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Xvive Echoman Analogue Delay Micro Pedal Xvive Echoman Analogue Delay Micro Pedal Xvive Echoman Analogue Delay Micro Pedal
Cat: 754912 Rel: 03 Dec 19
 
Analogue delay pedal with time, blend, modulation & feedback controls
Notes: The Echoman, designed by guitar effects guru Howard Davis, is a simplified monaural version of the Memory Analog Delay. It is a state-of-the-art design based on Davis's highly successful Deluxe Memory Man, acknowledged as among the best if not THE best analogue delay pedal.

Up to 600 m/sec of delay time with no aliasing distortion. Buffered bypass with a 900K input impedance guarantees no tone sucking (loss of highs) due to pickup loading. Wide bandwidth - good high frequency response even at long delay settings. Feedback control allows self-oscillation if desired. Blend control allows adjusting the output from dry signal only to delayed signal only. High-tech filtering and noise reduction circuitry guarantee an excellent signal to noise ratio, even at long delay settings.
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 1 in stock $105.44
WMD Geiger Counter Distortion Pedal WMD Geiger Counter Distortion Pedal
Cat: 698452 Rel: 21 Aug 18
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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MRP:$365.26 SAVE 23%
 1 in stock $280.45
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WMD Geiger Counter Civilian Issue Distortion Pedal
Cat: 698451 Rel: 30 Aug 18
 
Stripped down version of the Geiger Counter digital distortion pedal
Notes: The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.
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MRP:$242.64 SAVE 26%
 2 in stock $179.37
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Valeton MES5 Dapper MDR Mod/Delay/Reverb Effects Strip Pedal Valeton MES5 Dapper MDR Mod/Delay/Reverb Effects Strip Pedal
Cat: 720551 Rel: 08 Feb 19
 
All-in-one mini effects strip
Notes: Dapper MDR is your ambient station. Combining modulation, delay and reverb effects in one, this all-in-one mini effects strip has everything you need.

- Tuner module with fast, accurate tuning
- Modulation module with 9 high quality modulation effects in one
- Delay module with 3 fine-tuned delay effects ranging from vintage to modern
- Classic-voiced, 3-mode REVERB module with natural, clear decay
- Tap Tempo function for MODULATION and DELAY modules
- Switchable effect trail
- Phones output for practicing
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 1 in stock $94.58
Valeton CRL1 Coral MDR Mod/Delay/Reverb Pedal Valeton CRL1 Coral MDR Mod/Delay/Reverb Pedal
Cat: 720549 Rel: 08 Feb 19
 
Multi-use modulation/delay/reverb combo pedal
Notes: Valeton Coral MDR is a multi-use pedal featuring 16 high quality modulation/delay/reverb/combo effects ready for any music style. You can use the X, Y knobs for adjusting effect details. Plus, Tap Tempo function is added for real time effect speed/delay time control, and a switchable delay trail is very convenient for any circumstance.
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 1 in stock $56.52
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TC Electronic Tube Pilot Overdrive Pedal TC Electronic Tube Pilot Overdrive Pedal TC Electronic Tube Pilot Overdrive Pedal TC Electronic Tube Pilot Overdrive Pedal
Cat: 672129 Rel: 20 Oct 20
 
Compact, 12AX7-equipped, real tube overdrive pedal
Notes: Nothing beats the classic 12AX7 vacuum tube when it comes to delivering soul-searching guitar tone; that's why it's a mainstay in musical instrument amplifier design. TUBE PILOT OVERDRIVE is highly maneuverable and powerful enough to satisfy any guitar ace with a burning need for tone. Equipped with a genuine, handpicked 12AX7, TUBE PILOT injects your sound with the organic, touch sensitive saturation of a vintage tube amp that dares you to push it over the edge.

12AX7 tube-powered overdrive
All-analog circuitry
True Bypass

Unlike those pretend "tube" overdrive pedals, TUBE PILOT OVERDRIVE isn't just a facsimile of a tube preamp being pushed into distortion - it's an old school tube preamp being pushed into true natural distortion. Inside the pedal, you'll find the very same 12AX7 tube that has been used in a host of vintage and iconic guitar amps. By adjusting the Gain knob on the pedal, you control how hard the tube is working, from barely breaking a sweat - to kicking in the afterburners!

The tone and feel you get from TUBE PILOT OVERDRIVE is exactly the same as what you'd get from a tube amp. It's extremely-touch sensitive, and reacts to how you attack the strings, allowing you to use picking dynamics to seamlessly go between fat blues tones to rich, grinding rock sounds. Pick the strings softly for a warm and clean tone, or hit 'em hard for an organic bite with incredible warmth and sustain.

Housed in a rugged, high quality metal enclosure to protect the tube circuitry, TUBE PILOT OVERDRIVE will serve you reliably around town - or on the road. Operating performance is ultra-quiet, and the true bypass technology maintains the integrity of your tone when the pedal is off.
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 6 in stock $47.82
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TC Electronic The Prophet Digital Delay Pedal TC Electronic The Prophet Digital Delay Pedal TC Electronic The Prophet Digital Delay Pedal TC Electronic The Prophet Digital Delay Pedal TC Electronic The Prophet Digital Delay Pedal
Cat: 630937 Rel: 16 Feb 17
 
Studio-quality digital delay pedal with 3 sub-division settings
Notes: A prophecy was once told of a highly affordable studio-quality delay pedal that would give musicians all the pristine digital delay tones they could ever want. From short reverberating slap-backs to long and stretchy beds of ambience and anywhere in-between. Well, not only is the foretelling real. With The Prophet Digital Delay, the prophecy just came true!

Perfectly Pristine:
The Prophet gives you instant access to crisp and clear digital delay tones. There no vintage flavour here, just modern and perfectly pristine repeats. Great for iconic rhythmic delay tones ala U2's The Edge, cascading post-rock ambience or for more contemporary rock and country tones.

Subdivide and conquer:
A good digital delay should sound great, be versatile and be easy and fun to use. The Prophet ticks all the boxes! The toggle-switch lets you instantly set the subdivisions of the delay, so you can quickly jump from eighths and sixteenths to 3/8.

Space Is The Place:
The Prophet features a space-conscious and highly roadworthy design with top-mounted jacks so you'll be able to fit it into your setup whether your board is the size of a football field or a shoebox. And with True Bypass thrown into the sonic equation, The Prophet is the delay deal of the century.

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 6 in stock $46.74
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TC Electronic Spectracomp Bass Compressor Pedal TC Electronic Spectracomp Bass Compressor Pedal TC Electronic Spectracomp Bass Compressor Pedal
Cat: 781360 Rel: 19 Oct 20
 
Bass compressor pedal
Notes: SPECTRACOMP BASS COMPRESSOR is the tiniest big thing to hit the world of bass in a long time. This ultra-compact and highly intuitive multiband compressor, is made to bring out all of the glorious low-end punch and presence of your beloved bass in the most transparent and musical way you've ever heard. Just turn it on and take charge of the groove.

Studio-quality multiband compressor - perfectly tuned for bass
TonePrint enabled
Ultra-small footprint

The magic of multiband bass compression was first introduced in TC's innovative RH-series bass amps, which made dialing in super-smooth compression an absolute breeze. With SPECTRACOMP BASS COMPRESSOR the simplistic one-knob approach from the amps was kept, while greatly improving the compression algorithm. This gives you access to studio-quality compression tones, in a stompbox so small that you can't afford not to have it on your board.

SPECTRACOMP BASS COMPRESSOR contains the same high-quality MD3 dynamics engine known from TC's studio production powerhouse, System 6000. A dynamics engine that has been used on countless hit-records and massive blockbuster movie productions. This advanced algorithm applies perfectly tweaked compression for your high, mid and low frequencies to create a more unified and balanced sound where your low strings never overtake your highs, something that's simply not possible with the one-size-fits-all compression known from a typical stompbox. This way you'll get a tight and punchy attack, with endless sustain all without ever compromising the natural low-end response of your bass.

Picture SPECTRACOMP BASS COMPRESSOR as an ice cream. It's smooth, delicious and easy to love. But maybe you want to super-pimp your ice cream with cherries, chocolate sauce and sprinkles shaped like unicorns? You want to make that tone-sundae your own. This is where TonePrint comes into play. Via the free editor you can customize your own compression tone through a wealth of deep editing parameters, so it suits your rig perfectly. You can also try on custom pre-made tones via the free app for Android and iOS. Tone tweaking just leveled up.
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 More than 10 in stock $86.96
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TC Electronic Spark Mini Booster Pedal TC Electronic Spark Mini Booster Pedal
Cat: 602349 Rel: 03 Mar 16
 
Compact booster effects pedal wityh 20dB boost and discrete analog circuitry
Notes: Rooted in tradition, aimed at rebellion:
Kick your playing into high gear with Spark Mini Booster, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.
- A whopping 20 dB of boost
- Revolutionary PrimeTime switching
- Discrete Analog Circuit

Tone To The Bone:
With a full 20 dB of boost, Spark Mini Booster is a great clean booster. But that's not all it does - keep turning that knob and it'll start working its magic driving gear into peak performance! No matter what your style or set-up is, this musical miracle will maximize your potential but let your core tone shine through unaltered.

Are You Ready For PrimeTime:
PrimeTime is a radical new feature that will excite guitarists around the globe. Basically, Spark Mini Booster instantly understands whether you want the pedal to be permanently on when you hit the footswitch, or just for as long as you hold the footswitch down. Which totally rocks for both 'always-on' and 'emphasizing passages' situations.

Discrete Is The New Pronounced:
By adding a discrete, fully analog circuit, Spark Mini Booster adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.
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 More than 10 in stock $50.00
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TC Electronic Sentry Noise Gate Pedal TC Electronic Sentry Noise Gate Pedal TC Electronic Sentry Noise Gate Pedal
Cat: 602329 Rel: 03 Mar 16
 
Noise gate effects pedal featuring state-of-the-art multiband noise gate technology & true bypass
Notes: Noise, You Shall Not Pass!
Sentry Noise Gate is your gateway to a noise-free and fully dynamic performance. Its cutting-edge multiband technology is set to cater to all of your hum and buzz-killing needs and with its highly intuitive design, you'll be dialing out that unwanted noise faster than an Yngwie Malmsteen arpeggio lick. Take control and enjoy the silence!

- State-of-the-art Multiband Noise Gate
- Hard-Gate Mode for instant noise removal
- TonePrint enabled

You're Hum Free:
Sentry Noise Gate's multiband technology houses one of the most advanced noise-removal algorithms to date. This enables you to hone in on very specific frequencies and quickly remove extraneous noise from your signal as you stop playing, without any compromise to your core tone. The result? The most seamless and organic noise reduction you've ever heard. In this mode, Sentry Noise Gate is like the air we breathe. You don't notice it's there but you can't live without it!

Silent As The Grave:
Sentry Noise Gate also features a classic hard-gate mode, which can be used for an immediate noise-cut effect. Go from a full-on sonic barrage to dead silence in an instant, only to let your epic riff re-emerge from the stillness and strike the unsuspecting crowd with unprecedented force. With Sentry Noise Gate, your riff-writing will forever ring with monstrous grandeur!

TonePrint - Reshape That Gate:
For all of you tone tweakers and sonic explorers, this is where the magic's at! Via the free TonePrint Editor you can tweak your personal gate with exceptional precision, so it perfectly interacts with your setup and your needs. On top of that, you can also load custom-made settings created by some of the biggest names within the world of rock with the free TonePrint App, giving you access to the tones that the pros prefer. The gates to tonal bliss are wide open!
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 More than 10 in stock $89.14
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TC Electronic Quintessence Harmonizer Pedal TC Electronic Quintessence Harmonizer Pedal TC Electronic Quintessence Harmonizer Pedal TC Electronic Quintessence Harmonizer Pedal
Cat: 668374 Rel: 20 Oct 20
 
Harmonizer effects pedal for guitar, with TonePrint support & MASH footswitch
Notes: QUINTESSENCE HARMONY is a state-of-the-art intelligent harmonizer pedal that features expressive MASH technology and powerful TonePrint editing. Capable of beefing up your playing in any musical style from country or southern rock harmonies to Thin Lizzy-esque twin riffs and screaming metal leads, QUINTESSENCE follows your every whim with perfectly harmonized notes in a wide variety of modes and scales. With MASH, QUINTESSENCE can bend the harmonized notes without you moving a finger, momentarily harmonize just a few bars or notes and with our proprietary TonePrint technology you can even choose exotic scales and custom intervals for harmonies. Complex as it may sound, QUINTESSENCE sounds simply stunning - and its intuitive and straightforward design makes it easy to use.

