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Review: Recorded over three nights at the iconic Red Rocks Amphitheatre in Morrison, Colorado, endlessly prolific Aussie psych-rock auteurs King Gizzard & The Lizard Wizard invite you to experience their intense live shows in the closest manner to being there in person and the only way they know how (with an absurdly massive 12xLP self-proclaimed bootleg collection). Taken from performances on Oct 10th, Oct 11th and Nov 2nd of last year, these 80+ cuts run the gamut through the collective's heaviest, softest, most direct and ludicrously impenetrable sonic meanderings, whilst wrapped in individual sleeves with an accompanying photo journal of their great takeover of the Colorado plains.

Notes: Building on the familiar dual VCO core arrangement of Carrier and Modulator, Mindphaser is a complex oscillator which departs from this bit of ancestral DNA with a modern toolkit focused on searing, phase-modulated leads, percussive basslines and other-worldly effects!

A diverse palette of intermodulation and harmonic experimentation is offered through the Modulation Bus, its unique Waveshaper and the dedicated Thru-zero Phase Modulation Bus. An intuitive interface provides colour-coded visual feedback and responsive indication while performing in dimly-lit environments.

Two precision analogue oscillator cores

Precision, wide-range V/oct ramp cores, each ranging from deep subsonic to supersonic frequencies (ramp cores, and not triangular, deliver the ideal waveforms for analogue phase accumulation in the TZ-PM Bus)
Each core generates fundamental waveshapes which interact and mangle one-another through the complex Modulation Bus and TZ-PM bus
Simultaneous waveform outputs for each base shape
Dedicated button to toggle between RAMP or SAW for each core, inverting the phase of the ramp output
V/oct, linear FM and exponential FM inputs which are all independent of the TZ-PM functionality. The Carrier's FM occurs inside the core itself, separate from the TZ-PM bus.
DC-coupled linear FM

Carrier

The heartbeat of Mindphaser, focused on audio-rate generation. Drives the WAVESHAPER and TZ-PM bus. This core's frequency range spans the audible spectrum.

- An external hard SYNC IN forcibly resets the core, useful for punchy sequences, percussive basslines and drum synthesis -- or to sync to another VCO.

- Coarse and fine controls conveniently span the audible spectrum. Ranges further with external CV.

Modulator

An extremely wide range oscillator, spanning from deep LFO frequencies all the way up to supersonic sound! Four base waveforms and diverse internal routing options form a versatile palette of modulations for the CARRIER to feed on.

- Activating hard SYNC on the Modulator locks its core to the Carrier's heartbeat. The effect can be dramatic. Try this while phase modulating!

- Octave RANGE switch lets you quickly flick up and down between octaves. All the way beyond audio-rate and LFO speed octaves. Perfect for experimenting with different PM sidebands and taming the wide frequency range of the Modulator.

- Manual PW (Pulse Width) control and dedicated CV input for PWM.

Waveshaper

This isn't a classic waveshaper! Developed anew from the ground up, this waveshaper is focused on deep harmonic experimentation and audio obliteration. Each waveshaper parameter is capable of being "turned up to 11".

FOLD up to 5 octaves above the fundamental Carrier frequency. A ceiling forms at maximum, imparting additional harmonics.

FEEDBACK the waveshaped and phase-modulated audio through a signal path internal to the waveshaper.

AMPLITUDE modulation spans thru-zero, allowing for full-range ring modulation effects with bipolar CV or audio signals.

CLIP the final stage of amplitude with the switch to introduce a last stage of harmonics before the complex signal exits through the final OUT.

Switchable inverting attenuators on each CV input, for quickly inverting the behaviour of your modulation. The indicator illuminates red to tell you the attenuator has been inverted.

Two distinct waveshaping modes

A press of the shape switch toggles Mindphaser between RAMPOID (green) and TRIANGULAR (yellow) waveshaping modes.

These modes have a remarkable effect on the behaviour of wavefolding and overall character of the final complex OUT, in addition to TZ-PM Bus character.

RAMPOID mode folds more asymmetrically, with raucous, buzzing harmonic artefacts as you sweep and introduce TZ-PM

TRIANGULAR mode folds more symmetric, splitting the complex sine wave at its peak centre of the waveform. TZ-PM character is less raucous, and more smooth.

TZ-PM Bus

Thru-zero phase modulation in the ANALOGUE realm! Unlike its digital counterpart, analogue TZ-PM has its own character we've come to expect from analogue circuitry!

A dedicated, voltage-controlled phase modulation bus completely separate from the Mod Bus
Modulator's SINE wave normalled to the PM SOURCE input
SOURCE input allows you to modulate phase with any signal you patch in
Dedicated voltage-controlled INDEX (amount)
Manual phase lets you zero in (or not!) on the base phase before introducing modulation
Independent of the Linear FM circuitry in the Carrier core

Mod Bus

The internal modulation powerhouse, normally fed by the Modulator core, but external signals are patchable as well.

Select from the PULSE, RAMP/SAW or SINE output of the MODULATOR, or inject your own SOURCE to the bus.

Voltage-controlled INDEX behaves like a macro control when combined with various amounts and polarities dialled in at each CV destination.

Internal sends include the Carrier's classic Linear FM, Amplitude, Feedback and TZ-PM Index, with variable amounts and polarities!

Modulator waveforms internally feeding the Mod Bus behave unipolarly, for predictable modulation of every Mod Bus destination, without external patching. By patching in one of the Modulator's bipolar waveform outputs manually (or any external signal), you can override this behaviour.

Dimensions
30 HP
24 mm deep

Current Draw
110 mA +12V
100 mA -12V

Notes: Universal drum synthesizer with roots in the analog world on a swappable oscillator platform

Basimilus Iteritas Alia is a parameterized digital drum voice with its roots in the analogue world. At its heart, the BIA is a simple six-oscillator additive and FM synthesizer with waveform, harmonic spread, and envelope controls. An adjustable noise oscillator and an extreme take on a wavefolder round out its synthesis abilities. Its straightforward controls make sound design fun and performable: create sub-shaking kicks, snares, hats, and unique drum hits with just a few tweaks.

BIA is a classic percussion module but you'll be blown away by how much more it can do. Use it for leads, basslines, or build a whole drum kit with some external CV. Plus, the envelope output means you can use the BIA for shaping and modulating other parts of your patch.

