Search dance music

Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: Eurorack version of 1010's superb Bluebox. Vast power in 30 HP, with the ability to mix, record and play back in mono and stereo, hook up to a computer over USB for stereo I/O and run effects, all with CV control.

Supplier's Notes:
The bluebox Eurorack edition is the new Eurorack mixer with effects and multichannel recording/playback based on the award-winning bluebox desktop mixer. With the Eurorack edition's USB-C EXT port, you can send 2 channels of audio to and from your computer. Plus, you can control up to 6 mix settings with the 6 CV inputs. Whether recording your Eurorack jams, using it to play stems as backing tracks, or a combination of both - bluebox Eurorack edition will rock your rack!

Connect your eurorack, sampler, drum machine, and synthesizer outputs to 12 mono, 3.5 mm inputs and map them to 12 mono tracks or 6 stereo tracks - all with independent control for recording and playback. Connect your computer to the USB C port to send and receive two channels of audio.

The bluebox Eurorack edition is the ultimate in compact mixing, effects, recording, and playback for Eurorack. Smack it in your rack and hit the road with a self-contained, electronic music powerhouse!

When you purchase a bluebox Eurorack edition, you will receive:

a bluebox Eurorack edition 30 HP Eurorack module
A microSD card with bluebox firmware and pre-loaded project files
two Eurorack power cables
a bluebox Eurorack edition Quick Start guide
two MIDI Adapters

Technical Specs

Dimensions & Power
30 HP
Module dimensions including knobs: 6" x 5"x 1.6"
Depth behind front panel with ribbon cable: 1.0"
Requires the +5V rail which may not be present
on some older racks.
Uses 500-850mA at +5V (depending
on screen brightness), 320 mA at +12V, and 82mA at -12V
Requires two power connections
Capabilities
12 mono tracks, 6 stereo tracks or something in between
Connect to TRS or USB C MIDI for beat syncing effects
Lots of headroom with support for Eurorack levels up to +/-5V inputs and outputs
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
Durable aluminum faceplate
Stream 2 channels of audio in and out over USB C

Inputs and Outputs
12 mono 3.5 mm TS inputs
2 independently controlled 3.5 mm TS output pairs that can be used as 4 mono outputs
1 stereo 3.5 mm headphone output
6 CV Inputs
1 USB C MIDI Device port
1 TRS MIDI Input
1 TRS MIDI Output
1 USB C Ext jack for streaming audio
3.5" touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons

Notes: A real powerhouse of a sequencer, featuring eight tracks each with six different modes. MIDI and CV/gate outputs allow you to control pretty much any instrument, including modular gear.

Supplier's Notes:
Portable hybrid multiengine

A new inspiring way to create musical ideas and control all your studio gear

6 modes available per sequencer

Multitrack

8 tracks with totally independent parameters: start-end points, length, speed, etc. Configurable MIDI outputs and scale note filtering. Did you miss having more tracks? Now you can unlock up to 32 tracks in the OXI ONE.

Chord
Innovative chord function generator for easy creation of chord progressions.
Inspiring palette of chords with plenty of types and voicings that perfectly matches to each other. It comes with a handful of dedicated chord menus.

Poly
Total freedom with up to 7 voices, 4 CC's and plenty of parameters per step.
Forget your DAW piano roll for a moment and enjoy this new creative editing experience with unique features like per note chance or logic conditions.

Mono
Full control of a monophonic track with complete visualization of the melody.

Stochastic
Create the perfect recipe for an endless generative idea or melody.

Matriceal (new)
Forget everything you know about sequencing. A step further in generative improvisation.

All this in a compact and premium package

Take full control of your studio gear

USB Host

Connect and Power USB MIDI keyboards and controllers

BLE Central and Peripheral
Battery powered (Up to 8 hours)
BLE to CV, BLE to MIDI, BLE to MIDI USB and vice versa

Deep & instant command of your modular rack

With 8 cv, 8 gates, clock out and clock/cv in and all of them highly configurable

OXI ONE includes VCA ready dynamic envelopes, glide, vibrato, LFOs and
modulation outputs, you have plenty of possibilities for your Modular system.

The grid adds another layer of performance: turn on/off and change cv sources in real time
With "trig envelopes" MIDI and CV goes hand in hand
Triggered envelopes are AD envelopes with velocity as amplitude and
gate as decay time, the attack can be modulated by any of the modulation lanes (new)
Envelopes can be used as dynamic modulation source for VCA/LPGs
MIDI (TRS, USB, Bluetooth) to cv and vice versa
With MOD on, you can record the movement of the encoders to create looping modulation or draw automations directly in the grid
Sequencer: Select which sequencer affects the corresponding output and easily turn on/off the output
Modulation: assign any cv to output any internal modulation

Plenty of tools
From the creation of musical ideas to live sequencing and performing
OXI ONE gives you all the power
Full connectivity & battery powered
Use it as composition tool with your favourite DAW.

Bluetooth to unlock wireless power. Control awesome apps in your tablet, smartphone or any other BLE MIDI device.

Power and connect USB MIDI devices thanks to the USB Host capabilities.

MIDI routing from/to USB, TRS, BLE and CVs.

Up to 8 hours of battery life.

Play big & easy
Store up to 15 projects with up to 64 patterns for all the sequencers.

Live arranger with song view let's you arrange and chain patterns visually.

Performing keyboard with arpeggiator and advanced chord triggering.

UNDO function to the rescue.

128 steps per sequencer.

Solid & compact build
Compact dimensions: 36 x 14 cm.

Only 1.5 cm thick.

Premium anodized aluminium case and knobs.

Bright OLED display.

USB C port.

Algorithmic pattern generator
Get instant musical results with a fully controllable generator

Euclidean rhythms

Drum pattern generator based on MI Grids (new)

Random perform
On the go non destructive randomizer:
Velocity, Octave, Trigger, Retrigger (ratchets), Time division and more

Handy tools you always missed at your disposal:

Two LFOs per sequencer with assignable internal and external destinations (new)
Up to 32 Modulation Lanes
independent length and speed (new)
routable to external and internal parameters (new)
routable to any CV output
Routing to all possible internal parameters, CC's and other MIDI messages.
Loop function
Extend, zoom, duplicate and move your patterns in all directions

Specifications

5V DC 1.7A (USB type C supply)
Li-Po Battery 2200mAh
Radio equipment:
Bluetooth 5.0, 2.4GHz, Tx Max: 4 dBm
Mechanical specifications:
Aluminum chassis & Silicone buttons
Dimensions: 36 x 13 x 3 cm
Weight: 890 gr.
Operating temperature:
10 OC to 36 OC

Inputs and outputs

USB C for 5V power supply and MIDI USB. It also charges the internal Li battery
MIDI TRS input and output (Din adapter included). MIDI Out is 5V, MIDI IN accepts both 5V and 3.3V
MIDI Bluetooth BLE 5.0 bidirectional, peripheral and central roles.
CVS (1 t 8) outputs: from -3V to 8V
GATE (1 to 8) outputs: 5V or 10V configurable
Clock Out and Clock/CV In (can be independent with a splitter)

Accessories

Included in the package
USB C to A cable
MIDI DIN to TRS adapter (Black color) Type A

Not included

TRS to DIN5 Clock adaptor (Grey color):
Exposes One's Clock and Start-Stop IN and OUT to other gear's DIN SYNC ports
TRS to TR-TR stereo splitter (Pink color or Black and Red):
Splits the Clock and Reset outputs of the OXI One in two mono outputs.
Splits the Clock/Gate IN and Reset/CV IN inputs in two mono inputs.
OXI Split: increases the number of MIDI Outputs available.
OXI Pipe: Eurorack module to break out the CV/Gate outputs.

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Dark grey version of the 8030C, part of Genelec's iconic range of compact monitors. Max SPL of 104 dB and frequency response of 47 Hz - 25 kHz mean that the 8030Cs pack a bigger punch than their 30 x 19 cm dimensions would suggest.

Supplier's Notes:
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.

Welcome to the sweet spot

Short term max SPL: >104 dB

Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz at 1 m.

Long term max SPL: >96 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) at 1 m.

Self-generated noise: <5 dB SPL

Self generated noise level in free field at 1 m on axis (A-weighted).

Weight: 5 kg (11.0 lb)

Dimensions

Height: 285 mm (11 1/4 in)
Height with Iso-Pod: 299 mm (11 3/4 in)
Width: 189 mm (7 1/2 in)
Depth: 178 mm (7 in)

Enclosure

Enclosure material: Die cast aluminium
Enclosure type: Reflex port

Drivers

Bass

Driver type: Cone
Diameter: 130 mm (5 1/8 in)

Treble

Driver type: Metal dome
Diameter: 19 mm (3/4 in)
Harmonic distortion

50-100 Hz <2 %
> 100 Hz <0.5 %

Amplifiers

8030C bass amplifier: 50 W Class D
8030C treble amplifier: 50 W Class D

Mains voltage: 100-240 VAC 50/60Hz

Power consumption

ISS Active: <0.5 W
Idle@ <3 W
Full output: 60 W

Signal processing section

Connectors

Input: Analogue signal input connector XLR female, balanced 10 kOhm.

Crossover

Bass/Treble: 3000 Hz

Notes: Keyboard version of Akai's iconic MPC workstation, combining the classic MPC sampling and sequencing approach with 16 pads and a 37-note synth keybed. A superb all-rounder for any production style.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.


Supplier's Notes:
Introducing the Akai Professional MPC Key 37; a standalone keyboard workstation that has everything you need to produce music out of the box. The iconic MPC range has been the centrepiece of beatmakers' and producers' studios for over three decades, evolving into a production platform that combines sampling, sequencing and synthesis into a lightning-fast workflow that keeps you focused on your music. MPC Key 37 brings together the familiar 16 pad grid together with a synth-styled 37 note keybed; along with legendary MPC sounds and instruments, and all the connectivity you need to integrate with your outboard gear and computer - in a compact footprint.

Sound

MPC Key 37 ships with a core collection of sounds and samples from Akai MPC's industry standard plug-ins.

There are 8 plug-in instruments out of the box: including Hype, Odyssey, Mellotron and more; and over 10GB of production ready samples and drum kits. Together these offer over 1000 production-ready presets and if you want to dive deeper each plug-in instrument features advanced synthesis, deep parameter editing, and effects for programming in the exact sound you need. With 32GB of internal storage (plus removable media via SD Card and USB) there is enough space to expand your sample and instrument library in whatever direction you need to take it.

Effects

MPC Key 37 includes over 100 powerful studio-quality effects for creative production and mixing.

Insert lush Reverb & Delay effects into your tracks, add bounce and punch to your drums and mix using modern or vintage style compressors and limiters. MPC Key 37 also ships with cutting edge vocal FX plugins which can also be used for straight vocals or creative sound design.

Control surface

The MPC Key 37 features a synth action key-bed with aftertouch, alongside separate pitch and modulation wheels. The synth-style keyboard action has been designed with players and producers in mind; whether tracking basslines into your productions or jamming out synth leads on stage. The 16-velocity sensitive RGB pads are the same award-winning pads as the MPC One+, along with the renowned Time Correct, Swing, and Quantize features of MPC that continue to inspire producers at the top of the industry. Tweaking and editing take place on the 7' multi-touch display and 5 Q-link rotary encoders, giving you fine control as well as quick access to the parameters you need at your fingertips.

Connectivity

MPC Key 37 can also act as a hub for your outboard gear: Connect MIDI devices via USB or using the MIDI DIN In/Out ports; and integrate with modular rigs with the 8 CV/Gate outs. Onboard WiFi/Bluetooth allows for wireless synchronization with Ableton Link and MPC OS Updates, and the SD Card Reader allows for volumes of expandable sounds and tracks.

DAW Integration

MPC Key 37 features a built in 2-in 2-out USB audio/MIDI interface, so you can record audio and MIDI directly in and out of your computer. The included MPC software is a standalone DAW on your Mac or PC, so you get all the tactility and control of the hardware, but with as many tracks as your computer can handle. MPC software also comes as a VST/AU plug-in so you can open it in major DAWs such as FL Studio, Logic, Ableton, Pro Tools, Studio One and more, and combine your favourite workflows.

Notes: Meris describe the MercuryX as the most flexible studio reverb pedal ever made. A bold claim, but hear them out. Immense power with eight custom algorithms in a modular architecture. Full stereo with a wealth of programs from lush plates and twangy springs to experimental weirdness.

Supplier's Notes:
The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate.

All of Meris' passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs.

Here is a deep dive into the 8 different reverb structures in MercuryX. Each Reverb Structure has Gate controls that can be used to dial in a range of gated reverb effects including the classic percussive gate sound, reverse tail reverb sounds, and slow breathing textures.

Similar to the Dry Blend control of the Predelay, each Reverb Structure features a Predelay Blend control that allows you to put some or all of the predelay reflections in parallel with the reverb tank.

Ultraplate - Adapted from Mercury7, Ultraplate is an inspiring and lush plate with a fast build. Use the Ultraplate's flexible decay range to create a wide range of studio textures.

