Review: Resurgent Welsh techno wizard DJ Guy launches his own label with a fresh batch of deep diving jams that put the soul back in the machine. From the twinkling, starry-eyed delights of "Music Is Life" to the horizontal meditation of "Interplanetary," this is immaculately executed electronica in the fine tradition of UK trailblazers like B12 that sounds as fresh as it did in the 90s. "Warmth In Rhythm" sports a nagging house groove to suck you in with ease, while "Propulsion State" fires off a dazzling arpeggio that heads skywards with a twitchy electro backbone for company. Top shelf tackle from a seriously talented cat.
Review: Saxophonist and keyboardist Jorja Chalmers has accomplished much over the course of her career - she's toured and recorded extensively with Bryan Ferry and Roxy Music - but debut album "Human Again" marks the first time she's stood centre stage as a solo artist. She has all the ingredients to succeed on her own, though: a bold look, a supportive label in Italians Do It Better and a signature style that's in turns creepy, claustrophobic, cinematic, atmospheric and seductive. More importantly, "Human Again" is superb, offering a synthesizer-powered mix of dark ambient instrumentals, David Lynch style soundtrack pieces, drowsy and clandestine sounding songs and cuts that wrap her distinctive saxophone solos around the most evocative of electronic soundscapes.
Review: If you're a talented soul vocalist who wants an authentically fuzzy late 1960s sound, you could do worse than join forces with Timmion Records' in-house backing band, Cold Diamond & Mink. They're in fine form here providing admirable backing to rising star Carlton Jumel Smith. "Love Our Love Affair" is undeniably attractive, with Smith's confident and emotion-rich vocal rising above the band's hazy horns, languid trumpet solos, sun-bright guitar licks and lolloping, hip-hop style funk-soul beats. As is customary, the band's tidy instrumental version can be found - and enjoyed - on the flip.
Review: Long running dub dons Nice Up! unveil a brand new talent on their latest: that man is Escape Roots, a Glaswegian producer and Mungo's HiFi's Walk n Skank resident who calls upon vocalist Dandelion to muse on the many different joys of ganga. Riding on classic dancehall rhythms with hooky guitar riffs and tumbling claps, Dandelion touches on toothpaste, butter, soap and the titular Ganga Socks. It's tongue in cheek, head in the clouds stuff that will have you skanking for days. For those who like it more stripped back, flipside "Version" is where it's at.
Review: There is lots to love about this one, from the tongue-in-cheek BBC moniker assumed by Bovell Brown and Cobby, to the unapologetic title, and of course on to the music. "Quality Weed" is a deep cut, heavy rolling rhythm with pitched down vocals that perfectly match the stoner mood. A noodling top line invites you to follow it to a higher state of consciousness and the warmth of the bass is truly irresistible. The remix on the flip is more upbeat and funkier thanks to the tight bass riff that rumbles away under the more house leaning drums.
Review: Since he's such a prolific collaborator and creator of bands, it's easy to overlook the fact that Will Holland hasn't released a solo album as Quantic for almost five years. "Atlantic Oscillations", then, is a welcome return - particularly since Tru Thoughts boss Robert Luis thinks it's Holland's "most cohesive and intricate album to date". It's certainly a strong collection, with Holland wrangling multiple styles, tempos and musical influences to create cuts that defy easy categorization. While there are downtempo moments, "Atlantic Oscillations" includes more bona-fide club cuts then he's delivered in recent years, with sun-kissed disco cut "September Blues", Cuban disco-funk workout "Atlantic Oscillations" and Afro-Latin house bumper "Motivic Retrograde" standing out.
Review: Metalheadz might be celebrating 25 years in the game in 2019, but they are not spending too much time looking back. Instead, Goldie's vital label continues to serve up forward looking drum & bass, this time from Jem One. A year after his debut on the label he's back with another varied three tracker. Form the swirling pads of liquid roller "Lotus" to the more angsty, tightly coiled drums of old school jungle cut "Transpose" and on to darkened minimal stepper "The Hardcore", there is a lot to love here.