QUINTESSENCE features a MASH footswitch giving you a powerful expressive tool without taking up any extra pedalboard real estate. By default the MASH switch has been assigned to bend your harmonized note up to the next interval within the scale but in TonePrint mode, you can assign MASH to control just about any aspect of the pedal including custom scale steps - both above and below the original harmony. This not only makes the QUINTESSENCE much more versatile as you can switch between two different intervals mid-song without having to fiddle with knobs, but it also lets you do fluid pedal steel bends worthy of the greasiest Nashville honky-tonks out there.

QUINTESSENCE quickly and easily lets you toggle between standard latch mode and momentary mode for spontaneously improvised harmonizing on the spot. This is useful when you need a little extra something in the last bar of your solo for dramatic effect or for riffs where you want an emphasis on a certain note or beat. If the boys are back in town and you know you're going to be playing long harmonized riffs and want to move around the stage a bit, set QUINTESSENCE to latch mode and run to the hills! And don't worry - MASH works in either setting.

If you don't feel like using one of the seven preset diatonic modes commonly used, the Custom scale mode lets you load in whichever flavor of tonality you want your harmonies to follow. When QUINTESSENCE is not in TonePrint mode the Custom mode is set for Locrian. Using the 3 TonePrint slots however, you can set it to a wealth of different custom scales. Feeling major pentatonic or harmonic minor today? Have at it, Hoss!

With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

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 More than 10 in stock $147.84
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TC Electronic June 60 Chorus Pedal TC Electronic June 60 Chorus Pedal TC Electronic June 60 Chorus Pedal TC Electronic June 60 Chorus Pedal
Cat: 688709 Rel: 19 Oct 20
 5 in stock $43.48
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TC Electronic Hall of Fame 2 Reverb Pedal TC Electronic Hall of Fame 2 Reverb Pedal TC Electronic Hall of Fame 2 Reverb Pedal TC Electronic Hall of Fame 2 Reverb Pedal
Cat: 658604 Rel: 20 Oct 20
 
Reverb effects pedal with 3 TonePrint slots & expression-capable footswitch
Notes: The original HALL OF FAME REVERB delivered some of the most-iconic reverb sounds of all time, but HALL OF FAME 2 REVERB extends that legacy of innovation dramatically. Essentially, HALL OF FAME 2 REVERB's incredible MASH technology adds an expression pedal to a world-class reverb stompbox that not only responds to your touch and saves precious pedalboard space - but blends the celestial world of reverb with the ultimate in personal expression. Add a scintillating new Shimmer effect, and you've got a reverb pedal unlike any other - the awe-inspiring HALL OF FAME 2 REVERB!

The HALL OF FAME 2 REVERB features groundbreaking new technology that brings a wide range of creative expression to the party, controlled solely by how much pressure you apply to the depressed footswitch. Years in the making, and only available in select TC ELECTRONIC products, this clever innovation elevates the common footswitch well above rather mundane duties, such as "On" and "Off". More importantly - MASH elevates your performance to the next level.

With the HALL OF FAME 2 REVERB, your most transcendent shoe-gazing dreams are finally realized. An all-new Shimmer reverb algorithm provides an unearthly octave pitch shift, ensuring that your tone delivers spine-tingling euphoria in every single note.
All of the onboard, next-generation algorithms give you phenomenally-realistic reverb sounds - making the revolutionary HALL OF FAME 2 REVERB the pedal with no limits!

If your gig calls for the kind of reverb that evokes memories of years gone by and experiences yet to be realized, then the HALL OF FAME 2 checks off all the right boxes. Offering much more than just the "garden variety" sounds of competing products, the HALL OF FAME 2 lets you step outside the box.

Hall of Fame 2 Reverb's Resume
MASH Technology
New Shimmer reverb algorithm with octave pitch shifting
8 reverb types and 3 TonePrint slots
TonePrint-enabled
True Bypasss or Buffered Bypass
Analog-dry-through
Decay, Tone, and Level controls
Easy battery access
Small footprint
High quality components
Road-ready design
Stereo In/out

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 9 in stock $108.70
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TC Electronic Fluorescence Shimmer Reverb Pedal TC Electronic Fluorescence Shimmer Reverb Pedal TC Electronic Fluorescence Shimmer Reverb Pedal TC Electronic Fluorescence Shimmer Reverb Pedal
Cat: 676628 Rel: 20 Oct 20
 
Shimmering reverb pedal with intuitive 4-knob interface for modern, ethereal reverb sounds
Notes: FLUORESCENCE SHIMMER REVERB is one of those effects you simply must add to your bag of tricks. Originally pioneered by recording legends Daniel Lanois and Brian Eno, shimmer reverb is produced by layering a tail of reverb (pitched up an octave) on top of the original dry signal. This produces lush soundscapes that take on a life of their known, ranging from voluptuous chimes, to interstellar travel-like sounds that will evoke memories of Carl Sagan's Cosmos while you're playing.

Used extensively by U2's The Edge, the shimmer effect has been adopted by scores of shoegaze guitar players for conjuring up huge, vibrant soundscapes, bursting with sparkling clarity.

Ever since U2 started working with producers Eno and Lanois, shimmer has found its way on to classic performances like With or Without You, 4th of July, and City of Blinding Lights.

Wherever there's a need for grandiose string sections of ethereal presence to add body and scope to a passage, FLUORESCENCE fits the bill.

FLUORESCENCE SHIMMER REVERB is built to withstand the rigors of the road with a sturdy metal frame and high quality components. True bypass circuitry keeps the integrity of your signal free from any tonal coloration, while top-mounted jacks make it easy to fit on any pedal board.

With only 4 controls to master, FLUORESCENCE SHIMMER REVERB makes it easy to fine-tune your ethereal resonances in great depth. A Reverb knob adjusts the amount of tail on your dry signal for short or long resonances. The Mix knob lets you adjust the balance between the reverb tail and your guitar sound, while the Tone knob sets the amount of sparkle that's added to the reverb. Lastly, the Shimmer knob rolls in the perfect amount of sparkling, angelic octave tones to round out its thick and ethereal ambience.
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 6 in stock $61.95
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TC Electronic Flashback 2 Delay Pedal TC Electronic Flashback 2 Delay Pedal TC Electronic Flashback 2 Delay Pedal TC Electronic Flashback 2 Delay Pedal
Cat: 658612 Rel: 19 Oct 20
 
Delay effects pedal featuring expressive MASH technology & new ultra-realistic tape & analog algorithm
Notes: Proper versatile delay and looping business from TC, building on the legacy of the classic 2290 Delay to create a new, affordable all-rounder with modern features including TonePrint and MASH.

Supplier's Notes:
FLASHBACK 2 DELAY packs TC's entire delay legacy into a single compact and affordable stompbox that's designed for now - and the future. The groundbreaking MASH technology adds an expression pedal to a world-class delay stompbox that responds to your touch and saves precious pedalboard space - and blends the ethereal world of delay with the ultimate in personal expression. Add the brand-new Crystal delay algorithm and two additional TonePrint slots, and the soon-to-be legendary FLASHBACK 2 DELAY brings a wealth of new dimensionality to your quest for tonal perfection!

Whether you're an ambient guru searching for a few dreamlike tones, a sonic astronaut exploring the outer regions of your own personal soundscape - or just want to add a big dose of awesome to your playing, FLASHBACK 2 DELAY provides the tools to reinvigorate your creativity like nothing else. Why follow the herd - when you can lead it!

The FLASHBACK 2 DELAY features groundbreaking new technology that brings a wide range of creative expression to the party, and is controlled solely by how much pressure you apply to the depressed footswitch. Years in the making, and only available in select TC ELECTRONIC products, this clever innovation elevates the common footswitch well above the mundane duties of just On and Off. More importantly - MASH elevates your performance to the next level.

FLASHBACK 2 DELAY's Crystal effect uses the same algorithm that was used for the incredible SUB 'N' UP OCTAVER.

By shifting the pitch up an octave through each feedback loop, Crystal delay creates an other-worldly shimmer that simply has to be experienced to be believed. And you can choose from a total of 8 stunning delay options, including hyper-realistic Tape, Modern, Reverse and much more. FLASHBACK 2 DELAY is nothing short of brilliant!

TC also bring you the amazing TonePrint App that allows you to beam FX directly to your device, including signature delays from some of the most revered icons of rock and roll. If you want something a bit more original - you can easily create your own via the free TonePrint Editor for PC, Mac, and iPad. And since good things often come in 3's, FLASHBACK 2 DELAY provides 3 dedicated TonePrint slots to save your favorites. Why? Because... more is just better!

The pressure-sensitive MASH footswitch provides amazing control over effect-specific mix, modulation or feedback functions - control you can feel from the second you step on it.

If your gig calls for the delay tones that evokes vivid memories of yesteryear - and lets you create new ones, the FLASHBACK 2 DELAY is what you've been searching for. Now you can step way outside the box with an awesome array of great-sounding delays, and the incredible MASH technology that can only be found here.

With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.
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 8 in stock $108.70
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TC Electronic El Cambo Overdrive Pedal TC Electronic El Cambo Overdrive Pedal TC Electronic El Cambo Overdrive Pedal TC Electronic El Cambo Overdrive Pedal
Cat: 669379 Rel: 21 Oct 20
 
Classic tube overdrive pedal with intuitive 3-knob interface for essential blues rock tones
Notes: As far as versatile and ubiquitous effects go, an overdrive emulating a pushed tube amp is number one.

El Cambo will fatten up your tone with some extra girth around the waist, giving you that highly sought-after mid-range "oomph" that cuts through the mix when your band is pushing decibels.

This particular gritty mid-range honk gives the guitar a certain vocal quality that is ideal for a singing blues solo but also works formidably in a hard rock setting as a lead boost on top of an already overdriven sound.

- Vintage all-analog overdrive
- True Bypass
- Built like a tank

A Mountain of Mids:
El Cambo Overdrive features a distinct mid-range boost when engaged. This can help warm up a tone that's a bit too jangly to cut through a loud rhythm section and also gives a certain vocal quality to a lead guitar sound.

With its symmetrical clipping overdrive circuit, the harmonic saturation is very fluid and musical sounding.

Boost Into Epic Solo-Mode:
With plenty of gain and boost on tap, El Mocambo can be tailored to work in almost any setting.

From just a bit of push to your preamp and a subtle warmth to your tone to a screaming overdrive with singing sustain and girth, El Cambo gets you there.

From blistering Texas blues, soulful pop ballads to classic rock riffs - El Mocambo fits right in.

Built for the road:
Made from a sturdy metal housing, this all-analog overdrive will last for years and years without losing that warm tube saturation tone.

Top mounted jacks are convenient and ingenious way to save pedal board space and keeps cable clutter to a minimum and true bypass keeps your signal nice and clean.
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 6 in stock $36.96
TC Electronic Echobrain Analog Delay Pedal TC Electronic Echobrain Analog Delay Pedal TC Electronic Echobrain Analog Delay Pedal TC Electronic Echobrain Analog Delay Pedal TC Electronic Echobrain Analog Delay Pedal
Cat: 630945 Rel: 12 May 17
 
Vintage-style delay pedal with all-analog 'Bucket Brigade' circuit
Notes: EchoBrain is the natural choice for every vintage delay nut out there. Sporting a classic, all-analog bucket brigade design, this compact delay pedal is set to serve up all the warm echoes, and gorgeous runaway delays you could ever need. Kick it in and get ready to hear the echo-angels sing.

Echoes Of The Past:
EchoBrain is your ticket to those iconic delay tones of yesteryear. You won't find any pristine digital delays or futuristic multi-tap echoes here. Instead you'll find lush and organic repeats that'll carry your notes away on a brilliant bed of ambience. Perfect for Gilmour-esque solos, Albert Lee-like slapbacks or fluttery post-rock chord progressions.

