Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: This is a big reissue of some disco-not-disco weirdness as cut up and chopped, skewed and made to dazzle by the Bastedos camp. "Keep Me On Fire" is a chugging pumper with fat drums and noodling riffs that sets the groove train in motion and keeps it running. "I Tried To Help It" is even more wild and impassioned thanks to the unabashed vocal that cries in soulful falsettos while Chic-style riffs power it along. "Termination" ends in a freaky but funky fashion with twisted vocals and gauzy guitar chords layering up into a marching wall of sound that's laden with effects.
Review: Not An Animal regulars Ess O Ess are back with an effervescent 12" that spans starry-eyed electro and pastoral electronica. "Voice Inside" comes in French and English versions, depending on what flavour you want from the sultry spoken word turn on the top of the plush harmonics of the production. As well as the killer original track, there's choice remixes on offer too from The Backwoods and Craig Richards. The former takes a cosmic, trippy approach to the track, but keeps the focus sharp thanks to a snapping 4/4 beat. Craig Richards meanwhile takes things far away from the original with a brilliant slice of discordant electro weirdness for the after hours crowd.
Review: The Dessert Island Discs series continues with yet more arch remixes from across the disco and boogie spectrum. Bubbles The Pimp kicks off the A side with a tasteful treatment of Gil Scott Heron's "Winter In America," which gets rustled up into a sweet and sassy house number with a cheeky acid b-line underneath. Nelly Wilson whips up a storm on the tightly clipped, peak time-oriented "Trapped & Confused". Pierre Pressure's "Love & Beyond" takes it easy on the B side with plenty of fluttering synth wobbles to offset the choppy funk of the guitar - it's a cosmically enhanced floor burner to get you all astral under the collar.
Review: The sneaky scalpel fiends behind the Belpaese Edits imprint are back with more inspired reworks of obscure, little known and overlooked European - and mostly Italian - gems from the 1970s and '80s. First up is "Vieni Con Mi", a wonderfully overblown chunk of loose-limbed jazz-rock/disco-soul fusion blessed with breathy female vocals, mazy flutes, wah-wah guitars, heavy bass and drumming so wild it may well be capable of raising cadavers from their graves. Flipside "20 Secoli Di Favole" is similarly minded, if a little closer to Baldelli "cosmic rock" territory - all ragged rock riffs, manic female vocals, groovy bass and intergalactic analogue synthesizer lines.
Review: It's been four years since A&R Edits ceased releasing music after serving up nine essential EPs between 2013 and 2015. This return to action has been masterminded by Merseyside scalpel fiends Greg Wilson ("GW") and Henry Greenwood, whose fine revision of Neneh Cherry's "Buffalo Stance" kick-started the imprint six years ago. A-side "Disco Mondo" is a rolling revision of a lesser-known breathy disco jam of (we think) Italian origin. It boasts a metronomic groove, wah-wah guitars, elongated organ chords, congas for days and a few well-placed swirling electronic effects. Over on side B, "In The City" is a dreamy chunk of mid-tempo, Italo-disco influenced synth-pop.
Review: Helmed by Asaf Samuel and Katzele, Malka Tuti transmits cosmic boogie sounds from Tel Aviv that come from lesser-known sources. On their fifth release they turn to The Kloom, a loose-fit operation of unknowns making a debut appearance with the powerful strut of "40 Gram Beton". Mixing slow disco grooves with ranging synths and warm piano notes, it's an infectious track that provides a prime jump-off point for the cast of remixers that round out the release. Die Wilde Jagd adds a more mechanical coldwave pulse to the track while Khidja gets lost in a swirling trip of a version, with the label throwing in a radio edit as a bonus on the B2.
Review: "Give Me Your Love" was produced by Roy Ayers and James "Jaymz" Bedford in 1981, this digger's delight was the one and only single by American singer Sylvia Striplin. It is an irresistible serving of soulful disco that really captures the spirit of the times. The track has been sampled on numerous occasions, but most famously on the classic track by Junior M.A.F.I.A. (Notorious B.I.G. production) on their song "Get Money" in 1995 and also by Armand Van Helden on "Full Moon" in 2000. On the flip is the sexy and lo-slung "You Can't Turn Me Away" featuring some sexy funk guitar licks and bass beneath Striplin's powerfully seductive vocals.
