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Notes: Beyond what you expect from an audio interface.

The Revolution 6×6 is an all-purpose studio dynamo that can serve as a master clock, a standalone DAC and ADC, a master clock, and a 6-in, 6-out class-compliant USB interface with audio quality worthy of the Revolution name. Enjoy world-class clocking and low-noise conversion while tracking to the included Studio One Artist. Use the USB OTG connection to sample audio from your phone or tablet... or send audio from your laptop to your mobile device and stream your performance live online. Sync your other hardware devices via Black Lion's proprietary Macro-MMC clocking - all while treating your music with the highest audio quality imaginable.

Audio interfaces don't sound better than this.

Revolution 6×6 is a class-compliant, bus-powered USB audio interface with industry-leading signal quality based on Black Lion's years of experience in audio interface modification. Record anything thanks to balanced XLR, line-level, and instrument-level input options. Connect pro studio monitors or use its two plenty-loud, crystal-clear, mono-summable headphone outputs with direct monitoring mix control. Integrate external gear via the S/PDIF connection and USB OTG.

Rarified tech found in Revolution 6×6 includes the Macro-MMC clock for maximum converter quality, yielding reduced jitter and enhanced harmonics for a glossy, airy top-end you won't hear in lesser interfaces. Proprietary PG-i filtering technology and highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Revolution 6×6 sports the most cutting edge, high-end ICs and Vishay, Nichicon, and Wima capacitors throughout with all internal gain-staging optimized for the best possible signal-to-noise ratio. Last but not least, all analogue I/O is fully decoupled and balanced - right to the very core of the converter!

Standalone mode for DAC and ADC use.

Not every studio task requires a computer. The Revolution 6×6's DAC, word clock, and D/A conversion features can all be used without a computer; just press and hold the "Standalone" button. Hook up your media player via S/PDIF and enjoy good old-fashioned hi-fi listening with good new-fashioned hi-fi conversion, or add two additional output channels from another audio interface or digital mixer.

Many MPCs, synths, and guitar processors also have S/PDIF, which will often deliver better sound than using their onboard converters.

For recording, connect any guitar processor with a S/PDIF output and enjoy high-quality D/A conversion of your custom guitar tones. You can even connect Revolution 6×6 to your computer over USB for hi-fi listening by bypassing the questionable converters in your old laptop. Use S/PDIF to add two channels to an audio interface or digital mixer, all synchronized by the same master clock over BNC.

As a standalone A/D converter, you'll add two superior channels of Black Lion-converted audio over S/PDIF to your existing recording setup - and you won't have to buy an ADAT expander.

Get mobile with USB On-The-Go.

USB On-the-Go connectivity gives the Revolution 6×6 2-in, 2-out connectivity with Android and Apple mobile devices. It's perfect for livestreamers and mobile musicians who record to or stream from phones and tablets. Connect two USB devices to the Revolution 6×6 simultaneously and send audio to and from either. Sample from your phone to your laptop, or livestream an iPad performance from your phone... the possibilities are endless!

Shocking clocking.

The Macro-MMC (Master Music Clock) in Revolution 6×6 was developed from Black Lion's experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. Macro-MMC ensures the best possible performance from its converters, but also allows you to connect external gear via the BNC connections for maximum sync and ultra-low jitter - meaning any devices synced via Macro-MMC are communicating as accurately as possible to minimize the phase distortions that can muddy your high-end and dull your transients.

If you've already invested in a clock you like, that's fine - the Revolution 6×6 graciously accepts clock in.

All the software tools you need, included.

The Revolution Software Suite covers all of your software needs so you can start creating from day one. You'll record straight into the award-winning Studio One Artist, of course... and we've also included select plugins from Izotope, Psychic Modulation, Brainworx, and Lindell:

PreSonus Studio One Artist: Recording and music production DAW

Izotope Elements Suite: Nectar, Neutron, Ozone and RX for tone-shaping, mastering, and repair

Platform: macOS (class compliant), Windows 10+ (driver)
Input Impedance: 2KO mic, 15KO line
Gain Range: 59dB
Frequency Response: 20Hz - 20KHz +/- 0.25dB
THD + N: 0.01% (Min Gain)
Dynamic Range: 112dB (A-Weighted)
Crosstalk: < 100dB
Output Impedance: 47O (balanced)
Dimensions: 330 x 305 x 152mm, 2.72kg

Notes: Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: As Thunderbolt becomes more widely adopted, Hi-speed USB 2.0 provides across the board compatibility with virtually all laptops and desktops on both Mac and Windows. Since USB 2.0 devices are compatible with USB 3.0 equipped hosts, your 828x interface is a future proof investment in your studio.

Motu pack it in like no one else can: two combo-style mic/guitar inputs with preamps, 8 balanced analog in/out, XLR main outs, 16 channels of ADAT optical (8 channels at 96 kHz), plus S/PDIF, word clock and MIDI. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors.

Now in its fifth generation, the 828 has become a benchmark for the industry, setting the bar by which others are judged. How has this level of respect been earned? Through consistent design integrity and intelligent use of current-generation parts and design technologies.

Do you work with outboard EQs and compressors? Each 828x mic input offers a pre-converter send for mono or stereo mic channel outboard processing. The 828x's unique V-Limit hardware limiter employs a proprietary design to offer an additional 12 dB of headroom over digital zero with no digital clipping or harsh artifacts, for that added protection in dynamic recording situations. The 828x's preamps are clean and neutral, allowing you to use your favorite plug-ins and host software to colour the sound just the way you want for each recording application.

Record, monitor, route and process all live inputs using the professional on-board CueMix FX digital mixer - with no latency and no processor strain on your computer. Apply DSP-driven compression, EQ and reverb to every input and output, independent of your host computer.

After programming the on-board mixing in the studio, unplug the 828x from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

We still get calls and Facebook posts from happy users of the original 828, introduced more than 10 years ago! Like all MOTU interfaces, the 828x's aluminium alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and road. In a world awash with cheap plastic, the cool feeling of the 828x's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.

The 828x provides time-tested drivers for Mac OS X and Windows (8, 7 and Vista) for cross-platform compatibility with virtually all audio software via WDM, ASIO, and Core Audio drivers.

Notes: The MOTU 896mk3 audio interface delivers advanced design, high-end performance, superb sound and universal hybrid FireWire/USB 2.0 connectivity to your Mac or Windows computer.

As a hybrid audio interface, the 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with 8 channels of pristine 24bit/192 kHz analog recording and playback, combined with 16 channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outputs on XLRs and 2 front panel headphone outputs. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer, with no latency and no processor strain on your computer.

Apply hardware DSP-driven effects processing to inputs, outputs and busses independent of your host computer. Add classic reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between 2 forms of compression: a conventional compressor and the leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

Notes: The MOTU Track16 is a 16x14, FireWire/USB 2.0 studio interface with a compact desktop form factor. It offers a range of inputs and outputs, as well as effects, mixing, and monitoring. It's equipped with 8 channels of analog ins and outs including mic, line, and high-impedance instrument inputs. The analog connectors come on a 44" breakout cable, which gives you flexibility for setup and connections (an optional breakout box is also available). For digital I/O, the unit's optical ports support either eight channels of ADAT, 4 channels of SMUX optical, or 2 channels of TOSlink. MIDI in and Out jacks are also included.

Housed in a durable aluminum-alloy chassis, the Track16 supports professional-quality 24bit recording at sampling rates up to 192 kHz, and is designed with a simple and intuitive user interface. The large knob in the center of the unit can be set to control levels for any of the inputs or outputs with just a single tap on one of the front panel buttons. User-assignable LED meters make it easy to see levels from any of the units inputs or outputs.

The Track16 gives you the choice of either USB 2.0 or FireWire connection. If you choose the latter, the unit can be powered via the FireWire bus. The Track16 is compatible with Mac OS X and Windows 7/Vista, as well as any audio software that supports WDM, ASIO, and Core Audio.

The included MOTU CueMix FX software gives you low-latency hardware monitoring, and lets you create up to eight separate monitor mixes. You get reverb, modeled analog EQ, and modeled vintage compression, all of which can be used strictly for the monitor mix or printed into your host software. Talkback and Listenback features make it easy to communicate from the control room to musicians in the live room. CueMix FX also offers comprehensive metering for all the inputs and outputs.

Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.

Notes: Digital mixing has revolutionized virtually everything in the live- entertainment production workflow. Now we've come up with the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world - the ultra-cool and ultra-affordable SD8 Stage Box!

The SD8 provides 8 MIDAS-designed remote-controllable mic pre-amps, 8 balanced analogue XLR returns at the stage end, plus an integrated 2-port ULTRANET distribution hub for direct connection to our P16-M personal monitor mixers - without any additional hardware required. Plus the SD8 is extremely compact and comes with rugged protective bumpers, so you can toss them directly on stage wherever you need them.

The best part - all it takes is a single Cat 5e cable per stage box. And If you need more inputs, or just want to keep your cable runs short and tidy, putting an SD8 at stage front and another behind the drum riser gives you an additional 8 inputs for drum and guitar/ bass amp mic'ing. When used as part of a complete X32 system, as many as three SD8 Stage Boxes can be cascaded via the built-in AES50 ports to provide up to 24 bidirectional inputs and 24 balanced XLR outputs. An onboard ULTRANET distribution hub provides power and 16 channels of audio to 2 BEHRINGER POWERPLAY P16-M personal monitor mixers per SD8, all via inexpensive Cat 5e cabling - and without any additional hardware. Two of the programmable inputs are also compatible with Hi-Z sources, so you can connect keyboards, acoustic and bass guitars etc. with no DI box required. The SD8 also features a USB port for fast and easy system updates via your PC.

