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Notes: Eurorack version of 1010's superb Bluebox. Vast power in 30 HP, with the ability to mix, record and play back in mono and stereo, hook up to a computer over USB for stereo I/O and run effects, all with CV control.

Supplier's Notes:
The bluebox Eurorack edition is the new Eurorack mixer with effects and multichannel recording/playback based on the award-winning bluebox desktop mixer. With the Eurorack edition's USB-C EXT port, you can send 2 channels of audio to and from your computer. Plus, you can control up to 6 mix settings with the 6 CV inputs. Whether recording your Eurorack jams, using it to play stems as backing tracks, or a combination of both - bluebox Eurorack edition will rock your rack!

Connect your eurorack, sampler, drum machine, and synthesizer outputs to 12 mono, 3.5 mm inputs and map them to 12 mono tracks or 6 stereo tracks - all with independent control for recording and playback. Connect your computer to the USB C port to send and receive two channels of audio.

The bluebox Eurorack edition is the ultimate in compact mixing, effects, recording, and playback for Eurorack. Smack it in your rack and hit the road with a self-contained, electronic music powerhouse!

When you purchase a bluebox Eurorack edition, you will receive:

a bluebox Eurorack edition 30 HP Eurorack module
A microSD card with bluebox firmware and pre-loaded project files
two Eurorack power cables
a bluebox Eurorack edition Quick Start guide
two MIDI Adapters

Technical Specs

Dimensions & Power
30 HP
Module dimensions including knobs: 6" x 5"x 1.6"
Depth behind front panel with ribbon cable: 1.0"
Requires the +5V rail which may not be present
on some older racks.
Uses 500-850mA at +5V (depending
on screen brightness), 320 mA at +12V, and 82mA at -12V
Requires two power connections
Capabilities
12 mono tracks, 6 stereo tracks or something in between
Connect to TRS or USB C MIDI for beat syncing effects
Lots of headroom with support for Eurorack levels up to +/-5V inputs and outputs
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
Durable aluminum faceplate
Stream 2 channels of audio in and out over USB C

Inputs and Outputs
12 mono 3.5 mm TS inputs
2 independently controlled 3.5 mm TS output pairs that can be used as 4 mono outputs
1 stereo 3.5 mm headphone output
6 CV Inputs
1 USB C MIDI Device port
1 TRS MIDI Input
1 TRS MIDI Output
1 USB C Ext jack for streaming audio
3.5" touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons

Notes: Part of 1010's excellent Nanobox series, the Tangerine is a tiny powerhouse sampler. A fresh new approach to sampling, from one-shots to loops, all the way through to four-hour recordings.

Supplier's Notes:
Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in

Review: Hip-hop artist Shing02 (Shing Annen) is a longstanding fixture of chill hop, and is notable for his cross-cultural focus, having been born in Japan but growing up in Western cities. With a precise, multilingual emceeing style few of his contemporaries can match, he's also known for his involvement with Nujabes and the soundtrack for Samurai Champloo, we're happy to see he's still hard at it. 'Real With You' is a collaboration with contemporary lo-fi hip-hop/chill-hop artist 14? and is a bright and serene wonker, lyrically dealing in themes of going with the flow, revisiting memories and letting go.

Review: A live recording of The 1975's sold out show at Madison Square Garden on the 7th November 2022. Following up their latest full-length studio effort Being Funny In A Foreign Language, this live appearance captures the megaband in a different, candid light (sonically), though attendees would have reported a much different experience, with press rumours detailing a Matty Healy constantly beset by fidgeting, chain-smoking and offhand comments as to the then current state of things. All this painted an unfazed attitude, which actually served to help and not hinder the whopping performance; each of the band's hits cut ecstatically through the park.

