Review: For the latest missive on their reissue-focused Attic Salt Discs imprint, Dusty-fingered duo Colin Volvert and Otto Kraanen have snapped up the rights to a sought-after 1984 cut from Belgian new wave band 1000 Ohm. You'll find their original vocal and instrumental versions on the A-side, with both sounding like a delightful cross between bubbly Italo-disco, Bobby 'O' style Hi-NRG and the imperial synth-pop of the Pet Shop Boys. Arguably even better than both original mixes is Vanzetti and Sacco's more dancefloor-focused flipside edit. While this does make use of 1000 Ohm's Heaven 17/ABC style vocals and cheery melodies, there's far more focus on the druggy arpeggio groove and chunky drum machine beats.
Review: Robin Twelftree has been busy over the past year bringing back his particular take on peak time house with a disco edge. Prolific in the late 90s and early 00s, his 12Tree project went on an extended hiatus but now finds a new outlet with the Hot Piroski label. "In The Sun" is a sassy uptempo workout with funk and flamboyance to match the tougher edges of the track. "Magic Dust" slows things down to a supremely mellow strut, with heavy lashings of soul blissed out over the top of the drums. "Guitar Solaar" stays in the downtempo zone with a subtle cosmic lilt and gorgeous vocals unfurling over loose and lazy breaks.
Review: More majestic electro workouts from Chris "214" Roman, a producer who has been serving up slabs of tightly wound machine funk since the dawn of the decade. He opens his first Frustrated Funk outing for three years with the bittersweet deep electro shuffle of "Growing Old Together" before breaking up the beats, ratcheting up the bleeps and cranking out the crackles on alien funk throb-job "Last Dance". Over on the flip, "Dislocated" is a high-tempo slab of end of days electro full of growling noises and creepy chords, while "Voice Check" is picturesque, dreamy and life affirming: a triumphantly positive and melodious conclusion to another stunning collection of cuts.
Review: Under the 2XM alias, super siblings the Murray Brothers have thus far proved to be rather good at fusing heady, smoky deep house with the dreamy chords of ambient house and a variety of interconnected influences. They're in fine form on this EP, too, effortlessly moving between two-step/dream house fusion ("Dancing Styles", which surprisingly reminded us of late '90s Irresistible Force Records), eyes-closed jazzy deep house bliss (the fluid electric piano solos, rich chords and dusty beats of "Doing It"), ultra-deep, Floating Points-esque soulfulness ("Gentle", featuring the evocative vocals of Neil Macleod) and jaunty, synth-sporting dancefloor haziness ("Sorry That You Love Me").
Review: 4E used to be Khan's apartment number in New York City's East Village back in the late 90's. 4E became the trademark sound for his downbeat acid infused electro work. On his kitchen floor he produced a very unique brand of futuristic funk tracks with only a ROLAND TB-303, SH-101 and the Hip-Hop fundamental SP1200 drum sampler. Besides a couple of 12"s for Force Inc. Music and the "Gentle Killer E.P." on Freddy Fresh's Socket imprint, 4E released the highly acclaimed downbeat electro album "4E4ME4YOU" on German glitch label Mille Plateaux. Back in 1998 4E shared the now legendary 12" with I-F "Space Invaders Are Smoking Grass" on the "From Beyond Series" by Ectomorph's Interdimensional Transmissions. Pills & Thrills" on Temple Traxx is four previously unreleased acid-electro stomper that are as funky and noisy as it can get on an East Village kitchen floor.
Review: Disco Fruit come correct once again with that bright and bold house sound to get everybody shaking their thing. 84Bit's "Mamma Jamma" is an impossibly catchy, diva-led funky house jam with pristine production that harks back to the glory days of radio-friendly house music with more hooks than a fishing tackle shop. Hotmood keeps the vibe of the original intact but edges a little more club-ready bite into the mix, master editor Dr Packer takes a subtle approach that keeps the disco vibes front and centre, while Tonbe cools things down with a filter riding version.