Basimilus Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Gross, gritty, and dark industrial-strength voice on a swappable oscillator platform. Pangolin approved.

Manis Iteritas Alia is a voice based on the architecture of Basimilus. It was designed to be grittier and more aggressive by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis Iteritas Alia is fantastic for leads, basslines, drums, darkness, detuned swarminess, or pure mayhem. Plus, MIA's dedicated envelope output is a great modulation source for the rest of your patch.

MIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

A portion of the proceeds of every Manis Iteritas Alia sold goes to pangolin conservation.

Width: 10HP
Depth: 22mm

Notes: Gross, gritty, and dark industrial-strength voice on a swappable oscillator platform. Pangolin approved.

Manis Iteritas Alia is a voice based on the architecture of Basimilus. It was designed to be grittier and more aggressive by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis Iteritas Alia is fantastic for leads, basslines, drums, darkness, detuned swarminess, or pure mayhem. Plus, MIA's dedicated envelope output is a great modulation source for the rest of your patch.

MIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

A portion of the proceeds of every Manis Iteritas Alia sold goes to pangolin conservation.

Width: 10HP
Depth: 22mm

Notes: Hybrid additive phase-modulation voice on a swappable oscillator platform

Debel Iteritas Alia is a hybrid additive phase-modulation voice inspired by classic and experimental synth sounds from across the decades. Three synthesis algorithms range from classic FM plucks and basses to all-out additive anarchy. DIA features a two-parameter envelope with a huge range of shapes and timing, making it easy to dial in the exact sound you want. With CV over every parameter, a dedicated envelope output, and an absolutely massive timbral range, Debel Iteritas Alia is a powerhouse synth voice in a compact package.

DIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Skippy is a matrix and non-matrix polyrhythmic sequencer (linear and logarithmic) which offers four completely independent tracks with a very simple interface: one button per track, one function per screen, no sub-menus.

Possible saving of 64 configurations.

Internal connection with expander module (coming soon) and with Zazou, generative composition module (coming end of 2023).

Functions per track

- BPM (10 to 400)
- Number of steps (1 to 64)
- Linear or log
- Random function
- Chaotic function
- Direction: clockwise, counterclockwise, ping-pong, pause
- Number of steps before the start of the sequence
- Number of steps before the end of the sequence
- Gate duration

Specific algorithms

- Euclidean (Bjorklund)
- Matrix Patterns
- microtiming patterns
- matrix rotation

Clock

- External clock input or Reset
- Clock output
- 1/1, 1/4, etc.

Menus

- BPM
- STEP
- BEGIN
- END
- GATES
- PROBA
- CHAOS
- WAY
- SWING
- GAUSS
- EUCLID
- TILES
- POLYR
- JAZZY
- SPIN
- PAUSE
- RESET
- SYS: save, load, new, clk/rst, clk

Tech Specs

Width: 10 HP
Depth: 32 mm

Current Draw:
+12 V 0 mA
-12 V 0 mA

Notes: Mûmack is built from a temperature-stabilized analog source producing the three classic waveforms: triangle, saw, rectangle. This basic signal can be altered or enriched in several ways, which can be combined with each other, and associated with one VCA per mode.

Peak Compressor:
In the central position the signal is not modified. Turning the potentiometer to the right or to the left will compress the signal positively or negatively. It is this signal that will then feed Usual, Mûm and Hack. An LFO is dedicated to the compressor, controllable in speed and amplitude. A CV input with attenuator can also control the compressor.

USUAL:
The three waveforms are freely mixable, a CV input and a potentiometer can change the shape of the rectangle wave (PWM). The compressor intervening upstream, it can strongly influence the final form and the amplitude of USUAL. This produces complex analog waveforms, moving in time with the LFO or the CV input. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

MÛM:
The Waveform potentiometer move the waveform of Mûm continuously from a attenuated triangle to a more pronounced triangle, then to a sinusoid and finally to a square wave. An LFO allows you to add a vibrato adjustable in speed and amplitude. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

HACK:
Mûm's signal is taken up in a Wavefolder + compressor. Depending on the settings of the Peak compressor, and the three LFOs, we obtain complex, moving, organic waveforms. Again the linear potentiometer allows to mix the signal with the others, and to adjust the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

ALL:
The three channel (Usual, Mûm, Hack) are mixed and brought together in a single output. The output volume is adjustable and a CV input with attenuator works like a VCA.

MIXER & VCA
The voltages produced by Mûmack, as is the case with many analog VCOs, can be high. The mixer allows them to be attenuated if necessary. Each of the three channels, and the product of the three, can be controlled by the VCA, with attenuator. The VCA is designed to add distortion at high values. The mixer is exponential for more subtle adjustments in low values.

Dimensions
30 HP
40 mm deep

Current Draw
155 mA +12V
155 mA -12V
0 mA 5V

Notes: *** This version of UTILITIES comes with PULSAR-23 style turrets designed for connecting alligator clips. ***

UTILITIES contains a set of simple auxiliary modules to expand the functionality of the PULSAR-23 drum machine. UTILITIES modules can also be used with any gear that works with CV signals (Eurorack, semi-modular synthesizers, etc.).

The modules included in UTILITIES can be divided into two groups:
1) Passive elements such as switches, resistors, capacitors.
2) Various types of amplifiers and waveshapers, linear, non-linear, controlled and uncontrolled.
Passive elements are designed to expand the possibilities of switching and controlling the PULSAR.

Linear amplifiers are needed when you need to feed a signal from a device operating in a lower voltage format to the PULSAR inputs. For example, it can be a step sequencer with an output voltage of 5 volts, while the PULSAR needs 10 volts to fully trigger the drum modules. Or it could be the output of a cassette tape recorder, which has an output of 1 volt, while for normal operation the PULSAR needs an input level of an audio signal of 5 volts. Non-linear and controlled amplifiers and waveshapers are designed to control the signal level, while simultaneously changing its spectrum, distorting its shape and adding harmonics. The circuitry of these amplifiers is very simple and based on the early developments of the transistor era, with its inherent beauty and grace.