Review: Silas & Snare continue the heat on Madam X's Kaizen with their second single on the label this year. As always there's no letting up in terms of aesthetic, melting pot and energy. All sitting somewhere in the techno/hardcore/dub axis, "Pressure" lives up to its name with a rolling break, and warped grime basses, "Dreamscape" creates intensity with a loopy vocal hook and densely coded sense of tension while "Whistle Blower" brings us home on a deeper, more broken tip where noises aren't all what they seem. Feeling the pressure yet?
Review: There will always be a place for politically charged records, but lines like "The government man bring the working man down to his knees/It's time to take a stand against the government man" seem particularly relevant right now. It's the lead cry on the a-side of this new 7" from eight-piece band Christel & The Goldmaster AllStars who have a bold two piece horn section driving along this fusion of ska, reggae and rock which was first recorded in 1998 and has recently been unearthed. The flipside version has sci-fi studio effects and warped synths layered in for extra trippiness.
Review: Alchemy Dubs have cooked up more heat here with a ninth 7" that is a collaboration between Ojah and Jamaican singer Ras Tavaris. "Long Run" is a live mixed, proudly analogue cut with a stepper rhythm overlaid by Tavaris' important lyric work that muses on plenty of contemporary issues. Some lively percussion adds character and a flip-side instrumental dub lays even more fantastic studio work. That this one comes in a hand-stamped, hand-numbered, thick custom sleeve and is limited to 500 units makes it all the more collectable.
Cult Hero (Do You Wanna Touch Me) (album edit) (6:45)
Cult Hero (Do You Wanna Touch Me) (club mix) (5:47)
Cult Hero (Do You Wanna Touch Me) (Slow) (7:29)
Review: House and techno badboys Paranoid London are proceeding the release of their second album with a bunch of singles from it. First up is "Cult Hero" featuring Simon Topping - one of many guest vocalists on the full length. It's a bristling acid house cut with tight, corrugated drums and relentless 303 mania ripping up the groove. Topping's deadpan vocals are layered over the top and bring to mind the more anthemic work of Depeche Mode. "Club Mix" is even more caustic and kinetic, while closer "Slow Mix" strips back everything but for the lunching drums and demonic vocals of Topping.
This Is What You Are (feat The High Five Quintet - radio edit) (4:21)
This Is What You Are (The Brazilian Rime) (4:53)
Review: "This Is What You Are" is undoubtedly Mario Biondi's most celebrated work. He first sung it for original composers Was A Bee in 2004, before re-recording it for his debut album (alongside the High Five Quintet) in 2006. Since then it has been reissued or remixed on numerous occasions. Here it gets reissued on a tidy 7" single, with a punchy radio edit - a swinging, Sunday afternoon style chunk of Latin soul-jazz rich in jaunty grooves, soaring orchestration and smooth vocals - being joined by the "Brazilian Rime" rework. This tasty re-recording re-casts the song as a breezy, samba-fired slab of early 1970s style Brazilian MPB. It's an inspired interpretation and could well become the definitive version of the track.
Review: Earlier in the year, Kutiman took his brand of psychedelic fusion to Wah Wah 45s for the very first time. Here he returns home to Siyal Music with Turkish vocalist Melike Sahin in tow. "Sakla Beni" is wonderfully odd and exotic - a spaced-out psych-funk affair that wraps mazy, Moog style motifs, mind-altering orchestration and Sahin's wide-eyed vocal around a skewed, low-slung groove. It's brilliantly hallucinatory, as is the accompanying "Karaoke Version" - a superb instrumental take that allows listeners a chance to revel in the intricacy of Kutiman's arrangements. In this context, "Sakla Beni" sounds like it should be gracing the soundtrack of a particularly odd late 1960s Turkish film
Review: Alanna Royale has been active in the funk and soul scene for quite a few years now, though her releases have previously been limited to a handful of self-released EPs and a sole album (recorded live and thrown out to raise funds for Puerto Rico hurricane survivors). Here she debuts on Transistor Sound, with Kelly Finnigan of label owners Monophonics handling production duties. "Go" is a great chunk of fuzzy, retro-futurist soul, with Royale's superb Alice Russell style vocal simply soaring above a bustling backing track rich in parping horns, skittish drum breaks and razor-sharp funk guitars. Royale remains in fine form on flipside "I Know", another distorted stomper of the sort that should excite both Northern Soul diehards and modern soul aficionados.