Cathedra - Adapted from Mercury7, Cathedra is a massive and ethereal algorithm with a slow build. Cathedra is perfect for scifi textures and recreating C-beams glittering in the dark near the Tannhauser gate.

Spring - A flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks featured on early recordings.

78 Room - A lively and direct sound. This algorithm is great for transforming static sounding virtual amps into the difficult to capture sound of a great amp live in the room with you. The Room algorithm features a unique infinite mode (Maxed out Decay controls) that interacts with the Tank Mod to provide deep chorused and flanged reflections.

78 Plate - Fast and dense, the 78 Plate algorithm is a good match for beefing up percussion and vocals.

78 Hall - A large hall with a medium build up of reflections. Great for building up ambient walls of sound. The Hall algorithm's extended reflections are a great base for sculpting with the Bass/Mids/Cross controls. Deep rumbling bass caverns and ethereal upper mid emphasized halos of sound are easy to create. Explore the additional sparse mode for the Hall when Diffusion is set Low.

Prism - The Prism Strucure is an dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity. Prism features a highly configurable modulation section which allows different modulation phases per side to further increase the stereo image.

Gravity - The Gravity Structure works by accelerating indivual windows of your signal and stretching them across the horizon.

Notes: A mini-modular synthesizer for real-time composing, sound processing, and having fun.

Pluto is compact and portable, with abilities that belie its small size. Five channels of modulation (named for the five moons of Pluto), two voices, two sequencers, a mini-keyboard, and onboard delay make Pluto its own complete sound environment, but it can happily play with all your other gear.

The design of Pluto draws from a legacy of portable electronic instruments, from the Buchla Music Easel to 80's Casio synthesizers. With a focused, approachable interface, Pluto invites exploration.

Features

Portable 2-voice, 2-sequencer patchable synthesizer
Easily create complex, randomized sequences
Low-aliasing digital oscillators, wavetable oscillators
Rechargeable battery
Built-in delay and reverb effects
Mini touch keyboard
Audio input for audio processing
Audio output (stereo headphone, line)
Quantize to preset scales, MIDI, or even audio input
Eurorack-compatible patch signals (5v)
Sync In & Out
MIDI In & Out (TRS, USB)
2 channels CV Out (0-5v, 1v/oct)
USB-C cable included

Notes: Second-generation version of 1010's outstanding Bitbox sampler module, featuring improved processing power, higher-quality touchscreen and new effects.

Supplier's Notes:
Next Generation Sampling Module for Eurorack

The bitbox mk2 is a follow up to 1010's successful bitbox module. Do more with bitbox mk2's more powerful processor and improved touch screen. This module has all of the features of the original bitbox and adds effects and mixing capabilities that take advantage of the faster and more powerful processor.

Sample Playback

Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 3.5" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would

When you purchase a bitbox mk2, you will receive:

a bitbox mk2 Eurorack module
a microSD card with with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox mk2 Quick Start guide
a MIDI Adapter

Technical Specs

Supports 1 and 2 channel WAV files with 16, 24 or 32-bit resolution at any sample rate (48kHz preferred)
26 HP
Module dimensions including knobs: 5.25" x 5"x 1.75"
Depth behind front panel with ribbon cable: 1.25"
+12V: 400mA
-12V: 0mA
5V: 0mA
24-bit ADC and DAC

Inputs and Outputs

Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Second-generation version of Korg's superb ModWave synth, building on the legacy of the iconic Wavestation with 60-voice polyphony, Kaoss Physics and Motion Sequencing 2.0.

Supplier's Notes:
Modwave is a synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0. The new Modwave mkII provides an astonishing 60 voices of polyphony almost double that of the original Modwave. All LFOs have been updated with options for free running, delayed start, and retriggering, and a pre/post switch for reverb sends has been added, alongside new modulation sources, and more.

Modern monster synth

In 1985, Korg introduced the DW-8000 - a synth which combined digital wavetables with rich analogue filters to give users sounds which were impossible to create with analogue oscillators.

Modwave builds on the DW legacy, transforming it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Over 200 factory wavetables each contain up to 64 waveforms. 30+ Modifiers can be used to change their basic character, and 13 Morph Types to process them in real-time. Using the unique, realtime A/B Blend, it's possible to create new hybrids from any two wavetables.

Expanded possibilities

Modwave can be expanded by importing new wavetables using the free Editor/Librarian software. There are many free and commercial wavetable libraries in the standard Serum format, or you can create your own using the free, cross-platform WaveEdit software (available in a custom version for the Modwave). Wavetables can be layered with samples from the built-in, multi-gigabyte PCM library, or import your own 4 GB of samples using the Sample Builder software.

Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators-plus multi-lane Motion Sequencing and Kaoss Physics.

Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the Modwave mkII achieves 60-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.

KAOSS in motion

Modwave introduced two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. KaossPhysics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that is extraordinarily powerful.

Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the Wavestate Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording to help you create complex and evolving phrases that other step sequencers cannot.

Modwave's evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. There are hundreds of preset sounds empowered by this new architecture, organised by front-panel category buttons, and all instantly customizable via the four Mod Knobs. Modwave'sdistinctive wavetable timbres start with aggressive basses & leads, and lush ambient pads which will add a new dimension to your tracks. But that is just the beginning.

Those who want to dig deeper will find an endless source of discovery; with the Modwave's unique synth architecture, you'll be finding new things for a long, long time. Save as many of your sounds as you like; there's room for thousands more. You can also load your own samples, import wavetables in standard formats, and create your own wavetables using the free WaveEditsoftware.

KAOSS Physics

Kaoss Physics models a ball rolling on a surface and bouncing off walls. The surface can tilt in any direction, and a bump with variable height/depth and location attracts or repels the ball. Adjustable friction slows the ball's travel, and adjustable time controls the speed of the entire model. All of these characteristics are modulatable, so you can change them in real-time!

Start the ball by flicking a finger on the x/y pad, or launch the ball automatically using another modulation source. You can even directly control the ball by holding your finger on the pad. The position of the ball produces eight modulation signals, which can be used to control any modulation destination: the X and Y locations, the distance from the centre, the angle relative to the X axis, and separate signals for +/- X and +/- Y.

Walls can slow down the ball, as if they were padded, or accelerate the ball, like bumpers in a pinball machine. The walls can also be removed entirely, so that the surface wraps around to the opposite edges like a vintage arcade game.
The modelled environment can create specific modulation effects. For instance, use a centered bump with negative height so that the modulation values always eventually return to 0. Or, position a bump with positive height on a side or a corner, to push modulation values away from that zone.

The result is an interactive controller that amplifies your physical gestures, transforming them into complex musical results.

Motion Sequencing 2.0

Motion Sequencing 2.0 is evolved from the Wavestate's Wave Sequencing 2.0. Timing, Pitch, Shape, and four sets of Step Sequence values are separated into "Lanes," each with their own loop start and loop end, adding a deeper, more customizable level of phrase and modulation recording.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a step sequence value may be matched with a different duration, pitch, and shape every time that it plays. You can modulate each Lane's loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The dual onboard arpeggiators can interact with Motion Sequences for even more possibilities.

Wavetables

Wavetables are sets of single-cycle digital waveforms, arranged in a specific order. The wavetable's "position" determines which waveform is played. Moving the position with an envelope, LFO, or other modulation source creates subtle or dramatic changes in timbre. Some wavetable systems switch abruptly from one waveform to another; others crossfade smoothly between them. Modwave can do either one.

Modifers

Use over 30 Modifiers to alter the character of any wavetable at load time. For instance, isolate the odd or even harmonics, add weight through anti-aliased quantization or saturation, or revisit the gritty character of old-school wavetable synths with the Vintage 8 & 12 options.

Morph

The 13 Morph Types let you stretch, squeeze, reflect, and otherwise alter the wavetables in real-time, changing their timbre andiwhen modulatedicreating additional motion in the sound. Sync creates classic swept-sync timbres, using only a single oscillator. Three special Morph TypesiFM, AM, and Ring Modimodulate Osc 2 with Osc 1, and the last two even apply to samples.

A/B Blend

Using the unique A/B mode, oscillators can blend any two wavetables with phase-synchronous precisionidifferent from simply layering voicesiopening up a dimension of intermediate waveforms. Add body to otherwise "thin" waveforms, for instance, or a touch of sizzle to a mellow timbre. Even fade between two different "modifier" versions of the same wavetable. A/B Blend can be modulated in real-time, of course.

Or, step outside the box with Korg's unique Multi Filter, which creates modulatable blends of multiple modes simultaneously - now with presets on a front panel knob, for easier exploration of its many possibilities.

An arsenal of effects

Modwave's superb effects deliver production-ready sounds. Each Layer has three dedicated effects, plus a send to the Performance's master reverb, followed by a master parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS and Kronos), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Notes: Based on a new digital hardware platform, the Spectraphon is a powerhouse spectral oscillator, capable of everything from analogue-style dual complex oscillators to FM and much more.

Supplier's Notes:
The Make Noise/Soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of Soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touche, but it takes a physical form more resembling the classic analogue dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.

The Spectraphon is the first module to be built by Make Noise on its new digital hardware platform. This hardware, engineered by Jeff Snyder and Tony Rolando, provides more i/o at higher resolutions, and a lower noise floor than we have ever had access to in a digital module, allowing us to unleash Tom Erbe's DSP code to a previously unattainable degree.

The Spectraphon has two nearly identical sides, A and B, which oscillate in one of two ways: Spectral Amplitude Modulation (SAM), or Spectral Array Oscillation (SAO). In SAM, instead of oscillating at all times like an analogue VCO, sound at the Spectraphon's input is used to modulate the amplitude of a set of harmonics. In SAM the Spectraphon can be sequenced and frequency modulated like any VCO. At any time the current spectrum can be used to create an Array for later use in SAO mode where the Spectraphon oscillates at all times, with the spectrum at the Odd and Even harmonic outputs being drawn from those stored Arrays.

The Slide and Focus controls are mode-dependent: in SAM, they determine how the Spectraphon responds to sound at the input for Spectral AM, while in SAO, they are used to modulate the Array.

In either mode (SAM or SAO), the Partials control works as a combined amplitude and timbre gate for the Odd and Even harmonic output and the FM Bus will create high definition internal frequency modulation from the opposing side of the Spectraphon. The two sides can also interact via the internal FM Bus, the Follow and Sync modes, and by patching them together.

Width: 34hp

Power:
230mA @ +12V
55mA @ -12V

Module Depth (incl power cable): 36mm

Notes: A premium option from Hercules, the Inpulse T7 is a Serato-compatible controller with motorised platters for 7-inch vinyl. Two-channel design with Serato DJ Lite and Djuced software included.

Supplier's Notes:
Are you an aspiring DJ who wants to start spinning on vinyl? The Hercules DJControl Inpulse T7 is the perfect motorized DJ controller to help you take your first steps towards mastering the art of vinyl turntables! This modern take on a classic tool combines the genuine feeling of real vinyl discs with the benefits of digital technology. With 2 motorized platters for 7" discs that go from 0 to 33? RPM in just a tenth of a second, you can practice DJing on vinyl and experience the authentic feeling of real turntables. The separate vinyl record, slipmat, and platter even allow you to remove the vinyl record, giving you full control of your performance.

Serato

DJControl Inpulse T7 includes the Serato DJ Lite software and all of its features. It's compatible with Serato DJ Pro, so that you can enjoy the maximum number of features.

Beatmatch Guide

The Inpulse T7 features the same built-in beatmatch guides as the rest of Hercules' award-winning DJControl Inpulse line to assist DJs in the art of spinning on motorized platters.

Elevate your controller

DJControl Inpulse T7 is 3.5" / 9 cm tall with its feet extended. Elevate your mixing: run wires underneath and protect the controller from spilled drinks.

Experience the sensation of turntables

DJs can mix, beatmatch or scratch on standard-sized 7" platters that go from 0 to 33? RPM in just a tenth of a second. They can also separate the authentic vinyl discs and felt slipmats from the metal platters for a genuine turntable feeling.

Built-in audio

-2 pairs of Master outputs (speakers): 2 x XLR + 2 x RCA
-2 headphones outputs: 14" / 6.35 mm stereo jack + 1/8" / 3.5 mm stereo mini-jack
-Microphone input: 14" / 6.35 mm jack (balanced)
-Audio resolution: 44.1 kHz / 24-bit

Motorised platters

-33 1/3 RPM motorized metal platters (can switch to 45 RPM in Serato DJ Pro)
-Felt slipmats and vinyl records are held in place by the central axis

Controls

-Per deck: 1 filter knob, 3 EQ knobs, 1 gain knob, 1 volume fader, 1 VU meter

-General:

1 crossfader, master volume knob, microphone volume knob, headphones volume knob, Cue to Mix knob, Master VU meter
Effects rack: 2 x 3 Fx Select buttons

-2 paddles, 1 control knob, Beat -/+ buttons

-Platter with touch detection, 3.9-inch / 10-cm tempo fader, Play/Pause, Cue, Shift, Sync

-8 pads × 8 modes (Hot Cue, Loop, Stems)

-Browser knob, Assistant, Range, Loop, Loop In/Out, Instrumental/Vocal, Pitch Bend << / >>

What's in the box:

Hercules DJControl Inpulse T7
2 x felt slipmats + 2 x 7-inch / 17.8-cm replica vinyl records
Braided USB cable
Power adapter + removable power cable
Quick start guide and warranty information leaflet
DJUCEDr and Serato DJ Lite licenses

Notes: The ultimate Eurorack case.