Notes: TASCAM's Celesonic US-20x20 packs 20 channels of analog and digital I/O into a single rackspace with great sounding preamps and USB 3.0/2.0 connectivity. Eight Ultra-HDDA microphone preamps provide 56dB of gain and high headroom to make microphones sound their best. Up to ten channels of digital I/O are included on ADAT and S/PDIF connectors, with word clock also provided for use with external clocks like TASCAM's CG-1000. MIDI I/O allows use with controllers and synthesizers, and sample rates up to 192kHz/24-bit are supported.

The TASCAM Celesonic US-20x20 is the first USB 3.0 interface to use class-compliant drivers for future-proof use with computers and tablets. A built-in DSP mixer includes parametric EQ and compression on every channel and a stereo reverb send for great-sounding monitor mixes. The DSP mixer can also be used as a live mixer or submixer with computer control. The US-20x20 has three operation modes - audio interface, digital mixer, and 8-channel digital mic preamp - for maximum flexibility.

Notes: Monitor 8 is three products in one: a 24 x 16 x 8 monitor mixer, 6-channel headphone amplifier and USB/AVB audio interface with console-style 48-channel mixing and DSP effects. With exceptional analog audio quality based on the award-winning design of the groundbreaking 1248, 8M and 16A AVB interfaces, Monitor 8 can serve as your primary audio interface and monitor mixer in the studio, as a complete monitoring solution for live performance, or as a dedicated monitoring component of a MOTU AVB audio network system. And best of all, it's now shipping!

Create multiple mixes from a variety of inputs, including 8 channels of high-quality balanced (TRS) analog, 16 channels (2 banks) of ADAT optical, 32 channels of audio streamed from other MOTU interfaces on a connected AVB audio network (if present), and host software audio channels coming from the computer over USB or AVB Ethernet.

All of these inputs can be mixed to eight stereo output groups: Main, Aux and monitor groups A thru F. XLR Main Outs and balanced quarter-inch Aux Outs can feed primary and secondary studio monitors or PA speakers. Users can then set up six additional, independent monitor groups, each with multiple mirrored outputs that include two sets of 1/4" headphone outs (front and rear panel), a summed 1/4" mono output, and, on groups A-D, balanced stereo quarter-inch outs. All told, monitor mixes can be sent to twelve sets of headphones, six stage monitors, four stereo in-ear modules (or other stereo line level destinations) and two sets of powered speakers.

Monitor 8 operates without a computer as a stand-alone mixer and headphone amp, but it can also function as a universally compatible AVB or USB 2.0 audio interface that is USB 3.0 and iOS compatible.

Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. For stand-alone mixing, users can control Monitor 8 over Wi-Fi from web app software running in their favorite web browser on an iPad, iPhone, tablet, smart phone, and laptop - or several devices simultaneously for multi-user control of the Monitor 8's multiple mix busses.

Users can mix and match Monitor 8 with MOTU's other AVB interfaces, with their complementary I/O configurations, to build a customized, state-of-the-art AVB audio network system.

Notes: If you've been looking for a mobile audio interface with excellent audio quality, Wi-Fi control, extensive mixing and exciting new possibilities for expansion and audio networking, your search is over! The latest in MOTU's award-winning UltraLite series, the all-new UltraLite AVB delivers more I/O, more DSP, and best-in-class analog audio quality for on-the-go mobile audio recording.

More I/O:
The UltraLite AVB now provides separate mic and guitar inputs (two each), 8-channel ADAT optical (switchable to stereo TOSLink), 6 x 8 balanced quarter-inch analog I/O and MIDI IN/OUT jacks, all housed in a rugged aluminum alloy half-rack chassis that slides easily into a backpack. That's a total of 18 simultaneous inputs and outputs.

Best-in-class analog audio quality:
The balanced analog outputs achieve a measured dynamic range of 117 dB, rivaling the audio quality of interfaces at much higher price points.

More DSP:
Expanded DSP doubles the available processing power for the redesigned console-style mixer, which provides 48 inputs, 12 stereo busses and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. Matrix routing lets you quickly patch ins to outs, or split inputs to multiple destinations. You can even use the UltraLite AVB as a stand-alone mixer and control everything wirelessly from innovative web app software running on your iPad, iPhone, tablet, smartphone and laptop. Multiple musicians can access their own aux mixes simultaneously from their own Wi-Fi devices.

Class-compliant connectivity:
The UltraLite AVB connects to a computer through AVB Ethernet or audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS) and records at sample rates up to 192 kHz.

Expansion and networking:
The optical ports let you connect the UltraLite AVB to other interfaces you may own, or future gear purchases as your studio grows. Through AVB Ethernet, you can connect another MOTU AVB interface for more I/O with a standard Ethernet cable - up to 100 meters long! Or, you can connect to an expanded MOTU AVB network with multiple interfaces and computers.

Notes: Equipped with renowned ESS Sabre32 DAC technology, the 624 has the same award-winning analog audio quality and proven performance as MOTU's flagship 1248 interface - packed into a mobile half-rack enclosure.

32 simultaneous audio channels:
Studio-grade I/O for on-the-go recording. You get 2 mic inputs, 2 guitar inputs, 4 x 6 balanced analog with dedicated main outs, 8-channel ADAT optical and independent headphone out for 16 inputs and 16 outputs. The optical ports also support stereo TOSLink (optical S/PDIF).

Superb analog audio quality and high-end converters:
Performance suitable for the most demanding situations. Renowned ESS Sabre32 DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248.

Ultra-low latency and proven, high-performance MOTU drivers:
The best possible latency performance. The 624 delivers round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt - and an astonishing 1.9 ms over USB - with high-performance DAW hosts.

Mobile operation and universal connectivity:
Ultimate portability and flexibility. Connects to your computer with Thunderbolt, super-speed USB 3.0 or AVB/TSN Ethernet - with support for up to 256 audio channels (128 in and 128 out). USB audio class-compliant firmware and high-performance, industry-standard drivers work with any audio apps. Connects to your iPad with a standard camera connection kit (adapter).

DSP mixing and effects processing:
Console-style mixing with 48 channels and 12 busses. The 624's full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Modelled vintage effects processing:
Vintage processing with 32-bit float precision. Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 624's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Flexible matrix routing and splitting:
Route your audio anywhere with one-click ease. Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Web app control from any device:
Control everything from your laptop, tablet and smartphone. The software that you use to control the 624 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 624's on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

Stand-alone operation with wireless control:
No computer or laptop needed. Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Comprehensive metering:
View all I/O activity at a glance - in full colour. The full-colour LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu.

Powerful audio workstation technology for Mac and Windows:
Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Notes: Equipped with renowned ESS Sabre32 DAC technology, the 8A has the same award-winning analog audio quality and proven performance as MOTU's flagship 16A interface - packed into a mobile half-rack enclosure.

34 simultaneous audio channels:
You get 8 x 8 balanced analog, 8-channel ADAT optical and independent headphone out for 16 inputs and 18 outputs. The optical ports also support stereo TOSLink (optical S/PDIF).

Superb analog audio quality and high-end converters:
Performance suitable for the most demanding situations - renowned ESS Sabre32 DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 16A.

Ultra-low latency and proven, high-performance MOTU drivers:
The best possible latency performance. The 8A delivers round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt - and an astonishing 1.9 ms over USB - with high-performance DAW hosts.

Mobile operation and universal connectivity:
Ultimate portability and flexibility Connects to your computer with Thunderbolt, super-speed USB 3.0 or AVB/TSN Ethernet - with support for up to 256 audio channels (128 in and 128 out). USB audio class-compliant firmware and high-performance, industry-standard drivers work with any audio apps. Connects to your iPad with a standard camera connection kit (adapter).

DSP mixing and effects processing:
Console-style mixing with 48 channels and 12 busses. The 8A's full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Modelled vintage effects processing:
Vintage processing with 32-bit float precision. Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 8A's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Flexible matrix routing and splitting:
Route your audio anywhere with one-click ease. Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Web app control from any device:
Control everything from your laptop, tablet and smartphone. The software that you use to control the 8A doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 8A's on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

Stand-alone operation with wireless control:
No computer or laptop needed. Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Comprehensive metering:
View all I/O activity at a glance - in full colour. The full-colour LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu.

Powerful audio workstation technology for Mac and Windows:
Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Notes: The M64 is a flexible MADI interface, router, repeater, splitter, converter and mixer with AVB/TSN networking. It is ideal for routing MADI digital audio streams in live performance systems, network installations or recording studios of any size.

The M64 delivers optical MADI (64 channels in and out), plus independent coaxial MADI (64 channels in and out) with an extra duplicate BNC output, in all standard formats and sample rates.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the M64 delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

The ultimate MADI converter, router, splitter and repeater:
Send any input to any output, or split to multiple output channels. Convert optical MADI to coaxial MADI. Route MADI streams to and from the computer, plus any devices on the AVB/TSN network.

DSP mixing and effects processing:
The M64's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the M64's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the M64 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the M64's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the M64 to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.

Notes: The LP32 is a flexible ADAT optical "lightpipe" audio interface, router, splitter, converter and mixer with AVB/TSN networking. It is ideal for routing optical digital audio in live performance systems, network installations or recording studios of any size.

The LP32 provides four independent banks of 8-channel ADAT optical I/O, 64 channels of USB I/O, 32 channels of AVB-TSN network I/O and a headphone output, for a total of 258 simultaneous I/O channels.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the LP32 delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

A flexible digital converter, router, splitter and repeater:
Send any input to any output, or split to multiple output channels. Convert any format to any other (Optical, AVB-TSN and USB). Includes routing to and from the computer, plus any devices on the AVB-TSN network.

DSP mixing and effects processing:
The LP32's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the LP32's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the LP32 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the LP32's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the LP32 to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.

Notes: The 8D provides four channels of professional AES3 (AES/EBU) digital I/O, plus four channels of standard S/PDIF digital audio I/O, with sample rate conversion on all inputs.