Review: Having given the Dream 2 Science album the wider audience it richly deserved earlier this year, Rush Hour dig out another NYC garage classic from the archives of Ben Cenac for a much deserved reissue. Unlike that album, this Sha-Lor record Cenac recorded in collaboration with vocalists Sharmelle and Lorrie back in 1988 gained wider success, becoming a Summer Of Love staple. It's not hard to see why "I'm In Love" proved so enduring on the A Side Caught Up mix either, with the duo's vocals still retaining a power to move some 24 years on, while Cenac's stripped back bass heavy production is NYC garage at its finest. This being Rush Hour, there's also the bonus of a previously unreleased instrumental version occupying the flip.
I Just Wanna (Spend A Little Time With You) (Michael Gray vocal mix) (8:40)
I Just Wanna (Spend A Little Time With You) (Michael Gray dub mix) (6:19)
I Just Wanna (Spend A Little Time With You) (vocal mix) (7:45)
I Just Wanna (Spend A Little Time With You) (instrumental mix) (6:58)
Review: For their latest trick, Yam Who's Riot label has decided to offer up a brand new edition of Alton Edwards' 1981 UK electrofunk classic "I Just Wanna (Spend A Little Time With You)". You'll find Edwards' superb original vocal version on the flip, where his part whispered, part sung vocals rise above thickset, mind-altering synth-bass, drum machine beats and some seriously punchy horn lines. The obligatory 21st century updates come courtesy of Full Intention man Michael Gray, who delivers a suitably pumped up boogie-house vocal revision before dropping a similarly chunky dub that wisely makes much of the original bassline and Edwards' whispered vocal passages.
Review: Destination 78/79: Expansion take us deep into the illustrious back cat of revered boogaloo fusionist Willie Bobo for two of his many fiery delights. Side A is his feel-heavy cult instrumental take on Ronnie Laws' disco classic "Always There" while Side B throws us into the heart of his 1979 album Bobo with gutsy raw soul power (and just a few cheeky funk slap bass twangs for good measure) Two stone cold classics together for the first time on 45.
Review: The mysterious nut-gathering disco fiends at Secret Squirrel continue their razor-sharp edit work with two more incredibly funky slices of nu-disco. Side A is a spirited fusion of wah wahs, filters and a tight vocal loop from Ike Strong's "Boogie Land" while Side B is a slower, acid-tickled jam that takes Blair's "Nightlife" and brings it kicking and screaming into the 21st century. Both are stunning and are guaranteed to sell out like the previous SS editions.
Review: Some people shake their hips. Others shake their money makers. This anonymous longstanding editor crew shake their furry tales. And as we hit number 20 in their series of sassy party versions, we're reminded there's a lot to shake to. "Track One" shakes with a slight carnival theme thanks to its punchy horns before dropping into swooning funk guitars. "Track Two" shakes with much more disco deviance thanks to its stomping thumping Hi-NRG kicks, gutsy vocal loop and lolloping slap bass. It pops. But ssshhhhh.... some squirrels are best kept secret.
Review: Back in November 2018, Oli Stewart AKA Casbah 73 delivered his most wholehearted tribute to the disco era yet, the brilliant "Love Saves The Day". On "To Be Free", he continues in a similar vein, doffing a cap to the pioneers of the Philly Soul sound via cut-glass strings, crunchy Clavinet lines, tasty electric piano solos, walking bass and a lead vocal from Angela (Angie) Gooden that stirs memories of disco divas of old. Stewart and his cohort of musicians go a little wild on the mostly instrumental disco-funk flipside, an exercise in dueling solos, lusty Latin horns, flanged guitars and heavy percussion that will get you hot under the collar for nine, all-action minutes. Brilliant stuff from start to finish from the experienced producer: don't sleep on this one.
