Search dance music

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: The Zomo RS-250 XT LP case satisfies by its modern design and compact construction. By the 30/70 divide the recordcase can be comfortably splitted and the content can be separated in 3 halves. The 2 lockable snap locks can be closed by the including keys to safe the content.


Sheer genius and totally cool! It's ZOMO!

Notes: The SVF is a 4hp 2 pole 12dB State Variable Filter Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.

At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.

There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.

The new black and white pcb/panel is reversible meaning, one side is classic (first picture) and the other side is soulless (second picture).

Review: The name 'Ocean Colour Scene' is an amalgamation of the eponymous band's three favourite words. This direct-democratic approach to band-naming should be an example to us all. But what of their music? 'Yesterday Today 1992-1997' compiles the West Midlands band's most eminent songs, which largely fall in the category of Britpop and indie. While commercial success for the group was limited (indeed bands like Oasis, Blur and The Verve were monopolizing the market), that says absolutely nothing about the quality of the music on this retrospective. Quite the contrary, actually; with selections spanning over ten studio albums, songs like 'Sway', 'Talk On' and 'Blue Deep Ocean' sound equally nostalgic and optimistic for a better musical future than now.

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: The Yamaha MG Series of mixers feature a design and construction that will handle the standard wear and tear of the active musician. Featuring the steel chassis that is impact resistant and powder coated, this mixer will take any bumps and scratches without it getting damaged or looking old. The sleek design does not compromise any part of the finished product.

A state of the art design allows for convection cooling, meaning your power unit will not overheat your unit after continuous use. Separating the power supply from the analog circuitry inside the mixer allows for near silent background noise, allowing for a serious and high quality output sound. As well as this, the knob placement has been put above the chassis of the console, thus not damaging circuitry underneath should the device ever be dropped or mishandled.

The MG06 includes a number of features that make it stand out above the rest of compact mixers on the market. It has phantom power on the first two channel's class A preamps for any condenser microphones as well as a mono/stereo select button for instant control and flexibility. These two channels also include a 2 band EQ and a high pass filter, allowing a lot of frequency control on such a small mixer.

As well as this, two stereo channels for jack devices make up channels 3 through to 6. Outputs are aplenty on the MG06, featuring stereo jack and XLR outputs, as well as a phones output for monitoring purposes.

Notes: Updated expander module for the Moskwa II sequencer. The Ostankino adds additional connectivity to the Moskwa II, allowing CV control of most parameters, plus extra outputs.

Supplier's Notes:
Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Review: Van Halen's third release, Women & Children First, showcases the band coming into their own after their meteoric rice to fame in the late 70s. Originally released in 1980, the album made the top ten and sold over three million copies with little radio play and not even a top 40 song. The album is also ranked #36 in the top 100 Heavy Metal records of all time. Released on limited numbered 180 gram at 45RPM Audiophile SuperVinyl with the UltraDisc One-Step process spread across two records. Mobile Fidelity Sound Lab US's pressing is perhaps the ultimate copy to have for the discerning audiophile.

Notes: The tiny but mighty Eurorack power supply. Winterbloom's love letter to DIYers is perfect for custom cases.

Micronova is a miniature 100x30mm power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

Despite being adorably small, Micronova provides lots of flexibility for custom case builds. It can be powered through an attached DC barrel jack, screw terminals, or through an optional front entry panel.

Micronova is equipped with two Eurorack power headers that can be expanded using a busboard or flying bus cable.

Micronova also has critical safety features including reverse polarity protection, a resettable polyfuse, and over-current shutdown.

A suitable AC-DC power adapter is required.

A tiny 100mm x 30mm board with M3 mounting holes
Provides +12V @ 1A, -12V @ 300mA, and +5V @ 500mA
Includes two 16-pin Eurorack power headers
Requires a 15V to 20V center positive DC power supply
Multiple units can be daisy chained
Reverse-polarity, over-current, and over-temperature protection

Notes: The Fundamental Tremolo is a classic optical tremolo, giving you that iconic chewy movement. With three wave shapes to select from, you can get sounds from smooth and soothing to glitchy, wild, and crazy.

Use the Rate slider to set how fast or slow the LFO is oscillating. A lower rate gives a gentle wavering texture, while a higher rate gives a rapid pulsating effect.

The Depth slider controls the strength of the tremolo effect. Move the slider to the left for subtle tremolo or to the right for maximum chop.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between three distinct oscillator waveforms:

Sine: Gradually adds and decreases volume smoothly for a easy and subtle tremolo.
Square: Much more pronounced than sine, square wave has a more on-off pattern.
Random: Uses sample and hold that picks new random values at an interval set by the rate control.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp's custom transformer to convert line-level signals, optimizing them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.
2. Out from Re-Amp into pedals or mic'd amp.
3. Out from pedals / amp back into DAW.