Review: Batu's Timedance label is in red hot form and Aussie talent Air Max 97 only stokes the fires with this scintillating two tracker. It comes hot on the heels of his link-ups with Loft and TSVI on the "Falling Not Walking" EP back in summer and hones in on tight, well trimmed dance floor dynamite. "Ice Bridge" is post-jungle madness with bold sub bass underpinning a scampish brew of steel plated drums and hits. "Bruxis" is a crowd teasing slow jam with heavy, dragging drums and twisted vocals that will leave you begging for more as you tumble freely through a darkened corner of the cosmos.
Review: Dr Rubberfunk (AKA long-serving DJ/producer Simon Ward) may have reached the start of middle age, but he's showing no signs of succumbing to a typical "midlife crisis". In fact, his recent releases have been among the strongest of his career to date. The third part of his ongoing "My Life At 45" series is another belter, with opener "A Matter of Time" - featuring talented, fast-rising vocalist Izo FitzRoy - being a particularly strong exercise in revivalist 1960s soul. Elsewhere across the EP, "Slim's Mood" is a fine chunk of hazy rhythm and blues featuring some awesome, Peter Green style jazz guitar solos, while closing cut "Moody Drums" is a chunky beats track tailor-made for funk and hip-hop DJs who like to get busy in the mix.
Review: Brand new Marky! It's about time... Four years after his "My Heroes" album landed (and two years after his last single - "Silly VIP") the Sao Paulo don returns with two perfect soulful D&B gems. "Should I" looks back to the early 2000s with its powerful sample and Bingo-style bubbling bassline while "Love Break" takes off where "Silly" left us; swooping instrumentation that will have you leaping behind the decks and a break that will never ever quit. Don't leave it so long please Marky!
Review: Earlier this year, Durand Jones and the Indications delivered one of the revivalist soul albums of 2019: the conscious, politically charged "American Love Call". Their latest "45" boasts one of the album's standout moments, "Morning In America", a weary but impassioned commentary on Trump's United States that features evocative strings, laidback 60s soul grooves and a stunning lead vocal from Durand Jones. It comes backed by previously unheard cut "Cruisin' To The Park", a lusciously sugary, heartfelt and loved-up affair where drummer Aaron Frazer handles lead vocals. Like the A-side, it's a stunning slice of emotion-stirring soul.
Derrick Carter - "Squaredancing" (DC Nu Vox dub) (4:59)
George Alexander - "Promised Land" (feat Big John Whitfield) (3:23)
Review: This tasty release is the first instalment of BBE and Soul Clap member Eli "Bamboozle" Goldstein's "House On 45" series. The basic idea is to offer up rare and hard to find house cuts that have only ever been released on seven-inch singles. To kick things off, Goldstein has selected Derrick Carter's 2017 "DC Nu Vox Dub" of his 2002 classic "Squaredancing In A Roundhouse", an insatiable version of a killer cut rich in bluesy samples, bumpin' beats and scat vocals. Equally as impressive is George Alexander and Big John Whitfield's 2009 cover of Joe Smooth classic "Promised Land", a warm and musically expansive affair that adds superb new flute and electric piano parts to one of house music's most celebrated songs.
Metal Banshee ( Mad Professor Mix One) (CD2: Mezzanine Mad Professor)
Angel (Angel Dust)
Teardrop (Mazaruni dub One)
Inertia Creeps (Floating On dubwise)
Risingson (Setting Sun dub Two)
Exchange (Mountain Steppers dub)
Wire (Leaping dub)
Group Four (Security Forces dub)
Review: Two decades have passed since Massive Attack signaled a new stage in their career with the dark, paranoid and claustrophobic brilliance of "Mezzanine", their third studio album. Given the current global political climate, it arguably sounds even more relevant 20 years after it first hit stores. This time round, the re-mastered original set comes accompanied by something none of us have heard before: Mad Professor's complete dub translation, which was slated for release around the turn of the Millennium but for one reason or another never came out. Like his take on "No Protection", it's an inspired set of revisions that takes 3D and Daddy G's dense and red-eyed originals into wild new bass-heavy places. Even if you own the original version already, it's well worth picking up this special edition just for that alone.