The 8D provides universal connectivity to your Mac or PC through USB or AVB/TSN. Renowned drivers deliver industry-leading ultra-low latency and proven, rock solid performance.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the 8D delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

A flexible digital converter, router, and splitter:
Send any input to any output, or split to multiple output channels. Convert any format to any other (AES3, S/PDIF, AVB-TSN and USB). Includes routing to and from the computer, plus any devices on the AVB-TSN network.

DSP mixing and effects processing:
The 8D's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the 8D's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the 8D doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 8D's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the 8D to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.

Notes: Your expandable, ultra-high definition recording system:
Taking full advantage of the high-speed Thunderbolt 2 bus and ADAT Optical I/O, the PreSonus Quantum audio/MIDI interface delivers up to 26 inputs and 32 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it's a great choice for a wide variety of professional and semi-pro producers and electronic musicians.

We cut the wait:
Every design decision during Quantum's engineering was made with one goal in mind: speed. Quantum sports high-speed Thunderbolt 2 connectivity and a no-frills, direct-to-daw architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date. Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.

Expandable when you need more I/O-up to 96 in and out:
The Quantum offers two combo mic/line/instrument inputs and six combo mic/line inputs, each with a digitally-controlled XMAX preamp and individual +48V phantom power. You also get two 14" TRS main outputs, eight 14" TRS aux outputs, and two independent headphone outs with dedicated volume controls. But that's just the start. With ADAT Optical I/O and S/PDIF stereo digital I/O, you can have up to 18 digital inputs and outputs. And if you need even more I/O channels, you can stack up to four Quantum interfaces via Thunderbolt to create a monster system with up to 96 in and out. BNC word clock I/O ensures your Quantum and other digital audio devices operate in tight sync. And of course you get MIDI I/O, too.

Superior sound:
Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

A superior choice for any production environment.
With its pro features and abundant I/O, the Quantum fits into any recording and production environment. You get two main and eight auxiliary balanced line-level outputs, as well as Mute/Dim and Mono controls. The onboard talkback mic can be routed to any mix, and you can listen to any mix from either of two independent headphone amps. All 10 analog outputs are DC coupled so they can provide control voltage to external analog equipment. Add that to Quantum's expandability, flexible software suite, blazing speed, and superb sound quality, and you have a recording system that will be the heart of your dream studio for years to come.

Tight integration with Studio One:
With the Quantum, your audio interface is an integrated extension of your recording environment. Launch Studio One, and you'll find full preamp control integrated into your recording environment. Need to track away from your computer? Launch Studio One Remote on your iPad.

Remote control with UC Surface, too:
The Quantum's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. We even included a real-time analyser to monitor your audio streams. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need.

Now includes Studio Magic plug-in suite:
This suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll find yourself relying on for countless mixes.

Notes: For those who rely on live computer audio & MIDI, and need a bulletproof, fail-proof solution for control and playback of backing tracks, virtual instruments or anything else you can think of, PlayAUDIO12 is the solution.

Designed by live musicians for live musicians.

PlayAUDIO12 won't let you down. Designed by touring musicians and engineers, PlayAUDIO12 is purpose-built for professional on-stage use. Your audience won't accept compromises, and now you don't have to either.

PlayAUDIO12 is flexible, to suit your ever changing live needs.

12 ultra-low noise outputs bring studio quality interfacing to the live arena. Need more outputs? No problem! PlayAUDIO12 is easily linked with additional PlayAUDIO12 interfaces, giving you connectivity which grows with the needs of your production.

Simple and dependable fail-proof redundancy.

PlayAUDIO12 enables you to add a second computer for redundancy / failover protection. PlayAUDIO12 automatically detects if a computer fails and, in a flash, automatically switches to another synchronized computer.

Forget the expensive, complex systems that have gone before, PlayAUDIO12 does it all seamlessly in one compact, elegant, and affordable box. With PlayAUDIO12 you need never suffer the embarrassment of a silent show, ever again.

Massive MIDI capability - more than just audio!

Connect up to 8 MIDI Class Compliant controllers and sound modules, or even more MIDI interfaces using the unique iConnectivity USB MIDI Host port.

Create a MIDI network across long distances using the built-in PA12 Ethernet interface, ideal for large stages.

PlayAUDIO12 puts MIDI control over your performance how and where you need it.

What Makes PlayAUDIO12 Unique?

Other audio interfaces: Designed for recording audio in a studio environment. Support for only one computer.

The PlayAUDIO12 difference:

More power to perform:
Designed for live use.
Fail-safe performance with multi-computer auto switching.
MIDI integration that puts MIDI control how and where you need it

What's in the box
The PlayAUDIO12 Audio + MIDI interface
One USB-A to USB-B cable to connect the interface to a Mac or PC computer
One PlayAUDIO12 power supply.

Big Fish Audio is a developer and distributor of premium virtual instruments, samples, and loop content. iConnectivity is proud to include a special sampler of Big Fish Audio samples and loops that's perfect to jumpstart or augment your production when you register your iConnectivity audio interface.

PlayAUDIO12 Audio Specifications:

Line Outputs
Maximum Output Level: 13 dBu, 11 dBV, 3.6 Vrms
SNR: 122 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
THD+N: -116 dB (1kHz, BW: 22Hz-22kHz, A-weighting)

Headphone
SNR: 100 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
THD+N: -100 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
Power output into 30 Ohms per channel: 73 mW per channel

Digital Performance
24-bit resolution
D-A Dynamic Range:115dB
THD+N: -107 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
Supported sample rates: 44.1 kHz, 48 kHz, and 96 kHz

Device Specifications
Width: 214 mm/8.43 in
Height: 37 mm/1.46 in
Depth: 140 mm/5.51 in
Weight: 965 g/2.13 lbs

Up to two PlayAUDIO12 fit comfortably in a standard 1U rack shelf

System Requirements

Macintosh
Mac OS X 10.8 or later
one free USB port

Windows
Windows 7 or later
one free USB port.

iOS
iOS 8 or later with Lightning connector
CoreMIDI-compatible app

Notes: High-end interface specialists RME deliver another winner. Amazing sound quality in a compact package, with TotalMix control, ADAT expansion and built-in MIDI interface.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
Four years ago the Babyface Pro again demonstrated RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analogue and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
For the main I/O RME have designed an XLR socket, which integrates seamlessly into the housing and saves space.
Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analogue inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example, mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Notes: Renowned ESS Sabre32 Ultra DAC technology:
New in the 828es, renowned ESS Sabre32 DAC technology delivers 123dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248.

Ultra-low latency and renowned rock-solid performance:
Round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt with high-performance DAW hosts.

USB and Thunderbolt for Mac, PC and iOS:
Connects to your Mac or PC with Thunderbolt, hi-speed USB 2.0 or AVB/TSN Ethernet for up to 256 audio channels (128 in and 128 out). Class-compliant firmware and industry standard drivers work with any audio apps. Connects to iPad with a standard camera connection kit (adapter).

Cutting-edge components deliver ultra-transparent sound:
Capture your recorded material in its truest, most natural form with -108 dB THD+N, 118dB dynamic range and -128dBu EIN performance. Each mic channel has individual preamp gain, pad, 48V phantom power and digital remote control. Do you work with outboard EQs and compressors? Each 828es mic input offers a pre-converter, hard-wired send for mono or stereo mic channel outboard processing.

Control room features:
Take control of your recording sessions with the built-in talkback mic and front-panel talk button. Connect two sets of speakers and check your mixes instantly with front-panel A/B speaker select buttons.

Console-style mixing with 48 channels and 12 busses:
A full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Vintage processing with 32-bit float precision:
Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 828es DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Route your audio anywhere with one-click ease:
Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Control everything from your laptop, tablet and smartphone:
The software that you use to control the 828es doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 828es on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

No computer or laptop needed:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

MOTU interfaces are built to last:
Like all MOTU interfaces, the 828es aluminium alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the solid feeling of the 828es metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.

Notes: Taking full advantage of the high-speed Thunderbolt 2 bus and ADAT Optical I/O, the PreSonus Quantum 2 audio/MIDI interface delivers up to 22 inputs and 24 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it's a great choice for a wide variety of professional and semi-pro producers and electronic musicians.

Every design decision during Quantum 2's engineering was made with one goal in mind: speed. Quantum 2 sports high-speed Thunderbolt 2 connectivity and a no-frills, direct-to-DAW architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date.

Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.

The Quantum 2 offers two combo mic/instrument inputs and two combo mic/line inputs, each with a digitally-controlled XMAX preamp and individual +48V phantom power. You also get four balanced 1/4" TRS outputs and a headphone out with dedicated volume control. But that's just the start. With ADAT Optical I/O and S/PDIF stereo digital I/O, you can have up to 18 digital inputs and outputs. And if you need even more I/O channels, you can stack up to four Quantum 2 interfaces via Thunderbolt to create a monster system with up to 80 in and out. BNC word clock I/O ensures your Quantum and other digital audio devices operate in tight sync. And of course you get MIDI I/O, too.

Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum 2 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

With its pro features and abundant I/O, the Quantum 2 fits into any recording and production environment. You get four balanced line-level outputs, all of which are DC coupled so they can provide control voltage to external analog equipment. Add that to Quantum 2's expandability, flexible software suite, blazing speed, and superb sound quality, and you have a recording system that will be the heart of your dream studio for years to come.

With the Quantum 2, your audio interface is an integrated extension of your recording environment. The perfect companion for any recording software, the Quantum 2 comes equipped with Studio One Artist to provide you with a complete recording solution. Launch Studio One, and you'll find full preamp control integrated into your recording environment. Need to track away from your computer? Launch Studio One Remote on your iPad.

The Quantum 2's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. We even included a real-time analyser to monitor your audio streams. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need.

Notes: SPL's flagship audio interface offers a bit of everything, with 16 inputs, MIDI interface, powerful monitoring options and clear, precise sound. A proper all-rounder.

