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TC Electronic Quintessence Harmonizer Pedal TC Electronic Quintessence Harmonizer Pedal TC Electronic Quintessence Harmonizer Pedal TC Electronic Quintessence Harmonizer Pedal
Cat: 668374 Rel: 20 Oct 20
 
Harmonizer effects pedal for guitar, with TonePrint support & MASH footswitch
Notes: QUINTESSENCE HARMONY is a state-of-the-art intelligent harmonizer pedal that features expressive MASH technology and powerful TonePrint editing. Capable of beefing up your playing in any musical style from country or southern rock harmonies to Thin Lizzy-esque twin riffs and screaming metal leads, QUINTESSENCE follows your every whim with perfectly harmonized notes in a wide variety of modes and scales. With MASH, QUINTESSENCE can bend the harmonized notes without you moving a finger, momentarily harmonize just a few bars or notes and with our proprietary TonePrint technology you can even choose exotic scales and custom intervals for harmonies. Complex as it may sound, QUINTESSENCE sounds simply stunning - and its intuitive and straightforward design makes it easy to use.

QUINTESSENCE features a MASH footswitch giving you a powerful expressive tool without taking up any extra pedalboard real estate. By default the MASH switch has been assigned to bend your harmonized note up to the next interval within the scale but in TonePrint mode, you can assign MASH to control just about any aspect of the pedal including custom scale steps - both above and below the original harmony. This not only makes the QUINTESSENCE much more versatile as you can switch between two different intervals mid-song without having to fiddle with knobs, but it also lets you do fluid pedal steel bends worthy of the greasiest Nashville honky-tonks out there.

QUINTESSENCE quickly and easily lets you toggle between standard latch mode and momentary mode for spontaneously improvised harmonizing on the spot. This is useful when you need a little extra something in the last bar of your solo for dramatic effect or for riffs where you want an emphasis on a certain note or beat. If the boys are back in town and you know you're going to be playing long harmonized riffs and want to move around the stage a bit, set QUINTESSENCE to latch mode and run to the hills! And don't worry - MASH works in either setting.

If you don't feel like using one of the seven preset diatonic modes commonly used, the Custom scale mode lets you load in whichever flavor of tonality you want your harmonies to follow. When QUINTESSENCE is not in TonePrint mode the Custom mode is set for Locrian. Using the 3 TonePrint slots however, you can set it to a wealth of different custom scales. Feeling major pentatonic or harmonic minor today? Have at it, Hoss!

With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

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 9 in stock $101.32
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quote 668374
Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller
Cat: 783064 Rel: 24 Sep 20
 
MIDI pedal controller
Notes: The Midibox2 allows you to connect Empress Pedals equipped with a control port to MIDI. It converts the standard 5 pin MIDI cable to a simple guitar patch cable.

Specifications:
Power Input Voltage: 9V DC
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 30mA
Enclosure Material: Die Cast Aluminum
Input connector: Standard 5 pin MIDI connector
Output connector: 1/4" Jack
Height: 1.25"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lb
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MRP:$120.26 SAVE 16%
 1 in stock $101.32
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NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal
NUX
Cat: 735364 Rel: 04 Jun 19
 
Analogue acoustic preamp with digital effects & looper function
Notes: NUX Stageman Floor is an analogue acoustic preamp with digital effects and looper function. The preamp features a highly sensitive 3-band EQ with MID scoop toggle switch, adjustable notch filter and input gain control. It is equipped with multi-functional chorus & reverb effects. High headroom gain stage with 3-band EQ, mid-scoop and switchable response for piezo or magnetic pickups. A built-in looper can make use of both pedals for freeze and overdub effects. A complete stage or studio tool for acoustic players.
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MRP:$172.37 SAVE 40%
 2 in stock $103.54
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quote 735364
Mooer A7 Ambiance Pedal
Mooer A7 Ambiance Pedal (ambiance effects pedal)
Cat: 761054 Rel: 09 Jan 20
 
reverb pedal
Notes: New Reverb (Ambiance) pedal
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 1 in stock $103.54
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TC Electronic Brainwaves Pitchshifter Pedal (B-STOCK) TC Electronic Brainwaves Pitchshifter Pedal (B-STOCK) TC Electronic Brainwaves Pitchshifter Pedal (B-STOCK) TC Electronic Brainwaves Pitchshifter Pedal (B-STOCK)
Cat: 800946 Rel: 19 Oct 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Exceptional pitch shifter with studio-grade algorithms, 4 octave dual voices and groundbreaking MASH footswitch.

With its mind-bending range and kaleidoscopic pitch effects, the studio-grade BRAINWAVES PITCH SHIFTER is the perfect fusion of brains and brawn.

This pink-clad pitch professor masters a variety of polyphonic effects including whammy and detune, plus a bunch of others - thanks to the dedicated TonePrint app.

The award-winning MASH footswitch packs expression pedal performance into a pedalboard-friendly size.

Pitch-shifting mode expands your sound by adding up to two extra voices and letting you decide whether these voices go above or below the original signal.

Just imagine - the solo from "Owner of a Lonely Heart" never sounded so huge.

And since BRAINWAVES is polyphonic, you can use it on your standard-tuned guitar for a wide range of rock-solid sharp or flat tunings - without detuning the actual instrument.

With separate voices pitched in either direction, the polyphonic algorithm lets you easily process pitch-shifted chords, riffs, and furious flurries of single-notes. Since each voice is adjustable from unison to two octaves up or down (and anything in between), BRAINWAVES has more range than an interstellar battle cruiser. You can quickly create custom pitch settings via the free TonePrint app to find or expand your own pitch personality.

Whammy mode packs a powerful fistful of sonic punch. With 2 individually programmable voices, you can instantly go from nice and sweet, to a 2-octave, dive bomb explosion - just by MASHing the footswitch.

Detune mode lets you widen your sound for a more open, sweet and dynamic tone. Unlike most chorus effects, detuning plays really well with complex chord voicings, even those drenched in distortion.

BRAINWAVES also nails the squeaky clean, watery '80s tones we all know and love. Or slap on some dirt and dial up a shallow detune for the secret thickening agent from Van Halen's post-1984 tone. MASH down the footswitch for an extra dose of instant detune goodness; the Mix knob lets you blend in just the right amount of effect, keeping your sound balanced - even at extreme settings!

The BRAINWAVES PITCH SHIFTER features groundbreaking new technology that brings a wide range of creative expression to the party, controlled solely by how much pressure you apply to the depressed footswitch.

Years in the making, and only available in select TC Electronic products, this clever innovation elevates the common footswitch well above rather mundane duties, such as "On" and "Off". More importantly - MASH elevates your performance to the next level.

TonePrint means signature effects - and signature effects means truly creative tones.