Runaway Brigade:
The all-analog bucket brigade circuit inside EchoBrain will give you up to 300ms of delay time. At lower delay time settings your echoes will be more pristine and punchy, but the longer you make it, the more you'll begin to introduce that natural high-end roll-off that's the essence of a great analog echo. Now crank the repeats and introduce some glorious self-oscillation for epic Radiohead-ish runaway delays.

Room for Greatness:
EchoBrain captures the tones of the past perfectly, but without having to house them in the big old clunky enclosures of the past. Instead you get beautiful tones encapsulated in a compact metal chassis with top-mounted I/Os, so no matter your pedalboard size you'll always have room for great delay tones.





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 6 in stock $50.73
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TC Electronic Ditto Stereo Looper Pedal TC Electronic Ditto Stereo Looper Pedal TC Electronic Ditto Stereo Looper Pedal TC Electronic Ditto Stereo Looper Pedal
Cat: 602364 Rel: 03 Mar 16
 
Stereo looper effects pedal with compact design for small footprint & audiophile approved 24-bit uncompressed high quality audio
Notes: A Wider Loop Perspective:
The most intuitive and amazing looper known to musickind is back. Packing a wealth of cool creative features that'll see you jam along with the cream of the crop in music today via the innovative StarJam feature, while creating multi-layered masterpieces in seconds flat. But first and foremost Ditto Stereo Looper is here to give all you loop lovers what you've been craving the most - dirt simple looping in stereo!

- Super intuitive - Made by guitarists for guitarists
- Stereo I/O
- Loop Import/Export and Backing Tracks

Ditto Through and Through:
If it ain't broke, don't fix it and why should you when you have made something musicians truly love? That's why even though we've added some new features, we've preserved everything that's good about Ditto Looper: the ultra-simple design, the 5 minutes of looping time and unlimited overdubs all packed in a highly pedalboard-friendly enclosure. So if you liked Ditto Looper, you'll love Ditto Stereo Looper.

You - In Stereo:
There's nothing like that super-wide sonic perspective you get from a stereo rig, it just rules! So why should stereo devotees not have a high-quality compact looper just like the mono-riggers? That's why Ditto Stereo Looper offers first-rate stereo I/O options alongside True-Bypass, Analog-Dry-Through, the option of running on a 9v battery and 24-Bit uncompressed audio for maximum you. So loop that E-chord and be blown away over and over and over again.

Rock With The Best:
In order to progress as a musician you need someone that constantly pushes you and your creativity to its very limits and beyond, and who's better suited to do exactly that than the world's greatest musicians! Enter StarJam, a cool and innovative concept that lets you load pre-recorded loops made by the likes of John Petrucci, Steve Morse, Guthrie Govan and Paul Gilbert into Ditto Stereo Looper, supplying you with hours of inspiration so you can progress to the next level. We won't promise fame, glory and hot tubs, but we will promise an instant boost in creativity and fun!

StarJam - Jamming With Rock Royalty:
So, what's cooler than looping? Looping with the stars! Star jam allows you to do just that! We've got the coolest guys out there providing you with loops for practice, inspiration and having fun - free of charge! (visit http://www.tcelectronic.com/ditto-stereo-looper/ to download)

How Do You Ditto?
Ditto Stereo Looper makes looping as easy as 1-2-3. No hassle or needlessly complicated stuff, Ditto Stereo Looper is boiled down to the essentials and makes control intuitive yet flexible, so guitarists can focus on what matters most: playing and performing. You press once to record, press once again to play the loop. Press once to add another layer of sounds (something you can keep repeating until you run out of ideas). You press and hold to Undo a layer and press and hold again to Redo. Press twice to stop, after which you can press and hold to clear the loop. Ah, if only life were this simple.
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quote 602364
TC Electronic Ditto Looper Pedal TC Electronic Ditto Looper Pedal TC Electronic Ditto Looper Pedal
Cat: 602361 Rel: 03 Mar 16
 
Looper effects pedal with 24 bit uncompressed high quality audio & true bypass
Notes: Essentially Essential:
Ditto Looper is the looper you try once and love for life. And you simply gotta try it. We've taken all that is good about loopers, trimmed away all the non-essential, mood-killing tech hoopla and ended up with a looper that is intuitive, tons of fun, sounds great and doesn't break the bank.

- Designed by guitarists, for guitarists
- Super intuitive
- Great sound

Looping Sense:
Ditto Looper was designed from the ground up with guitarists in mind. Hey, we play too, so it's what made sense to us. We made sure Ditto Looper takes up minimal space on your board, but still has the essential 'make your guitar-heart jump' features such as True Bypass and Analog-Dry-Through making sure your tone stays uncolored.

One Knob To Rule Them All:
Ditto Looper simply loops. Well. It's 'one knob' button may seem like a minimalist approach, but all the essentials are there: record, undo/redo, stop and erase are all accessed via different foot-commands that always make sense, whether you are building loops, changing from one part to the next (we're looking at you, live performers) or adding layers to a song.

Appeal To Your Inner Audiophile:
If you know our products, you are used to things sounding great. We made absolutely sure this also goes for Ditto Looper, so the loops produced are in 24 bit uncompressed high quality audio. Why settle for less if you love tone, right? Right!

True to Tone
You love tone, so do we, and our design philosophy testifies to that. With optimized headroom and True Bypass, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

How Do You Ditto?
Ditto Looper makes looping as easy as 1-2-3. No hassle or needlessly complicated stuff, Ditto Looper is boiled down to the essentials and makes control intuitive yet flexible, so guitarists can focus on what matters most: playing and performing. You press once to record, press once again to play the loop. Press once to add another layer of sounds (something you can keep repeating until you run out of ideas). You press and hold to Undo a layer and press and hold again to Redo. Press twice to stop, after which you can press and hold to clear the loop. Ah, if only life were this simple.
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 8 in stock $75.00
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quote 602361
TC Electronic Brainwaves Pitchshifter Pedal TC Electronic Brainwaves Pitchshifter Pedal TC Electronic Brainwaves Pitchshifter Pedal TC Electronic Brainwaves Pitchshifter Pedal
Cat: 781362 Rel: 19 Oct 20
 
Pitchshifter pedal
Notes: Exceptional pitch shifter with studio-grade algorithms, 4 octave dual voices and groundbreaking MASH footswitch.

With its mind-bending range and kaleidoscopic pitch effects, the studio-grade BRAINWAVES PITCH SHIFTER is the perfect fusion of brains and brawn.

This pink-clad pitch professor masters a variety of polyphonic effects including whammy and detune, plus a bunch of others - thanks to the dedicated TonePrint app.

The award-winning MASH footswitch packs expression pedal performance into a pedalboard-friendly size.

Pitch-shifting mode expands your sound by adding up to two extra voices and letting you decide whether these voices go above or below the original signal.

Just imagine - the solo from "Owner of a Lonely Heart" never sounded so huge.

And since BRAINWAVES is polyphonic, you can use it on your standard-tuned guitar for a wide range of rock-solid sharp or flat tunings - without detuning the actual instrument.

With separate voices pitched in either direction, the polyphonic algorithm lets you easily process pitch-shifted chords, riffs, and furious flurries of single-notes. Since each voice is adjustable from unison to two octaves up or down (and anything in between), BRAINWAVES has more range than an interstellar battle cruiser. You can quickly create custom pitch settings via the free TonePrint app to find or expand your own pitch personality.

Whammy mode packs a powerful fistful of sonic punch. With 2 individually programmable voices, you can instantly go from nice and sweet, to a 2-octave, dive bomb explosion - just by MASHing the footswitch.

Detune mode lets you widen your sound for a more open, sweet and dynamic tone. Unlike most chorus effects, detuning plays really well with complex chord voicings, even those drenched in distortion.

BRAINWAVES also nails the squeaky clean, watery '80s tones we all know and love. Or slap on some dirt and dial up a shallow detune for the secret thickening agent from Van Halen's post-1984 tone. MASH down the footswitch for an extra dose of instant detune goodness; the Mix knob lets you blend in just the right amount of effect, keeping your sound balanced - even at extreme settings!

The BRAINWAVES PITCH SHIFTER features groundbreaking new technology that brings a wide range of creative expression to the party, controlled solely by how much pressure you apply to the depressed footswitch.

Years in the making, and only available in select TC Electronic products, this clever innovation elevates the common footswitch well above rather mundane duties, such as "On" and "Off". More importantly - MASH elevates your performance to the next level.

TonePrint means signature effects - and signature effects means truly creative tones.

With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

Download the free TonePrint app for Android and iPhone, choose the TonePrint you want to hear and beam it instantly from your phone through your guitar's pickup into your TonePrint pedal. No cables needed!
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quote 781362
TC Electronic 3rd Dimension Chorus Pedal TC Electronic 3rd Dimension Chorus Pedal TC Electronic 3rd Dimension Chorus Pedal
Cat: 669367 Rel: 19 Oct 20
 
Vintage analog chorus pedal recreation with 4-button effect selection & BBD circuitry
Notes: 3rd Dimension Chorus is a unique type of "motionless" chorus effect that reproduces that recognizable eighties clean tone. It's full and lush and expands your tone with a three-dimensional feeling that is at once rich and sweet as well as shallow and smooth.

3rd Dimension has no knobs for you to obsess about - just 4 preset buttons ranging from "just a bit" to "quite substantial".

- 4 preset buttons, 16 presets
- All-analog dual bucket brigade circuit
- True Bypass

Classic All Analog Chorus:
3rd Dimension takes its inspiration from the classic eighties studio chorus guitar tone found on thousands of recordings: thick, lush, and crystal clear.

It makes you want play dynamically - either dig in on some meaty chords, funk out on some crispy double-stops or do huge sounding finger-picked arpeggios. You'll quickly locate some recognizable settings with the 4-button interface.

Forget about knobs:
Instead of bothering you with a bunch of knobs and the inevitable hours spent fine-tuning, 3rd Dimension has four simple preset buttons instead. This might seem limiting to your tonal arsenal but it isn't.

First of all, when it comes to music limitations usually make for some very inspiring and creative outcomes.

With that being said you can actually coax out 16 different presets from the pedal by combining the 4 buttons in different ways.
There's even a hidden preset that's active when none of the buttons are depressed and the pedal is turned on. The subtlest of the subtle.

So you see - the limitations really aren't that limiting.

Roadworthy:
As opposed to the vintage pedals that are capable of conjuring the same luscious chorused soundscapes, you don't have to worry about taking 3rd Dimension out on the road for full-time gigging.

It was built to stand up to whatever the working musician can throw at it and still keep delivering those beautiful three-dimensional tones. And in contrast to those old vintage pedals - it has true bypass so it won't colour your tone when it's off.
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 4 in stock $36.96
Supro SP1313 Analogue Delay Pedal Supro SP1313 Analogue Delay Pedal Supro SP1313 Analogue Delay Pedal Supro SP1313 Analogue Delay Pedal Supro SP1313 Analogue Delay Pedal Supro SP1313 Analogue Delay Pedal
Cat: 719167 Rel: 22 Mar 19
 
Fully analogue echo/delay effects pedal
Notes: The Supro Delay is a premium, all-analogue echo pedal that uses a pair of new-production MN3005 "bucket brigade" IC chips to deliver sounds ranging from 20ms slapback up to 600ms of buttery vintage delay. Far superior in fidelity to the low-voltage MN32XX series chips more commonly used in modern stompboxes, the high-voltage MN3005 IC chips found in the Supro Delay provide sweeter echoes with dramatically increased headroom and dynamic range, due to their robust 15V power rails.

In addition to TIME, REPEATS and LEVEL knobs, the Supro Delay features a newly-designed FILTER control that provides both low-pass and band-pass functions on a single knob. This unique filter design provides both the dark and murky echoes associated with BBD analogue delays as well as bright tape echo sounds that evolve over time with extended repeats. Drawing inspiration from the golden era of analogue pedals and recording to tape, the Supro Delay was designed by Howard Davis, master engineer behind the legendary late-1970's EHX Deluxe Memory Man and the Pigtronix Echolution.