Review: Following the major success of 2018's A Brief Inquiry Into Online Relationships and 2020's controversial, overly indulgent, ludicrously lengthy yet genuinely brilliant Notes On A Conditional Form, many felt at a loss as to where The 1975 would set their sonic sights next. Shockingly, Matty Healy and co-opted to reign in their artistic scope with Being Funny In A Foreign Language; prioritising instantaneous delivery and poignant pop over swelling instrumental dirges and deep house experiments. Discarding many of their previous outsider influences in favour of delivering an unashamed pop-rock record; the resulting 11-track 40-minute LP is literally half the songs and half the runtime of its predecessor, yet utilises this tighter timeframe to craft some of their most memorable and effective pieces to date. From the sardonic disco-pop of 'Happiness' which channels the 80s, John Carpenter-obsessed aura of their self-titled debut, to the baroque orchestral indie-folk standout 'Part Of The Band' echoing early Vampire Weekend, to the folk-punk balladry of 'Wintering', LP5 from one of the biggest bands in the world is both a simultaneous swing for the fences and an introverted left turn into succinct composition and simpler song structure.

Review: Talented LA producer 1morning makes his debut on the well regarded Character label here and brings plenty of the know how he has picked dup while laying down his superb vinyl DJ sets around the world. He fuses new school funky and tribal techno with subtle hints that suggest he has a love of 90s originators like Ben Sims and Dave Angel. 'Samba De Verao' is a dense, high intensity sound with skewed synths and dusty hi hats while 'Flux' is more deep and has throbbing drums and smeared pads fleshing out the groove. On the flip are two more emotionally intense and fantastically engaging techno cuts.

Review: Cleveland old school death metal revivalists 200 Stab Wounds have quickly made a name for themselves within the scene thanks to their retro-fitted brutality, immense heaviness and reluctance to shy away from the most depraved and gory of lyrical subject matter. Embraced by both the extreme metal and adjacent hardcore communities, and gearing up to unveil their highly anticipated sophomore effort, their new and highly revered label home Metal Blade has opted to reissue their punishing debut LP Slave To The Scalpel. Blast beats, breakneck riffs, monstrous heft and inhumane guttural vocals coalesce into hideous dirges, emboldened by the decidedly nineties production that eschews many of the modern triggers and lifeless production tricks that plague the scene, leading to murder music of the most authentic variety.

Review: Fresh from high-profile collaborative sets with Metro Boomin (2020's Savage Mode) and Drake (2022's Her Loss), 21 Savage has finally delivered a new solo set for the first time in six years. We say solo set; as is the way with blockbuster hip-hop and r&b albums, the set contains a strong cast list - Metro Boomin, Doja Cat, Travis Scott and Young Blud included - while thematically it offers insight into the UK-born, Atlanta-based MC's journey across the pond and eventual rise to stardom. His rhymes are more honest and "real" than ever before, while the luxurious and expansive musical backdrops combine punchy trap beats with carefully selected samples, sweeping orchestration, and the kind of big-studio production associated with rap and r&b's most high-profile artists.

Review: Hip-hop star and 'mumble rap' pioneer, not to mention all-out legend, 21 Savage delivers his third full-length studio album, American Dream. Coinciding with a new, forthcoming biopic about his life - American Dream: The 21 Savage Story - this is probably set to be the rapper's most forthcoming and acclaimed album to date. Having shouldered a fraught early life prior to his rise to stardom in Atlanta (Savage, real name Sheyaa Bin Abraham-Joseph, was born in Plaistow, London, to parents of British nationality and Caribbean heritage), Savage's earliest days are a hot topic when it comes to the theme of shaken personal identity and the double consciousness of immigration, a topic not commonly explored in contemporary hip-hop (it should be). Already lauded as the project through which Savage divulges all, this album serves as a birds-eye view of his history and a defiant rejoinder to the American ICE's misguidedly loaded statement, 'this whole public persona is false'.

Review: Heaven Smile is a Nduja-affiliated label that is back with a second offering that takes a trip into futuristic techno as well as offering up some superb abstract outings. 'Hold-1' is an ambient soundscape that draws you into a filtered synth that pulses as changes shape. 'Track 2' is dubby, techno-leaning house with diffuse chord vamps and 'Aliasing' is a distorted, scruffy collage of broken beats and knackered claps with a fuzzy pulse running through the middle. 'Hold-3' offers another ambient moment to catch your breath then 'Windmill' suspends you in amongst the stars.