With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

Download the free TonePrint app for Android and iPhone, choose the TonePrint you want to hear and beam it instantly from your phone through your guitar's pickup into your TonePrint pedal. No cables needed!
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 1 in stock $104.32
NUX NDR-5 Atlantic Delay & Reverb Pedal NUX NDR-5 Atlantic Delay & Reverb Pedal NUX NDR-5 Atlantic Delay & Reverb Pedal
NUX
Cat: 712793 Rel: 29 Nov 18
 
Effect Pedal with Inside Routing and Secondary Reverb Effects
Notes: Multi Delay and Reverb effect pedal with inside routing and secondary reverb effects. One of the best Delay and Reverb algorithms in a metal box. Special select 3 classic Delays & 3 classic Reverbs . . . and we added a bonus "Shimmer" and "Freeze" effects which let you create a dreamy waterfall shimmer~ especially handy for intros, interludes, and endings. And now, because of NUX's latest Core Image Technology, the new Verdugo Series effect pedals offer pro-level sound enhancement.
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MRP:$172.37 SAVE 38%
 More than 10 in stock $106.52
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quote 712793
NUX Loop Core Deluxe 24 Bit Looper Pedal Bundle NUX Loop Core Deluxe 24 Bit Looper Pedal Bundle NUX Loop Core Deluxe 24 Bit Looper Pedal Bundle
NUX
Cat: 712814 Rel: 29 Nov 18
 
Loop Core Deluxe with new features like Cab simulation and True-bypass
Notes: With upgraded hardware, the new Loop Core Deluxe allows you to record loop phrases up to 8 hours with unlimited layers in 24-bit high-resolution audio quality into 99 saved memories. Stop Modes To finish your playing, you can choose 3 different modes:

1- NORMAL MODE: Double tap - Instant Stop
2- FINISH MODE: Plays until the end of the last measure
3- FADE OUT MODE: 10 seconds Fade-Out Importing and Backing up Your Loop Phrases Connect your Loop Core Deluxe to your PC/Mac with a Mini-B USB connector to import available loop phrases or to back up yours.

Loop Core Deluxe is only compatible with 24-bit/44.1kHz WAV files.
Loop Core Deluxe Bundle The LOOP CORE BUNDLE includes the additional NMP-2 DUAL foot switch which is used to switch between loop phrases. Your recordings for verse, chorus, and bridge parts, can now be seamlessly accessed utilising the convenient DUAL foot switch.
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MRP:$172.37 SAVE 37%
 2 in stock $108.01
J Rockett Steampunk Boost & Buffer Effects Pedal
Cat: 783238 Rel: 30 Sep 20
 
Boost/buffer pedal
Notes: This highly versatile yet simple pedal is a perfect 2 in 1 Buffer Booster. The buffer is perfect for fixing any impedance issues created from using long cables and big boards. The buffer will allow you to save your tone and regain any high end loss that may occur. The good news, it is fully selectable so if you don't want it there is an internal slide switch and an LED indicator to let you know of it is in or out of the circuit. It can also be used whether the boost is engaged or not.

The boost feature provides a clean 20+ Db push to your amps and effects. Whether you need your solo to have more umph, want to drive your amp that last little bit towards total crunch or push your other overdrives into high gain mode the Steampunk is your pedal. The side benefit to the steampunk is that it can take a pefectly clean tones and add a magical sustain and
clarity.this is no Rangemeaster by any stretch but rather a chime machine that keeps your EQ spectrum in tact!

Dimensions: Coming Soon

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog-12mA current draw

True Bypass Switching
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MRP:$159.01 SAVE 32%
 1 in stock $108.58
Keeley Katana Mini Clean Boost Pedal
Cat: 782428 Rel: 04 Aug 20
 
Clean boost pedal
Notes: Mini Katana Clean Boost- Keeley's oldest design made smaller and with tasteful updates including an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Mayer! The Mini Katana boost provides over 35dB of boost. Enough for the most demanding players and sound reinforcement.

The new Mini Katana is now a 4 Mode Booster! With the dual micro switches you have a total of four sounds possible. Need drive, just flip the micro Hi-Gain Switch inside and you've got overdriven tone! Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele. Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap!

Obsessed with cleanest, most enjoyable tone boosted? Well, Before other people started using Blue LED's and non-diode clipping stages, there was the TMB and Katana.... Cascading FET stages do the tube-amp-thing like nothing else!

Now made smaller, it will fit any board - any budget. Enjoy a tasteful update to the pedal that redefined clean boost in the boutique era!
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MRP:$132.28 SAVE 18%
 1 in stock $109.11
Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal
Cat: 781709 Rel: 28 Jul 20
 
Overdrive pedal
Notes: Plumesr is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom and almost three-dimensional clarity that will push your amp over the edge. The reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain.

Controls:
1. Level: This controls the output volume.

2. Gain: This controls the amount of drive.

3. Tone: More bass to the left, more middles in the middle and more treble to the right.

4. Clipping Modes (3-Way Toggle):

1. Symmetrical LED clipping - More Crunch and Compression.

2. No clipping - Wide open OpAmp drive for clean boost.

3. Asymmetrical silicon diode clipping - More transparency with a loose feel.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 10 MO
Output Impedance: 100 O
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MRP:$140.30 SAVE 22%
 5 in stock $109.11
Maxon OD-808 Overdrive Reissue Series Pedal Maxon OD-808 Overdrive Reissue Series Pedal
Cat: 783412 Rel: 25 Sep 20
 
Overdrive pedal
Notes: Can a pedal be considered a clone if it's made by the company that made the original?!? Maxon designed the original OD808 overdrive circuit in the late 1970's - they then rebranded this pedal for Ibanez as the TS808 Tubescreamer, and the rest is history...

The OD808 Reissue offers up all the warm, creamy, organic overdrive as the original and then some. Never one to rest on their laurels, Maxon has tweaked the current version ever so slightly to reduce noise level while retaining the legendary "808" tone (see Tech Talk below).

The OD808 is the perfect pedal for adding smooth, tube-like overdrive to any clean amp - use it as a secondary dirt channel to beef up a song's chorus section, or keep it on all the time for the crunchy tone that has defined rock and roll.

The OD808 is also ideal for pushing an already overdriven amp over the edge, a la Stevie Ray Vaughan. Hell, stack two of them together like Stevie did and the house is a rockin'! You've never heard - or felt - bluesy goodness like this before.

In recent years the OD808 has been adopted as the overdrive of choice by a generation of guitarists in a most unlikely musical genre - metal.

Turns out that the OD808's mild compression and slight low-end cut are perfect for tightening up high-gain amps; allowing fast note runs to stand out with clarity while making rhythms tight and punchy. Just listen to any recording by Grammy-award winning Producer/Killswitch Engage founder Adam Dutkiewicz to hear how the OD808 has become the voice of a whole new generation of metal guitarists.

