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FORTHCOMING
Polyend Medusa Colourful Knobs Set
coming soon TBA
FORTHCOMING
WMD TRSHMSTR Bandpass Filter & Distortion Module (black faceplate) WMD TRSHMSTR Bandpass Filter & Distortion Module (black faceplate) WMD TRSHMSTR Bandpass Filter & Distortion Module (black faceplate)
Cat: 742231 • View all Synth modules
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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coming soon $226.80
FORTHCOMING
WMD Voltera Voltage Expander For Metron Module
Cat: 742232 • View all Synth modules
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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coming soon $167.06
FORTHCOMING
Schlappi Engineering 100 Grit Touch Controlled Distortion Module (silver faceplate)
coming soon $266.28
FORTHCOMING
Schlappi Engineering 100 Grit Touch Controlled Distortion Module (black faceplate)
coming soon $266.28
FORTHCOMING
Erica Synths Black Multi Active Buffered Multiple Module
Cat: 742136 • View all Synth modules
 
Buffered precision multiple - 4HP
Notes: Erica Synths Black Multi is highly accurate active buffered 2x1to3 or 1to6 multiple that will work for signal splitting in any circuit, including driving several VCOs in tune from one CV source. "Octave" or +/- 1V offset switches on both channels allow to add or subtract one volt form each channel thus transposing VCOs one octave up or down. Hidden feature - custom offset - allows to set user defined offset on the first channel.
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coming soon $86.05
Cat: 681306 Rel: 24 Jul 18 • View all Synth modules
 
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $178.19
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Cat: 416484 Rel: 26 Jan 11 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.
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 More than 10 in stock $1.22
Cat: 677050 Rel: 06 Feb 18 • View all Samplers
 
Micro sampler with 40 second sample memory & built-in recording microphone
Notes: Micro sampler offering 40 seconds of sample time, and a built-in microphone for sampling foley sounds and your own voice on-the-go. Sample any sound source using line in or the built in microphone. Melodic mode lets you play chromatic melodies and drum mode lets you play drums. Sequence it all and add effects on top.
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 4 in stock $80.99
Cat: 685134 Rel: 24 Jul 18 • View all Synth modules
 
Random gate/voltage generator - 18HP
Notes: Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!
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 More than 10 in stock $236.91
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Cat: 648928 Rel: 25 May 17 • View all Synth modules
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: 'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $219.70
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Cat: 595787 Rel: 19 Jan 16 • View all Audio cables
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $6.06
Cat: 563722 Rel: 09 Mar 15 • View all Audio cables
 
Assorted colour patch cables with length of 12"
Notes: 3.5mm Patch Cables - 5 PAK Assorted Colours 12" (30cm)

Excellent quality patch cables for use with Eurorack modules.

Made by AdInfinitum.

Included colours:
RED
GREEN
YELLOW
GREY
BLUE
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 More than 10 in stock $10.11
Cat: 686269 Rel: 27 Apr 18 • View all Synth modules
 
Universal, patch-programmable modulation source - 14HP
Notes: ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 More than 10 in stock $232.86
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Cat: 733238 Rel: 18 Jul 19 • View all Synth modules
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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 3 in stock $402.96
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Cat: 592164 Rel: 02 Nov 15 • View all MIDI controllers
 
New version of Ableton's hardware instrument for hands-on playability with Ableton Live 9.5 - play or step sequence beats, notes, chords and automation
Notes: ***Register Live 9 Intro and get a Live 10 Intro license delivered to your user account. This is an automated process; no further action is required.

There will be a grace period of one month starting at release of Live 10 Intro, during which registered versions of Live 9 Intro will still trigger a free upgrade to Live 10 Intro.

A grace period of 4 weeks also applies to customers who registered Live 9 Intro up to 4 weeks before November 2nd 2017.

For further information please contact support@ableton.com***

What is Push?
Push is a hardware instrument designed and engineered entirely by Ableton for a music-making experience that is as hands-on, expressive and closely integrated with Live as possible. Push and Live work together seamlessly to let you make beats, play notes and chords, work with samples and develop song structure - all without needing to look at a computer.