Review: REPRESS ALERT: Psychemagik's Danny McLewin has been quietly cooking up some choice edits under the Skyrager alias lately, and here he is launching a new label Magic Wand Special Editions with four finely thought-out groovers for those who like their Balearic business smooth and silky. There's a hefty dose of soul pouring out of these cuts, leading in with the synth-tastic sweep of "Dream Merchant" before "Hawaiian Love Song" slides in with some seductive Rhodes licks and romantic vocals. "Magik Mountain" is blue-eyed boogie of the highest calibre, and "Yeah Yeah Yeah" edges a little understated disco into the mix for long, balmy nights dancing under the moon with your beloved.
Les Mondes Engloutis (Psychemagik main mix) (7:17)
Les Mondes Engloutis (Psychemagik 5am mix) (9:07)
Review: Martin Brodin's MB Disco imprint continues to deliver the good stuff, this time featuring two utterly essential Psychemagik mixes of Alico vs Cagri's "Les Mondes Engloutis". These mixes actually first surfaced on a digital-only release back in 2013, but now they've been buffed up for a full vinyl pressing, and rightly so. A side "Main Mix" is a full bodied, emotional banger with a lead drop to get crowds waving arms and singing along wholeheartedly. Our pick is the "5am Mix" on the flip though, where the synths take on a more shimmering nocturnal tone without losing that bright and bold character that will land this 12" in all manner of record bags this summer.
Review: Last month's debut salvo from off-kilter Balearic pop edit imprint Shelved Recordings sold out in record time, so it's likely you'll have to act fast to secure a copy of this speedy follow-up. Editor Andi Handley gets things going via the blissful bubbles of "Up and Down", where sustained synthesizer chords and meandering melodies stretch out across a sparse electronic rhythm, before diving even deeper into delay-laden slow-motion synth-pop pastures on the tactile and emotive drowsiness of "Stop Me". Best of all, though, is extended flipside edit "What Are You Fighting For", a typically dubby and on-point revision of an arpeggio-driven, guitar-laden alternative pop/post-punk cut by Marianne Faithfull.
Review: Released in celebration of Expansion's recent re-serving of two of Leon's early 80s albums - Rockin' You Eternally and Leon Ware - here's a delightful 45 that reminds us of his finest solo moments. "Why I Came To California" is a sun-kissed soul boogie groove with big horns and even bigger chorus. "Rockin' You Eternally" (which is, let's face it, one of the smoothest song titles to ever come from the 80s) showcases Leon's softer side. A ballad steeped in sentiment, play this loud enough and everyone in a five mile radius will stop and get smoochy.
Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.
Review: Breakthrough release for Durerstuben here, as the Berlin based pair of David Hofmann and Till Gerloff make good on the promise shown via a stream of intermittent 12"s in the past few years with a debut on Koze's Pampa label. One listen to the three tracks on Street of Rane will likely have many checking Discogs for the availability of Hoffmann and Gerloff's previous work as Durerstuben; such is the instantly gratifying nature of their rich, vivid take on European deep house. Metro Area, Zapp and Tensnake are offered as potential reference points by the Pampa press release machine and it's hard to disagree with final track "Freiherr in der Wall" a particular speaker box laden delight.
Review: London's Soul Brother unit has been out of the picture for a little while, but you can always rest assured that the mythical Putney-based shop will come up with some solid reissue goodness. This time, the gold comes through a resurrection of Bill Harris' material, a legendary jazz trombonist who started his trade way back in the late 1950's. There's two versions of "Am I Hot Am I Cold" here, a short version for the dance, and a long version that delves deeper into the percussion, goes heavier on the drum breaks and lifts the track to higher grounds thanks to those prophetic vocals. A certified jazz-funk monster.
Review: With recent releases for Internasjonal and Tim Sweeney's Beats In Space Records, Los Angeles based producer Secret Circuit (otherwise known as Eddie Ruscha) has had a breakthrough year with his brittle synth jams, taking inspiration from Balearic disco and minimal wave alike. However, he's been a prolific producer since 1996, and this record on Emotional Response, entitled Tropical Psychedelics, collects productions from Rusha up until 2010 that have previously only seen the light of day on cassette releases. Described by the label as a "Balearic-Tropical-Afro-Psychedelic whirl", the album packs a rich palette of analogue textures into its ten tracks, from the Afro dub of "Afrobotics", through the hazy, beatless combination of piano and analogue synth on "Psouvenirs" to the psychedelic tropicalia of "Foggy Twilights".