At home, stage or into the studio, the Befaco 7U Case brings your system to the next level.

Power to the people

Equipped with Befaco's latest and most sophisticated power supply (Trolley Bus), the Befaco 7U Case supplies up to 5000mA of power. Ready to feed the most modern and power-hungry modules.

Connected to the world

The Befaco 7U Case rear panel count with a vast array of connections to pair your system with external devices. Each connector follows the Intellijel format, making them fully compatible with Intellijel's 1U modules.

Build to last

Designed with a high-quality Unibody Black Anodised Aluminum frame, the Befaco 7U Case is a slim and sturdy solution to travel with. The included PET-G clear cover keeps your modules safe even patched.

Designed to fit any situation, the Befaco 7U Case metal frame is a lightweight and strong device by itself. With a maximum depth of 53mm (power supply side) and 70mm (rest of the case), it can house the vast majority of modules out there. Equipped with a high-quality anti-vandalic power button and a Kensington lock connector, the Befaco 7U Case is also a safe device to travel with.

Because power is important for us, this new Trolley Bus systems drop up to 5000mA on the +12V rail, 2500mA on -12V, and 4000mA on +5V with high voltage stability under load and low noise. The case drives up to 36 modules over its 208HP (3U) and 104HP (1U) rows (Intellijel format).

6x 6,3" Jacks I/Os with Balanced and Unbalanced configuration, MIDI In/Out/Thru ports, USB Device Type B, and Apple compatible USB-A charging ports. The Befaco 7U Case offers a huge amount of connections fully accessible from its internal I/O Board.

Created with compatibility in mind, the rear panel ports are fully compatible with Intellijel 1U modules. The 1U row can be easily customized to be at the centre of the case with just two screws.

To keep your modules safe and dust free, a custom PET-G clear cover is included with the case. The cover has been designed to close patched, and a custom velcro belt is included to keep it safely closed.

To save space in your studio desk, the Befaco 7U Case is also Vesa mount fully compatible. It counts with Vesa threads at the bottom to easily attach it to desktop or wall Vesa stands.

Technical Specifications

External Dimensions (without cover): 53.5cms x 31cms x 8cms
External Dimensions (with cover): 53.5cms x 31cms x 14cms
Internal Row Dimensions: 2x 3U 104HP and 1x 1U 104HP (Intellijel format)
Power supply Specifications: +12V: 5000mA, -12V: 2500mA, 5V: 4000mA
Module Depth: 53mm (power supply side), 70mm (rest of the case)
Module Slots: 36
Weight (without cover): 2.6kg
Weight (with cover): 3.4kg
Rear connectors: 6x 6'3" Jack I/O (Balanced or Unbalanced), MIDI DIN In/Out/Thru, USB Device Type B, Apple compatible USB-A charging ports.
Power brick: 120W 2.5mm Barrel connector centre positive (included)
Cover: PET-G Clear cover (included)
Finish: Black Anodised Aluminum
Vesa 100 format threads. Recommended Vesa stand: >12kg
Kensington Lock

Notes: A unique analogue mixer from OTO, the Bebe Cherie is a six-channel design with built-in one-knob compressor and 'Bliss' enhancer. Excellent sound quality and a range of creative EQ options.

Supplier's Notes:
Bebe Cherie is a 6 stereo channels analogue mixer with a one-knob compressor and Bliss enhancer on the master bus.

- Full analogue mixer
- 4 channels with variable gain up to +34 dB, asymmetrical soft clipping and a tilt eq
- 2 channels with Baxandall 2 bands eq and a 0/+10 dB selectable input gain
- 3:1 ratio one-knob compressor on the master bus
- Bliss hi frequency enhancer on the master bus
- Unity gain Hi Fidelity phones out. Can be used as a second master output
- Alternate output
- 24 volts internal power supply for pro audio dynamic range
- Rugged Switchcraft- 3.5 mm stereo mini-jack connectors
- Audiophile film capacitors used in the eq circuitry, low noise and low distortion op amp on the audio path, THAT Corporation- VCAs, ALPS- pots

Dimensions : 290 x 145 x 62 mm
Weight : 1338 g

Notes: Full-scale kit version of the legendary ARP Odyssey, reissued by Korg. Simple DIY assembly with no soldering required, replicating the iconic sound of an analogue classic.

Supplier's Notes:
With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary. The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required. The kit features the same analogue circuitry as the original ARP Odyssey FS, complete with a full-sized keyboard and the option to switch between filters from all three historical revisions.

The Synth Odyssey

Originally produced by ARP in 1972, this iconic two-oscillator analogue synth can be heard on tracks from Abba, Herbie Hancock, Devo, Jean-Michele Jarre, Ultravox, Jon Lord, Yellow Magic Orchestra and more. With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary.

In 2015, ARP's history was thrust into the spotlight with the revival of the ARP Odyssey. This was just the beginning. From the ARP ODYSSEY FS with its full-size keyboard, to the long awaited ARP 2600 FS and ARP 2600 M, ARP synths once again stand at the forefront of the modern music scene.

Build the legacy

Staying true to the ARP Odyssey FS, this build-it-yourself kit uses the same analogue circuitry, preserving the original warm and rich sound. The kit also features the original specs of the Rev. 3 model with a full-size keyboard and a iconic black panel design with orange lettering.

To help simplify assembly, a pictorial guide is included and no technical knowledge (or soldering) is needed! To commemorate the unique experience of building it yourself, it is distinguished from any other ARP Odyssey with its own unique serial number engraved into an elegant metal plate.

Control

The original PPC (Proportional Pitch Control) based on a rubber pad has been reproduced. Press the rubber pad with your finger to control pitch bend or vibrato depth in proportion to the pressure.

A portamento slider and transpose switch are included, and you can even use a switch to select the way in which Rev1 and Rev2/3 of the original ARP Odyssey differ as to whether portamento is applied the moment that you operate the transpose lever.

Connect

The ARP Odyssey FS Kit is a versatile analogue synthesizer with multiple connectivity options. It has both 1/4" jack and XLR outputs, an audio input jack for external processing, and a headphone jack for self-feedback. The instrument also features CV, GATE, and TRIG jacks for sending and receiving analog signals, and includes both 1/4" and mini-size patch cables. Additionally, it has a MIDI IN connector and USB MIDI port for connection to a computer or other MIDI device. The GATE OUT and TRIG IN jacks can be connected to play legato without triggering the EG.

Specs

Keyboard: 37-note (Standard key or Full size key, No velocity sensitivity, No aftertouch)
Maximum Polyphony: 2 voices for duophonic; normally monophonic

Controllers
Transpose Positions: 2 octaves down, normal, 2 octave up
Proportional Pitch Control: b (Pitch down) Pad: about -2 / 3 octave; - (Modulation) Pad; # (Pitch-up) Pad: about +2 / 3 octave

Noise Generator: Noise Spectrum Types (white and pink)

Portamento: Maximum Speed: about 0.01 msec./oct; Minimum Speed: about 1.5 sec./oct

VCO (Voltage Controlled Oscillator)
Waveforms: Sawtooth, Square, Pluse (Dynamic Pluse)
Frequency Range: VCO-1 in low freq. mode, 0.2 Hz - 20 Hz; VCO-1 and VCO-2 (audio range) about 20 Hz - 20 kHz
Warm Up Drift: 1/30 semitone from turn on max
Pulse Width: 50 % - 5 %
Pulse Width Modulation: ADSR, +45 % - LFO, +15 %
Voltage Controlled Response: 1 V/oct
Maximum Frequency Shifts: LFO sin wave, +1/2 oct., LFO square wave, +1.5 oct., ADSR, +9 oct. - S/H, +2 oct.
* VCO-1 is low note priority, VCO-2 is high note priority.

VCF (Voltage Controlled Filter)
Types: Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
Frequency Range: 16 Hz - 16 kHz
Maximum Usable Q: 30
Resonance: 1/2 - self oscillate
Voltage Controlled Response: C3 key (left edge): 0 V, C6 key (right edge) 3 V

VCA (Voltage Controlled Amplifier)
Dynamic Range: 80 dB

Ring Modulator
Type: Digital
Input Signal: VCO-1, VCO-2 (square wave)

Sample & Hold
Command Sources: Keyboard or LFO trigger
Sampled Signals: VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise

ADSR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Decay Time: 10 msec. - 8 sec.
Sustain Level: 0 - 100 % or Peak
Release Time: 15 msec. - 10 sec.

AR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Release Time: 10 msec. - 8 sec.

Control Input Jacks
Pedal: 6.3 mm monaural phone jack
Portamento Foot Switch: 6.3 mm monaural phone jack

Audio Output Jacks LOW
Connector: 6.3 mm monaural phone jack
Maximum Output Level: -20 dBu@ 10 k ohm load
Output Impedance: 10 k ohm

Audio Output Jacks HIGH
Connector: XLR connector
Maximum Output Level: +4 dBu@ 1 k ohm load
Output Impedance: 330 ohm

Headphones Jack
Connector: 6.3 mm stereo phone jack
Maximum Output Level: 50 mW + 50 mW@ 33 ohm load
Output Impedance: 10 ohm
* Controllable by volume knob.

External Audio Input (Ext Audio Input) Jack
Connector: 6.3 mm monaural phone jack
Maximum Input Level: -10 dBu
Input Impedance: 22 k ohm
MIDI Connector: IN
USB Connector: Type B

CV IN/OUT Jacks
Keyboard CV (IN/OUT):
1 V/oct.
Connector: 3.5 mm monaural phone jack

GATE IN/OUT Jacks
GATE IN: +3 V (minimum)
GATE OUT: +10 V, key down; 0 V all keys up
Connector: 3.5 mm monaural phone jack

TRIG IN/OUT Jacks
TRIG IN: +3 V pulse min., 10 ?sec. Duration minimum
TRIG OUT: +10 V pulse on key depression, 10 ?sec. Duration
Connector: 3.5 mm monaural phone jack

Power Supply: AC adapter (DC 12V) + power cable
Power Consumption: 7.1 W
Dimensions (W x D x H): 585 x 466 x 163 mm / 23.03" x 18.35" x 6.42"
Weight: 7.3 kg / 16.09 lbs.
Included Items: AC adapter (DC 12V), power cable, phone cable, mini-phone cable

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Limited-edition Zanzibar blue version of Soma's unique memory station, combining looping effects with real-time performance options, allowing you to craft and perform soundscapes while manipulating live sound.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: One of the most eagerly anticipated new releases in recent years, the T-1 is a powerful 16-track sequencer with countless features aiming to streamline creativity, from melody generation to Euclidean rhythms.

Supplier's Notes:
Not your average sequencer
A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music
Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument
The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.
Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.
CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing
FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything
The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob
Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.
Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals
What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing
The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.
Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Desktop version of the mega Hydrasynth. The same amazing synth engine, paired with polyphonic, pressure-sensitive touchpads, making it an interesting creative alternative to the keyboard version.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's notes:
The HYDRASYNTH Desktop / Rack has the same great sound engine as the HYDRASYNTH Keyboard. The sound engine is a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The Hydrasynth Desktop / Rack has 24 polyphonic pressure touch pads so that you can play the unit without needing to connect a keyboard or other controller. Using multiple pad layout modes as well as quick to access scale modes, the Hydrasynth Desktop / Rack is easy to make music on.

The Hydrasynth Desktop / Rack comes with rack ears so that you can mount it in a standard 19" rack.

Notes: ***B-STOCK: Box opened, product in perfect working order***


USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time.

Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).

4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.

Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').

Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Seaboard RISE is the world's first truly accessible expressive MIDI controller. It establishes a new standard in music-making devices by combining the intimacy of acoustic instruments with the versatility of electronic music. Paired with Equator, our powerful software synthesiser, the Seaboard RISE unlocks unprecedented creative possibilities for contemporary musicians in a joyfully-crafted evolution of the keyboard.

The Seaboard RISE marks a turning point in the accessibility of Expressive MIDI products to a broad consumer market. It is the first Expressive MIDI device to offer an easy-to-use multi-platform synth, the first with an integrated user control panel, and the first to perform wirelessly with an integrated battery and Bluetooth over MIDI.