Supplier notes:
Following the success of the Crimson 1 and 2 models, SPL have gone further to create a new flagship audio interface delivering the same professional-grade recording and monitoring capabilities, along with even more useful features and workflow-aiding improvements.

Headphone mixing provides 100% left channel to one ear and 100% to another. This creates something of a natural disadvantage in mixing by creating an exaggerated split and a stereo image that seems wider than its reality. SPL's Phonitor Matrix, now fully integrated with every Crimson 3 interface, aims to combat this.

Phonitor is a cross-feed functionality that fills the otherwise-neglected middle of the image to create a more natural stereo sound. The resulting stereo spread is then far more translatable when mixing between monitors and headphones between sessions or even on the fly.

Crimson's built-in talkback function negates the need for an external microphone for communicating with the instrumentalist or vocalist being recorded.

When talkback mode is enabled, the connected set of speakers in port A are automatically dimmed. This ensures built-in microphone feedback is avoided and that artists can hear instructions or feedback more clearly.

Another unique technology built-in to Crimson is SPL's Artist Mode feature. When engaged, the Crimson provides a separate mix curated to the recording performer's preference. While in Artist Mode, talkback audio is also routed via the second headphone output and monitor output B to ensure an entirely independent mix.

SPL have taken great care to ensure that the Crimson 3 serves as a veritable power-hub for any home, project or commercial studio. As such the desktop and layout form factors have been meticulously designed to ensure all controls are accessible, adjustments can easily be made, and that all ports, functions and features are always within reach.

With 16 inputs, 2 preamps, 6 individual playback channels, talkback, high end conversion and built-in monitor control facilities, the Crimson is truly a worthy centrepiece for any professional audio workspace.

Notes: You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analog studio consoles with the flexibility of a solid mobile interface- with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was the mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert- whatever, wherever- into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePROr microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment- at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminum chassis you can trust, complete with a hard cover to protect it from damage in your bag- or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.

Notes: A legend remade

For more than a decade, DigiMax-series preamp/converters have been relied on in countless recording studios worldwide. The DigiMax DP88 is the latest innovation in the DigiMax line, offering digitally controlled, analog preamps and unmatched digital conversion up to 96 kHz. Like its predecessors, the DigiMax DP88 provides the connectivity, flexibility, and professional sound quality to make it a perfect fit in any studio environment.

A smooth trip from analog to digital

The DigiMax DP88 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 96 kHz. These converters provide 118 dB of dynamic range and are backed by a boast-worthy clock with sub-50 picosecond jitter to capture complex musical harmonics smoothly and naturally. You'll hear every breath, transient, and detail of a performance in your recordings.

XMAX preamps, now with remote control

The DigiMax DP88 includes eight digitally controlled, analog XMAX preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency made this design an industry favorite. In 1995, PreSonus patented digital control over analog circuits for our first product. Building on this legacy, we created a separate digital volume-control circuit ahead of our award-winning analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity.

A natural extension for the Studio 192 Studio Command Center

Although the DigiMax DP88 is the perfect companion for any audio interface with ADAT I/O, it was designed to seamlessly extend the analog I/O on the PreSonus Studio 192 studio command center. When the DP88 is connected to a Studio 192 via ADAT, its eight XMAX analog preamps are fully remote-controllable from PreSonus' Studio One 3 DAW and from PreSonus UC Surface control software, extending the Studio 192 analog inputs sonically and functionally.

Easy MIDI control

While we can't provide the same level of integration with every audio interface as we can with the Studio 192, the DigiMax DP88 is equipped with MIDI I/O for easy remote control from anywhere. By using simple MIDI CC messages to control level, phantom power, and direct ADC input, the DigiMax DP88 fits into any DAW environment. Simply connect it to your MIDI interface, enable it as a MIDI device in your DAW, and start remote controlling your preamps and recalling preamp settings with your audio sessions

Flexible I/O makes setup a snap

Flexible rear-panel I/O makes it easy to incorporate the DigiMax DP88 into any studio environment. Access the preamps using XLR or DB25 connections. Eight direct, analog-to-digital, line-level inputs are available on DB25 and can be accessed per channel with a front-panel button, allowing you to keep all of your gear connected at the same time. Eight balanced DAC outputs are provided via DB25 so you can expand your interface's outputs for monitor mixes or speaker switching. You also get eight balanced direct outputs on DB25 and eight channels of ADAT/dual SMUX optical I/O up to 96 kHz.

The new legend

The DigiMax DP88 provides professional sound quality and features previously unavailable in its class: Eight digitally-controlled, Class A microphone preamps; top-quality Burr-Brown converters with 118 dB of dynamic range; a boast-worthy digital clock with sub-50 picosecond jitter; and flexible connection options. Like the original DigiMax and its predecessors, the DigiMax DP88 is sure to be the new standard for eight-channel converters.

Notes: Serious mastering-grade kit. Stereo interface with high-end converters and headphone amp circuit for pristine sound quality. Proper clarity for critical listening.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
The RME ADI-2 Pro FS is a two channel 24-bit / 768kHz AD/DA converter and USB 2 Digital Audio Converter, audio interface and high-end headphone amp with new jitter rejection SteadyClock FS technology.

The RME ADI-2 Pro FS is the most flexible converter available with balanced and unbalanced I/O, two headphone outputs, DSP-based signal processing and RME's latest Steady Clock FS jitter rejection technology. It offers Class Compliant USB compatibility, sample rates up to 768kHz as well as DSD record and Direct DSD playback.

It boasts a raft of analogue and digital I/O, including two servo-balanced analogue XLR/TRS Jack inputs, two separate balanced and unbalanced outputs on XLR and TS as well as two headphone outputs. Digital I/O include optical ADAT, Optical and coaxial SPDIF and AES accessible via a breakout cable.

Furthermore, its Class Compliant UAC 2 USB 2.0 port offers iOS compatibility and is necessary for firmware updates. It can also work as a 6-in / 8-out audio on Mac OSX and Windows via WDM and ASIO.

Using the latest in A-to-D technology the ADI-2 Pro FS offers best possible sound with highest signal-to-noise ratio, super low THD and noise. It supports sample rates up to 786kHz PCM and DSD recording in dual mono design, with 3dB improved signal to noise ratio. Two digital-to-analogue converters are used for the separate stereo outputs. The latest Integrated Sample Rate converter takes care of clocking issues between S/PDIF and AES thanks to RME's latest SteadyClock FS technology.

A high-resolution display shows controls for the ADI-2 Pro FS unique features including DSP effects like 5-band parametric EQ, binaural crossfeed, adjustable loudness filter, selectable AD/DA filters and four analogue reference levels. Furthermore, M/S processing is provided with stereo width control as well as phase loop. The display also shows RME's famous Spectral Analyser and 30-band bi-quad filtered analysis tool.

Notes: Crystal clear conversion from the ever-reliable RME. Two channels of pristine AD/DA for ultimate sound quality in and out of your DAW. Proper mastering-grade kit.

Supplier's notes:
The ADI-2 FS is a compact and extremely flexible 2-Channel Hi-End AD/DA-converter. The small 9.5" unit offers first-class AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected!

Balanced analogue inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem-solver. Its pro-class sound qualifies it also as an extension for other premium converters.

Features:

The ADI-2 FS is equipped with two servo-balanced analogue line inputs via XLR/phones combo jacks, simultaneously usable balanced XLR and unbalanced phone jacks, an adjustable High Power headphone output on the front, an ADAT compatible optical SPDIF I/O, and a coaxial SPDIF I/O (RCA, AES/EBU compatible). These extensive connectivity options provide the most flexible and uncompromised signal transmission.

The analogue inputs use the advanced circuit design of the highly acclaimed ADI-2 Pro, thus offering outstandingly low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analogue domain.

Unexpected Versatility:

With input selection set to DIG the device works as a digital format converter with simultaneous monitoring. The AD converter is disabled, the DA converter still used for monitoring the digital input signal, at the rear outputs and the headphone output.

A format conversion is possible between all options - SPDIF coaxial (or AES) with Professional or Consumer Status, as well as ADAT. The output selection ANA connects the analogue output circuitry directly to the analogue input circuitry. The DA converter is no longer active. The AD converter continues to convert the analogue input signal to SPDIF (AES) or ADAT, with the outputs SPDIF coaxial and ADAT optical simultaneously available.

High Power Headphone Output:

The ADI-2 FS uses a more powerful version of the proven High Power headphone outputs found in many RME interfaces. With a doubled power of 0.45 watts per channel, 0.1 ohm output impedance, a maximum output level of +19 dBu and very low output noise, the new generation of the High Power circuitry is universally applicable, from IEM to Planar. A relay ensures click-free on and off switching.

Notes: The rackmount incarnation of Arturia's audio interface range is a monster, with a total of 8 pre-amps, 16 inputs and 20 outs. A lot of recording power in a small package. Ideal for hardware setups.

Supplier notes:
The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analogue audio, rock-solid sync, USB-C, and optical connectivity. With our award-winning lineage of pristine analogue quality, AudioFuse 8Pre is destined to become the expander of choice in studios and creative spaces around the world.

When you're putting your heart and soul into your music and productions, you need to know your audio is in safe hands.

AudioFuse 8Pre offers unrivalled quality at its price point. The 8 Discrete Pro- preamps and analogue signal path will let you truly "hear" your audio for the first time. The super-low Equivalent Input Noise (EIN) lets you capture every subtle detail, while the huge input gain will drive even the most demanding low-output mics. All this with a totally flat frequency response for total transparency. The superb quality doesn't stop there, AudioFuse 8Pre also features the best A/D converters available.

If you're a recording professional you know that no two days are the same. You need gear that gives you the versatility you need to be prepared for the unexpected.