Supro Delay offers an Expression input which can be assigned to control of the TIME, REPEATS or LEVEL knobs using a standard TRS expression pedal. The Supro Delay comes housed in a custom-made anodized aluminium chassis and features soft-touch, click-free, true bypass switching, as well as internally switchable Dry Kill and Trails functions. The Supro Delay runs on standard 9VDC power, using internal voltage-doubling to provide world-class headroom in a compact analogue delay pedal.
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 2 in stock $217.41
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Sonuus Wahoo Wah & Filter Pedal For Guitar & Bass Sonuus Wahoo Wah & Filter Pedal For Guitar & Bass Sonuus Wahoo Wah & Filter Pedal For Guitar & Bass
Cat: 712754 Rel: 03 Dec 18
 
Analogue dual-filter/wah stomp box
Notes: Versatile Wah Multi-Effects Pedal
The Sonuus Wahoo is an innovative multi-effects pedal designed for use with guitars, synths and more. What sets the Wahoo apart from the rest of the FX pedals out there is its coupling of Wah and Filter effects in a single unit. The dual analog filters deliver exceptional clarity with a wide sonic palette you can control. The wide frequency and resonance range allows you to achieve virtually any Wah or Filter sound you can think of. The versatile design makes it ideal for a range of music genres and applications, from the classic British Wah sound to the resonant bass envelope filters.

Pure Analog Signal Path
The fully analog signal path is incorporated to capture the warmth and grit of analog circuitry, resulting in a unique sound and tonal palette. You can adapt the analog circuit's response to create virtually any sound or tone you desire. The pedal features 100 factory presets and 100 user presets, allowing you to save and recall settings instantly. This gives you the ability to create your own custom filters for added versatility. You can achieve everything from vocal vowel Wah to Overdrive and everything in between.

InfiniQ Pedal Sensor
The pedal itself utilises the unique patented InfiniQ pedal sensor. This custom position sensor provides high-end precision and control with no mechanical couplings. On conventional guitar pedals, the unit operates using a potentiometer. The downside of this is that they can wear out quite quickly, making your effects scratchy and not concise. The innovative InfiniQ pedal sensor eliminates this, ensuring the pedal will never wear out.

Ergonomic Controls
The flexible control panel features an ergonomic layout with clearly annotated controls. The top of the pedal features up and down navigation buttons, allowing you to toggle between presets. The pedal is comprised of three sections: Level, Filter and Mode. Each section is designed to control various parameters, the Level section features an encoder that allows you to switch between Drive, Output, Dry/Wet and Filt Mix settings. The Filter section allows you to switch between Hi/Lo Q, Hi/Lo Frequency and the Shape of your filter, while the Mode section lets you switch between various modes for added flexibility.

Robust, Compact Design
The compact and highly robust design ensures a long life span and optimal durability. The metal body and high-grade materials make the Wahoo perfect for life on the road, easily withstanding the rigours of transportation and extensive live use. Transparent-True-Bypass allows you to reap all the benefits of true-bypass without the problem of switching noise. Additionally, the pedal features a USB connection which can be used with the Wahoo Desktop Editor Software, allowing you to edit and manipulate presets. The USB-MIDI can also be used to sync internal LFOS and automate the filter parameters.
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 1 in stock $243.50
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FORTHCOMING
Solid Gold FX Zeta DLX Deluxe Preamp Overdrive & Boost Effects Pedal
Cat: 792830 Rel: 31 Dec 20
 
Overdriver & boost effects pedal
Notes: Guitar tone is tricky business- guitarists are sometimes forced to choose between great tone and utility. Are you also tired of choosing? Venture ahead, brothers and sisters of tone - introducing the Zeta DLX.

The Zeta DLX combines three of the most useful tricks in the gain-based tonal world: Preamp, drive and boost. The entirety of the Zeta DLX comprises a preamp circuit, so that you can keep your tone fresh even if you have to go direct, or your amp options are limited on fly-out gigs. However, each since each side is individually switchable, we must look at the sum of the parts.

The left side of the Zeta DLX serves up a generous drive circuit that has extremely wide sweeps of all the parameters, from jangly boost to crunchy OD. Three of the toggle switches give you options to tailor the Zeta DLX to your individual needs. The Mids and Body toggles allow you to adjust the range of those particular frequency bands, while the Clip switch lets you change the clipping characteristics. A bonus trimpot inside even lets you adjust the overall gain of the circuit.

On the right side of the Zeta DLX is the JFET-equipped individually selectable boost function, with a single knob to control the amount. The B. Tone toggle gives you control over the bass frequencies of the boost, while Pre/Post lets you choose whether the boost goes before or after the drive circuit. You can use this to great effect when trying to get either a super-saturated dirt tone or a burlier version of the drive side.

Don't get caught between a rock and a tonal hard place againiplug into the Zeta DLX and feel the gear instead of just hearing it.

KNOBS:

Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!

TOGGLE SWITCHES:

Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.

UNDER THE HOOD:

Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.

POWER:

The Zeta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$280.47 SAVE 17%
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FORTHCOMING
Solid Gold FX Surf Rider III Spring Reverb Effects Pedal
Cat: 792828 Rel: 31 Dec 20
 
Reverb pedal
Notes: Reverb purists often point to amp reverb as being the pinnacle of spring reverb. That may be all well and good, but what if your amp just doesn't have reverb? What if your amp's reverb isn't good? What if you want more options after a simple "level" control? It is time to ride the waves into the Surf Rider III.

The Surf Rider III is the 'verb sound that Fender's engineers would have put into their Deluxes and Vibroverbs if they had access to today's technology. Solid Gold's finest 'verb box gives you that familiar Level control but then adds a plethora of options, including a boost and some nifty resonance features that adds some juice to your tank without the springs.

Versatility is the name of the Surf Rider's game. The Level control is just the beginning, adjusting the amount of reverb in the total signal. The Surf Rider also offers a Depth knob that adjusts the intensity of the reverberations, for some hauntingly huge verbs that fill the room. The expression jack on the side overrides this control, should you feel so inclined.

The Decay control increases the size of the virtual reverb tank, opening up the pedal and giving you verb tones that go on seemingly forever. Speaking of tones, there's a handy Tone knob that brightens or darkens the reverb signal, which helps tame harsh pickups or beef up flimsy ones. It's especially helpful if the Surf Rider III is your only pedalia splendid idea.

The Resonance switch unlocks the "drippiness" of the reverb tank, giving you a lot (upper position), a little (lower position) or none at all (center). Cracking open the Surf Rider III gives you a trimpot to set the lower level for just the right amount of splash.

The Boost section lets you boost or cut the reverb level. With the LED on, the pedal is in Hi mode, and off is Lo mode. There's another internal trimmer that lets you dial in Lo mode. Surf's up.

KNOBS:

Tone: This knob lightens or darkens the frequency of the reverb signal only, from dark and moody to bright and biting.

Decay: Turning the Decay control up increases the decay time of the reverb signal, giving you access to huge, surf-inspired 'verbs that linger seemingly forever.

Depth: Increases the size of the virtual spring tank and the intensity of the signal. When connecting an expression pedal, you can control this knob hands-free.

Level: Controls the volume of the reverb (wet) signal.

TOGGLE SWITCHES:

Res: This is a three-position switch that alters the resonance of the tank. The upper position adds a high amount of resonance, while the lower position adds an amount that you set via internal trimpot (see "Under the hood" below). In the center position, the toggle adds no resonance.

UNDER THE HOOD:

Res (trimpot): This trimpot allows you to adjust the amount of resonance in the reverb signal while in the "Lo" (bottom) position of the Res toggle.

Boost (trimpot): When the Boost is in the off position (LED off), a portion of the reverb level is reduced. This trimpot lets you adjust how much is reduced to fine-tune the reverb signal.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Depth knob.

True bypass footswitch: Turns the effect on and off.

Boost footswitch: With the LED on, the Surf Rider III is in "Hi" mode, boosting the reverb signal. With the LED off, the Surf Rider III is in "Lo" mode, and a bit of the reverb level is reduced. You can adjust how much with the Boost trimpot (see above in "Under the hood").

POWER:

The Surf Rider III requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$246.55 SAVE 17%
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FORTHCOMING
Solid Gold FX Spanish Castle Dual Vintage Fuzz Effects Pedal
Cat: 792827 Rel: 31 Dec 20
 
Fuzz pedal
Notes: The year 1969: Not only was Led Zeppelin's eponymous album released, but Woodstock took place in August. 1969 marks a turning point in the gear world also; it was the year that Dallas-Arbiter switched Fuzz Face production from the lower-gain germanium transistor core to readily available higher-gain silicon devices. The Spanish Castle pays tribute to this year.

Packed to the turrets with fuzz spread across two separate and footswitchable If 6 Was 9 circuits, the Spanish Castle is the perfect device for the fuzz-crazy and fuzz-curious alike.

The right side of the Spanish Castle represents the warmer pre-'69 circuit and is equipped with low-gain silicon transistors that emulate the rich character of germanium with more stable and consistent operation. Carbon-composition resistors further round everything out for a sound that is just like they used to roll them off the line. Unlike the Faces of yore, this circuit is equipped with a bias circuit to dial in just the right flavor, and cleans up like a champ. The original tenant of the Spanish Castle would have loved it.

On the left side, the post-'69 If 6 Was 9 circuit lies in wait. This wing of the Spanish Castle offers up higher-gain silicon transistors for a more buzzsaw-like grind, metal film resistors for tighter tolerances and an extended bias range for dialing in ripping gated fuzz textures as well as full-bodied snarl.

Each side offers up two toggle switches- Colour is a three-position switch that adjusts the EQ of its respective side, from flat EQ to two settings that shave off treble and mids. The Input toggle is also a three-position switch, changing gain and bass values that make the Spanish Castle adapt better to your wahs and other pedals.

If that's not enough control for you, each side contains an internal switch that changes between Bold and Comp modes, the former increasing the output and midrange, and the latter offering a softer, more compressed tone.

Please enjoy your stay in the Spanish Castle. You'd better make yourself at home. You're going to be here a while.

KNOBS:

Fuzz: Most Fuzz Face-style pedals only produce usable fuzz amounts at the end of the knob. Not ours. Each Fuzz knob is designed to give you an even sweep of fuzz throughout.

Bias: These knobs vary the voltage to the collector of of the second transistor, giving you burlier (clockwise) or leaner/gated fuzz tones (counter-clockwise).

Volume: Gives you more output than vintage-style Fuzz Faces. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

TOGGLE SWITCHES:

Color: These three-position switches adjust the EQ of the side they're found on. The center position of each switch bypass the EQing, while the "left" positions shave a small amount of treble and scoop a small amount of mids from their respective sides. The "right" positions shave an even greater amount of treble while scooping a greater amount of mid frequencies.

Input: These three-position switches adjust the input attenuation and wah friendliness of the side they're found on. The "right" positions leaves its respective side alone with regards to attenuation. The center positions heavily cut gain and bass, while the "left" positions mildly cut gain and bass. The center and left positions help adapt the Spanish Castle to a more wah-friendly fuzz.

UNDER THE HOOD:Bold/Comp (internal DIP): Each side contains a DIP switch that toggles between Bold and Comp settings. The Bold side increases the output level and the midrange content, while Comp delivers a softer and more compressed tone. The default setting is with Comp on.

AUXILIARY:

Input: Instrument or other pedal goes here (right side).

Output: Amplifier or other pedal goes here (left side).

True bypass footswitches: Turns each side of the effect on and off.

POWER: The Spanish Castle requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$319.60 SAVE 17%
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FORTHCOMING
Solid Gold FX Sasori Companion Fuzz Effects Pedal
Cat: 792826 Rel: 31 Dec 20
 
Fuzz pedal
Notes: Shin-Ei's FY-2 Companion Fuzz was born in a time when the East and West shared a hunger for fuzz, and all the fuzz pedals were being made that are now considered modern classics. As for the Companion Fuzz, let's just say the original needed some work. Despite this, it still had its devotees- lots of them- just ask Wata of Boris. As a humble tribute, the Sasori is offered.

The Sasori - Japanese for scorpion - lives up to its name by delivering a punishing fuzz tone that checks all the boxes of a versatile fuzzbox, yet is still very much a Companion Fuzz at its core. The tremendous load of harmonics and bite that characterized the original still exist within the Sasori with none of the drawbacks.