Notes: ***B-STOCK: Box opened, product in perfect working order***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Review: West Coast Classics US has taken the hip-hop community by storm with their ability to license such seminal west coast tracks. With an extra focus on gangster rap, the label offers a classic on each side of a 7". Their sixth release has a couple of killers on it! 2pac and Dr.Dre's 'California Love' really needs no introduction. A legendary track that ate up the airwaves around the world and on MTV when it was released in 1996. Not to be outdone, Ice Cube covers the B-side with one of his most important solo tracks that established him after leaving NWA., 'Jackin For Beats'. Getting original copies of these on wax would cost a day's wage for most people. Like the label suggests, these are West Coast Classics and are blueprints for gangster rap.

Review: 3 Men Gone Mad were an independent group formed in Blackburn and Darwen in the UK. They fused electronic sounds with rock and were prolific in the 1990s when they became cult favourites amongst those who know. You Try is a much sought-after collection that has been restored by Utopia Records many years after it made its way onto John Peel's 1991 Festive 50. He heard in it a mix of The Clash, Joy Division and Talking Heads and that still rings true. The main mix has a raw energy that captures the angst of Britain at the time - and still today, frankly. A spaced-out dub brings a fresh feeling of euphoria and an extended B-side mix draws out this record's undeniable pleasures.

Review: 2024 has begun pretty much as 2023 left off - a shit show on a 23.5 degree axis, hurtling through space on an orbit around a ball of fire which will one day destroy everything on it. And plenty of news suggesting humanity won't be around to see that happen. Perhaps ironically, though, in terms of music it's been incredibly strong, with a slew of excellent albums gracing our shelves in the first few weeks of the year alone. 33EMYBW's Holes of Sinian is one for that list, with the Shanghai producer making a very strong case for futurism. Sonically, then, this all feels advanced, tracks that might pre-empt where dance music is heading next, flitting between the cyber glitchiness of 'Fielda', the deep, Far Eastern ambient of 'Blood Child', and organic, percussive synth-folk-step on 'Holes of Time'. An amalgamation not just of noises, but schools of musical and its history.

Review: 36's new album Reality Engine explores "the blossoming dynamics of artificial intelligence and the ever-changing definition of reality" on Past Inside The Present and does so with a continuation of his richly melodic sound while also evolving into new realms. The sheer beauty of these sounds is enough to uplift and energise, with chords ascending to the heavens on the opener 'Imagine The Truth' and then rolling out to infinite horizons on 'Axiom Haze'. 'Reality Engine' suspends you amongst the clouds and 'Beyond The Hyperreal' is a perfect marriage of immersive and organic sounds and hints of digital augmented reality engines. A sublime album, for sure.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


36's new album Reality Engine explores "the blossoming dynamics of artificial intelligence and the ever-changing definition of reality" on Past Inside The Present and does so with a continuation of his richly melodic sound while also evolving into new realms. The sheer beauty of these sounds is enough to uplift and energise, with chords ascending to the heavens on the opener 'Imagine The Truth' and then rolling out to infinite horizons on 'Axiom Haze'. 'Reality Engine' suspends you amongst the clouds and 'Beyond The Hyperreal' is a perfect marriage of immersive and organic sounds and hints of digital augmented reality engines. A sublime album, for sure.

Review: Another 18 chapters "of aural anaesthetics" from 36 and Zake, following up their epic work Stasis Sounds For Long Distance Space Travel Part 1, or "continue their journey through the outer reaches of space in hypersleep" as they'd put it. The album comes on unique solar flare coloured vinyl, and as for its contents, well, they're grainy and immersive, widescreen and cinematic, immediately transporting you out into the farthest reaches of space. Perfect for zoning out of everyday life and enjoying some mindful moments to yourself.