Make beats:
Browse, preview and load your own sounds for making beats, or access Live's vast library of drums. Then play beats live with the 64 velocity-sensitive pads and adjust sounds and kits while you play, using eight touch-sensitive endless encoders. Or switch to a 16-pad mode that allows you to play in real time, step sequence beats, and adjust the length of your loop, all at the same time.

You can also tweak timing, velocity, and parameter values individually for each pad. And the free Live 9.7 update has brought the 16 Velocities drum layout, an alternative way of making dynamic beats, with 16 set velocity levels for playing or programming patterns.

Play notes and chords:
Push's pads correspond to pitches, and offer a condensed layout that encourages a fresh approach to melody and harmony: large intervals can be reached easily, and patterns can be played with the same fingerings in all keys. You can select a key and scale with the touch of a button, and Push's touch slider can be used for pitch bend or modulation.

Push also lets you step sequence notes and chords: use the pads to enter notes, then make precise timing changes, create variations or adjust note length and velocity. You can even step sequence automation: record a parameter's value for each step to create rhythmic, quantized parameter changes that are locked to specific notes in your loop.

Work with samples:
Three separate workflows offer fast and flexible ways to get creative with your samples. Classic mode lets you turn melodic samples into playable pitched instruments. In One Shot mode, samples playback monophonically and all the way through, no matter how long you hold the pad - perfect for playing drums. You can also transpose a playing sample without retriggering it, allowing you to transform musical phrases into whole new melodies.

Slicing mode is designed for chopping up longer samples. With the Live 9.7 update you can now slice by beat division and region, or manually set slices, and instantly play each slice on a different pad. It's perfect for rearranging loops on the fly or for creating drum kits from recorded grooves. Plus you can now select and record audio and MIDI ins and outs directly from Push, so you can sample your external gear and more, without disrupting your flow.

Beautiful and playable:
Everything about Push has been carefully considered to provide a quality playing experience. The multi-colour display adapts to show you exactly what you need to help you stay in the creative flow without adding distraction. Push's pads have been designed to feel soft, smooth and responsive - perfect for creating expressive beats and melodies.

Push is equally at home in the studio or on stage. You can keep your performances in-the-moment by switching between improvising with loops and playing drums, notes, and chords - all from the same playing surface.

Seamless with Live:
Using Push, you can launch clips and scenes, tweak device parameters and control mixer levels and sends - Live can capture every movement. When you're ready, switch from Push to your computer to find your music already laid out in Live - the software that was powering your work the whole time.
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 4 in stock $500.26
Cat: 681276 Rel: 09 Mar 18 • View all Drum machines
 
Next generation drum sequencer & sampler - updated design of the AIRA TR-8
Notes: Born of the most famous and influential drum machines ever made, the TR-8S combines the best of its Roland heritage with modern production techniques and professional sound design. The result? A forward-thinking, performance-tuned instrument unlike any other. Build your dream kit from the most iconic drum sounds of all time, plus the finest selection of samples from our vast library - or import your own custom samples. Tap, tune, and tweak with hands-on controls and production tools that make your patterns move and groove. And why keep this kind of percussive power confined to the studio? The TR-8S was literally made to play live.

Design Kits with Authentic TR Drums, Sampled Sounds, and Effects:
The TR-8S comes loaded with the largest, most authentic collection of TR drum machines available. The powerful new processor gives our next-generation ACB models a whole new level of detail and nuance, giving you that classic Roland boom, snap, and sizzle. And now you can incorporate preset and custom samples, creating unique hybrid and layered kits, and enhance them with specialized effects that inject professional sound design into the TR formula.

Transistor Rhythms:
The TR-8S has every sound from the most sought-after TR drum machines, with detailed circuit-models of the 808, 606, 909, 707, 727, and even several modified versions. These are not sound-alike sample-packs or mere recordings of TR drum sounds. Each machine is a detailed, down-to-the-circuit-model that sounds and behaves exactly like the original hardware. All these sounds are yours, at your fingertips, and ready to use in your own productions and performances.

ACB Meets Samples:
Today's rhythm tracks require a diverse set of sounds and production techniques, and it's harder than ever to sound truly unique. While authentic TR sounds are vital for producing drum tracks, mixing and layering sounds opens a world of modern styles and the exciting potential to craft your own signature sound. Pull from the extensive collection of preset samples, or import your own mono or stereo sounds using the SD card slot. Like the TR sounds, you can deeply manipulate samples with immediate hands-on control. Adjust decay and tuning and alter sample start points, speed, and direction. You can create a kit entirely from samples or mix and match with TR sounds for genre-defying drum tracks that demand attention.

