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Review: Happenstance can be a fortuitous element. A union-funded single discovered in a dusty store, a long disbanded band found, leads to unreleased post punk dubs in a box of unreleased demos.
Formed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
… Read moreFormed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
in stock $4.98
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Review: Emotional Rescue returns to early 1980s Manchester with the previously unreleased music of Michael James Pollard and his beautiful distillation of indie pop in Too Confusing and bedsit cover version of Ashford and Simpson's Surrender.
While studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
… Read moreWhile studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
in stock $4.98
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Look Out (hand-numbered green vinyl 7" limited to 300 copies)
Cat: ANT 7. Rel: 09 Sep 20
Psych/Garage Rock
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Chez Damier Presents The Lima Project (transparent yellow vinyl 12")
Cat: BL-AR 002. Rel: 20 Jun 22
Deep House
Review: Hot on the heels of 2021's stellar release of The French Connection's "Speechless" LP, Balance head honcho and legendary producer and DJ Chez Damier teams up again with Camille and Adeen Records for another trip around the the world with Lima, Peru's Surco's Groove, "The Lima Project." This beautiful release titled "What Is Love?" delivers hard hitting versions of the track in the original, dub, instrumental, and an acapella with stellar remixes from Snad and German producer Damien Rausch. Be it France or Peru, Balance and Adeen knows how to take you on a musical journey. We can't wait to see where they go next!
… Read morein stock $4.93
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Review: Original live techno duo, System 7 stamp their mark on the dancefloor once again with their new single on A Wave, 'Space Bird', lifted
from their forthcoming album, 'Phoenix', which opens the label's musical account in 2008. Just starting to escape on promo, this buzzing
atmospheric instrumental sees System 7 push the envelope for a minimal sound that embraces trance in truly hypnotic dancefloor style.
'Space Bird' is the first of the two Jam El Mar collaborations on the new album, and straight out the trap is man of the moment, Dubfire's
excellent minimal trance and brooding tech house remix. Liquid Soul toughens it up with a charged, stripped-down affair that rocks the floor,
fuelled by spacey loops; and rounding off is the original version. Its chunky beats underpin the seductive musical loops building into a
full-on floorfiller that's about to start ripping up floors in Europe.
System 7 continue to defy constraints of the 'trend' side of the music scene, having appeared live at a large number of festivals this year.
Highlights include playing twice at Tokyo's Nagisa Festival, this year with Derrick May and Joaquin Joe Claussell; another mighty appearance
at the Glastonbury Festival West Dance Tent in June with A Guy Called Gerald & Trentemoller; the Main Stage at the Glade Festival with
Longrange, Digitalism & Richie Hawtin; as well as Italy's Sonica festival, Harmonia Festival in Spain and Devon's Waveform event with
Eat Static & Banco De Gaia.
… Read morefrom their forthcoming album, 'Phoenix', which opens the label's musical account in 2008. Just starting to escape on promo, this buzzing
atmospheric instrumental sees System 7 push the envelope for a minimal sound that embraces trance in truly hypnotic dancefloor style.
'Space Bird' is the first of the two Jam El Mar collaborations on the new album, and straight out the trap is man of the moment, Dubfire's
excellent minimal trance and brooding tech house remix. Liquid Soul toughens it up with a charged, stripped-down affair that rocks the floor,
fuelled by spacey loops; and rounding off is the original version. Its chunky beats underpin the seductive musical loops building into a
full-on floorfiller that's about to start ripping up floors in Europe.
System 7 continue to defy constraints of the 'trend' side of the music scene, having appeared live at a large number of festivals this year.
Highlights include playing twice at Tokyo's Nagisa Festival, this year with Derrick May and Joaquin Joe Claussell; another mighty appearance
at the Glastonbury Festival West Dance Tent in June with A Guy Called Gerald & Trentemoller; the Main Stage at the Glade Festival with
Longrange, Digitalism & Richie Hawtin; as well as Italy's Sonica festival, Harmonia Festival in Spain and Devon's Waveform event with
Eat Static & Banco De Gaia.
in stock $4.93
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Review: London bass house specialist Mickey Pearce returns to Loefah's Swamp 81 with a new collection of floor pulverisers; the sort of tunes that make trends and break necks. "Warm Barzz" itself is on the docile side, but "Loop W" rapidly enters the abyss in what is surely one of the oddest drum loops we've heard from the man. "Sticky Fingerprints" is a lo-fi kinda number with eerie background sonics but still a prime cut for the dancefloor, while "Loop X" is completely broken, a mass of percussion held together by the darkness below it. Large.
… Read more in stock $4.93
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Cat: NONPLUS 006. Rel: 18 Aug 10
Dirty Dubstep/Trap/Grime
Review: Instra:mental's Nonplus imprint are set to unleash US based producer ASC's debut album, Nothing Is Certain next month but first deliver a three track taster of this highly anticipated LP. "Phobos" sets industrial noises and sparse, dramatic tones as its backdrop but entwines electronic grooves and micro samples over the top to create his unusual but wholly captivating sound. "Oort Cloud" drops out into some cosmic, downtempo atmospheres of weightless space before "Matter of Time" explores wind-like sounds and melodies, deep oceans of bass and his intriguing use of Oriental sounding percussion. Once listen to this will have you holding your breath for July's LP.