The Maxon OD808 - After 40 years it's still being used to reinvent guitar tone as we know it. Reinvent your tone - play the Maxon OD808.

Besides the fact that the Maxon OD808 Reissue sounds richer, warmer, and BETTER than the Ibanez TS808 Reissue, there are also these facts to consider:

Lower noise floor than TS808
Smaller, lighter enclosure
More reliable plunger type switch with soft-click tactile feel
More affordable
TECH TALK
Maxon developed the OD808 circuit more than 40 years ago, and since then it's become the most used, most imitated and most lauded overdrive circuit of all time. While the 808-style overdrive circuit is commonplace nowadays, in 1979 it was a unique design and an industry first.

The secret behind the legendary "808 tone" lies in the amplifier section of the circuit. Rather than having separate amplifier and clipping stages, the OD808 features a signal-distorting diode (Panasonic #MA150) located in the negative feedback loop of the amplifier stage.

The OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. The Reissue uses the correct JRC4558 Op Amp that made the 808 the tone of legend.

It should be noted that the Reissue Series OD808 uses different output resistors than the original version. Vintage TS808's are susceptible to microphonic noise due to static electricity buildup on the chassis. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels.

Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms
Output Jack: 1/4 inch standard phone jack
Output: 1
Controls: Drive, Tone, Balance
Switch: Normal/Effect
Noise (IHF-A): -110 dBu
Max Amplitude: 35 dBu
Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor
Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)
Current Consumption: 5 mA (9V) / 6 mA (10 V)
AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)
Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)
Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)
Weight: 260 g
Accessories: 9V Manganese dry cell battery (S-006P) x 1
Non-skid pad: x 1
Warranty Card: x 1
User's Manual: x 1
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MRP:$153.66 SAVE 28%
 1 in stock $109.94
TC Electronic Brainwaves Pitchshifter Pedal TC Electronic Brainwaves Pitchshifter Pedal TC Electronic Brainwaves Pitchshifter Pedal TC Electronic Brainwaves Pitchshifter Pedal
Cat: 781362 Rel: 19 Oct 20
 
Pitchshifter pedal
Notes: Exceptional pitch shifter with studio-grade algorithms, 4 octave dual voices and groundbreaking MASH footswitch.

With its mind-bending range and kaleidoscopic pitch effects, the studio-grade BRAINWAVES PITCH SHIFTER is the perfect fusion of brains and brawn.

This pink-clad pitch professor masters a variety of polyphonic effects including whammy and detune, plus a bunch of others - thanks to the dedicated TonePrint app.

The award-winning MASH footswitch packs expression pedal performance into a pedalboard-friendly size.

Pitch-shifting mode expands your sound by adding up to two extra voices and letting you decide whether these voices go above or below the original signal.

Just imagine - the solo from "Owner of a Lonely Heart" never sounded so huge.

And since BRAINWAVES is polyphonic, you can use it on your standard-tuned guitar for a wide range of rock-solid sharp or flat tunings - without detuning the actual instrument.

With separate voices pitched in either direction, the polyphonic algorithm lets you easily process pitch-shifted chords, riffs, and furious flurries of single-notes. Since each voice is adjustable from unison to two octaves up or down (and anything in between), BRAINWAVES has more range than an interstellar battle cruiser. You can quickly create custom pitch settings via the free TonePrint app to find or expand your own pitch personality.

Whammy mode packs a powerful fistful of sonic punch. With 2 individually programmable voices, you can instantly go from nice and sweet, to a 2-octave, dive bomb explosion - just by MASHing the footswitch.

Detune mode lets you widen your sound for a more open, sweet and dynamic tone. Unlike most chorus effects, detuning plays really well with complex chord voicings, even those drenched in distortion.

BRAINWAVES also nails the squeaky clean, watery '80s tones we all know and love. Or slap on some dirt and dial up a shallow detune for the secret thickening agent from Van Halen's post-1984 tone. MASH down the footswitch for an extra dose of instant detune goodness; the Mix knob lets you blend in just the right amount of effect, keeping your sound balanced - even at extreme settings!

The BRAINWAVES PITCH SHIFTER features groundbreaking new technology that brings a wide range of creative expression to the party, controlled solely by how much pressure you apply to the depressed footswitch.

Years in the making, and only available in select TC Electronic products, this clever innovation elevates the common footswitch well above rather mundane duties, such as "On" and "Off". More importantly - MASH elevates your performance to the next level.

TonePrint means signature effects - and signature effects means truly creative tones.

With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

Download the free TonePrint app for Android and iPhone, choose the TonePrint you want to hear and beam it instantly from your phone through your guitar's pickup into your TonePrint pedal. No cables needed!
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 8 in stock $110.22
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quote 781362
Electro Harmonix Hot Wax Dual Overdrive Pedal
Cat: 660823 Rel: 01 Sep 17
 
Dual-overdrive effects pedal for electric guitar & bass
Notes: Electro-Harmonix unveils the new Hot Wax pedal which combines the Crayon full-range overdrive and the Hot Tubes, a reissue of the classic 1970s CMOS overdrive. Each pedal can be used individually or they can be stacked with the Crayon driving the Hot Tubes to create new tones and textures.

Independent Volume and Drive controls are included for both overdrives as are dedicated pop-free footswitches and effect status LEDs. A master EQ section featuring Bass and Treble, plus a Blend control which lets the player mix in their dry signal, provide superior tonal control and flexibility making the Hot Wax ideal for guitar and bass.

The Hot Wax comes equipped with an EHX 9.6DC200mA power supply.
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MRP:$138.96 SAVE 21%
 5 in stock $110.24
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quote 660823
Electro Harmonix Mono Synth Effects Pedal
Cat: 719370 Rel: 18 Feb 19
 
Guitar synthesiser effects pedal with 11 monophonic synth sounds
Notes: The EHX Mono Synth transforms your guitar into eleven great sounding synthesizers... from vintage synth emulations to fat, stacked voices to soaring lead sounds and more.

The Mono Synth was designed to work on guitar without any modifications, special pickups or MIDI implementation. Its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. The pedal's DRY dial adjusts the dry guitar volume at the Synth Output while SYNTH controls the volume of the synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedal's response to your guitar and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides extra tweakability for customizing your sound. There's also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From string-like synths, to aggressive resonant sounds and deep drones and bell-like tones, the Mono Synth puts a collection of hot synthesizers at your fingertips.
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MRP:$156.34 SAVE 29%
 2 in stock $110.24
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quote 719370
Maxon OD-9 Overdrive Nine Series Pedal
Cat: 783322 Rel: 11 Sep 20
 
Overdrive pedal
Notes: While the OD808 may have been the first overdrive circuit of its kind, it was the OD-9 that cemented this sound in the history of Rock & Roll guitar.