Drumatic Effects:
The right effects can make a drum part stand out by creating depth and space. Whether it's delay on a rim-shot, overdrive on a kick, filters on toms and cymbals, or just the right amount of reverb on select instruments, the TR-8S has percussion-tuned effects that simply sound great. In addition to the Master FX knob, each channel has a customizable CTRL knob, placing all this sound-shaping power within easy reach. The attack of the kick, the snap of the snare, phaser depth, distortion amount-whatever parameter you need direct and immediate access to-can be assigned to the CTRL knob or Master FX knob and saved with the kit. Both Instrument and Master Effects, along with their precise settings, are also saved with each kit, making your productions always performance-ready.

Fast, Fluid, and Fun:
You can program on the 16 TR-REC buttons or use the velocity-sensitive performance pad to play live, or record into the sequencer. And you can move seamlessly between either, playing and editing - reshaping your drum parts without ever interrupting your flow. Create intricate grooves and detailed fills using velocity, accents, flams, and adjustable sub-steps for modern rolls and ratcheting. Get experimental with unusual polyrhythms and complex meters by adjusting the length or "last step" of each drum part.

Variations on a Theme:
Keep things fresh and exciting, even during extended live sets. The TR-8S can store 128 patterns-each with eight variations and three kinds of fills-and patterns or variations can be triggered individually or chained together for evolving sequences. In performance situations, you can copy patterns on the fly and even stay ahead of the beat and work on patterns that aren't currently playing. Each pattern can include the tempo and the kit, along with its knob positions and effect settings. This gives you instant recall and enough storage and flexibility to play an entire set without ever repeating a measure in the same way.

Filling In:
Well-placed fills can create thrilling moments in a track or a live set. Each pattern in the TR-8S can contain two fills which you can customize or create from scratch. There's also an adjustable "Scatter" fill which will slice and dice a measure into short bursts of cool and controlled chaos. But at times, your hands may be too busy to trigger every fill manually. That's where Auto-Fill comes in. Automating fills every 2, 4, 8, 16, or 32 measures keeps your hands free, but also adds interesting dynamics to your performances.
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 2 in stock $519.41
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Cat: 386769 Rel: 16 Jul 14 • View all Studio headphones
 
Professional acoustically open headphones for monitoring and studio applications
Notes: The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.
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 More than 10 in stock $100.24
Cat: 621354 Rel: 28 Nov 16 • View all Synth modules
 
Quadruple Low Frequency Oscillator (LFO) synth module in Eurorack format - 10HP wide
Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.
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 7 in stock $241.98
Cat: 524237 Rel: 13 Mar 14 • View all MIDI converters & accessories
 
Compact 1 in 4 out MIDI thru box
Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.
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 More than 10 in stock $52.64
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Cat: 411425 Rel: 25 Nov 10 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: High quality MIDI cables for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180- 5-pin DIN plug.
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 5 in stock $1.00
Cat: 689804 Rel: 03 Sep 18 • View all Synth modules
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 4 in stock $262.23
Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter
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 2 in stock $291.60
Cat: 742317 Rel: 07 Aug 19 • View all Audio cables
 
Audio insert/stereo cable - 3 metre length
Notes: Audio insert/stereo cable for connecting effect units with XLR inputs and outputs to mixers with send/return inserts.

1 x 6.3 mm stereo plug to 1 x XLR plug and 1 x XLR inline jack.
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 2 in stock $5.57
Cat: 739064 Rel: 06 Aug 19 • View all Speaker stands, pads & mounts
 
Combine with Stage 1 to create an isolation platform for improved sound clarity with Guitar/Bass Combo Amps, Stage Monitors & Subwoofers
Notes: The Stage 1 Board from IsoAcoustics provides a portable isolation platform when combined with Stage 1 Isolators (available separately). The Stage 1 isolation board decouples guitar/bass amps, stage monitors and subwoofers from the stage while still maintaining sound clarity and the bass punch in a performance. This portable solution will provide consistency in studio, at home and from one stage to the next.
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 2 in stock $45.56
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Cat: 563728 Rel: 10 Mar 15 • View all Audio cables
 
Assorted colour patch cables with length of 24"
Notes: 3.5mm Patch Cables - 5 PAK Assorted Colours 24" (60cm)

Excellent quality patch cables for use with Eurorack modules.