UTILITIES connectors are made in the PULSAR-23 format on pins designed to connect the alligator clips. There are also adapters for 3.5mm Eurorack mini-jacks.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

There are also adapters for 3.5mm Eurorack mini-jacks. The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

Power supply: DC +12 v 5.5 x 2.1 mm center plus
Current consumption: 50 ma max
Dimensions: 288 x 193 x 40 mm
Weight: 0.75 kg

Notes: Cleverly designed melodic looping sequencer/sampler, offering four pattern banks each with 16 steps, aiming to bring 'DAW-style' workflows to Eurorack - sample reversing, pitch shifting, and so on.

Suppliers notes:
Torus is an overdub looper for harmonic playback. It offers four, 16-step pattern banks for sequencing as well as other sample manipulation techniques. It was designed to bring daw recording workflows (sample reversing, pitch shifting, sequencing, etc.) to eurorack cases.

Inputs:

A, B, C, D - buttons for choosing the current pattern. When combined with chain, these buttons can be used to sequence a pattern chain. Individual chains can be support 16 steps and are kept in sync with torus's global clock.

Chain - button for chaining behaviours. Chain + A, B, C, D can be used to sequence a pattern chain. Chain + record can be used to record multiple patterns in series and then chain playback. Chain + clear can be used to clear all recorded patterns. Chain + tap can be used to reset the current pattern when it contains recordings.

Mix - knob and CV used to blend between the input signal and the recorded pattern.

Record - button and gate in for turning on and off recording. When a pattern is not recorded, record will turn on and in sync with the clock. When a pattern is recorded, record will immediately turn on and off overdubbing.

Oct - buttons for octave shifting pattern buffer playback. Oct buttons can be used to clock divide/multiply an input clock signal.

Reverse - button and gate in for reversing buffer playback.

Harm - knob and CV for choosing harmonic pattern playback speeds. Playback speeds include both integer clock multipliers and perfect intervals.

Tap - button for tapping in tempos for the internal clock. Tap will repeat the current note when the current pattern contains recordings. Combine with chain to reset the entire pattern when the current pattern contains recordings.

Clear - button and gate in for clearing the current pattern. Combine with chain to clear all recorded patterns.

Clock - gate in for clock syncing

In L and in R - audio input, left will be converted to stereo if there is no right input.

Outputs:

Harm out - gate output mapping to harmonic playback resets. This gate output will range from 1-16x the clock out frequency depending on the harm knob/CV value.

Clock out - gate output for the global clock. The output gate frequency will be 0.25-4x the input clock speed based on the oct button state.

Reset - gate output when the current pattern has reset.

Out L and out R - audio output

100 mA +12V 40 mA -12V 0 mA 5V

16 HP 35mm deep

Notes: Monolith is a pitch-shifter reverb inspired by west coast synthesis techniques. It utilizes a time-domain based FM algorithm that acts as a shimmer.

Inputs:

In L and In R - audio input, left will be converted to stereo if there is no right input
Blend - knob and CV for controlling the fade between the dry and FM audio signals
DJ filter - knob and CV for controlling the reverb delay line filtering
Wet - knob and CV for controlling the reverb decay
Mod - knob and CV for controlling the scale of FM modulation. Low mod values correspond with microtonal pitch regions. High mod values correspond with multiple octave shifts.
On - button and CV gate for toggling on/off FM modulation. When FM modulation is turned on/off, the FM modulator oscillator is reset.
Quant - button and CV gate for toggling on/off FM pitch quantization.
Freq and v/oct - knob and CV for controlling the frequency of the FM modulator oscillator. Also control reverb pre-delay.
Shape - knob and CV for controlling FM modulator oscillator shape. Shape wavetable transitions from sine wave (8 o'clock) to triangle wave (12 o'clock) to square wave (4 o'clock).
Clock - CV gate for tempo syncing modulator oscillator period.

Outputs:

Out L and out R - audio output
Gate - CV gate out that is period synced with the FM modulator oscillator

100 mA +12V 40 mA -12V
14 HP 35 mm deep

Notes: Updated version of Source Audio's excellent Nemesis delay features an all-analogue dry signal path, meaning your original signal passes through unadulterated. Same versatile delay options, including patches based on vintage and modern hardware.

Supplier's Notes:
The NEMESIS Delay ADT is an updated version of Source Audio's award-winning NEMESIS Delay. It has all the tones and features that made the original NEMESIS so popular and includes some key updates including an analogue dry through signal path.

Analogue dry through means that the guitar's dry signal maintains a 100% pure and unprocessed analogue signal adding only the delay you choose. Other new features include enhanced MIDI functionality, 100 factory loaded presets, and an updated collection of delay effects easily accessible with the pedal's intuitive interface. The updated NEMESIS is also compatible with over 1,000 Neuro user presets created for the original NEMESIS Delay.

Additional NEMESIS Delay ADT features include stereo ins & outs, full MIDI functionality with 5-pin MIDI DIN and through ports, tap tempo with 15 different beat divisions, 8 onboard presets (128 with MIDI), bypass trails, external expression control, and a delay "freeze" function engaged by holding down the tap tempo footswitch.

NEMESIS Delay ADT captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought-after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. At the opposite side of the spectrum, you'll find an advanced collection of sophisticated and specialized delay effects.

In addition to the basic 12 delay engines available on the front panel, the NEMESIS Delay ADT also features 12 extended delay engines for a total of 24 engines in all. These additional "back 12" effect engines offer a variety of tonal options and can be selected using the Neuro App or via MIDI. Any of these effects can be used to overwrite the default effect engines on the effect dial or can be stored as user presets.

Job one in the development of the NEMESIS Delay ADTwas to create a flexible, easy-to-use, and great sounding delay pedal. Out of the box, that's exactly what it is - plug in, select from the twelve onboard delay engines and make beautiful music... simple. But there is much more here than meets the eye - the truly "Big Idea" behind our One Series pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Neuro Mobile App are free downloads for iOS, Android, Mac, and Windows.

Additional parameters found in Neuro include Diffusion, Distortion, Wow and Flutter, Advanced Filtering, Sample Rate Reduction,12 different Tap Tempo Beat Divisions, Polyphonic Pitch Shifting and much more. Neuro's complete collection of delay effects includes "Sweeper" (a modulated filter delay), "Degrade" (with sample rate reduction), "Sequenced Filters," "Warped Record", "Chorus," and more.