Review: Hot on the hells of the epic work Stasis Sounds For Long Distance Space Travel Part 1 comes the second instalment, seeing 36 and Zake "continue their journey through the outer reaches of space in hypersleep" as they have it. There's a healthy 18 track selection to lose yourself in, as these experts of the sublimely chilled ambient get to work - in a typically gentle fashion, obviously.

Review: Slip into something comfortable and prepare to get sexed up by this new one from Newcastle's Six Nine Records. It features tracks by 3TOB, an outfit originally born in 2019 by band members of Tone and earlier in the year they dropped the sultry hip-hop, soul and r&b album Trading Places. Those tracks are "My Baby' and 'Love Will Find Its Way' and neither were on the album and have been streaming only up to now. They are a timeless fusion of heart-melting harmonies and silky beats for those loved up late night sessions.

Notes: 45RPM Record Adapter Key Chain-Lobster Claw Style

Genuine 45rpm record adapter key chain.

Easy to use "Lobster Claw" style.

Spring action clasp makes loading keys a snap!

A must for any record collector 45 head.

Notes: 45RPM Record Adapter Key Chain-Lobster Claw Style

Genuine 45rpm record adapter key chain.

Easy to use "Lobster Claw" style.

Spring action clasp makes loading keys a snap!

A must for any record collector 45 head.

Notes: 45RPM Record Adapter Key Chain-Lobster Claw Style

Genuine 45rpm record adapter key chain.

Easy to use "Lobster Claw" style.

Spring action clasp makes loading keys a snap!

A must for any record collector 45 head.

Notes: 45RPM Record Adapter Key Chain-Lobster Claw Style

Genuine 45rpm record adapter key chain.

Easy to use "Lobster Claw" style.

Spring action clasp makes loading keys a snap!

A must for any record collector 45 head.

Notes: 45RPM Record Adapter Key Chain-Lobster Claw Style

Genuine 45rpm record adapter key chain.

Easy to use "Lobster Claw" style.

Spring action clasp makes loading keys a snap!

A must for any record collector 45 head.

Review: Stamina crew represent - the 4AM Kru are back with more of their life-affirming jungle workouts for the tail end of the night when the ravers need a little extra juice. This is their fifth drop on Embrace The Real, and once again they've done a bang up job of bringing some fresh ideas to a classic approach. 'Nobody Else' does wonders with a sample which sounds like it could belong to 80s soul diva Stephanie Mills, bringing a powerful dose of melody into the mix before cutting into needlepoint drum funk. '4AMK4' is a relatively chill roller, while 'Fire Is Our Friend' dices up jazzy breaks at a mean clip and dances nimbly on top of the subs and 'Hurt Me No More' swerves directly towards hardcore euphoria, pianos n' all.

Review: Humanoid Recordings co-founder 4d lays down another four-track 12" for the label, scouring the weightier and scrapier ends of minimal and acid house, all while teasing out a retro-robotic edge. Only an artist with a real sense of humour can invoke ideas of 'Stupidity' and 'Quantum Theory' in the same breath; both tracks betray the unified whimsy and intelligence that a successful acid house and techno artist must portray in order to win hearts. The latter uses a particularly sticky, hard-to-pin-down 4x4 kick style; contrast to B1 'World In Our Head', which portrays a psychic model of the outside world through trilling trance lines, and the meek glissandos of 'Sowie Lockers', securing an indeterminate but funky mood.

Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer

Review: The Veiltail EP by 747 features two heavyweight songs: 'Veiltail', which is a driving, heavy cascading melodic track with bubbling acid flourishes and a touch of soaring trance influence, and 'Stairway', which is a more electro-slanted track that's nevertheless just as pulsating and dramatic as its predecessor, perhaps a touch of Rephlex-style aural radioactivity. The Canadian label Aquaregia continues to be a trendsetter in the very competitive genre.

