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FORTHCOMING
J Rockett Boing Classic Spring Reverb Sound Effects Pedal
Notes: The BOING is a simple one knob recreation of the classic Deluxe Reverb. Like many of the classic amps, it is just a single knob reverb for either more or less

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass Switching
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MRP:$217.60 SAVE 24%
coming soon $166.32
FORTHCOMING
J Rockett The Dude V2 Dumble Overdrive Special Sound Effects Pedal
Notes: The DUDE is designed to achieve the classic D style ODS sounds and feel. From Robben Ford to Larry Carlton to scorching gain, it is all there. The Dude v2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Analog 18mA Current Draw

True Bypass Switching
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MRP:$256.23 SAVE 17%
coming soon $213.52
FORTHCOMING
J Rockett Hot Rubber Monkey Classic Dumble Overdrive Effects Pedal
Notes: The Hot Rubber Monkey is a re-creation of the overdriven sounds of the legendary D style ODS amp but with the HRM EQ mod.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Analog 18mA Current Draw

True Bypass Switching
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MRP:$256.23 SAVE 21%
coming soon $202.80
FORTHCOMING
J Rockett Melody Mark Lettieri Overdrive & 6 Band EQ Effects Pedal
Notes: The Melody OD provides excellent overdrive characteristics and includes a 6 band graphic EQ with 18 db cut and boost on each frequency making it perfect for all styles!

The Mark Lettieri signature drive gives you a smooth overdrive capable of jazz to rock tones. Mark needs versatility so not only does the Melody OD provide excellent overdrive characteristics it includes a 6 band graphic EQ with 18 db cut and boost on each frequency. This feature allows for solo boosts or to help a struggling backline setup. From Mark's solo stuff all the way through the Snarky Puppy tunes this thing will elevate your rhythm and solo tone and feel.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Analog - 20mA current draw

True Bypass Switching
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MRP:$256.23 SAVE 17%
coming soon $213.52
FORTHCOMING
J Rockett Lenny Dumble Steel String Singer Boost & Tone Effects Pedal
Notes: Lenny was a happy accident. J Rockett inteded to design a recreation of the legendary Dumble Steel String Singer but thought...who needs a loud, clean amp sound in a pedal? The guy that made the Steel String Singer come alive was none other than SRV. With that said, Lenny was born! J Rockett have created a Steel String Singer being pushed to create color, texture and feel versus just loud and clean. Simply put, this is a very musical boost that colors your tone considerably, in an inspiring way...kind of like a Neve console. There is a definite mid character, but boy does it cut through a mix!

Boost - Tons of push, which creates an inter-play with the front end of any amp

Tone - Dials in your highs, simply put

The two controls are interactive and really need each other when slamming an amp. Lenny also takes advantage of the new "Speed Switch" system

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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MRP:$243.36 SAVE 27%
coming soon $177.05
FORTHCOMING
J Rockett Mr Moto Tremolo & Spring Sound Effects Pedal
Cat: 783224
 
Tremolo & reverb pedal
Notes: A very musical Tremolo with a super lush spring reverb as well. Both can be run independently or together.

The Tremolo can go from a very subtle throb to a choppy rhythmic pulse.

Features the J Rockett Speedswitch system

The Mr. Moto is everything you wish your amp had built in. The Mr. Moto is a very musical Tremolo with a super lush spring reverb as well. Both can be run independently or together.

The Tremolo can go from a very subtle throb to a choppy rhythmic pulse.

Mr. Moto is great for very lush, beautiful tones all the way to full on surf rock.

The options are many but no matter where you set it the effect can completely change your tone, feel and the way you approach music altogether.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Analog/Digital hybrid 76mA current draw

True Bypass Switching
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MRP:$256.23 SAVE 17%
coming soon $213.52
FORTHCOMING
Empress Effects Compressor 2020 Version Pedal
Cat: 782971
 
Compressor pedal
Notes: Compression is a tool used on pretty much every recording you will ever hear, yet this extremely useful and versatile tool is often overlooked by guitar players as part of their rig.

Other compressor pedals are often limited by oversimplified controls and heavily colored sounds. A truly transparent compressor has been created, complete with all the controls found in the studio. The result is a tool that allows for a wide range of sounds from subtly adding sustain to getting the "quack" that country players love.

A mix knob is also included, to blend in the dry signal for an even more transparent sound and a gain reduction meter so you know what the compressor is doing at all times.

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FORTHCOMING
Empress Effects Germ Drive Overdrive Pedal Empress Effects Germ Drive Overdrive Pedal Empress Effects Germ Drive Overdrive Pedal Empress Effects Germ Drive Overdrive Pedal
Cat: 783038
 
Overdrive pedal
Notes: True to the tweed tube amps of the 50's, the germ drive delivers warm, harmonically rich overdrive that cleans up with a twist of your volume knob. Its tube-like break-up sounds extremely natural and will enhance your sound without masking the original tone of your instrument.

This true bypass overdrive offers gain control, two bands of EQ and output control to fully tweak your sound.
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MRP:$206.02 SAVE 17%
coming soon $171.68
Old Blood Noise Endeavors Whitecap Asynchronous Dual Tremolo Pedal
Cat: 782187 Rel: 21 Sep 20
 
Tremolo pedal
Notes: Combining a three-control analog tremolo and a multi-shape digital tap tremolo, the Old Blood Noise Endeavors Whitecap tremolo lets the user find new tremolo textures by combining the two sounds in series or parallel. Quick chops, slow ramps, asynchronous modulations, smooth sines, phase flipped undulations, textural rhythmic drifts - it's all there in the Whitecap.
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MRP:$243.36 SAVE 19%
 1 in stock $196.35
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Old Blood Noise Minim Reverse Modulated Delay/Reverb Pedal
Cat: 782151 Rel: 21 Sep 20
 
Delay/reverb pedal
Notes: Reverb and harmonic tremolo with modulated delay. Designed to work nicely as a companion pedal to the brand's Rever reverse delay and reverb, but equally potent on its own.

Supplier's Notes:
Looking back on an inspiring year of collaboration with Datachoir, Old Blood Noise Endeavors created Minim, a new pedal built from the foundation laid out by Rever. Inside is a newly voiced reverb with harmonic tremolo, a modulated delay with nearly infinite repeats available, and a reverse section selectable between normal speed or double speed. Sat next to the Rever, it's like a long lost sibling. Put both on your board and see how well they get along.
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MRP:$289.71 SAVE 27%
! low stock $212.44
Old Blood Noise MAW XLR Microphone Effects Manipulator Vocal Pedal
Cat: 782148 Rel: 21 Sep 20
 
Vocal manipulator pedal
Notes: What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It's the new multi-tool for effects lovers on stage and in studio.
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MRP:$320.61 SAVE 17%
 1 in stock $266.10
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Old Blood Noise Endeavors Mondegreen Weird Delay Pedal
Cat: 782153 Rel: 21 Sep 20
 
Delay pedal
Notes: The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

A three-way toggle switch selects between three modes of modulated delay.
STUTTER: A delay with a percussive tremolo on the trails.
WHIRL: A modulated delay adding chorus on the wet signal.
SHEER: A delay with increasing octaves on the repeats.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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MRP:$243.36 SAVE 26%
 1 in stock $179.18
Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal Empress Effects Buffer Plus Pedal
Cat: 782953 Rel: 25 Sep 20
 
I/O interface
Notes: The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+.

Input Impedance: 10k - 1Meg
Output Impedance: 510 Ohms
Frequency Response (-3dB): 5Hz - 40kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 86mA
Total Harmonic Distortion: 0.02%
Signal to Noise Ratio: 105.3dB
Headroom: +9.4dBu
Enclosure Material: Die Cast Aluminum
Input connectors: 1/4" Jack
Output connectors: 1/4" Jack
Height (enclosure): 1.25"
Height with controls: 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$206.02 SAVE 29%
 1 in stock $147.29
Empress Effects Buffer FX Pedal
Cat: 782948 Rel: 24 Sep 20
 
Buffer pedal
Notes: The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy.
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MRP:$128.76 SAVE 18%
 1 in stock $106.21
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Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller Empress Effects Midibox2 MIDI Pedal Controller
Cat: 783064 Rel: 24 Sep 20
 
MIDI pedal controller
Notes: The Midibox2 allows you to connect Empress Pedals equipped with a control port to MIDI. It converts the standard 5 pin MIDI cable to a simple guitar patch cable.

Specifications:
Power Input Voltage: 9V DC
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 30mA
Enclosure Material: Die Cast Aluminum
Input connector: Standard 5 pin MIDI connector
Output connector: 1/4" Jack
Height: 1.25"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lb
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MRP:$115.88 SAVE 16%
 1 in stock $97.64
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Empress Effects Tape Delay Pedal Empress Effects Tape Delay Pedal Empress Effects Tape Delay Pedal Empress Effects Tape Delay Pedal
Cat: 783102 Rel: 24 Sep 20
 
Tape delay pedal
Notes: Rich, lush tape delay in an incredibly small box. 3 flavors of tape age let you choose how dark and gritty the repeats will get while filter and modulation controls allow for even more fine tuning. Tap tempos with ratio multiplier mean rhythms like dotted eights are all at your fingertips.