Looking at the OD-9's circuit, you'll realize that this is not some redesign being cleverly marketed as a reissue - this is THE original OD-9 (TS-9) circuit, yet with the addition of true bypass switching. Even the PC board is the same one that Maxon's been using for the past 30+ years, complete with empty slots where parts for the FET switching circuit have been left out!

Like the original, the current production OD-9 features the NJM (JRC) 4558D Op Amp - an essential component for authentic "TS" tone. The NJM is smoother sounding and less compressed than other Op Amps, offering superior sound quality with low noise.

The absence of the FET switching circuit gives the OD-9 some added output and a slightly more open sound than the OD808, making it perfect for the classic rock tones that it helped to define.

If your future plans include a meteoric rise to rock & roll stardom, then rely on the legendary tones of the OD-9 to fuel your ascent.

The OD-9 is a true-to-spec reissue of the legendary 1980's OD-9/TS-9 circuit, with the addition of true bypass switching for clean, uncolored tone when bypassed.

TECH TALK:

Input is fed into a 2SC1815 emitter/follower transistor to optimize the signal's impedance structure. From here it's on to the first section of an NJM 4558D Op Amp - NJM is the company formerly known as the Japan Radio Corporation (JRC) - the legendary manufacturer that designed and built tons of these components in the late 70's/early 80's.

In this non-inverting Op Amp there are diodes in the feedback loop that clip the signal gradually as well as a High-Pass filter that keeps low frequencies from being distorted as much as high frequencies - the classic "808" configuration that creates the tone we all know and love.

After this is a passive LP filter and then an active tone stage that uses the other half of the Op Amp to create a HP filter that brings back frequencies cut by the inter-stage LP filter. After the tone stage it's through the volume pot, another E/F 2SC1815 to provide a low impedance output and then the true bypass switch.

The OD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - input signal is sent to ground when bypassed.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 1

Equivalent Input Noise: -114 dB or less (input shorted IHF-A weighted)

Maximum Output Level: 0 dBm

Maximum Gain: +40 dB (at 1.5 KHz)

Controls: Drive, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9 V) / 7 mA (10 V)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$153.66 SAVE 28%
 1 in stock $111.35
Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal
Cat: 781561 Rel: 14 Jul 20
 
Pre-amp booster pedal
Notes: The Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

Level: Adjusts Arrows output level. Clockwise is loud, counterclockwise is quiet.

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally receommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 8 mA
Input Impedance: 10 MO
Output Impedance: <10 kO
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MRP:$145.65 SAVE 24%
 1 in stock $111.35
J Rockett Squeegee Low-Noise Analogue Compressor Effects Pedal
Cat: 783236 Rel: 30 Sep 20
 
Compressor pedal
Notes: We all know the classic tones of The Police or laying down those killer funk lines, tearing it upwith our double stops or plinking out innerchordal melodies right? Well, they all really need compression.

This is not one of those recreations of a complicated studio compressor where you have no clue what any of the controls do. This is a basic two know job that makes it easy for the user, just like what the classic guitar tones were made of. Unlike most compressors that squash your tone a little too much or have too much noise when kicked on our Squeegee provides toneful compression that is dead quiet and feels like real tubes working hard.

Dimensions: Coming Soon

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog - 20mA current draw

True Bypass Switching
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MRP:$159.01 SAVE 29%
 1 in stock $112.45
NUX JTC Drum & Loop Pro Dual Pedal (B-STOCK) NUX JTC Drum & Loop Pro Dual Pedal (B-STOCK) NUX JTC Drum & Loop Pro Dual Pedal (B-STOCK)
NUX
Cat: 797958 Rel: 21 Oct 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


JTC Pro is an advanced drum & loop pedal with simplified controls, built into a dual switch stomp box pedal with 6 hours of recording capability and 256 loop track memories. Audio recording quality is 24-bit with a 44.1 kHz sample rate. A fully functional built-in drum machine section can be controlled on-the-fly by tapping tempo and punching in fills on demand using the 2 footswitches. A USB interface is included for firmware updates and can even load pre-recorded audio files to be used as backing tracks. Selectable playback modes and output options make this pedal an indispensable accompaniment tool for solo and duo performers.
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 1 in stock $112.66
Electro Harmonix Attack Decay Tape Reverse Simulator Pedal (B-STOCK) Electro Harmonix Attack Decay Tape Reverse Simulator Pedal (B-STOCK) Electro Harmonix Attack Decay Tape Reverse Simulator Pedal (B-STOCK) Electro Harmonix Attack Decay Tape Reverse Simulator Pedal (B-STOCK)
Cat: 801463 Rel: 06 Jun 19
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
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 1 in stock $113.70
Electro Harmonix Attack Decay Tape Reverse Simulator Pedal Electro Harmonix Attack Decay Tape Reverse Simulator Pedal Electro Harmonix Attack Decay Tape Reverse Simulator Pedal Electro Harmonix Attack Decay Tape Reverse Simulator Pedal
Cat: 719369 Rel: 06 Jun 19
 
Volume envelope manipulation with adjustable Decay & Attack times
Notes: The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
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MRP:$161.68 SAVE 28%
 2 in stock $115.81
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quote 719369
Danelectro The Breakdown Boost Overdrive Pedal (B-STOCK)
Cat: 792809 Rel: 13 May 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Rewind to 1968. Famous guitar god uses this pedal to record his first album. Entire planet goes nuts. Inexplicably, the pedal then disappears. Until now. Danelectro resurrects this awesome, incredibly organic sounding pedal. 6 position "Break Up" control takes your guitar signal and slams the front of your amp with increasing punch. Positions 1 through 3 are ear-friendly and have "leave on all the time" potential. Positions 4 through 6 grab you and knock you back against the nearest piece of concrete. But in the most pleasant way. Caution: Do not listen to this... unless you want it to be your life companion.
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 1 in stock $116.28
Old Blood Noise Buffer Pedal With Switchable 3-Band EQ
Cat: 782181 Rel: 31 Jul 20
 
Buffer pedal
Notes: An always-on Buffer and switchable 3 Band EQ. The buffer is helpful for long cable setups or when using an overabundance of pedals. The EQ is helpful in tailoring frequencies to specific parts, guitar switches or using it as an always on EQ.

The Buffer is always on. The On/Off switch only activates/deactivates the 3 Band EQ.