Accessible:
Start in piano mode and then explore new dimensions of touch interaction
Begin with even the most basic keyboard technique and grow from there
Customise sensitivity to match your own playing style

Versatile:
Use with a variety of software and hardware synthesisers as well as the Equator bundle included with RISE
Simulate the authentic dynamic range of any instrument to breathe new life into your favourite sounds
Personalise patches using the touch- sensitive trackpad and faders

Expressive:
Create new sonic possibilities by mapping sound parameters to unique gestures
Perform and record tracks with subtle and sensual details that previously required post-production
Push the boundaries of music with an instrument that marries tradition with innovation

Intimate:
Free yourself from cables using built-in MIDI over Bluetooth with up to 8 hours of continuous play
Enjoy the craftsmanship of a world-class instrument made of the best materials and built to last
Touch and shape sound timbres in an astonishingly direct and intuitive way

***Now comes with powerful, approachable new Tracktion Waveform software, providing excellent integration with multidimensional polyphonic instruments:

Waveform offers a plug-and-play experience for ROLI's Seaboard and BLOCKS instruments. Setting it apart from other DAWs, it seamlessly receives complex MPE data and has a user interface that helps musicians visualize and edit all of the expression parameters of MPE on multiple tracks all at once. Waveform builds on the legacy of previous Tracktion DAWs in providing production tools that are approachable to untrained musicians but also valuable to the workflows of professionals.

Notes: One of many performance mixers released in 2023, NANO's offering treads its own path with knob recording, allowing you to automate and play back movements. A clever approach which opens up some interesting performance techniques.

Supplier's Notes:
Performance Mixer serves as a central control and mixing hub for your modular system, allowing you to combine and shape multiple audio signals from various sound sources.

But what really makes it stand out is its Knob recording feature. Just hit REC, twist the knob, and let the module record your moves.

4 different areas

MONO

Channels 1 . 2

Volume, Panning and Auxiliary send controls with CV for each function.

Knob recording (REC), CUE bus and MUTE function are operated through the switches.

STEREO

Channels 3 . 4

Same as MONO Channel, but the CV for the AUX function is replaced by the right (R) audio input.

AUXILIAR

2 Mono Sends (X & Y) with pre-fader / post-fader selector for each channel.

2 Stereo Returns with volume adjust.

MASTER

Master volume adjust for the main outputs with vu-meter for checking the signal levels.

Headphone output with volume and cue/mix blending knob.

Knob Recording.

Easily record and loop the movements of AUX, PAN and VOLUME controls on each channel, adding depth and dynamism to your sound.

Just press the REC button and then move the desired knobs to start recording.

MUTE LED

The light on the MUTE button not only shows whether each channel is muted or not, but also gives information about the status of its Knob Recording function.

Specifications

Dimensions 28HP - 142,2×128,5mm
Current 200 mA +12V / 125 mA -12V / 0 mA +5V
Input & Output Signals +/-10V
Impedance Input 10k - Output 10k
Materials PCB and Panel - FR4 1,6mm
Depth 40mm including connectors (Skiff friendly)

Notes: Looping and sampling combine in a fun new way with this beautifully designed digital 'tape music instrument' from Chompi Club. Record, perform, loop and overdub with built-in effects. Cute but powerful.

Supplier's Notes:
CHOMPI is a quirky, chromatic sampler and tape music instrument, inviting you into the magical world of sound design. With its unique stereo sampling engine, expressive multi-effects and varispeed "tape" style looper; CHOMPI is ready for immediate fun.

Special care was taken with sourcing quality materials for CHOMPI's hardware, but many aspects of the platform have also been designed with user customization in mind. The modular panel enclosure, MX mechanical key switches & keycaps, and DJ style encoder knobs can all be customized and retrofitted by the user to match their own unique style.

CHOMPI's workflow is designed to be user-friendly and accessible to individuals of all experience levels... So whether you've been playing music for years, or are just starting your sonic journey, CHOMPI just might become your new favourite buddy!

Features

Unique screenless workflow utilizes rgb LED indicators
Endless push button encoders for multi-page parameter controls
Two octave chromatic keyboard utilizes MX Cherry switches
3 selectable sampling sources
Built-in microphone
Stereo Aux input
Resample master output signal
Minimal, yet capable sound design engine:
Sample playback speed & direction control
Sample start & end point control
Sample attack & release/decay envelope
Single knob multi-FX section
Pg 1 Magic Wand: combo delay + reverb
Pg 2 Tape Saturation: w/ wow & flutter
Pg 3 Multi-Mode Filter:
Varispeed tape-style looper
Transport knob provides control over loop playback speed & direction, as well as manual tape scrubbing when loop is paused
Overdub decay controls allow for "frippertronics" loop composition techniques
Real time audio thru mode for live FX and loop recording
Two types of sample playback engines: chromatic & 1-shot
7 Voice Polyphony
84 Slots to Save/Recall Presets (3 banks of 14 slots per engine)
~6hrs of sample storage capacity on Micro SD card
16-bit, 48kHz stereo audio I/O
USB-C and rechargeable battery power
Built-In Microphone
3.5mm Stereo Aux Input
3.5mm Stereo Line Output
3.5mm Headphone Output
3.5mm and/or USB-C Midi In & Out

Specs

Dimensions: 13" Wide x 4.5" Deep (without Handle) 5.75" Deep (with Handle) x 2.5" Tall (table/surface to top of encoders)
Weight = 2lb 3oz
Recommended USB power brick spec: 5V / 2A (or higher)
Manufactured in California, USA

Included In The Box

1x CHOMPI Sampler (Classic Black & Gold Colorway)
1x USB-C Cable
1x Quickstart Guide
1x CHOMPI Sticker

Notes: Second-gen version of the excellent Opsix features major updates including 64-voice polyphony and an improved interface. Same powerful six-operator FM synth engine.

Supplier's Notes:
A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: The S1 is a promotional bundle that Tiptop Audio is offering to users, providing a 33% savings to get you started with ART. With these bundles, this incredible voice is included: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by the beloved 4-pole Z2040 filter that has been with TipTop since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is Tiptop's second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma

Notes: A serious bargain for anyone putting together a modular system, TipTop bundle three VCOs and the Octopus controller with their mixer, filter, dual envelopes and VCA. Great value.

Supplier's Notes:
The S2 is a promotional bundle that TipTop is offering to users, providing a 33% savings to get you started with ART. With these bundles, TipTop have included an incredible voice: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by TipTop's beloved 4-pole Z2040 filter that has been with them since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing. OCTOPUS is TipTop's first ART controller with more to follow, please select between Octopus or ART V/Oct Quantizer to get started with ART. Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.
Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop#s redesign of the most famous analog filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colorful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Complete Control
The Komplete Kontrol S88 gives you complete control over the world's most advanced software instruments. There is no other device that will give better or more intuitive control of the Komplete software. The high-quality, fully weighted hammer action keybed gives you superior feel over competing keyboards and high quality encoders offer total control of all key software parameters. The Light Guide™ key illumination and Clear View display deliver a unique visual perspective on the creative process.

Huge Amount of Control
The innovative Native Map technology ensures that struggling to map Komplete instruments is a thing of the past. With every Komplete instrument having being pre-mapped by Native Instruments' leading sound designers all you have to do is simply select your desired instrument and watch as the parameter names and values load onto the clear view display providing a huge amount of parameter control right there on the S88.

Easy to Use and Navigate
With a built in light guide system located to the top of the keys the Kontrol S88 helps you identify drum cells, key switches, phrases and many more at just a glance saving you time and allowing you to absorb yourself fully in the music. Not only do the colour coded lights serve as instrument group markers but they also have the incredible ability once in scale mode to light up the notes of a desired scale allowing you to create fantastic and professional sounding melodies whether an experienced of aspiring keyboard player.

Touch Strips
The two ultra-sensitive touch strips located on the left of the keys have the ability to act as pitch and mod wheels allowing you to add unique nuances to your playing. They can also be used to mimic physical objects like springs and bouncing balls for interesting modulation curves.

Chord Mode for Easy Chord Performances
Activate chord mode on the Native S88 and create a rich harmonic performance by playing single keys. Map chords simply by selecting mode and inversion, or by loading up a chord set of ready-to-play progressions to inspire and augment your own compositions.

Notes: The world's first 100% wireless DJ controller, with built-in speakers and rechargeable battery for unrivalled portability. Stream music directly over Wi-Fi or from USB/SD. Powered by the Engine DJ OS.

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

Supplier's Notes:
Mixstream Pro Go

Battery-powered standalone streaming DJ controller with Amazon Music

Instant vibes anywhere

From bedroom to beach and from livestreaming studio to patio party, the Mixstream Pro Go is always ready for action, wherever your vibe-quest takes you. With its built-in rechargeable battery, on-board speakers, Wi-Fi, USB/SD card slots, professional DJ performance essentials, and wireless lighting control, the Mixstream Pro Go is the world's first 100% wireless standalone DJ controller. No longer are you confined to your studio or bedroom, now you can share your mixing skills virtually anywhere. No wires, computers, or existing music library required!

Millions of tracks at your fingertips

The Mixstream Pro Go integrates with Amazon Music Unlimited and other popular streaming services, giving you endless access to over 100 million tracks across all genres. With this unprecedented musical access, you no longer need an established music library to pull up and rock a party or gig. The built-in Wi-Fi and lightning-fast on-board song analysis lets you practice, perform and enjoy music for hours on end. Tracks are analysed for bpm and key as they are loaded and buffered into the internal memory, ensuring uninterrupted playback and flawless performances.

Immersive built-in speakers

The high-quality, built-in speakers of the Mixstream Pro Go make it truly standalone and ready for action, right out of the box. These volume adjustable, custom-tuned drivers produce rich, full sound and are the perfect solution for mixing your music on the go. For active DJs, the built-in speakers are the ultimate, convenient option for practicing, livestreaming, video content creation, and personal monitoring when connected to a larger sound system.

Set your smart home to party mode

The Mixstream Pro Go connects wirelessly to Phillips Hue and Nanoleaf smart home lighting, making it easy to add dynamic visuals to your next party or backyard mix session. Using the built-in Engine Lighting embedded control, connecting to a Philips Hue lighting hub or Nanoleaf system only takes a few taps. Once connected, your indoor and outdoor smart lighting will instantly respond and dance perfectly in time to the rhythm of your music.

Dynamic on-screen lighting controls let you set the visual vibe for any music genre with options for custom colour selection, chase pattern, strobing, and more! The lights even respond to the movements of the crossfader, volume controls, and scratching for an amazing, immersive audio/visual experience!

Powerful pro DJ lighting integration and control

For advanced lighting options and features, professional DJs can pre-analyse their music library with SoundSwitch desktop software, export their library to a USB drive, SD card, or to their Dropbox cloud, and have full control of DMX lighting using the touchscreen of the Mixstream Pro Go. This functionality makes it simple to provide a professional lighting experience at events and gigs without the need to bring along a laptop or DMX controller.

Laptop-free performances on the go

The Mixstream Pro Go features 2 USB inputs and 1 SD card slot for optimum versatility when it comes to music selection and library curation. Quickly prep playlists from Serato, rekordbox, and iTunes using the Engine DJ desktop software, export to a USB drive or SD card, insert the drive in the Mixstream Pro Go, and then perform your entire show in standalone mode. This frees up your laptop to be a dedicated broadcasting device for your next livestreaming session!

Multiple DJ performance options

In addition to being able to DJ in Standalone Mode with Engine DJ OS, the Mixstream Pro Go's Computer Mode allows you to use the device as a DJ software controller for Serato DJ (in upcoming release) and Virtual DJ (Serato DJ Lite is supported for free, a paid license is required for Serato DJ Pro and Virtual DJ). When in Computer Mode, the Mixstream Pro Go's touch screen offers hands-on control over library navigation, song selection, FX control, and more. This incredible flexibility combined with the sweet freedom of being battery-powered opens up an entirely new world of location options for your DJ adventures.

Technical Specifications

Connections

Audio Outputs
(1) XLR output pair (main left/right, balanced)
(1) RCA output pair (main left/right, unbalanced)
(1) 1 1/4" (6.35 mm) stereo output (headphones)
(1) 1/8" (3.5 mm) stereo output (headphones)

Audio Inputs
(1) 1 1/4" (6.35 mm) microphone input

Other
(2) USB port (for USB drives)
(1) USB port (to computer)
(1) SD card slot
(1) power adapter input (for charging and wired use)

Audio

Main Outputs

Frequency Response: 20 Hz - 20 kHz +/- 1 dB
Dynamic Range: > 114 dB (A-weighted)
Signal-to-Noise Ratio: > 94 dB (A-weighted)

Headroom
Mic: > 16 dB
Outputs: > 16 dB

Channel Separation: < -110 dB (1 kHz, unity)

T.H.D.
Line: < 0.01% (1 kHz, unity)
Microphone: < 0.05% (1 kHz, unity)

Speakers
Frequency Response: 20 Hz - 20 kHz +/- 1 dB

Analogue Input
Microphone: -40 dBu (unity) / -60 dBu (minimum)

Analogue Output
Master, Balanced: +20 dBu (maximum) / +4 dBu (unity)
Master, Unbalanced: +16 dBu (maximum) / 0 dBu (unity)
Headphone Output: < 30 mW

Power
Connection: DC, Center Positive
Voltage: 12.0 V 3.0 A
Built-In Rechargeable Battery

Dimensions (width x depth x height)
Width x Depth x Height: 22.3" x 11.2" x 2.9" / 566 x 284 x 74 mm
Weight: 8.11 lbs. / 3.7 kg

Notes: Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: Warp is a novel synth engine that combines the best of additive and wavetable synthesis.