AudioFuse 8Pre can fulfil any studio role. You already have a powerful interface, but need more inputs? AudioFuse 8Pre is the perfect ADAT preamp expander. Want to record multiple channels, but don't own an ADAT-expandable interface? AudioFuse 8Pre can connect directly with your computer so you can record multi-tracked instruments all at once. It's a high-performance audio interface with USB connectivity, speaker outputs and independent headphone output.

Use on its own; expand your existing interface; cascade 2 AudioFuse 8Pre together via ADAT for 16 superb preamps. AudioFuse 8Pre does it all.

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 8Pre.

AudioFuse 8Pre is easy to use, with one-button, one-function design, and features backward-compatible USB-C connectivity for super compatibility. It's housed in a robust metal chassis, and the included rack ears can be mounted to either face forward or down, letting it stand freely or be integrated into your 19" racks depending on your setup. It also features ADAT in, so you could send your musicians cue mixes using its headphone output.

We've spent years working together with studios, producers, and musicians at all levels to minimize the "pain points" other interfaces give you on a daily basis. AudioFuse 8Pre is the result.

AudioFuse Creative Suite:

AudioFuse 8Pre comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favourites from our award-winning "You'll Actually Use" series with Analog Lab Lite, AudioFuse 8Pre lets you also enjoy legendary signal processing effects and iconic synth sounds. Colour the pristine inputs of AudioFuse 8Pre with stunning vintage effects!

Box contents:

- AudioFuse 8Pre unit
- Power supply
- USB cable
- DiscretePro Certificate

Notes: Ultra-versatile interface from Arturia. Small format for desktop use but absolutely packed with connectivity, including MIDI, ADAT expansion, clock, USB hub, and multi-speaker support.

Supplier's notes:
You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analogue studio consoles with the flexibility of a solid mobile interface - with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was our mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert - whatever, wherever - into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePRO microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, Linux, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment - at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminium chassis you can trust, complete with a hard cover to protect it from damage in your bag - or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Compact but premium 2x4 audio interface from one of the best brands in the business. Superb sound quality with built-in hardware DSP.

Supplier's Notes:
Legendary Sound Quality, Total Portability and Hardware DSP all Come Together in a Beautiful New Design

In 2007, the original Apogee Duet shattered the expectations of what a home studio interface could be. Professional, personal and portable, Duet revolutionised independent recording and empowered musicians, producers and engineers with legendary Apogee sound quality, elegant design and effortless ease of use. Now, the all-new Duet 3 brings next-generation Apogee performance and features to a beautiful ultra-low profile scratch resistant glass and aluminium case.

Duet 3 includes on-board hardware DSP that works with the Symphony ECS Channel Strip* for zero-latency recording with FX. Tuned by Bob Clearmountain, the ECS Channel Strip includes presets custom crafted by the legendary mixer so you can dial in a pro recording sound instantly. Ideal for music creation, voice recording, streaming and even gaming, you can use Duet 3 with your Mac or Windows workstation in your studio or on the go. Take your Duet 3 to the next level with the sleek Duet Dock* accessory for the ultimate ergonomic desktop experience.

Achieving superior sound quality in a digital audio interface requires experienced engineering that artfully orchestrates AD/DA converters, digital clocking, analog circuitry and power management technology to achieve a harmonious blend of carefully selected components and thoughtful design. Duet is the result of decades of innovation and expertise and delivers sound quality unmatched in its class.

Legendary AD/DA Converters

With two inputs and four outputs of legendary Apogee AD/DA conversion, plus two world-class preamps, Duet is the perfect partner for your home and mobile studio. Connect microphones, guitars, keyboard and line level devices to capture every detail. Monitor and mix with the full depth and dimension of your sound through two truly-balanced, line-level analog outputs for speakers. And, power your headphones with a zero-ohm headphone output for a dedicated headphone mix.

World Class Preamps

One of the most critical components for high quality recording is your preamp and the pres in Apogee Duet are world-class. With up to 60dB of gain and 48v phantom power, you can cleanly and precisely capture any audio source with even the most demanding microphones. Meticulous Apogee engineering, keeps noise and distortion down, even as you crank up the gain.

Plug-in to On-board DSP

To capture your best performance, you need to dial in an inspiring sound quickly and easily. And few things are more distracting than latency when trying to record. Duet gives you on-board hardware DSP for FX processing with the Symphony ECS Channel Strip (sold separately) to precisely shape your tone on input and give you great sounding tracks, all while eliminating the delay that can occur while recording. The Symphony ECS Channel Strip, tuned by legendary mixer Bob Clearmountain, includes EQ, Compression and Saturation controls that let you create the optimal blend of channel FX for tracking vocals or acoustic instruments. Choose from multiple hand crafted Clearmountain presets and record with zero latency through Duet's on-board hardware DSP.

Receive 50% off the Symphony ECS Channel Strip from your Apogee dealer when you purchase Duet 3 or when you register on the Apogee website.

The all new Apogee Control 2 software gives you complete control of all Duet functions and features including the Symphony ECS Channel Strip FX running on Duet's hardware DSP. Apogee Control 2 is shared across all current and select previous generation Apogee products and will enable Apogee support and engineering to quickly react to future macOS and Windows OS updates helping to ensure Duet 3 compatibility for your workstation.

Sound quality comes first, but elegant design is a close second. After all, you're always hands-on, controlling listening level and mic pre gain, so why shouldn't the centerpiece of your studio have a high-end look and feel? The Duet multi-function digital controller knob delivers a luxurious-feel for dialing in monitor levels and mic pre gain, while also giving the desktop interface style accents backlit with purple LEDs. Perfectly contoured for ergonomic control on your desktop, the low profile body is topped with scratch-resistant cover glass for a modern look and solid feel.

Duet Dock

Duet set the standard for making music and recording on the go with its small footprint and flexible breakout cable. But when working in your studio, the best way to use Duet 3 is with the all-new Duet Dock*. The Dock positions Duet at the ideal angle for quick adjustments and meter and function visibility. The rear panel connectors on Duet Dock make it easier to organize and connect your cables to Duet too.

*Sold Separately

Notes: Huge power in this smartly designed interface from the experienced minds at Avid. A grand total of 21 inputs and 22 outputs over a range of analogue and digital connections, coupled with excellent monitoring control and top-quality sound.

Supplier's Notes:
Professional gets personal

Bring professional recording power to your personal studio. Powered by Pro Tools Studio, the MBOX Studio USB audio interface provides everything you need to make music and more. From finding inspiration and composing ideas to recording, monitoring, and mixing the next big hit, its intuitive design puts pure creative power at your fingertips, reducing your time to fun.

Sound incredible with a powerful USB audio interface

MBOX Studio is designed with only the highest quality components, preamps, and audio converters in its class, enabling you to capture and mix up to 24-bit, 192 kHz audio from input to output. Variable Z opens up a whole range of tonal options. And with built-in real-time EQ, delay, and reverb, plus independent cue mixing, you can deliver your best performances with low-latency tracking.

Quickly bring your ideas to life

Easily create, record, edit, and mix music, plus podcast and live stream, without technology getting in the way.

Everything you need to make music

Plug in and play right away with Pro Tools Studio, MBOX Ignition Pack, and more. Whether making beats and parts with virtual instruments or connecting real ones to your computer for recording, you have a massive collection of tools, plugins, instruments, loops, and samples ready for you to explore, get inspired, and keep you in your creative zone.

Create GRAMMY-level productions

When you need to sound your best, nothing delivers like Pro Tools. Pro Tools Studio makes music production fast and easy, enabling you to work with audio, MIDI, notation, and 4K video all in one application.

Elevate your sound with world-class processing

Shape and enhance tracks with over 130 studio-coveted pluginsifrom authentic emulations of classic compressors, EQs, and other outboard gear to innovative instruments, reverbs, filters, and other sound-processing plugins.

Get unmatched monitoring flexibility

Track and monitor performances like a commercial studio with outputs for two headphones, two stereo sets of speakers, and Bluetooth, plus cue mixing and a built-in talkback mic. No other audio interface in its class provides as many options.

Expand and accelerate your workflow

Write music and score films and TV shows with Sibelius Artist. Manipulate pitch and time with Melodyne 5 essential. Automate your workflow with SoundFlow Cloud Avid Edition. And get Inner Circle rewards worth over $2K for free.

A guitar player's dream

With Variable Z on instrument inputs, you can change up the tone of your guitar when recording direct to complement your effects chain. Play through the world's greatest amps with Eleven MK II, bx_rockrack, tons of emulated stompbox effects, and more included. Integrate your own outboard effects. Reamplify tracks. And stay pitch-perfect with the built-in tuner.

Endless creative possibilities

MBOX Studio is more than the simple USB audio interface of years past; it expands and accelerates your workflow. Map its buttons to access your favorite functions fast. Jam with your iPhone over Bluetooth. Record voiceovers and design sound for picture. Podcast and live stream with Loopback mixing. Even use it as a standalone monitor controller.

Perform actions at the press of a button

Along with dedicated switches and encoders to control a variety of functions, you can perform frequently used actions fast using four assignable user buttons. Even customize the button colors to fit your design aesthetic or mood.

Work with your favorite DAWs and apps

Get the freedom to create with what you want. You can use MBOX Studio with Pro Tools and all other popular DAWs, content creation, and media streaming applications.

Produce professional podcasts and livestreams

Record yourself and your guests, optimize each mic tone, and add real-time EQ and effects. And with Loopback enabled, you can capture your dialogue along with audio played from another application, ideal for podcasting.

