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Review: The Beatles' EP From Us To You #3 captures a 1964 BBC session that encapsulates the band's early charm and infectious energy. Featuring a whopping ten tracks, it was recorded in the BBC's Paris Studios in Regent Street, London and fact fans will note that 'Honey Don't which was later included on the album Beatles For Sale and sung by Ringo, here features John on the vocals. Elsewhere the EP captures the band's irresistible melodies and tight harmonies with three of the tunes originally penned by the band's favourite rockabilly star Carl Perkins. Each song is a testament to The Beatles' enduring influence on popular music and overall serves as a timeless reminder of the band's unmatched creativity which continues to this day with new AI-produced singles that the much talked about one earlier in the year.

Review: A new special edition of The Beatles' Revolver comes courtesy of Apple, the original label on which the fab four released some of their most seminal works. Featuring a new mix and master by Giles Martin and Sam Okell, this version contains yet another 100-page book with a foreword by Paul McCartney and an unlikely essay by Questlove of The Roots.

Review: As we write this The Beatles have just managed to put out their last ever, they say, new single. By harnessing the vast powers of AI and feeding it a dusty old clip of him singing back in the day, they have even managed to recreate the voice of John Lennon. It's a reminder of how ahead of their time the Liverpool band always was, even back in the 1960s. And that's when this album London to Manchester was recorded live on October 13, 1963, which marked the point at which the press knew the band was going to be global superstars and features all their biggest hits from this early-on time.

Review: Beatles fans have been waiting for this one a while and now it is finally here. It was the legendary Liverpool band's seventh album and it came in August 1966. As ever it was an experimental and cutting edge work of pop rock, indie and psychedelic sounds that was a critical and commercial success. Some of the awards it won include Grammy Award for Best Album Cover as well as being admitted into the Grammy Hall of Fame. The album features classic singles 'Eleanor Rigby' and 'Yellow Submarine' which sound as fresh and new today as ever.

Review: To coincide with the release of Peter Jackson's new documentary series about the Beatles' ill-fated Get Back project, we're being treated to a string of new editions of the band's final album, Let It Be. The focal point is a brand new (and pleasingly sympathetic) stereo mix of the album from Giles Martin, who has cleaned up the vocals and instrumentation while paring back some of the saccharine orchestration that was controversially added by Phil Spector. With varying goodies coming with a selection of deluxe, superdeluxe etc editions, if you're a Beatles fan then you need this in your life.

Review: Beatles fans have been waiting for this one for a while and now it is finally here. It was the legendary Liverpool band's seventh album and it came in August 1966. As ever it was an experimental and cutting-edge work of pop rock, indie and psychedelic sounds that was a critical and commercial success. Some of the awards it won include Grammy Award for Best Album Cover as well as being admitted into the Grammy Hall of Fame. The album features classic singles 'Eleanor Rigby' and 'Yellow Submarine' which sound as fresh and new today as ever.

Review: Dave Clark Five, Manfred Mann, Gerry & The Pacemakers, The Searchers. To say the New Musical Express pulled together an impressive line up for the magazine's celebratory concert, at which the winners of a reader's poll were revealed, would be an understatement. And this is before we even mention the fact The Rolling Stones were also involved, only beaten to the top of the bill by The Beatles. On the day, Liverpool's Fab Four were presented their award by none other than Roger Moore, and then proceeded to play their first live show in 15 weeks. 'She Loves You', 'You Can't Do That', 'Long Tall Sally', and 'Can't Buy Me Love' were among the highlights, with an audience of 10,000 packing out the Empire Pool in Wembley for the entire day. This recording captures the energy of that set and the spirit of the time.