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Items 1 to 20 of 20 on page 1 of 1
Cat: 727397 Rel: 13 May 19
 
Vintage style boost/overdrive effects pedal
Notes: Rewind to 1968. Famous guitar god uses this pedal to record his first album. Entire planet goes nuts. Inexplicably, the pedal then disappears. Until now. Danelectro resurrects this awesome, incredibly organic sounding pedal. 6 position "Break Up" control takes your guitar signal and slams the front of your amp with increasing punch. Positions 1 through 3 are ear-friendly and have "leave on all the time" potential. Positions 4 through 6 grab you and knock you back against the nearest piece of concrete. But in the most pleasant way. Caution: Do not listen to this... unless you want it to be your life companion.
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 1 in stock $117.78
Cat: 727399 Rel: 13 May 19
 
Vintage style fuzz effects pedal
Notes: This 50 year old is just hitting its stride. Over the top Fuzz with super hot Octave effect. A mint example will cost you plenty. But it still will not sound half as good as this. We amped the gain and added EQ. Delicious harmonics with super "out front" octave. Sculpt setting scoops mids and boosts bass for outrageous "in your face" tone. Such Fun!
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 1 in stock $117.78
EBS MicroBass 3 Preamp Pedal (preamp pedal/DI box)
EBS
Cat: 718777 Rel: 24 Jun 19
 
Professional analogue bass preamp/DI box
Notes: The EBS Microbass 3. We've all been there. Being forced by circumstances to rely on someone else's gear and left with that uneasy feeling it could turn into a disaster. With the new EBS Microbass 3, you can let go of that feeling and be confident you'll have your sound no matter the situation.

The EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The preamp operates at a signal level equal to a professional mixing console (+/- 15V) which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.

Run the Clean and Drive channels in series or parallel. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass - passive, active or with piezo pickups.

The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers, and several more features.

The analog EBS MicroBass 3 ensures your sound - every time.
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 2 in stock $324.54
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EBS
Cat: 718776 Rel: 24 Jun 19
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
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 2 in stock $201.67
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Cat: 719369 Rel: 06 Jun 19
 
Volume envelope manipulation with adjustable Decay & Attack times
Notes: The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
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 2 in stock $130.76
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Cat: 743356 Rel: 10 Oct 19
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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 2 in stock $221.54
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Cat: 743525 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late '70s style circuit and symmetrical hard clipping, it's EHX's take on the RAT2 pedal, only we think it's better.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The stellar sound of the Flatiron Fuzz is a result of its classic, late '70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you'll prefer the Flatiron.

The Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end... from dark to raunchy.

Electro-Harmonix trivia: The Flatiron Fuzz is named after the historic Flatiron Building in New York City. It's an iconic landmark located just down the block from EHX headquarters in the 1970s and it's the building pictured on the pedal.

The RAT2 is a trademark of Act Audio.
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 1 in stock $61.60
Cat: 743529 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: An exact recreation of the original LPB-1 circuit that ushered in the age of overdrive in 1968.

Put the LPB-1 in line with any effect to provide boost and definition.

Improve the gain and saturation of your amp.
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 1 in stock $37.81
Cat: 743520 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970's, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.

The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC's the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

*UK 230V power adapter included*
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 1 in stock $92.93
Cat: 744056 Rel: 10 Oct 19
 
Modulator effects pedal for guitar with 11 modulations, depth control, rate control, volume/colour control & momentary mode
Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
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 1 in stock $152.37
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Cat: 730043 Rel: 14 May 19
 
Deluxe switching box for electric guitar with True Bypass
Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!
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 1 in stock $126.44
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Cat: 738558 Rel: 16 Jul 19
 
3-way FX pedal switcher & mixer
Notes: EHX's Tri Parallel Mixer is a powerful effects creation and mixing hub. Three separate FX loops with flexible controls allow for multiple configurations, as follows:

- Run up to three FX Loops in parallel and create sounds that are not possible by connecting effects in series.
- Switch seamlessly between FX Loops in XOR mode
- Send one instrument out to three separate amplifiers
- Mix three instruments into a single output.

The Tri Parallel Mixer is surprisingly compact considering the level of functionality it provides, while its intuitive controls and I/O make it easy to operate. The Tri-Parallel Mixer comes with an EHX 9.6DC power supply.
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 1 in stock $138.33
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Cat: 745521 Rel: 16 Jul 19
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


EHX's Tri Parallel Mixer is a powerful effects creation and mixing hub. Three separate FX loops with flexible controls allow for multiple configurations, as follows:

- Run up to three FX Loops in parallel and create sounds that are not possible by connecting effects in series.
- Switch seamlessly between FX Loops in XOR mode
- Send one instrument out to three separate amplifiers
- Mix three instruments into a single output.