Specifications

System requirements

Computer: Avid-qualified USB-equipped Mac or Windows-based computer

General

Simultaneous I/O: 21 x 22
Audio resolution: 24-bit, 44.1/48 kHz 21 x 22; 24-bit, 88.2/96 kHz 17 x 18; 24-bit, 176.4/192 kHz 8 x 10
Built-in DSP: Avid FX-EQ, Delay, Reverb, Tuner
Mic preamps: 4
Phantom power: +48V switch
Form factor: Desktop interface
Dimensions (H x W x D): 4.1 x 11.3 x 8.9 inches (105.2 x 288 x 225.3 mm)
Weight: 6.1 lbs (2.8 kg)
Computer connectivity: USB-C 2.0 (includes USB-A adapter)

Inputs and outputs

Analogue inputs: 2 combo mic/line/instrument inputs with Variable Z (impedance) on the front panel (inputs 1-2)
2 combo mic/line inputs with Variable Z on the back panel (inputs 3-4)
4 line inputs (inputs 7-8 shared with FX Returns)

Analogue outputs
2 stereo monitor outputs (Main and Alt)
2 headphone outputs
1 Hi-Z switchable FX Loops Sends
1 Hi-Z out to amp (mirrors FX Send 2)

Digital inputs: 1 Optical input (8 channels of ADAT or 2 channels S/PDIF), 1 coaxial S/PDIF input

Digital outputs: 1 Optical output (8 channels of ADAT or 2 channels S/PDIF), 1 coaxial S/PDIF output

Other I/O: MIDI I/O, 2 footswitch/expression pedal inputs

A/D conversion
Mic preamps
Max Input Level: 14 dBu
Gain Range: 60 dB
Dynamic Range: 112 dB
THD+N: 0.001%
EIN: -129 dB (A-weighted)
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

Line inputs

Max Input Level: 14 dBu
Gain Range: 60 dB
Dynamic Range: 112 dB
THD+N: 0.001%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

Instrument inputs

Max Input Level: 14 dBu
Gain Range: 60 dB
Dynamic Range: 108 dB
THD+N: 0.004%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

D/A conversion

Line outputs

Max Output: 19 dBu
Dynamic Range: 110 dB
THD+N: 0.002%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB
Monitor outputs

Max Output: 19 dBu
Dynamic Range: 110 dB
THD+N: 0.0012%
Frequency Response: 20 Hz-20 kHz, +/-0.125 dB

Headphone outputs

Dynamic Range: 102 dB
Frequency Response: 20 Hz-20 kHz, +/-0.2 dB
Output Power: 120 mW > 32 Ohm

Hi-Z output (reamp)

Dynamic Range: 103 dB
THD+N: 0.002%
Frequency Response: 20 Hz-20 kHz, +/-0.3 dB

Included hardware and accessories

MBOX Studio USB interface

USB-C cable
USB-C female to USB-A male adapter
Power adapter
Registration card

Included software

Pro Tools Studio 1-year subscription
Sibelius Artist 1-year subscription (desktop and mobile app)
MBOX Control
Celemony Melodyne 5 essential (part of the Pro Tools Studio bundle)
SoundFlow Cloud Avid Edition (part of the Pro Tools Studio bundle)

Included plugins and sounds

All plugins included with Pro Tools Studio
MBOX Ignition Pack
Baby Audio Vibe Box-exclusive plugin only available with MBOX Studio
BPM Create-MBOX Producer Toolkit with sounds and samples
Brainworx A/DA Flanger-A/DA Flanger stompbox emulation
Brainworx Ampeg SVT-VR Classic-Ampeg bass amp emulation
Brainworx bx_bluechorus2-Boss CE-2 Chorus stompbox emulation
Brainworx bx_console N-Neve VXS console channel strip emulation
Brainworx bx_greenscreamer-Ibanez TS 808 Tube Screamer emulation
Brainworx bx_megadual-Mesa Boogie Dual Rectifier emulation
Brainworx bx_opto compressor-all-around compressor emulation
Gauge LUSH VOX-parallel compression + processor for vocals
Avid Loopmasters Sample Pack (part of the Pro Tools Studio bundle)

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Offering the incredible versatility we've come to expect from Keith McMillen, the advanced K-Mix BLUE is a mappable, customisable control surface and integrated audio interface. A serious all-rounder.

Supplier's Notes:
K-Mix BLUE is a performance upgrade of our K-Mix high-quality 8×10 digital mixer, USB audio interface, and advanced touch-sensitive MIDI/DAW control surface.

The New K-Mix BLUE Edition features:

Upgraded, ultra-accurate and low noise uPre preamps

New ultra-durable ABS-Polycarbonate finish

Full Ableton Live 11 control surface integration.

Audio Interface

K-Mix is a pro-quality USB audio interface with transparent uPre preamps for quality recording in the studio or on the stage.

Programmable Mixer

K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer.

Control Surface

K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Offering the incredible versatility we've come to expect from Keith McMillen, the advanced K-Mix BLUE is a mappable, customisable control surface and integrated audio interface. A serious all-rounder.

Supplier's Notes:
K-Mix BLUE is a performance upgrade of our K-Mix high-quality 8×10 digital mixer, USB audio interface, and advanced touch-sensitive MIDI/DAW control surface.

The New K-Mix BLUE Edition features:

Upgraded, ultra-accurate and low noise uPre preamps

New ultra-durable ABS-Polycarbonate finish

Full Ableton Live 11 control surface integration.

Audio Interface

K-Mix is a pro-quality USB audio interface with transparent uPre preamps for quality recording in the studio or on the stage.

Programmable Mixer

K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer.

Control Surface

K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Compact but premium 2x4 audio interface from one of the best brands in the business. Superb sound quality with built-in hardware DSP.

Supplier's Notes:
Legendary Sound Quality, Total Portability and Hardware DSP all Come Together in a Beautiful New Design

In 2007, the original Apogee Duet shattered the expectations of what a home studio interface could be. Professional, personal and portable, Duet revolutionised independent recording and empowered musicians, producers and engineers with legendary Apogee sound quality, elegant design and effortless ease of use. Now, the all-new Duet 3 brings next-generation Apogee performance and features to a beautiful ultra-low profile scratch resistant glass and aluminium case.

Duet 3 includes on-board hardware DSP that works with the Symphony ECS Channel Strip* for zero-latency recording with FX. Tuned by Bob Clearmountain, the ECS Channel Strip includes presets custom crafted by the legendary mixer so you can dial in a pro recording sound instantly. Ideal for music creation, voice recording, streaming and even gaming, you can use Duet 3 with your Mac or Windows workstation in your studio or on the go. Take your Duet 3 to the next level with the sleek Duet Dock* accessory for the ultimate ergonomic desktop experience.

Achieving superior sound quality in a digital audio interface requires experienced engineering that artfully orchestrates AD/DA converters, digital clocking, analog circuitry and power management technology to achieve a harmonious blend of carefully selected components and thoughtful design. Duet is the result of decades of innovation and expertise and delivers sound quality unmatched in its class.

Legendary AD/DA Converters

With two inputs and four outputs of legendary Apogee AD/DA conversion, plus two world-class preamps, Duet is the perfect partner for your home and mobile studio. Connect microphones, guitars, keyboard and line level devices to capture every detail. Monitor and mix with the full depth and dimension of your sound through two truly-balanced, line-level analog outputs for speakers. And, power your headphones with a zero-ohm headphone output for a dedicated headphone mix.

World Class Preamps

One of the most critical components for high quality recording is your preamp and the pres in Apogee Duet are world-class. With up to 60dB of gain and 48v phantom power, you can cleanly and precisely capture any audio source with even the most demanding microphones. Meticulous Apogee engineering, keeps noise and distortion down, even as you crank up the gain.

Plug-in to On-board DSP

To capture your best performance, you need to dial in an inspiring sound quickly and easily. And few things are more distracting than latency when trying to record. Duet gives you on-board hardware DSP for FX processing with the Symphony ECS Channel Strip (sold separately) to precisely shape your tone on input and give you great sounding tracks, all while eliminating the delay that can occur while recording. The Symphony ECS Channel Strip, tuned by legendary mixer Bob Clearmountain, includes EQ, Compression and Saturation controls that let you create the optimal blend of channel FX for tracking vocals or acoustic instruments. Choose from multiple hand crafted Clearmountain presets and record with zero latency through Duet's on-board hardware DSP.

Receive 50% off the Symphony ECS Channel Strip from your Apogee dealer when you purchase Duet 3 or when you register on the Apogee website.

The all new Apogee Control 2 software gives you complete control of all Duet functions and features including the Symphony ECS Channel Strip FX running on Duet's hardware DSP. Apogee Control 2 is shared across all current and select previous generation Apogee products and will enable Apogee support and engineering to quickly react to future macOS and Windows OS updates helping to ensure Duet 3 compatibility for your workstation.

Sound quality comes first, but elegant design is a close second. After all, you're always hands-on, controlling listening level and mic pre gain, so why shouldn't the centerpiece of your studio have a high-end look and feel? The Duet multi-function digital controller knob delivers a luxurious-feel for dialing in monitor levels and mic pre gain, while also giving the desktop interface style accents backlit with purple LEDs. Perfectly contoured for ergonomic control on your desktop, the low profile body is topped with scratch-resistant cover glass for a modern look and solid feel.

Duet Dock

Duet set the standard for making music and recording on the go with its small footprint and flexible breakout cable. But when working in your studio, the best way to use Duet 3 is with the all-new Duet Dock*. The Dock positions Duet at the ideal angle for quick adjustments and meter and function visibility. The rear panel connectors on Duet Dock make it easier to organize and connect your cables to Duet too.

*Sold Separately

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance. As the first-ever hybrid audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or Hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including 2 mic/instrument inputs, 6 line-level analog inputs, 10 channels of analog output, stereo S/PDIF and a stereo headphone output.