Now with an analog dry path, the Tape Delay is packed with features, all accessible from the advanced configuration mode. Presets can store all your settings and be recalled at the touch of a button, making switching live fast and easy.
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MRP:$341.21 SAVE 29%
 2 in stock $243.56
Old Blood Noise Endeavors Dark Star Pad Reverb Pedal
Cat: 782069 Rel: 21 Sep 20
 
Reverb pedal
Notes: There's a gentle hum, a soft light somewhere in the darkness. And it grows. A little hope that you're not the only one in a vast universe. Isolated, alone and dying. When there's truly nothing making noise, what do you hear? Is it nothing? Or is it the softness, the growing of a voice that resides below the normal hum and frequency of the universe. The voice of the Dark Star.

The Dark Star is what we would use to create long reverberated pads. The noises underneath the lead. The mood setter. That's the Dark Star. The way a song feels. That's because of the Dark Star.

At its heart, the Dark Star is a Reverb. Then the Reverb signal passes through three possible modes: Pitch, Delay and Crush. CTRL 1 and CTRL 2 correspond with the selected mode. In Pitch, you've got two independent pitch controls for + and - an octave. In Delay, you've got the Delay Time and Delay Feedback. In Crush, you've got a pitch control for +/- an octave and then a control for Bit Crush. The Mix and Reverb knobs control the mix of dry/wet signal and the decay of the reverb, respectively.

The Dark Star has two footswitches. The Bypass switch is your standard on/off True Bypass switch. The Hold switch is a momentary footswitch that when pressed, will lock in whatever note is being played through the reverb effect. This will sustain as long as the Hold switch is pressed. If the Mix control is set less than 100% wet, you can continue to play over the sustaining reverb signal.

The Dark Star now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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MRP:$243.36 SAVE 19%
 1 in stock $197.43
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Old Blood Noise Visitor Parallel Multi-Modulator Pedal
Cat: 782184 Rel: 21 Sep 20
 
Multi-modulator pedal
Notes: Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.
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MRP:$243.36 SAVE 17%
 1 in stock $201.72
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Empress Effects Echo System Dual Engine Delay Pedal Empress Effects Echo System Dual Engine Delay Pedal Empress Effects Echo System Dual Engine Delay Pedal
Cat: 783107 Rel: 24 Sep 20
 
Delay pedal
Notes: Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

In addition to delays, there's the super-useful reverb combos, which will elevate any guitar part. Oh, and don't forget Whisky mode, best accompanied by a dram of whatever you've got!

The pedal has 12 algorithm types, all with multiple variations. For example, there are 4 different tape delays on tap.

Emulations of classic tape and analog units are available, as well as our take on these types of delay.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Global tap tempo as well as local tempo with lots of subdivisions are available on all modes, in addition to being able to set the delay time directly with the knob.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

2 delays can be used at the same time, each with its own full set of controls and routed in serial, parallel or left/right.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your delay works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control Port(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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MRP:$592.30 SAVE 22%
 2 in stock $463.54
Old Blood Noise Endeavors Black Fountain Oil Can Delay Pedal
Cat: 782065 Rel: 23 Sep 20
 
Delay pedal
Notes: The Black Fountain reflects back to the days before digital delay, emulating the sounds of the famed and elusive "oil can delay" units. These units emphasized a chorus-like modulation on the repeats of the effect signal as well as a beautiful and warm repeat cycle.

The Modern mode emulates the classic long delay "oil can" units such as the Morley EDL, Tel-Ray Model 10 and Fender Echo-Reverb. The Time and Repeat controls mimic the functions of the vintage units, while the Fluid control introduces modulation based on the characteristic "wobble" of the electrostatic delay platter. The Vintage mode is similar in function to the Modern mode, but has a grittier and gainier feel to the repeats. Both the Modern and Vintage mode have a delay time of 800 milliseconds.

The Organ Tone mode is based on the Tel-Ray Deluxe Organ Tone, Fender Dimension IV and other short-delay "oil can" units. The vintage units had a fixed delay time of approximately 20 milliseconds, which is implemented here, but the Black Fountain goes above and beyond the original units by incorporating variable Rate and Depth controls for the modulation effect. In addition, the Mix control is capable of dialing a 100% wet signal so a vibrato effect may be produced. The Organ Tone mode also features a simple reverb that mimics the single-spring tank in the original Deluxe Organ Tone effect. The Organ Tone mode has a delay time of 211 milliseconds.

The Black Fountain now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC
60 mA
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MRP:$243.36 SAVE 18%
 1 in stock $200.65
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Maxon GE-601 Graphic Equalizer Reissue Series Pedal Maxon GE-601 Graphic Equalizer Reissue Series Pedal
Cat: 783410 Rel: 25 Sep 20
 
EQ pedal
Notes: EQ's may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively). There's also a Master Level control with 12 dB of overall Boost/Cut.

Adjusting these controls, the GE601 can be used to fine tune your sound in an infinite variety of ways, a few of which are detailed below:

Pickup Simulator (Humbucker to single coil) - To turn a Humbucker into a Single Coil, cut 200, 400, & 800 Hz and Boost 100 Hz & 1.6 KHz.

Pickup Simulator (passive Bass to active Bass) - Cut 200 Hz and Boost 100 Hz & 1.6 KHz to give a passive Bass the clarity and punch of an active instrument.

Pickup Simulator (single coil to piezo)- Cut 200, 400, & 800 Hz and Boost 100 Hz, 1.6 & 3.2 KHz to make a single coil electric simulate the bright, chiming sound of an acoustic guitar with piezo pickup.

Half-cocked Wah - Boost at 800 Hz to emulate the tone of a wah pedal with the treadle set half-way forward. This setting is also ideal for solo boosts (Adjust Level control to taste).

Clean Booster - Leave all frequency bands flat and boost the Level control to use as a clean booster for solos or to overdrive an amplifier's input. For more output, set all frequency bands to maximum boost.

TECH TALK:
After a low-impedance input buffer, the GE601 splits its signal into 6 parallel EQ bands each powered by its own Op Amp (JRC4558). Through the sweep of the slider you can cut or boost the selected frequency.

Boost is created by feeding the effected signal back into the Op Amp, creating an effect of exponential multiplication of that frequency - the higher the slider, the more of the effected signal is fed back through the EQ Op Amp chain.

The GE601 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Cut/Boost (6), Level (1)

Switch: Normal/Effect

Max Input: 4 dBu

Noise (IHF-A): -110 dBu

Max Amplitude: 12 dB

Frequency Range: 100 Hz 3.2 KHz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 240 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$148.07 SAVE 13%
 1 in stock $128.75
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Maxon FW-10 Fuzz Elements Wind Ten Series Fuzz Pedal
Cat: 783306 Rel: 21 Sep 20
 
Fuzz pedal
Notes: Manufactured under a myriad of brands, this circuit can be found in the Vox Tonebender Professional MKII, Marshall Supa Fuzz, RotoSound Fuzz Box and the rare Rangemaster Fuzzbug. Yet whatever the name, everyone can agree on one thing - this was the guitar sound of early classic rock.

Perfect for replicating the timeless tones of Beck, Page, & Clapton, the FW10 Fuzz Elements Wind captures all the magic of the original Mk II Tonebender and adds a little modern mojo of its own.

Wind offers an edgy, aggressive tone with plenty of midrange sizzle, yet it cleans up beautifully with your volume knob and offers excellent note definition even with complex chords.

Maxon also added two tweaks to this classic circuit to make it more versatile. First; a Vintage/Hot switch that selects between the Gain level of the original and a higher Gain setting. Vintage serves up 100% Tonebender, while Hot offers more sustain for solos or to drive you amp over the edge.

Wind also features a selectable input buffer that works to provide a more accurate, uncolored recreation of the guitar input signal. In short: It's your sound, just dirtier.

The original Sola Sound Tonebender was used by some the greatest guitar players of the 60s and 70s.

If you're looking to worship at the altar of rock's holy trinity, Fuzz Elements Wind will be your guide.

TECH TALK:
The FW10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.

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MRP:$186.70 SAVE 11%
 1 in stock $165.24
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Maxon OD-808 Overdrive Reissue Series Pedal Maxon OD-808 Overdrive Reissue Series Pedal
Cat: 783412 Rel: 25 Sep 20
 
Overdrive pedal
Notes: Can a pedal be considered a clone if it's made by the company that made the original?!? Maxon designed the original OD808 overdrive circuit in the late 1970's - they then rebranded this pedal for Ibanez as the TS808 Tubescreamer, and the rest is history...

The OD808 Reissue offers up all the warm, creamy, organic overdrive as the original and then some. Never one to rest on their laurels, Maxon has tweaked the current version ever so slightly to reduce noise level while retaining the legendary "808" tone (see Tech Talk below).

The OD808 is the perfect pedal for adding smooth, tube-like overdrive to any clean amp - use it as a secondary dirt channel to beef up a song's chorus section, or keep it on all the time for the crunchy tone that has defined rock and roll.

The OD808 is also ideal for pushing an already overdriven amp over the edge, a la Stevie Ray Vaughan. Hell, stack two of them together like Stevie did and the house is a rockin'! You've never heard - or felt - bluesy goodness like this before.

In recent years the OD808 has been adopted as the overdrive of choice by a generation of guitarists in a most unlikely musical genre - metal.

Turns out that the OD808's mild compression and slight low-end cut are perfect for tightening up high-gain amps; allowing fast note runs to stand out with clarity while making rhythms tight and punchy. Just listen to any recording by Grammy-award winning Producer/Killswitch Engage founder Adam Dutkiewicz to hear how the OD808 has become the voice of a whole new generation of metal guitarists.