Review: Watergate, the cult Berlin club known for its riverside location and legendary LED ceiling above the dancefloor, is also a reputable tech house label that deals in fresh names only. Here it is 8Kays that makes a debut with Falling Down, a selection of superb collaborations including 'Matematica' with Glowal which is tense and electric tech with indie vocals and with Juan Hansen he cooks up the medically hopeful 'Falling Down' which then gets two remixes. Colyn & Beswerda make it into a moody and deep groove, Chris Avantgarde brings some peak time prog energy and solo cut 'Lyra' has a warm, paddy broken beat to cruise on through the stars.

Review: Great hip-hop has often been defined by collaboration and Chemistry by 9th Wonder and Buckshot is a testament to that. The album, released on June 21, 2005 through Duck Down Music as a part of the label's "Triple Threat Campaign", showcases the seamless synergy between 9th Wonder's soulful production and Buckshot's sharp lyricism. Each track shows off their undeniable chemistry, with smooth beats and introspective rhymes that captivate from start to finish as muse on everything from introspective reflections to social commentary, all with precision and depth. With its cohesive sound and thoughtful lyricism, Chemistry is a must-listen for fans of both artists and the genre as a whole.

Notes: Written by Spiral Tribe's co-founder and visual artist, Mark Angelo Harrison, A Darker Electricity charts the infamous sound system's nomadic journey and the rapid escalation of their popularity - and notoriety.

From small squat-scene parties in early 90s London to enormous warehouse raves and free festivals. The undercover police operation against them. The record deal with Youth. The creation of their community recording studio. The government stitch-up and their prosecution. The escape to Europe and the start of the teknival scene.

Review: 'The Sevens' by A Place To Bury Strangers unveils previously unreleased tracks from the band's acclaimed album See Through You. Renowned for their visceral post-punk and shoegaze sounds, the group delivers a sonic revelation across this white 7", which is one of a series of four. Each one invites you to delve into their universe and explore raw and personal tracks that capture life's most emotive essence. 'Chasing Colors/I Can Never Be As Great As You Are' is the second release that A Place To Bury Strangers founder Oliver Ackermann has said reflects on returning to their roots and embracing the unique format of standalone tracks, thereby offering a glimpse into a unique moment in time.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


The Avidya label arrives with a bold new concept that sees it push itself to "step out of comfort zones to release a series of EPs of broad, challenging and deep music." The first affair is a fine one from four artists, the first of which is Lyon based procure A Strange Wedding from the Worst label. His slow trance locks you in and then Gothenburg trio Datasal come through with a prog rock and post funk and dance fusion. 84PC's contribution is peak time gold and Barcelona's Iro Aka arrive with another debut to round out this fine offering.

Review: A-Trak! You may have been introduced to him as a World Champion turntablist, an iconic indie record label owner, half of Duck Sauce, a producer, a festival DJ, a remixer, Kanye's Tour DJ, or former Juicero advocate, but you may not know that he had a hip-hop record label in the early to mid 2000's, known as Audio Research Records. During this time, Trizzy hooked up with arguably 2 of the best hip-hop groups to come out of that era, producing records for Little Brother and the mighty Dipset. One of the very few Little Brother records that 9th Wonder didn't produce, 'Step Off' falls right in line with the LB aesthetic. A-Trak got busy with a bouncy joint that ended up on tons of mixtapes, available only on ARR 12" until now. Same story with the B-side; there, A-Trak teamed up with Dipset for 'Don't Fool With The Dips!' featuring 40 Cal, Hell Rell, J.R. Writer. Now re-released in collaboration with Fool's Gold Records on 7" vinyl alongside new, original artwork by RHEK.

Review: Influential and ground breaking American hip-hop legends A Tribe Called Quest dropped their fifth album The Love Movement in 1998. It was the last one with their complete original line up before the passing of Phife Dawg. It continues stylistically from where the previous album, Beats, Rhymes and Life, left off with the group's signature minimalist beats, r&b overtones and jazz-flecked production, all of which was taken care of by The Ummah. The mature vocal themes, laid back delivery and subtle style of the album makes it one of the many classics in their oeuvre. This limited reissue spreads it over six sides of essential wax.