Specs

Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Power Requirement : None - Passive
Audio Circuit: Transformer Isolated

Review: RECOMMENDED
How can heavy metal-ers not get excited about this one? While sporting a pretty serious price tag, this Super Deluxe edition of Black Sabbath's seminal fourth album is certainly one for the collectors, who will delight in the 11 additional studio recordings featured in the huge amount of bonus material here, which include snippets of studio dialogue, false starts and more rough around the edges nuances that bring the work to life.

As for the LP itself, it was something of a landmark moment in the band's journey - shifting the intensity and ferocity up at least three gears and then sticking a brick on the throttle to hold it in place. Perhaps Mojo's take on things puts it best; ""If booze and dope had helped fuel Sabbath's earlier albums, Vol. 4 is their cocaine ... Despite their spiraling addictions, musically Vol. 4 is another ambitious outing". Enough said.

Notes: A simple noise generator and 4 band fixed filter bank.

The noise is normalled to the Filterbank input. The cutoff frequencies are matched to the Bark Filter, so that four bands of the Bark Filter correspond to a band on the Noise & Filter.

It is a small and quick noise source and pairs well with Scan & Pan and Amp & Tone.

HP : 4

Review: Van Halen's sophomore album, Van Halen II, receives the deluxe treatment here with this limited, numbered, 180 gram 45 rpm Audiophile SuperVinyl UltraDisc One-Step 2xLP box set. Originally released in 1979, the album showcases the band's electrifying blend of hard rock and heavy metal, propelled by Eddie Van Halen's revolutionary guitar work and David Lee Roth's charismatic vocals. With classics like 'Dance the Night Away' and 'Beautiful Girls,' the album captures the band at the peak of their powers. Remastered for vinyl with meticulous attention to detail, this deluxe edition offers audiophiles a pristine listening experience, making it a must-have for collectors and fans alike.

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on-the-go DJs / Producers. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It lets you safely store your digital controller (such as the Pioneer DDJ-REV7, XDJ-RX3, XDJ-XZ, XDJ-RX2, DDJ-RZ, DDJ-SZ2, Numark NS7III) in the main compartment. The UDG Controller Sleeve is available in 3 sizes: Medium, Large & Extra Large skilfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,90 kg / 6.38 lbs
Outer Dimensions (W x H x D): 92.2 x 49.2 x 13.5 cm | 36.3 x 19.4 x 5.3 inch
Inner Dimensions (W x H x D): 89.2 x 46.2 x 10.5 cm | 35.1 x 18.2 x 4.1 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits

Pioneer DDJ-REV7, XDJ-RX3, XDJ-XZ, XDJ-RX2, DDJ-SZ2, DDJ-RZ, DDJ-SZ, XDJ-RX
Numark NS7III/ NS7II/ NS7 FX
Denon DJ MCX8000
Or similar size controllers

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Pioneer PLX-CRSS12 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium

Protection:

Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel

Fits

Pioneer PLX-CRSS12 turntable

Notes: UDG have further fine-tuned what was already a great design concept for a flight case into one especially for the most discerning DJ/producer. It is constructed from aluminium, thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing the user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Black
Weight: 4,55 kg / 10.01 lbs
Outer Dimensions (W x H x D): 49 x 42.3 x 21 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 48 x 41.3 x 20 cm | 18.9 x 16.2 x 7.9 inch
Material: Aluminium
Protection: Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding & foam on lid
Two side strong butterfly lock & solid metal hinges
Rubber feet at the bottom for support in standing

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers
Replacement pick & pluck foam is available to purchase
Rear cable access hole with cover

Fits:

Technics SL-1200MK7, SL-1200MK6, SL-1200 MK5, SL-1200 MK4, SL-1200 MK3, SL-1200 MK2, SL-1200GR, SL-1200GAE,
Denon VL12 Prime,
Pioneer PLX-1000, PLX-500
Reloop RP-8000 MK2, RP-8000 Straight, RP-8000, Reloop RP-1000M, RP-1000 MK2, RP-2000 MK2, RP-2000 USB MK2, RP-4000 MK2, RP-7000, RP-7000 MK2, RP-7000 MK2 GLD, RP-7000 MK2 Silver,
Audio Technica LP120-USB, LP120XUSB, LP1240-USBXP, LP1240-USB, LP140XP, LP3, LP5, LP7, LPW40WN,
Stanton STR8-150 M2, ST-150 M2, T.52, T.55 USB, T.62 M2, T.92 M2 USB,
Mixars STA, LTA,
Vestax PDX-3000, PDX-3000Mix, PDX-3000MKII,
Or similar sized turntables

Notes: UDG have further fined-tuned already a great design concept of their flight case into one specially for the most discerning DJ/producer. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Fits: Pioneer DJM-A9, DDJ-FLX4/ DDJ-REV1/ 400/ SB3, DJM-V10, NI S2 MK3, Akai MPC X/ Renaissance, Roland DJ-707M.