The Maxon OD808 - After 40 years it's still being used to reinvent guitar tone as we know it. Reinvent your tone - play the Maxon OD808.

Besides the fact that the Maxon OD808 Reissue sounds richer, warmer, and BETTER than the Ibanez TS808 Reissue, there are also these facts to consider:

Lower noise floor than TS808
Smaller, lighter enclosure
More reliable plunger type switch with soft-click tactile feel
More affordable
TECH TALK
Maxon developed the OD808 circuit more than 40 years ago, and since then it's become the most used, most imitated and most lauded overdrive circuit of all time. While the 808-style overdrive circuit is commonplace nowadays, in 1979 it was a unique design and an industry first.

The secret behind the legendary "808 tone" lies in the amplifier section of the circuit. Rather than having separate amplifier and clipping stages, the OD808 features a signal-distorting diode (Panasonic #MA150) located in the negative feedback loop of the amplifier stage.

The OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. The Reissue uses the correct JRC4558 Op Amp that made the 808 the tone of legend.

It should be noted that the Reissue Series OD808 uses different output resistors than the original version. Vintage TS808's are susceptible to microphonic noise due to static electricity buildup on the chassis. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels.

Input Impedance: 500K Ohms
Input Jack: 1/4 inch standard phone jack
Output Impedance: 10K Ohms
Output Jack: 1/4 inch standard phone jack
Output: 1
Controls: Drive, Tone, Balance
Switch: Normal/Effect
Noise (IHF-A): -110 dBu
Max Amplitude: 35 dBu
Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor
Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)
Current Consumption: 5 mA (9V) / 6 mA (10 V)
AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)
Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)
Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)
Weight: 260 g
Accessories: 9V Manganese dry cell battery (S-006P) x 1
Non-skid pad: x 1
Warranty Card: x 1
User's Manual: x 1
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MRP:$148.07 SAVE 28%
 1 in stock $105.94
Maxon PT-999 Phase Tone Phaser Reissue Series Pedal Maxon PT-999 Phase Tone Phaser Reissue Series Pedal
Cat: 783418 Rel: 21 Sep 20
 
Phaser pedal
Notes: With its single knob, the PT999 Phase Tone looks deceptively simple. Yet packed into this tiny blue box is a host of the most authentic 70's-era phasing effects available in a current production unit.

The secret behind the PT999's timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974. While many "reissue" effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

By adjusting the lone Rate control, a wide variety of expressive phasing nuances can be coaxed from the PT999 - all of them whisper quiet and amazingly transparent. Its minimalist circuit doesn't get in the way of your guitar tone - it simply accentuates it, working equally well to spice up clean or distorted sounds.

If you demand classic phase shifting effects without compromising your guitar's signature tone, the PT999 Phase Tone has no equals.

The PT999 is the easiest way to replicate classic 70's phasing tones without dropping $300-500 (or more!) for a vintage Phase 90.

TECH TALK:
The PT999's four-stage phasing circuit offers 720 degrees of phasing sweep variable from .2 to 14 Hz (cycles per second). The PT999's FET's (Toshiba #2SK246) are carefully sorted and matched by hand to produce the smoothest phasing sweep possible with low noise. Unlike some phasers, the PT999 runs negative feedback of the signal to each phase-shifting FET for less signal distortion.

The four-pole shift of the PT999 creates a chewy, organic phase with a subtle drive to the signal. The 4 phasing Op Amps work together to emphasize this phase point, as each successive one accentuates the notch of the previous, creating a very resonant effect. The subtle drive and resonance really bring out pick attack and add a degree of real, dirty dimensionality.

Internal trimmers adjust center frequency and width of the phasing sweep (factory calibrated, we recommend adjustment of these trimmers be left to a qualified technician).

The PT999 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Rate

Switch: Normal/Effect

Max Input Level: 0 dBu

Noise (IHF-A): -80 dBu

Speed Frequency: 0.2 Hz 14 Hz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 12 mA (9V) / 14 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon BD-10 Hybrid Bass Driver Ten Series Pedal
Cat: 783267 Rel: 21 Sep 20
 
Overdrive pedal
Notes: The BD10 Hybrid Bass Driver brings Maxon's 40+ years of experience in Overdrive design to the world of the Bass Guitar. But guitarists, don't despair; the BD10 works equally well with six strings as it does with four!

The BD10 was designed in cooperation with Masaki - a prominent Japanese Bassist who has played with world-class musicians such as Carmine Appice, Gus G, and John Petrucci, and is also a founding member of the Japanese heavy metal band Animetal.

Masaki's aggressive approach to the Bass includes fluid soloing, manic slapping & popping, energetic fills, and crashing chords for punctuation. He required an overdrive that could keep up with this energetic playing style while still retaining low-end punch and authority.

The BD10's symmetrical clipping path provides sustained, harmonically-rich saturation that retains note clarity and expressiveness even at maximum settings. Aggressive yet dynamic, the BD10 can articulate fast playing techniques such as the multi-finger picking and two-handed tapping that Masaki is famous for.

The BD10 can cover a wide variety of distorted tones, from semi-dirty boosts to punchy, tube-like grind all the way to super-saturated shred. Distorted sounds can then be blended with Dry signal using the independent Clean and Drive Level controls.

Fine tuning the balance between Clean and Distorted signals, the user can obtain the ideal mix for their particular playing style and equipment. Use a pick? Turn up the Drive for chunky chugs. Play with your fingers? Boost the Clean for more clarity and articulation of your notes.

Clean signal can be boosted up to +6 dB above unity gain, allowing the DB10 to be used as a clean or semi-clean booster or as a linedriver for your signal chain.

Since the BD10's circuit is based on Maxon's legendary 808 design, it can also be used with Guitar. The dual tone controls allow the user to dial in the lows that are typically lost with 808-style pedals, while the ability to blend clean and dirty signals can simulate the sound of a dual-amp rig as well as pedals like the Klon Centaur and Voodoo Labs Sparkle Drive.

Compact, versatile, and musically expressive, the BD10 Hybrid Bass Driver is a worthy and welcome addition to the Maxon family of world-class Overdrives.

TECH TALK:
The BD10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.
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quote 783267
Maxon CS-9 Stereo Chorus Pro Nine Series Pedal
Cat: 783314 Rel: 25 Sep 20
 
Chorus pedal
Notes: With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS-9 Pro's chorus effect is bold and resonant without sounding harsh. Unlike the somewhat sterile sounds of its 80's predecessor, the CS-9 Pro has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS-9 Pro's custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS-9 Pro can venture into Flanger territory, adding a resonant, hollow quality to the effect that's great for solos.

A top-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS-9 Pro is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the Pro thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS-9 Pro features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS-9 Pro is essentially the same as Maxon's CS550, but in a smaller chassis and with battery or AC power options.

TECH TALK:
The CS-9 Pro circuit is similar to the Arion SCH-1 Stereo Chorus, or an updated Boss Chorus Ensemble. A high-impedance input buffer passes next into a Compander stage that acts as a compressor/expander, bringing the input level of the signal up to an ideal output level and keeping it there as the signal decays - this provides a good signal-to-noise ratio and gives the chorusing section a nice, steady signal to modulate.

The Chorus effect is produced by a Panasonic MN3102 low-voltage clock driver IC and a Panasonic MN3207 BBD IC which is controlled by the MN3102. Though the 3207/3201 combo has less delay range than other BBD's of this type, the difference is negligible and the inherent decay of signal quality adds "vintage lo-fi warmth" to the signal.

After the Chorus section, the signal hits another Compander to level everything out and is then fed to an output buffer.

At the end of the circuit the signal is phase-split and sent to the two low-impedance stereo outputs - Output A is in-phase and Output B is phase inverted (90 degrees out of phase).

The CS-9 Pro features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 2 (Out, Inv. Out)

Residual Noise: -92 dB or less (input shorted IHF-A weighted)

Delay Time: 0.9 mSec to 6.4 mSec

Speed Frequency: 0.4 Hz to 8 Hz

Controls: Speed, Width, Delay Time, Blend

Switch: Normal/Effect (true bypass configuration w/4PDT switch)

Power Supply: 6F22 9V Manganese dry cell battery x1 or Maxon AC adaptor

Power Consumption: 26 mA (9 V) or 26 mA (10 V)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g (including battery)

Options: Maxon AC Adaptor (AC210N) Tip Negative/Barrel Positive configuration

Accessories: 9V Manganese dry cell battery x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783314
Maxon CP-101 Compressor Reissue Series Pedal Maxon CP-101 Compressor Reissue Series Pedal
Cat: 783403 Rel: 21 Sep 20
 
Compressor pedal
Notes: The CP101 is the perfect solution for players who need a compressor that doesn't get in the way of their tone. Its optical circuit has a slow, smooth reaction time that allows your initial note attack to pass through without being compressed, creating a more natural picking feel.

The CP101's 4:1 compression ratio is so subtle that it's easy to forget that it's on - until you turn it off, that is. While it is on, you'll notice note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and sustain that will last for days.

One thing you won't notice is the hiss and noise associated with VCA compressors - the CP101 has one of the lowest noise floors available in a stompbox Compressor, even with its Level and Compression controls set to max.

With its natural picking response, transparent effect and low-noise operation, the Maxon CP101 is the perfect compressor for players who hate using compressors.

TECH TALK:
At the heart of the CP101's circuit sits a single CdS (Cadmium Sulfur) Photocoupler. This light-sensitive component varies resistance based on the input signal to control the amp gain, increasing level as the input signal weakens.