Customized presets can be published to the cloud and made accessible to the entire Neuro Community. To date there are well over 8K published presets available for One Series pedals in Neuro. After editing your preset, burn it directly to the pedal and access it easily without reconnecting the Neuro App.

Notes: *** Onyx Edition ***

Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Notes: *** Onyx Edition ***

Reverb and reverse delay go to the next level with this "ambient creation machine". Two DSP circuits with analogue feedback allow you to create epic soundscapes, time-stretching effects and more.

Supplier's Notes:
Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as... Lore.

Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Having two analogue feedback paths allows each program to incorporate a unique mix of affected and unaffected feedback. The two feedback paths interact and build off of each other organically, offering the user a wide array of sounds and behaviours to experiment with.

Programs:

I. Reverse Delay into Reverse Reverb: Program 1 combines reverse delay with reverse reverb with a focus on organically interacting feedback paths. Space and ambiance build as the signal is reversed, re-reversed, reverberated, and reversed again within the feedback network. Experiment with the X knob to control how reversed your delay trails are with left being least reversed and right being fully reversed. Lots of fun with big, eerie minor chords!

II. Reverse Delay into Octave Up Reverb: Program 2 is a "light reverb" that combines octave-up harmonic feedback with an expansive, airy, reverb tank to create a breathy, spacious ambiance. Use the Regen knob to introduce a playful shimmer into the reverb decay. Increase the X knob to control the decay of the reverb. It sounds especially great with delicate fingerpicking parts.

III. Reverse Delay into Octave Down Reverb. Program 3 is a "dark reverb" that combines octave down harmonic feedback with heavy filtering and harmonic distortion, to create a sound that is thick, rich, and murky. Use the Regen knob to bring a lower octave into the reverb decay. Increase the X knob to control the decay of the reverb. Add in some high gain or fuzz to alter the time-space continuum.

IV. Reverse Reverb into Forward Reverb. Program 4 is a dual reverb program, featuring reverse reverb into forward reverb, Dual harmonic feedback paths allow the user to dial in octave up and octave down, and time stretching allows for control of the size and character of the space. Perfect for instantly transforming guitar into rich ambient pads. Use the Feedback knob to add a lower octave to the reverse reverb. Conversely, use the Regen knob to add an octave up to the reverse reverb decay. Control the decay of the forward reverb with the X knob. To channel all things ambient, experiment with dynamic picking and strumming techniques with the mix fully wet for ethereal drones and pads.

V. Pitch Delay into Pitch Delay. Program 5 features two "duelling" pitch delays, which shift the input signal up and down in complementary or opposing directions, allowing the user to create intricate harmonic patterns in the feedback network. Behaves like a sequencer at higher delay times and like a harmonizer at lower delay times. Use Feedback and Regen knobs to control various amounts of pitched delay repeats. Use the X knob to change the order of the 4th, 5th, and octave intervals that the pitch delay steps through. Experiment with short staccato notes to create some very interesting rhythmic parts!

Dive / Rise - Holding down the tap tempo switch will momentarily shift the clock rate of the pedal down or up and will hold it at that rate for as long as the switch is pressed. The direction of the dive can be changed by simply pressing bypass and tap simultaneously. A green LED over tap will indicate rise is set and a blue LED will indicate that dive is set.

The Mod knob will control the amount of modulation applied to the wet signal. Holding down bypass and adjusting the Mod knob will adjust the modulation rate. The bypass LED will blink to show your set mod rate.

Specs:

The die-cast enclosure's exact size is 3.62" x 4.79" x 2.25" including knobs.
Buffered bypass.
Power requirements are 9VDC, center negative (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Notes: *** Onyx Edition ***

Distortion and reverb meet in this unique pedal, sporting a joystick to tweak the sound and the option to flip the order of the two effects in the signal chain. Simple, quirky and effective.

Supplier's Notes:
Walrus Audio give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less is more approach, Walrus Audio have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs

The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes, DSP, DSP + True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Befaco's unique GameBoy-based effects module allows you to change effects by swapping cartridges, all with CV control over key parameters. Effects include Skuara's harsh fuzz, Instruo's micro phaser and much more.

Supplier's Notes:
A crazy idea with the support of a bunch of crazy people.

A Multi FX module based on game carts!

FxBoy is a multi-FX module designed in collaboration with several talented manufacturers.

This is an effect unit with CV control over the parameters and Dry/wet control, with a Built-in CV controllable four bands EQ.

Each effect is physically hosted in a hot-swappable game cart and designed by a different manufacturer: Touell Skouarn with Skuara a harsh fuzz with overdrive, Instruo with micro Phaser, a two-flavoured Phaser, Feedback modules with a vintage Flanger, XOR with FX-Girl, a digital double effect module: Delay + Granularizer, Making sound machines with an analogue Wave folder, Tesseract with a bit crusher and Befaco Trash distortion!

What have these crazy people put in their cartridges?

Trash

Trash is a harmonic distortion that combines both clipping and folding flavours. Modes A and B will select between aggressive and more aggressive flavours!

Flanger

Analogue Wavefolder

Eskuara

AVMA
AVMA by Tesseract Modular is a bipolar VCA with one switchable wavefolder stage followed by an analogue frequency reducer. The VCA gain is x2, it can be used with i5V oscillator signals at the CV input for ring modulation effect.
Micro Phaser

Three cascaded all-pass filters, a built-in LFO and a saturator in the feedback path.

The purpose for this cartridge is to completely f&%k your phase up!

Instruo - We make sounds with the things that we make to make sounds with.

Technical Specifications

CV control over all parameters and Dry/wet
CV controllable four-band EQ, routable post or pre-effect.
Hot swap for all carts.
Selector for two different flavours of each cart.
Open specifications to design your own carts

Specs

Current needs: +12V: 125mA, -12V: 100mA, 5v: 0mA
Width: 12 HP
Depth: 35 mm (including power connector)
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Designed to integrate sound sources from outside Eurorack, Verbos's Real World Interface offers three channels including built-in microphones, preamps, envelope followers and a frequency detector.