Controls :

Low: Slide up to boost and down to cut a 100 Hz Shelf

Mid:Slide up to boost and down to cut a 500 Hz Bell

High: Slide up to boost and down to cut a 2 KHz Shelf

9VDC, 9 mA
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MRP:$126.94
 1 in stock $116.90
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quote 782181
Danelectro The Breakdown Boost Overdrive Pedal
Cat: 727397 Rel: 13 May 19
 
Vintage style boost/overdrive effects pedal
Notes: Rewind to 1968. Famous guitar god uses this pedal to record his first album. Entire planet goes nuts. Inexplicably, the pedal then disappears. Until now. Danelectro resurrects this awesome, incredibly organic sounding pedal. 6 position "Break Up" control takes your guitar signal and slams the front of your amp with increasing punch. Positions 1 through 3 are ear-friendly and have "leave on all the time" potential. Positions 4 through 6 grab you and knock you back against the nearest piece of concrete. But in the most pleasant way. Caution: Do not listen to this... unless you want it to be your life companion.
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 2 in stock $117.33
Digitech Drop Polyphonic Drop Tune Pedal Digitech Drop Polyphonic Drop Tune Pedal Digitech Drop Polyphonic Drop Tune Pedal
Cat: 548856 Rel: 06 Oct 14
 
Polyphonic drop tune pedal with range from 1 semitone to 1 octave
Notes: The DigiTech Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.

Controls:
EFFECT SELECTOR KNOB- Selects which of the Drop effect settings is used when the effect is active.
MOMENTARY ON/OFF SWITCH - Selects how the effect footswitch will operate. Setting this switch to "ON" will cause the footswitch to act as a momentary switch (the effect will be enabled or disabled only as long as the footswitch is pressed and held). Setting this switch to "OFF" will cause the footswitch to act as a standard latching on/off switch.

Drop Effects Settings:
Setting 1 - Transposes guitar signal down 1 semitone
Setting 2 - Transposes guitar signal down 2 semitones
Setting 3 - Transposes guitar signal down 3 semitones
Setting 4 - Transposes guitar signal down 4 semitones
Setting 5 - Transposes guitar signal down 5 semitones
Setting 6 - Transposes guitar signal down 6 semitones.
Setting 7 - Transposes guitar signal down 7 semitones
Setting OCT - Transposes guitar signal down 1 octave.
Setting OCT + DRY - Transposes guitar signal down 1 octave and adds dry signal
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 1 in stock $117.85
Maxon SD-9 Sonic Distortion Nine Series Pedal
Cat: 783334 Rel: 25 Sep 20
 
Distortion pedal
Notes: Maxon's current-production reissue captures all the magic of the original with the added benefit of true bypass switching.

The SD-9 provides a smooth distortion that covers a wide range of Gain levels from mild overdrive through pseudo-fuzz. Regardless of the Gain setting, the SD-9 remains articulate and responsive to note dynamics, providing excellent sustain without crossing over into super-compressed Metal territory.

The SD-9's Tone knob has plenty of top end on tap, yet notes still retain a round, full-bodied tonality with the low end presence usually associated with amp distortion. The pedal's midrange response is smooth and even - present without seeming spiked.

Since its humble origins to its current place in the pedalboards of the stars, the Maxon Sonic Distortion has proven itself to be a timeless classic that has only improved with age.

Since its original release in the early 80's the Sonic Distortion has gained a huge cult following among tone connoisseurs, including the likes of guitar legends Scott Henderson and Mike Landau.

"The Maxon SD-9 is the best distortion pedal EVER made, period. It has the clarity and punch you get from a pedal, while retaining the low bass you get with amp distortion. The SD-9 is one of the rare pedals which sound equally great on both the neck and bridge pickups, whether they're humbucking or single coil. It's been a very important part of my tone for many years." - Scott Henderson

TECH TALK:
Input signal goes through a simple High-Pass filter into a transistor that's set up as an emitter/follower (high input impedance - low output impedance). After this it's into an Op Amp stage designed to give a gain range of 67 to 567and a Low-Pass Filter with a corner frequency of approximately 1540 Hz.

From here it's on to a set of opposing-direction diodes to ground and a tone control that is reminiscent of the Boss DS-1 (kind of a Big Muff dual High and Low cut - ending up with a mid scoop that has a high frequency limiting resistor with corner frequencies of 867Hz and 234Hz respectively).

The SD-9's dual diodes to ground give a crunchier, chewier distortion than the popular 808-style "diodes in feedback loop" configuration. Likewise, the SD-9's mid scoop is practically the antithesis of the 808's infamous mid hump.

After the tone control section it's through to a volume control and into another E/F transistor to provide a low impedance output and then on to the true bypass switch.

The SD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - Input is switched to ground when bypassed.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB or less (input shorted IHF-A weighted)

Maximum Output Level: 0 dBm

Maximum Gain: +42 dB (at 2.0 KHz)

Controls: Distortion, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9 V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Warranty Card: x 1

User's Manual: x 1
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MRP:$167.03 SAVE 29%
 1 in stock $119.16
Electro Harmonix Tri Parallel Effects Loop Mixer & Switcher Pedal
Cat: 738558 Rel: 16 Jul 19
 
3-way FX pedal switcher & mixer
Notes: EHX's Tri Parallel Mixer is a powerful effects creation and mixing hub. Three separate FX loops with flexible controls allow for multiple configurations, as follows:

- Run up to three FX Loops in parallel and create sounds that are not possible by connecting effects in series.
- Switch seamlessly between FX Loops in XOR mode
- Send one instrument out to three separate amplifiers
- Mix three instruments into a single output.

The Tri Parallel Mixer is surprisingly compact considering the level of functionality it provides, while its intuitive controls and I/O make it easy to operate. The Tri-Parallel Mixer comes with an EHX 9.6DC power supply.
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 1 in stock $120.26
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quote 738558
Electro Harmonix Bass Mono Synth Effects Pedal (B-STOCK)
Cat: 785279 Rel: 18 Feb 19
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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 1 in stock $121.37
Electro Harmonix Bass Mono Synth Effects Pedal (B-STOCK)
Cat: 785281
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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 1 in stock $121.37
Maxon PT-999 Phase Tone Phaser Reissue Series Pedal Maxon PT-999 Phase Tone Phaser Reissue Series Pedal
Cat: 783418 Rel: 21 Sep 20
 
Phaser pedal
Notes: With its single knob, the PT999 Phase Tone looks deceptively simple. Yet packed into this tiny blue box is a host of the most authentic 70's-era phasing effects available in a current production unit.

The secret behind the PT999's timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974. While many "reissue" effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

By adjusting the lone Rate control, a wide variety of expressive phasing nuances can be coaxed from the PT999 - all of them whisper quiet and amazingly transparent. Its minimalist circuit doesn't get in the way of your guitar tone - it simply accentuates it, working equally well to spice up clean or distorted sounds.

If you demand classic phase shifting effects without compromising your guitar's signature tone, the PT999 Phase Tone has no equals.

The PT999 is the easiest way to replicate classic 70's phasing tones without dropping $300-500 (or more!) for a vintage Phase 90.