Anyone who's played an original Companion Fuzz can tell you about them- the fuzz isn't louder than unity, even when all the way up, the Fuzz control is extremely subtle and the enclosure is just plain huge. Fear no more, Solid Gold have worked overtime and have crafted an antidote to these maladies.

Like any good fuzz, the Sasori excels at both chord and lead work, but with a venom-tipped buzzsaw-like edge that pierces through the densest layers of mix without sounding like an icepick. Looking for a harmonically rich, doomy fuzz that can sound like a synthy gated snarl on demand? Make way for the Sasori.

The volume drop of the original Companion Fuzz has been properly dealt with, and Solid Gold have included a tone control to change the character of the grind from dark and moody to brash and untamed. Like the original, the Fuzz control mixes between two different flavors for maximum versatility. This is one Companion Fuzz you'll want to keep close.

KNOBS:

Fuzz: The original Companion had this control wired as a mix, but Solid Gold have made sure it controls the actual fuzz amount, from barely there to tons of hair.

Tone: Unlike traditional tone knobs, this one controls the mids. It starts at scooped and delivers a punishing dose of midrange.

Vol: There's enough volume on tap to put the sting on your amp's front end.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The Sasori requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.39" x 2.34" x 1.06" (112 x 60 x 27mm)
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MRP:$189.15 SAVE 22%
coming soon $146.74
FORTHCOMING
Solid Gold FX Rosie Tone Bending Fuzz Effects Pedal
Cat: 792825 Rel: 31 Dec 20
 
Fuzz pedal
Notes: There's no doubt that the Fuzz Face and Tone Bender share the crown for "most important fuzz". Just as many iconic records were cut with the Bender as the Fuzz Face, and each original unit commands scads of money in the used marketplace. And with all the reliability issues that plague vintage models, does there exist a silicon Tone Bender MKII?

Introducing the Rosie. Equipped with silicon semiconductors, you won't hear your tone seize up on a cold or hot day, and you won't get a load of choosiness with regards to your guitar stable. The Rosie works effortlessly across all guitar types and in all conditions.

You're treated to a JFET input section that lets the flavor sing regardless of where you place it, even after a wah. It's not what you might expect from a silicon Tone Bender, but Solid Gold are used to exceeding expectations.

The highly specialized transistor selection ensures smoothness and mojo throughout all knob sweeps, with nothing a hair out of place. And the cleanup is exceptional, with a feel befitting a silicon Tone Bender. Just like many silicon fuzzes, you get the best of the worlds of cleanup and screaming leads.

You can pair the Rosie to your specific guitar with Solid Gold's two-way Tone toggle, adapting the Rosie to the thinnest lipstick pickups to the beefiest humbucker you have. An onboard Bias control lets you adapt the voltage to your liking. Ever notice how some fuzzes sound better with old batteries? This is why, and now you can adjust the voltage to taste, lending a different flavor to our silicon Tone Bender.

Whether it's modern chord work or vintage violin-like sustain, the Rosie fulfills all your needs. It's a whole lotta pedal, and it can be yours today.

KNOBS: Turning this control up delivers everything from sparkling crunch to saturated fuzz bliss.

Bias: Ever noticed how some fuzz pedals sound better with an old dying battery? The Bias control lets you adjust the amount of voltage to the final transistor, giving you plenty of splatty singing lead tones, full-bodied fuzz and everything in between.

Vol: Unlike most vintage-style fuzzes, the Rosie gives you plenty of output.

TOGGLE SWITCHES:

Tone: This two-position toggle switch changes between standard and bass reduction modes. Standard mode gives you the push needed to fatten up single coils, while bass reduction mode makes sure you don't beef things up too much.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The Rosie requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$207.42 SAVE 17%
coming soon $171.75
FORTHCOMING
Solid Gold FX Oblivion Quad Flange Effects Pedal Solid Gold FX Oblivion Quad Flange Effects Pedal Solid Gold FX Oblivion Quad Flange Effects Pedal Solid Gold FX Oblivion Quad Flange Effects Pedal Solid Gold FX Oblivion Quad Flange Effects Pedal Solid Gold FX Oblivion Quad Flange Effects Pedal
Cat: 792824 Rel: 31 Dec 20
 
Flanger pedal
Notes: If you think you have Flangers all figured out and placed neatly in your little square genre-defined box, then get ready to have your world turned upside down by the OBLIVION QUAD FLANGER. An otherworldly vast sonic sea awaits you with this device, as every turn of a knob and flick of a switch unlocks mind-melting tones. From epically lush modulated movements to intense regenerating alien airwaves, lo-fi bit-crushed textural landscapes and much more, Oblivion is not here to capture a snapshot of the past, it's here to open portals to the future!

With the OBLIVION, you have the traditional Speed, Range and Regen controls, but where this pedal really shines is in the three distinct Flange modes available.

The OBLIVION has a Flanger and throw in Thru-Zero capabilities to pull you in and out of space. To push things a little bit further, the Bi-Flange mode was added - offsetting a pair of modulating delay lines for even more sweeping movement.

The quad-flange mode adds those four (yes, four!) independent delay lines for massive swooshing tsunamis of ominous textures.

To make things even more interesting, each of these three Flangers have their respective Degrade modes, introducing a lo-fi element unique to this pedal that grants you access to eyebrow raising textures, reminiscent of ring mods or robotic overtones.

Once all of that was accomplished, tons of flexibility was added for even more fine tuning. A Blend control helps to adjust your wet and dry mix for light and polite Chorus sounds or for a full-on swirling whirlpool of Flange. Expression and CV capabilities, with internal Dip Switches, add even more variation and control. Not to mention the multi-function foot switch capabilities for Tap Tempo, Speed Ramping and LFO Braking.

With top-mounted jacks and soft touch, relay True Bypass switching, this pedal truly has it all. So, what are you waiting for? Jump on into the sea of the OBLIVION, where growing layers of waves filled with the push and pull of the tide are waiting to wash over you.
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MRP:$319.60 SAVE 19%
coming soon $258.72
FORTHCOMING
Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator
Cat: 793057 Rel: 31 Dec 20
 
Chorus & vibrato pedal with noise generator
Notes: Built around a philosophy of perfect imperfections, the SolidGoldFX NU-33 is here to make your tone warble, glitch, bend and break in all the right ways. Packed to the brim with warm and gooey chorus/vibrato tones, as well as a built-in noise generator plus a host of filters and waveshapes, this unique vinyl engine will deliver all the dusty dreamy modulation textures your lo-fi heart can handle.

While features like tap tempo, expression and CV in, momentary speed ramping and triggered vinyl skips perfectly propels this nostalgia machine into the modern age.

The NU-33 packs a ton of creative potential beneath its six knobs, four toggles and two switches. Blend lets you dial in the mix of the modulation, from a subtle shimmer to deep-sea chorusing and all the way to wiggly vibrato. Flutter and Rate are your classic speed and depth controls, effectively setting the intensity and speed of the modulation, but the NU-33 actually packs some extra cool tricks up its sleeve here. Setting Flutter to minimum will effectively stop the LFO movement, while Speed will let you determine the delay offset, letting you use the pedal as a rich and organic doubler effect as well.

Those controls will have your modern hi-fi chorus/vibrato tones covered, but you want that warbly vintage flair too, right? Just turn the unique Hiss control to blend tastefully engineered vinyl grove noise, crackle and pops into the modulation, color it with the selectable lowpass or high-pass filter modes and finally shape it with one of the 3 different waveforms and you have your own custom designed lo-fi modulation tone.

But we're not ready to pull the needle off the record just yet. NU-33 also has two momentary effects hidden under its bypass and tap tempo switches. Holding down the Bypass switch will create momentary vinyl skips and stutter effects, while pressing and holding the Tap Tempo switch momentarily speeds up or slows down the modulation. Perfect for adding that element of organic glitchy randomness into your sound.

You'll also find top-mounted I/Os as well as an expression input on the NU-33, which delivers hands-free control over all the knobs on the device via either an expression pedal or a CV sequencer, making these sounds of yore fit perfectly into any present-day guitar rig, synth setup or studio situation.
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MRP:$319.60 SAVE 17%
coming soon $266.34
FORTHCOMING
Solid Gold FX Lysis Poly Octave Down Fuzz Modulator Effects Pedal
Cat: 792822 Rel: 31 Dec 20
 
Fuzz/modulation/filter pedal
Notes: If you've ever awoken in a cold sweat dreaming of synthesizers, here's the ticket: Lysis. There's always been something about synth players for which guitarists and bassists alike have yearned. Though they're essentially the same instrument, the onboard accoutrements are what makes all the differenceioscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.

All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.

The DSP-controlled polyphonic octave circuit takes all the clang you've cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.

The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter's cutoff or have it automatically modulate.

If you choose the manual path, an expression pedal jack gives you hands-free control of the Freq knob, for a sound-bending filter-wah effect that can absorb the impact of the most well-equipped dirt section. Should you choose modulation, the Freq knob controls the rate of the effect. An expression pedal gives you foot control over the speed for some psychedelic guitar freakouts or smooth undulation.

An onboard vibrato circuit finishes off the signal path of the Lysis. When in fixed mode, Lysis kicks in the vibrato, but in modulated mode, a filter LFO is engaged and Mod controls the rate of that. The two-position Warp switch works in tandem with the corresponding footswitch, either maxing or killing the Mod knob depending on the position.
Much more than a mere effect Lysis is its own future forward entity, a cellular organism of the sonic variety bursting with possibilities.

POWER:

The Lysis requires a center-negative 9VDC power adapter with at least 60mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$319.60 SAVE 22%
coming soon $247.84
FORTHCOMING
Solid Gold FX If 6 Was 9 - BC183 Fuzz Face Inspired Fuzz Effects Pedal
Cat: 792821 Rel: 31 Dec 20
 
Fuzz pedal
Notes: If there's one pedal that captures the soul of classic rock, the Fuzz Face is probably it. For those unfamiliar with Fuzz Face lore, as germanium parts fell out of vogue due to reliability issues, Dallas-Arbiter shifted to silicon parts. Both versions were used extensively on thousands of records.

Solid Gold's If 6 Was 9 pays tribute to all the players who contributed to the pantheon of rock, with specially selected components to get your mojo working. We put two BC183 devices in each one, which is widely regarded as a happy medium between the potentially mushy compression of germanium and the brash sawmill-like fuzz of silicon. The tone of the If 6 Was 9 is just thatismooth and refined without falling apart on chords, and with loads of sustain on single-note work.

The specially-selected BC183 parts gives you a thick balanced bass response and a tight fuzz tone- just right. The If 6 Was 9 supplies a two-way tone toggle switch that adjusts the fuzz character to match with the rest of your rig.

Fuzz Face tone has been whittled down to such a precise science that players now know what voltage at which they prefer their Fuzz Face to be run. Eric Johnson famously kept a box full of batteries drained to various degrees. Now you can harness this power with an external Bias controliset the voltage to whatever you wish for full-bodied fuzz or ripping splatty tones that explode when you dig in.

The Fuzz and Bias controls work in beautiful synchronicity with your guitar's volume control, bringing all kinds of flavors to the table. Anything from mild overdrive to almost envelope-like snarl is available with just a couple turns. Set the onboard controls just how you like and leave the heavy lifting to your guitar.

KNOBS:

Fuzz: Unlike the original, this control has range throughout, instead of just the maximum. Go from sparkling harmonic enhancement to blissed-out sustain with one turn.

Bias: This varies the voltage to Q2's collector, giving you a huge range of tones from zippy and lean to full and throaty.

Vol: There's more on tap here than in the stock unit, letting you really give your amp what-for.

TOGGLE SWITCHES:

Tone: This toggle switch delivers two different fuzz voicings. Chose from Tight (left) or Thick (right).

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The If 6 Was 9 requires a center-negative 9VDC power adapter with at least 3mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS: 4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$220.46 SAVE 17%
coming soon $183.71
FORTHCOMING
Solid Gold FX Funkzilla Tap Tempo Envelope Filter Effects Pedal
Cat: 792820 Rel: 31 Dec 20
 
Envelope filter effects pedal
Notes: When it comes to envelope filters, there are a funkload of options. Unfortunately, there are plenty of parameters with which to control them, and almost all envelope filters deny you access to at least one. "Let's just not give them a frequency control", some might say. Fear not, funkseeker, as the Funkzilla smashes all preconceptions of what an envelope filter should do and sound like- and it works on everything; guitars, bass, keys, you name it.

