effects. This is high grade dance floor weaponry from start to finish.
Review: DJ Slyngshot's resurgent Yappin label is back with a second sizzling EP of 2019 after lying dormant from 2014 to 2017. We couldn't be happier about its return when it is unearthing the mind behind deep house like this latest one from Deesigner. Unsettling opener "Bringin The Funk" is a spaced-out late night rhythm with hints of jungle, and "Too Many LFOs" is a lumpy dub cut with muted, woolly synths sending you all gooey inside. "CY-39" cloys things out with some deft drum work and percolating rhythms that are clean, crisp and weirdly pleasing.
Review: Prolific but underrated Motor City producer Detroit's Filthiest makes a comment on the falsehoods of society with his latest EP. But there is nothing fake about his talent: he manipulates his machines in compelling fashion here, pairing perfectly squelchy bass and synthetic synth textures with the most gorgeous and organic piano keys imaginable. "Baby Makin Music" is laden with romantic chords, while "Mothership Has Landed" is more edgy and unsettled. On the flip, "No Strings Attached" is a playful and jazzy electro cut that makes way for the equally excellent "Social Engineering". In these times of electro trendiness, this EP still manages to stand out.
Review: Multitrack wizard The Reflex returns for his second release on Revision Records with two more killer edits. He tackles Marvin Gaye's classic "Gotta Give It Up" giving it the perfect modern revision for modern dancefloors, pretty damn brilliant if we do say so ourselves. On the B side he lends his Midas touch to Serge Gainsbourg's infamous "Sea, Sex & Sun" allegedly three years in the making, this dirty disco funk nugget includes vocals from both the English and French versions. Exclusive to vinyl and previously unreleased, get your hands on this one before you miss your chance as pressings are limited.
The Truckin' Company - "Got The Feeling" (Massimo Berardi edit) (5:41)
Izk Eyes - "Ton Of Groove" (The Funk District re-edit) (6:30)
Review: Fledgling label Daje Funk is sure to turn heads with their second sizzling offering of edits, with Rome's Massimo Berardi and Mexico's The Funk District both stepping up to the buttons. Truckin' Company's "Got The Feeling" is a loopy and rolling funk gem that keeps the energy up as strings soar to the skies and a squelchy bassline keeps you locked. The Funk District takes care of the flip with a top tweak of Izk Eyes's "Ton Of Groove", which is an appropriate title: big brass sections to shake your booty, a buttery male vocal and busy guitar licks all drive it forward through big breaks and killer drops.
Review: With the state of world politics at the moment, we could all do with the occasional pick me up. Enter The Pharaohs who link with Chicago natives Spencer Jackson Family for "Bring Back Peace To The World", which gets a timely reissue on Ubiquity. It's a spiritual bit of jazz funk with sax lines to get you grooving, deep soul vocals that stir you from the inside out and gospel overtones that get anyone ready to rejoice. Each part is as essential as the other and despite adding up to just over five minutes in total, both cuts will no doubt enhance your mood.
Review: Aphelion is a Greek producer who is part of the Equations Collective, and here he offers up his first ever release. Clearly well schooled in production, the atmospheres of his tracks belie his debutant status as he kicks off with the mutant bass and pounding kicks of "Volatile Radiance". More warped bass characterises the sparse and eerie "Cosmic Vibrations" before Silicon Scally aka Carl Finlow heads off in a more menacing direction on his remix of "What You Want". The original is a more haunting and paranoid affair that has you looking over your shoulder.