Made by AdInfinitum.

Included colours:
RED
GREEN
YELLOW
GREY
BLUE
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 4 in stock $14.93
Cat: 638949 Rel: 31 Jul 17 • View all Synth modules
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

Read and Write times will be MUCH longer when you have a Full 2.9 minute reel. So for example, if you decided to erase a 5 second Splice in the middle of a 2.9 minute reel it will take twice as long as before because the MG must re-write the entire 2.9 minute reel. Of course all of this is happening in the background and should not cause too much hassle. Still when that SHIFT button is flashing it is best to not perform more SD Card actions.

For most granular processing Splices of 10 seconds or less are recommended.

So why even bother increasing record time to 2.9 minutes? Well it allows for storing even more Splices on a Reel and it also makes it possible to record long portions of a patch for later arranging within your DAW. You could potentially capture a patch, including modulations of a shorter Splice (say 10 seconds), retrieve the sound from the SD Card and compile into a larger work using your DAW.

4. Increased max number of Splices to 300.
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 More than 10 in stock $478.91
Cat: 743129 Rel: 09 Aug 19 • View all Keyboard bags & covers
 
High quality keyboard cover for protection against liquid spills, dust, dirt & static electricity
Notes: Keyboard cover with unique design suitable for narrow or wide keyboards. The high-quality vinyl material offers waterproof and anti-static protection to the micro-electronic circuits.

Version: Mini keys
Size: 684 x 170/252 x 35mm

- See 'User Manual' tab for complete keycover size reference guide
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 2 in stock $7.34
Cat: 743135 Rel: 09 Aug 19 • View all Keyboard bags & covers
 
High quality keyboard cover for protection against liquid spills, dust, dirt & static electricity
Notes: Keyboard cover with unique design suitable for narrow or wide keyboards. The high-quality vinyl material offers waterproof and anti-static protection to the micro-electronic circuits.

Version: 4 Octave
Size: 878 x 253/287 x 40mm

- See 'User Manual' tab for complete keycover size reference guide
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 2 in stock $7.59
Cat: 743528 Rel: 01 Jan 90 • View all MIDI keyboards
 
***B-STOCK: Box opened, product unused***
Notes: The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
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 1 in stock $34.41
Cat: 743533 Rel: 01 Jan 90 • View all Guitar tuners & interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.
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 1 in stock $39.49
Cat: 743534 Rel: 01 Jan 90 • View all Guitar tuners & interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Turn it on and magnetically attach Magnetune directly to your guitar's tuning pegs or strap button and tune your instrument. Leave it on your guitar to easily tune while performing, attach it to your music stand, or just throw it in your pocket. Magnetune is the most straightforward guitar tuner ever.

A movable ring allows the magnet to be rotated 360 degrees. This allows you attach the unit not only to left-handed guitars, but also to any metallic portion of your guitar, so you can tune with the conveniently at any angle.

An LED indicates the string number that's closest to the string you play, letting you know at a glance which string is being tuned. When you've reached the precise pitch, the upper and lower LEDs will both illuminate. The upper LED blinks if you're sharp, and the lower LED blinks if you're flat. The LED will blink more rapidly as the string gets farther from the correct pitch, and will slow down as you approach the correct pitch.

The diameter is just 1.3 inches (33 mm), just slightly larger than a soda bottle cap and about the size of a wristwatch. When attached to the back of the tuning pegs, it's virtually invisible from the crowd, so it won't take away the natural aesthetic of your instrument. Since the clip has been eliminated, the weight with battery installed less than an ounce (Just 11 g)! When attached to the neck of your guitar, the weight will be essentially unnoticeable. Even through the most intense guitar action, the Magnetune will stay securely attached!

The Magnetune's simple design focusses on the essentials, enabling it to provide continuous operation of approximately 30 hours! After three minutes of silence, the auto power-off function turns off the power automatically, so you'll hardly ever have to think about changing the battery.