The Funkzilla is Solid Gold's take on everything enveloped, filtered or both. While all envelope filters give you the ability to coax that familiar "quack" sound from them, the Funkzilla contains the ability to shift the filtering from envelope control to LFO control. In other words, it's the ultimate funk box.

Attack, Depth and Freq(uency) controls come standard, as does the envelope direction (up or down). Beyond that, the heart of the Funkzilla lies within its Tap/Env switch. This switch toggles between standard envelope filter sounds and more dynamic autosweep sounds that take away the need for dynamics.

With this switch set to Tap, a plethora of options opens up. The Speed and Mode knobs become active, as does the tap switch, along with 1-2-4 and Wave toggles. The Speed knob now controls the speed of the auto-sweep (overridden by the Tap switch), and the 1-2-4 toggle controls the time subdivisions.

You can adjust the Funkzilla's Mode control to one of eight different rhythmic patterns for the utmost expression, and across those patterns, you can choose one of three different waveformsisine, ramp, and square.

An expression jack overrides the Speed control for some truly expressive filtering options, with some phaser and flanger overtones available for the brave.

Even without the bells and whistles, the Funkzilla is one killer envelope box and funks the joint up right out of the box. With the bells and whistles? Look out.

KNOBS:

Speed: When in Tap mode, this knob controls the rate at which the filter sweeps automatically, from near-frozen pulses to hyperdrive.

Mode: This eight-position control cycles through several rhythms and accents when in Tap mode. Because of the different rhythms, it is highly interactive with the standard filtering controls. Turning the Mode control fully left bypasses all functions.

Depth: Controls the intensity of the filter sweep across both Tap and Envelope modes.

Freq: Adjusts the center frequency of the filter sweeps. Turning the knob lower centers the filtering on the dubby side of things while turning it up gets you into Zappa territory. Works across both Tap and Envelope modes.

Attack: This control adjusts the time it takes for the filter to "open." Turning it doesn causes the envelope to open slowly, and turning it up opens the envelope very quickly. This knob works only in Envelope mode.

TOGGLE SWITCHES:

1 2 4: The tempo range of the Funkzilla lives in this switch. In Tap mode, it sets the subdivisions of your tapping. In standard mode, it sets the range of the Speed control.

Wave: A three position switch changes LFO waveforms between Sine, Ramp and Square modes. This switch is only available in Tap mode.

Dir: This switch toggles between forward and reverse envelope operations, and is available across both Envelope and Tap modes.

Tap/Env: Changes between the two main modes: Tap and Envelope. In Tap mode, the filter speed is set by either Speed knob, expression pedal or tap tempo. Each control will override the last one used. Envelope mode works as a standard envelope filter. Make sure that your instrument's volume is set to maximum for best results.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: In Tap mode, connecting an expression pedal gives hands-free control over the Speed knob for some psychedelic filter action. This effect is not available in Envelope mode.

True bypass footswitch: Turns the effect on and off.

Tap tempo footswitch: In Tap mode, sets the tempo of the filter sweeps.

POWER:

The Funkzilla requires a center-negative 9VDC power adapter with at least 15mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$319.60 SAVE 17%
coming soon $266.34
FORTHCOMING
Solid Gold FX Funk Lite Envelope Filter Effects Pedal
Cat: 792818 Rel: 31 Dec 20
 
Envelope filter effects pedal
Notes: If your mothership has touched down on planet Funkatron and you're not sporting a quality envelope filter, it'll be a long time before your tone blasts off. If you need the finest quack on the market, Solid Gold have got it. Introducing the Funk Lite.

The Funk Lite contains the envelope core from Solid Gold's all-encompassing Funkzilla, preserving all the fresh funk and powerful envelope generation you'd come to expect from one of our quackboxes. Unlike many filters that skimp on the features, this has everything you need with a sublime sweep for each knob and some extra bells.

The core of the Funk Lite contains the only three controls that you need: Depth, Freq(uency) and Attack. A toggle switch changes the direction of the sweep, giving you everything from deep dubby sloshes to Zappa filter stabs and everything in between.

Depth adjusts the intensity of the filter sweep, from shallow cuts to deep scallops, while the Freq control adjusts the center frequency of the sweep. The Attack control adjusts two parameters at once- the sensitivity of the filter opening and the decay of the overall tone. As you might expect, these three controls are incredibly interactive, with a multitude of funktions on tap.

The Funk Lite is perfectly voiced to squash any unwanted high peaks or rough envelope artifacts, and is engineered to accept line- or instrument-level signals from guitar and bass to keys and anything else you can think of. Combine all this with an all-analog signal path and true bypass switching, and you have a funk box worth talking about.

KNOBS:

Depth: From light and funky to deep and fun-kay, this knob adjusts the width of the envelope effect.

Freq: This control adjusts the frequency of the filter sweeps. At noon, the control is set neutral. Turn the knob down for lower-frequency dub blasts and turn it up for higher-frequency stabs that really cut.

Attack: This control determines how hard you have to hit the strings to get the filter to "open up." It adjusts two parameters at onceidecay time and the sensitivity. Turning the control up increases sensitivity but decreases the decay time, while turning it down decreases the sensitivity but increases the decay time. Turning this knob to zero slams the envelope shut and you can dial in fixed filter or "cocked wah" tones.

TOGGLE SWITCHES

Dir: Changes the sweep direction between forward and reverse.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER: The Funk Lite requires a center-negative 9VDC power adapter with at least 6mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS

4.39" x 2.34" x 1.06" (112 x 60 x 27mm)
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MRP:$220.46 SAVE 17%
coming soon $183.71
FORTHCOMING
Solid Gold FX Electroman MKII Oscillating Delay & Modulation Effects Pedal
Cat: 792811 Rel: 31 Dec 20
 
Delay + modulartion pedal
Notes: The debate over which type of delay is "the best" is one that has plagued guitar shops and internet forums for half a century. On one hand, we have analog purists that prefer the murky degraded repeats of an analog delay, while digital users prefer the exacting repeats of ones and zeroes. But Solid Gold simply like delays that are excellent, and the Electroman MKII is just that: An excellent, feature-rich delay that does everything right.

The core of the Electroman MKII is two cascaded digital delay lines, making bold strides in the arena of PT2399 chips. The PT2399 is a chip developed for DJ rigs and karaoke machines, and when tuned correctly, blurs the line between digital and analog.

The mode toggle takes advantage of that unique dual-line approach, giving you standard delay or one that sends the repeats only to the second chip for a cool half-time sound that will sit front and center on your next ambient or shoegaze record.

The second footswitch of the Electroman MKII retains our warp feature, which sends the repeats ramping up to self-oscillation for ambient textures and spatial soundscapes. But this time, you control the sensitivity with one of three settings on the warp toggle, from gentle nudging into infinity to instant freakouts.

Delay repeats are backed by an extremely musical modulation circuit, which has three selectable speed ranges and a generous flutter control, which increases the depth as you roll it up. This control turns the Electroman MKII into an instant tape echo simulator, where you can dial in just the right amount of digital wear and tear.

While the Electroman MKII is equipped with buffered bypass, the tails switch lets you decide whether or not the Electroman MKII chokes off the repeats when switched off, or leaves them trailing into your amp when bypassed. This feature lets you sculpt your sound just how you like, allowing for precision interplay with your other effects by affecting just one passage.

Level, repeat and time controls come standard, with the time control maxing out at 1 second of warm delay. The Electroman MKII's color knob will settle the debate between analog and digital snobs by shaving treble content from the repeats as the control is increased.

An extra jack on the left edge takes the Electroman MKII to the next level: The fx loop jack lets you connect a stereo Y-cable to as many auxiliary pedals as you like, with the looped effect applying itself to the repeats. Try an octave pedal for true space exploration, a ring modulator for a lo-fi delay and even a volume pedal for swells of repeats.

Tone is always the goal, so if you want an outstanding delay unit that hacks through the vines of tiered menus and other complicated fluff, let the Electroman MKII be your machete.

KNOBS:

Level: Changes the amount of wet signal from nothing at all to highly involved.

Repeat: At zero, you'll find the humblest of all delays: the slapback. At full-blast, the repeats will run away and overtake your signal.

Color: This control takes a little treble off the top as you turn it. Fully left is bare-naked digital, and turning it up increases the murk.

Flutter: Controls the modulation depth. Keeping this control at zero shuts the circuit off.

Time: Changes the delay time from a double tracking-esque 70 milliseconds to a full lengthy second.

TOGGLE SWITCHES:

Warp (toggle): Changes the intensity of the Warp footswitch across three modes, from subtle (center) assertive (left) to imminent lift-off (right).

Mode: Changes between standard delay (left) and a special second mode(right), which sends the repeats slamming into the second delay line at half time.

Speed: Offers three different speed settings of the modulation circuit - slow in the center position, fast when toggled right and medium in the left position. See also: flutter knob.

Tails: The Electroman MKII is buffered bypass, and this switch lets you decide how you want the repeats to behave with the pedal switched off: choked off when switched left, or trailing when switched right.

AUXILIARY

FX Loop Jack: This jack lets you attach a stereo Y-cable, allowing you to patch in any number of effects. These effects let you apply external effects only to the repeats, for endless amounts of fun. You can even run a full external pedalboard in this loop. We won't tell. In addition, the loop also doubles an an expression input to control the level knob.

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Warp Footswitch: Engaged self-oscillation when and where you want it, and relents when you release it.

True Bypass/Trails Footswitch: Turns effect on and off.

POWER:

The Electroman II requires a center-negative 9VDC power adapter with at least 40mA of current (not included). Almost all power supplies meet this requirement, but check yours first.

DIMENSIONS

4.67" x 3.68" x 1.18" (119mm x
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MRP:$319.60 SAVE 21%
coming soon $251.10
FORTHCOMING
Solid Gold FX Counter Current Reverb & Feedbacker Effects Pedal
Cat: 792808 Rel: 31 Dec 20
 
Reverb + feedback pedal
Notes: You've dipped your toes in the water with the Surf Rider, now it's time to get swept away in the Counter Current- the do-it-all immersive lo-fi reverb unit that gives you just the type of degraded reverb madness that you need to create crumbling walls of verb, 8-track garage rock ambience, and swells of bit-starved echo.

The heart of the Counter Current is three interconnected and highly interactive controls and one footswitch: F.Back (Feedback), Decay, Drive and the Momentary Feedback switch. By using these controls together and with generosity, all kinds of reverb sounds open right up.

Let's start with the Decay control: This knob affects the end result of all your careful knob placement, by extending the, well, decay time of the virtual reverb tank. Dialing it in nice and high keeps the trails ringing out longer and really lets you flood the front end of your amp with the heart of the Counter Current.

In keeping with lo-fi reverb tradition, the Drive control overloads the virtual reverb tank transducers, saturating the front end with a touch of extra gain that excites your tone in the best way. Dialing this control back gives you a characterfully clean reverb sound that still sounds an absolute treat, but go ahead- tweak that thang.

The Counter Current's Feedback control recycles the post-'verb signal into the front end for a chaotically rich reverb tone, increasing the resonance and augmenting the Drive control. Turning the control fully counterclockwise shuts the back door and keeps the feedback out of the input, retaining sparkle and clarity.

Of course, the Tone knob does wet-signal tone knob things, lightening or darkening the reverb signal, and the Level control adds wet signal to the mix. After you set those, it's time to examine the Momentary Feedback switch. Buckle up.

The Counter Current's secret weapon, the Momentary Feedback switch ramps up the feedback for some oscillating blasts of reverb just when you want them. Not only is it a killer tone, but it's a rock 'n' roll set ender. This switch's function, as you might expect, is extremely dependent on where the "core three" knobs are set, giving you everything from crunchy spring drip to bottomless wells of soft scuzzy ambience and everything in between. Step inside the Counter Current. It'll treat you well.

KNOBS:

Tone: This knob adjusts the frequencies of the reverb signal only, giving you 'verb tones from dark and intimate to bright and present.