Review: Thomas Smorek, aka Dunkeltier, was last seen lurking on Bahnsteig 23 back in 2015, and now he's back under a fog of VHS fuzz with madcap sampling and off-kilter disco freakiness in abundance for all the freaky dancers. "Arcade" has a motorik pulse to it, and one of the best warbling bell chime sounds we've heard in a long time. It's a creepy, but deceptively funky beast. "Arabian Town" is a more post punk flavoured cut with raw live instrumentation and vocals that seem to channel Joy Division, Siouxsie & The Banshees and The Cramps in the same breath. "Ce Soir" is a synth heavy affair purpose built to disorientate and disturb, while "The Blade" brings a stomping industrial death march mixed with twanging psych guitar ramblings. Yet more distinctive heat from the Bahnsteig crew then.
Review: Late last year Los Angeles-based synth obsessive Nicholas Benedek made his PPU bow with a untitled album filled with untitled tracks, executed with the sort of lo-fi panache that fit the label to a tee. Here Benedek returns to PPU as RX, a rather surprising self-styled 'smog prog' project with LIES artist and LA Club Resources boss Delroy Edwards. Taking shape in a signature PPU 7 inch, both "Strung Out" and "Prescriptions" sound like a fine balance between the hazy boogie of Benedek and the tape degraded grit that's been a hallmark of Edwards work since his emergence on L.I.E.S.
Review: Another essential history lesson here from the Peoples Potential Unlimited camp. "Super Breaker" is an early production by Miami bass legend James McCauley, better known as Maggotron,DJX or Basstech. It was originally released by the super obscure Bound Sound label in 1984, but was quickly forgotten. As one of McCauley's earliest works, it arguably marks the point where electro began to morph into Miami bass. There are vocal and instrumental versions on this must have 7", both featuring a mix of long synth chords, oh-so thick synth bass and a healthy dose of vintage drum machine breaks.
Review: Casbah strikes again with a powerful homage to the NYC foundations with this juicy, insatiably funky piece of disco soul. Driven by a belting vocal from Angela Goode, there's a strong sense of timelessness, honesty and raw funk that smacks with authenticity and one of the funkiest slap-bass breakdowns you'll hear all year. Chicago's Rahaan takes the remix duties with a pumping contemporary disco cut while Casbah strips things back himself for the essential DJ tool that is the percussion edit. Feel the love.
Review: Night or day, we're always happy to receive a new version bundle from the mysterious (not to mention brazen) editors Disco Bits. For their latest excursion "Party Time" takes things out of control with a massive vocal hook every dancefloor knows and loves, "Wick & Lazy" is a ticket on the express to funk town while "Ain't No Cruel Intentions" brings a cruel twist to a Khan and Rufus joint. Finally "Jubilation" brings us all a little closer with solid strums and campfire chorus. Less disco bits and more disco wholes; these will pep up any flagging floor.
Review: After appearing on the first Calypso Records release out of Mexico last year, Colossio returns to the fray with a whole EP of sleazy jams for the warm up crowd to get nasty to. "Moto" is a grinding crossover track that features dirty garage guitars to match the low-slung synth undulations and sizzling disco beat, while "Fe" throws the windows open for a ranging cut centred around all kinds of instrumentation played with a post-punk looseness. "Ansia" keeps things nervous and atmospheric without skimping on party energy, and then Man Power swoops in for a remix of "Moto" that keeps things spooky while injecting a swinging groove into the mix.
Ed Wizard & Disco Double Dee - "Love Me Too" (5:28)
Will Buck & PRTMNTO - "I Need Your Love" (6:40)
Vagabundo Club Social - "Sonico Amor" (7:41)
Review: Perhaps we should think of Whiskey Disco's Small Batch series as their attempt at "artisan disco". Certainly, the re-edits on show should have a few hipsters - and plenty of disco DJs - stroking their hirsute chins in appreciation. Dubtribe Soundsystem's Sunshine Jones kicks things off with the mid-80s synth-pop-goes-acid-house brilliance of "Lovergirl", while regular collaborators Ed Wizard & Disco Double Dee doff a cap to Sly & Robbie and Larry Levan on the dub disco vibes of "Love Me Too". Those after some high tempo jazz-funk-meets-disco-house thrills should check Will Buck and PRTMNTO's "I Need Your Love". As for Vagabundo Club Social's "Sonico Armor", it's a hazy, dub-flecked Balearic disco delight.