Many other compressors accomplish this task using a VCA (voltage controlled amplifier), but the multiple transistors packed into a VCA inevitably lead to high noise levels, which means lots of "hiss" from your rig. The CP101's optical circuit keeps the noise floor low - so low that you can even run it after a distortion and still retain near-silent operation.

The CP101 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Sustain, Level

Switch: Normal/Effect

Max Input Level: 2 dBu

Max Output Level: 0 dBu

Noise (IHF-A): -110 dBu

Max Compression: 42 dB

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783403
Maxon ASC-10  Ambient Stereo Chorus Ten Series Pedal
Cat: 783260 Rel: 21 Sep 20
 
Ambient stereo chorus pedal
Notes: The ASC10's chorusing effect is set especially wide in the stereo spectrum, offering a lush tonality that actually sounds like two guitars playing at once.

The extended operation range of the Rate and Depth controls conjure up everything from gorgeous 12-string simulations to punch-drunk rotary speaker spins.

Stunning on clean sounds and aggressive on distorted tones, the ASC10 is equally at home in the front-end or the FX loop of an amp.

Dual, phase-inverted outputs allow for panning of the ASC10's effect between two amps or tracks, or run mono from output B for a more dramatic chorus effect.

TECH TALK:
The ASC10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: RATE, DEPTH

Switch: Bypass/Effect

Indicator: Bypass/Effect LED, RATE LED

Maximum Input Level: 4dB (400Hz)

Equivalent Input Noise: -100dBu or less (Input shorted, IHF-A weighted)

Delay Time: 4.6mSec to 7.6mSec

Rate Frequency: 0.33Hz to 8Hz

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Consumption: 20mA max. / 9VDC

Battery Life:
9VDC manganese battery 15 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 30 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 56(H)mm (with protrusion)

Weight: Approx. 290g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms
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Maxon FF-10 Fuzz Elements Fire Ten Series Fuzz Pedal
Cat: 783302 Rel: 21 Sep 20
 
Fuzz pedal
Notes: The AF100 Bee Baa was Roland's answer to the gnarly, nasty guitar boxes coming out of the USA & the UK in the late 60's and early 70's.

A combination of transistor Fuzz, Octavia, and Treble Booster, the Bee Baa's massive metal housing & triple stomp switches provided ample evidence that this pedal was not to be trifled with.

Even Maxon was hard-pressed to reproduce the AF100's might in their compact chassis format. Opting to stick with the Fuzz aspects of the Bee Baa, they decided to leave out the Treble Boost section of the circuit when developing this next Fuzz Elements model.

The FF10 Fire produces two distinctly different yet equally aggressive fuzz tones based on the AF100's signature sounds.

In normal mode, the FF10's three controls can dial in thick & muscular transistor tones akin to a great-sounding Big Muff, but with improved midrange response and superior note clarity & clean-up.

Activating the Notch switch scoops mids & accentuates the upper octave harmonics dramatically, creating sizzling, searing sustained tones that are perfect for lead work.

As on the original AF100, Maxon kept the Notch setting foot switchable, allowing the user to toggle between these two titanic tones in mid-song.

Smaller & less expensive, but just as effective as the original it was inspired by: Fuzz Elements Fire brings the heat.

TECH TALK:
The FF10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783302
Maxon AF-9 Auto Filter Nine Series FX Pedal Maxon AF-9 Auto Filter Nine Series FX Pedal
Cat: 783308 Rel: 25 Sep 20
 
Filter pedal
Notes: You may have noticed that the Maxon AF-9 Auto Filter has undergone a facelift.

Specifically, the Sensitivity & Peak faders have been replaced by rotary pots and the slider switches are now toggles.

This change was made out of necessity due to the discontinuation of the fader pots that had been used on this model for nearly 40 years (original release date was 1981).

While these changes may have been necessary, Maxon saw no reason to update the AF-9's classic, watery, 3-dimensional filtering that so many players have to come to count on over the years. So, you can expect the latest version of this classic quacker to stand up to the original.

While change may be inevitable, if it ain't broke, then don't fix it.

The Maxon AF9 Auto Filter takes the most desirable auto-wah and swept filter effects and offers them up in a compact, user-friendly package. Opto-coupler circuitry produces the shimmering, watery filtering of legendary vintage units. Threshold and Peak sliders control the degree of effect; while Range and Drive switches determine range and direction of the filter sweep. Three selectable filter types (Low Pass, Band Pass, and Hi Pass) and a frequency range of 100 Hz - 4 kHz allow the AF9 to function with virtually any instrument or input signal.

"The Maxon Auto Filter is one of my favorite "go-to" pedals. This really helps you give your playing a human voice without sounding like you just stepped on an effects pedal. It is really special and you can hear it on tons of my recordings." - Marty Friedman (Solo Artist, ex-Megadeth, Cacophany)

TECH TALK:
The AF-9 is Maxon's version of the venerable Mu-Tron III envelope filter circuit (original version, not HAZ reissue). The biggest difference between the two circuits is that the AF-9 runs on a single 9V supply while the Mu-Tron ran at 18V.

In addition, the III had a Gain pot which controlled the output level of the pedal as well as the Threshold of the Filter - this was an awkward design, as it prevented increasing the filter sensitivity without raising the output volume of the pedal.

These items aside, the basic structures of the two circuits are very similar. The AF9 starts with a unity gain buffer Op Amp and then splits the signal into control and effected circuits. The control circuit is shaped by the Sensitivity pot and amplified by an Op Amp. This control signal then travels to a series of two photocouplers.

The effected portion of the circuit split goes into a three Op Amp filter network that is almost identical to the Mu-Tron's, right down to the Low Pass, Band Pass, and High Pass switch that selects which portion of the filter network is used. These filters are triggered by the CdS cell side of the previously mentioned photocouplers.

The AF-9's Range is selected by changing the gain structure of the filters. After the filter network the signal is run through a unity gain buffer to provide a low impedance output.

The AF-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Residual Noise: -95 dB or less (input shorted IHF-A weighted)

Filter Frequency: 100 Hz 2 KHz (Low) / 200 Hz 4 KHz (High)

Controls: Sensitivity, Peak

Switch: Normal/Effect (true bypass configuration), Filter LP/BP/HP, Drive Up/Down, Range High/Low

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 17 mA (9 V) / 19 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783308
Maxon OD-9 PRO+ 	Overdrive Nine Series Pedal
Cat: 783326 Rel: 21 Sep 20
 
Overdrive pedal
Notes: In 9-volt setting the Pro+ sounds and functions like the standard OD-9 with the added option of a healthy +3 dB of midrange boost at approximately 800 Hz (actual frequency is dependent on Control settings) - great for cutting through a band during solos.

When set to 18-volts the OD-9 Pro+ becomes an 800-pound Gorilla, offering up beefier lows, tighter saturation, improved dynamics and a chunky, aggressive pick attack that will make your amp sound and feel like it just took a Viagra. Switch on the Mid Boost in this mode and let your solos breathe fire.

Don't just play like the pros - play with the Pro Plus.

The Nine Series Overdrive Pro+ takes Maxon's classic OD-9 circuit and serves it up with two side orders of Whoop-Ass in the form of 9/18 volt operation and a Mid Boost switch.

TECH TALK:

The OD-9 Pro+ starts with a jFET buffer which simultaneously offers high input impedance and low impedance into the rest of the pedal - this helps to preserve high-end clarity in the signal.

The first tone stage is the Mid Boost feature: A switchable Op Amp with clipping diodes in the feedback loop. When this stage is not in the signal path the pedal behaves like a standard OD9. With this stage in the path it adds subtle gain and definition to the sound, similar to a cascading gain stage.

From here it's on to the standard OD-9 circuitry: A clipping Op Amp with diodes in the feedback loop that clip the signal gradually as well as a high pass filter that keep the low frequencies from being distorted as much as high. Next there comes a passive LP filter and then an active tone stage. After the tone stage it's through the Volume pot, an Op Amp boost stage which bumps the signal 3X and then sends it to the output.

The Pro+ also utilizes an NJM2374A voltage conversion chip that changes the 9V power input into 9V+ and 9V-, increasing the headroom of the Op Amps (9V to 18V swing) and giving a bigger, chunkier sound to the overdrive.

The OD-9 Pro+ features Mechanical True Bypass switching via a Fujisoku 4PDT switch - Input is switched to ground when bypassed.

NOTE ON POWERING THE OD-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible

If it is not possible to connect to a high current jack, you can power the OD-9 Pro+ by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 1

Equivalent Input Noise: -116 dB or less (input shorted IHF-A weighted)

Maximum Gain: Normal 43 dB (at 1.5 KHz), Boost 46 dB (1 KHz)

Controls: Drive, Tone, Level, Boost/Normal switch, 9/18 volt operation switch

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption:

35 mA (9 V) / 32 mA (10 V) at 18 volts
27 mA (9 V) / 27 mA (10 V) at 9 volts

Battery Life:
Manganese Dry Battery approx. 3 hours
Alkaline Dry Battery approx. 8 hours

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783326
Maxon PAC-9 Pure Analog Chorus Nine Series Pedal
Cat: 783332 Rel: 25 Sep 20
 
Analog chorus pedal
Notes: The PAC-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop to place the chorus effect post-gain.