Review: Last year, D&B heavyweights Serum, Voltage and Bladerunner joined forces to deliver two rave inspired EPs of heavyweight club jams under the Kings Of The Rollers alias. Here the experienced trio offers up its eponymous debut album, an unashamedly heavyweight affair packed to the rafters with punchy rollers, mind-mangling tech-step tear-outs and gargantuan future D&B anthems. It's a little more varied than their DJ-friendly EPs, with the pandemonium-inducing smashers being joined by a variety of vocal numbers (see the Inja-sporting "M-O-V-E", grandiose "The Sky Is Falling" featuring Lydia Plain and thrillingly weighty MC Bassman hook-up "Rockers") and occasional forays into jazzier and more melodious territory. Yet for all the subtle variety and surprise diversions, it's the sheer club-ready heaviness of the whole thing that really sets the pulse racing.
Review: The seemingly bottomless Greensleeves vaults turn up more gold here with two prime cuts - Wailing Souls' "Who No Waan Come" and Al Campbell's "Unfaithful Children" - that are treated to a first new pressing since 1981. "Who No Waan Come" is silky and sedentary as they come, with kick drums just about managing to propel things along beneath gorgeous doo-wop harmonies. The Linval Thompson produced "Unfaithful Children", however, is a more driven affair with authentic roots. Psyched-out effects, endless reverb and hits that ricochet around, making it a widescreen dub that draws you in and takes you along for the ride.
Review: Through a series of must-check releases on Nous'klaer Audio, Ruben Uvez AKA Konduku has proved to be one of the more thoughtful and inventive producers to emerge in recent times. While some of his previous releases have strayed away from the dancefloor, his first outing on Idle Hands is a wonderfully basement-bothering affair full of tracks tailor made for hazy, early morning sets. It boasts two suitably dark, dubby and clandestine cuts - the echoing dub techno pulse of "Lila" and the sub-heavy, Livity Sound style flex of "Bolu" - plus two more melodic outings. Of these, we're particularly enjoying "Caduata Di Massi", where deliciously dreamy chords ebb and flow around stabbing analogue bass and crunchy drums.
Review: These are tracks designed to rattle ribs and loosen the foundations of any building. They mark another step up for the esteemed bass talents of Samba after releases on the likes of System and Encrypted. "Winona" has a floaty light flute and devastating drums that makes for a nice juxtaposition. "Worms" is darker and more writhing with industrial sound designs and prowling beats, while "King Kan" is a wobbling, shimmering bit of bass gold. "Snakes. Egos" is creepy and unsettling thanks to the freaky synth motifs and closes out a well formed EP.
Etta James & Sugar Pie Desanto - "In The Basement" (Soul Flip edit) (3:20)
John Gary Williams - "My Sweet Lord" (Soul Flip edit) (3:59)
Review: On their latest limited edition salvo, the hardworking Soul Flip crew (AKA experienced DJs and producers Aldo Vanucci and Del Gazeebo) gets to work on two more stomping dancefloor cuts from the golden age of soul. First up on side A is a gently tooled-up and tightened up take on Etta James and Sugar Pie DeSanto's 1966 floor-heater "In The Basement", a hybrid soul-jazz/rhythm and blues jam rich in rubbery double bass, bustling drums, restless handclaps and brilliant lead vocals from the two legendary soul singers. On the flip they tackle Memphis musician John Gary Williams' 1972 cover of George Harrison's "My Sweet Lord", which brilliantly re-imagines the former Beatles' spiritual song as a sweaty gospel-soul stomper.