The Tri Parallel Mixer is surprisingly compact considering the level of functionality it provides, while its intuitive controls and I/O make it easy to operate. The Tri-Parallel Mixer comes with an EHX 9.6DC power supply.
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 1 in stock $130.71
Cat: 718630 Rel: 01 May 19
 
Analogue/digital hybrid delay effects pedal with assignable HotSwitch, MIDI & Expression input
Notes: An unexplored garden of innovations for musicians will soon be available from Eventide's newest creation - The Rose: a cascading bouquet of sounds in a sleek, stripped-down, small footprint effects pedal. The Rose project began several years ago and was rooted in the desire to invent a new line of unique effects by carefully grafting digital delay into an analogue platform. Our mission was to cultivate a modulated delay that would feel not only "as analogue as possible" but also be exquisite and precise. We trusted that this research would yield a genesis of products that sound and behave differently than modern DSP-based effects. Rose is the culmination of this vanguard research.

Eventide's Rose is rare and vibrant, unleashing a palette of sounds and textures unattainable by solely digital means. With six tactile knobs, a delay multiplier button, phase invert/reverse playback button and a shape button offering five different modulation sources, Rose inspires petals of creativity to bloom. Rose also features five presets, MIDI control and a fully assignable aux switch/expression pedal input for the ultimate in flexible versatility, on stage or in the studio. Do you have what it takes to tame this wild Rose? Plug in and experience botanical bliss!
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 1 in stock $371.47
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Cat: 717051 Rel: 03 Jun 19
 
Versatile modulation effects pedal
Notes: The Mad Professor Double Moon is a small, easy to use and super versatile pedal for a wide variety of modulation sounds. True analogue bucket brigade signal paths with a Tone control makes the Double Moon a long-awaited modulation pedal for today's guitar player.

Double Moon pedal has 11 carefully designed modes that will let you dial in, not only all of the classic modulation effects, but far beyond that. All of the sounds are easily reached from a rotary switch: 3 chorus effects, 3 dual chorus effects, 3 flanger effects, flanger+chorus and a vibrato.

You can further on fine tune the LFO wave or Regen depending on the mode by the Control knob. The Depth knob will let you dial in the desired amount of the effect and the Speed knob will control the speed of the effect.

Modulation effects from mild to deep, motionless to faux-Leslie type, it's all there with the added Tone control!
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 2 in stock $215.05
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Cat: 735675 Rel: 01 Jul 19
 
2-stage LFO with Sequential, Composite & Modulation modes
Notes: The Malekko Goatkeeper (MGK) is a completely redesigned version of the Lightfoot Labs Goatkeeper, first released in 2007. The core of the pedal is an all analogue tremolo circuit using a THAT Corp VCA, which when combined with the built in waveforms, can produce tremolo sounds from percussive to smooth. The MGK's LFO generation consists of two stages, each with a range of multiplier values and waveform selection.

The two stages can be run in 3 ways:

- Sequential: The two stages are run one after the other
- Composite: The two stages are run simultaneously and the effective waveform is a polyrhythmic composite of the two.
- Modulation: The two stages are run simultaneously and the effective waveform is the equivalent of one modulating the other.

Tempo can be set with the RATE knob or with the Tap/Sync input. The Tap/Sync input accepts a Malekko Lil' Buddy for tap tempo control, or an analogue clock/metronome signal. The DEPTH knob allows the effect to vary from subtle to high intensity.
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 1 in stock $224.78
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Cat: 717786 Rel: 05 Jun 19
 
Multi effects pedal featuring 164 effects, 108 preamp models, and more
Notes: The GE300 from MOOER is the flagship multi-effect instrument processor. By combining the well-received Micro Preamp series, TONE CAPTURE instrument matching technology, tri-voice polyphonic synthesizer module, and a wide-range of guitar effects and tools, the GE300 embellishes every single motive for creation from your mind with nuanced details.

The GE300 contains dual-DSP processors delivering the fastidious detailed characterizes of every delay, reverb, modulation or amp model inside. Thanks to the intuitive and simple UI, controls, and connection ports, the GE300 is an all-in-one working station for musicians whether in a live situation, at home, or in the studio. With the synth module, your instrument will be transformed into an electronic synthesizer without the need for special pickups or instrument modifications, allowing you to spark your creativity with more possibilities.

The SYNTH ENGINE has 3 independent voices with their own parameters for waveform, pitch, attack, level, filter and arpeggiator. The signal path from the instrument input is split and routed directly to the front of each synth voice so they remain completely parallel and independent from one another. The thru dry signal can also be mixed parallel to the entire synth effect block, so you can opt for synth only or mix it with your guitar signal.