Essential Paradise (feat Slikk Tim - Fred P Reshape) (6:57)
Mystery Of Fantasy (reprise) (2:34)
Mystery Of Fantasy (G Fantasy mix) (8:06)
120 Black Key Experiment (Continuation interlude) (2:48)
Review: Having decided to retire his long-serving Soul People Music label, Fred P has immediately replaced it with Perpetual Sound, an imprint he says will serve up a far more eclectic range of records. To mark the label's debut, the acclaimed deep house and techno producer has decided to reignite his Black Jazz Consortium project after a five-year hiatus. Up first is "Essential Paradise", delicious fusion of jazzy deep house and tech-soul whose spacey pads, bustling beats and Herbie Hancock synths come accompanied by some wild, unchained solos from keys player Slikk Tim. Elsewhere, attention will naturally fall on Mr G's sleazy, heavy and low-slung techno take on "Mystery of Fantasy", which is also available as a tasty, ambient style "Reprise" (all synthesized orchestral sweeps, warm bass and glassy-eyed electronics).
Review: When it comes to breathing new life into well-known classics, there are few better than Frenchman-in-London The Reflex. Further proof of this assertion can be found on RWY, the third 12" on the producer's own Revision Records imprint. The title track sees him once again take his scalpel to a track by Michael Jackson, subtly building layering up and extending "Rock With You" (a feat made possible by his ability to get hold of multi-track parts to the material he re-edits). On the flip, he successfully tampers with Lionel Richie's end-of-night classic "All Night Long". Brilliantly, he removes much of the percussion during key vocal passages, which in turn gives subsequent choruses extra dancefloor oomph. Bravo, Sir.
Review: Hyperdub and Tectonic regular Walton finds himself on vital Munich label Ilian Tape for his next EP. The rhythmic innovator takes cues from the label's love of breakbeats in one track here. Opener "Before The Storm" is a suspensory bit of ambient with sustained pads and distant hits, crashes and pops speaking of alien life forms. "Rolla", a dusty and shadowy cut that skates along with a sense of uneasy menace. Last of all, "Depth Charge" is as it sounds: fathom deep bass lurches to and fro with machine gun like snares firing across the face of the track. It's boombing body music to make you move.
Review: Newworldaquarium has long been a real darling of the techno world with an impeccable back catalogue filled with treasures, and now the Dutchman is treating us to two new tracks that were recorded during the same sessions as his seminal "The Dead Bears" in the early 00s. The 10-minute epic "Mercury" has a majestic synth phrase looped over rubbery kicks that will lead to real transcendental moments, while "Levels Halo" is a zoned out ambient piece with kick drums buried miles below, gently moving you along.
Review: This cryptic debut from Belgian AIR LQD mixes up science fiction, social criticism and punk ethics into a futuristic sound world where urban decay and artificial intelligence have really taken hold. The brittle, icy electronics of these tracks reminds of Kassem Mosse's experimental lo-fi house work on Workshop. "Repeat Itself" is interspersed with dehumanised voices from a darkened dungeon and leads to some brilliantly unsettling sounds. Abrasive textures rub up next to looping echoes, crashing metal hits and rubbery bass. Though wholly unnatural, paranoid and occult, it all feels so damn right.
Review: The mysterious NY Underground label and production team are keeping tight-lipped on their identity. What we do know is they love editing, dubbing and reworking Big Apple house and disco tunes and are good at it, too. Following a number of sold out EPs they come correct again with number 9. "New York Underground IX (part 1)" is a tense dance floor workout with acid prickles and flashes of synth that are perfect for strobe lit spaces. Part 2 then goes disco, with stomping drums you will likely recognise driving along some exotic synth lines and steamy vocal work. Top tools.
Cult Hero (Do You Wanna Touch Me) (with Simon Topping
Sly Is Watching
(Vi-Vi) Vicious Games (with Josh Caffe
Review: When it comes to jackin' Chicago style acid house revivalism, few can hold a candle to Paranoid London. As this long-awaited second album proves, the duo is the undisputed masters of sweaty, TB-303 driven jack-tracks and - as recent single "(Vi-Vi) Vicious Games" and LP opener "Starting Fights" prove - classic-sounding vocal cuts that recall the glory years of Fingers, Inc in the mid-to-late 1980s. Interestingly, "PL" boasts far more collaborations than we've seen from Paranoid London before, including a string of ragged club cuts blessed with evocative spoken word vocals, a thrusting acid throb-job with lead vocals by Simon Topping and a suitably twisted, machine-driven hook up with Arthur Baker and Alan Vega (the raw and weighty "Angel Of Hell").