TECH TALK:
The PT999's four-stage phasing circuit offers 720 degrees of phasing sweep variable from .2 to 14 Hz (cycles per second). The PT999's FET's (Toshiba #2SK246) are carefully sorted and matched by hand to produce the smoothest phasing sweep possible with low noise. Unlike some phasers, the PT999 runs negative feedback of the signal to each phase-shifting FET for less signal distortion.

The four-pole shift of the PT999 creates a chewy, organic phase with a subtle drive to the signal. The 4 phasing Op Amps work together to emphasize this phase point, as each successive one accentuates the notch of the previous, creating a very resonant effect. The subtle drive and resonance really bring out pick attack and add a degree of real, dirty dimensionality.

Internal trimmers adjust center frequency and width of the phasing sweep (factory calibrated, we recommend adjustment of these trimmers be left to a qualified technician).

The PT999 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Rate

Switch: Normal/Effect

Max Input Level: 0 dBu

Noise (IHF-A): -80 dBu

Speed Frequency: 0.2 Hz 14 Hz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 12 mA (9V) / 14 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$153.66 SAVE 17%
 1 in stock $126.93
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quote 783418
Electro Harmonix Oceans 11 Reverb Pedal
Cat: 691705 Rel: 25 Jun 18
 
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
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MRP:$188.40 SAVE 33%
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quote 691705
Maxon CP-101 Compressor Reissue Series Pedal Maxon CP-101 Compressor Reissue Series Pedal
Cat: 783403 Rel: 21 Sep 20
 
Compressor pedal
Notes: The CP101 is the perfect solution for players who need a compressor that doesn't get in the way of their tone. Its optical circuit has a slow, smooth reaction time that allows your initial note attack to pass through without being compressed, creating a more natural picking feel.

The CP101's 4:1 compression ratio is so subtle that it's easy to forget that it's on - until you turn it off, that is. While it is on, you'll notice note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and sustain that will last for days.

One thing you won't notice is the hiss and noise associated with VCA compressors - the CP101 has one of the lowest noise floors available in a stompbox Compressor, even with its Level and Compression controls set to max.

With its natural picking response, transparent effect and low-noise operation, the Maxon CP101 is the perfect compressor for players who hate using compressors.

TECH TALK:
At the heart of the CP101's circuit sits a single CdS (Cadmium Sulfur) Photocoupler. This light-sensitive component varies resistance based on the input signal to control the amp gain, increasing level as the input signal weakens.

Many other compressors accomplish this task using a VCA (voltage controlled amplifier), but the multiple transistors packed into a VCA inevitably lead to high noise levels, which means lots of "hiss" from your rig. The CP101's optical circuit keeps the noise floor low - so low that you can even run it after a distortion and still retain near-silent operation.

The CP101 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Sustain, Level

Switch: Normal/Effect

Max Input Level: 2 dBu

Max Output Level: 0 dBu

Noise (IHF-A): -110 dBu

Max Compression: 42 dB

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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 1 in stock $128.05
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quote 783403
Empress Effects Buffer FX Pedal
Cat: 782948 Rel: 24 Sep 20
 
Buffer pedal
Notes: The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy.
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MRP:$133.62
 1 in stock $130.27
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quote 782948
NUX JTC Drum & Loop Pro Dual Pedal NUX JTC Drum & Loop Pro Dual Pedal NUX JTC Drum & Loop Pro Dual Pedal
NUX
Cat: 747764 Rel: 21 Oct 19
 
Dual switch looper pedal
Notes: JTC Pro is an advanced drum & loop pedal with simplified controls, built into a dual switch stomp box pedal with 6 hours of recording capability and 256 loop track memories. Audio recording quality is 24-bit with a 44.1 kHz sample rate. A fully functional built-in drum machine section can be controlled on-the-fly by tapping tempo and punching in fills on demand using the 2 footswitches. A USB interface is included for firmware updates and can even load pre-recorded audio files to be used as backing tracks. Selectable playback modes and output options make this pedal an indispensable accompaniment tool for solo and duo performers.
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MRP:$172.37 SAVE 24%
 1 in stock $130.27
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quote 747764
J Rockett Touch All In One Overdrive Effects Pedal
Cat: 783233 Rel: 30 Sep 20
 
Overdrive pedal
Notes: Experience touch sensitivity within this pedal that makes your playing come alive! Play soft to experience near clean chime and simply play harder to make it scream! The Touch Overdrive has enough shades of gain on tap to cover a huge range of styles and its size makes it perfect for any pedalboard.

Dimensions: Coming Soon

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog - 12mA current draw

True Bypass Switching
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MRP:$159.01 SAVE 17%
 1 in stock $131.39
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Nux NBP-5 Melvin Lee Davis Bass Preamp & DI Pedal Nux NBP-5 Melvin Lee Davis Bass Preamp & DI Pedal
NUX
Cat: 778736 Rel: 16 Jul 20
 
Preamp + DI pedal
Notes: Signature preamp pedal of acclaimed U.S. bass guitar virtuoso Melvin Lee Davis. Features include 3-band EQ with swept mid-band, separate Drive footswitch for extra gain on demand, Impulse Response loader for custom cabinet simulation and balanced D.I. output for feed direct to a live or studio mixing console. Additional jack output, through connection to an amplifier, auxiliary line input and headphone outputs give even further options. USB connection to a P.C. for recording and control via the proprietary NuX software provides deeper editing possibilities. For ultimate bass tone, the MLD preamp can be the main control unit for any live or studio rig.

Specification
Power supply: 9Vdc, >150mA adaptor (not supplied)
DC input connection: 5.5 x 2.1mm DC jack
InputsInstrument: 6.3mm jack, Aux 3.5mm jack
Outputs: 6.3mm jack Out + Thru, XLR D.I. and 3.5mm headphones jack
Frequency response: 20Hz - 20kHz (-1dB)
Dynamic range: 100dB
Sampling format: 48kHz 32-bit
PC Com port: Micro USB (audio/firmware/editing)
Dimensions: 115 x 105 x 58mm
Weight: 460g

The box for this item contains :

MLD bass preamp + D.I.
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MRP:$212.46 SAVE 38%
 2 in stock $132.50
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quote 778736
NUX MG-300 Guitar Multi-FX Pedal NUX MG-300 Guitar Multi-FX Pedal NUX MG-300 Guitar Multi-FX Pedal NUX MG-300 Guitar Multi-FX Pedal NUX MG-300 Guitar Multi-FX Pedal NUX MG-300 Guitar Multi-FX Pedal NUX MG-300 Guitar Multi-FX Pedal NUX MG-300 Guitar Multi-FX Pedal
NUX
Cat: 785758 Rel: 14 Oct 20
 
Multi-FX pedal
Notes: The NuX MG-300 is a compact yet powerful live multi-effects processor, recording tool and practice companion for guitar players. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NuX TSAC algorithm, which delivers high definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high quality audio interface, completing the studio-ready guitar rig. The main output has options for guitar amplifiers, D.I to studio equipment or straight to a pair of headphones. On-the-fly controls and a full colour display complete the package, providing a comprehensive and affordable guitar workstation in a very portable format.