Specifications:

Weight: 5,50 kg / 12.1 lbs
Outer Dimensions (W x H x D): 56 x 49 x 21 cm | 22 x 19.3 x 8.3 inch
Inner Dimensions (W x H x D): 55 x 48 x 20 cm | 21.6 x 18.9 x 7.9 inch
Material: Aluminium

Protection:

Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding & egg-crate foam on lid
Two side strong butterfly lock & solid metal hinges
Rubber feet at the bottom for support in standing

Extras:

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers
Replacement pick & pluck foam is available to purchase
Removable front access panel

Fits:

NI Traktor Kontrol S2 MK3, Traktor Kontrol S5, Komplete Kontrol A25, Komplete Kontrol M32, Komplete Kontrol S25,
Pioneer DJM-A9, DDJ-FLX4, DDJ-REV1, DJM-V10, DDJ-400, DDJ-SB3, DDJ-RB,
Denon DJ MC4000,
Akai MPC X, MPC Renaissance, MPK225,
Roland DJ-707M, DJ-505, DJ-202, JP-8080,
Alesis Q25, QX25,
American Audio VMS 4 / 5,
Behringer CMD Studio 4A,
Gemini G4V DJ, GMX,
Hercules DJControl Inpulse 300,
Korg Minilogue, Taktile 25,
Mixars Primo,
Novation Impulse 25,
Numark Mixtrack 3, Mixtrack Quad,
Reloop Beatmix 2 MK2,
or similar size equipment

Notes: UDG have further fined-tuned what was already a great design concept of a flight case into one specially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Ableton Push 3 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case Ableton Push 3 is designed to keep your Ableton Push 3 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Black
Weight: 5,50 kg / 12.1 lbs
Outer Dimensions (W x H x D): 39.0 x 50.0 x 16.5 cm | 15.3 x 19.7 x 6.5 inch
Inner Dimensions (W x H x D): 38.0 x 49.0 x 15.5 cm | 14.9 x 19.3 x 6.1 inch
Material: Aluminium

Protection: Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding & egg-crate foam on lid
Two side strong butterfly lock
Rubber feet at the bottom for support in standing

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers

Fits

Ableton Push 3, power adapter, extra cables

Notes: UDG have further fined-tuned already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide silver finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Multi Format Turntable Silver MK2 also features heavy-duty, spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Multi Format Turntable Silver MK2 not only transports your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black/ silver coloured combination.

Specifications

Colour: Black/Silver
Weight: 7,80 kg / 17.16 lbs
Outer Dimensions (W x H x D): 51.1 x 42.6 x 23 cm | 20.1 x 16.7 x 9.1 inch
Inner Dimensions (W x H x D): 45.1 x 38.6 x 7.8 cm | 17.7 x 15.2 x 3.1 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Extra-wide silver solid aluminium profiles

Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
High density diamond embossed EVA foam protective padding

Extras

Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern

Fits:

Technics SL-1200MK7, SL-1200GR, SL-1200GAE, SL-1210GR
Pioneer PLX-1000
Denon DJ VL12 Prime
Reloop RP-8000MK2, RP-7000MK2, RP-4000MK2, RP-2000MK2, RP-1000MK2
Stanton ST-150, STR8.150, T.52, T.55 USB, T.62, T.92 USB
Vestax PDX-3000
Numark TTX
Audio Technica LP120-USB, LP1240-USB, LP120XUSB, LP1240-USBXP, LP140XP, LP3, LP5, LP7, LPW40WN
American Audio Power Drive 2.2
Mixars LTA, STA
Or similar size turntables and accessories

Notes: The UDG Ultimate DIGI Backpack Black/Orange Inside is specially designed to cater for the laptop-based generation DJ affording them maximum functionality with performance orientated style.

Fits: Pioneer DJM-S5, DDJ-XP2, DDJ-200, Akai MPC Live II, NI Maschine MK3/ Jam, Numark Scratch, PT01 Scratch, or similar size controllers.

