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Review: ***B-STOCK: Vinyl has light scratches on A-side, otherwise in perfect working order ***


The Well Street label welcomes Yushh for her debut EP. The Pressure Dome label-head (who has previously landed on Facta & K-LONE's Wisdom Teeth as well as Banoffee Pies) brings a mind-altering mix of sounds here. There is sparse and futuristic space techno on 'Kara Arriba' then deeply introspective downbeat on 'Siro Silo'. 'Dough' is a percolating rhythm piece with rubbery bass and dreamy pads while 'OXI Ambigan' floats through space next to fizzing synth details, distant nebulas and alien life forms.

Notes: Inside this brand new issue:

Releases of the Year: Wire asked their contributors to vote for their top ten records, CDs, streams and more, then added up the votes

Critics' Reflections: Wire's writers discuss their memorable cultural experiences of the year

Columnists' Charts: Wire's specialist critics delve deep into their musical niches from noise to modern composition

Archive Releases of the Year: Wire asked their contributors to vote for their top ten archive records, CDs, streams and more, then added up the votes.

Engineered Phantoms: AI for the masses. By Abi Bliss

Back to the Land: Strange as folk. By Louis Pattison

Rival Camps: Crossing the streams. By Britt Brown

Weapons of Mass Distraction: Artists and Gaza. By GAIKA

Invisible Jukebox: Linton Kwesi Johnson: The veteran reggae poet faces down The Wire's mystery record selection. Tested by Gabriel Bristow

Laetitia Sadier: The Stereolab founder promotes community and healing with her new solo work. By Claire Biddles

Fred Frith: The Henry Cow co-founder returns to his groundbreaking 1974 album Guitar Solos with a reissue and a new album. By Clive Bell

Unlimited Editions: Bead Records

Unofficial Channels: Lanner Chronicle

Phil Geraldi: Road head music. By Emily Bick

HUUUM: Viennese whirl. By Ilia Rogatchevski

Lisa Ullen: Piano magic. By Peter Margasak

Thomas Ignatius: Medieval synthpop. By Leah Kardos

Global Ear: Chicago Democracy and improv in the Midwest. By Levi Dayan

The Inner Sleeve: Vince Clarke on The Human League's Travelogue

Epiphanies: Mariam Rezaei on Persian pitch-shifting

Print Run: Dancehall: The Rise Of Jamaican Dance Culture by Beth Lesser; Lost In Room: Mark Perry, Alternative TV And Related, 1977-1981 by Richard Johnson; Deep Blues 1960-1988 by Val Wilmer; Ukrainian Field Notes edited by Gianmarco Del Re; At The Vanguard Of Vinyl by Darren Mueller; Too Much Too Young: Rude Boys, Racism And The Soundtrack Of A Generation - The 2 Tone Records Story by Daniel Rachel; NOTHING IS POSSIBLE NERVOUSNESS, OR IMMORALITY DON'T WAIT TO BE HUNTED TO HIDE/ SPOILT HEALTH by TRS: The Fucking Terrible Receding Shapes, Trading As TRIPLE NEGATIVE

On Screen: Midori Takada: Japan On Film; Robert Fantinatto Subotnick Portrait Of An Electronic Music Pioneer

On Location: Recombinant Festival, San Francisco, US; Sir Richard Bishop, Edinburgh, UK; Week-End Fest, Cologne, Germany; Black Industrial | Noise Event 4: Ain Bailey, London, UK; Out.Fest, Barreiro, Portugal; Gonerfest 20, Memphis, US; Sonica Surge, Glasgow, UK; People Like Us, London, UK; Loraine James, San Francisco, US; Usurper: That's That Then, Edinburgh, UK; Easter Margins Road 2 Redline Tour with OverMyBody Taipei, Taiwan; Donaueschinger Musiktage 2023, Donaueschingen, Germany

On Site: Val Wilmer Blue Moments, Black Sounds, London, UK; Meredith Monk: Calling, Munich, Germany; Barbara Ess Archives, New York, US

Soundcheck: Aesop Rock, Agitation Free, All Men Unto Me, Alternative TV, Chino Amobi, Andre 3000, Erlend Apneseth Trio & Maja SK Ratkje, Anenon, Daniel Bachman, BEAM SPLITTER + Eivind Lonning & Espen Reinertsen, Beans, Lea Bertucci, Better Corners, Galya Bisengalieva, Black To Comm, Andy Blade & Buddies, Danny Brown, Conflux Coldwell, Amelia Cuni/Werner Durand/Uli Hohmann, CZN, Angharad Davies & Phil Julian, Eartheater, Max Eastley/Terry Day/John Butcher, Carlos Ferreira, Peter Gabriel, Gruzja, Holy Tongue, Robert Hood & Femi Kuti, Idea Fire Company, Ed Jones/Dominic Lash/Mark Wastell, KAVARI, Kid Acne, Klein, Anysia Kym & Jadasea, Dominic Lash/Rachel Musson/Phil Durrant/Steve Noble, Joelle Leandre & Rodolphe Loubatiere, George Lewis/ICE, DJ Manny, Trevor Mathison, Myra Melford's Fire & Water Quintet, MHYSA, Moin, Maggie Nicols/Matilda Rolfsson/Mark Wastell, Steve Noble, Aki Onda, Ordeal, Aruan Ortiz, Tony Oxley, Eddie Prevost/NO Moore/James O'Sullivan/Ross Lambert, Janneke van der Putten, Lucy Railton, Maja SK Ratkje & Nordic Affect, Mike Reed, Marc Richter, Raphael Rogi?ski, Patrick Shiroishi, Timelash, David Toop & Tania Caroline Chen, Universal Harmonies & Frequencies, V/Z, Alex Ward Items 6 & 7, Teresa Winter, Various C-01 Compilation, Various Flux Gourmet: Original Motion Picture Soundtrack