In the center of Warp's control panel is a colorful XY LED matrix that represents the sound space from which Warp draws its sounds. This XY sound space consists of 32x16 frequency spectra. Each of Warp's four voices can move freely and independently across the XY space. It always uses the surrounding frequency spectra to calculate a wavetable based on 512 sine waves in real time using additive synthesis. By changing the position, wicked wavetable sounds are possible, playable with four voices and eight oscillators and navigable in two directions. An intuitive integrated editor allows playful modeling of your own frequency spectra.
With Warp's SPEC effects the frequency spectrum can be filtered and deformed in realtime before a wavetable is calculated. The wavetable can then be modified with WARP effects like wavefolder, PWM bend, overdrive and redux. The resulting wavetable serves as source for two oscillators per voice, which can be detuned and also synchronized to each other. Each voice is followed by a 12/24dB/octave high pass and low pass filter.

Warp offers an integrated editor, with which you can playfully draw and modify your own frequency spectra. The XY-Sound Space is seen as a canvas on which you can draw your own frequency peaks. Several drawing algorithms are available as tools to edit single or a group of harmonics in a musically meaningful way. There is also the possibility to derive frequency spectra from audio samples from the SD card or to put whole wavetable audio files into the XY sound space. Likewise, the XY sound space can be exported to the SD card as a wavetable audio file of any length and bit depth, so Warp can also be used as an intuitive wavetable generator for other synthesizers.

Also on board are two internal ADSR envelopes and two LFOs, which can be routed to a variety of internal destinations using a modulation matrix. To keep the overview, all modulations are color-coded and are additionally visualized by pulsating LEDs in the modulation matrix view.

Navigation through the menu is as intuitive as with our QUASAR module and is simply done via a push-encoder and a back button. The display always shows which function the four surrounding aluminum encoders currently have, and colored LEDs next to the encoders provide visual assistance. Likewise, the tuning of the module is done via a detented encoder, which adjusts the pitch either in fine steps, in semitones or in octaves. An octave switch is thus already integrated.

For all its feature-richness, Warp still remains a playable and performance-oriented instrument. The large potentiometers serve as macro controls to control several parameters under the hood at once. This keeps the instrument straight forward with a manageable number of controls, but they are all very expressive.
Likewise, the module offers the ability to save and load presets and also comes with audio files and presets on board. Thus, Warp is ideally suited for both detail-oriented sound design and hands-on performance.

In the standalone version, Warp is a monophonic four-voice synth voice that can also be used as an oscillator. With an expander module, it will also be possible to play Warp four-voice polyphonic via MIDI and CV/Gate in the future.

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.



Main functions
4 Voices & 2 oscillators using a hybrid additive-wavetable synth engine
Big knobs act as macro controls for underlying parameters and enable expressive Hands-On playability
Polyphonic with expander, monophonic as standalone unit
Usable as a full synth voice or as an oscillator module
Additive synthesis with 512 sine waves per oscillator = 4096 sine waves in total
XY sound space as a collection of 32x16 frequency spectra
Each voice travels independently across the XY space and uses the underlying spectra to synthesize a wavetable in real-time
Spectral FX are applied on the spectrum before a wavetable is generated
Wavetable FX are applied once the wavetable is generated, e.g. Wavefolder, PWM-Bend, Redux, Overdrive
Two Post-Filters per voice: 12/24dB Lowpass and Highpass with resonance control
Independent oscillator settings per voice, e.g. volume, pitch, stereo pan, detune, sync, X/Y position
Integrated modulation by 2x ADSR, 2x LFO with many waveforms
Modulation matrix view to see everything that is going on at once
Integrated editor for playful drawing of own frequency spectra
Algorithms for musically meaningful drawing of harmonics

Width: 24 HP
Depth: 30 mm
Current draw +12V: 205mA
Current draw -12V: 20 mA
Current draw +5V: 0 mA

** Includes 3mm screws, 16-Pin to 10-Pin eurorack power cable, USB cable for firmware updates **

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.

Notes: Expressive control is the objective with this versatile multi-touch surface. Polyphonic MIDI control with customisable elements and precise response.

Supplier's Notes:
Erae Touch is a Polyphonic MIDI Controller. It is born out of a desire to combine both sensitivity and versatility in a seamless object. Experimentation on the surface comes flawlessly bringing musicians closer to their original intents and ideas.

Immersive Experience

A captivating audiovisual experience awaits with a colourful and powerful LED panel.
Compose with dynamic music elements and build your tracks from original shapes and patterns.

Polyphonic x/y/z

Add polyphonic pitch-bend, slide and after-touch to your gesture palette. Set x/y/z controls in absolute or relative positions.
Control multiple effects within one touch and rediscover your favourite synthesizer!

Professional Format

With its 18 inch silicon surface, the Erae Touch is the perfect standard for live performances and intense studio sessions.
Designed for the most demanding producers and musicians looking to explore new frontiers in digital and electronic music.

Versatile Control

Erae Touch has everything you would expect from a MIDI controller and inherit from the innovation and new standard in the music industry.
Easy to play, provided with advanced templates and quick menu access to optimize your workflow.

Customizable Elements

Charge from the lab software prefab elements from action keyboards and adjustment settings to rhythmic objects.

Lyrical, textural, percussive
velocity
aftertouch
lift
polyportamento

Open and Versatile dedicated App

The ERAE Lab

The Erae Lab is the companion software. It lets you edit and configure the Erae Touch via simple drag-and-drops of elements on a mirrored version of the playing surface.
Access and create touch pads, sliders, drumpads, mixers and an infinity of combinations!

Recall your layouts directly on the Erae Touch.

Super Sensitive & Reactive

1000 nerves in a backlit muscle pad with blazing fast acquisition speed, grasping every nuances, every articulations with a satisfying touch feeling.

1000 Sensors

The first musical controller to embed more than a thousand high quality Force Sensitive Resistors (FSRs).
Erae Touch is both ultra sensitive and large, to open up possibilities and gives you more space to explore. and express yourself.

1 ms

+1000 sensors is a lot to take.
The Erae Touch makes full use of 5 embedded processors.
Data will never be left behind!

MIDI 2.0
The Erae Touch is the first generation of MIDI 2.0 enabled controllers.
This new MIDI norm goes deeper in velocity dynamics, is more accurate in microtonal variations, and allows you to read information from your DAWs and synths for easier mappings and routings.

Professional Format, Yet Transportable.

Tech Data

Connectivity
Power: DC12V
USB-Type-C
MIDI: 1/4" TRS

What's in the box
USB: Type C to A cable
MIDI 1/8" TRS to DIN adapter
Power supply
Connecting plate hardware (screws, washers)

Acquisition system
42x25 FSR sensor matrix with custom interpolation system-
100 um XY precision
2kHz internal stroke speed detection
Global latency <1ms

Interface
42x24 18 bit RGB LED5 configurables tact switches

Materials
Moulded silicone rubber body
Aluminium backpanel

Weight
2.5 Kg

Dimensions
Width: 404mm (15'') Length:244mm (9.6'')
Height: 16.5 5mm (0.6'')

Firmware
Upgradeable firmware through ERAE LAB

Software
ERAE Lab: Configuration Software
macOS / Windows 10

Sounds & presets
Erae Lab shareable layouts and presets

Connecting a backplate on ERAE Touch
Compatibility with ROLAND connecting plate
X4 M5 screw-threads are integrated to the backplate
70mm x 100mm holes distance

Notes: Studio monitors re-invented. Again.

iLoud Precision series represents another breakthrough in nearfield monitoring from the company that revolutionized compact monitors with iLoud Micro Monitor and iLoud MTM.

Available in a choice of 3 configurations - 2-way 5" or 6.5", and 2 x 5" MTM - these handmade works of sonic art reflect IK's 25+ years of expertise in loudspeaker design and digital signal processing, delivering a level of sonic detail that beats speakers at three times the price, with unique DSP-based features and software workflow enhancements that can't be found anywhere else.

Best-in-class frequency response

Creating mixes that translate perfectly to the outside world, iLoud Precision offers best-in-class frequency response with an extended range of 36 Hz - 30 kHz and a stunning +/- 1 dB accuracy ultra-flat response from 45 Hz to 30 kHz, for precise and uncolored audio throughout the entire listening range.

True linear phase response for unmatched clarity and translation

iLoud Precision leverages its advanced 96 kHz internal DSP system, digital crossover and custom-designed audiophile amplifiers to deliver true linear phase response above 150 Hz (and the very minimum possible phase rotation at low frequencies) for precise stereo imaging, sharp transients, incredibly solid bass and breathtaking detail. The result is a stunningly clear, transparent and revealing sound quality that's absolutely true to life.

Perfect time alignment that eliminates ear fatigue

iLoud Precision also sets a new standard for time coherence, or the precise timing alignment between all the portions of the audio spectrum. Reaching nearly the theoretical ideal performance, iLoud Precision offers the highest level of time accuracy, without sacrificing frequency response. Precise time alignment offers incredibly transient response and frequency balance and eliminates the ear fatigue that can develop over longer listening sessions on lesser monitors. Plus this improves the "readability" of the program and therefore translation.

Built-in acoustic calibration to hear your music and not your room

With iLoud Precision there's less worry about treating your room. Each speaker features built-in calibration based on the acclaimed ARC™ System technology. Just connect the included MEMS measurement microphone and in a few seconds, the iLoud Precisions will tune themselves to any environment from your mixing room to living room

Deep, controlled bass with or without a sub

With bass extension down to 36 Hz at only - 4 dB, iLoud Precision delivers deep, powerful bass that's nevertheless controlled and balanced, with minimum phase rotations. With ARC enabled, in many rooms iLoud Precision can reach as low as 30 Hz, while an adjustable bass roll-off lets Precisions integrate with a sub, for unparalleled low-end performance in any setup, without the need of an external crossover that could degrade sonic performance.

MTM configuration for point source sound

At the top of the range, the iLoud Precision MTM use the midwoofer-tweeter-midwoofer configuration to deliver not only the highest SPL, but also an ultra-precise, point source sound and an incredible stereo field. This means an even more natural, life-like sound, where the speaker cabinets "disappear" and attention can be focused entirely on the music.

Ideal for immersive setups

In addition to self-calibrating to the listening environment, iLoud Precision includes a range of low- and high-frequency management options, including a switchable Full/35/50/65/80 Hz extension to optimize their performance with Atmosr and other immersive setups.

Powerful software control

Extended calibration and custom voicing

The iLoud Precision series introduces X-MONITOR, a newly developed advanced control application for Mac and Windows that assists with ARC calibration and enables extended acoustic and voicing selection and adjustments to fine-tune iLoud Precision to your taste, plus convenient remote access to the settings on the Precision's back panel. The software is plug-n-play via a simple USB connection with no special setup needed.

Iconic studio monitors and popular speaker emulations

Even more exciting, X-MONITOR emulates the frequency and phase response of the most famous studio monitors on the market, as well as popular hi-fi speakers and mobile devices, for a breathtakingly true-to-life experience. Over 20 studio monitor profiles are included, and more will be released in the future, saving you money and space. A single pair of iLoud Precisions with X-MONITOR lets you test a mix on different reference systems quickly, without ever leaving the sweet spot or needing any other speakers.

Fully accessorized
Measurement microphone included

Each iLoud Precision includes a high precision MEMS measurement microphone for the built-in ARC calibration that makes setting up the monitors a breeze.

Isolation pods included

Designed to meet the specific needs of audio professionals and musicians, each iLoud Precision includes a kit of 4 iLoud Isolation Pods. Enjoy enhanced audio clarity, consistency and imaging precision throughout the whole frequency spectrum as these custom pods dramatically reduce the propagation of vibrations between the speaker and supporting surface.

Optional remote control

The optional iLoud Precision Remote Control lets you switch easily between 4 X-MONITOR speaker emulations or custom voicings and assign functions like ARC On/Off, Mute or Dim. And for use with ARC room correction software, the remote can control the measurement/room calibration process from the desk while providing visual feedback on the process status.