Ultimate DIGI Backpack specially designed for the laptop DJ. Constructed from high quality water resistant Nylon, it contains a cleverly designed side entry compartment for a laptop up to 15.4" without having the hassle of going through the main body of the bag. The bag main compartment can hold an extra laptop and it can also hold a Native Instruments MASCHINE MK2 size MIDI controller. There is a detachable interface pouch and on top of the bag there is a padded, quick access headphone pocket. There are 5 zipped compartments to securely store USB sticks, SD cards, wires and cables, AC power adapters, compact camera's, MP3 player, and other accessories.

Specifications

Colour: Black, Orange inside
Weight: 1,80 kg / 3.96 lbs
Outer Dimensions (W x H x D): 43.0 x 31.0 x 28.0 cm | 16.9 x 12.2 x 11.0 inch
Inner Dimensions (W x H x D): 42.0 x 30.0 x 13.0 cm | 16.5 x 11.8 x 5.1 inch
Material: Water Resistant Nylon 450D
Protection: Various padding used

Extras

Front compartment with organization panel and detachable pouch for audio interface
5 exterior pockets for personal essentials, including one with earbud pass-through for Mp3 players
S-curved shoulder straps for ultimate comfort.

Fits:

Up to 15.4" laptop, LP's
Pioneer DJM-S5, DDJ-XP2, DDJ-200, DDJ-XP1, DDJ-SP1, DDJ-WeGO 3/ 4, Toraiz Squid
NI Maschine MK3/ Jam/ MK2
Denon DJ MC2000, SC2000
Akai MPC Live/ II, MPD226, MPD232, MPD32, MPD26, MPK Mini MK II, MPC Element, MPC 500, APC 20, APC Key 25
Ableton Push/ 2
Allen & Heath Xone 23/ C, Xone 43C
Novation Launch Control XL, LaunchPad Pro, Circuit, Twitch, Numark Scratch, Omni Control, Stealth Control, Party Mix, iDJ Live II, Mixtrack Edge
Reloop Beatmix, Digital Jockey III/ II, Mixage IE, Neon
Roland Aira MX-1, TR-707, MC-202, TR-8, TR-8S
Korg MicroKey 25
M-Audio Oxygen 25, Trigger Finger Pro,
Arturia Drumbrute
Gemini FirstMix Pro, Slate2, Slate4, CDJ-700,
Hercules P32 DJ Controller, Universal DJ, DJ Consule 4-MX, DJ Control Air S, DJ Control Wave, DJ Control Instinct
Livid CNTRL:R
Stanton DJC.4
Vestax Spin 2, VCI-300/MK2, VCI-100/MK2
Audio interface or MP3/MP4 player, books and magazines

Notes: Ultimate DIGI Backpack specially designed for the laptop DJ. Constructed from high quality water resistant Nylon, it contains a cleverly designed side entry compartment for a laptop up to 15.4" without having the hassle of going through the main body of the bag. The bag main compartment can hold an extra laptop and it can also hold a Native Instruments MASCHINE MK2 size MIDI controller. There is a detachable interface pouch and on top of the bag there is a padded, quick access headphone pocket. There are 5 zipped compartments to securely store USB sticks, SD cards, wires and cables, AC power adapters, compact camera's, MP3 player, and other accessories.

Colour: Black Camo/ Orange Inside
Weight: 2,10 kg / 4.62 lbs
Outer Dimensions (W x H x D) cm: 33.5 x 48 x 27 | inch: 13.2 x 18.9 x 10.6
Inner Dimensions (W x H x D) cm: 30 x 42 x 13 | inch: 11.8 x 16.5 x 5.1
Material Water Resistant Nylon 450D
Protection: Various padding used

Extras

Front compartment with organization panel and detachable pouch for audio interface
5 exterior pockets for personal essentials, including one with earbud pass-through for Mp3 players
S-curved shoulder straps for ultimate comfort.

Fits:

up to 15.4" laptop, LP's,
Pioneer DDJ-XP2, DDJ-200, DDJ-XP1, DDJ-SP1, DDJ-WeGO 3/ 4, Toraiz Squid,
NI Maschine MK3/ Jam/ MK2,
Denon DJ MC2000, SC2000,
Akai MPC Live/ II, MPD226, MPD232, MPD32, MPD26, MPK Mini MK II, MPC Element, MPC 500, APC 20, APC Key 25,
Ableton Push/ 2,
Allen & Heath Xone 23/ C, Xone 43C,
Novation Launch Control XL, LaunchPad Pro, Circuit, Twitch,
Numark Scratch, Omni Control, Stealth Control, Party Mix, iDJ Live II, Mixtrack Edge,
Reloop Beatmix, Digital Jockey III/ II, Mixage IE, Neon,
Roland Aira MX-1, TR-707, MC-202, TR-8, TR-8S,
Korg MicroKey 25,
M-Audio Oxygen 25, Trigger Finger Pro,
Arturia Drumbrute,
Gemini FirstMix Pro, Slate2, Slate4, CDJ-700,
Hercules P32 DJ Controller, Universal DJ, DJ Consule 4-MX, DJ Control Air S, DJ Control Wave, DJ Control Instinct,
Livid CNTRL:R,
Stanton DJC.4,
Vestax Spin 2, VCI-300/MK2, VCI-100/MK2,
Audio interface or MP3/MP4 player, books and magazines,