Review: He may be based in St Petersburg, a city not known for being a sun trap, but Mikhail Khvasko AKA A Vision of Panorama is incredibly good at making warming, summer-ready Balearic beats. Further proof, should it be needed, arrives via his latest EP for Cala Tarida Musica. In its original form, 'Unconditional' is a terrific slab of Balearic nu-disco/Balearic house fusion - all rubbery bass guitar, smooth bits, gorgeous chords and twinkling melodies. It comes backed with a breezier, breakbeat-sporting 'dub vinyl edit' (an even sunnier and more attractive affair) and an 'instrumental' pass of the more house-centric take. Rounding off another fine EP is 'Shall We', a colourful fusion of jangling house pianos, attractive keyboard sounds and squelchy synth-bass underpinned by a box-fresh, post-electro boogie beat.

Review: The summer is almost here which means this is exactly the sort of record we want to be reaching for. It's a lush and tropical work of idealised disco grooves, deepest house, Balearic, smooth jazz and Mediterranean cool that cries out to be played loud while you sip on cocktails and dream of being somewhere utterly blissful and classy. Dreamy textures define each cut with nice fresh rhythms, glistening chords and lush melodies all sprinkled with delightful percussive detail. Big up to A Vision Of Panorama for serving up a beautiful album that is sure to soundtrack the warmest months of the year for many.

Review: There was a big fuss made when Aaliyah's music finally made it to streaming services late last year, which shows just how in demand it remains over a quarter of a century after it first hit record stores. Her self titled long player was an early and frankly just about unbeatable blueprint for r&b that has more than stood the test of time. With guests posts from Static From Playa and Timbaland she opened up on all manner of subjects from rejection to love, personal anxiety to better times. The slick production still sounds fresh, as does the timeless vocal work.

Review: Prescription and Guidance mainstay Abacus has already done enough to assure his eternal legacy in the story of deep house. But thankfully he is still turning out superbly deep sounds that are as profound and emotive as they are heady and escapist. Here he is back on Phonogramme with 'Analogue Stories Vol. 2' which comes on a unique semi-transparent 12'' vinyl. The beats are warm and humid, thickly coated with a diffuse synth hue as the rooted drums roll on smoothly. 'How U Do It' is out pick - a musical odyssey with layers of instrumentation, piano and percussion all topped off with a Moodyman vocal sample.

Review: Swedish pop legends ABBA seem to be as talked about these days as ever, largely down to the fact that the holographic stage show proved such a huge success with all those who continue to pack it out in the capital. They were very much at the peak of their powers back in 1981 when The Visitors, their eighth studio album, arrived. It actually saw the group move away from their super light and airy and catchy pop of previous works and enter more mature and complex musical worlds. The fact that Benny and Frida had recently split up coloured some of the tunes such as 'When All Is Said And Done' and even topical Cold War themes were explored.

Review: ABBA's Honey Honey is a delightful pop gem that unfortunately didn't receive the recognition it deserved due to label decisions. With its catchy melody and infectious energy, ABBA's trademark harmonies and playful lyrics are displayed in full. While it may not have been a chart-topping hit like 'Waterloo,' 'Honey Honey' still charms listeners with its upbeat rhythm and memorable hooks. Paired with the B-side 'King Kong Song,' this 7" release offers a glimpse into ABBA's early catalogue and timeless sound.

Review: ABBA's 'Waterloo' single - now an incredible half a century old - presents a dynamic blend of pop brilliance, a Eurovision-winning anthem characterised by its catchy hooks and uplifting melodies. On the B-side, 'Honey, Honey' exudes a playful and romantic vibe, with its irresistible blend of harmonious vocals and upbeat instrumentation. The song captures the excitement and anticipation of new love, resonating with listeners through its relatable lyrics and infectious charm. Together, these tracks exemplify ABBA's unparalleled talent for creating timeless masterpieces.