Review: After offering up EPs titled "Hard Times" and "Changing Times" in 2017, Kaidi Tatham returns to First Word to complete the trilogy with "Serious Times". Of course, the music contained within the EP's tightly packed grooves is as joyous, rich as intricate as ever. Check, for example, "Don't Cry Now", a samba-soaked, sun-kissed affair that wraps harmonic freestyle vocals, twinkling electric piano lines and darting jazz-funk bass around a seriously shuffling groove. Tatham's much-discussed jazz-funk influences are once again given an airing on "Sugar", while his fine piano work takes pride of place on instrumental hip-hop head-nodder "Zallom". Best of all, though, is opener "Cost of Living", which emphatically weaves together all of these strands and more besides.
Review: Proc Fiskal used to run a party called Shleekit Doss that was ecstatic and transcendent while still being fun and silly. He tries to capture the magic of the party on this new EP and does so admirably. The 6 tracks on the EP feels clever but charming. It's a collision of hardcore flurries, warped synths and day-glo keys that is often chaotic but also comforting. Drum & bass, rave, future grime and more all colour its grooves, but the resulting sound is pretty much impossible to define (in a good way).
Review: Cumbia champs Philthy Dronez have been turning out their quirky and curious takes on the genre since 2005. For their next outing on San Fran's Disco Mas they link with Su Brigada De La Cumbia for a brace of bonkers beats. Opener "Vamos A La Playa" is characterised by a big and wonky accordion line that reminds us of global dance smash "Heater" by Samim from a few years ago. It's as silly as it is fun, while "Sabor De La Cumbia" is a much heavier and grittier affair. Shades of digital dub define the grooves while a rather haunting lead keeps you on edge as it trundles along.
Review: Unlike some in the growing electro scene, Datassette has been serving up far-sighted electronic music - both club electro and what some call "IDM" - since the dawn of the century. This, though, marks his first appearance on C.P. Smith's incomparable Central Processing Unit label. It's a pleasingly varied affair, with the British producer storming between club electro/early Autechre fusion ("Kestrel Manoeuvres In The Dark"), acid-tinged, beat-free electronic symphonies ("To The Scullery!"), hard-edged and suitably intergalactic Drexciya style workouts ("Stoatle Excelsior") and sparse, glitchy electro minimalism (wonky EP highlight "Polyhedron Navigator"). Even by CPU's infamously high standards, this is a particularly fine EP.
Review: "Call Of The Righteous" is the latest in an ongoing series of releases by Indica Dubs and Chazbo. Once again it is a 10" that boasts the perfectly interwoven drums, chords and bass of Indica, with the chest pumping, uplifting and warrior style synth leads of Chazbo. The bass rolls deep, the tops are crispy as bacon and the frequencies can be felt in your chest while hits ricochet about to enveloping effect. The low riding swagger and infinite horizons of "Raw (Dub Mix)" has to be the pick of the bunch for us.
Review: Biochip are a new duo making the right start on the mighty CPU. Julian Kochanowski and Melissa Speirs have no previous to speak of, but their deft take on electro speaks to years of research and immersion in the language of sequencers and synthesisers. There's an emotional weight to the music they've charged this debut EP with, where billowing pads and soaring Detroit leads meet with some crafty sound design and canny programming. At times things get intense, as on the rowdy "Acid Billy", not to mention seriously funky on "Tone Forest", but there's always an otherworldly shroud hovering over the music that makes it Biochip's own.
Otis Redding - "(Your Love Lifted Me ) Higher & Higher" (Soul Flip edit) (4:03)
Gerri Granger - "I Go To Pieces" (Soul Flip edit) (3:33)
Review: Sometimes you just can't beat the golden oldies and so it is that Soul Flip turns his attention to a couple of raw soul bangers. Up first is Otis Redding's classic "(Your Love Lifted Me ) Higher & Higher" with a rousing bass section which drives along the original version.The hits hit hard, the vocal is given room to breathe and the swing in the drums is infectious. The flipside houses a soaring tweak of Gerri Granger's "I Go To Pieces", with its clattering keys and rolling soul all quickly finding a way into your affections.
