Review: MOi? Who? Give it a listen and we'll give you one guess. His sound is unmistakeable isn't it. The new Ukrainian hero of rolling and funky minimal is back under yet another alias (and imprint) and he's already up to number four. "Track 1" on the A side is built for peak time headrushes on the dancefloors of Concrete and Hoppetosse. Expect this one to de destroying crowds of the underground this Summer! The B side offering is a bit more stripped; the fierce bass supported by some swirling and hypnotic pads on this surefire DJ tool that'll make even Ion Ludwig step up his game!
Review: IO man Aleksandr Voznichenko once again dons the MOI guise for another trip into deep house/tech-house fusion. There's much to admire on this sixth self-released EP, beginning with the spacey pads, woozy chord progressions, New Jersey-influenced beats and rich bass of "Track 1". The flipside "Track Two" sounds like a riff on the same core elements, though the drum programming - and in particular the more electronic sounding cymbal lines - feel far more in-keeping with tech-house than the more swinging A-side. The swirling, cyclical chords and bubbly electronic noises dotted throughout the track only enhance the aural flavour.
Review: There's been plenty to cheer on the six previous releases by Aleksandr Voznichenko's MOI project, so hopes are naturally high for this seventh EP. He's in an unusually positive frame of mind on side A, wrapping a bouncy, rolling, bass-heavy deep house groove in subtle but spacey synth motifs and languid, starry melodies. There's a similar feel to the slightly more percussive flipside cut, whose combination of chunky snares, solid kicks, skipping cymbals and fluid, new age inspired melody lines consistently hits the mark. There's woozy warmth to both tracks, too, making them both picturesque and undeniably floor-friendly.
Review: Ukrainian producer Aleksandr Voznichenko is undoubtedly best known as iO, though in recent years he's released some of his most potent club cuts under the MOi alias. His latest outing under the pseudonym - his tenth in total - is = fluid and otherworldly, offering two cuts that should be of interest to all discerning tech-house DJs. Side one's "A" bobs and weaves impressively, with metallic noises, odd aural textures and intergalactic pulses wriggling around a rubbery but chunky groove. The Mulen co-founder opts for a deeper, warmer and more melodious sound on "B", where dreamier chords and more positive-sounding deep space electronics flutter away above another snappy, bass-heavy tech-house groove.
Review: The Newcastle born, London based label Jaunt serves ups a second part of its remixes series to mark ten years in action. After Inland, Jonas Kopp, Jasper Wolff & Maarten Mittendorff and Gian appeared on the first instalment, now come Tripeo, Aubrey, BNJMN and Markus Suckut with a versatile pack of techno quality.
Review: Notching up 15 successful years as a record label is some feat in this day and age, so it's understandable that Systematic has decided to mark reaching this milestone in style. The German imprint's anniversary EP - a tidy looking picture disc - fittingly kicks off with a track by founder Marc Romboy. He's at his mesmerizing best on "Shooting Stars Never Stop", a deep tech-house roller rich in cascading melodies, starry electronics, subtle acid lines and clanking machine drums. Rodriguez Jr offers up the elongated chords, hypnotic grooves and glassy-eyed positivity of "Okeechobee", before Artbat doffs a hat to mid-90s UK techno on the aptly titled "Orbital". To round things off, John Digweed joins forces with Nick Muir on the shimmering brilliance of "Alkouln", whose loved-up breakdown is simply stunning.
Review: Benjamin Brunn and Dave Wheels are old studio buddies, having worked together on and off since 2006. "2000", though, is their most ambitious joint project yet: a collaborative album for Sushitech that offers up breezy, melodious and cheery fusions of heady dub techno, gentle electronica, chugging sofa-friendly haziness and glitchy late night hypnotism. It's an interesting blend but one that certainly hits the spot. Highlights include the horizontal pulse of "Orainge", the wonderfully hypnotic after-hours throb of "Iratamoto (Version)", the bold and sun-kissed undulations of "In The Club" and the pie-eyed warmth of "Waldeck".