The box for this item contains :
NUX MG-300 multi-FX pedal
9Vdc UK power adaptor

Specifications:
Power supply: 9Vdc, 260mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB: portMicro-USB for audio interface and PC/Mac editing
Sampling format: 48kHz, 24-bit
Frequency response: 20Hz - 20kHz (i1dB)
Output: 6.3mm jack to mixer, amp or headphones
THD: +N<0.03%
Dynamic range: 110dB
Input level: -20dB
Output level: -10dB
Dimensions: 230 x 160 x 58mm
Weight: 754g
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MRP:$145.65
 4 in stock $132.51
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quote 785758
Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal
Cat: 781143 Rel: 14 Jul 20
 
Distortion pedal
Notes: The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!

Since tone is in the hands, the controls of the Acapulco Gold are as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right?

Big Knob: The big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL, the Acapulco Gold is extremely loud!

With your guitar's volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.

How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 18 mA

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MRP:$180.39 SAVE 26%
 3 in stock $133.61
Maxon D&S Distortion & Sustainer Reissue Series Pedal
Cat: 783406 Rel: 15 Oct 20
 
Distortion pedal
Notes: The EH Big Muff Pi defined the guitar tones of the 70's and then re-defined them in the 90's. Yet for all its legendary pedigree, the Pi of today is a far cry from the triangle knobs and ram's heads that came before it.

Originally released in 1974, the D&S Distortion & Sustainer creates the same silky, compressed fuzz that those vintage Muffs are famous for. Yet where Muffs have a tendency to "blanket" your original guitar tone, the D&S retains more of the original sound and feel of your instrument and amp.

By using hand-selected low-noise transistors, the D&S actually offers more gain than a vintage Black & Red, yet with a lower noise floor. That's right - MORE distortion with LESS noise.

The smooth EQ sweep of the D&S Tone control covers a frequency range that is narrower yet more useful than the Pi's - This tighter, more focused EQ provides superior note definition, even when playing chords.

The combination of these elements gives the D&S the ability to produce huge amounts of distortion with minimal alteration to your guitar's tone.

One big wall of raw, grungy nastiness in a box - the D&S takes the sound of the greatest vintage Muff and turns it up to 11.

TECH TALK:
The secret to the D&S' smooth tone and natural response lies in two areas of its circuit. First, the Hi boost/Hi cut Tone control retains low end response while adding top-end clarity to notes. Next, high-grade, low noise Toshiba 2SC1815 transistors offer more intense distortion with minimal noise and signal degradation.

The D&S features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Distortion, Tone, Balance

Switch: Normal/Effect

Noise (IHF-A): -110 dBu

Max Amplitude: 40 dBu

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 260 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$153.66 SAVE 13%
 1 in stock $133.61
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quote 783406
Electro Harmonix Mod 11 Modulation Pedal Electro Harmonix Mod 11 Modulation Pedal Electro Harmonix Mod 11 Modulation Pedal Electro Harmonix Mod 11 Modulation Pedal
Cat: 744056 Rel: 10 Oct 19
 
Modulator effects pedal for guitar with 11 modulations, depth control, rate control, volume/colour control & momentary mode
Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
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MRP:$188.40 SAVE 28%
 3 in stock $135.85
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quote 744056
Maxon GE-601 Graphic Equalizer Reissue Series Pedal Maxon GE-601 Graphic Equalizer Reissue Series Pedal
Cat: 783410 Rel: 25 Sep 20
 
EQ pedal
Notes: EQ's may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively). There's also a Master Level control with 12 dB of overall Boost/Cut.

Adjusting these controls, the GE601 can be used to fine tune your sound in an infinite variety of ways, a few of which are detailed below:

Pickup Simulator (Humbucker to single coil) - To turn a Humbucker into a Single Coil, cut 200, 400, & 800 Hz and Boost 100 Hz & 1.6 KHz.

Pickup Simulator (passive Bass to active Bass) - Cut 200 Hz and Boost 100 Hz & 1.6 KHz to give a passive Bass the clarity and punch of an active instrument.

Pickup Simulator (single coil to piezo)- Cut 200, 400, & 800 Hz and Boost 100 Hz, 1.6 & 3.2 KHz to make a single coil electric simulate the bright, chiming sound of an acoustic guitar with piezo pickup.

Half-cocked Wah - Boost at 800 Hz to emulate the tone of a wah pedal with the treadle set half-way forward. This setting is also ideal for solo boosts (Adjust Level control to taste).

Clean Booster - Leave all frequency bands flat and boost the Level control to use as a clean booster for solos or to overdrive an amplifier's input. For more output, set all frequency bands to maximum boost.

TECH TALK:
After a low-impedance input buffer, the GE601 splits its signal into 6 parallel EQ bands each powered by its own Op Amp (JRC4558). Through the sweep of the slider you can cut or boost the selected frequency.

Boost is created by feeding the effected signal back into the Op Amp, creating an effect of exponential multiplication of that frequency - the higher the slider, the more of the effected signal is fed back through the EQ Op Amp chain.

The GE601 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Cut/Boost (6), Level (1)

Switch: Normal/Effect

Max Input: 4 dBu

Noise (IHF-A): -110 dBu

Max Amplitude: 12 dB

Frequency Range: 100 Hz 3.2 KHz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 240 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$153.66 SAVE 11%
 1 in stock $136.95
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quote 783410
Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal
Cat: 781743 Rel: 14 Jul 20
 
Octave up pedal
Notes: The Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we'd like to know too). What's better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.

Tech Specs:
Flexi-Switch Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.00 in. (121 x 64 x 51 mm) with footswitch
Current Draw: 10 mA
Input Impedance: 100 kO
Output Impedance: <1 kO
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MRP:$180.39 SAVE 24%
 1 in stock $136.95
Mad Professor Stone Grey Distortion Modernised Mod Limited Edition Pedal
Notes: This pedal was developed for high gain applications and specifically for clarity at heavy distortion levels.

The Stone Grey Distortion is unique in that it has razor sharp dynamics and high gain intensity. It's ready for drop tuning, 7 string, and modern rock players who are seeking extreme gain with intense string to string definition.

Play a chord and hear each note distinctly, instead of it turning to mush like many other high gain pedals.

With the gain turned down, the Stone Grey Distortion approaches overdrive-like textures and responds to the player's touch and dynamics like our other Mad Professor pedals do.
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 1 in stock $137.39
Fulltone Full-Drive 1	Overdrive Pedal
Cat: 782522 Rel: 16 Sep 20
 
Overdrive pedal
Notes: Yes it's true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes... with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90's FD2 anymore.

