Review: A modern day Scott-Heron, without the myriad of demons on his back, Grammy-nominated jazz singer Porter has such a distinctive voice, charm and band command. He clearly lends himself well to edit culture (as proved by the huge success of the many "1960 What?" versions in recent years) and this 7" from Expansion is no exception. "On My Way To Harlem" is straight up narrative jazz with fantastic attention paid to the subtle samba and solemn horns. "1960 What?" speaks for itself; far more authentic to the original than the other versions that have popped up, if you've not already got a favourite edit - Jazz & Cole have the answer.
Review: "Give Me Your Love" was produced by Roy Ayers and James "Jaymz" Bedford in 1981, this digger's delight was the one and only single by American singer Sylvia Striplin. It is an irresistible serving of soulful disco that really captures the spirit of the times. The track has been sampled on numerous occasions, but most famously on the classic track by Junior M.A.F.I.A. (Notorious B.I.G. production) on their song "Get Money" in 1995 and also by Armand Van Helden on "Full Moon" in 2000. On the flip is the sexy and lo-slung "You Can't Turn Me Away" featuring some sexy funk guitar licks and bass beneath Striplin's powerfully seductive vocals.
Review: Released in celebration of Expansion's recent re-serving of two of Leon's early 80s albums - Rockin' You Eternally and Leon Ware - here's a delightful 45 that reminds us of his finest solo moments. "Why I Came To California" is a sun-kissed soul boogie groove with big horns and even bigger chorus. "Rockin' You Eternally" (which is, let's face it, one of the smoothest song titles to ever come from the 80s) showcases Leon's softer side. A ballad steeped in sentiment, play this loud enough and everyone in a five mile radius will stop and get smoochy.
Review: A lot of us have to thank Expansions for switching us on to Matlock in the first place, thanks to them unearthing him for their Soulchasers collection way back in the early 90s. Here they return to two of Glenn's finest, silkiest soul diamonds. Written for the romantics, produced for the dancefloor right at the very end of the classic 70s sound, "You Got The Best Of Me" has an upbeat Barry White feel to its delivery and sentiment while "I Can't Forget About You" has a lighter touch and flightier flow. The former previous super-rare on 45, the latter never press to 45 before... Both supreme and timeless.
Review: It would be fair to say that the two tracks showcased here aren't among Lamont Dozier's best-known songs. For starters, they were originally tucked away on the legendary soul man's largely overlooked 1981 set, Working On You. A-side "I'm A Believer" is a breezy, string-drenched chunk of disco-boogie blessed with one of the singer-songwriter's best vocal performances. It's something of an overlooked dancefloor gem, all told. Flipside "Starting Over" builds steadily from a slow start, with Dozier's impassioned message of love reborn coming through loud and clear over sumptuous orchestration and super-sweet vocal harmonies.
Review: Singer, songwriter and session vocalist for Motown and Chess, Jeff Perry spent the late 70s on his own solo adventure and "Call On Me" was one of his earliest endeavours. A fairly urgent torch song executed with few theatrics but rather layers of soft harmonies, a funk-riddled break and a dreamy middle eighth. Flip for the instrumental and you'll hear just how much power and emergency the Jeff's vocals provide now they're removed.