Housed in a rugged, compact half-rack enclosure you can take anywhere, the UltraLite-mk3 Hybrid is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 Hybrid provides 10 separate inputs and 14 separate outputs.Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer i with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

The included CueMix FX cross-platform mixing software provides attractive graphic mixing, graphic editing of parametric EQ, and a convenient tabbed interface for quick access to all features in one window. Advanced signal analysis tools include a full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. After programming the on-board mixing in the studio, unplug the UltraLite-mk3 Hybrid from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite-mk3 Hybrid provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32-bit mixing/processing/mastering.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


If you've been looking for a mobile audio interface with excellent audio quality, Wi-Fi control, extensive mixing and exciting new possibilities for expansion and audio networking, your search is over! The latest in MOTU's award-winning UltraLite series, the all-new UltraLite AVB delivers more I/O, more DSP, and best-in-class analog audio quality for on-the-go mobile audio recording.

More I/O:
The UltraLite AVB now provides separate mic and guitar inputs (two each), 8-channel ADAT optical (switchable to stereo TOSLink), 6 x 8 balanced quarter-inch analog I/O and MIDI IN/OUT jacks, all housed in a rugged aluminum alloy half-rack chassis that slides easily into a backpack. That's a total of 18 simultaneous inputs and outputs.

Best-in-class analog audio quality:
The balanced analog outputs achieve a measured dynamic range of 117 dB, rivaling the audio quality of interfaces at much higher price points.

More DSP:
Expanded DSP doubles the available processing power for the redesigned console-style mixer, which provides 48 inputs, 12 stereo busses and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. Matrix routing lets you quickly patch ins to outs, or split inputs to multiple destinations. You can even use the UltraLite AVB as a stand-alone mixer and control everything wirelessly from innovative web app software running on your iPad, iPhone, tablet, smartphone and laptop. Multiple musicians can access their own aux mixes simultaneously from their own Wi-Fi devices.

Class-compliant connectivity:
The UltraLite AVB connects to a computer through AVB Ethernet or audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS) and records at sample rates up to 192 kHz.

Expansion and networking:
The optical ports let you connect the UltraLite AVB to other interfaces you may own, or future gear purchases as your studio grows. Through AVB Ethernet, you can connect another MOTU AVB interface for more I/O with a standard Ethernet cable - up to 100 meters long! Or, you can connect to an expanded MOTU AVB network with multiple interfaces and computers.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: As a hybrid audio interface, the 828mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with 10 channels of pristine 192 kHz analog recording and playback, combined with 16 channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer, with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3's signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram waterfall display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32bit mixing/processing/mastering.

Notes: The Apogee Element 46 is a 12-in and 14-out Thunderbolt audio interface based on technology found in the Symphony I/O, Ensemble and Groove interfaces.

The Apogee Element 46 includes four combination XLR/Jack preamps and features Apogee's Advanced Stepped Gain Architecture designed to dynamically optimise the gain and deliver superior bandwidth and low distortion.

High-quality AD/DA conversion, the Apogee Element provides unmatched clarity and definition helping you achieve excellent recordings. What's more, the Element 46 features Apogee's superior clocking technology ensuring that all your digital audio system works at its best.

Using Thunderbolt connectivity provides low-latency performance (as low as 1.41ms round-trip) and rock-solid stability. In combination with Apogee's Direct Memory Access technology lets you run far more plug-ins and DAW monitoring at low buffer settings.

The Element 46 comes with a powerful control ecosystem including apps for your Mac and iOS device and an optional USB Apogee Control Hardware remote.

Notes: The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity in addition to professional monitoring and mixing controls in a single rack-space. Whether you're a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard Talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your Main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

The Studio 192 includes eight remote controlled XMAX preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.

Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you'll find the preamp controls, speaker switching, mono, dim, and talkback functions needed to control your Studio 192. Create zero-latency monitor mixes complete with Fat Channel processing without leaving the Studio One mixer. Studio One's exclusive hybrid Fat Channel plug-in runs on both your computer's processor and on your Studio 192 and switches with a sonically seamless transition. At last, you can punch in while monitoring the same audio between playback and recording.

Because we can't create the same integrated Studio One experience in every recording application, the Studio 192's onboard features can also be controlled in UC Surface's road-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 includes Fat Channel processing on every analog input, plus a stereo reverb and delay. The result is a better performance and ultimately a better recording.

The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You'll hear every breath, transient, and detail of a performance in your recordings.

The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192. Available early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and Word Clock I/O. The DigiMax DP88 mic preamps are fully remote controllable from Studio One or UC Surface when connected via ADAT to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space: pristine audio up to 192 kHz, zero-latency effects, eight remote controllable preamps, monitor mixing, speaker switching, headphone amps and tight DAW integration.

Notes: Whether you're recording in the studio, taking direct output feeds off of an analog mixer, or capturing audio onstage, the MOTU 24Ai USB 2.0 audio interface gives you the high channel count and low latency you need. Like the rest of MOTU's popular AVB-equipped audio interfaces, the 24Ai lets you send a ton of audio across a standard network. The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional 24 channels of ADAT optical I/O, you can easily expand the capabilities of your MOTU 24Ai.

It doesn't matter if you prefer DB-25 D-subs or Phoenix plugs, the MOTU 24Ai makes connecting up to 24 analog line channels a piece of cake. With so many high-quality inputs packed into a single rack space, the A24i is idea for taking direct outputs off of an analog mixing console or capturing signal onstage in a live environment. What's more, there are three pairs of ADAT optical ports onboard, offering an additional 24 channels of digital I/O via USB 2.0 or AVB network.

The MOTU 24Ai's onboard DSP mixer offers a number of advantages you'll find useful in a variety of settings. For starters, this digital mixer supports up to 48 inputs and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer. In fact, if you connect a wireless router to your 24Ai, you can access all of its internal mixing functions, including effects and processing, via an app on your iOS device, turning this powerful audio interface into a fully capable standalone mixer. Speaking of onboard processing and effects, whether you're in the studio or onstage with your 24Ai, you'll find a ton of uses for its DSP EQ, compression, gate, and reverb.

Another extremely cool use of the 24Ai's Ethernet connection is the ability to link more MOTU AVB equipped audio interfaces to it. You can do this in one of two ways: directly via a simple Ethernet cable or as part of an audio network via one or more MOTU AVB Switch. If you go with just a single Ethernet cable, you can easily link a second 24Ai or other AVB ready device directly to your first one. With MOTU AVB Switches, you can create an audio network of up to five units, potentially linking hundreds of channels of I/O across multiple rooms. And since it's all over standard Cat-5e Ethernet cable, latency or cable runs aren't any kind of issue.

Notes: Like the rest of MOTU's popular AVB-equipped audio interfaces, the 24Ao lets you send a ton of audio across a standard network and get low latency, high quality, and powerful DSP mixing options. This 24Ao was designed with line-level output in mind, and it's 24 channels of analog output are ideal if you need to send audio to your frond-of-house mixer, your studio processing rig, or your analog summing amplifier. The internal mixer includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional 24 channels of ADAT optical I/O, the MOTU 24Ao fits into any kind of audio rig.

It doesn't matter if you prefer DB-25 D-subs or Phoenix plugs, the MOTU 24Ao makes connecting up to 24 analog line channels a piece of cake. Capable of 123dB of dynamic range, the 24Ao is the perfect last step in the digital signal path before your analog summing mixer, live mixing console, studio racks, or any number of other audio destinations. What's more, there are three pairs of ADAT optical ports onboard, offering an additional 24 channels of digital I/O via USB 2.0 or AVB network.

The MOTU 24Ao's onboard DSP mixer offers a number of advantages you'll find useful in a variety of settings. For starters, this digital mixer supports up to 48 inputs and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer. In fact, if you connect a wireless router to your 24Ao, you can access all of its internal mixing functions, including effects and processing, via an app on your iOS device, turning this powerful audio interface into a fully capable standalone mixer. Speaking of onboard processing and effects, whether you're in the studio or onstage with your 24Ao, you'll find a ton of uses for its DSP EQ, compression, gate, and reverb.

Another extremely cool use of the 24Ao's Ethernet connection is the ability to link more MOTU AVB equipped audio interfaces to it. You can do this in one of two ways: directly via a simple Ethernet cable or as part of an audio network via one or more MOTU AVB Switch. If you go with just a single Ethernet cable, you can easily link a second 24Ao or other AVB ready device directly to your first one. With MOTU AVB Switches, you can create an audio network of up to five units, potentially linking hundreds of channels of I/O across multiple rooms. And since it's all over standard Cat-5e Ethernet cable, latency or cable runs aren't any kind of issue.

Notes: Offering the incredible versatility we've come to expect from Keith McMillen, the advanced K-Mix BLUE is a mappable, customisable control surface and integrated audio interface. A serious all-rounder.

Supplier's Notes:
K-Mix BLUE is a performance upgrade of our K-Mix high-quality 8×10 digital mixer, USB audio interface, and advanced touch-sensitive MIDI/DAW control surface.

The New K-Mix BLUE Edition features:

Upgraded, ultra-accurate and low noise uPre preamps

New ultra-durable ABS-Polycarbonate finish

Full Ableton Live 11 control surface integration.

Audio Interface

K-Mix is a pro-quality USB audio interface with transparent uPre preamps for quality recording in the studio or on the stage.

Programmable Mixer

K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer.

Control Surface

K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


SPL's flagship audio interface offers a bit of everything, with 16 inputs, MIDI interface, powerful monitoring options and clear, precise sound. A proper all-rounder.

Supplier notes:
Following the success of the Crimson 1 and 2 models, SPL have gone further to create a new flagship audio interface delivering the same professional-grade recording and monitoring capabilities, along with even more useful features and workflow-aiding improvements.

Headphone mixing provides 100% left channel to one ear and 100% to another. This creates something of a natural disadvantage in mixing by creating an exaggerated split and a stereo image that seems wider than its reality. SPL's Phonitor Matrix, now fully integrated with every Crimson 3 interface, aims to combat this.

Phonitor is a cross-feed functionality that fills the otherwise-neglected middle of the image to create a more natural stereo sound. The resulting stereo spread is then far more translatable when mixing between monitors and headphones between sessions or even on the fly.