"The Maxon PAC-9 provides a large range of great chorus sounds with completely silent operation. I had never used choruses before this one, as they often resulted in tones that sounded overly processed for my personal taste. This one allows for lovely subtlety, and is rugged and straight-forward to use." - Gretchen Menn

A new spin on an old classic, the PAC-9 brings classic 80's chorusing into the 21st century with modern features and improved sound quality.

The first thing you'll notice when you step on the PAC-9 is a beefy, full-bodied chorusing that punches you directly in the chest - gone are the thin, hissy, sissified chorus tones of yesteryear, replaced instead by a full-frequency effect that simply sounds massive.

TECH TALK:
NOTE ON POWERING THE PAC-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the PAC-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Level: +9 dB (400 Hz)

Delay Time: 4.6 msec - 7.68 msec

Speed Frequency: .33 Hz - 8 Hz

Controls: SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)
PURE, BRIGHT

In/Out: INPUT, OUTPUT, INVERSE OUTPUT

Residual Noise: -95 dB (IHF-A)

Indicator: BYPASS/EFFECT LED

Internal Circuit Voltage: 9 VDC (DC-DC Converter)

Current Consumption: 21 mA / 9 VDC

Power Supply: 6F22 9V battery or Maxon AC Adaptor

Battery Life:
Manganese battery 8.5 hours @ 25deg C
Alkaline battery 20 hours @ 25deg C

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H) / 2.9" (W) x 4.9" (D) x 2.13" (H)

Weight: 580 g (including battery) / 20.46 oz.

Option: Maxon AC Adaptor (AC210N or AC2009)
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quote 783332
Maxon ST-9 PRO+ Super Tube Overdrive Nine Series Pedal Maxon ST-9 PRO+ Super Tube Overdrive Nine Series Pedal Maxon ST-9 PRO+ Super Tube Overdrive Nine Series Pedal Maxon ST-9 PRO+ Super Tube Overdrive Nine Series Pedal Maxon ST-9 PRO+ Super Tube Overdrive Nine Series Pedal Maxon ST-9 PRO+ Super Tube Overdrive Nine Series Pedal Maxon ST-9 PRO+ Super Tube Overdrive Nine Series Pedal
Cat: 783354 Rel: 25 Sep 20
 
Overdrive pedal
Notes: Bigger, Badder, Bolder - these are the best three words to describe the ST-9 Pro+ Super Tube. The latest and possibly last incarnation of Maxon's legendary 808, the ST-9 features more output, more gain, and more tonal options for the player who simply needs - well, MORE.

Starting with a circuit loosely based on the classic 808 architecture, the ST-9 adds a Mid Enhance knob to control the amount of midrange boost. This knob functions similarly to an amp's presence control, boosting perceived volume and gain as it's turned up.

You may be wondering why an 808-style pedal would need more presence - introducing the ST-9's Low Boost switch.

The Low Boost switch is the ST-9's secret weapon - This unassuming switch completely changes the character of the pedal, adding beefy low end and increased saturation via a LP filter and an alternate set of clipping diodes.

If this wasn't enough, the ST-9 also offers 9- or 18-volt operation via an internal charge pump. Run at 9 for the classic 808 sound and feel or switch to 18 for increased headroom, improved dynamics, and a bigger, chunkier tone to the overdrive.

From bluesy overdrive to diabolical dirt box, the ST-9 is a devilishly diverse pedal that can punish a clean amp or turn a dirty amp into a wall of doom.

The OD808 re-imagined with increased output level, additional saturation and a more diverse palette of tonal options.

TECH TALK:
Input signal goes to a 2SK246 jFET buffer that provides a high input impedance and low output impedance into the 1st Op Amp, a NJM (JRC) 4558D. This 1st 4558 is set up as a tweakable mid boost, with a potentiometer controlling the gain of the boost. The signal goes from the mid boost Op Amp to the second clipping Op Amp, which is set up for a 10 to 110x gain with switchable sets of diodes in the feedback loop and a switchable capacitor to boost bass.

After the clipping Op Amp the signal is routed to an 808-style tone control and unity gain amplifier, after which the signal is passed through a volume potentiometer, another unity gain amplifier (to provide low output impedance) and then the true bypass switch. The use of these unity gain amplifiers helps to preserve high end in the signal which can be lost when passing through the volume control.

The ST9 Pro+ uses an NJM2374A Voltage converter to double the 9V input to 18 VDC, providing more clean headroom before the Op Amps distort. The ST9 circuit is switchable between 9 and 18VDC via an internal switch.

The ST-9 Pro+ features Mechanical True Bypass switching via a Fujisoku 4PDT switch - the input of circuit is switched to ground when bypassed.

NOTE ON POWERING THE ST-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the ST-9 Pro+ by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 51dB (2.2 kHz)

Equivalent Input Noise: -115dB or less (IHF-A)

Control: MID ENHANCE, DRIVE, TONE, LEVEL

Switch:
Bypass/Effect, Voltage Switch (9V/18V)
MODE Switch (CLASSIC/LOW BOOST)

Indicator: Bypass/Effect LED, 9V LED, 18V LED

Internal Circuit Voltage: 9VDC / 18VDC (DC / DC Converter)

Power Consumption: 12mA/9VDC, 36mA/18VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 610g (including battery, excluding AC adaptor

Power Supply: 6F22 / 6LR6 9V battery x 1 or Maxon AC adaptor

Standard Accessory: AC adaptor AC2009, user's guide

Battery life:
9VDC manganese battery 26 hours @ 25 degrees C (Panasonic 6F22NB)
9VDC alkaline battery 48 hours @ 25 degrees C (Panasonic 6LR61G)
18VDC manganese battery 2 hours @ 25 degrees C (Panasonic 6F22NB)
18VDC alkaline battery 8 hours @ 25 degress C (Panasonic 6LR61G)Option: AC adaptor (Maxon AC210N)* OdB = 0.775Vrms
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Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal
Cat: 783351 Rel: 21 Sep 20
 
Distortion pedal
Notes: Over the past 10 years Maxon effects have become key ingredients in the guitar rigs of countless metal bands. Notable artists such as Killswitch Engage, Arch Enemy, Shadows Fall and All That Remains have come to rely on Maxon overdrives for their brutal guitar tones on stage and in the studio.

The irony here (pun intended) is that Maxon has never offered a pedal tailored to the needs of the metal guitarist - until now.

Introducing the Maxon SM-9 Pro+ Super Metal - specifically designed for high-gain distortion tones, the SM-9's flexible saturation circuit can churn out everything from classic NWOBHM crunch through to the throaty chunk of today's drop-tuned metal extremes.

Developing such a pedal was no easy task, and the Pro+ was on the drawing board for years before Maxon felt it was ready for release. Several unique "tricks" were incorporated into its design to create a pedal that is as versatile as it is merciless.

Forgoing the use of conventional tone controls, the SM-9 instead features Scoop and Edge knobs to dial in the riffage.

The Scoop control is a mid-band elimination filter with a range from 200 Hz - 2 KHz. This control adjusts the frequency range where the pedal's midrange cut is centered.

Once the amount of mid scoop is determined, any high-end loss can be dialed back in using the Edge control - a Hi-cut shelving filter continuously variable between 2-15 kHz.

These two controls are highly interactive and work much like a parametric equalizer - Adjusting both knobs simultaneously allows the user to find the perfect mix of brutality and clarity.

The SM-9's Gain control adjusts the degree of saturation the pedal provides. This control is actually a dual-ganged pot that increases the amount of distortion while simultaneously boosting the upper midrange band up to 20 dB at 1 kHz.

By boosting and cutting specific frequency bands in relation to Gain, the SM-9's controls allow the user to sculpt brutal, beefy guitar tones that retain note clarity and definition.

The Pro+ also offers switchable 9- or 18-volt operation. In Classic mode, the SM-9 runs at the incoming 9 volts DC, greatly extending battery life. Switching to stabilized 18-volt operation increases headroom, frequency range, and dynamic response of the pedal.

Using the SM-9's controls and voltage options, an almost unlimited variety of monstrous high-gain tones can be dialed in. Whether you're a full-time metal maniac or just need the occasional "nuclear blast" without the bulk or volume of a full stack, the Maxon SM-9 Pro + Super Metal will deliver the goods.

The SM-9 Pro+ offers all the might and majesty of a high-gain amp stack at a fraction of the size and cost.

TECH TALK:
The SM-9 Pro+ features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE SM-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the SM-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 52.5dB (4 kHz)

Equivalent Input Noise: -60dB or less (IHF-A)

Control: GAIN, SCOOP, LEVEL, EDGE

Switch: Bypass/Effect, Voltage Switch (9V/18V)

Indicator: Bypass/Effect LED, 9V LED, 18V LED

Internal Circuit Voltage: 9VDC / 18VDC (DC / DC Converter)

Power Consumption: 12mA/9VDC, 42mA/18VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 600g (including battery, excluding AC adaptor

Power Supply: 6F22 / 6LR6 9V battery x 1 or Maxon AC adaptor

Standard Accessory: AC adaptor AC2009,user's guide

Battery life:
9VDC manganese battery 27 hours @ 25 degrees C (Panasonic 6F22NB)
9VDC alkaline battery 50 hours @ 25 degrees C (Panasonic 6LR61G)
18VDC manganese battery 1.3 hours @ 25 degrees C (Panasonic 6F22NB)
18VDC alkaline battery 6 hours @ 25 degress C (Panasonic 6LR61G)Option: AC adaptor (Maxon AC210N)* OdB = 0.775Vrms
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Maxon RTC600 Real Tube Series Compressor Pedal
Cat: 783428 Rel: 23 Sep 20
 
Compressor pedal
Notes: The RTC600 is like taking the finest studio-grade tube compressors and "squeezing" them all down into a single stompbox.