Notes: UDG have further finetuned what was already a great design concept of a flight case into one especially for the most discerning DJ/ producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/ hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damage, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Denon DJ SC LIVE 2 Black Plus (Wheels) also features roller wheels with high quality in-line skate bearings for convenient transport and heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Denon DJ SC LIVE 2 Black Plus (Wheels) not only transports your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications:

Colour: Black
Weight: 14,50 kg / 31.9 lbs
Outer Dimensions (W x H x D): 72.4 x 47.3 x 23.3 cm | 28.5 x 18.6 x 9.2 inch
Inner Dimensions (W x H x D): 65.4 x 33.5 x 14.2 cm | 25.8 x 13.2 x 5.6 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front access panel
Roller wheels with high quality in-line skate bearings for convenient transport
Fits: Denon DJ SC LIVE 2

Notes: The UDG Ultimate Backpack Slim is a light weight, slim fit backpack for DJ's that require a smaller version of UDG's larger size backpacks. Constructed from high-quality, water resistant, Nylon it contains a padded 17" laptop compartment with added neoprene iPad/tablet pocket. The zipper expandable main padded compartment can hold a Numark PT01 Scratch portable turntable or Pioneer DJM-S9 mixer and a few 7" & 12" tone control/scratch vinyl and some clothing. There are enough zipped compartments to securely store microphone, USB sticks, SD cards, wires, cables and faders, AC power adapters and other accessories. This bag comes with a built in outside USB charger connector, a quick access headphone pocket, ergonomic back padding, comfortable moisture absorbent shoulder straps and a sling so you can slide it on every UDG trolley.

Colour: Black Camo/ Orange Inside
Weight: 1,40 kg / 3.08 lbs
Outer Dimensions (W x H x D) cm: 32 x 44 x 23 | inch: 12.6 x 17.3 x 9
Inner Dimensions (W x H x D) cm: 29.6 x 41.6 x 9.3 | inch: 11.6 x 16.4 x 3.6
Material: Water Resistant Nylon 450D

Protection:

Padded 17" laptop compartment with added neoprene iPad/tablet pocket
Compartments to securely store microphone, USB sticks, SD cards, wires, cables and faders, AC power adapters and other accessories
Padded haul carry handles.

Extras

Zipper expandable main compartment
Outside USB charger connector
Quick access headphone pocket
Soft padded carry handle
Ergonomic back padding
Comfortable moisture absorbent shoulder straps
Trolley sling for easy transport

Fits:

up to 17" laptop,
Pioneer DDJ-XP2, DDJ-200, DJM-S7, DJM-S9, DJM-S3, DJM-450, DJM-250MK2, DDJ-WeGO3/4, DDJ-XP1, Toraiz Squid,
NI Maschine Jam/ MK2/ MK3, Traktor Z2,
Denon DJ Prime Go, MC2000,
Akai MPC Live/ II, MPD226,
Numark Scratch, PT01 Scratch, Omni Control, Party Mix, Stealth Control,
Reloop Elite, Beatmix, Digital Jockey III, KUT, Mixage IE,
Rane Empath, MP 2014, Sixty One, Sixty Two/Two Z, TTM 56S, TTM 57 MKII, TTM 57SL,
Novation Twitch,
Roland MC-202, TR-707, TR-8, TR-8S, Aira MX-1,
M-Audio Oxygen 25,
Mixars DUO MKII,
Gemini FirstMix Pro, Slate2, Slate4,
Hercules DJ Console 4-Mx, DJ Control Air S Series, DJ Control Wave, P32 DJ Controller, Universal DJ,
Livid CNTRL:R,
Arturia Drumbrute, Drumbrute Impact,
Vestax SPIN/ 2, TR-1, TYPHOON, VCI 100, VCI 300, VCI-100 MK2, VCI-300 MK2,
Microphone, USB sticks, SD cards, wires, cables and faders, AC power adapters and other accessories,
or check UDG Gear Finder

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DDJ-1000 Black also features heavy duty spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DDJ-1000 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 14,50 kg / 31.9 lbs
Outer Dimensions (W x H x D): 77 x 49.4 x 21.5 cm | 30.3 x 19.4 x 8.5 inch
Inner Dimensions (W x H x D): 71 x 35.5 x 5.1 cm | 27.9 x 13.9 x 2 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corners

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front access panel

Fits: 1 x Pioneer DDJ-1000SRT, DDJ-1000

Notes: Want to take more of your gear with you when travelling? UDG presents the UDG Creator Wheeled MIDI Controller Case Black 22" to bring you the perfect solution for flying and travelling with MIDI controller, laptop and any additional hardware.