The Boomerang:

Barry Bermange/Delia Derbyshire/The BBC Radiophonic Workshop, Earth, Khanate, Meat Puppets, Meshuggah, Het Pandorra Ensemble, Penny Rimbaud/Mikado Koko, Rudimentary Peni, Archie Shepp, Masayuki Takayanagi New Direction Unit, War, Frank Zappa, Various The Complete Obscure Records Collection, Various One Mile From Heaven, Various Spectra Ex Machina: A Sound Anthology Of Occult Phenomena 1920-2017 Vol 2

Review: .There's plenty to talk about with The Who's historic show at Fete De L'Humanite, a huge open-air event hosted by L'Humanite, the main newspaper of the French Communist Party. For starters, on the day - Saturday 9th September, 1972 - an estimated 400,000 people were in attendance, a crowd size that dwarves pretty much anything we can think of today, and remains the band's largest ever gig. Taking to the stage as evening set in, they set to with a typically ferocious set, and four of the most standout pieces for the show are immortalised here on record. Unsurprisingly, that timeless anthem of misspent youth, love, rebellion, and hope for change, 'Baba O'Riley', is a dominant factor, although epic finale 'Relay' is perhaps where the might of their rock 'n' roll juggernaut is most felt here.

Review: Six Minute Mile has rightly got plenty of attention for its first few outings and their early good work connotes with this eight 7". It's from Ohio's Wesley Bright who has joined forces with The Means of Production and New York's Ben Pirani, and is a lovely mid-tempo roller that reminds of balmy summer nights. The tune comes in two parts and opens with lovely Rhodes chords that are a great foundation for the tenor vocals of Wesley. Then come plenty of irresistible hooks and the rousing vocals sing of love and devotion like all good soul sounds should.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The UDG Ultimate Phone/ Tablet Stand is a height and angle adjustable phone/ tablet holder that is designed to provide you with the most comfortable viewing angle at ergonomic eye-level height. It's a well-made and durable phone/ tablet stand with rubber grips on the holding portion to ensure that the phone/ tablet does not easily slip or fall.

In terms of convenience, this stand is perfect for watching videos, viewing photos, reading, typing, video recording, and so on.

Specifications:

Colour: Black
Outer Dimensions (W x H x D) Folded: 11.0 x 2.5 x 6.7 cm | 4.3 x 0.9 x 2.6 inch
Inner Dimensions (W x H x D) Not Applicable
Material: Aluminum + Plastic
Protection: Durable aluminum body, smooth edge, surface polishing process
Fully rubber grips on the holding portion protect your devices from slip or fall
Bottom & support surface can be extended
Multi-angle & height adjustable

Extras

Rich adjustment function, can match the use of multiple scenes
Fully foldable, easily picked up with one hand, very handy & light in weight
Reserved space for charging cord to ensure that your device is always available & help reduce desktop clutter

Fits

Works perfectly with tablets, iPad & phones

Review: February is the month of love and so it is fitting that a new 7" drops from our much loved Washington DC label Peoples Potential Unlimited US. Every bit of lo-fi funk and disco this label deals in comes with a healthy dose of romance and this one from Marshall Titus is another case in point. 'Take A Chance' is full of steamy promise and retro-future 80s synth work over crunchy drums. The vocal is alluring and sensuous and the bassline further pulls you in. On the flip is a more raw and affected alternate version.

Review: Thee Heart Tones, Big Crown Records' newest addition, showcase their youthful exuberance and musical prowess on their debut single. Recorded at Diamond West Studio with producers Leon Michels and Tommy Brenneck, the band delivers a captivating performance on both tracks. 'Forever & Ever' is an infectious, feelgood anthem with lead singer Jazmine Alvarado's captivating vocals soaring over the band's lively groove. The song's catchy chorus is bound to linger in listeners' minds long after the music stops. On the B-side, their rendition of the classic 'Sabor A Mi' demonstrates their versatility and skill, with Jazmine's vocals shining once again. Thee Heart Tones have made a promising entrance into the music scene, leaving audiences eagerly anticipating their forthcoming debut album.

Review: Top Sounds digs into the garage rock archives and has turned out some real treasure. The Syn were a short-lived but now cult outfit that, in 1967, released just two 45 rpms for the Deram label. Ever since then, fans of them and 60s rock alike, have fawned over them and collectors have paid high prices to own them. Now they can for a much more reasonable fee with this reissued 7" featuring the jaunty melodies and vocal harmonies of 'Created By Clive' and faster, harder more psyched out 'I'm Following You.'