Specs

5" ultralight coated paper mid-woofer
1.5" high output, low distortion chambered textile dome tweeter
Audiophile, custom-designed Class-D power amplifiers
135 W total RMS power
Max SPL, peak, pair, music, 1 m: 114.5 dBA
Complete DSP controlled system, 96 kHz sampling rate
46 Hz to 30 kHz frequency response +/- 1 dB
39 Hz low frequency extension @-4 dB
Phase response: Coherent, 0/+20- max from 150 Hz up
Phase rotation at 100Hz (with high pass filter off): 50- max
Directivity (Vertical - all voices): +/-50-
Directivity (Vertical - Wide Dispersion mode): +70-/-50-
Continuous, long term SPL free field, 1 m distance, one speaker, fullband pink noise: 98.5 dB(A)
Peak SPL free field, 1 m distance, one speaker, fullband pink noise: 104.5 dB(A)
Peak SPL, half space, 1 m distance, one speaker, fullband pink noise: 106.5 dB(A)
Maximum peak SPL, per pair, 1 m distance, music program: 114.5 dB(A)
Crossover frequency: 2.1 kHz
Crossover type: 8th order, linear phase
LF Power amp (short term): 110 W
HF Power amp (short term): 25 W
Power amps distortion at nominal power: 0.005%
Total latency or TOF: 2.5 ms
Adjustable additional delay: 0-10 ms
High pass filter: off, 35, 50, 65, 80 Hz
LF contour: from -10 to +6 dB
Desk contour: from -10 to 0 dB
Mid contour: from -4 to +4 dB
HF contour: from -6 to +6 dB
Sentitivity: -4 dBu / 88 dBSPL
Input gain trim: +/-5 dB
Unit to unit consistency: +/-0.5 dB
Operating temperature (non condensing): from 0 to 35 -C
Coherent time response across the audio spectrum
High performance vented design
Built-in ARC room calibration
X-MONITOR technology
Remote control for X-MONITOR voice selection and measurement process control
X-MONITOR macOS and Windows control software
Handcrafted in Italy

Dimension and weight
(H x W x D): 296 mm/11.65" x 177 mm/6.96" x 223 mm/9.17"
6.1 kg/13.4 lbs.

Package includes:

1 x iLoud Precision 5 monitor
Power cord
ARC Microphone
ARC Microphone clamp
USB-B to USB-A 2.5 m/8.2 ft. cable
1 x kit of 4 iLoud Isolation Pods

Notes: Designed for Serato and Algoriddim Djay, the long-awaited Mixon 8 Pro is a four-channel hybrid controller with detailed jogwheel displays. Standalone mixer and four FX paddles give versatility for creative mixing.

Supplier's Notes:
Enhanced jog wheels with real-time displays

Boasting sleek, touch-sensitive gun metal platters and high profile rims, the enhanced jog wheel design of the Mixon 8 Pro allows you to control your music precisely. And thanks to the new vivid on-jog displays, DJs are kept well informed with real-time track information, including virtual needle illumination, a playhead position indicator, and track time remaining or elapsed.

Four FX pedals for instant effects

As an industry first, the Mixon 8 Pro features 4 sturdy onboard FX Paddles, providing instant tactile control of all your effects. Each channel also has a 3-band EQ and dedicated sound colour filters to shape your music even more (LPF/HPF).

Stand-alone mixer inside

The powerful inbuilt standalone mixer with independent level meters for inputs and outputs gives you flexible connections to either turntables or media players so you can mix digital and analogue sources simultaneously (2x Phono/4x Line). For even more convenience, you can also route the dual Mic inputs (XLR/Jack) with dedicated talk-over functions into the mixer channels to perfectly EQ your live vocals with onboard controls.

Technical data

In- & outputs: XLR Master-Output, 6.3 mm jack Booth-Output (TRS), RCA Master-Output, 2x RCA-Input (Phono/Line), 2x RCA-Input (Line), 1x Combo-Mic-Input (XLR/jack (TRS)), 1x Mic-Input 6.3 mm jack (TRS), 1x USB-B, 1x USB-C/USB-B, 2x Headphones (6.3 mm/3.5 mm jack)
Dimensions: 657 x 68 x 391 mm
Dimensions docking station: 320 x 9 mm
Weight: 5,7 kg
Minimum system requirements: Please refer to the manufacturer's specifications for the system requirements of your DJ software.
Incl.: Controller, manual, USB cable (USB-A to USB-B), power supply (12V/3A)

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Analogue synth percussion, melodic bleeps and mutating zaps are the name of the game from this clever module. Sequencing options allow you to introduce randomness and organic evolution of the sound.

Supplier's Notes:
Zaps is a percussion-line-synth voice designed for creating organic percussive sequences that can mutate over time.

It uses a combination of different techniques like controlled randomness, morphing, and storing (or locking) synth-voice parameters in externally sequencable CV-controlled slots.

The synth voice is a digitally-controlled-two-oscillator-FM and AM-analog engine with two envelopes and cross-modulation.

These are some of the things that can be done with it:

Sequence Preset Slots externally for changing percussion or synth lines
Add subtle randomness to any parameter for slightly changing sounds, or go wild for unpredicted surprises on every trigger
Morph sounds between Slots
Assign accent to any parameter for added expressiveness
Randomly generate full banks of sounds
Capture any randomly generated sound into a preset slot for further editing
Freeze/Revert the state of the module for careless editing during live performances
Live editing of a single or multiple Slots simultaneously for expressive tweaking
Generate melodic percussion or synth lines with the V/O tracked oscillators
Use CV-in control of any parameter or CV-out control for external modules (control FX-sends or automate external-synth parameters)

The synthesis board is an analog circuit with two VCOs, two envelopes, AM, FM, high-pass filters, and a two-channel mixer.

VCOs:

Triangle core VCOs with V/oct inputs and Fine and Coarse controls.
VCO 1 waves: Sine, Triangle, Sawtooth, and Square.
VCO 2 waves: Sine, Triangle, Sawtooth, Square, Double Sine, and White Noise.
VCO2 has two separate wave outputs, one for the AM and the other for the FM and the Mixer-Channel 2.

ENVELOPES:

Two AHR (Attack, Hold, Release) envelopes.
The hold time can be set internally or externally (Gate ON) for each envelope.
Envelopes can be faded from logarithmic to linear responses.
Each envelope can control the Pitch/Tone of the VCOs (Pitch Envelope), the amount of AM or FM (Envelope 1), the VCA for both channels (Envelope 2).

AM:

The amplitude modulation goes from VCO2 to VCO1.
It can be set in two ways: straight to VCO1 or through a VCA controlled by Envelope 1.

FM:

The frequency modulation goes from VCO2 to VCO1 and from VCO1 to VCO2 (XFM).
FM can be set in two ways: straight to VCO1, or through a VCA controlled by Envelope 1.

MIXER:

Two-channel mixer for the two VCOs.

HIGH-PASS FILTER

There are two HPFs. HPF1 filters the mixer output. HPF2 filters the white noise.

DIGITAL CONTROL

STRUCTURE:

Each project contains twelve banks; each bank contains twelve slots; each slot contains a sound.
All projects are stored on an SD card.

RANDOM:

Randomize values on a per trigger basis
Independent random control for each synth parameter
Set ranges to any random value for controlled randomness
Relatively attenuate all parameter-random amounts with a single global random fader
Populate slots or banks with randomly generated sounds

FREEZE/REVERT :

Take a snapshot of the whole project, modify it and go back to the original state.

MORPH:

Parameter interpolation between two slots on a per trigger basis.
Control the balance between the two slots with one fader - crossfade style!

CV ASSIGN:

Any of the six CV-connectors can be configurable as both inputs or outputs and set to different ranges (0/10V, 0/8V, -5/5V, 0/5V).
CV-inputs can be internally attenuated
Control almost any synth parameter, value, or setting on a per trigger basis. For example, Accent, Slot Selection, Morph assignments, Next/Prev Slot, Random Slot, Oscillator-Wave Selection, any of the synth parameters (Pitch, Release, AM, FM, Global Random...) or any of the random parameters (Random Pitch, Random Filter, Random Hold)
Output any parameter-CV values through any of the assignable I/Os
Alt-fader-CV output for controlling external parameters, like Send-FX for each slot.
CV-slot/Gate out - Useful for externally recording finger drumming!

ACCENT ASSIGN:

. Add dynamics by assigning the accent input to control any one of the synth parameters

COPY:

Copy Slots (also between banks)

SNAPSHOT:

Take a snapshot of the last sound heard (flatten the values for further editing), including the effects of CV-in, Morph, and Random. Very useful for easily creating banks from scratch!

EDIT ALL:

Action over faders has an effect on the twelve Slots. Use hints: Live tweaking, homogenize, "tame" a Sound Bank, or modify all Slot parameters while sequencing the Slots via CV-input.

FILE SYSTEM:

Save, Load, Name, and Rename projects, banks, sounds and sort them into folders.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A beautifully realised instrument drawing on West coast and East coast synthesis concepts to create something new and beguiling. Three oscillators, smooth filter and Buchla-style dynamics controller.

Supplier's Notes:
Taiga Paraphonic Modular Synthesizer

Taiga is a complete, modern, modular instrument that allows us to explore beyond the boundaries of a traditional analog synthesizer. The sound of Taiga can be attributed to three uniquely Pittsburgh innovations. A trio of huge analog oscillators, the unmistakably smooth sound of the Pittsburgh Filter, and the warmth of the unique Dynamics Controller. These enable you to not only create sounds that would be traditionally expected from an analog synthesizer, but also to explore new sonic textures and performance possibilities.

Taiga oscillators

Waveforms generated by the three Taiga oscillators stretch beyond the basic geometric shapes and sounds associated with analog synthesis. Taiga waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga.

The Pittsburgh Filter

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analog delay tuned to enhance the source material by repeating it over and over. Echos utilize a pair of bucket brigade delay chips to produce a classic voltage-controllable analog delay effect that helps to place the sounds of Taiga in a simulated environment.

Open Architecture

Taiga has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 60 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Complete Set of Modular Tools

Taiga includes a host of fully modular, analog, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga toolset is deep enough for any type of sonic exploration.

Taiga features and other info:

Paraphonic synthesizer with unique additive elements

Fully patchable - use Taiga's components as separate modules with external devices or reroute its internal patching.
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
Clock-synced arpeggiator
3x Pittsburgh Modular Synthesizer developed 100% analog oscillators
Oscillator waveforms - sine, triangle, and saw - Waveforms can be combined
3x Pittsburgh Modular Synthesizer 6 stage wave folder/shaper circuit - folds inputted waves back onto themselves to increase harmonic content
Oscillators include frequency modulation (FM)
Noise generator - pitched somewhere between pure white and pink noise. Perfect for percussion or adding a bit of edge to a sound.
Variable state, multi-mode "Pittsburgh No-Dead-Spots" filter (lowpass, bandpass, highpass, modes can be combined)
Sample & Hold circuit
2x Analog ADSR / envelope generators
Pittsburgh dynamics section - an alternative to an envelope generator and a VCA, the dynamics controller is a Pittsburgh Modular invention that adds a dimension of control over a vactrol-less lowpass gate circuit, adding release time. (read more on this in the user guide)
Dual range analog LFO with square and triangle wave outputs.
LFO Range High: 2 Hz to 500 Hz Low: 41 seconds to 5 Hz
Dual Channel Mixer - 2 channel mixer and a 3 channel mixer joined together, capable of mixing both audio or control voltages.

Notes: Have it all

Get total creative freedom with almost everything native Instruments ever released - a huge collection of synths, sampled instruments, effects, and orchestral libraries. Komplete 14 Collector's Edition is Native Instruments' definitive production bundle, with specialized scoring tools for pro-level composers and producers including Choir: Omnia, Lores, Knif Audio Knifonium, and bx_console Focusrite SC, plus Kontakt 7, Ozone 10 Standard, and many more.

What's new?
Check out some of the top new additions to Komplete 14 Collector's Edition.

Kontakt 7

The latest version of the world's favourite sampler, with a brand-new updated Factory Library, enhanced browsing, and improved instrument-building technology.

Choir: Omnia

The passionate sound of a 40-piece vocal ensemble at their most expressive. Take control of soprano, alto, tenor, and bass sections, and build phrases and melodies with 16 syllables in multiple articulations.

Lores

An eclectic collection of organic instruments expressed through hand-played articulations, for evolving tones and textures that tell a story.

Session

The pure, warm tone of a nylon-stringed guitar, with over 200 inspiring patterns plus an additional melody instrument.

Piano Colors

An inspiring instrument, exploring the limits of a grand piano's sonic capabilities with state-of-the-art modulation features.

Action Strings 2

The dramatic sound of a full string orchestra, blending realism with creative control, with over 31 GB of dynamic phrases.

Spotlight Collection - East Asia

The authentic sound of traditional Chinese, Japanese, and Korean instruments, captured in an intuitive production tool.

Knif Audio Knifonium

A rare boutique synthesizer with powerful sound design capabilities. Harness the power of 26 tubes across 8 independent voices, meticulously modelled for authentic analogue variations.

bx_console Focusrite SC

A true emulation of the legendary ISA110 Equalizer Module and ISA130 Dynamic Module, including Comp/Limiter, De-Esser and Expander/Gate from the original Focusrite Studio Console designed by Rupert Neve.

Ozone 10 Standard

Mastering made easy. The latest version of the industry's most comprehensive professional audio mastering software delivers AI-powered assistive technology that helps bring balance to your music.

Play Series Additions

40s Very Own Drums & Keys, Deft Lines, Ignition Keys, Empire Breaks, Soul Sessions, Glaze, and Melted Vibes.

Added Expansions

30 new Expansions, including Lunar Echoes, System Clash, Trill Rays, Sacred Futures, and Concrete Sun, plus latest Massive X Expansions Fade, Kino, Wake, Haze, Quest, Bounce, and more.