Review: The latest drop on Mr KS & Friends comes from Sylan 101, an artist making a truly accomplished debut brimming with musicality and fresh beat constructions compatible with, but not beholden to a deep house vibe. "Nostalgia (Healing Of Time)" is a smoky broken beat groove with gentle piano chords and muted trumpet, while "Brief Encounters" draws on subtle guitar licks and harmonious pads for decoration over snaking drums. "Been There Once" heads in a more mysterious direction, throwing some spoken word refrains into the mix and keeping the instrumentation more subtle and atmospheric.
Review: Luca Murgia is Two Thou - an alias which has seen him land intriguing releases on Burek, Fields & Forests and his own Gifted Culture label. Now he's been snapped up by Uzuri with some star-gazing cuts that straddle broken beat, deep house and something more altogether cosmic. "Clavinet Discourse" is the consummate lead track, a true showstopper with astral synth flex and a sharp, snappy beat. "Talking Song" has a more pronounced deep house bump and leads that wouldn't sound out of place on Strictly Jaz Unit - the dub version does away with the leads if you want something subtler. "Thousands Of Chimes Together" completes the set with a spiritual throwdown to invigorate any open-minded dancefloor.
Review: FunkinEven's Apron label rarely, if ever, puts a foot wrong, whether putting out ragged techno, raw hip hop or whatever in between. It is Molinaro who steps up now after first landing on the label back in December 2017. The NTS host has long been a firm part of the London underground and has a lo-fi, frazzled sound that blurs the lines between a number of different genres. Here he offers spaced out and grizzled drum tracks, unsettling machine-made ambience and rough and ready beatdown that Theo Parrish would admire. It's been a long wait since his last release, but this EP was well worth it.
Review: Distorted Sensory Perception is a new label emerging out of the Bristol underground to represent the deeper end of the techno and electro scene. The first release is a various artists affair that kicks off with the bold and expressive sound of rising talent Gilbert, last spotted on two excellent Innate releases. Mindless Evolving Objects takes a similar approach laden with harmonious pads and twinkling arps, while Datawave takes things in a darker direction without losing that melodic nous. Label founder Zobol has an emotive bent in his track "Scatterbrain," and Nikolay Sunak completes the set with the illustrious "Dance & Cry Baby."
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: Balearic disco maestro Max Essa has named his latest EP in honour of "Barkhan Dunes" - those wind created, crescent shaped sand dunes often found in deserts. Quite how this fits with the music on offer isn't explained, though the Balearic-minded music offered up is excellent. Check first "The Price You Pay (For Loving That Way)", an arpeggio-driven slab of sun-kissed nu-disco/Balearic house fusion rich in life-affirming Rhodes chords, twinkling synth lines and delay-laden saxophone solos. "Kites At Nemoto Beach" is a gently unfurling ambient soundscape full of drowsy vocal harmonies, while closing cut "Sundowning" sees Essa wrap glistening guitars and thickset synth bass around a bubbly mid-tempo drum machine rhythm.
Review: A master of all things dark and gritty when it comes to jungle and drum & bass, Ray Keith is back with a vengeance here across two devastating cuts. A side "Jungle Fi Dread" is built on his archetypal dread bass sound, stepping breaks and flailing hits, and it adds up to a controlled bit of dance floor frenzy with numerous peaks and troughs. "What Time Dread" on the flip has a rude vocal stretched and warped over rinsed out breakbeats that shimmer while a droning bassline conjures up some sort of doom-laden final level boss scene from your favourite RPG.
Review: Pretty much anything Call Super has touched in recent years has turned to gold. This new collaboration with Parris is no different: it is a self-released project with a fictional backstory involving an ageing writer called Mortise Koshimitsu who lived in a small apartment. The music itself is uptempo but deep, with shimmering wooden hits gliding on elastic drums as ambient synth beauty bleeds into the spaces left behind. "Majenta" is a more cavernous and dreamier track that is as good for home listening as it does for tasteful dancing.