The RTC600 starts out with the same patented DBX compression circuit used in Maxon's popular CP-9 Pro+ pedal - this circuit provides a very smooth, transparent, almost "glassy" compression with very low noise floor, even at maximum settings. Your guitar sounds like your guitar, only with compression added to smooth out the dynamics.

The RTC600's dual-triode tube is positioned pre-compression, adding classic valve warmth to the signal without increasing noise levels.

With up to +30 dB of clean Gain, the RTC can be used as a clean booster or as an attenuator to clean up an already dirty amp.

The Addition of Attack and Release controls to the circuit allow for a wider variety of compression effects, including "Brick Wall" limiting and "Soft Knee" compression.

The RTC600 features an internal charge pump circuit that bumps the incoming voltage up to 25 volts, providing massive headroom and full-range frequency response. The RTC600 can be used with any instrument and for a variety of applications - it can be sent into an amp's front end, placed in an effects loop, or used as an outboard processor for home recordings.

The RTC600 features True Mechanical Bypass switching using a 3PDT switch. The RTC600 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

For studio-quality compression in a compact Stompbox, the RTC600 is the only REAL choice.

Rack tube compressors of this quality can cost thousands of dollars more than the RTC600.

TECH TALK:
The RTC600 features a completely new and improved circuit from its predecessor, the RCP660.

5 controls adjust the compression effect -

Threshold: Variable, 0dB to -40dB
Output gain: Variable, 0dB to 30dB
Compression Ratio: 1:1 to 1:Infinity
Attack time (for 20dB gain increase): Variable, 20mSec to 600mSec
Release time (for 20dB gain decrease): Variable, 140mSec to 700msec

A Gain reduction LED lights when the reduction is 4dB or more.

The RTC features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTC600 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTC600 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Max Output Level: +20dBu (at 1 kHz)

Residual Noise: -94dBu or less (Input shorted, IHF-A weighted)

T.H.D. +N: 0.02% or less (at 1 kHz, -10dBu output)

Controls:
THRESHOLD 0dBu to -40dBu
RATIO 1:1 to infinity: 1
GAIN 0dB to +30dB
ATTACK (for 20dB gain decrease) 20mSec to 600mSec
RELEASE (for 20dB gain increase) 140mSec to 700mSecSwitch: BYPASS/EFFECT (Mechanical True Bypass using 3PDT switch)I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED REDUCTION LED (When REDUCTION LED lights, compression is more than 4dB.)

Internal Circuit Voltage: 25 VDC (i12.5V) (DC to DC Converter)

Power Consumption: 240mA/9VDC

Dimensions: 121 (W) × 152(D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 580g / 1.3 Lbs. (without AC adaptor)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu=0.775Vrm
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quote 783428
Maxon VOP-9 Vintage OD Pro Clean Booster/Overdrive Nine Series Pedal
Cat: 783400 Rel: 25 Sep 20
 
Clean booster/overdrive pedal
Notes: It's difficult to put into words what makes the VOP-9 stand out from other OD pedals. In the simplest terms, it accentuates the connection between your guitar and amp rather than getting in the way of it.

The VOP makes your fingers feel like they are working effortlessly - notes jump off the fretboard with vibrant, singing sustain and even the most subtle picking nuance is reproduced with exacting dynamic accuracy.

The VOP has a warm, smooth tone without the "fizziness" or mid-spike associated with many solid state pedals. It offers a tight, punchy bottom end with just a hint of mild compression and works equally well with clean or distorted amps to produce a rich, velvety guitar tone.

Based on Maxon's legendary "808" circuit, the VOP-9 has a few hidden tricks in the design that set it apart from your ordinary overdrive.

The VOP-9 features an internal charge pump that allows it to run at 9 or 18 volts. In 9 volt setting the VOP reacts more like a traditional overdrive, while the 18-volt setting it offers increased headroom and a fuller frequency response for a more expressive, dynamic effect.

While most overdrive's pass some degree of clean signal, the VOP-9 allows you to control the amount via the dual-function Drive knob - a dual-ganged pot that controls the amount of Gain as well as the mix between clean and distorted signals.

At zero Drive setting the VOP can function as a completely clean booster, perfect for boosting solos or driving a distorted amp.

Whether you're looking for the ultimate blues tone or that added push to take your solos over the top, the VOP-9 will bring your sound to life.

Over the years the VOP-9 has been the go-to overdrive for many exceptional guitarists including Scott Henderson, Dave Weiner, Jeff Loomis, Doug Rappoport, and Stuart Ziff.

Used by Dave Weiner (Steve Vai Band, GIT Instructor), Doug Rappoport (Edgar Winter, Rick Derringer, Kim Simmonds GIT Instructor).

The VOP-9 was designed with the seasoned guitarist in mind, yet it can be a great addition to any player's rig.

TECH TALK:
The VOP circuit is basically a hot-rodded 808 with a few special tricks. After a JFET input buffer, the signal is sent a dual-gang Drive pot where it is split between a clean gain stage and the overdrive stage. As the Drive knob is turned up, more signal is sent to the overdrive stage while the drive of this stage is also turned up. If the Drive knob is turned down, more signal is sent to the clean gain stage and the drive of the overdrive stage is turned down. At 12 o'clock on the Drive knob, signal is split 50/50 clean/overdriven.

The VOP-9 features a standard 808-style tone control. However, the entire pedal is running at 18 volts via an internal voltage doubler that bumps up the clean headroom and provides greater output and a fuller frequency response than the typical 808 circuit - in other words, no midrange spike!

Even though the VOP circuit is running at 18 volts, it powers up off standard 9 VDC via battery or a standard external power adaptor.

The VOP-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE VOP-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 46dB 1.5kHz

Equivalent Input Noise: 112dB or less (IHF-A)

Controls:
DRIVE, TONE, LEVEL
18V (+-9V) /9V (+-4.5V) switch

Operating Voltage: 18V (+-9V)/ 9V (+-4.5V)

Power Consumption:
30mA/9V, 28mA/10V at operating voltage 18V (+-9V)
23mA/9V, 24mA/10V at operating voltage 9V (+-4.5V)

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 580g (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life:
Manganese dry battery +-9V 3.5 hours 25deg C / 77deg F (Panasonic 6F22NB)
Manganese dry battery +-4.5V 8 hours 25deg C / 77deg F (Panasonic 6F22NB)
Alkaline dry battery +-9V 10 hours 25deg C / 77deg F (Panasonic 6LR61G)
Alkaline dry battery +-4.5V 20 hours 25deg C / 77deg F (Panasonic 6LR61G)Option: Maxon AC adaptor (AC210N for North America)


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quote 783400
Maxon FE-10 Fuzz Elements Ether Ten Series Fuzz Pedal
Cat: 783277 Rel: 21 Sep 20
 
Fuzz pedal
Notes: Water's powerful parametric EQ covers a massive frequency range from a hefty 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

From Sizzling, scorching highs that accentuate the upper octave harmonic to big, beefy bottom that's perfect for Bass Guitar: These are just two of the limitless possibilities that Ether's versatile EQ can offer.

When true-to-spec vintage clones aren't enough, Ether takes a classic vintage Fuzz and turns it into a modern-day monster.

Ether takes the classic Super Fuzz sound and modernizes it with a powerful parametric EQ stage that can create a limitless variety of new fuzz effects.

The FE10 Ether takes the Fat channel of the FA10 Air and combines it with a parametric equalizer to create unlimited variations on the classic Super Fuzz sound.

TECH TALK:
The FE10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.

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quote 783277
Maxon OOD-9 Organic Overdrive Nine Series Pedal
Cat: 783327 Rel: 21 Sep 20
 
Oerdrive pedal
Notes: Offering the same warm, open-sounding overdrive as the OSD-9 but with a more pronounced high-frequency response, the OOD-9 is perfect for "livening up" a dark-sounding guitar or amp.

The OOD-9 reacts smoothly to input level changes, offering a highly interactive response to player dynamics. Perfect as a stand-alone dirt box or for pushing an amp, the OOD-9 can also be stacked with other OD's to add clarity and character to their tone.

The OOD-9 offers up all these classic sounds in Maxon's indestructible, industry standard 9-Series chassis. Modern-day utility features such as mechanical true bypass switching and a voltage regulator have also been added to provide smooth, consistent performance.

Providing mild, transparent overdrive that doesn't step all over your original tone, the OOD-9 Organic Overdrive truly lives up to its name.

The OOD-9 takes Maxon's resurrected OSD-9 circuit and replaces the NOS 741 Op Amps with current-production NJM (JRC) 4558's.

TECH TALK:
The OOD-9 signal path starts with a 2SK246 jFET buffer which provides a high input impedance and low output impedance into the 1st Op Amp - a NJM (JRC) 4558. This 1st Op Amp is set up to provide a 20 to 120x gain in signal.

After the 1st Op Amp we have a pair of diodes to ground, just like classic boxes such as the MXR Distortion+, Pro Co Rat and Boss DS-1. From here it's into another NJM4558 with an amplification factor of 10 to boost the signal back to a high enough level to drive the input of an amplifier if necessary - a feature that the Dist+ and DS-1 do not offer.

From here the signal is routed to a 4558 Op Amp unity gain amplifier, a volume control voltage divider, and then another unity gain 4558 to provide a low impedance output.