Take a closer look

Komplete 14 Collector's Edition includes 148 instruments and effects, plus 103 Expansions. Explore the highlights below.

27 orchestral and cinematic instruments

Komplete 14 Collector's Edition brings a vast orchestral palette with Choir: Omnia, an expressive 40-piece choir, and Lores, an eclectic collection of transformable organic instruments. Also included are the iconic sounds of the full Cremona Quartet, Symphony Series, and Action Strings 2. The collection also includes specialized cinematic instruments, including the arcane choral textures of Mysteria, expressive layering of Arkhis, chilling sounds of Thrill, granular soundscapes of Straylight, Ashlight, and Pharlight, plus many more.

Platforms for sampling and synthesis

Create just about any instrument you can imagine, with two included builder platforms. KONTAKT 7 powers advanced sampling and instruments from NI, as well as hundreds of leading manufacturers, while REAKTOR 6 handles the synthesis side of things, with a flexible modular environment for building synths, effects, and more.

Don't fancy diving in deep? Both platforms include comprehensive libraries packed with sampled instruments, synthesizers, plus a range of presets, so you can start making music right out of the box.

19 synthesisers

Collector's Edition packs a powerful collection of synths capable of crafting any sound from the ground up. From cutting-edge digital designs to legendary analogue emulations, get your hands on every NI synth, along with some fresh Soundwide additions: the legendary tube-driven Knifonium from Knif Audio, and Brainworx's bx_oberhausen - a recreation of a polyphonic 70's icon. Dip into the vintage warmth of Super 8, explore the modular world of Reaktor Blocks, dabble in the sharp additive synthesis of Razor, or push boundaries with the flagship wavetable synth Massive X.

48 sampled instruments

Bigger and better than ever, the Collector's Edition library is bursting with multi-sampled instruments, from workflow gamechangers like Playbox, to the full collections of songwriting tools from Session Guitarist, and rich flavours from the Spotlight Collection. Sample the signature underwater sounds of Drake's producer Noah "40" Shebib in 40'S Very Own Keys, craft evolving acoustic patterns with Sequis, and let your creativity loose with the latest Play Series instruments.

System requirements:
macOS 10.15, 11 or 12 (latest update)
Windows 10 (64-bit, latest Service Pack) or Windows 11 (latest Service Pack)
Intel Core i5 or equivalent CPU, or Apple Silicon (using Rosetta 2), 4 GB RAM (6 GB recommended)
30 GB free disk space (1.125 TB for complete installation)
Graphics hardware support for OpenGL 2.1 or higher, and Direct 3D 11.1 or higher

An internet connection is required to install and activate the products in this collection. Once installed, all products can be used offline. Certain products may require additional free downloads.

Massive X requires an AVX compatible CPU.

Supported interfaces:
Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts

Product includes:
Installation files, e-voucher for the Native Instruments web shop, and three "Buy any Plugin for $29.99" e-vouchers for the Plugin Alliance web shop.

Additional info

Total download size is 1 TB. You don't have to download all products at once: Native Access allows you to download and install individual KOMPLETE products any time you want.

Required hard disk space depends on how many products/libraries you want to install. To install all products and libraries, 1.125 TB free disk space is required.

Please note: The installation process may temporarily require up to 200 GB of additional free disk space on your system-drive - even if you're installing KOMPLETE on an external hard drive. This number significantly decreases for smaller products, or if products are being installed one by one.

All products included within a single edition of a KOMPLETE 14 bundle are part of one user license and can only be used as a single entity. A maximum of three installations on three machines are allowed as long as only one installation is used at any given time. The individual products cannot be resold separately.

Notes: TUTTO&SEMPRE is a 4 stereo channels performance mixer with an active patch bay, individual VCAs and outputs, clickless mutes and two high fidelity headphones drivers with switchable stereo inserts.

The module consists of two main blocks:

Mixing frame

4 pairs of actively normalled inputs with input LED meters.
Patchbay out - a cable here interrupts the signal flow.
Patchbay insert to get back to the mix.
Control voltage input for the VCAs.
Audio graded logarithmic stereo potentiometers.
Paired clickless mute toggle.
Individual output post attenuators.

Output stage

The main level knob regulates the volume of the three outputs: L and R are balanced line level signals while S is a combined stereo output designed to be fed into external 3.5mm interfaces.

A stand for auxiliary inputs: signals fed here will bypass the first mixing block.

The main mix continues to flow to the two headphones amplifiers. Each one of them can easily power up to 600 ohms drivers with low noise and high-fidelity performance. A stereo aux input can be fed into each one of the phones sections with a switch that allows isolated preview listening and routing to the main mix - this makes the module able to manage up to 7 stereo signals at the same time.

Features

Signal path optimized for the integration between modular systems and outboards.
Versatile mixing frame with an active patchbay, stereo attenuators, paired VCAs and clickless mutes.
Two balanced mono and a stereo output with auxiliary input.
Two independent headphones drivers with stereo preview input.
"Whatever" power connector a.k.a. don't mind the polarity.

Technical Specs

Width: 20HP
Depth: 25mm
250mA +12V
150mA -12V

Notes: Introducing the PDX720, a high-quality dynamic studio microphone featuring a hypercardioid polar pattern that's a must-have for any studio professional looking to excel in vocal recording. With its exceptional versatility, this microphone delivers best in-class audio for a variety of studio applications.

The PDX720's sound signature has the ability to produce natural, smooth vocals with great low-end extension, even without active filtering. Additionally, its default gain level eliminates the need for preamp boosts or cloud lifters. The microphone also features two unique 3-position switches that enable users to quickly modify sound by adjusting the low cut and presence boost, minimizing the need for complex sound mixing adjustments.

In addition to excelling in vocal recording, the PDX720 is also an excellent choice for drum and instrument recording. Its warm low-end tones and clear, defined highs produce great clarity without sounding harsh.

AUDIX's philosophy of using only the highest quality components and premium solid materials is fully embraced by the PDX720, ensuring both reliability and exceptional sound quality. Designed, machined, assembled, and tested by Audix in Wilsonville, Oregon.

Features

Dynamic Microphone
High-pass filter switch at 120Hz and 155Hz
Presence boost switch +1.5db and 3db
Hyper Cardioid
Plug & Play brilliant sound with excellent default gain level
Low noise preamp circuitry
Frequency response optimized for vocal performance
Great versatility for drum and instrument recording
Designed, machined & tested in the USA


Applications

Vocals
Voiceover
Professional Podcast
Studio Broadcast
Studio recording
Drum recording
Instrument recording

Specifications

Transducer / Capsule
Technology: Dynamic
Frequency Range: 50 Hz - 20 kHz
Polar Pattern: Hypercardioid
Output Impedance: 280 ohms
Sensitivity: 1.9 mV / Pa @ 1k
Maximum SPL: 135 dB
Power Requirements: None
Connector: 3-pin XLR m

Polarity
Positive pressure on

Diaphragm produces:
positive voltage on pin 2
relative to pin 3 of output

XLR connector
Materials / Finish Aluminum/ Black/Gold

Finish
Weight 869gm
Length 212mm

Notes: The new portable, compact and powerful analogue synthesizer, the Grp A1, an analogue desktop instrument that can be used as a compact tabletop synth or to complement an Eurorack system.

The Grp A1 monophonic synthesizer can be used as a stand-alone musical instrument or can be used to filter external signals through the Low Pass 18dB VCF resonant circuit. The presence of three internal signals (VCO, SUB and NOISE) ensures timbral power and ease of use. With the two Low Frequency Oscillators - LFOs (the first, integrates a Sample & Hold S&H) and the Envelope Generator ADSR, you can sculpt cyclic or transient modulation behaviour.

The instrument can be powered via a USB type C cable connected to any USB 2.5A power supply.

It can also be taken out of its cabinet to be easily installed in any EuroRack modular system; it can be powered using the normal flat cables supplied with EuroRack systems.

Notes: Boxed version of NI's flagship software collection, including 21 orchestral and cinematic instruments, the Kontakt sampler, 18 soft synths and a wealth of other sounds.

Supplier's Notes:
Create without limits

Komplete 14 Ultimate packs a punch, with even more synths, sampled instruments, and studio-grade effects, as well as fresh additions from iZotope, Plugin Alliance, and Brainworx. Boasting new releases like East Asia, Sequis, and Picked Nylon, plus a range of premium orchestral and cinematic tools including Ashlight and Piano Colors, it's all you need to bring your ideas to life and polish them for release.

What's new?

Check out some of the top new additions to Komplete 14 Ultimate.

Kontakt 7

The latest version of the world's favourite sampler, with a brand-new updated Factory Library, enhanced browsing, and improved instrument-building technology.

Ashlight

A granular instrument specializing in immersive atmospheres, rhythmic textures, and evocative keys for cinematic sound design.

Sequis

An inspiring instrument that unites organic samples with intuitive sequencing to make a playground of acoustic patterns.

Piano Colors

Explore the limits of a grand piano's sonic capabilities with state-of-the-art modulation features.

Action Strings 2

The dramatic sound of a full string orchestra blending realism with creative control, with over 31 GB of dynamic phrases.

Session Guitarist - Picked Nylon

The pure, warm tone of a handcrafted nylon-stringed guitar, with over 200 inspiring patterns plus an additional melody instrument.

Session Guitarist - Electric Vintage

The unmistakable sound of a vintage 50s solid-body electric guitar. Over 230 patterns, and an additional melody instrument.

Spotlight Collection - East Asia

The authentic sound of traditional Chinese, Japanese, and Korean instruments, captured in an intuitive production tool.

Plugin Alliance Effects

Plugin Alliance comes to Komplete 14, bringing all-new effects including Unfiltered Audio's LO-FI-AF, and Brainworx's bx_console N, bx_limiter true peak, and bx_crispytuner.

Ozone 10 Standard

Mastering made easy. The latest version of the industry's most comprehensive professional audio mastering software delivers AI-powered assistive technology that helps bring balance to your music.

Play Series additions

40's Very Own Drums & Keys, Deft Lines, Ignition Keys, Empire Breaks, Soul Sessions, Glaze, and Melted Vibes.

Added Expansions

20 new Expansions, including Rhythm Source, Liquid Energy, Faded Reels, and Backyward Dreams, plus latest Massive X Expansions Fade, Kino, Wake, and more.

System requirements:

macOS 10.15, 11 or 12 (latest update)
Windows 10 (64-bit, latest Service Pack) or Windows 11 (latest Service Pack)
Intel Core i5 or equivalent CPU, or Apple Silicon (using Rosetta 2), 4 GB RAM (6 GB recommended)
20 GB free disk space (770 GB for complete installation)
Graphics hardware support for OpenGL 2.1 or higher, and Direct 3D 11.1 or higher
An internet connection is required to install and activate the products in this collection. Once installed, all products can be used offline. Certain products may require additional free downloads.
Massive X requires an AVX compatible CPU.

Supported interfaces:

Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts

Product includes:

Installation files, e-voucher for the Native Instruments web shop, and two "Buy any Plugin for $29.99" e-vouchers for the Plugin Alliance web shop.

Additional info

Total download size is 680 GB. You don't have to download all products at once: Native Access allows you to download and install individual Komplete products any time you want.

Required hard disk space depends on how many products/libraries you want to install. To install all products and libraries, 770 GB free disk space is required.

Please note: The installation process may temporarily require up to 120 GB of additional free disk space on your system-drive - even if you're installing Komplete on an external hard drive. This number significantly decreases for smaller products, or if products are being installed one by one.

All products included within a single edition of a Komplete 14 bundle are part of one user license and can only be used as a single entity. A maximum of three installations on three machines are allowed as long as only one installation is used at any given time. The individual products cannot be resold separately.

Notes: Create without limits

Komplete 14 Ultimate packs a punch, with even more synths, sampled instruments, and studio-grade effects, as well as fresh additions from iZotope, Plugin Alliance, and Brainworx. Boasting new releases like East Asia, Sequis, and Picked Nylon, plus a range of premium orchestral and cinematic tools including Ashlight and Piano Colors, it's all you need to bring your ideas to life and polish them for release.

What's new?

Check out some of the top new additions to Komplete 14 Ultimate.

Kontakt 7

The latest version of the world's favourite sampler, with a brand-new updated Factory Library, enhanced browsing, and improved instrument-building technology.

Ashlight

A granular instrument specializing in immersive atmospheres, rhythmic textures, and evocative keys for cinematic sound design.

Sequis

An inspiring instrument that unites organic samples with intuitive sequencing to make a playground of acoustic patterns.

Piano Colors

Explore the limits of a grand piano's sonic capabilities with state-of-the-art modulation features.

Action Strings 2

The dramatic sound of a full string orchestra blending realism with creative control, with over 31 GB of dynamic phrases.

Session Guitarist - Picked Nylon

The pure, warm tone of a handcrafted nylon-stringed guitar, with over 200 inspiring patterns plus an additional melody instrument.

Session Guitarist - Electric Vintage

The unmistakable sound of a vintage 50s solid-body electric guitar. Over 230 patterns, and an additional melody instrument.