Supplier's Notes:
The Real World Interface is a 3-channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the centre channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sounds into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960's. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

Size: 18HP

Notes: *** This version of UTILITIES comes with with screws instead of pins. Also designed for connecting alligator clips, just more affordable. ***

UTILITIES contains a set of simple auxiliary modules to expand the functionality of the PULSAR-23 drum machine. UTILITIES modules can also be used with any gear that works with CV signals (Eurorack, semi-modular synthesizers, etc.).

The modules included in UTILITIES can be divided into two groups:
1) Passive elements such as switches, resistors, capacitors.
2) Various types of amplifiers and waveshapers, linear, non-linear, controlled and uncontrolled.
Passive elements are designed to expand the possibilities of switching and controlling the PULSAR.

Linear amplifiers are needed when you need to feed a signal from a device operating in a lower voltage format to the PULSAR inputs. For example, it can be a step sequencer with an output voltage of 5 volts, while the PULSAR needs 10 volts to fully trigger the drum modules. Or it could be the output of a cassette tape recorder, which has an output of 1 volt, while for normal operation the PULSAR needs an input level of an audio signal of 5 volts. Non-linear and controlled amplifiers and waveshapers are designed to control the signal level, while simultaneously changing its spectrum, distorting its shape and adding harmonics. The circuitry of these amplifiers is very simple and based on the early developments of the transistor era, with its inherent beauty and grace.

UTILITIES connectors are made in the PULSAR-23 format on pins designed to connect the alligator clips. There are also adapters for 3.5mm Eurorack mini-jacks.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

There are also adapters for 3.5mm Eurorack mini-jacks. The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

The top panel and enclosure of UTILITIES are made of PCBs, which significantly reduced the cost of the device.

Power supply: DC +12 v 5.5 x 2.1 mm center plus
Current consumption: 50 ma max
Dimensions: 288 x 193 x 40 mm
Weight: 0.75 kg

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late

Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: A creative new approach to sampling, the first release from Teenage Engineering's EP Series is an evolution of the PO-33 K.O! Pocket Operator. Sample, program, sequence and produce in one comapact, retro box.

Supplier's Notes:
Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: Fire-themed version of the expressive J-Play Pack from Joue. Based around the idea of making music more organic and natural, the Play Pads transform the J-Play's behaviour, allowing you to control and perform in a range of ways.

Supplier's Notes:
The J-Play transforms your musical experience with a complete system combining an expressive multi-instrument, an intuitive application and interactive content to practice.

A unique playing experience

The J-Play instrument merges the quality of traditional musical instruments with the technology of the digital world. It is sensitive to natural gestures for unparalleled expressivity. It is also a modular instrument, once placed on the J-Play Board, the interchangeable Play Pads instantly transform the instrument into a guitar, keyboard, drums, xylophone or vocal effects station. Each pad has its own bank of instruments. Explore different musical styles and experiment with new sounds thanks to the integrated effects!

With you, everywhere you go, the design of the J-Play has been thought out to adapt to all playing styles. Compact and lightweight, it slips easily into a backpack and follows you on the go. Don't let any musical idea slip away!

Intuitive & powerful app

Create, modify and share your songs in an intuitive way thanks to the included application. No need to spend hours on overly complex music software anymore, the Joue Play application guides you step by step through the process of creating music to make it intuitive. The app has been designed as a simplified music creation software: making music is easy and fun!

The Joue Play app is freely available for Windows, macOS, iPadOS and very soon for iPhone (before end of 2023).

Exclusive content

Practice at your own pace and recreate your favourite songs: each week, a new playable cover track is added to the large collection of well-known covers already available in the J-app. Replay the rhythms of your favourite artists, and get creative by remixing them. Change the sounds, the tempo or add your own rhythms!

Grow with it

The perfect instrument for beginners, a great first step into digital music making for musicians but also a powerful MPE MIDI controller for advanced music producers. The J-Play will always suit your style in accordance with your skills and needs. Discover a whole new way to control your software. Combine all your controllers into one device that will always be at hand in your studio or on stage.

1 wooden board
5 Play Pads (Fire): guitar, piano, drum, audio, keys
USB-C to USB-C cable
Storage bag
J-App included with dedicated tutorials and sound banks

(!) If you want to use your J-Play with an iPad, make sure the port type. USB-C to lightning adapters are available as accessories.

Notes: Part of 1010's excellent Nanobox series, the Tangerine is a tiny powerhouse sampler. A fresh new approach to sampling, from one-shots to loops, all the way through to four-hour recordings.

Supplier's Notes:
Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

Notes: With the Zomo Flightcase D-Live-4 NSE, you can expand your DJ gear with a reliable partner that securely accommodates and stylishly showcases your Denon DJ SC Live 4 DJ controller. This high-quality flight case stands out for its robustness and elegance and belongs to the trendy NSE Series - Night Style Edition, which is renowned for its unique aesthetics and durability.

The Flightcase D-Live-4 NSE is the perfect shield for your DJ controller, whether you're traveling by car or air. These resilient cases are ready to face any challenge and protect your valuable equipment from the toughest stage conditions.

The flight case is made from 9mm thick laminated plywood, providing extra stability. This material safeguards against impacts and scratches, effortlessly withstanding the demands of touring. The sturdy construction is further enhanced by robust ball corners and specially reinforced, black lacquered aluminum profiles that ensure long-lasting durability while adding an attractive appearance to the case.

The Zomo Flightcase D-Live-4 NSE is incredibly user-friendly. The lid and front panel can be quickly and easily removed before each gig, even with the DJ controller still inside the case. This allows you to be ready for action at any time and focus entirely on your performance.

Not only does the Zomo Flightcase excel in practicality, but it also boasts an impressive visual appeal. Its elegant NSE Edition in black is a true eye-catcher that commands attention and emphasizes your professionalism. The case features convenient butterfly latches for secure handling, allowing for easy opening and closing of the lid.

You can rely on its high durability and optimal fit, ensuring your DJ controller receives the placement it deserves-secure, protected, and stylish.