Review: Helena Hauff returns to her own Return To Disorder label after last year's joyously received "Qualm" album on Ninja Tune. It's the first fully solo record Hauff has released herself, and it more than lives up to expectation. "Catso" is a wonderfully expressive slice of noirish electro draped in vintage synth arps and twinkling leads as enchanting as they are spooky. "Why Look At Animals" has a more low down funk, but once again sports the richly harmonic synth hooks to make this appeal right across the board. "The Brush" ups the tempo, but keeps things sparse and moody, while "Slim Filter" gets a touch more nasty and sounds utterly fantastic with it. Compared to her rabid DJ sets, these productions represent the more measured side of Hauff, but they're no less deadly.
Review: Next up on Acid Pauli and Nico Stojan's Ouie imprint are two veterans of the electronic music scene, but the label bosses are pretty tight lipped about their identity beyond that. Showing off some serious night moves on "Slow Down", the title track is perfect Berlin sunrise material: a lush serving of low-slung techno-pop that makes the perfect summer soundtrack. On remix duties is Lovestruckk, the duo comprising of Stojan and Holmar Filipsson (aka Thugfucker) inject more dancefloor dynamics before closer "Slow Down", a slinky and hypnotic tech house cut moves the EP into a moodier sonic territory.
Review: After debuting his Pakzad moniker on Infiltrate last year, Justin Pak makes the leap to Burnski's Constant Sound with this assured set of electro workouts built for the modern age. "Timeless" is a snappy, vibrant cut with a serious amount of techno propulsion to match the crooked funk of the beats. "Clutch" has a more trippy, melodic twist, while "Correlation" hunkers down into a more backroom vibe as detailed as it is freaky. This is seriously executed electro from a fast-rising talent - nab a copy, drop it into a set and watch the bodies writhe.
Review: The Polyversal Souls are renowned for the strength of their collaborative singles, which to date have featured all manner of legends and rising stars from the underground African music scene. This time around, the German-Ghanaian band provides high-grade backing for guest vocalist Frank Karikari, son of legendary Highlife musician Ralph Karikari. The A-side medley of "Siakwaa/Nana Agyei" is particularly good, with Karikari's confident lead vocal rising above shuffling, soft-focus drums and ear-catching juju guitars. Flipside cut "Odo Agye Gye Me" is great, too, offering a slightly more upbeat and undeniably percussive fusion of highlife/Afrobeat fusion.
Review: Icelandic label Lahar debuts with this highly impressive release from NonniMal, who was previously spotted dropping the classy "Freyja" 12" on AE Recordings back in 2016. Sound design is the order of the day on "Eitt" as a beautifully rendered set of percussive bell notes chime around a minimal rhythm section - a piece pointedly geared towards transcendence. "Tvo" has an intriguing slant to its groove, as the sharply oscillating synth wobble juts out against the grain of the drums. "Thrju" takes things in a bleak but captivating direction, while "Fjogur" cools the record down in a cloud of blissful, frostbitten ambience.
Les Mondes Engloutis (Psychemagik main mix) (7:17)
Les Mondes Engloutis (Psychemagik 5am mix) (9:07)
Review: Martin Brodin's MB Disco imprint continues to deliver the good stuff, this time featuring two utterly essential Psychemagik mixes of Alico vs Cagri's "Les Mondes Engloutis". These mixes actually first surfaced on a digital-only release back in 2013, but now they've been buffed up for a full vinyl pressing, and rightly so. A side "Main Mix" is a full bodied, emotional banger with a lead drop to get crowds waving arms and singing along wholeheartedly. Our pick is the "5am Mix" on the flip though, where the synths take on a more shimmering nocturnal tone without losing that bright and bold character that will land this 12" in all manner of record bags this summer.
Review: Assembler Code & Jensen Interceptor are one of electro's most devastating duos right now. Mechatronica welcome them for four more hard hitting jams after their "Vapour Waves" EP on this label got plenty of people talking. These are tunes with an old school feel that will blow up your bass bins and tear apart your tweeters with their mix of low end heaviness and bright melodic patterns. Superbly urgent drum programming sweeps you off your feet and races you through astral skies on "Noise Theory", "Otherwise" has a raggedy-ass broken beat and "Day 1" has a blistering bassline of the highest order.