Review: 1974's Coming Right At You, the sole album from 100% Pure Poison, has long been a sought-after jazz-funk gem. Soul Brother has previously reissued the rare (and increasingly expensive) LP, though this double 7" marks the first time most of these tracks have been available on wax since 2001. Check first opener (and title track) "Windy C", a superb chunk of lolloping, laidback jazz-funk that sits somewhere between Bob James and Cymande, before turning your attention to the slow-burn soulful delights of string-laden torch song "Puppet On A Chain". Over on the second 7", "No More City, No More Country" is a more hard-spun Blaxploitation funk affair, while "Hole In My Shoe" is a horn-fired slab of J.B's style funk-soul fusion.
Review: The 3rd Generation Band hail from Ghana, recording only six tracks in their time together, all for the Essiebons label and now Mr Bongo reissue these two super rare tracks. The life affirming Afro Rhythm & Blues of "Because Of Money" was also featured on Soundway's Ghana Soundz compilation previously. It was compiled by Andrew Edwards. The band was formed in the late 70's by leader Rockson, a soldier at the time. The original record is extremely rare and this reissue is a replica 7", including the original picture paper sleeve that was carefully restored by Andrew Edwards. B side track "Obi Ye Saa Wui" is African style soul-funk, very influenced by James Brown.
Review: Emotional Rescue again delves in the world of private pressings, with a reissue of British electronic pop meets proto-House duo 4AM. With copies of their self titled album now highly sought after, this timely reissue presents two of their songs as a stand alone 7".
Consisting of multi-instrumentalist Steve Kirby - piano, guitar, bass, programming - and vocalist Kevin Finch, 4AM came together after youths filled with a love of music. Following a string of band attempts, Steve dived in to the world of midi, allowing him to build a studio set up and play solo. A meeting with new work colleague Kevin quickly developed to joining forces to expand on his early demos.
Their melodic, dance-influenced pop draws on a love of Japan, OMD and The The, but also ECM jazz and a touch of "white boy soul". The TR-808 drum and hi-hats, string stabs and random acid squelches - although no TR-303 was used - highlights the influence the nascent House sounds emanating from the "second summer of love" of 1988 / 89 had in their music melting pot.
Over this, personal lyrics flow, full of honest emotions and a touch of youthful naivety thrown in - of relationships, love, sex and passions. Intended as a personal artifact, the original album was released in 1990 with no promotion or live shows and has taken until now, some 30 years, to find a cult audience. I want you with a Passion.
You're The Only One (feat Bonnie Blanchard & The Mean Machine)
Right On Time (feat The Mean Machine)
Review: For their latest must-check rare soul reissue, German crate diggers TRAMP Records take us back to 1969 and the sole single from Philadelphia outfit Andy Aaron & the Mean Machine. A-side "You're The Only One" is a superb chunk of bass-heavy soul full of energetic drumming, fuzzy horn motifs, inspired lead vocals by Bonnie Blanchard and sax solos from none other than Grover Washington (then a young musician and member of the Mean Machine). Equally as potent is instrumental flipside "Right On Time", which is a riotous funk workout that boasts more lung-busting solos from an on form Washington.