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Review: A new project based out of Copenhagen - Aether's Spring comes shrouded in mystery but makes a bold statement with this first transmission. WATER: Dancing Moon 12" leads in with "House In Blue Rain," a downcast track bathed in melancholic pads and blown out percussion around a steady 4/4 tick. "Dancing Moon" is a more kinetic affair that works with all kinds of synth shapes alongside some primal drum machine percussion that lends the track a new wave quality that suits it just fine. Closer "Throne Of Clay" spreads across the B side in a brooding, journeying epic fit for the likes of classic James Holden or a more wave-minded Jon Hopkins.
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Cat: IMO 005. Rel: 16 Jan 17
Deep House
Review: Croatian mainstay Ilija Rudman had a productive 2016 thanks to turns on Chit Chat, Burek and Double Deer, and he turns to his own Imogen Recordings to kick off the new year with a brooding, drum-focused hit of oddball house music for the trippy, paranoid end of the night. The "Presence Deep Dub" mix of "In Her Eyes" is a multi-faceted jam, using high-end processing matched with organic, instinctive percussion to make for the kind of workout that will inspire all manner of curious reactions from the floor. It's a track more than strong enough to stand proud as a one-sided 12", with the crossover appeal to land in a whole host of different bags.
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Review: Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of
a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
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approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
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Review: Few techno producers can claim to have released material on quite as many well-loved labels as Jeff Derringer. This appearance on Lantham Audio comes on the back of releases for M_Rec, Perc Trax and Soma, amongst others. It features two original cuts - the acid-fired, broken techno psychedelia of "Departure", and the driving, intergalactic intensity of "Human Moments In WWIII" - with accompanying remixes. The first of these revisions comes from Shifted, who drags "Departure" further towards moody minimal techno territory. Arguably even better is Giorgio Gigli's version of "Human Moments In WWIII", which is a no-holds-barred acid techno onslaught.
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Review: Cynic return after a years heitus with a couple tracks from label boss Felix Dickinson. Meat and potatoes by Mr.Dickinson and additional noodles from Robin Lee. Acidic dance music for your feet.
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Larry HEARD presents MR WHITE / PETE DOYLE presents THE ROCK SOLID ALLSTARS / BASEMENT JAXX / STACY KIDD feat XL / OUTLINES / AUDIOWHORES / ROLAND CLARK / PASTABOYS / MR V
Defected In The House Eivissa 2007 (double 12")
Cat: ITH 21LP2. Rel: 15 Jun 07
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Review: Gritty Northerners, Smoove & Turrell release their 'credit crunch' stepper and third single, 'Beggarman'; lifted from their acclaimed debut album, 'Antique Soul'. With some incredibly funky and feelgood mixes from Crazy P, Basement Freaks and Smoove himself, Beggarman's uplifting call to party has never been more relevant. Already notching up plays with Radio 6's Craig Charles, and starting to pick up plays for the band's first video; Beggarman, Smoove & Turrell's retro right-now energy is infectious. Beggarman's original story-telling, 60s soul-talking vibe kicks back with some great horns and yeah yeah refrains. Crazy P turn up the wah wah power with a shimmering 70s influenced ride that strips back the vocals and creates a stone-cold groove workout, complete with 80s disco keys, perucssion and dubby fx. Smoove's remix goes back to early sampling days with its funky melange of breaks, beats and a big chorus that lifts into a really swinging set. Rounding things off the Basement Freaks keep the phat funk flowing with their rippling jam. Out now on Jalapeno.
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ATFC presents ONEPHATDEEVA / JOHNNY CORPORATE / BOB SINCLAR / KARIZMA / SOUL VISION / KINGS OF TOMORROW / MINISTERS DE LA FUNK / JULIE MCKNIGHT
Wax Wars #1 (double 12")
Cat: WAXW 01LP1. Rel: 02 Nov 05
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TWILIGHT meets THE TWILITE TONE
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Review: "Rituale is a brand new label for 2016 setting off with a beautiful structured EP called (Bury Me Where I Fall) by the talented producer known as G76. This EP is made up with 2 original track's lasting up to a good 16 minuets each. A1 - Youth Riot & B1 - Four For Four. The heart and soul of this EP is represented by the rioting youth struggling for a better future in a society riddled with corruption and selfishness."
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Cat: RECIPE 047. Rel: 10 Dec 15
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Review: After the late nite, neon-red funk of his last release 'The Digital Fantasy' (which picked up support from the likes of Benji B, Alexander Nut & Ross Allen), Quaid returns with a new ep: 'CFE'.AIn contrast to the strung out, hazy eroticism of 'The Digital Fantasy', here the heart rate has elevated and the signals pushed further into the red. 'Nightlyfe' best illustrates this with its rough hats, minor chords and irrepressible rhythm. 'Body Forms' is a nod back to the hydraulic, locked funk of Quaid's previous releases, whilst 'Tango' offers Huerco S style synths under subverted Prince Housequake-era drums.A'99%' weaves around a driving bass algorithm and the insistent vocal refrain supplied by longtime collaborator Dziko.A. There's a change in mood here, the night has passed and sunrise is moments away. Lights on tomorrow's horizon glint endless glass, dust and chrome...
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Review: Meanwhile returns having celebrated its 10 Year Anniversary, not by releasing a swanky box set, but by taking a year off. First release on the fully rejuvenated meanwhile is from Sen AKA John Shern who forms part of the Satellite Religion collective along with G.r.i.t, Future Thought Tapestries, Channel 73 and Space_ci. Here he delivers 25 minutes of deepest machine music spread over 2 tracks. A side Future Thoughts Jazz is a deep drifting Detroit infused journey through the far reaches of outer space, while the B Side Wars of Truth(reseen) is an epic slice of heavy clanking industrial rhythms and deep textures. The release is also the first to feature artwork commissioned by sometime Meanwhile recording artist Samuel Van Dijk aka Mohlao, Inward Content, VC118a, Multicast Dynamics. So, both sonically and visually this release sits perfectly within the meanwhile catalogue of quality not quantity.
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