Zomo Flightcase D-Live-4 NSE Features

Perfect fit: Custom-made for the Denon SC Live 4, the Zomo Flightcase D-Live-4 NSE provides optimal protection and a snug fit, keeping your DJ controller safe and well-protected.
Premium construction: Crafted from laminated 9mm plywood, the flight case offers a robust and durable structure that withstands both impacts and scratches.
Additional protection through interior padding: Soft interior padding safeguards your DJ controller from damage and unwanted influences, providing a secure and protected storage space.
Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even with the DJ device still inside the case. This is ideal for fast access before and after performances.
Elegant and eye-catching design: With its sleek design in the black NSE Edition, the Zomo Flightcase captures attention and highlights your professionalism as a DJ.
Sturdy butterfly latches: These ensure a secure closure of the flight case while remaining easy to use. They also provide the option to attach an optional lock for additional security.
Transport-friendly: Integrated handles make the flight case easy and comfortable to transport.
Long lifespan: The flight case's sturdy ball corners offer additional protection against impacts and vibrations, contributing to its extended lifespan.

Technical Specifications

Compatible devices: 1x Denon DJ SC Live 4
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 13.7 kg
Exterior dimensions: 716 (width) x 501 (depth) x 206 (height) mm

Notes: The Zomo Flightcase P-SL-A9 NSE is a set case suitable for the Pioneer DJ DJM-A9 mixer and 2x Pioneer DJ PLX-1000 turntables and convinces with a lot of details. The P-SL-A9 NSE flight case adds a new equipment case to the popular NSE series. This modern flightcase is incredibly robust to survive the hard tour everyday life without problems.

Abrasion, as well as cigarette burns, cannot harm the Flightcase P-SL-A9 NSE, thanks to the solidly processed, laminated 9mm plywood. Developed for the strenuous tour use, the Zomo Equipment flight cases are definitely tour-ready and protect your more expensive DJ equipment from damage, moisture or falls.

Thanks to the extra wide and black painted profiles made of aluminum and the massive ball corners, the Zomo DJ Case offers a very high durability. To exclude slipping of the DJ mixer, the DJM-A9 Equipment Flightcase is equipped with an excellent inner padding, which reliably protects the equipment from damage and scratches.

Even while your gear is still in the case, the front panel can be easily and quickly removed at the gig. The Zomo EA-1 angle adapter is recommended as a seperate accessory to connect the headphones even easier to the mixer.

The Pioneer DJ Equipment Case in the black NSE (= Night Style Edition) offers not only professional quality, but also convinces with a classic look - definitely an eye-catcher! For an incredibly secure fit of the lid and easy unlocking and locking provide the helpful butterfly snap locks. Additionally all NSE equipment cases are lockable with an optional padlock for higher protection against theft.

Features Zomo Flightcase P-SL-A9 NSE

Provides effective protection against shocks and scratches
High quality and workmanship for hardest use
Extra solid construction
classic design
High quality inner padding for best hold
Practical ball corners
High-quality butterfly fasteners
Integrated carrying handles for easy transport
Removable lid

Technical data

Suitable equipment: 1x Pioneer DJ DJM-A9 and 2x Pioneer DJ PLX-1000
Outer material: 9mm plywood
Color: Black (NSE)
Weight: tba
Outer dimensions: 1449 (width) x 563 (depth) x 209 (height) mm
** The devices shown and/or mentioned on the photos are NOT included!

Suitable devices:
Pioneer DJ DJM-A9
Pioneer DJ PLX-1000

Suitable brands: Pioneer DJ

Laptop shelf included: No

Notes: The Zomo Flightcase Rane Four Plus NSE Flightcase is custom-made for the Rane FOUR controller. Zomo expands its selection with the stylish NSE (= Night Style Edition) Flightcase, adding a new equipment flightcase to the lineup. In addition to its stylish appearance, the equipment case also impresses with its robust construction.

Thanks to the extra strong, black-painted aluminum profiles and the extra solid ball corners, the Zomo DJ Case offers exceptional durability. The practical internal padding of the Flightcase Rane Four Plus NSE guarantees secure protection for the Rane DJ controller against scratches, defects, or other damage.

The stylish, advanced design in the black NSE (= Night Style Edition) complements the concept of the Zomo Flightcase, not only with incredible professional quality but also in terms of design. The helpful butterfly latches allow for easy opening and locking, ensuring a highly secure hold of the lid. All NSE equipment cases can also be locked with an optional lock.

Cigarette embers, heat, and abrasion cannot harm the Flightcase Rane Four Plus NSE, thanks to the high-quality, laminated 9mm plywood. Designed for the rough stage environment, Zomo equipment flightcases are naturally suitable for road and air travel.

The front strip can be quickly and easily removed, even while your DJ gear remains in the case.

Features Zomo Flightcase Rane Four Plus NSE

High-quality flightcase suitable for the Rane FOUR controller
Provides high protection against shocks, scratches, or external damage
Professional craftsmanship for rugged touring use
Extra stable construction
Classic design in dark black NSE optics
Removable front strip - controller can remain in the flightcase
Useful storage for notebooks
Sturdily crafted interior padding for optimal grip
Convenient ball corners offer reliable protection against shocks and vibrations
Premium butterfly latches for quick closure
Practical handles for easy transport
Detachable lid
Technical Specifications
Compatible devices: 1x Rane FOUR
Retractable shelf for 1x 17-inch notebook integrated
Outer material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 19.3 kg
External dimensions: 873 (width) x 522 (depth) x 218 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: Yes

Notes: The excellent SSL 2+ interface gets bundled up with a vocal mic, headphones and accessories to get you started recording. Great value.

Supplier's Notes:
SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2+ interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2+ interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2+ interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2+ Interface

Bring Your Productions To The Next Level

The SSL 2+ Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2+
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm

Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag

Notes: Chroma version of Arturia's flagship KeyStep Pro, a brilliantly versatile sequencer and controller keyboard capable of controlling MIDI synths, drum machines and analogue gear via CV.

Supplier's Notes:
KeyStep Pro Chroma

Sequencing mastermind recoloured

KeyStep Pro Chroma is a special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours. The same all-in-one power, with more edge.

The future is sequenced

Rediscover the controller keyboard that changed the sequencing game, upgraded with a futuristic exterior and supercharged with unique creative functionality.

Chroma aesthetic

Retrofit your musical setup with sleek cyberpunk attitude. KeyStep Pro Chroma features a dark grey casing, vivid blue LEDs, and striking knob caps.

Customize your flow

Exclusive to KeyStep Pro Chroma, you can customize the LED colours for each of your tracks - so every project and composition looks as unique as it sounds.