UDG Creator Wheeled MIDI Controller Case Black 22" means more equipment with no compromise on convenience and protection. Featuring protective padded compartments and padded secure strap. It's the only trolley gear bag available that is large enough to house controllers such as the Pioneer DDJ-FLX4/ REV1/ 200/ 400/ SB3 or NI Traktor S3/ S2 MK3/ S4 MK3. Made of tough, durable black exterior & interior material, sturdy in-line wheels for easy transport and mobility with paddings in all the right places for the ultimate carrier of your valuable equipment.

Specifications
Colour: Black
Weight: 3,90 kg / 8.58 lbs
Outer Dimensions (W x H x D): 67.6 x 43.0 x 25.0 cm | 26.6 x 16.9 x 9.8 inch
Inner Dimensions (W x H x D): 56.0 x 36.0 x 10.5 cm | 22.0 x 14.2 x 4.1 inch
Material: Water resistant Ballistic Nylon 1680D

Protection:

Padded compartment for controller or mixer with padded secure strap
Padded compartment for up to 17" laptop
Padded pocket for up to 9.7" tablet and small accessories
Smooth rolling in-line wheels with high quality in-line skate bearings

Extras

Includes removable paddings to fit various controllers
Rear-access pocket for magazine/document
Retractable handle with 2 stage internal trolley system
Additional cable pouch
Soft padded carry handle

Fits:

Pioneer DDJ-FLX4, DDJ-REV1, DDJ-200, DDJ-400, DDJ-SB3, DDJ-RB, DDJ-SB2, DDJ-SR2, DDJ-RR, DJS-1000,
CDJ-3000, DJM-900NXS2,
NI Traktor S3, S2 MK3, S4 MK3, S5, S4 MK2, S2 MK2, Komplete Kontrol A25, Maschine Studio,
Denon DJ Prime Go, MC3000, MC4000, MC6000 MK2,
Reloop Elite, Beatmix 2 MK2, Beatpad MK2, Terminal Mix 4/ 8,
Akai MPC Live II, APC 40, MPK 25,
Novation AFX, Peak, Nocturn 25, Remote SL MK II, Zero SL MK II,
Numark Mixtrack Platinum FX, Mixtrack Pro FX, Mixtrack, Mixtrack II/ III, Mixdeck Express, Mixtrack Platinum, Mixtrack Pro/ II/ III, NV II,
American Audio Encore 2000, VMS4, VMS5,
Roland TR-808, TR-909, DJ-707M, TR-8, TR-8S, DJ-202, System-1,
Rane Twelve, Seventy-Two, Seventy,
Gemini G2V, G4V, GMX,
M-Audio Exponent,
Hercules DJControl Inpulse 500 DJControl Jogvision, DJControl Inpulse 300,
Korg Minilogue XD,
up to 17" laptop, up to 9.7" tablet, audio interface, books and magazines

Notes: A Digital DJ looking for a professional, durable case solution for your Rane Four? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior, these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Rane Four, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specification:
Colour: Black
Weight: 3,30 kg / 7.26 lbs
Outer Dimensions (W x H x D): 83.8 x 45.9 x 12.4 cm | 32.9 x 18.1 x 4.9 inch
Inner Dimensions (W x H x D): 78.8 x 41.0 x 10.7 cm | 31.0 x 16.1 x 4.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Protective egg-crate foam

Extras:

Heavy duty handle
Easy grip zipper pulls
Convenient shoulder strap
Fits: Rane Four Controller

Notes: A Digital DJ looking for a professional, durable case solution for your Pioneer PLX-CRSS12 turntable? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Pioneer PLX-CRSS12 turntable, this case is perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 2,35 kg / 5.17 lbs
Outer Dimensions (W x H x D): 52.5 x 43.5 x 21.0 cm | 20.7 x 17.1 x 8.3 inch
Inner Dimensions (W x H x D): 45.8 x 35.8 x 17.0 cm | 18.0 x 14.1 x 6.7 inch
Material: Durashock moulded EVA foam

Protection:

Water repellent laminated nylon exterior
Removable top-bottom egg crate foam prevent damage from vibrations and shocks
Black soft fleece interior