Spotlight Collection - East Asia

The authentic sound of traditional Chinese, Japanese, and Korean instruments, captured in an intuitive production tool.

Plugin Alliance Effects

Plugin Alliance comes to Komplete 14, bringing all-new effects including Unfiltered Audio's LO-FI-AF, and Brainworx's bx_console N, bx_limiter true peak, and bx_crispytuner.

Ozone 10 Standard

Mastering made easy. The latest version of the industry's most comprehensive professional audio mastering software delivers AI-powered assistive technology that helps bring balance to your music.

Play Series additions

40's Very Own Drums & Keys, Deft Lines, Ignition Keys, Empire Breaks, Soul Sessions, Glaze, and Melted Vibes.

Added Expansions

20 new Expansions, including Rhythm Source, Liquid Energy, Faded Reels, and Backyward Dreams, plus latest Massive X Expansions Fade, Kino, Wake, and more.

System requirements:

macOS 10.15, 11 or 12 (latest update)
Windows 10 (64-bit, latest Service Pack) or Windows 11 (latest Service Pack)
Intel Core i5 or equivalent CPU, or Apple Silicon (using Rosetta 2), 4 GB RAM (6 GB recommended)
20 GB free disk space (770 GB for complete installation)
Graphics hardware support for OpenGL 2.1 or higher, and Direct 3D 11.1 or higher
An internet connection is required to install and activate the products in this collection. Once installed, all products can be used offline. Certain products may require additional free downloads.
Massive X requires an AVX compatible CPU.

Supported interfaces:

Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts

Product includes:

Installation files, e-voucher for the Native Instruments web shop, and two "Buy any Plugin for $29.99" e-vouchers for the Plugin Alliance web shop.

Additional info

Total download size is 680 GB. You don't have to download all products at once: Native Access allows you to download and install individual Komplete products any time you want.

Required hard disk space depends on how many products/libraries you want to install. To install all products and libraries, 770 GB free disk space is required.

Please note: The installation process may temporarily require up to 120 GB of additional free disk space on your system-drive - even if you're installing Komplete on an external hard drive. This number significantly decreases for smaller products, or if products are being installed one by one.

All products included within a single edition of a Komplete 14 bundle are part of one user license and can only be used as a single entity. A maximum of three installations on three machines are allowed as long as only one installation is used at any given time. The individual products cannot be resold separately.

Notes: ENNER is a very expressive sound tool that can generate bits, pads, FX, noises, clicks, glitches, but also function as a cool vocal mic with built-in analogue FX and much more! A musician with a rich imagination and who's experienced in playing ENNER can perform an entire exciting gig using just this synth.

As an instrument, ENNER is a unique analogue synthesizer with the key principle being that all signals that make sound pass through and are managed by your body. Your hands become the central part of the circuitry. Touching different contact pads with different parts of your fingers and palms with different amounts of pressure, letting signals pass through your body defines the mixing, volume, timbre, feedback and other parameters of synthesis. Human skin has much more complex electric properties than we think. The skin provides not just resistance but also some capacitive properties and even nonlinear dependence of conductivity from current, its direction and time during which the current was applied. All of this affects the sound, making you the key part of the synthesis process.

All pots of ENNER are metallic and also function as inputs or outputs. Touching a pot can change not only the parameters but also patch the audio signals.

ENNER consists of:

The array of filters with fixed frequency properties (the triangle in the centre): the stereo high pass filter (HPF), the stereo bandpass filter (high mid - BPFH), the stereo bandpass filter (low mid - BPFL), the stereo lowpass filter (LPF). Stereo means that the filters have separate inputs for left and right channels as well as separate outputs. Sliding on the filters' pads with your fingers you can create a rich stereo image where each channel may have not only individual volume properties but also timbral ones. The outputs of the filters are mixed together and connected to the main output. Also in the triangle, you have a stereo direct input (DIR) that lets you bypass the filters.

The modulated stereo delay. The input of the delay is the two pads on the top of the triangle (DLY blue). The output of the delay is mixed with filter output and connected to the main output. Also, you have delay output connected to the pads placed on the left and right sides from the top of the triangle (DLY orange) that lets you create feedback and other interesting effects. The delay has two separate lines (left and right) with individual TIME controls (BPEMR pots), common FEEDBACK and the common pot that defines the amount of self-modulation (BIZZARE). The BPEMR pots are also touch inputs for delay time modulation.

On the right side of ENNER, there is a five-voice synthesizer with individual adjustment of frequency for each voice (TUNE knobs) with the possibility to change the pitch of all voices simultaneously (PITCH knob). TUNE knobs are also the outputs of the voices, so by touching them you can patch the voices to the filter's inputs. The synthesizer has separate output pads for each voice (pads OUT 1-5), individual modulation inputs (MOD 1-5) and ring modulation outputs (the RING 12, 23, 34 numbers indicate which voices are sources for the ring modulation). Connecting MOD and OUT pads of one voice with your fingers will pitch it up. The fifth voice has an additional modulation pad MOD 5- which can shift the pitch of the fifth voice down (connect it to +12 pad or any pad that has some positive signal including the output of the fifth voice).

On the left side of ENNER, there is the second synth that has one master generator, the output of which is divided six times by two with individual outputs for each stage of division (PULSE 1-6). This synth is aimed at creating rhythmical clicks, basses and octave tones. The frequency of the master generator is defined by the TEMPO knob. The output pads &1,2,3 are logical multiplications of different PULSE outputs giving additional and more complex rhythm combinations.

ENNER is also an electro-acoustic noise instrument. It has a piezo pickup attached to the front panel that captures sound from the casing itself. There is metallic spring and you can attach rubber bands to the panel to create various acoustic sounds. The piezo mic can capture clicks and scratches you make with your fingers, and it also allows you to create filtered feedback. Not only that, it can even capture your voice singing over the panel! To get sound from the piezo you have to connect the PIEZO OUT pad with some filters or delay inputs. Applying filters and delay on the piezo out while the panel works as a mic, catching the audio signal from the speakers connected to the ENNER output lets you create very cool acoustic feedback-based effects. PIEZO GAIN adjusts the piezo sensitivity.

The bottom of the triangle (NOISE pad) is the output of static pink noise.

External in (EXT socket and EXT pad) lets you send an external audio signal to ENNER and process it through the array of filters, delay and other ENNER stuff.

All of these features make ENNER a simple yet powerful kit of sound sources and FX that give you a rich and diverse sound palette with many possible playing techniques that you can change very fast as there is no other control over the sound other than your touches.

Specs

Array of filters

Pads DIR - direct input (no filters)
Pads HPF - highpass filter in
Pads BPFH - bandpass filter high mid in
Pads BPFL - bandpass filter low mid in
Pads LPF - lowpass filter in
(L - left channel, R - right channel)

Pink noise generator

NOISE - noise output

Delay

Pads DLY(blue) - delay in
Pads DLY(orange) - delay out
(L - left channel, R - right channel)
Pots BPEMR - delay time (L and R) also time modulation inputs
The UROBOROS pot - feedback (both channels)
Pot BIZZARE - delay self-modulation

Piezo

Pad PIEZO OUT - the output
Pot PIEZO GAIN - piezo amplification (also piezo output)

The five-voice synth

Pads OUT 1-5 - outputs of the voices
Pads MOD 1-5 - modulation inputs of the voices (try to connect them with OUT)
Pads RING 12, 23, 34 - outputs of ring modulators that multiply outputs of different voices
Pad MOD 5- - an additional modulation input for the fifth voice (try to connect it with +12)
Pots TUNE 1-5 - frequency of the voices (also voices outputs)
Pot PITCH - transposing all voices at once.

Rhythm\Bass synth

Pads PULSE 1-6 - output of binary dividers
Pads &1, 2, 3 - additional outputs that are logical AND of different PULSE outputs.
Pot TEMPO - the frequency of the source generator

External

Socket EXT - external in
Pad EXT - connected to EXT socket tip

Power

+12V center + 0.2A. ENNER requires a good stabilized and filtered PSU. We recommend contemporary switching mode PSUs with a wide input range. The PSU is included.

Grounding

In order that when playing on ENNER there would be no hum from the electricity grid interferences, the device must be properly grounded! A normal grounding connection at the electric socket, which is carried through the power cord to your audio equipment to which the ENNER is connected, is sufficient.

What's in the kit:

ENNER
12V center plus PSU
Several rubber bands

Notes: Become an instrument with 'the sound of me', based on motion sensor wristbands and wireless receivers, sending MIDI signals to software and hardware.

Supplier's Notes:
SOMI-1 MIDI Controller

Key Features:

Sensors:

Up to 6 sensors simultaneously (add more sensors)
7 different 3D movement parameters per sensor
9-DOF state-of-the-art sensor fusion
Wireless via Bluetoothr 5 based custom protocol
Low latency under 10ms (no perceivable delay)
High Precision (ca. 0.01 degrees)
Range up to 50 meters (164 feet)
Up to 30 hours battery lifetime

Receiver Hub:

MIDI 1.0 Interface (USB-MIDI, TRS-MIDI, MIDI Host)
Connectivity to music software & hardware
Button to pause sensors and MIDI mapping
Encoder to adjust sensitivity
MIDI:

MIDI Note, Control Change and Pitch Bend signals
Adjustable MIDI channel
Direct connection to music software and hardware (no extra drivers or software needed)

Editor:

Scale individual sensor values
Inverse sensor values
Slew limiters for smoothing
Customize MIDI Note range and threshold
Change MIDI Control Change controller
Enable high resolution (14 bit) Control Change
Save settings directly on the SOMI-1 hub
Integrated editor for Ableton Live (Max for Live)
Ableton Live preset projects
SOMI-1 smartphone app (approx. January 2023):

Several different sound presets
No need of additional software or hardware
UI for easy usage without musical or technical pre-knowledge

Includes:
2× SOMI-1 Motion Sensor
2× SOMI-1 Wristband
SOMI-1 Receiver
SOMI-1 Sound app (approx. January 2023)
USB-C cable

Notes: A highly anticipated addition to Black Lion's PBR family of studio patchbays, PBR TT is equipped with DB25 and TT bantam connectors to cater for even the most demanding professional studio configurations.

PBR TT is design to offer studio-grade connectivity for studios large and small, delivering audio quality throughout and leaving no section of signal chain left behind.

Loaded with 96 audiophile-grade TT bantam jack connectors on the front panel and 12 DB25 snake connectors on the rear. Each channel is primed with triple mode switches - accessible via the top panel - to enable normal, non-normal and half-normal operating modes.

The PBR TT's build is uncompromisingly hewn from a reinforced steel chassis with a black-anodised face plate, carefully matched to blend into any professional studio rack.

Specifications

Number of Points 96
Front Connectors 96x TT Bantam
Rear Connectors 12x DB25
Dimensions 534 x 102 x 51mm, 1.4kg (boxed)

Notes: The BEATS FM is a project that started in 2020 and has gone through 5 revisions. It's an experimental all-in-one synthesizer and sound processor, with a warm analogue sound and many sync options. A complete stereo analogue audio path with the addition of a digital delay. Designed for experimenting with new sounds and noise textures with several modulating and processing power. The equivalent of 8 modules enclosed in a high-quality and elegant case. The BEATS FM is designed and manufactured in Italy.

1 wide-band FM/AM/SW radio with LFO modulated tuner knob

2 self-oscillating analogue 4-pole low-pass filters (clones of CEM3320, the chip used in the Prophet 5) with resonance and LFO modulation

4 seconds of stereo digital delay with feedback, sync, tone control and panning with LFO modulation

1 LFO with 16 different "bendable" waveforms with polarity and multiplier (up to 200Hz in quad-wave mode)

1 sync unit to lock the LFO to: 1-audio click track, 2-analog clock, 3-tap tempo

2 analogue 2-pole high-pass filters

2 external inputs with overdrive

Specifications

Audio outputs (stereo)
Typical Voltage: 1 volt
Maximum Voltage: 4.2 volts (peak-to-peak)
Nominal Output Impedance: 500 Ohms

Headphones output (STEREO)
40 mW into 32 Ohms
SNR > 90 dB

Audio inputs (Stereo + click track IN)
Voltage : +10 millivolts (min); +10 volts (max.)
Nominal Input Impedance: 4,700 Ohms

Clock Pulse IN/OUT
Typical voltage: 0 to +5 volts square pulse
The LFO syncs on the negative-going pulse

LP Cutoff CV Input
Range: -5 to +5 volts
Nominal Input Impedance: 12,000 Ohms

LFO Output
Range: -5 to +5 volts
Nominal Output Impedance: 8,000 Ohms

Power supply
External supply: 100-240 volts; 50/60 Hz
Output: 12 VDC
< 12 Watt nominal consumption

Dimensions
Width: 420 mm
Depth: 260 mm
Height: 90 mm
Net Weight: 2 kg

Temperature
Storage Temperature: 2 - 60 C
Nominal Operating Temperature: 10 - 35 C
Operational Temperature: 10 - 50 C