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 1 in stock $7.08
QTX Monitor Speaker Stand (pair) (speaker stands (pair))
QTX
Cat: 743485 Rel: 01 Jan 90 • View all Speaker stands, pads & mounts
 
Robust monitor speaker stand with rubber feet & levelling floor spikes
Notes: This robust monitor speaker stand is an ideal solution for studio, home or small projects. The stand has a low profile triangular base, is height adjustable with locking pin.
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 1 in stock $40.49
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quote 743485
Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter
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 1 in stock $291.60
Cat: 743519 Rel: 01 Jan 90 • View all Audio & MIDI interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Komplete Audio 1 is a simple, great-sounding audio interface with all the software you need to put ideas into action. From recording songs, to mixing down and playing out - it helps you go from a spark of inspiration, to finished results you can be proud of.

For the songwriters:
Easily record vocals, guitar, or any other instruments straight into your DAW in high quality. With Ableton Live 10 Lite, synths, and effects included, you've got everything you need to create songs.

For your story:
Whether it's a beatmaking vlog or a podcast you're creating, the interface give you everything you need. Record speech in high quality, then give it a pro touch of mastering with the included plugins.

For the performers:
Take your music to the bar, club, or anywhere else. Bag-friendly sized - it's a simple way to incorporate a laptop into your performance. Make quick, on-stage level adjustments using the big volume dial.

For the producers:
Break out of the box - bring synths, effects, and other gear into your productions. Flip samples from stereo sources. And polish your productions with studio-grade instruments and effects included.

Komplete Audio 1 - recording made simple:
Perfect for recording mono sounds like vocals and guitar at the same time. It gives you two different inputs - XLR for vocals, and jack for guitars or other line-in sounds. Plus, stereo RCA outputs let you connect directly to hi-fi speakers and play everything out loud.
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 1 in stock $69.86
Cat: 743513 Rel: 01 Jan 90 • View all Music production software
 
***B-STOCK: Box damaged, product unused***
Notes: KOMPLETE 12 raises the bar for production, performance, and sound design in any genre. This collection contains more than 50 premium instruments and effects - including MASSIVE X, KONTAKT 6, and TRK-01 - plus 10 Expansions.

Cutting-edge platforms for synthesis and sampling:

Build just about anything you can imagine with KOMPLETE 12's two builder platforms. KONTAKT 6's advanced sampling and REAKTOR 6's flexible modular approach power thousands of innovative instruments and effects from NI, hundreds of leading manufacturers, and a growing community of users. Not ready to dive in at the deep end? Start making music straight away with comprehensive built-in libraries.

13 synthesizers:

From faithful hardware recreations, to cutting-edge designs that go beyond the capabilities of even the most out-there analogue gear, KOMPLETE 12 boasts 13 expressive, versatile synthesizers. Dive into FM synthesis with FM8, discover new textures with FORM, or explore the uncharted sonic worlds of the forthcoming MASSIVE X.

20 sampled instruments:

KOMPLETE 12's 20 sampled instruments range from unique pianos like UNA CORDA and THE GIANT to the contemporary pop sounds of SESSION STRINGS 2, and the traditional sounds of DISCOVERY SERIES: MIDDLE EAST.

5 drum and percussion instruments:

KOMPLETE 12's five dedicated percussion tools span everything from boom-bap beats to movie-trailer impacts. Tweak and randomize to your heart's content with POLYPLEX, build hard-hitting kits from your own sounds with BATTERY 4, or whip up some peak-time techno in no time at all with TRK-01.

15 effects:

Sculpt, tweak, and tailor your sound with 15 studio-grade effect plug-ins - from REPLIKA's creative delays to the twisted-yet-classic sounds of MOD PACK, and GUITAR RIG 5 PRO's 53 unique effects and 17 amp sims.

10 Expansions:

KOMPLETE 12 includes 10 Expansions - genre-specific sound packs loaded with synth presets, drum kits, one-shots, samples, and loops. Created by top artists and sound designers, Expansions can be used in any DAW and work with a range of Native Instruments products, including MASSIVE, BATTERY 4, and MONARK.

