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Review: Emerging from Germany's psychedelic and progressive rock underground in the late 1960s, Amon Duul was a freewheeling collective named in honour of the "art commune" in Berlin in which they not only came together, but also recorded their turn-of-the-seventies albums - most notably the 1972 double album Disaster Luud Noma. Here reissued in fully remastered form, the album is highly significant - and not just because it is now counted as one of the earliest expressions of what would become known as krautrock. Built on dense, layered percussion and rhythms beaten out by multiple drummers, its' hard-to-pigeonhole sound drew on fuzzy psychedelic rock, twisted jazz-rock and the collective's own radical experimentation. It remains an utterly insane record, but a brilliant one at that.
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Cat: ECLEC 2851. Rel: 23 Nov 23
Psych/Garage Rock
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Review: OHM is quickly becoming a quality imprint you can count on for techno and dub techno. The ninth addition in the series, it calls for an excellent blend of composers to balance this EP out. Veteran Jamie Anderson collabs with the brilliant Owain K on opener. The 'Aqua Dub' builds a euphoria for late night smiles. Smooth is an understatement on this linear gem. One artist on here that's been making strong appearances on many dub techno labels is the ever-talented Francisco Aguado. 'Balance' is a great tribal transition track for any DJ who can it creatively to build the means to an end. On the second side, Star Dub offers the very addictive and techy 'Forst'. Ending on a high note, the brisk and flighty 'Ever Growing' by Volpe completes the ninth edition in a rapturous mood. If you like deep techno, the OHM series is a must to collect.
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From Theory To Practice (12" + insert limited to 300 copies)
Cat: BSUN 009. Rel: 20 Oct 23
Experimental/Electronic
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Review: Romanian electro agent Andrew Red Hand has been spotted delivering the heat to respected outposts like M>O>S, Detroit Underground and Chiwax, and now he's setting off with Rotterdam Electronix for a night drive through future cityscapes. It's electro through and through, driven by snappy 808 beats and analogue monosynths, but there's something particularly charming about the minimal wave quality to Red Hand's sound. That contrasts with The Exaltics, who delivers a gutsy re-version of 'In The Cemetery' which will keep you up at night for all the right reasons.
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Review: James Andrew has been a man rising up through the ranks for the last few years. He started this Nothing But Nice label between London and Berlin with his pal Charley and kicks off his 2024 with a fantastic fourth offering. 'Lambrini Bob' has it all - slick tech grooves, cosmic pads, minimal sound designs and a nice cool vibe. Brasseye-referncing 'Klarky Kat' ups the ante with more tightly stacked drums but still oodles of future funk and nice neon colour and 'The Excursion Of Dreams' then explores a world of jungle sound effects, tropical heat and 90s prog techno new age synths. 'Exotic Robotics' is the irresistibly groovy icing on this super cake.
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Review: Dimi Angelis makes a fine statement with his 13th release via the ANGLS label and it is packed with raw, authentic beats across four robust tracks that are destined to captivate dancefloors. The A-side features 'Shadowland' which immediately ensnares listeners with its lasso-like loops and spatial nuances. Meanwhile, 'Intergalactic' ignites the dancefloor with its mechanical noise assault and superbly uses the 909 to build suspense with punchy rhythms. Flipping to the B-side, 'Crionics' plunges you into a deep sonic abyss where tension abounds and finally 'Ice Warrior' concludes the journey with abstract yet fulfilling frequencies. Dimi Angelis returns with his distinctive sound, primed to electrify floors from basements to warehouses once more.
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Cat: CST 176CD. Rel: 21 Mar 24
Experimental/Electronic
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Cat: PFL 314CD. Rel: 28 Mar 24
Metal
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Review: From the 1979 LP Accadde A... by Arawak, this superb 7" showcases standout Italian Library recordings that you need in your life. Arawak, one of Luciano Simoncini's many pseudonyms, crafted compositions for film scores, radio, and television in Italy and this album remained obscure until the legendary Madlib heavily sampled it in 2000 and drove up the price of originals. The LP received its first reissue by Golden Pavilion in 2017 so fans could cop it once more and now two of the best bits from it are on their own record. Both tracks oscillate between mellow dreamy atmospheres and irresistible drum breaks with 'Bali' being sampled in 'Real Eyes' by Quasimoto in 2000, and b-side jam coming on strong with bagpipes intertwined with punchy bass and steady drums.