Crimson's built-in talkback function negates the need for an external microphone for communicating with the instrumentalist or vocalist being recorded.

When talkback mode is enabled, the connected set of speakers in port A are automatically dimmed. This ensures built-in microphone feedback is avoided and that artists can hear instructions or feedback more clearly.

Another unique technology built-in to Crimson is SPL's Artist Mode feature. When engaged, the Crimson provides a separate mix curated to the recording performer's preference. While in Artist Mode, talkback audio is also routed via the second headphone output and monitor output B to ensure an entirely independent mix.

SPL have taken great care to ensure that the Crimson 3 serves as a veritable power-hub for any home, project or commercial studio. As such the desktop and layout form factors have been meticulously designed to ensure all controls are accessible, adjustments can easily be made, and that all ports, functions and features are always within reach.

With 16 inputs, 2 preamps, 6 individual playback channels, talkback, high end conversion and built-in monitor control facilities, the Crimson is truly a worthy centrepiece for any professional audio workspace.

Notes: ***B-STOCK: Box opened, slight surface marks, manual and software missing, otherwise in perfect working condition ***


Renowned ESS Sabre32 Ultra DAC technology:
New in the 828es, renowned ESS Sabre32 DAC technology delivers 123dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248.

Ultra-low latency and renowned rock-solid performance:
Round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt with high-performance DAW hosts.

USB and Thunderbolt for Mac, PC and iOS:
Connects to your Mac or PC with Thunderbolt, hi-speed USB 2.0 or AVB/TSN Ethernet for up to 256 audio channels (128 in and 128 out). Class-compliant firmware and industry standard drivers work with any audio apps. Connects to iPad with a standard camera connection kit (adapter).

Cutting-edge components deliver ultra-transparent sound:
Capture your recorded material in its truest, most natural form with -108 dB THD+N, 118dB dynamic range and -128dBu EIN performance. Each mic channel has individual preamp gain, pad, 48V phantom power and digital remote control. Do you work with outboard EQs and compressors? Each 828es mic input offers a pre-converter, hard-wired send for mono or stereo mic channel outboard processing.

Control room features:
Take control of your recording sessions with the built-in talkback mic and front-panel talk button. Connect two sets of speakers and check your mixes instantly with front-panel A/B speaker select buttons.

Console-style mixing with 48 channels and 12 busses:
A full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Vintage processing with 32-bit float precision:
Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 828es DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Route your audio anywhere with one-click ease:
Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Control everything from your laptop, tablet and smartphone:
The software that you use to control the 828es doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 828es on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

No computer or laptop needed:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

MOTU interfaces are built to last:
Like all MOTU interfaces, the 828es aluminium alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the solid feeling of the 828es metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.

Notes: One of the most trustworthy brands in the industry delivers another winner. Proper high-end business, with 12 analogue inputs and 12 outputs, plus an extensive array of digital connections. Great value at this price point.

Supplier's Notes:
Next-gen 28 x 32 USB3 audio interface - Builds on 22 years of proven success as an industry-leading audio interface brand.

New 3.9-inch TFT display - The bright, 24-bit RGB LCD provides 480 x 128 pixel high-resolution metering for all analogue and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.

Superb analogue audio quality and high-end converters - Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.

Ultra-low latency and proven, high-performance MOTU drivers - Round-trip latency (RTL) performance as low as 2 ms at 96kHz with high-performance DAW hosts.

Universal connectivity - Connects to your computer with 5 Gbps USB3 (compatible with USB2) for up to 60 audio channels. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad™ with USB-C or a Lightning adapter kit (sold separately).

60 simultaneous audio channels - 28 inputs and 32 outputs, including two combo XLR/TRS mic/line/hi-Z guitar inputs with send/return inserts, 8 TRS analogue (line-level) in/out, separate main outs on XLR jacks, two banks of 8-channel optical I/O, stereo RCA S/PDIF digital I/O, and two front-panel headphone outputs.

Advanced mic channels - Cutting-edge components deliver ultra-transparent sound with -114 dB THD+N, 118 dB dynamic range and -129 dBu EIN. Each mic channel provides individual controls for +74 dB of preamp gain, -20 dB pad, 48V phantom power, and phase invert. All settings can be controlled remotely from a computer or iOS device. Each mic channel includes a dedicated send/return insert for outboard gear processing.

Flexible insert returns - When nothing is connected to the front-panel mic inputs, the two rear-panel returns function as additional line inputs with identical signal path characteristics as the other eight line inputs.

DSP mixing and effects processing - Flexible 24-input digital mixer with 8 stereo busses and DSP effects, including reverb, 4-band EQ, gate and compression.

Wi-Fi control - If the 828 is connected to a computer on your Wi-Fi network, you can control everything wirelessly from the CueMix 5 app running on mobile devices or other computers on the same network - even multiple devices at the same time. Manage access to the 828 with network discovery and password protection.

Precision boost/trim for analogue I/O - Calibrate analogue input and output signals in precise 1 dB increments. Apply phase invert individually to analogue inputs.

Control room features - Control your sessions with front-panel "talk" button and "A/B" speaker select buttons to quickly compare your mixes on two sets of studio monitors.

Two flexible headphone outputs - With independent volume control, each headphone output can mirror each other, the Main Outs, any other analogue output pair, any CueMix bus, or any USB output channels. Or you can create a completely customized mix for each headphone that includes live 828 inputs and built-in reverb.

Two banks of optical I/O - Connect outboard digital processors, digital mixers or other gear with 16 channels of ADAT at 44.1/48 kHz or 8 channels of SMUX at 88.2/96 kHz. Bank A can optionally provide stereo TOSLink (optical S/PDIF) I/O up to 96 kHz.

Foot switch input - Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.

MIDI in/out/thru - connect MIDI gear without the need for a separate MIDI interface.

Word clock in/out/thru - Supports all sample rates up to 192 kHz.

DC-coupled TRS outputs - Use the 828 to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.

Loopback for live streaming and podcasting - Easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting.

Guitar re-amping - Connect your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modelling plug-ins - to experiment with different tones.

CueMix 5 app - Control mixing and settings from your Mac, PC or iOS device.

Performer Lite - Workstation software with over 100 included instruments, dozens of effects and 6 GB of included loops to make music right away. Also includes Ableton Live Lite.

Next-gen 28 x 32 USB3 audio interface with DSP, mixing and effects
New 3.9-inch 24-bit RGB LCD with precision metering for all I/O
Superb analogue audio performance driven by ESS Sabre32 Ultra™ DAC Technology
Ultra-low latency and proven, high-performance MOTU drivers (~2 ms RTL with a 32 sample buffer @ 96 kHz)
Universal connectivity with 5 Gbps USB

Technical Specifications
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Mic/line/instr inputs
2 x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 MO impedance on the line/instr inputs
Independent balanced send/return inserts

Analogue inputs
8 x 1/4-inch TRS line in (balanced/unbalanced)
2 x 1/4-inch insert returns function as balanced TRS line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input

Analogue outputs
8 x 1/4-inch TRS line out (balanced, DC coupled)
2 x male XLR out
Max level: +21 dBu
2 x 1/4-inch TRS stereo headphone
2 x 1/4-inch TRS sends (balanced, pre-converter)

Digital I/O
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1 x stereo S/PDIF I/O on RCA (up to 96 kHz)

Computer I/O
1 x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1 x IF-certified USB 3.2 Gen 1 Type C-to-C cable included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels: see "Total Audio I/O" below
Round Trip Latency (RTL): ~2 ms (32 sample buffer at 96K)

Total audio I/O
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates

MIDI I/O
1 x MIDI In
1 x MIDI Out/Thru
16 MIDI channels to/from computer host

Headphone
2 x 1/4-inch TRS stereo headphones
Output impedance: <1O
Max output: 14.4 dBu

Phantom power: 2 x individual +48V

Foot Switch
1 x 1/4-inch foot switch input
Mapping: pedal up/down to any host keystrokes

Sync I/O
1 x BNC Word Clock In
1 x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)

Front panel
2 x XLR/TRS combo inputs
2 x 1/4" TRS headphone outputs
2 x potentiometer - headphone volume
2 x potentiometer - mic/instr input gain
1 x potentiometer - menu navigation
1 x large potentiometer - main volume
12 x switches - (2) 48V, (2) pad, (6) control room, (2) nav
1 x 3.9-inch 480 x 128 pixel 24-bit RGB TFT display
1 x latching power button

Power
Internal 100-240V autoswitching supply
50-60 Hz - 0.5A max

Dimensions and weight
(width x depth x height, enclosure only)
19 x 12.25 x 1.75 inches / 48.26 x 31.1 x 4.44 cm
11 lbs / 5 kgs

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


High-end interface specialists RME deliver another winner. Amazing sound quality in a compact package, with TotalMix control, ADAT expansion and built-in MIDI interface.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
Four years ago the Babyface Pro again demonstrated RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analogue and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
For the main I/O RME have designed an XLR socket, which integrates seamlessly into the housing and saves space.
Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analogue inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example, mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Offering the incredible versatility we've come to expect from Keith McMillen, the advanced K-Mix BLUE is a mappable, customisable control surface and integrated audio interface. A serious all-rounder.

Supplier's Notes:
K-Mix BLUE is a performance upgrade of our K-Mix high-quality 8×10 digital mixer, USB audio interface, and advanced touch-sensitive MIDI/DAW control surface.

The New K-Mix BLUE Edition features:

Upgraded, ultra-accurate and low noise uPre preamps

New ultra-durable ABS-Polycarbonate finish

Full Ableton Live 11 control surface integration.

Audio Interface

K-Mix is a pro-quality USB audio interface with transparent uPre preamps for quality recording in the studio or on the stage.

Programmable Mixer

K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer.

Control Surface

K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.