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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $7.52
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $8.82
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $8.05
(No payment required now - pay when released)
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Review: Now announcing her latest album 30, it's been Adele's longest ever hiatus between albums. Biting back at media hype earlier this year, our worries that 30 would be a "drum and bass record to spite you", in Adele's own words, have been assuaged; its lead single 'Easy On Me' is rather a dramatic, roomy, noir piano ballad. And now that the tracklist has been revealed, we can expect more of the same - belting emotion is, of course, what Adele does best. Watch out for interluding and ending collabs with Erroll Garner and Chris Stapleton, as well as the intimately titled 'I Drink Wine'.
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Review: Johannes Kolter is Kolter, an artist formerly known as DJOKO, and now a hotly tipped breaks and garage head who has already got plenty of attention. Here though he makes a grand and widescreen statement with the first release on the all-new Pilot label. It is a stylish and adventurous record with plenty of killer cuts from the downbeat hip hop opener to the deep house delights of 'Journey' via the elastic and energetic future house kicks of 'Roboflow.' Showcasing both a knack for well craft synths and expert drum programming precisions, this record plays out like a mini DJ set with all the twists and turns you need to keep you on your toes and fully engaged.
… Read morePlayed by: Burnski, Juno Recommends Breakbeat
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Review: British psychedelic rock band Dark released their debut album Dark Round The Edges in 1972 and put out several more until the late 70s. Steve Giles was the man responsible for forming the group while still at school in Northampton in 1968. He took care of the design, photography and production as well as playing lead guitar and providing vocals alongside Martin Weaver on guitar, Alan Bowley engineering and Ron Johnson on bass. Their well-honed live sound transferred well to record when they head into SIS Studios to record the bulk of their work. Melodic prog rock licks, fuzzy guitar riffs and angular drums define much of this collection.
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Cat: DOS 760HP. Rel: 01 Jan 90
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Review: It's arriving a little late, given the Summer Solstice was late-June, but when an electronic compilation is as strong as this you can forgive the little things. Fittingly, this is a very UK sounding affair, with some tracks almost feeling like Bob Moog has walked into a maypole dance in some strange corner of the British Isles where detectives go missing. On the whole, though, things are much deeper and cosmic, which is where the whole celestial link clearly comes from.
To call it all ambient would be pretty reductive, but the label is useful for much of what's here. In actual fact the collection spans strange downtempo broken beats ('And They Named Him When The Sun Stands Still'), building grooves ('Throbbing Motor Lifeforms'), hypnotic drone ('All of Us Under The Sun') and atmospheric ethereality ('Heralding the Dawn').
… Read moreTo call it all ambient would be pretty reductive, but the label is useful for much of what's here. In actual fact the collection spans strange downtempo broken beats ('And They Named Him When The Sun Stands Still'), building grooves ('Throbbing Motor Lifeforms'), hypnotic drone ('All of Us Under The Sun') and atmospheric ethereality ('Heralding the Dawn').
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Review: Multidisciplinary artist Fatima Al Qadiri aligns with Hyperdub to release Asiatisch, a keenly anticipated debut album that's described as a "simulated road trip through an imagined China". First coming to prominence on the UNO label in 2011, Al Qadiri has subsequently provoked critical acclaim for the 2012 Desert Strike EP for Fade To Mind that played on her time spent living in Kuwait as a child, while her work under the Ayshay moniker for Tri Angle explored vocals in a unique manner. Asiatisch expands on the political themes of Desert Strike in a new and unexpected way, and acts as a homage to the style of grime known as "sinogrime". Asian motifs and melodies are prominent throughout whilst conceptually Al Qadiri runs through "the fantasies of east Asia as refracted through pulpy Western pop culture". If that wasn't enough to sell you on the concept, opening track "Shanzhai" is a "nonsensical Mandarin" language cover of Sinead O'Connor's "Nothing Compares 2 U".
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VARIOUS
Lieder Die Kein Label Wollte (hand-numbered 1-sided screen-printed brown marbled vinyl LP in screen-printed sleeve limited to 200 copies (comes in different coloured sleeves, we cannot guarantee which colour you will receive))
Cat: HERTZ 062. Rel: 01 Apr 21
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Urm (180 gram vinyl LP + insert limited to 150 copies)
Cat: ANA 012. Rel: 03 Jun 21
Experimental/Electronic
Review: UK label ANA serve up this debut album from a mysterious outfit known as Oyl. The music is just as mysterious and experimental and takes you on an introspective journey. Made on a collection of hardware amongst other bits, the record has oversized 808 bass sounds, dripping water effects, intricate sound designs and bit-crushed pads that make for dynamic tracks always on the move. The mood is often dark and dank, with abstract moments and an overtone of psychedelia that takes you into a whole new world of sound.
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Cat: MA 0084LP. Rel: 13 Oct 16
Indie/Alternative
Review: This Australian and now London-dwelling three-piece made their name by balancing out their psychedelic explorations with a somewhat Madchester-derived pop sensibility, and this second album sees them throwing this delicate balance into orbit by effectively offering more of everything - the sonic textures here are more adventurous, the hallucinogenic swirls of sound more lustrous, yet the choruses are as indelible and infectious as ever. A party album with a 'Screamadelica'-esque experimental edge, 'Every Now And Then' makes these three space cadets sound like genuine contenders.
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Review: It could not get much more late-1960s into early-1970s folk rock if it tried. Band name: Rainbird. Album title: Maiden Flight. General vibe: somewhere between a psychedelic ultraworld, late night blues basement and trip to a remote island to join an off-grid community. Painting quite a vivid picture there, admittedly, this 1971 rarity proves exactly why contemporary musicians can try to emulate this era but will never truly recreate it. Simply put, it's impossible to commit in the same way today. Rant and questionable point aside, Rainbird's uncovered gem is an epic masterpiece in no uncertain terms. From the wistful croonerdom of 'Stormdance (Part 1)' and its Wurlitzer powered chaotic seizure follow up l ('Stormdance (Part 2)'), to the lead guitar solo mastery of 'Man On the Mountain' and the quiet, reflective journeyman stuff on 'Sailboat', it manages to include every totem of this scene, without sounding cliched.
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What a murky world they lure us into. From the chilling opening moments on 'The Seven Laws', all moorland whispers in the digital mist, through the warbling sci-fi consoles of 'Merging' and the tribalistic ritualism that seems to drive 'Sufi Trance', it's as wild as the conditions it was made in, and as transcendent as that experience will have been for the pair involved.
… Read moreWhat a murky world they lure us into. From the chilling opening moments on 'The Seven Laws', all moorland whispers in the digital mist, through the warbling sci-fi consoles of 'Merging' and the tribalistic ritualism that seems to drive 'Sufi Trance', it's as wild as the conditions it was made in, and as transcendent as that experience will have been for the pair involved.
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Cat: FRIM 86536. Rel: 17 Dec 18
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Deck The Halls With Boughs Of Holly Medley: Deck The Halls With Boughs Of Holly, It Came Upon A Midnight Clear, Good King Wenceslas, Angels We Have Heard On High (4:14)
O Tannenbaum Medley: What Child Is This, The First Noel, God Rest Ye Merry Gentlemen, O Come All Ye Faithful (5:06)
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