The must-have sequencer

KeyStep Pro remains the benchmark for hardware & software sequencing and creative performance alike. Chroma is no exception: your sequencing mastermind

Abundant connectivity

From Eurorack modules, to analogue synths and VST's, synchronize all your gear and unleash your creativity in style.

Enterdark mode

Fusing utility with aesthetics, creativity with beauty, and sleek design with vivid colour, KeyStep Pro Chroma delivers next-level performance with pure style.

Exterior

A dark grey shell simultaneously gives this controller space station futurism and classic car attitude.

Lights

Icy blue LEDs illuminate Chroma's metal exterior, while customizable track colours inject perfectly-contrasting vibrancy.

Controls

Complementing the cool grey shell and vivid LEDs, Chroma's controls feature premium, great-feeling stylish caps.

Control hardware, software & DAW at the same time

Looking for the best modular sequencer?

How about a MIDI controller for Ableton? Or a live performance keyboard that can sync all of your favourite synths to a DAW click track? KeyStep Pro's extensive list of controls, connections, and creative functions are designed to tick every box - let's take a closer look:

The ultimate multi-function controller

Command complex hardware setups, entire DAW setlists, modular racks, and more - all with a user-friendly workflow that prioritizes creativity.

KeyStep Pro remains unique and unmatched in its balance of performance-oriented playability, massive connectivity, and creative depth.

Main Features

Unique dark grey design with blue LEDs and stylish knob caps

Customizable track colours

37 note slim keys, velocity and aftertouch sensitive
LED above each key for efficient visual feedback

Four track step sequencer
16 step buttons, up to 64 steps per sequence
Up to 16 notes of polyphony per step

Melodic sequencer
Real-Time recording, step recording, step editing
Pitch, velocity, gate length, time shift and probability for each note
Scale quantization with user scales
Polyphonic CV outputs

Drum sequencer

24 part drum sequencer
Polyrhythm

Performance-oriented sequencer
Forward and two random playing modes
Pattern randomization
Quantized or unquantized recording
Looper

Arpeggiator

7 arpeggiator modes, 5 octave range

What's in the box

Box content

KeyStep Pro unit
Registration card
Quick Start
USB cable
Power supply

Dimensions
Size : 23.2 x 8.2 x 1.5 inches (589 x 208 x 38mm)
Weight : 5.9 lbs. (2.7 Kg)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions
16 HP
26 mm deep with power ribbon cable connected.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Up to eight voices of digitally synthesised drums, percussion and synth sounds from this versatile module, featuring virtual analogue models as well as FM and wavetable options.

Supplier's Notes:
Flame "Fire" percussion synth module

The module is a full 8-way polyphonic drum and percussion synthesizer. It offers different digital synthesis algorithms, which can be distributed over 8 channels. The sound engine delivers virtual analog sounds as well as different digital percussion sounds, which are generated with FM, wavetable or virtual analog synthesis. It is also possible to create sim- ple monophonic bass or synthesizer voices.

During development, particular attention was paid to direct and simple usability with regard to live operation. The hardware essentially consists of two parts (which are deli- vered together). On the one hand there is the basic module with all controls, the display, connections for MIDI, 2x CV inputs and 5 audio outputs.

There is also a separate XFIRE I/O extension with sockets for the 16 analog trigger/gate/CV inputs and 3 additional audio outputs. Both modules are connected via a 60cm long ribbon cable. In this way, the XFIRE module can be installed anywhere else in the rack. The base module is therefore only 22TE wide and can also work alone without the extension as a MIDI expander.

A maximum of 8 audio outputs are available. A stereo pair (outputs 7+8), plus 6 additio- nal individual direct outputs. All outputs are freely configurable. Two pages with settings for panorama and volume are available for the stereo main out.

There is a gate/trigger input and a configurable CV input for each channel. Two additio- nal programmable CV inputs can be used for further controls. Regardless of the analog connection, the module offers full MIDI functionality. Two MIDI inputs and a MIDI output/softthru allow integration into an external MIDI setup. The firmware can be upda- ted via MIDI Sysex. The created KIT data can also be saved or exchanged.

Notes: ***B-STOCK: Box damaged, missing documentation, product in perfect working order***


Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Pro VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the Pro VLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the Pro VLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

Exceptional signal integrity with extremely low noise and low distortion is achieved in the Pro VLA II by utilizing a transformerless design throughout.

Unlike typical compression units that use Voltage Controlled Amplifiers (VCA's) to handle level detection, the Pro VLA II's Opto-electronic design allows a far more transparent and musical sounding compression without sounding aggressive or un-natural. This Vactrol based optical electronic circuitry is the basic component of the classic highly sought after compressors of past.

The Vactrol design allows the Pro VLA II to react to audio signal in much the same way the eye naturally adjusts to fluctuations in light levels, smoothly, quietly and almost imperceptibly.

The Pro VLA II is a soft knee leveling amplifier by design. Although capable of providing dramatic compression effects, the Pro VLA II was designed to excel in any application where transparent, expressively musical dynamics control is desired.

Large highly visible backlit analog VU meters accurately display input and output levels while extremely fast 10-segment LED's display gain reduction. For added functionality, the LED's display either average level for mastering & mixing applications or peak hold for monitoring individual sources when tracking audio.

XLR and 1/4" TRS balanced inputs and outputs are provided to ensure the Pro VLA II can connect with any audio source or hardware. A +4 dBu/-10 dBu mode switch optimizes the Pro VLA II I/O for either consumer or professional equipment.

Notes: Great value from this entry-level rotary mixer. Simple two-channel design with three-band EQ and an intuitive multi-mode filter. A strong rival to the Omnitronic TRM-202MK3.

Supplier's Notes:
Introducing the Headliner R2, a 2-channel rotary DJ mixer that is perfect for DJ's looking for precise control and a warm sound, without breaking the bank. Don't let the price tag fool you. The R2 is packed with features, like an analog filter and 3-band isolator EQs on each channel, and uses only high-quality components, including genuine ALPS potentiometers.

Featuring two stereo channels with selectable Line and Phono RCA inputs, each channel on the Headliner R2 comes equipped with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a filter activation switch.