Review: Sammy Massamba's "Azali" originally came out in 1990. The afrobeat artist's sound is shockingly potent, fusing his roots with disco and boogie to create the stuff party dreams are made of. The song has just the necessary edge to make a classic, with the vocals leading the way through the tune beautifully. "Birika" is a slower jam, but no less bold with its keyboard brass and choice guitar solo. Aroop Roy jumps on the flip to edit "Azali", stretching out a touch and adding a little subtle drum machine jack to the beat. It's tastefully done, keeping the vibe on the original intact.
Review: REPRESS ALERT: Benjamin Smith and Paul "Mudd" Murphy are back with a Balearic gem - The Distance, featuring Quinn Lamont Luke. The release comes with a vocal and instrumental on the A side, and a remix on the flip by legend and consummate production ace - Ron Basejam. The lyrics and vocals by Quinn Lamont Luke are captivating and playfully tease us with emotional yearning. And it's Quinn who provides a stunning jazzy guitar performance that will have you air guitaring all over the dance floor, which sits splendidly alongside the beautiful layers of rich electric piano and Balearic disco grooves. The remix by Ron Basejam recasts the track as an instantly affable yacht-rock-esque anthem, that will fill your hearts and have you reaching for the Campari. This is a sumptuous groover, with layer upon layer of blissed out disco warmth. A sublime masterclass in musicianship and production that will bring joy to the most discerning of ears.
Review: If you want hugs on the dancefloor deep into the night, Late Night Tough Guy's (formally DJ HMC) "Bless The Rains" is the perfect drug. The Adelaide based luminary rehashes Toto's "Africa" in a heavily pitched down and simple edit fit for any fromage-laced discotheque. Skirting around the throbbing bassline and triangle hits of "My Body On Fire" is a vocal that will have some train-spotters pulling their hair out in frustration, while "Not In Love Anymore" will have both Warren G/Nate Dogg and Michael McDonald fans bumping and grinding to excess.
Review: Rory "Hammer" Hamilton has released on numerous labels since making his debut in 2015 - Optimo Music and Sulta Selects Secret Service included - but it seems like he reserves his best work for the imprint he's most associated with, Feel My Bicep. His latest EP for the Northern Irish outlet is certainly strong, with A-side "Parabola" offering an attractive, ear catching mixture of undulating neo-trance riffs, sustained sub-bass notes, relaxed machine beats and suitably psychedelic electronic effects. The same balance of rush-inducing melodic bliss, tactile synth bass and crispy drums comes to the fore on B-side opener "Panoptic", while closing cut "Entropy" is a slightly more psychedelic but no less melodic jaunt through big synth riffs, emotive chords and bustling drums.
Review: For the last couple years, Montreal's Project Pablo has been busing honing his own unique house sound across a wide range of labels. He's prolific, too, with this being his third EP on Verdicchio Music Publishing this year alone. He favours clean, thin harmonic keys and pads that can be either lush and dreamy or more rave-tinged. "Sofware" is a case of the former, with soft drums and mellifluous melodies getting you swaying. The underlapping drums on "Dead Channel" are to die for as yawning pads get you in a dream state, before "Boingo Myth" quickly wakes you up again with its scribbly, icy pads. "Scroll Up" marks a celebratory breaktbeat finale that will pump the party with euphoric cries and pianos to get hands in the air.
Review: The force is strong in this electrifying new EP from DAED, who last appeared on this label in 2017 on a VA release. There are shades of IDM to his complex synths and melodies, while kinetic broken beat drum programming powers the tracks along. The mood is melancholic on "Aria" which is so frantic it feels like it might eat itself, "Voidal" has fizzing, icy textures that will tie you in knots before "H2FSBF6" really pulls of some impressive synth acrobatics. "Ephemeris" is the warp speed closer that tarps you in a gorgeous digital world.