Review: Serious summertime loving right here from Wah Wah's right hand maestro Scrimshire. Continuing to build on his impeccable editry reputation, here he provides three floor-ready feel good twists that do nothing but add to the originals' legacies. Chaka Khan's iconic slinky bassline gets all looped and tonked on "Sommer Love", Merry Clayton (who he's edited before with "Grandma's Hands") gets a little tempo injection and much more extension in the groove while McNeal + Niles' classic lolloping hazy soul jaunt enjoys a wry little electronic dusting. Slow, low and loaded with love...
Review: London-based producer Keyboard Masher has been flying out a no-nonsense brand of disco-infected grooves since 2010 on their own KM Editions label. Devoid of hype and placing the emphasis on the music, the eighth installment in this crucial series of seductive late night jams packs in more boogie than you can shake a particularly funky stick at. "Ferry Home" strikes an irresistible 80s note with its live band undercurrent, while "I'm Still Qualified" slinks down into a more sultry mood before "Twin Magjik" heads skywards on a bed of twinkling synth tones. Sweet disco tones don't come fresher than this.
Wojciech Karolak - "Discopus Nr 1" (part 1&2 - If Music extended edit) (7:55)
Alojz Bouda - "Random (Naslepo)" (2:31)
Polski Jazz Ensemble - "Song For Ewa" (7:22)
Prince Igor Yahilevich - "Double Sun" (7:19)
Andrzej Korzynski - "L'Arme Du Milicien - Patkarz" (3:07)
Binder Quintet - "Sirato (Dirge)" (feat John Tchicai) (6:42)
Review: If Music duo Jean-Claude Thompson and Adrian Magrys head up this fine six-track forage through the '70s and '80s archives of Eastern Europe. Stylistically, there doesn't seem to be an over-riding theme, it plays out more like a diverse selection of archival cuts spanning Poland, Hungary, Russia and Slovakia that will delight the more adventurous dancefloors. Thus you get infectious Polish disco grooves from Wojciech Karolak and Andrzej Korzyn?ski nestled alongside the break-laden jazz bustle of "Song For Ewa" of the Polski Jazz Ensemble. Similar styles abound with Russian-born "Prince Igor" Yahilevich and Hungary's Binder Quintet, whilst Alojz Bouda delivers our personal favourite in the shape of "Random," a suitably-titled oddball synth banger that originates from the Slovakian's 1980 album Synthesizer Sound
Review: This more than handy 7" single brings together two classic disco-era cuts from soul legend Willie Hutch. A-side "Easy Does It", which was originally featured on 1978's In Tune album, features Hutch in full-on Curtis Mayfield mode, singing passionately over a jaunty, jazz-funk influenced backing track laden with swirling strings, choral backing vocals (think Marvin Gaye's "What's Going On" album) and Dexter Wansel style synthesizer solos. It's undoubtedly one of Hutch's finest moments and deserves to be in any serious soul head's collection. Flip for 1979's "Kelly Green", a sumptuous soul slow jam in which Hutch pines over a lost lover.
Review: A lot of us have to thank Expansions for switching us on to Matlock in the first place, thanks to them unearthing him for their Soulchasers collection way back in the early 90s. Here they return to two of Glenn's finest, silkiest soul diamonds. Written for the romantics, produced for the dancefloor right at the very end of the classic 70s sound, "You Got The Best Of Me" has an upbeat Barry White feel to its delivery and sentiment while "I Can't Forget About You" has a lighter touch and flightier flow. The former previous super-rare on 45, the latter never press to 45 before... Both supreme and timeless.
Review: For the latest volume in their ongoing Brazil 45s series, Mr Bongo has decided to change tack. The two tracks showcased here are from the golden age of Brazilian boogie. On the A-side you'll find Marcos Valle's "A Paraiba Nao E Chicago", a largely overlooked cut from his 1981 full-length Vontade De Rever Voce. While not as instantly as infectious as some of his better-known singles, it's still superb; a breezy, blue-eyed soul cut full of rising horns and sweet Portuguese vocals. On the B-side, you'll find Don Beto's 1978 disco-funk jam "Nao Quero Mais", a superb track that was seemingly inspired by the Doobie Brothers' "Long Train Running".