The Master channel boasts an analog filter, headphone monitoring, and output control section. The analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls, giving you precise control over your sound. Independent Master and Booth outputs with volume controls, both with balanced XLR and unbalanced RCA connectors, give you the flexibility to connect to any sound system.

The headphone Cue control section is packed with features, including headphones volume control, headphones mix control (Cue/Master), and split monitor switch. You can easily switch between listening to the master output and the cue output, or blend them together in your headphones, giving you complete control over your mix. The high current headphone amplifier with, dual 1/4" and 1/8" jacks, allows you to use any type of headphones you prefer.

The Headliner R2 features genuine ALPS potentiometers, and a sturdy metal enclosure with stained wood side panels for a classic look that will complement any DJ setup. The modular internal construction, coupled with the external power supply connected via locking Mini XLR ensure superior audio performance.

The Headliner R2 is a reliable, high-quality mixer that will give your DJ performances that classic vibe. Whether you're spinning house, techno, or classic funk/soul/disco jams, this fun little mixer is the perfect addition to your setup.

Specifications

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz - 20kHz (+/- 0.1dB)
THD + N: < 0.1%
EIN: -120dBu (150O Load)
Input Impedance: 3 kOhm

Line Inputs
Nominal Input Level: -10dBV (-7.8dBu)
Gain Range: -12dB to +12dB
Frequency Response: 20Hz - 20kHz (+/- 0.1dB)
THD + N: < 0.05%
Input Impedance: 47 kOhm

Phono Inputs
Maximum Input Level: -40dBu
Gain Range: -12dB to +12dB
Frequency Response: RIAA
THD + N: < 0.05%
Input Impedance: 47 kOhm

Main Outputs
Nominal Output Levels, balanced: +4dBu
Maximum Output Level, balanced: +20dBu
Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
Maximum Output Level, unbalanced: +12dBu
Frequency Response: 20Hz-20kHz (+/-0.5dB)
Residual noise: <-80dBu Dynamic Range: > 100dB
Crosstalk: < -65dB
THD + N: < 0.05%

Headphone Output
Maximum Output Level: 70mA/channel into 150O
Minimum Load Impedance: 32 Ohms/channel

Power Supply
Type: External with locking mini-XLR connector
Input Voltage: 100-240v ~ 50/60Hz
Output Voltage: +/-15V; 500mA
Voltage Range: 32 Ohms/channel

Notes: Fuzz meets synth meets reverb in this clever pedal. Built-in drone VCO, noise generator, LFO and effects allow you to warp and twist input signals into completely new tones and textures.

Supplier's Notes:
Grone 2 Dark Drone machine Pedal Version

Blocks description

Drone VCO:

Generates sound based on equations converted to analogue signals, there are sixteen equations selected by algorithm up pot. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There's an expression jack input, EXP2 for controlling sampling rate.

NOISE GENERATOR: White noise with noise level pot.

Voltage Controlled Filter: MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION 1 amount pot, Expression jack input 1 controls filter cuttoff.

LFO1: Low frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.

Waveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes

FUZZ Section: gain stage that affects input signal, with controls for input gain and level.

Effects Section: Consists of a chorused reverb with delay, adding octave up or down component, with freeze function

Pots controls:
1-Blend controls mix of effects over final output signal
2-Octave blends mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component
5-Balance controls mixture from reverb and delay.
6-Pitch controls the sampling rate of the whole effects section, modifying delay time and reverb decay.

Footswitches:
1- Synth: mutes or enables the drone VCO and noise generator
2-Filter: Bypass for the VCF
3-Fuzz: Bypass for the fuzz that processes the input signal.
4-reverb: Bypass for the reverb/delay section
5-Freeze: toggles freeze function for reverb section

Jacks:
Input, Expression 1 input (VCF) Expression 2 (VCO sample rate), Output

Notes: Sixteen Seconds Delay vintage eurorack version, inspired by the original looping delay from 1983.

The device topology is the same as first digital delays from that era, with an all-analogue signal path, pre emphasis and de-emphasis, compression and expansion, antialias and reconstruction filtering and input output buffering and mixing.

Digital processing is limited only to analogue to digital conversion, memory management and storage and digital to analogue conversion, all in glorious eight bits.

There's also an analogue triangle Low Frequency Oscillator for modulating delay time/pitch Maximum delay time has been increased to 32 seconds, there are toggle switches for slow/fast speed/pitch , freeze function and reverse playback.

On board modular inputs for CV control of sample rate, infinite/freeze, reverse, slow/fast, reverse, delay line retrigger for sync and stutter experimentation.

Slider illuminated controls are delay time coarse, delay time fine, sweep rate and depth, feedback and mix.

Proudly hand built in Uruguay, by Maneco Labs also creators for the Grone Drone machine Eurorack, Tabletop and Pedal drone generators among others.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag

Notes: Yamaha's all-in-one portable production tool offers an exciting new take on music making. Synth and sampler engines combine with a built-in sequencer, allowing you to create tracks from scratch.

Supplier's Notes:
Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: ProFX10v3+ is a compact analogue mixer and USB-C audio interface with features from a studio recording console. Equipped with essentials including one-knob compression, EQ, Hi-Z switches and 100 Hz low-cut filters, it's the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. The award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features:

4 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetooth for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 9/10
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 10
Mic inputs: 4
Aux sends: N/A
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Part of Mackie's excellent ProFX series, the 12v3+ combines a 12-channel analogue mixer with built-in USB audio interface for quality recordings. Includes GigFX+ digital effects, colour LCD screen and Bluetooth input.

Supplier's Notes:
12-channel professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with award-winning Onyx preamps, channel EQ and analogue compression. Upgraded GigFX+ effects enhance your sound, plus you can edit and save your presets on the fly via the full-colour display. Switch between recording modes to track dry or include the FX, or use loopback mode to stream video games or perform over backing tracks without feedback. You can even bring in podcast guests over the phone via Bluetooth on a dedicated channel. With easy connectivity, the warmth of analogue and an upgraded FX engine, Mackie ProFX12v3+ is the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features

7 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1-4
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 11/12
Separate FX, monitor and subgroup busses
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line Inputs: 12
Mic Inputs: 7
Aux Sends: 1
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording Modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform.

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Ataraxic Iteritas Alia

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on our 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m