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Review: Giuseppe Ielasi is back following his 2020 release Five Wooden Frames. There he returned to the guitar exploring shifting and modulating loops and the interplay of tuning and drifting to create five stark yet ethereal pieces. On The Prospect, Ielasi sticks to solo guitar but this time in a much more pure form. Each of the two pieces consists of parallel electric guitar lines recorded simply through a tube amplifier free of studio tricks or heavy editing. Like much music written over the past few years The Prospect is reflective and personal. Created during a time of tragic family loss there is clear melancholy in the stark arrangements where spaces between notes become the sounds of searching. Ielasi's haunting guitar brings us along to a new phase in his life that is as unknown to us as it is to him.
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Review: Minamo (Keiichi Sugimoto and Tetsuro Yasunaga) returns to 12k following 2020's Superstition where they paried up with singer/songwriter Moskitoo. On Tail of Diffraction the duo joins long-time friend Asuna. A new name to 12k but not to the world of ambient and experimental music where Asuna's 100 Keyboards has toured stages around the world. Minamo and Asuna have shared the stage many times in concerts and tours over years, however, this is their first recording together. These artists are well known for their mix of electronic and acoustic instruments. Minamo often employs guitars, melodicas and small percussion instruments and Asuna's recordings with toy keyboards and reed organs are phenomenal. But on Tail of Diffraction they exchanged instruments for each song and played those they weren't familiar with, approaching each one with a naivete that spawned new discoveries. The familiarity of playing live together combined with surprising new instrument combinations resulted in a freshness and excitement much needed to them in a world that has been so shuttered. There is a soaring, almost optimistic quality to Tail of Diffraction. The timbres are very present and alive. The pads arc through sunlight with glittering gold edges and the guitars are tactile and seem to be exploring hidden possibilities. The final track features Reiko Seizo with a flickering vocal performance that further feeds the idea that this album is a ray of hope. Visual artist Michiko Fujita, whose work with silk thread that expresses delicate light and shadow, provided the artwork for the album which encompasses both the playfulness and desire to search that Tail of Diffraction so beautifully embodies.
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Review: Named in honour of an experimental silent movie of the early 1920s, Polish duo Nanook of the North are a unique proposition: a collaboration between composer/violionist Stefan Wesolowski and electronic musician/guitarist Piotr Kalinski that defies easy categorization. Heide, the pair's second album, was recorded pretty much in the middle of nowhere, and its' musical blend of effects-laden ambient electronics, simmering strings and acoustic guitar motifs was reportedly inspired by "wildness and untamedness". It's a genuinely brilliant, ultra-atmospheric affair that uses repetition magnificently (a nod, we'd argue, to American minimalism) and benefits from guest contributions from mezzo-soprano Margarita Slepakova.
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Review: Jason Barton is one man, London based experimental project BArTc. Insubstantial As Ghosts is his 14 track debut album and it comes on the label run by Colin Potter, who is well known for weird electronics thanks to his time as a member of Nurse With Wound. Barton has said that influences include Cabaret Voltaire co-founder Chris Watson and industrial legends such as Coil, Skinny Puppy and Einsturzende Neubauten. The music is built in many layers of synths, found sounds and environmental recordings. It results in organic and experimental sounds that are heavily distorted with various effects.
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Review: 'Fragments + Distancing' cultivates a profound sense of meditative stasis with the use of a Moog Mother 32, custom built filters, and various Eurorack modular sequencers, modules, and effects. James continues his proven and unique efforts in creating ethereal tones on this latest collection of songs. Fragments was created by using a method of composition James has been perfecting, where he takes small pieces of unreleased music that he has written stretching over the last 10 years, and runs them through different modes and methods of granular stretching and FFT processing. In some cases, the original audio source was no longer than 20-30 seconds long. PITP is honored to share this collection of music.
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Where The World Quietly Sing Their Song (CD + MP3 download code)
Cat: E 004CD. Rel: 02 Sep 21
Ambient/Drone
Review: A collection of meditative, lustrous compositions with haunting gloomy strings from the Texas artist.
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Review: Since making a visit to Tayos Caves in Ecuador in 2018, Jon Hopkins has become progressively more interested in the potential of psychedelic therapy, and the ceremonies that accompany psychedelic trips in some cultures. Music For Psychedelic Therapy, his latest album, was partly designed as a soundtrack to such rituals and therapeutic sessions. Musically, it combines elements of ambient, drone and neo-classical, with each of the nine tracks remaining resolutely drum-free. It's an undeniably trippy but meditative affair that strikes a good balance between becalmed bliss and colourful aural intoxication.