Soundwise, this is based on the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the "pre FM/pre-MOSFET" versions of the FD2. This tiny pedal is the size of Fulltone's Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.

size: 4.8" x 2.9" x 2.35"
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MRP:$193.75 SAVE 29%
 2 in stock $137.62
NUX NSS-5 Solid Studio IR & Power Amp Simulator Pedal NUX NSS-5 Solid Studio IR & Power Amp Simulator Pedal NUX NSS-5 Solid Studio IR & Power Amp Simulator Pedal NUX NSS-5 Solid Studio IR & Power Amp Simulator Pedal
NUX
Cat: 712791 Rel: 29 Nov 18
 
IR Loader with built-in cabinet and power amp simulator with 3 tubes
Notes: The New Era of Mic-ing! NUX Solid Studio was created and designed to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets. NUX is proud to introduce the new Verdugo series Solid Studio IR & Power Amp simulator, a pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes. Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above all, incredible audio quality. Virtual mic-ing is achieved by choosing 1 cabinet and 1 microphone, and fine-tuning the position of the microphone using the mic position switch. Plus, you can add the tube sound by engaging the power amp simulation.
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MRP:$225.82 SAVE 39%
 More than 10 in stock $138.07
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quote 712791
J Rockett Immortal Echo Warm Echo With Tone Control Effects Pedal
Cat: 783232 Rel: 30 Sep 20
 
Echo pedal
Notes: The Immortal Blue Echo pedal was made with the intention of creating a vintage style echo with full controls, but in a housing for any board size! With an all analog dry signal and warm repeats the Immortal Echo has an addictive ethereal sound that makes the delayed notes musical. J Rockett surveyed many Nashville touring players about what added feature they would like to see and almost everyone said Tone Control.

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog/Digital hybrid - 28mA current draw

True Bypass Switching
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MRP:$159.01 SAVE 12%
 1 in stock $139.19
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quote 783232
Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal (B-STOCK)
Cat: 802100 Rel: 04 Feb 15
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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 1 in stock $140.93
Keeley Compressor Plus Classic Compressor Pedal With Added Tone And Blend Control
Notes: The Keeley Compressor is the most popular boutique compressor in the world.

The Keeley Compressor Plus is the first true advancement in Keeley's 2 and 4 knob compressor line. The new features are simple and straight forward. Now, there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. The Tone Control was also added, which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.

The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.

The new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in "compression mode" for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.

The Tone Control is Keeley's own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. That circuit was then taken and made it into a full fledged tone controll- it is the perfect way to gently add back in those highs lost in the compression process.

The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!

This compressor isn't just for heavy funk or chicken pickin' anymore.The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you've only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you've heard. Nothing pushes an amp better than the Keeley Compressor Plus.
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MRP:$172.37 SAVE 18%
 1 in stock $141.41
Fulltone OCD V2 Obsessive Compulsive Drive Pedal
Cat: 782848 Rel: 24 Aug 20
 
Drive pedal
Notes: The OCD has received many slight tweaks since its birth in 2004, often incorrectly identified as version 2, Version 3, Version 4. In reality there has always been only one version- Version 1, with very slight variations in a couple of values after that making them V1.0 through V1.8. On 6/15/2017 we released a new OCD, different enough that it warrants a V2 designation, an explanation, and a trip to your favorite dealer to give it another listen. Not a subtle change when turned on- not a subtle change when turned off (in E.B. mode).

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer.

NEW FEATURE: output buffer (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode) which eliminates it from being influenced by effects that came after it. Translation, your sound remains consistent regardless of placement in today's more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal's hard-clipping stage, allowing more sustain of both the sound and the overtones.

NEW FEATURE: Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms (previously 330K) and increasing the dynamics- resulting in significantly better interaction with both single coil and humbuckers.

NEW FEATURE Internal switch to choose between Enhanced Bypass & True-Bypass, and with no popping sound in either mode. No other company offers EB invented it.
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MRP:$199.09 SAVE 28%
 3 in stock $142.52
KMA Audio Machines Queequeg Sub Octave Generator Pedal
Cat: 782237 Rel: 31 Jul 20
 
Octave generator pedal
Notes: Guided by an immortal spirit and encouraged by the old seer's prophecy to plunge into the abyssal sea fulfilling his destiny. He is holding his weapon with ease willing to tame the tremendous beast and showing you the beauty of the deepest sounds. Queequeg - just one man to pave the way for your intense suboctave experience!

Queequeq is KMA Audio Machine's take on a simple, yet massive analog monophonic suboctave generating device. Our aim was to provide a super easy to use and ultra-fast tracking suboctaver in a small footprint that works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

With its one knob SUB control, you are able to dial in the right blend of the generated suboctave and your clean signal. Queequeq's quick tracking benefits from the all-analog circuit design, giving you a very organic and smooth suboctave sound.

Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of Queequeg's specialties. The SUB control goes from completely clean on the left, to 100% suboctave action on the right side and with different sonic blends in between.
Your search for an easy to set and great-sounding all analog sub octaver ends right here with the Queequeg.

Powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 10mA current draw)
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MRP:$172.37 SAVE 17%
 2 in stock $142.52
KMA Audio Machines Fuzzly Bear Silicium Fuzz Pedal
Cat: 782224 Rel: 31 Jul 20
 
Fuzz pedal
Notes: Holy Spirit of the forest, the Fuzzly Bear fuzz pedal is here, so kick the Switch to unleash the beast!

The sound of this fuzz-pedal is influenced by an old rare and underrated fuzz box from the 1970s, the classic Jordan Boss Tone. The main reason though why this pedal did not conquer the world of effects back in the day, was due to its massive lack of bass. However, the fuzz could be heavenly and ranged from a snake's hiss, to a kitten's purr or it could just be downright nasty and trebly. When you found the sweet spot though, it had such a rich voice and all in a day when most fuzz boxes prided themselves on being overwhelmingly grainy or just downright harsh.

KMA refined the circuit to get the essence of that old-school sound, but with a modern twist. First of all, they brought back the low end and added a bias control to explore lots of new capabilities of this long forgotten pedal.

The essential SKIN/MEAT knob controls the bias of the circuit. You can dial in a sharp skinny fuzzy drive tone or a thick and meaty wall of furry. The GAIN control delivers a whole range of different fuzz shapes.

Back it off to get a dirty chunky overdriven tone, turn it up and your tone becomes thicker and thicker. Set the gain fully clockwise and magic will happen: The smooth decay turns into a starved and gated fuzz sound, perfect for classic tunes.

Powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 2mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. Doublesided PCBs designed, tested and assembled by KMA were used, to guarantee a high quality standard and keep the price of the pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures maximum durability.



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MRP:$207.11 SAVE 31%
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