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Review: The recently started Xistence Records, is dedicated to being a beacon of quality Detroit inspired techno. The label is the home base for Phil Robertson and his own music (so far). Under the name Arbilla, this is the third release on the label. The Movement is a massive classic sounding Detroit techno that would could easily be found in the UR camp. This is that large futuristic, dystopian hi-tech jazz type sound. The B-side features remixes by Biz and then Microworld. The Biz remix is more pronounced on the rhythm and works out a few additions to the original melody successfully. Australian veteran Microworld puts a bit more muscle into the groove while still keeping things melodic and up-tempo. For fans of Detroit techno, you are going to love this.
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Review: Mad Professor's Aiwa Studios has never struggled with turning out sublime low end excursions in a range of dubby sub-genres. This 7" offers the latest chance to check in with what's going on there courtesy of the in-house Ariwa Posse with Joe Ariwa. This is reportedly one of two releases coming imminently which is great news because it bangs. First up is A-side wobbler 'Rise & Shine' (with Askala Selassie) which has clean digi-dub synths snaking between hissing hi hats and endless amounts of rerun while the silky bass rolls unhindered and the vocals bring aching soul. Joe Ariwa gets to work on a flip side dub that hits different.
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Review: Aniara's white label number four delivers more techno goodness direct to the dance floor. The A-side features two of Arkajo's most compelling dance-floor tracks, with both offering a propulsive groove and warped and dubbed-out basslines. On the flip side, Dorisburg and Efraim Kent (who are here making their debut on Aniara) present the darker vibes of 'Data Smuggler' which rides on broken beats and has real menace in the airwaves. It complements the A-side with a more deep mood and hypnotic rhythm that will be pure dancing bait.
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Cat: CDKENNM 528. Rel: 24 Jan 24
Soul
in stock $10.37
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Review: 'As We Enter' is the first single from Nas and Damian Marley's collaborative album Distant Relatives and whether or not that influenced the also of this drum & bass producer we do not know. Musically there is little in common as this new EP shows - it is a hardcore mix of jostling amen breaks designed to be heard loud. 'Surrender' is backed with smeared pads that bring the soul and devastating low end bass, while 'Breezin' is a hyperactive sound that darts about all over the place. There is all out vocal wildness on 'Take Me' and last of all come more monstrous breakbeats and raved up synths on 'The Force.'
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Review: ASC returns with a deeply emotive album on Past Inside the Present, showcasing a new chapter in his musical journey. Known for his versatility across electronic and drum & bass genres, James Clements channels introspection and healing in Loss. Quiet bird calls and field recordings intertwine with ASC's expertly crafted synths, creating a therapeutic sonic landscape. Each track evokes a range of emotions, from melancholy to hope, acceptance to sorrow. Loss invites listeners to embark on a poignant journey, where ASC's mastery shines through in every moment. It's a captivating and beautiful testament to the power of music as a form of self-expression and healing.
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Review: Pasquale Ascione and Davide Carbone are veterans of the techno scene. Not only do they run Repitch Recordings and 3TH Records but also of course, produce music. Repitch Fast Forward outlines that each producer has a side of the record to themselves. Ascion opens with 'Hurry', a killer hard and melodic burner that features vocals from the iconic rave track C'hantal's 'The Realm'. 'Himmerbone' reminds us of Johannes Heil track that we won't give any clue too. For the second side, hard techno is on the menu. They are relentless, mechanical and industrial, these are designed with one mission in mind: to destroy the dancefloor as you raise your techno fist. They should have some warning signs before these are played like 'Helmet Only Area!'. Wicked hard!
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Cat: SBRS 010. Rel: 08 Apr 24
Roots/Lovers Rock
Review: 'Black Cinderella' which harriers on this new 7" as both a vocal and a dub, was written by Max Edwards Asher and offers a soulful and thought-provoking musical experience that challenges perceptions and societal norms. Originally engineered in Studio 1, this track reimagines Cinderella as a woman of colour. Written by Jimmy Rodway, the song aims to empower black women and urges them to envision themselves as the desired fantasy character. The limited edition 45 rpm showcases Asher's masterful production and features a lovely warm and inviting analogue sound and poignant message of empowerment and inclusion.
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Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.
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