Find your sound with Komplete Kontrol:

It's not easy to make sense of over 25,000 sounds. That's why KOMPLETE 12 comes with KOMPLETE KONTROL, a handy plug-in that makes light work of browsing through all your instruments and effects, whether using NI hardware or your mouse and keyboard. And since each instrument preset comes with an audible preview, you can audition all your sounds without waiting for extra plug-ins to load.

Get hands on with NI hardware:

Everything in KOMPLETE 12 comes ready-mapped to your NI hardware by the plug-in developers themselves, so getting hands-on with all your instruments and effects is as simple as connecting a KOMPLETE KONTROL keyboard or MASCHINE controller. And thanks to NKS, you get exactly the same experience with hundreds of plug-ins from more than 75 leading manufacturers.
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 1 in stock $454.61
Cat: 743516 Rel: 01 Jan 90 • View all Synth module accessories
 
***B-STOCK: Box opened, product unused***
Notes: Durable Eurorack case with super-clean, high capacity power supply:
From studio production to live performance, Eurorack-based modular synthesis has exploded in popularity around the world. For portability, protection, and usability, a quality case and power supply is an essential part of every modular synth rig. With the SYR-E84, Roland introduces its first Eurorack case, which integrates a durable, lightweight design and a super-clean power supply with high capacity for today's power-hungry modules. The SYR-E84 fits AIRA modular electronic instruments such as the SYSTEM-1m, BITRAZER, DEMORA, TORCIDO, SCOOPER, and SYSTEM-500, as well as standard Eurorack modules from other manufacturers.

Featuring a rugged black aluminium enclosure and wood side panels, the SYR-E84 offers top-level looks and performance for modular synth starters and seasoned pros alike. Specially designed for modular instruments, the high-capacity DC supply provides stable, low-noise power that meets Roland's discriminating quality standards, delivering clean and reliable operation you can count on. The versatile case can be used in flat, angled, or vertical positions to meet any working situation, and offers easy stacking capabilities for expanding your setup in the future.
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 1 in stock $262.24
Cat: 743521 Rel: 01 Jan 90 • View all Synth modules
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $302.74
Cat: 743526 Rel: 01 Jan 90 • View all Studio accessories
 
***B-STOCK: Box opened, product unused***
Notes: Lightweight and durable, Black Series instrument bags are perfect for performers on the go. A rugged exterior and thick internal padding shield your instrument from bumps and bruises, and the convenient shoulder straps make carrying easy. Ideal for everyday use, the CB-BOCT protects your OCTAPAD SPD-30 in style.
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 1 in stock $45.55
Cat: 742318 Rel: 08 Aug 19 • View all Audio cables
 
1/4" TRS to XLR3M & XLR3F - 3 metre length
Notes: This cable is designed to connect a channel insert on a mixing console to an effects processor with XLR input and output. The send and return signals are both unbalanced. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4 in TRS to XLR3M and XLR3F
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 4 in stock $12.00
Cat: 742320 Rel: 08 Aug 19 • View all Audio cables
 
1/4" TRS to XLR3M & XLR3F - 4 metre length
Notes: This cable is designed to connect a channel insert on a mixing console to an effects processor with XLR input and output. The send and return signals are both unbalanced. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4 in TRS to XLR3M and XLR3F
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 2 in stock $12.79
Cat: 742412 Rel: 08 Aug 19 • View all Audio cables
 
1/4" TRS to Dual RCA - 3 metre length
Notes: This cable is designed to connect a channel insert on a mixing console to an effects processor with phono jacks. Leads are labelled TIP (send) and RING (return) to aid in identification. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4 in TRS to Dual RCA
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 2 in stock $9.62
Cat: 742414 Rel: 08 Aug 19 • View all Audio cables
 
1/4" TRS to Dual RCA - 4 metre length
Notes: This cable is designed to connect a channel insert on a mixing console to an effects processor with phono jacks. Leads are labelled TIP (send) and RING (return) to aid in identification. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4 in TRS to Dual RCA
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 2 in stock $9.77
Cat: 742410 Rel: 08 Aug 19 • View all Audio cables
 
1/4" TRS to Dual RCA - 1 metre length
Notes: This cable is designed to connect a channel insert on a mixing console to an effects processor with phono jacks. Leads are labelled TIP (send) and RING (return) to aid in identification. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4 in TRS to Dual RCA
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 2 in stock $7.59
Cat: 742411 Rel: 08 Aug 19 • View all Audio cables
 