Extras

Convenient carry handles and shoulder strap
Easy grip zipper pulls

Fits

Pioneer PLX-CRSS12 turntable

Notes: A Digital DJ looking for a professional, durable case solution for your Pioneer OPUS-QUAD? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression-moulded EVA material with a laminated nylon exterior these cases provide protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Pioneer OPUS-QUAD, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 3,30 kg / 7.26 lbs
Outer Dimensions (W x H x D): 98.1 x 53.5 x 15.8 cm | 38.6 x 21.1 x 6.2 inch
Inner Dimensions (W x H x D): 97.1 x 52.5 x 14.8 cm | 38.2 x 20.7 x 5.8 inch
Material: Durashock moulded EVA foam
Protection: Soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Convenient carry handle
Easy grip zipper pulls
Fits: Pioneer OPUS-QUAD Controller

Notes: A Digital DJ looking for a professional, durable case solution for your Denon DJ Prime 4+/ 4? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Denon DJ Prime 4+/ 4, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 3,50 kg / 7.7 lbs
Outer Dimensions (W x H x D): 78.0 x 52.0 x 13.5 cm | 30.7 x 20.5 x 5.3 inch
Inner Dimensions (W x H x D): 77.0 x 51.0 x 13.0 cm | 30.3 x 20.1 x 5.1 inch
Material: Durashock molded EVA foam
Protection:
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks
Extra's:
Easy grip zipper puller
Convenient carry handles
Convenient shoulder strap
Fits: Denon DJ Prime 4+ or 4 Controller

Notes: A producer looking for a professional, durable case solution for your 61 keyboard? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the 61 keyboard, this case is perfect for the travelling producer that needs to protect their equipment.

Specifications

Colour: Black
Weight: 3,20 kg / 7.04 lbs
Outer Dimensions (W x H x D): 107.4 x 43.4 x 15.2 cm | 42.3 x 17.1 x 6.0 inch
Inner Dimensions (W x H x D): 106.0 x 42.0 x 13.8 cm | 41.7 x 16.5 x 5.4 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Removable top-bottom egg crate foam prevent damage from vibrations and shocks

Extras

Convenient carry handles
Shoulder strap
Easy grip zipper puller
Expandable zipper

Fits:

NI Komplete Kontrol S61 MK2, S61 MK1, A61
Alesis QX61, Q61,
Akai MPC Key 61, Advance 61, MPK261, MPK61
Korg Pa700, Pa1000, Kross2-61, Kronos 2 61 Key/ X 61 Key, Krome EX 61, i3, EK-50/L, Pa4X-61, Pa3X, Pa900, Pa600, Pa300,
M-Audio Code 61, Oxygen 61 MK IV, Axiom 49/ 61/ Air 61,
Novation Launchkey 61, 61SL MK2, Impulse 61,
Arturia Keylab Essential 61, Keylab 61 MKII,
Nord Wave 2, Electro 6D 61, Lead A1,
Roland A-800Pro,
Yamaha MODX6, Montage 6/WH, MX61BK/BU/WH, MOFX6,
Or similar size keyboard

Notes: The 8S is an 8 step sequencer in 8 HP with control over some parameters of the sequence as reset, hold, random step and direction. The inputs have been designed to work with clock related signals like triggers or gates but any type of CV signal can be used. The output signal path is completely analog and its range can be set to unipolar (0 to +5 volts) or bipolar (-5 to +5 volts) via jumper on the back of the module.

Technical specifications:

8HP

38 mm depth

Consumption: +12V: 25mA ; -12V: 5mA

Notes: The "Luskellader Frekans Izel" is a Low Frequency Oscillator (LFO) that can be used to modulate various parameters of the synthesizer, including pitch, filter cutoff, and amplitude. The module has 2 ouputs, with continuous morphing shapes available at the same time, one Square/PWM, one Saw/triangle/inverted saw. The LFO has a speed switch going from low to audio rates. The 2 knobs are : Speed and Morph. The module is 6HP wide and is made with quality components such as Nichicon/Panasonic caps and alpha pots.

HP : 6

Notes: Kruel is a Fuzz built with mostly vintage components, around 2 Germanium NPN transistors.

The Pedal is pretty versatile with tone correction and a master volume. Thick and voluptuous tones can be achieved, and it can add warmth, sustain, and character to a guitar's tone... Great for power chords and for guitarists looking to add depth and texture to their playing.

NPN Germanium Colored Fuzz
True Bypass
NOS components
Made in France

Notes: Introducing the SD808, part of our new series of drum modules that brings analog percussion to the modular synth world, instantly turning your system into a self-contained music machine.