… Read morePlayed by: Police in Helicopter, Boddika
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Cat: DSR 1811. Rel: 05 Aug 22
Reggae Classics/Ska
Played by: Juno Recommends Reggae
in stock $4.93
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Played by: Juno Recommends Reggae
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Review: Strap in for this potent new 7" from Killa B which brings the energy across to fizzing new dancehall cuts. The a-side 'Speedy Love' sounds quite a bit like an early Missy Elliott production but reworked into a dance hall framework. The vocals are menacing and delivered with a snarling edge over snappy snares and hefty bass. On the flip is a version called 'Blow You Mind' that is only subtly tweaked - the vocals take on different characteristics but the rhythms remain punchy and compelling.
… Read morePlayed by: Juno Recommends Dancehall/Ragga
in stock $4.93
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in stock $4.91
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Cat: RAD 70000014. Rel: 01 Jan 90
Punk/Hardcore
in stock $4.91
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in stock $4.83
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in stock $4.81
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Review: Boy Pablo continues his mission to make us all nostalgic for our younger years with a track taken from this year's bubblegum album, Wachito Rico. 'Leave Me Alone' is enough to tell newcomers what they can expect from the full length release. Uptempo, melodic and polished to a fault, it's a timeless, chart-friendly, indie pop sound that has won over a huge following with its unabashed positivity, albeit the sentiments are apparently tied to the feeling disappointment when his parents suddenly making him leave a birthday party early.
Flip it and you find the laidback, smooth, R&B vibes of 'Be With Me', a song that didn't make it onto the LP itself but certainly would not have sounded out of place if it had. Cascading guitar harmonies and a stepping, shuffling beat, it owes plenty to the lo-fi electronic sexiness that has been pervading downtempo beats for years, but is far from a cheap knock-off.
… Read moreFlip it and you find the laidback, smooth, R&B vibes of 'Be With Me', a song that didn't make it onto the LP itself but certainly would not have sounded out of place if it had. Cascading guitar harmonies and a stepping, shuffling beat, it owes plenty to the lo-fi electronic sexiness that has been pervading downtempo beats for years, but is far from a cheap knock-off.
in stock $4.80
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Identitat (hand-numbered 7" + insert limited to 150 copies)
Cat: SPB 7027. Rel: 13 Nov 20
Experimental/Electronic
in stock $4.78
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Review: Glasgow's Full Dose delivers its first injection of the year with Lvcchesi offering up a fascinating EP. Opener 'Vsna' is all about scratchy ambient textures, implied rhythms and bleak atmospheres, much like the work of early Actress. 'Vespucci' then lays down more of a club groove, with hissing and spitting electro beats and more great synth craft before 'Ominino' is a mix of caustic textures, frosted synths and explosive loops that is as eerie as they come. Last of all is an S&H Late Nite Hot mix that is just as unsettling, with whirring machine sound and a soulful feminine voice lost amongst the busted sounds.
… Read morein stock $4.75
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Review: The uber powerful voice of Jamaican reggae singer songwriter John Holt appeared on countless seminal singles and albums - our favourite being 1974's superbly entitled 10000 Volts of Holt. It was a year earlier that he dropped this single on Clocktower. 'My Happiness' is a steady ska sound with natty acoustic guitar riffs and neat little motifs under a freeform trumpet that rises from the mix. His trademark gravelly vocals are all present and correct, too, of course, with a version on the flip that stops them away and leaves the drums to roll.
… Read morein stock $4.72
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Review: First he asked us to follow him, then he asked us if we wanted to find to find him. Now he's asking us to move closer... Steve Spacek's Eglo series has been a remarkable trip so far as he continues to illustrate unseen pictures with far-out, unbounded sounds and arrangement. "Mov Clsr" is the steamy dreamy soul number while "Garage Days" unravels the usually tightly wound two-step into a much spacier, dreamy affair, "Boo Boo Step" is a trip into the heart of an old BBC Micro computer while "Nano Nights" closes on a flighty 160BPM step session where lights twinkle and cascade with fluorescent fun. No one makes music like Spacek. Beautiful.
… Read more in stock $4.67
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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Review: 20/20 Vision are exiting planet Earth once again with the latest in their perfectly formed series of electro explorations, as Extrawelt leads the charge with an illustrious slice of braindance-tinted funk titled 'Hail The Whale (Coexisting Mix)'. Djedjotronic follows that up with a bold blast of mammoth synth work which hits pretty damn hard without being pointlessly brutal. Ste Roberts takes a break from his self-titled label run to offer up a freaky foray into acid-speckled territory, and Ivna Ji gets expressive with a rich palette of synths moving in harmony around a sharp and snappy beat.
… Read morePlayed by: Juno Recommends Breakbeat
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Review: Al Kent takes on Japan’s answer to Vince Montana for another extended disco mix, with the emphasis - as always - on disco! Judging by the popularity of the pair’s last outing this release should once again please those DJs and music lovers with a penchant for the percussion, strings and traditional instrumentation that underpins the best disco music, bringing it up to date with one eye firmly on the past.
… Read morein stock $4.67
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Review: The second release on Lempuyang comes courtesy of Tomoki Tsukamoto. In the late 90s Tomoki put out releases on Gez Varley's G Records, i220, and of course ran his own Metrojuice Records imprint; putting out some of the most sought-after deep & dubby techno records under his alias W-Moon. After a hiatus of over 20 years he now returns with four new tracks under his own name, still retaining that deep signature sound.
… Read morePlayed by: Owain Kimber (Owain K), Juno Recommends Techno
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Cat: RR12-88464 (B-STOCK). Rel: 01 Jan 90
Hip Hop/R&B
I'm Not Dreaming (Mad Bear remix)
I'm Not Dreaming (Mad Bear remix instrumental)
I'm Not Dreaming (feat Rah D - Mad Bear remix)
I'm Not Dreaming (N43 remix)
in stock $4.66