F. Back: This adjusts the intensity of the momentary feedback footswitch function and works in conjunction with the drive and tone controls. Increasing this control will create a faster and more intense feedback.

Decay: Increases the size of the reverb space and the intensity of the signal.

Drive: This control lets you saturate the virtual transducers on the reverb unit, giving you additional grit, grime and drive before the 'verb kicks in.

Level: Controls the volume of the reverb (wet) signal.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Drive.

True bypass footswitch: Turns the effect on and off.

Momentary feedback footswitch: Hitting this switch will cause the reverb to feed back into itself creating sounds ranging from a mild oscillation to a screeching howl depending on where the f.back and drive controls are set.

POWER:

The Counter Current requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$246.55 SAVE 17%
coming soon $205.46
FORTHCOMING
Solid Gold FX Communication Breakdown Dual Fuzz Effects Pedal
Cat: 792803 Rel: 31 Dec 20
 
Fuzz pedal
Notes: Sporting two different modernized takes on the legendary Tone Bender circuit in one box, Communication Breakdown is an unabashed sonic love letter to the glorious fuzz tones of yesteryear.

This pedal is ready to reveal the stairway to tone heaven through its wide gain range, intuitive tone controls and the ability to use the two channels individually or together. From clear and refined low-gain grime, crushing walls of sound to beautifully compressed and singing leadtones, Communication Breakdown is sure to bring all of the good times and none of the bad.

Adding not one, but two amazing fuzz pedals to your collection, all in one compact box of gainy goodness. Fuzz A is born out of the fire and flames of the rare Tone Bender MK1.5, but brings it into the modern era by using hotter silicon transistors than the original. This results in a wide range of extremely powerful yet refined fuzz tones.

Fuzz B, on the other hand, takes a page (see what we did there) from the book of the classic Tonebender MKII, and preserves everything good and great about that snarling, saturated and compressed box of fuzzy wonder. But as an extra bonus, we added our JFET pre-amp to the equation in order to breathe more stability and tonal clarity into this legendary circuit.

But the really cool part is of course that you can use the two channels either individually or together, seeing you jump from a hairy rhythm tone to a soaring lead in seconds, or lets you sculpt unique dirt tone never heard before.

Each channel sports the same super intuitive controls, so you won't be left dazed and confused exploring its vast fuzzy playground. Besides the ubiquitous Fuzz and Volume controls, each side has a Bias knob, whichlets you vary the voltage sent to the circuits. Clock-wise will give you beefy and bold dirt tones, whereas counter-clockwise sees it unleash a more lean, choppy and gated fuzz tone.

On top of that you can further sculpt the overall tone of each side viathe simple three-way Color toggles, for everything from bright and biting full-range tones to smooth and dark, while the Input toggles let you adjust the input attenuation of the pedal, making sure that it plays well withany wahyou want to put in front of it.

So whether you're a classic fuzz connoisseur looking to nail history defining dirt tones or simply searching for a versatile fuzz pedal to jump-start your creativity, then the Communication Breakdown is sure to deliver.

KNOBS, SWITCHES, ETC.

Fuzz Knobs: Want less fuzz? Turn these suckers to the left. Boom, you're there. Want some more fuzz? Of course you do. Just take these fellas on a spin to the right.

Bias Knobs:These knobs vary the voltage to the collector of the second transistor. Turn 'em clockwise to fatten up your fuzz, or turn 'em counter-clockwise for a lean, choppy, gated fuzz tone.

Vol Knobs: Makes things louder, or less loud. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

Input Switch: These three-position switches adjust the input attenuation and wah friendliness of each side. "Right" is no attenuation. "Center" heavily cuts gain and bass, and "left" mildly cuts gain and bass. The center and left positions help adapt the Communication Breakdown to a more wah-friendly fuzz.

Color Switch: These are special three-position EQ controls that help you dial in your fuzz even further. "Left" rolls off some high-end and scoops the mids, "right" rolls off even more high-end and scoops even more mids. "Center" bypasses the EQ entirely.

Internal DIP Switches:Each side contains a DIP switch that toggles between Bold and Comp settings. Bold increases the output level and the midrange content, Comp delivers a softer and more compressed tone. Comp is the default setting, feel free to switch it up.

Input/Output:Instrument or other pedal goes on the right side; Amplifier or other pedal goes on the left side.

True bypass Footswitches:Turns each side of the effect on and off. Both Fuzz A and Fuzz B are independent.

Power:This pedal requires a center-negative 9 VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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FORTHCOMING
Solid Gold FX Beta MKII Bass Preamp & Overdrive Effects Pedal
Cat: 792797 Rel: 31 Dec 20
 
Preamp & bass overdrive effects pedal
Notes: With more and more bass players using pedals these days, its no surprise that four-stringers are looking to pedals to sweeten their tones. Sometimes, bassists must play direct, sometimes there are mix issues, and bass players are often required to keep their tone, and thus pedal selection, "tasteful" in the traditional sense. What if there was a pedal that answered all of these, and that it was dead simple to dial in right out of the box? There it is- the Beta MKII, you just might call it "the answer".

The Beta MKII is a beefed-up version of the original Beta circuit, giving you plenty of tube-like gain without the fizz or hassle. Two modes of operation dictate the amount of grime, tonal colorization, or both. These modes are Preamp and Overdrive.

The Beta MKII's Preamp side disengages the Gain control for a smooth, even-keeled preamp colorization. Both Tone and Volume controls are active in this position, for a subtle sweetening that you'll never turn offithink of those old Muscle Shoals tones or an Ampeg B15 Portaflex.

Flicking the switch to Overdrive mode reconnects the Gain control and gives you as much breakup as you could want, giving you harmonically-rich overdrive without being too aggressive or snappy. It sits just the way you want it to without overpowering anyone else. You'll be a better bandmate as a result.

Due to the expertly voiced EQ of the Beta MKII, you can warm up any lifeless rig, boring recording console or sterile mixer while still retaining dynamics and low-end. Perfection.

KNOBS:

Gain: Turn it up to give you a good amount of smooth, buttery gain that won't disrupt your low frequencies (hooray!)

Tone: Turn it left for a darker tone, turn it right for a brighter one.

Vol: Plenty of output to keep your amp nice and tight.

TOGGLE SWITCHES:

Mode: Two positions give you utmost flexibility. The left position gives you Preamp mode, which delivers a lighter, more tailored gain range that keeps you present. The right side is Overdrive mode that opens the Beta's full gain range up.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The Beta MKII requires a center-negative 9-18VDC power adapter with at least 6mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.39" x 2.34" x 1.06" (112 x 60 x 27mm)
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FORTHCOMING
Solid Gold FX Beta DLX Deluxe Bass Preamp Overdrive & Boost Effects Pedal
Cat: 792793 Rel: 31 Dec 20
 
Preamp overdrive & boost effects pedal
Notes: What if you had an all-in-one tonal powerhouse that could keep your tone snappy and crisp, with a boatload of options to keep your signal buoyant? The Beta DLX is such a device. By pairing it with your bass, you create a highly sophisticated tonal symbiote and your audience and bandmates will thank you.

The makeup of the Beta DLX is a super-customizable drive circuit that's paired with a juicy boost. Let's start with the drive circuit.

Volume, Tone and Gain controls come standard, and each one has an unreal range of flavors, but the five-pack of toggle switches are where the magic happens. The Beta DLX offers up fine-tuning for both channels, but Body, Mids and Clip are within the drive side's domain. Body adjusts the bass frequencies, while Mids does the same with the midrange frequencies. Clip changes the clipping threshold of the drive side. A bonus trimpot inside lets you adjust the overall gain for this side- truly putting the DLX in Beta DLX.

The Boost section of the Beta DLX gives you a powerful JFET-equipped boost. Yes, you can use it just by itself- a miracle! On this side, the B. Tone control alters the bass frequencies of the boost, while Pre/Post determines whether or not the boost side comes before or after the drive sideiuse the Pre side to push the drive side into sweet saturation, or use the Post side to kick your drive tone up a notch.

If you've ever found your bass tone lacking due to the multitude of hurdles you're forced to jump, the Beta DLX is your ace in the hole.

KNOBS:

Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!

TOGGLE SWITCHES:

Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.

UNDER THE HOOD

Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.

AUXILIARY

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.

POWER:

The Beta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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FORTHCOMING
Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal
Cat: 792775 Rel: 31 Dec 20
 
Fuzz & filter effects pedal
Notes: Introducing the new 76 Plus Octave-Up Fuzz & Filter Effects Pedal. The 76 Plus takes inspiration from the lauded Univox Super Fuzz, Shin-Ei Companion and Ibanez Standard Fuzz. It's a powerful, cutting fuzz with a baked-in octave up that's especially apparent the higher you go up the fretboard. Do you like fuzz? Then you'll especially like this fuzz.

But what really makes this pedal special is the inclusion of an independent wah-like filter that's as tasty as it is useable. The filter section of the 76 Plus offers a mind-boggling number of ways to add movement to your tone, from triangle and sawtooth waveforms, to 2, 3 and 4-step sequences.

This filter speed can be dialed in perfectly via the speed knob or for you control-freaks, you can use an external expression pedal (not included) to give you infinitely variable control. Rather than "boxing you in," the 76 Plus gives you both options.

Knobs & Switches:

Vol Knob (Right): Adjusts the Fuzz output volume, from quiet to your mum yelling, "TURN IT DOWN!"

Texture Knob: This control adjusts the mid frequency of the 76 Plus from a deep scoop to a mid-drenched grind.

Fuzz Knob: When you turn the Fuzz knob up, you get more fuzz- and vice versa.

Speed Knob: Adjusts the speed of the filter (disconnected when expression is plugged in).

Volume Knob (Left): Adjusts the output volume of the filter.

Color Switch: Shaves some top-end for a smoother, woolier fuzz. "Left" rolls off some treble, "Right" rolls off even more treble, and "Center" rolls off no treble.

Clip Switch: "Left" is the original vintage setting (heavy compression & extra breakup), "Right" is a tamer, balanced option, and "Center" is a punchy setting with the compression dialed back a bit.

Mode Switch: Toggles between three available filter modes: Manual (left), Triangle (center), and Square (right). Each mode has 3 corresponding shapes, controlled by the "Shape" switch.

Input/Output:Instrument or other pedal goes on the right side, Amplifier or other pedal goes on the left side.

EXP Input: Enables the Filter to be controlled by an expression pedal (not included).

True bypass Footswitches:Turns each side of the effect on and off.

Power:This pedal requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

Dimensions:4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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FORTHCOMING
Solid Gold FX 76 Octave Fuzz Octave-Up Fuzz Effects Pedal
Cat: 792771 Rel: 31 Dec 20
 
Fuzz pedal
Notes: While the Western world was preoccupied with its Fuzz Faces, Tone Benders and others, the Eastern world was bubbling up with plenty of fuzzes of its own. This very distinct era in fuzz history gave us many treasures that have been crowned fuzz legends - the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

The 76 offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks, such as a quiet signal or fragile wiring. On its face, the 76 gives you a multi-voiced germanium-equipped fuzz unit that gives you hints of octave-up snarl while it ruthlessly pummels your amp with hair and fangs.

Aside from standard volume and fuzz controls, and unlike the original Standard Fuzz, the 76 also gives you a texture control that sweeps the midrange, effectively giving you many flavors of fuzz across several positions. A three-way colour switch offers a little frequency scoop, but the center position is off, for full-frequency fuzz madness.

The internals contain two DIP switches that alter the character of the unit. The first, clip, changes the clipping stack from the stock Standard Fuzz arrangement of two germaniums into a hybrid germanium-silicon arrangement. Engaging this switch opens the sound up, increases crunch and definition for a searing lead tone.

The other switch, Dark, engages a treble cut on the input, which helps to prep the incoming signal for the fuzz onslaught. This switch should be engaged if the 76 follows a bright dirt pedal or a jangly set of pickups.

The new Standard Fuzz is here and is a forced to be reckoned with, leveling audiences with its punishing buzzsaw grind and unbridled harmonics. The 76 is your favourite fuzz nerd's favorite fuzz.

KNOBS:

Fuzz: Turning the Fuzz up ranges from a little crunch to more gain than you could ever want.