The SD808 is the TR-808's analog snare drum circuit adapted for use in Eurorack modular synthesizer format and was designed to sound like a fresh-out-of-the-box, 1980s TR-808 snare. Adapting the circuit to the modular format has allowed us to add special features like independent accent levels, a high-powered gain stage, a dual-input pulse-shaper, and an adjustable noise source - all without compromising the signature sound of the TR-808 snare drum.

The SD808 sounds tight and extremely snappy because it's analog - the real thing, not samples. The sound is made with three analog sound generators mixed together: two oscillating sine waves and a noise source. The SD808's front panel controls have a lot of sweet spots with sounds that are not just limited to snare drum sounds; it can also create other electronic percussive elements.

The noise source generator in the original TR-808 machines were revised in later production batches, resulting in variations in sound across the production run. The SD808 uses this later, revised circuit to create a snare drum hit that is slightly darker, has more body, and is more realistic. Just like other drums in this series, the SD808 includes a high-powered output gain stage capable of producing signals up to 20Vpp, allowing you to get an array of harmonized snare drums sounds with even tighter attacks. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the SD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: The CP909 is the TR-909 clap sound analog generator in Eurorack format. This is yet another low-cost analog drum generator from a legendary drum machine in your modular synthesizer, expanding your Tiptop Audio modular drum machine even further.

The CP909 is an exact reproduction of the original analog circuit and, with the addition of just one extra knob, "trashing" the frequency of the internal noise generator, we have added greatly to the spectrum of sounds that can be generated - all that without compromising the signature sound of the TR-909 clap.

The CP909 clap effect is made by a special triple-saw envelope generator that controls the gain of a VCA. The sound source feeding into the VCA is made by a quasi-random logic based noise generator; some might call it "digital noise" though this term might be misleading in today's world of microcontrollers and sound samples. What really makes the noise generator is a ring of logic gates, so primitive, so BO's, and that's the sound of the 909 Clap!

The CP909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, we have designed a pulse-shaper circuit so you can trigger the CP909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Review: The late king of pop sees his most defining album - and the best-selling album of all time - reissued once more. It's got everything you could possibly want: 'Beat It', 'Thriller', 'Billie Jean'... on its 40th Anniversary, this one gets a repress by our friends over at Mobile Fidelity Sound Lab, who have endeavoured to make this version perhaps the best-sounding to ever be set to wax. Of course, the legacies of kings must be preserved in the best format possible, even if their own waking lives lead them to ruin...

Review: The Strokes The Singles - Volume 01 is a 7" vinyl boxset comprised of the ten original vinyl singles released from the band's first three studio albums. Utilising the original singles artwork, the boxset will include standard black 7" vinyl of 'The Modern Age', 'Hard To Explain', 'Last Nite', and 'Someday' taken from Is This It (2001), while '12:51', 'Reptilia', and 'The End Has No End' comes from Room on Fire (2003), and 'Juicebox', 'Heart In A Cage', and 'You Only Live Once' are culled from First Impressions of Earth (2006), all with their accompanying B-sides.

Review: Given anyone over the age of 35 grew up with copies of Queen: Greatest Hits Vol. 1 and Vol. 2 in the house, you could be forgiven for asking if we need another retrospective of the iconic English rock band. Not least as there's also a Greatest Hits Vol.3, which many don't realise due to the success of the preceding two and how long the third took to materialise after the tragic death of lead singer Freddie Mercury.

Perhaps riding on the shirttails of the Platinum Jubilee of another monarchical figure, The Platinum Collection arrives and, on the face of it, does little that's not been done before. Don't Stop Me Now, Bicycle Race, Bohemian Rhapsody, Under Pressure, Flash - all the usual suspects are here. Keep reading, though, and you realise just how much else is here. Pretty much every great Queen track, plus stacks of post-Mercury singles and cover versions with all ranging from George Michael to Wyclef Jean. What's not to like?

Review: If we were to tell you that the original touring show for this now slightly more than 40 year old Jethro Tull album featured a stage built to resemble a Viking longship and the band performing in medieval costume, your reaction would very much give us a good indication of whether you were likely to enjoy the LP itself. Coming, in 1982, as the band hit a serious crossroads, with singer Ian Anderson wanting to embrace new synth technology and others favouring sticking to the traditional prog/rock/folk triptych that had been so successful in the previous decade, it's actaully more modern in places than its sleeve suggests, with 'Watching Me Watching You' in particular showing the influence of Peter Gabriel's first solo albums and standing the test of time well. With a heap of extras, including a heap of contemporaneous live recordings from Germany, the Tull completist will be donning their viking helmet at the merest sniff of it.