Review: Ted Krisko and Eric Rickers hail from Detroit, and their distinctive brand of snappy, playful electro and techno has already landed them releases on KMS, Visionquest and others. Now they land on 20/20 Vision with the devilishly fun "One LFO," an unremitting acid jam shot through with crafty drum programming and enough robotic lubricant to get the rustiest joints greased up and moving. Fellow Detroit champs Luke Hess and Delano Smith shore up on the flip with classy remixes, Hess waving his dubby strains over the original in inimitable form and Smith taking things deep, smooth and just a little spooky.
Review: Adam Monti aka ADMNTi heads up 4Plae Records out of London and joins Casey Spillman (who just debuted on Infuse) for his label's fifth release. Monti opens with the hypnotic, bass-driven and swing-fuelled loops of "0207", a sublime groove reminiscent of iO (Mulen) or Jack Wickham, while Spillman's contribution comes in the form of the very UK influenced bounce of "Juice Appeal". This takes the best of 2-step and garage (and even the mandatory "rewind") to create a sexy serving of late night mood music. On the flip they flip the script, with both artists remixing each other's track and for what it's worth we reckon it's all about Spillman's remix of Monti's - tough rolling and functional tech house that's aimed squarely at the main room at peak time!
Review: AE Recordings turns its attention to Oculus, who they describe as a "titan of the Icelandic techno scene", famed for his live sets that have kept bodies moving for the past decade. He commits some of his sounds to wax here, maintaining the otherworldly emotional lilt that often comes from the scene orbiting AE and Thule Records, but with a bolder sound palette than some of the icy dubbed out artists he rubs shoulders with. "Nostalgia" deals in powerful, swooning chord progressions, while "Rydgad" pings a set of metallic percussion around a sturdy but crooked low end groove. "Morph" takes things deeper, while "Flod" offers up a classy take on the minimal techno aesthetic, with added sound design trysts for good measure.
Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Review: Aesthetic got off to a strong start with a various artist release from rising talents Nick Beringer, Niko Maxen, Stevn.aint.levn and Sy. Now they return with a solo release from LOY, who's previously been spotted on labels like Minim and Laate. You can expect sleek and refined minimal house grooves of the highest order, warm and dubby but equally honed for the more energetic hours of the party. "Dubdiver" is especially immersive with its shimmering ripples of brain-massaging melodic content, while "Blind Trip" takes things in a more brooding, emotive direction for duskier moments in the midst of the endless house shuffle.
Review: The Aesthetic label is steadily growing as yet another strong side to the Constant Sound empire, and they're sounding fit as a fiddle with this latest drop from Niko Maxen. "Aesthetic 04" leads in with "Calibans Dance", a swirling, dubbed out affair with intriguing percussive tones to add an intriguing edge to the stripped back house groove. "Lessons" has a heads down, twitchy demeanour it's impossible to resist, and then "Twelvty" summons up some elegant synth strokes that hover in between the shuffling beats. The latter provides more than enough inspiration for Kepler to deliver an astounding remix that plays around with bouncy arps and pointed house rhythms in his inimitable style.
Review: After a two-year absence, Aline Brooklyn - New York's surprise home of Romanian style minimal techno adventures - has returned with a bang in 2019. They've launched the "Original Series", with March's debut release from Mihai Pol being followed by this eight-track album from Nico Laa and Juan Cristiani. The pair begins in confident mood via the melodious tech-house funk of "Drastic", before wrapping chiming lead lines and spacey electronics around a low-slung groove of "Mars". More warm, deep house style motifs can be heard on "Good Morning Brooklyn" and the bumpin' goodness of "New York", while "Loop People" is a hazy, minimalist jack-track. Elsewhere, "La Rose" is woozy, dreamy and quietly picturesque (despite locked-in tech-house beats) and "Senor Lopez" is snappy and funky in the best possible way.
Review: Brazilian label Allnite Music is back with another sure shot from label boss Apoena that locks into an immersive, head-nodding groove from the get go. "Retoside" is a perfect deep house burner, understated and yet utterly grooving where it counts. "Attachment" has a more sprightly, uplifting quality tailored to sunny situations, while "Hemp Restriction" takes things in an airy direction while rocking a solid 90s backbone. "The Sutilties" completes the set with a dreamy roller splash, with sweet leads and some chopped up vocal hooks that accent the innate funk of the track in fine style.
Review: When Cristi Cons and Vlad Caia launched the Amphia label way back in 2011, they talked about creating "a world with no boundaries" and "an infinite ocean of musical shapes and ideas". It's the sort of wide-ranging, open-ended remit that seems tailor made for Amorf, an "experimental live techno" trio whose fluid and otherworldly tracks are deliciously hard to pigeonhole. For proof, check "Recall", the A-side to their second Amphia outing. Built on loose and languid tech-house drums and a similarly undulating bassline, the cut bobs and weaves through waves of restless piano motifs, deep space chords and out-there electronics. Further evidence of the threesome's hybrid style arrives via "Momentum", where poignant electric piano motifs and melancholic deep house chords envelop a crunchy, minimalist rhythm track.
Review: Very few labels within Romania's storied techno scene can match the wonderful curation of Vlad Caia & Cristi Cons' Amphia Records. The Bucharest-based imprint now presents a full length by NYC-based sonic sorcerer Kamran Sadeghi - considered by many to have one of the most singular takes on the minimal techno sound at present. His most bold and stylistic expressions await you on Ritual Signal and highlights are aplenty: from the ethereal alien transmissions of "More Than Tomorrow", exotic creatures of the deep ("Today"), afterhours reductionism ("Who New") to more leftfield groove expressions, best exemplified by the majestic micro-funk of "May Day" and the splintered/echo-laden hypnotism of EP closer "Decay".
Review: Berlin deep house stalwart Hans Schaaf aka DJ Honesty is most known for being part of the local Cabinet Records crew, regularly collaborating with ZKY & Daniel Paul over the years. Outside of that, this will be the second time he's appeared on Losoul's Another Picture, following up 2017's "Janeiro" EP with yet more subtle groove magic here. On the A side we have the sublime minimal dub of "Santo Antonio" awash in hypnotic dub effects perfect for setting the vibe at the afterhours. On the flip, we have some jams which are more typical of Schaaf's usual work: the deep boompty swing of "Mais Populares" and the bleepy minimal funk of "Green Door".
Review: Priku's new diffusion series Atipic Lab has brought us some killer material of late, by some right heroes of the Rominimal scene such as Arapu, Vlad Arapasu and Cosmijn. The latest edition comes from the ever reliable Vincentiulian, who first appeared on the label back in 2016 with the brilliant Atipic 002 - which we consider a modern classic. Expectations are high, then, for ATIPICLAB 006 and he certainly didn't let us down. From the obtuse yet mesmerising bounce of A side cut "Agera", to the more straight ahead B side cuts such as "I Don't Wonder" which shows off Vincent's knack for crafty and infectious rhythm programming, and the funky afterhours groove of "Ultrak" with its smooth rolling bass.
Review: Usually one half of Dubsons, Vlad Arapasu has gone on to produce some of his best music since he started flying solo a couple of years ago. Following up last year's appearance on Priku's Atipic (one of the 2018's highlights) he's back with the fifth edition for the label's Lab series. Arapasu goes deeper into the night in more abstract fashion for these three moody backroom dubs. From the rolling hi-octane groove of "Basic Moves" which is aimed squarely at Tent 3 at this year's edition of Sunwaves, to the moody and glacial dub techno workout of "Vandab" and the moody yet sultry afterhours groove of "Pitch Mode".