TONE CAPTURE is an intelligent learning and comparison engine that can be used to create your very own digital models by sampling real-life equipment. The GE300 is the only MOOER product that features three different TONE CAPTURE modes.

AMP & STOMP MODE can be used to sample your favourite stomp box or amplifier. This can then be applied to an existing amp or drive pedal model within a preset to transform it into your sample.

GUITAR MODE allows you to capture the EQ characteristics of your instrument. Have you ever found yourself searching for a single instrument that has all the different guitar sounds you need? Be it classic country twang, warm ballsy blue tones, the funkadelic "4-position", tight thrashing djent, Piezo acoustic-electric - GUITAR MODE can sample any guitar, provided it has some form of pickup, and create a detailed digital guitar model using MOOER's proprietary non-linear IR technology.

CAB MODE allows you to create your own Impulse Response models of speaker cabinets to use instead of using the CAB effect block already installed on the GE300. GE300 has 108 digital amp models that utilize MOOER's non-linear amp modelling technology.

Each model has been designed based on samples taken directly from real-life tube amplifiers. It is not only the accurate recurrence of the original amps' tone but also the dynamics and feel of a real tube amp. 43 IR based factory speaker cab models with 20 user slots to load in your favourite 3rd party IR files. (Up to 2048 sample pts) 164 high-quality effects that cover all the bases from your favourite stompboxes, plugins and studio rack units. 30 minute capacity loop station with undo/redo, direct dubbing, reverse + 1/2 time effects. Looper sessions can be stored and backed up for import /export of audio files. Recall that new song idea you had any time, or load in your favourite backing tracks to jam along with!

MIDI IN/MIDI OUT/THRU with easy mapping and external ctrl switching to control your other pedals and amps. Direct, low latency USB audio lets GE300 double up as a digital audio interface and become a "one-stop-shop" solution for recording guitar. Apart from that, editor software on computer makes it an all in one working station. Firmware update via USB available.
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 2 in stock $581.39
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NUX
Cat: 735364 Rel: 04 Jun 19
 
Analogue acoustic preamp with digital effects & looper function
Notes: NUX Stageman Floor is an analogue acoustic preamp with digital effects and looper function. The preamp features a highly sensitive 3-band EQ with MID scoop toggle switch, adjustable notch filter and input gain control. It is equipped with multi-functional chorus & reverb effects. High headroom gain stage with 3-band EQ, mid-scoop and switchable response for piezo or magnetic pickups. A built-in looper can make use of both pedals for freeze and overdub effects. A complete stage or studio tool for acoustic players.
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 1 in stock $103.73
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Cat: 723363 Rel: 26 Apr 19
 
Tracking 24dB/octave multimode filter pedal with 100% analogue circuitry
Notes: Pigtronix Resotron is an analogue filter that brings the sound of 70's keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with UP and DOWN sweeping modes, and a sensitivity control to dial in the response of the effect based on how hard you play.

In addition to these vintage-correct filter tones, the Resotron pushes the envelope pedal concept to a whole new level by using an analogue pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted - using the GLIDE knob - to dial in how long it takes for the cutoff to travel between pitches.

"The pitch-following effect found in the Resotron is analogous to the "key-follow" function found on the original Minimoog and many other classic analogue keyboards," says Pigtronix president David Koltai. "Using our all-analogue pitch-tracking circuit to control cutoff frequency, the Resotron delivers mind-blowing filter motion for guitar players. I've dreamt of making this pedal for years, and it's finally here."

The Resotron has the ability to operate in Low Pass, Band Pass or High Pass modes. Each of these filter voices has a distinctive character that can be manipulated by adjusting the PEAK knob, progressively feeding the filter back upon itself to increase the resonance (or "Q") of the filter, right up to the point of self-oscillation. A push-button OSCILLATE function allows you to go even further - turning the Resotron into an analogue synthesizer pedal that follows both the pitch and dynamics of your playing. The synthesizer sounds created by the Resotron can be radically altered by switching between the LPF, BPF and HPF modes. This allows users to access waveforms that range from subtle voice emulations to bombastic, aggressive lead sounds, as well as ultra-smooth sub bass tones.

Before the pedal's input signal hits the Resotron's filter, it passes through an optical compression stage derived from the Pigtronix Philosopher's Tone pedal. The increased volume and punch from this compressor can then be mixed into the audio signal using the BLEND control - without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation, which is mixed in parallel with the on-board pitch-following and amplitude tracking systems.
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 1 in stock $257.19
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Cat: 730429 Rel: 29 Apr 19
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $209.64
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