The OOD-9 uses a NJM2374A Voltage converter to stabilize the operating voltage at 9 VDC regardless of the voltage level coming off the battery, providing a smoother, more consistent operation and tonality.

The OOD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - the input of circuit is switched to ground when bypassed.

NOTE ON POWERING THE OOD-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the OOD-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 41.5dB (700Hz)

Equivalent Input Noise: -107dB or less (IHF-A)

Control: DRIVE, LEVEL

Operating Voltage: 9V

Power Consumption: 18mA/DC 9V, 18mA/DC 10V

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 580g (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life: Manganese dry battery 10.5 hours 25deg C / 77deg F (Panasonic 6F22NB)
Alkaline dry battery 23 hours 25deg C / 77deg F (Panasonic 6LR61G)

Option: Maxon AC adaptor (Maxon AC210N for North America)
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quote 783327
Maxon FEA-10 Fuzz Elements Earth Ten Series Fuzz Pedal
Cat: 783281 Rel: 21 Sep 20
 
Fuzz pedal
Notes: David Gilmour's go-to dirt box, the EH Ram's Head Big Muff helped to define classic rock guitar tone in the 1970's.

The FEA10 Fuzz Elements Earth captures all the grit, grind & girth of that fuzzy fiend in a pedalboard-friendly format that's a fraction of the cost of an original Ram's Head.

Aptly named, Earth is simply massive sounding, with a fat, tight bottom; harmonically rich yet warm top-end; and the subtle yet sublime "sag" that allows notes to smoothly blossom into rapturous, singing sustain.

Like an original Ram's Head, there's simply not a bad sound to be found in this pedal at any control setting - there are merely variations of awesome.

The FEA10's tone was "modeled" on a handful of the best-sounding Ram's Heads from a variety of studios & vintage guitar shops around Tokyo. It could take you years and cost you thousands to seek out vintage units with this level of sound quality and consistency.

Maxon has done the leg work, now all you need to do is plug into Earth and rock!

TECH TALK:
The FEA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783281
Maxon DB-10  Dual Booster Ten Series Pedal
Cat: 783269 Rel: 21 Sep 20
 
Booster pedal
Notes: A unique concept in booster design, the DB10 features two completely independent boost circuits in a single compact housing.

The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response.

The Vintage (Right) channel is Maxon's take on the classic Treble Booster circuit. It offers up to +20 dB of boost, but with a subtle high-frequency roll-off that increases as the Level is turned towards maximum.

Each circuit has its own input and output jacks, allowing them to be cascaded into one another in any order. Place an overdrive or distortion in-between the channels for additional tonal options - super-saturated overdrive that can then be level-boosted for solos, etc.

One of the many great features of the DB10 is the proximity of the bypass switches to one another, allowing the user to hit both switches simultaneously.

Independent status LED's indicate which channel is engaged and both channels feature True Bypass Switching using a 3PDT switch. Battery or DC (9-18 V) power options.

Compare to "booster" pedals out there such as Suhr Koko Boost, Exotic Rc Booster, Ac Booster, Ep Booster, Pigtronics Class A boost, Fulltone Fat Boost, Tc Boost etc...

TECH TALK:
The DB10 features mechanical true bypass switching on both channels via two x Fujisoku 3PDT switches.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: Vintage LEVEL, Clean LEVEL

Switch:
Vintage Bypass/Effect (3PDT True Bypass)
Clean Bypass/Effect (3PDT True Bypass)

Indicator: Vintage Bypass/Effect LED, Clean Bypass/Effect LED

Gain:
Vintage 6 to 19dB at 400Hz
Clean 0 to 21dB at 400Hz

Equivalent Input Noise:
Vintage -95dBu or less (Input shorted, IHF-A weighted)
Clean -105dBu or less (Input shorted, IHF-A weighted)

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Power Consumption: 11mA / 9VDC

Battery Life:
9VDC manganese battery 41 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 67 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 54(H)mm (with protrusion)

Weight: Approx. 290g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms
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quote 783269
Maxon SD-9 Sonic Distortion Nine Series Pedal
Cat: 783334 Rel: 25 Sep 20
 
Distortion pedal
Notes: Maxon's current-production reissue captures all the magic of the original with the added benefit of true bypass switching.

The SD-9 provides a smooth distortion that covers a wide range of Gain levels from mild overdrive through pseudo-fuzz. Regardless of the Gain setting, the SD-9 remains articulate and responsive to note dynamics, providing excellent sustain without crossing over into super-compressed Metal territory.

The SD-9's Tone knob has plenty of top end on tap, yet notes still retain a round, full-bodied tonality with the low end presence usually associated with amp distortion. The pedal's midrange response is smooth and even - present without seeming spiked.

Since its humble origins to its current place in the pedalboards of the stars, the Maxon Sonic Distortion has proven itself to be a timeless classic that has only improved with age.

Since its original release in the early 80's the Sonic Distortion has gained a huge cult following among tone connoisseurs, including the likes of guitar legends Scott Henderson and Mike Landau.

"The Maxon SD-9 is the best distortion pedal EVER made, period. It has the clarity and punch you get from a pedal, while retaining the low bass you get with amp distortion. The SD-9 is one of the rare pedals which sound equally great on both the neck and bridge pickups, whether they're humbucking or single coil. It's been a very important part of my tone for many years." - Scott Henderson

TECH TALK:
Input signal goes through a simple High-Pass filter into a transistor that's set up as an emitter/follower (high input impedance - low output impedance). After this it's into an Op Amp stage designed to give a gain range of 67 to 567and a Low-Pass Filter with a corner frequency of approximately 1540 Hz.

From here it's on to a set of opposing-direction diodes to ground and a tone control that is reminiscent of the Boss DS-1 (kind of a Big Muff dual High and Low cut - ending up with a mid scoop that has a high frequency limiting resistor with corner frequencies of 867Hz and 234Hz respectively).

The SD-9's dual diodes to ground give a crunchier, chewier distortion than the popular 808-style "diodes in feedback loop" configuration. Likewise, the SD-9's mid scoop is practically the antithesis of the 808's infamous mid hump.

After the tone control section it's through to a volume control and into another E/F transistor to provide a low impedance output and then on to the true bypass switch.

The SD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - Input is switched to ground when bypassed.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB or less (input shorted IHF-A weighted)

Maximum Output Level: 0 dBm

Maximum Gain: +42 dB (at 2.0 KHz)

Controls: Distortion, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9 V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Warranty Card: x 1

User's Manual: x 1
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quote 783334
Fulltone Full-Drive 3	Overdrive With Boost Pedal
Cat: 782842 Rel: 23 Sep 20
 
Overdrive pedal
Notes: Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET's give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar's volume control.

3-way CLIPPING toggle switch:
Set to 90's and you'll get symmetrical clipping with ample midrange.
Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones.
set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp.

Discrete Channels:
Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel before or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit.

Buffered Bypass:
Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and feel of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin.

DYNAMICS knob:
A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp's input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies.

The Icing on the cake? The housing is about 20% smaller than the traditional FD2.

SPECIFICATIONS:
Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms.
Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz.
Power Consumption: maximum 13 ma with both channels on
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FORTHCOMING
Fulltone Plimsoul Hi-Gain Distortion/Overdrive Pedal
Cat: 782862
 
Distortion/overdrive pedal
Notes: For many, many years you've basically had 2 choices for your Overdrive/Distortion pedals: You could either get "Soft-clipped" Bluesy, slightly compressed, (Toob Screemer, FD2, etc.) type Overdrive pedals... or you could get "Hard-Clipped" (OCD, Distortion+, Boss DS-1, etc.) type Distortion pedals.

What if there was a pedal that offered both? There is now... the Fulltone PlimSoul with it's Patented and completely unique dual stage clipping circuit which VERY accurately replicates not only the sound, but *the feel *of a tube amp with all of its subtleties and complexities.

PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it... you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.

Touch sensitive? Doesn't get any better.

Clean up with the guitar's volume control? More than any, yes, even more than the OCD.

Speaking of OCD, people ask "What's the comparison?" Easy answer: OCD has an honest flat EQ, won't change your amp's tone. PlimSoul has a gorgeous enhanced Midrange and Lower midrange... excellent to transform a combo into a Marshall-like lead machine, not so necessary if you already have a Marshall-like amp.

Good with Humbuckers as well as Single coils?
Yes.

Does it play nice with other pedals?
Yes, it has an Ideal 500K Input Impedance, ideal super low 10K output impedance.

Can I blend the 2 types of Distortion?
Yes, and you can have ONLY Soft clipped or ONLY Hard Clipped.
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MRP:$204.73 SAVE 17%
coming soon $170.61
FORTHCOMING
Fulltone Secret Freq Dynamic Asymmetrical Clipping Overdrive/Distortion Pedal
Cat: 782869
 
Overdrive/distortion pedal
Notes: What's this, another touch-sensitive, dynamic, natural sounding overdrive/distortion to confuse the marketplace?

Nope, this is the Fulltone Secret Frequency. Secret Freq. for short. Although it does the gig-friendly clean boost and OD thing as good as any, it goes well past that when asked to, right into Rock territory while retaining a natural sound.

Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your bread and butter OD/Distortion pedal.

But the 'Freq has WAY more tricks in its bag than your average transparent OD/Distortion... it just may knock a handful of OD/Distortions right off your 'board and straight on to Ebay thanks to another innocent looking knob labeled Freq.