Review: Waterloo, by ABBA, is an iconic song that catapulted the Swedish pop group to international fame after winning the Eurovision Song Contest in 1974. With its catchy melody, energetic rhythms, and infectious hooks, Waterloo became an instant classic and remains one of ABBA's most recognizable hits. Musically, Waterloo is a masterclass in pop craftsmanship. From its memorable guitar riff to its soaring vocal harmonies, every element of the song is meticulously crafted to create a euphoric listening experience. The driving beat and jubilant chorus make it impossible not to dance along, while the lush production adds a touch of glamour and sophistication. Overall, Waterloo is a timeless pop gem that encapsulates everything that made ABBA one of the greatest pop groups of all time. With its irresistible hooks and infectious energy, it's no wonder that Waterloo remains a beloved classic decades after its release. This tribute on picture disk, makes it extra special.

Review: To the delight of the 80s synth-pop faithful holding on to the decade prior, Martin Fry revived ABC in 1997 after a five-year hiatus. It's noticeable that Fry wasn't interested in repeating old tricks though, as he took the band in a new direction alongside Heaven 17's Glenn Gregory without losing that keen sense of songwriting magic that made ABC so popular the first time around. Loaded with emotionally charged reflections on life, the universe and everything, this is a welcome pressing on blue and white marble vinyl which is limited to 1000 copies.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


It's time to take your first steps into the Kulture Galerie, a new label that kicks off with a various artists offering which lays out is sonic mission in clear and compelling terms. This new venture from Metropolitan Soul Museum kicks off with the super fluid and liquid house sounds of Abdul Raeva's 'Grace' before Gene Tellem's 'Nervous Planet' gets all misty eyed and downtempo with a lush deep thinker. Nesa Azadikhah's 'Fleeting Emotions' then sets off a nice minimal vibe that is super warm and fuzzy and Alien D's 'Heavy Cream' is a float, breakbeat driven post-rave comedown.

Review: Sama' Abdulhadi is a DJ who very proudly represents her Palestinian roots and is the first artist from her homeland to break out onto the international stage. She has a passion for sound design and has famously been arrested and jailed for eight days for desecrating a religious site when she played a set, with permission, at Nabi Musa. Her entry into the legendary fabric series is a doozy with emotive techno and cavernous deep house from the likes of Michael Klein, Carbon & Peter Groskreutz and Acid Arab as well as her own cut 'Well Fee' (feat Walaa Sbait).

Review: Formed in 1995, Belgian death metal icons Aborted have become renowned for their dizzying technicality and seamless fusion of the more brutal and melodic aspects of the genre, all the while harbouring a major predilection towards grindcore. Signing to highly revered metal label Nuclear Blast for their 12th full-length Vault Of Horrors, the project takes an old school approach to lyrical inspiration with each of the cuts based off of specific, classic horror films, from The Texas Chainsaw Massacre ('Death Cult') to Halloween ('The Shape of Hate') to Hellraiser ('Hellbound') to later morbid entries such as The Mist ('Malevolent Haze'). That's before even mentioning the ludicrous array of guest vocal features across the album, appearing more like a hip-hop record at first glance with practically every track offering room to the likes of Alex Erian (Despised Icon), Matt McGachy (Cryptopsy), and Jason Evans (Ingested) to name but a small handful.

Review: It's fair to say Placelessness is the work of an Australian experimental supergroup. Oren Ambarchi has been a towering figure of hyper-minimalism since the mid-80s, most notably creating tense and elongated stretches of recordings and performance using guitar tone. Robbie Avenaim is an accomplished experimental drummer, and Chris Abrahams heads up The Necks. That's a very condensed biography for three incredibly accomplished musicians who finally make good on years of live collaborations and criss-crossed pathways to deliver a stunning album which brings their respective qualities into sharp relief, somehow fuller than their solo efforts without losing the vital subtlety and patience which has guided them to greatness.