Review: Described in the accompanying press release as "the halfway point between Bollywood and Balearic", Rupa Biswas' 1982 debut "Disco Jazz" has long been a favourite of dusty-fingered diggers with a healthy bank balance and a penchant for the quirky. All four tracks are cheery, charming and superior to many "Bollywood disco" records produced in the same period. The sunny disco-boogie of "Moja Bhari Moja" is followed on side A by the delightfully eccentric, bass-powered AOR-disco/funk-rock fusion of "East West Shuffle" and the effortlessly Balearic cheeriness of "Aaj Shanibar". Best of all, though, is the exotic and intoxicating flipside cut "Ayee Morshume Be-Reham Duniya" which expertly joins the dots between cosmic rock and Balearic disco grooves for 16 spellbinding minutes.
Review: Silent Season's mainstay artist Segue returns with a new album, following up on the well-received immersion of his 2016 LP "Over The Mountains" with further explorations in the hinterland between dub techno, ambient and a more pastoral kind of palette. It's a field he's well versed in, and one that typifies Silent Season's approach as well, but there's plenty of fresh ideas to latch onto here as Segue weaves gorgeous threads of melody around tactile, mossy beds of sound and understated grooves that carry you to far away, inviting places. Even the more pronounced dub techno stylings of "Mirage", for example, sound vibrant and invigorating in Segue's hands - another sterling album from an accomplished producer.
Curimao (Sons Onomatopaicos E Folk Da Guine) (6:48)
Solito (Solo De Balaue) (4:29)
Danado Cantador (Balaue, Orquestra E Declamacao) (A Fagner) (4:46)
Review: For the first in a series of must-have reissues of obscure Brazilian treats, Optimo Music and Selva Discos have joined forces to offer up a new pressing of Fernando Falcao's superb 1981 debut, "Memoria Das Aguas". The eight-track set has long been considered something of a slept-on and hard-to-find classic, with Falcao conjuring up an octet of tracks that brilliantly join the dots between neo-classical movements, dreamy, percussion-led soundscapes (see the sublime "Amanhecer Tabajara (A Alceu Valenca)"), spiraling big band Afro-Brazilian jazz ("Ladeira Dos Inocentes"), intoxicating classical-jazz fusion ("Revoada") and experimental, beat-free sound collages ("Mercado"). In a word: exceptional.
Review: Say hello once again to an old friend - mid '00s lounge soundtrackers extraordinaire Zero 7 are reissuing their second LP When It Falls. The follow-up to their best-selling "Simple Things", this album found the pair exploring a more psychedelic, funky sound without losing that smooth finish that made their music so massively popular first time round. From the laid back groove of "Passing By" to the brooding soul of the title track, this is the kind of album that goes down easy and sets the perfect mood in the room. The production is second to none, and considering the eye-watering prices the original pressing fetches online, there should be a lot of people happy to see this one back in print.
Movement 2 - "Toto, I've A Feeling We're Not In Kansas Anymore" (6:03)
Movement 3 - Wherever Two Or More Are Gathered (8:24)
Movement 4 - Life In The Gravity Well (7:02)
Movement 5 - As The Earth Kissed The Moon (7:20)
Movement 6 - Something's Moving (7:35)
Review: Michael Stearns is perhaps less namechecked than many of the early ambient pioneers, but his expansive catalogue reaches back to 1977, when his first expansive synthesizer dreamscapes unfurled themselves on his own Continuum Montage label. Emotional Rescue have picked up on seminal 1981 album Planetary Unfolding, giving a much needed vinyl reissue to a classic slice of hyperboreal ambience spread across six long-form movements. Expansive, emotionally charged and constantly exploratory, this is deep space listening at its finest - an essential purchase for any lovers of truly classic, cosmic synthesizer music.
Review: By the time you reach the muffled, eccentric opening bars of "Tenderness", just past halfway on "Anak Ko", Jay Som's remit is clear. The Los Angeles singer-songwriter has left her shoes, or rather shoegaze, behind. This time she's walking barefoot through a lo-fi musical tapestry, baring soles and heartbreak while musing on the importance of self-value. Highlights are plentiful throughout, from the head-noddingly agreeable "Nighttime Drive" to the jerking, grunge-y "Peace Out", it's equal parts gorgeous and effortlessly- not to mention breathily- cool, sexy and surprising. Perhaps what's most reassuring, though, is that there's every chance this could all come across as affected and a little too self-aware. Nothing could be further from the truth from what we can hear- an honest work representing the next step in the evolution of a truly exciting American indie talent.