What's this "Freq." knob?

Turn it Clockwise and my proprietary circuit adds as much as 20db of active narrow band juicy MIDRANGE right where it does the most good, it's like installing a wah-wah right where the distortion is being generated. But unlike turning on your wah-wah along with a distortion pedal, with the 'Freq. the bass and treble frequencies don't disappear... Very unique, and not to be confused with a simple active or passive midrange control tacked on to the end of the circuit, as is the case with all other pedals you've tried with a Mid control. Adding the 'Freq's midrange imparts WAY more sustain and lets you easily place the guitar in the mix where you want it, irrespective of volume... soundman's not going to bury you anymore.

What's it sound like?

Along with a slew of basic great OD/Distortion pedal sounds, it allows you to replicate a very, very wide range of your favorite guitar & amp sounds. Remember that when the 'Freq. knob is fully-counter-clockwise the Midrange enhancement effect is OUT of the picture and the pedal is a truly versatile and natural sounding pretty transparent OD/Distortion! At low to mid overdrive settings, turning the 'Freq knob up a little gets hammer-of-the-Gods penetrating PUNCH!

At more extreme (clockwise) Freq settings?

Brings a smile to your face an evokes the coolest Jimmy Page, Brian May, Michael Schenker, Robin Trower, Tom Scholz tones that you just couldn't previously get without a bunch of studio EQ, just the right setting on a great wah-wah, or a slew of British amps.
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MRP:$217.60 SAVE 17%
coming soon $181.33
FORTHCOMING
Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal
Cat: 782489
 
Boost pedal
Notes: The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the "Boost" channel in Fulltone's FD3 pedal.

Why does a guitarist need a "Boost" pedal?

A boost pedal is not only used to kick up your volume when it's time for your solo! A good booster can also solve a lot of problems in the modern guitarist's rig, because today's pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It's a wonder there's any signal left after all the stuff we put our signal through. Ever played through a 10' guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the "touch" is back.

What happens when the 2B is turned OFF?

That's the problem with other boosters...once they're OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to "unity gain" and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF...and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB!

Why is the 2B a great booster?

The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o'clock. It's subtle, you may not hear it, but you WON'T hear that shrill top end that other boosters can impart!

What's the DYNAMICS knob?

The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp's input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B's DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an "ok" amp feel responsive and juicy, and will keep you from distorting the amp's input, a problem plaguing most booster pedals.

Specs:

Input Impedance: ultra-high 1.65mega ohms...Not a chance of any interaction issues with guitars or other effects
Output Impedance: ultra-low 300ohms..no chance of loading or interaction issues.
Max Gain: @ 20dB
Size: 4.5" x 2.1" x 2.3"
Weight= 12 ounces (with the included battery)
Power requirements: anything from 5 to 18 volts DC, 9 or 18 VDC recommended.
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MRP:$173.83 SAVE 17%
coming soon $144.86
FORTHCOMING
Keeley Super Mod Workstation Modulation Pedal
Cat: 782464
 
Modulation pedal
Notes: Sonically drench yourself in swirling modulated tones. Not many effects can be as provocative as a chopping tremolo, a swirling rotary, a dreamy chorus, or a crazed filter sound. Nothing compares 2 a thick flanger or deep harmonic tremolo. Nothing goes better with modulation than delay and reverb. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds.

The Super Mod Workstation contains many of Keeley's finest effects. The Harmonic Tremolo in this unit is inspired by vintage brown face amps. The Keeley DynaTrem contained our first Harmonic Tremolo. Many consider this deeper and thicker sounding than the U Vibe type effect. The ADT in the Super Mod Workstation is from the 30ms Automatic Double Tracker. Last year that effect set the effect world on fire with the best complete ADT unit in a stomp box.

The Super Mod Workstation allows you to combine effects like Tremolo, Filter, Phaser, Chorus, Rotary Speaker, or Delay with other similar modulation effects, including delay or reverb! For example you can combine our famous 30ms Double Tracker sound in the ADT, with a Flanger, or an Echo, or Plate Reverb. Another example would be to use Bank 1 - Phaser sound, combined with Bank 2 - Delay. You can use the expression pedal to run delays into self oscillation feedback! You can Tap Tempo input a rate for the Harmonic Tremolo sound on Bank 1 and then use an expression pedal input for speed of the Rotary Cab sound on Bank 2. Decide it's #modulationFreeMonday? Well, you can use the Analog Delay on Bank 1 and a super wet Hall Reverb on Bank 2.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Super Mod Workstation has Tap Tempo for Mod Bank One, and external expression control on Mod Bank Two.

Super Mod Workstation effects include:

Tremolo w/triangle to sine waveform control

Harmonic Tremolo w/presence tone control

Filter Trem w/oscillator and random control

Phaser w/feedback control

ADT w/blend control

Rotary Cabinet Sim w/treble horn control

Digital Delay

Analog Delay w/dynamic modulation

Chorus/Vibrato w/blend control

Flanger w/positive or negative feedback

Hall Reverb

Plate Reverb

Tap Tempo on Modulation Bank 1

Expression Control on Bank 2
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MRP:$384.99 SAVE 17%
coming soon $320.83
FORTHCOMING
Keeley Tone Workstation Drive, Boost & Compressor Pedal
Cat: 782481
 
Drive/boost/compressor pedal
Notes: Introducing the Tone Workstation. The front end of your signal chain- this is where your tone develops. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Compression, Drive, Overdrive, Boost: you get it all here. The Tone Workstation is designed to be the first stage in your pedal board. It may even be the only pedal you bring to a gig. And we designed it that way.

Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. Adjust the Sustain control for increased compression or squeeze. As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.

Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive. First, the 1962 is Keeley's British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone. In the Katana Mode, only the volume works; the Tone and Drive are disabled. It's a clean sound people say you just can't turn off.

Last in the chain is Keeley's renowned Red Dirt overdrive. You get 15 years of modding tube screamers distilled into one toneful circuit. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! The Red Dirt circuit captures every nuance of your guitar's tone and delivers a classic, smoking hot, silky smooth lead tone.

Dimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.
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MRP:$384.99 SAVE 17%
coming soon $320.83
FORTHCOMING
Keeley Vibe-O-Verb	Ambient Reverberation Machine Pedal
Cat: 782480
 
Three mode reverb pedal
Notes: This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.

Fibonacci
All of the Delay Space in the reverb engine for the pedal are in the Fibonacci series. What does this mean for you? You'll probably make more money, look better (see golden ratio below) and find true happiness. But what this means for Keeley is a secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy's La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34...

Harmonic Reverb
This mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with the a delicious hint of Vibe! Dynamic Dimension Canyons?!

Vibrato Reverb
Pitch Bending Reverberation Machine. From mild chorus to spacey bayou tones! Too grande to call our modulated chorus, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other.

Phaser
Phaser Modulated Reverb. Maybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.
Enjoy these "Lost Reverbs" Vibe-O-Verb, reverbs that never were- until now.
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MRP:$191.85 SAVE 17%
coming soon $159.88
FORTHCOMING
Keeley Verb O Trem Workstation Powerful Reverb & Modulation Machine Pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT Workstation gives you the famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo.

So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT Workstation is a simple and beautiful sounding solution.

The Keeley VoT Workstation is a high-end Dual DSP effect workstation. Each effect, reverb and tremolo are given their own effects engine. This allows us to create rich and ornate filtering. These are studio quality sounds we that have been crafted over the years, refined by working musicians and studio engineers.

Reverbs
Keeley knows and develops reverb spaces. Fat, juicy, sonically rich spaces. Keeley 2 Spring Reverb is the real deal. It's so good sounding, they install it in The Amp now. In fact Keeley reverb has been developed in many other brand's pedals.

There are 8 petals to this flower: 2 Spring, 3 Spring, Plate, Hall, Chamber, Room, Fugue, and Slapback!

Each Keeley VoT Workstation reverb allows you to control:

Level - Output Volume Level for the reverb channel

Decay - this is the length of the reverb trails, the size of the ambient space. External Expression Control port on rear of unit.

Morph - Pre-Delay - The earliest reflections, sometimes heard as a slapback. This is great for setting up a reverb space that sounds huge, or you can dial it in so that it plays well with fast, percussive notes.

Effect Level - This is your Blend Control- how loud you want the reverb in your guitar mix.

Tremolos
A Lotus Flower of Tremolos- you have eight blooming tremolos in the Keeley VoT Workstation!

8 Vintage Tremolo modes: Sine Wave, Square Wave, Harmonic, Dynamic Harmonic, Pitch Vibrato, Ramp Trem, Les'Rotary Speaker, U-Vibe

Level - Output Volume Level for the tremolo-modulation channel

Rate - Speed of modulation, with on-board Tap Tempo, external tap input jack.

Depth - amount of volume change in effect. THROB.

Morph - Controls a variety of aspects including filter points, wave shape, duty cycle, tweeter/woofer control, etc. Instruction manual lists exact details.

VoT - Lotus
The VoT Workstation Tremolo allows you to have on-board Tap Tempo or you can use an external tap switch or generator. Expression pedal control gives you foot controlled access to the Reverb Decay control. This allows you blend the perfect amount of reverb into your guitar mix.
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MRP:$384.99 SAVE 17%
coming soon $320.83
FORTHCOMING
KMA Audio Machines Cirrus Delay & Reverb Pedal With Tap Tempo & Modulation
Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.
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MRP:$225.33 SAVE 17%
coming soon $187.77
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