1/4" TRS to Dual RCA - 2 metre length
Notes: This cable is designed to connect a channel insert on a mixing console to an effects processor with phono jacks. Leads are labelled TIP (send) and RING (return) to aid in identification. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4 in TRS to Dual RCA
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 2 in stock $8.61
Cat: 743514 Rel: 01 Jan 90 • View all Studio mixers
 
***B-STOCK: Box opened, product unused***
Notes: Designed for permanent installation, the TASCAM MZ-372 offers versatile routing, mixing, and control of multiple audio sources in an attractive easy-to-operate 3U package. For maximum flexibility, source content can include music, spoken word (microphone), turntable, and more - all easily controlled via familiar sliders and assignment controls.

Flexible I/O:

The MZ-372 allows multiple audio sources (19 total) to be mixed, muted, and routed to two (2) redundant outputs, controlled by familiar volume sliders and assignment buttons. Input signals can be inserted via six (6) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs, and six (6) XLR inputs for a total of twelve (12) sets of RCA-type inputs and six (6) XLR inputs. In addition, channels 2/3/4 can be set to accommodate phono-level signals for use with a turntable. Lastly, and located conveniently on the front panel, one additional XLR input is available driving a studio quality mic preamp and ducking circuit for easy voiceover and announcement work.

Multiple Zone Outputs:

Twin outputs each feature a combination of balanced XLR or RCA unbalanced connectors for easy integration into virtually any audio system. This flexibility allows combinations of microphones, CD/DVD/Blu-ray players, instruments - or any other audio source - to be selected or muted, and sent simultaneously to the dual outputs, each with its own volume control. Finally, the convenient "talkover" function will automatically lower any mixed channel source, so the microphone connected to the front panel can easily be can be heard in whichever zones you choose.

Easy, Immediate Control:

Familiar volume sliders, switches/buttons, EQ knobs, and mute buttons make the MZ-372 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event or music performance capturing easy. The Booth outputs provide another stereo feed with independent control for additional monitoring.
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 1 in stock $302.74
Cat: 743525 Rel: 01 Jan 90 • View all Effects pedals
 
***B-STOCK: Box opened, product unused***
Notes: The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2 pedal, only we think it's better.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron.

The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy.

Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal.

The RAT2 is a trademark of Act Audio.
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 1 in stock $57.71
Cat: 743520 Rel: 01 Jan 90 • View all Effects pedals
 
***B-STOCK: Box opened, product unused***
Notes: What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970's, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.

The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC's the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

*UK 230V power adapter included*
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 1 in stock $87.06
Cat: 743529 Rel: 01 Jan 90 • View all Effects pedals
 
***B-STOCK: Box opened, product unused***
Notes: An exact recreation of the original LPB-1 circuit that ushered in the age of overdrive in 1968.

Put the LPB-1 in line with any effect to provide boost and definition.

Improve the gain and saturation of your amp.
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 1 in stock $35.43
Cat: 743522 Rel: 01 Jan 90 • View all Studio monitors
 
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer & 1" dome tweeter - white
Notes: Channelling the spirit of the legendary Yamaha NS10 nearfield speakers, the HS5I monitors offer exceptional detail and clarity with a superb flat response.

This edition of the best-selling HS5 Monitor Speaker includes built-in mounting points, making it compatible with two optional bracket types for wall and ceiling mounting - offering the flexibility needed for a wider range of sonic environments.

Highly Efficient Transducers:

The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide bandwidth. These transducers utilise an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Every component's materials and design have undergone an extensive cycle of development, re-examination and optimisation resulting in staggering gains in signal reproduction accuracy across the audio spectrum.

Low Resonance Enclosure Design:

The enclosures are constructed from a specific dense and resilient MDF with a damped acoustic response perfectly matched to reference monitoring. Drawing from over a century of acoustic piano making, Yamaha have employed a traditional 3-way metered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance.

Wide Range of Applications:

The 'I' Editions of the HS Series feature flexible mounting options that help bring a stylish aesthetic and classic HS sound to a more diverse range of installed applications.
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 1 in stock $302.74
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