Texture: This control adjusts the mid frequency of the 76. Go from a deep scoop to a mid-drenched grind with a simple twist

Level: Adjusts the output volume, with more than enough on tap.

TOGGLE SWITCHES:

Color: Switches between three different frequency ranges, from scooped to full-frequency fuzz tones.

UNDER THE HOOD:

Clip (internal DIP): When on, the 76 employs germanium diodes for a spongier signal and a harder clipping threshold. When off, a silicon-germanium combo is employed, opening the fuzz signal up a little more. The default is on.

Dark (internal DIP): When on, the 76 cuts a good amount of treble from the input signal, useful for single-coils and wicking away treble from anything before it. When off, the treble cut is lifted. The default is off.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns effect on and off.

POWER:

The 76 requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement.

DIMENSIONS:

4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$220.46 SAVE 20%
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Singular Sound Footswitch + Two Button Footswitch Pedal Singular Sound Footswitch + Two Button Footswitch Pedal Singular Sound Footswitch + Two Button Footswitch Pedal
Cat: 782710 Rel: 15 Jul 20
 
Footswitch pedal
Notes: When you pair the Footswitch+ with the BeatBuddy or BeatBuddy MINI it gives you even more control over the beat. Right out of the box you get the ability to trigger accent hits, pause/unpause the beat, and navigate songs, genre, and tempo. However, when used with the BeatBuddy, you can do even more with the Footswitch+ like setting it to act as the main pedal.

But, it doesn't stop there! The Footswitch+ is hands down the best multipurpose 2 button footswitch on the market. It's built like a tank, is more comfortable than a footswitch has any right to be, and offers quiet, momentary switches.
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MRP:$61.31 SAVE 26%
 2 in stock $45.64
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Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal
Cat: 782709 Rel: 15 Jul 20
 
Drum machine pedal
Notes: With the BeatBuddy MINI 2 Drummer Pedal, use your foot to take full control over your drummer including transitions, fills, intros, and more.

The ergonomic button makes this drummer pedal perfect for playing or jamming out when wearing socks (or barefoot)!

Over 200 styles and samples of professional drummers result in a versatile and organic feeling drum machine.

The BeatBuddy MINI 2 drummer pedal is a more compact and affordable version of the award winning BeatBuddy drummer pedal. It's used by School of Rock, Taylor Robinson Guitar, Frost School of Music (University of Miami), and more as a tool for efficient and engaging practice.

The ability to play along with beats sampled from professional drummers and control them with nothing but your feet will help you improve your musical talent faster than ever before. Most importantly, the fun you'll be having along the way will keep you coming back for more.

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MRP:$254.38 SAVE 35%
 2 in stock $164.15
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Singular Sound BeatBuddy Drum Machine Pedal Singular Sound BeatBuddy Drum Machine Pedal Singular Sound BeatBuddy Drum Machine Pedal Singular Sound BeatBuddy Drum Machine Pedal
Cat: 782700 Rel: 15 Jul 20
 
Drum machine pedal
Notes: The BeatBuddy is a drum machine in a stompbox, or a drummer pedal for short. Use this drum pedal for guitar and many other instruments. Further, we've meticulously recorded professional drummers and paired their samples with an algorithm that results in the best sounding drum machine you've ever heard.

In addition to being the most realistic drum machine on the market, it's also the easiest guitar drum pedal to use. That is to say, there's no fussing around with sequencers, and controlling the beat during a live performance is as easy as stomping on the pedal to add fills, transitions, and outros.
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MRP:$468.32 SAVE 39%
 3 in stock $286.98
Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal
Cat: 782690 Rel: 15 Jul 20
 
Studio looper pedal
Notes: Easily one of the best looper pedals on the market. Huge power from this six-track effect, allowing you to perform in new and creative ways. Great clear sound and user-friendly design.

Supplier notes:
6 Track, Stereo Looper Pedal with Touch Enabled Screen, Hands Free Mixing, and Simultaneous Parallel and Sequential Looping

The Aeros Loop Studio includes 3 hours of mono recording time (1.5 stereo), upgradeable to 48 hours when using SD card

This pedal includes 2 x 1/4" (6.35mm) inputs, 2 x 1/4" (6.35mm) outputs, expression pedal support, MIDI in/out, 1/4" (6.35mm) stereo aux input, and 1/4" (6.35mm) stereo aux output.

Built in wifi and bluetooth for over the air updates, the Aeros Loop Studio offers a revolutionary looping experience

Featuring the ability to create 36 unique loops per song, the Aeros Loop Studio goes beyond what's expected of a looper pedal. Add unlimited overdubs for each loop, and record up to 48 hours (when using an SD card).

Blurring the lines between traditional loopers and audio workstations, the Aeros Loop Studio allows you to mix your tracks live during a performance using the built-in scroll wheel, and gives the ability to save and export songs. This will let you share your best loops with your fans.

With its 4.3" touch-enabled screen and color coded cues and waveforms, the Aeros looper will never leave you wondering where you are in the loop.

Additionally, the Aeros Loop Studio packs tons of power into a small form factor. Coming in at just 7.8"? x 5.6" (198 x 142 mm), the Aeros lets you add a 6 track, stereo looper to any pedalboard.

Of course, the Aeros had to be fully compatible with Singiular Sound's drummer pedal: The BeatBuddy. Using the two together is a plug and play experience.

This new looper also features bluetooth and wifi, enabling us to add exciting new features with over the air updates. Simply put, there's no other pedal that can match the Aeros Loop Studio.

SPECIFICATIONS
Quantize your tracks in any time signature or play in freeform mode.

6 parallel tracks and 6 song parts for a total of 36 distinct loops per song and in an industry first, but also, simultaneous parallel and sequential looping.

Unlimited overdubs enable you to create layers and depth in your loops without worrying about restrictions.

Save your loops with the USB port or an SD card.

3 hours mono, 1.5 hours stereo recording time (20 minutes per song) using internal storage and up to 48 hours storage when using an SD card.

32-bit floating point processing, 24-bit recording, professional DACs, <1ms latency, and 20hz - 20kHz range for studio quality recordings.

Digital dry through bypass.

In addition, wifi compatibility for over the air updates and exciting, yet to be announced features.

Bluetooth for reasons.

Four built-in footswitches with our comfort+ switch tops (perfect for playing barefoot or in socks).

There is a built-in scroll wheel for hands-free mixing during a performance.

MIDI in/out ports for syncing seamlessly with the BeatBuddy, other drum machines, effects, and more.

Additionally, it is compatible with any external expression pedal.

I/O: two 1/4" (6.35 mm) inputs, two 1/4" (6.35 mm) outputs, one 1/4" (6.35 mm) stereo aux input, one 1/4" (6.35 mm) stereo aux output.

9v (center negative), 360mA power supply included.

4.3" (109 mm) touch-enabled display.

Small form factor: 7.8" x 5.6" x 2.2" (198 x 142 x 56 mm).

Lightweight: 2lbs 4oz (936 g).

Aluminum construction with chip resistant black coating.

Requires Male to Male MIDI Cable for connecting to the MIDI Maestro and Male to Male MIDI Cable as well as MIDI Breakout Cable for connecting to the BeatBuddy
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MRP:$950.98 SAVE 32%
 4 in stock $650.07
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Pigtronix Philosopher's Tone Germanium Gold Micro Compressor Pedal
Cat: 685756 Rel: 01 Jun 18
 
Compressor effects pedal in micro-sized stompbox format
Notes: The Pigtronix Philosopher's Tone Germanium Gold Micro brings back the original Pigtronix custom shop compressor/sustainer/distortion effect - in micro form.

This superlative version of the award-winning and top-selling Pigtronix Philosopher's Tone compressor takes the original pedal's optical sustain engine and lets you mix in a layer of germanium-enhanced distortion.

The unique diode arrangement found in the Germanium Gold version delivers a smooth top end and rich midrange response, tailored to match the characteristics of the optical sustainer driving it. If you felt that the original circuits in the Philosopher's Tone were brilliant, wait 'til you hear how the Germanium distortion adds to the overall character of this compressor/sustainer pedal! The clean side of the Philosopher's Tone remains the same; dial in your Blend and Volume to get the signal you desire. Use the Sustain knob to dial in the amount of compression you need. Higher settings on this control will provide a noiseless clean sustain previously unheard of in compression pedals, while retaining the original integrity of your tone.

What makes the Germanium Gold version unique is the GRIT control. More than a simple gain knob, the Grit knob found on the Philosopher's Tone Germanium Gold Micro acts as a blend for the germanium-enhanced distortion found in this unit. You can dial in more or less grit, depending on your tastes. Your clean and overdriven tones from the Philosopher's Tone can be blended perfectly with just the right amount of grit for your playing. This stompbox features true-bypass switching and runs on standard 9VDC power with an internal, voltage-doubling circuit providing the superior clarity and overall output of 18VDC power rails. The Pigtronix Philosopher's Tone Germanium Gold Micro packs an unprecedented amount of boutique compression and germanium distortion into a micro-sized pedal.
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 1 in stock $151.10
Pigtronix Philosopher Bass Compressor Micro Pedal
Cat: 685752 Rel: 01 Jun 18
 
Compressor pedal for bass guitar in micro-sized stompbox format
Notes: Pigtronix Philosopher Bass Compressor Micro brings the heralded Philosopher's Tone compressor circuit to bassists in a micro-sized stompbox format. The SUSTAIN control on this pedal varies the compression threshold to provide everything from subtle peak limiting to infinite clean sustain, all with incredible low-end response. The Philosopher Bass Compressor also sports a BLEND knob, allowing the clean sound of your instrument to be heard in parallel with the optical compression. Blending some clean signal into the mix restores the instrument's natural string attack, while simultaneously providing the musical benefits of additional punch and sustain.

In addition to the wide-range analog compression circuit with unrivalled sustain and parallel blend, the Philosopher Bass Compressor's GRIT knob blends in a harmonic distortion tuned especially for low-frequency domination. Used with a tube or solid state amp - or even straight into a mixing board, DI or DAW - the Philosopher Bass Compressor Micro delivers a new level of control and power to bass players at an affordable price. The Philosopher Bass Compressor features true-bypass switching and runs on standard 9VDC power with an internal, voltage-doubling circuit providing 18VDC power rails for superior performance with active basses. Never before has so much bass-friendly compression been squeezed into such a small package.
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 2 in stock $148.92
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Pigtronix Octava Micro Pedal Pigtronix Octava Micro Pedal Pigtronix Octava Micro Pedal
Cat: 672171 Rel: 10 Jan 18
 
Octave fuzz/distortion pedal for electric guitar
Notes: Pigtronix Octava Micro is an expanded version of the octave up found in the original Pigtronix Disnortion pedal. This all-analog frequency doubler has an on-board low pass filter control that allows you to achieve singing octave up tones, anywhere on the neck, without adjusting your guitar's tone control.

Playing stable intervals such as octaves, 4ths and power chords result in gnarly, tweezed out grind, while other intervals create ring- modulator textures in all registers while Drive, Blend and Fuzz controls have been added to the original 2-knob design for added signal power and overall flexibility. A variable Drive circuit on the front end allows the musician to tailor the harmonic response of the of the octave circuitry to suit any set of pickups. The octave up is wired in series before a fuzz circuit that can be activated by a push button switch, allowing this micro pedal to produce the devastating, full-wave rectified distortion found in the original, large-format unit. The entire drive, octave, fuzz effect can then be mixed with the original clean signal using the Blend control to taste.
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 2 in stock $148.92
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Pigtronix Infinity 2 Double Looper Stereo Looping Pedal (B-STOCK) Pigtronix Infinity 2 Double Looper Stereo Looping Pedal (B-STOCK) Pigtronix Infinity 2 Double Looper Stereo Looping Pedal (B-STOCK) Pigtronix Infinity 2 Double Looper Stereo Looping Pedal (B-STOCK) Pigtronix Infinity 2 Double Looper Stereo Looping Pedal (B-STOCK)
Cat: 770695 Rel: 05 Feb 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.
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 1 in stock $213.48
Old Blood Noise Visitor Parallel Multi-Modulator Pedal
Cat: 782184 Rel: 21 Sep 20
 
Multi-modulator pedal
Notes: Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.
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MRP:$246.55 SAVE 19%
 1 in stock $200.02
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