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Meme Soleil (hand-numbered CD limited to 200 copies)
Cat: IIKKI 015CD. Rel: 25 Aug 21
Experimental/Electronic
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10 Friendship Songs (CD + booklet + MP3 download code limited to 200 copies)
Cat: ECN 32. Rel: 29 Jul 21
Experimental/Electronic
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Cat: RM 4159. Rel: 15 Jul 21
Ambient/Drone
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Review: Somewhat surprisingly, Beliefsystems marks the first musical collaboration between Past Inside The Present co-founders Zake and Isaac Helsen. It's undeniably an album worth waiting for though, with the three meditative, enveloping tracks offering a perfect blend of the Zake's droning, densely layered "drone-scapes" and Helsen's glistening and fluid processed guitar sounds. For proof, check 19-minute opener 'Northern Cross', where starry, slow-burn electronics, distant guitars and yearning, unfurling melodies gently ebb and flow across the sound space, and the becalmed, field recording-sporting haziness of 'Knowledge Rooms Parts I & II'. In a word: sublime..
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Review: Since he first emerged on Diagonal a decade ago, Powell has been associated with abstract rhythms, hard-edged electronics, modular madness and fearsome experimentation. Piano Music 1-7, then, is something of a departure: a set that's as equally as inspired by piano jazz and neo-classical musical movements as fractured electronica and the Radiophonic Workshop. Of course, this is not piano music in the Nils Frahm sense - much of the actual piano motifs are delivered on lo-fi keyboards and synthesizers, while his fluid, attractive and ultra-melodic refrains come wrapped in studio effects and occasional electronic textures. A great example of this hybrid sound is 'Piano Music 4' - all alien electronics, woozy piano riffs and unsettling experimental intent, while the raw beauty of shimmering ambient number 'Piano Music 7' is simply sublime.
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Cat: RAM 079. Rel: 01 Nov 22
Post Rock/Experimental
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Review: Glacial Movements is the perfectly named home for this collaborative album between San Francisco-based musician and sound artist Brock Van Wey aka Bvdub and Italian sound artist Netherworld. As the title suggests, this is a record about finding the balance between the respective sounds of the two artists. And they manage it perfectly across cold and icy dub depths, wide open frozen ambient tundras and arching chords that bring beauty and light in the most slow and subtle of ways.
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Cat: AATP74 CD. Rel: 22 Nov 22
Experimental/Electronic
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Exploratorium (Expanded Edition) (limited numbered CD with obi-strip)
Cat: IP 074SECD. Rel: 08 Dec 22
Post Rock/Experimental
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The Blorp Esette Gazette Volumes Three & Four (unmixed 2xCD)
Cat: GGGR 129CD. Rel: 14 Dec 22
Experimental/Electronic
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Cat: MIG 02872. Rel: 08 Dec 22
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Review: Nosaj Thing's fifth studio album, 'Continua' - his first full-length excursion since 2017 - earned plenty of plaudits when it first appeared on streaming platforms in the autumn. Listening to this belated CD edition, it's easy to see why. Warmer, deeper and dreamier than much of his work, it begins with the picturesque pianos-and-ambient pads of 'Continua' and ends with the drowsy, slow-motion electronic dream pop of 'Different Life' with vocalist Eyedress. In between, he shuffles between deep, breakbeat driven dreaminess ('My Soul or Something', with KAZ), chopped and screwed aquatic soul (the serpentwithfeet-sporting 'Woodland'), gently jazzy ambient soul ('Grasp', which features a trio of guests), ethereal hip-hop wooziness ('Look Both Ways' with Pink Siifu) and impeccable ambient pop (Panda Bear hook-up 'All Over').
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Of No Such Place
Hand In The Upward Sky
And Soared
The Furnace & The Stillness
Fell Into Journey
Jagged Horizon
Wayward
Rest House
The Day Before
Journal Entry
So It Remains
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Tales From An Underground River (CD limited to 300 copies)
Cat: SPS 2255. Rel: 28 Nov 22
Ambient/Drone
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![Phant[as]](https://imagescdn.juno.co.uk/150/CS912705-01A.jpg)
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Review: This is a CD verison of Ryuichi Sakamoto's very welcome return to the fray. It is his first solo album since 2017's async. Milan Records have released 12 in January to coincide with the venerated Japanese composer's 71st birthday, and the timing is poignant given the album draws from musical sketches created while Sakamoto battled for two and a half years with cancer. Sakamoto himself describes reaching for his synths as a kind of therapeutic response to a big operation, and so the music carries an added depth of personal experience from one of the most profound ordeals a person can go through.
… Read morePlayed by: Juno Recommends Leftfield
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Cat: HESY 1302. Rel: 15 May 23
Ambient/Drone
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