Review: Out 2 are the product of a New York-based partnership between Jeremy Campbell and R. Zanzibar, who are just the kind of cult operators that Emotional Response so dearly love. With one foot in classic Talking Heads inspired funk variations and the other in the catch-all stylistic melee of the modern age, this is highly developed party music for well-read rug cutters to bust out shapes to. Just check the gorgeous synth violin styles on "Fire" or the heavy dub beatdown of "Rubber Hour" - these cats know what they're doing. All new-no-minimal-wave lovers take note!
Review: Sporty Cat Dwight Sykes lets loose with a brand new original and super spacy track from last year's album Songs Volume One for the ever excellent Peoples Potential Unlimited!! "If You Want My Love" is straight out of the '80s playbook thanks to its gossamer synths and on-point female rap (that's delivered by his daughter Valerie Sykes). Flip for the filmic synth boogie introspection of "You That I Need". Another must grip 7" from the PPU crew.
Review: The disco loving yet secretive Sciuridaens return with an eighth volume of finely teased productions primed for deployment on the discotheque. We are still none the wiser on who is behind the Secret Squirrel project despite some scurrilous rumours but it's clear by now they have quite the knowledge of funk, boogie, Italo, acid, disco and vintage house. Up top it's a funk-flecked disco number that feels like the tempo has been nudged down slightly, adding a subtle druggy feel to those Philly strings. It's good but Secret Squirrel really hit the spot with the think break-infused '90s era filtered house burner that sits on the flip. Some vocal hook on this one.
Review: 17 immaculate edit 12"s deep and this anonymous crew are still bright-eyed and bushy tailed. Side A is all about the rampant disco chugs with tightly plucked guitar and a thumping freight train energy while side B takes a diversion towards more Italo pastures. Full sleaze, no cheese and heaps of lavish string strikes; these won't be secret for very long.
Review: A limited yellow vinyl funk odyssey from Record Store Day, "I Get Lifted" is taken from KC & The Sunshine Band's second album (1975) Still sounding shiny and floor-minded, the original stands the test of time incredibly well. Todd Terje's edit, however, takes it to another level; upping the tempo (and, possibly, the key), he's extended the right places, added a little more emphasis on the kicks and made sure we can't miss the breakdowns and instrumental sections.
Review: Ms Cardini presents four more fabulous excursions in indie dance music, courtesy of her always reliable house of Correspondant. Following up the first volume which had some highly valued contributions courtesy of Khidja and Jonathan Kusuma, the second edition features hot Tel Aviv duo Red Axes with the dark disco odyssey of "Earth Core" and Fort Romeau's surprising appearance on the A side. The flip showcases the fresh sound of Colli Alban firstly. His track "Walking In The Night" is a real highlight, where he serves up some darkwave slo-mo trance. Finally label staple Javi Redondo impresses as always on the dreamy and hypnotising groove of "Heroin" channelling the majestic vibe of fellow Cologne label Kompakt.
Review: Father & Son Records And Tapes have already had a strong 2016 with releases from Naphta, DJ Sajko and Das Komplex, and now the Polish label rounds off the year with a stunning album of style-spanning wares from Niemoc. Paramaribo is the first physical release for the emergent artist, and it sports all manner of instrumentation feeding into a wholesome, heartwarming whole. There's a danceable pulse propelling these tracks, and the likes of "Lustro" head more overtly into club territory, but by and large this is an album of plaintive melodics to tug at the heart as much as the feet.
Review: A beautiful repress that celebrates Nigeria and America's contributions to funk music, "Move!" is taken from Eno's 1982 album Living In The USA. Taking the rudiments of his African schooling, the drummer/guitarist/singer turns his hand to early rap on "Move!" over a sleazy funk beat that shimmers with minute echoes of highlife deep in the background. "Hot Love" follows up this fine fusion with a more upbeat 80s pop boogie focus. Big bass and reverbed vocals, it's going to sound great on your next dancefloor.