Review: Fresh from her Med School missions, Moscow's A.Fruit maintains the leftfield beat heat with another savage session, this time on Om Unit's evergreen Cosmic Bridge. "Make Them Shake" is a loopy ghetto/technoid mutant barbed with all manner of strange squelchy textures while "Polykarp" flips the motion sensors with a surprise drop into iced soul chords and skippy breaks. Meanwhile on the B we're struck with more beguiling gold: with its jazzy chords and pneumatic kicks "Deep Insight" stalks like a cat but punches like a bear while "Before You Go" brings us home on more of a mystic, percussive spacious trip. Crucial through and through, neither A.Fruit or Cosmic Bridge are messing around here.
Paul Valery At The Disco (Prins Thomas remix) (11:40)
Ou Pas (Carrot Green remix) (6:16)
Farmarama (A Man Called Adam Too Much dub) (10:54)
Review: While A Man Called Adam's recent "Farmarama" album did contain a few dancefloor-centric cuts, it was more geared towards sofa-bound listening rather than club play. Hence this tidy EP, which offers up a trio of dancefloor-focused revisions for Balearic-minded DJs. For us, the standout is undoubtedly Carrot Green's inventive revision of "Ou Pas", which re-casts the cut as a dubbed-out, acid-powered psychedelic house trip. That said, many will enjoy Prins Thomas' jazzy and surprisingly trippy take on "Paul Valery At The Disco", which contains tons of new Latin-tinged live percussion and a suitably wonky cosmic disco vibe. If that lot's not enough to set the pulse racing, A Man Called Adam's own "Too Much Dub" of "Farmarama" strikes just the right balance between chunky, bass-heavy rhythms and melodic dreaminess.
Review: Gabriel Reyes Whittaker is The Abstract Eye: an L.A.-based producer also known as GB (Gifted & Blessed) and Frankie Reyes. Regarding the dynamic pace of the music industry, he asks the question, what's real anymore? For him, it comes down to the feelings this music evokes. Last year saw the much needed reissue of his underrated 2011 opus Cool Warm Divine on Holland's Rush Hour, and this new record is another emotive release which explores classic electro and techno sounds - borrowing from the best of the genre's recent past but reinterpreting it in his own distinct way. From the old school deep techno bounce of "Land, Sky & Sea" to the chill groove of "What's Real Anymore?" or the mellow electro of "Butterfly Patterns" - thia is as real as it gets.
Review: US skateboarding magazine Jenkem Mag has long hosted DJ mixes in a range of styles on its website, and in 2017 the spin-off Jenkem Records launched with a multi-genre compilation called 'Beginnings'. Now, over two years later (we're clearly operating on 'skater time' here), the label's second release is this four-track EP from Brooklyn duo and recently announced Rinse FM residents AceMoMa, and it's almost as eclectic as its album-length predecessor, taking in off-kilter melodic house ('Ethereal Stepping'), deep tribal techno ('Nothing Crazy') and drum & bass (the retro junglism of 'Lucky Number 12' and the Bukem-esque 'Soul Deep Management').
Shakmat, But Happy (Pauli Psychdelic Breakfast - take 9) (9:25)
Review: German deep house stalwart Martin Gretschmann aka Acid Pauli is back on Ouie, the Berlin-based label he runs with Nico Stojan. This self-deprecatingly titled EP showcases Gretschmann's dancefloor prowess yet again. From the slinky and hypnotic locomotion of "Dancing In The Trunk" which deservedly takes over the entire A side, while B side cut "Goran Utan" goes deep into the afterhours with its shimmering melodies, humming bass and clipped rhythm patterns and rounds off with even more minimal and reduced aesthetics on the disorienting "Shakmat, But Happy" (Pauli Psychdelic Breakfast - Take 9)".
When I'm Alone (JKriv & Peter Matson remix) (6:14)
Review: Adeline is undoubtedly best known for being the front-woman of Brooklyn-based disco band Escort, an outfit whose members also included Razor-N-Tape co-founder JKriv. It makes sense, then, that her latest solo single is appearing on their "Reserve" offshoot. Co-produced by Midnight Magic man Morgan Willey, "When I'm Alone" is a revivalist leftfield disco cut rich in "Beam Me Up" style walking bass, ear-catching guitar riffs and lolloping drums - all topped off by a fantastic vocal from Adeline. Jacques Renault delivers a slightly heavier, house-influenced remix with subtle Italo-disco style arpeggio lines, while Dirty Channels offers a more bustling but still pleasingly organic sounding disco-house take. Finally JKriv joins forces with Peter Matson on a remix that sounds like vintage Escort with added dub delays.