Review: A Lou Rebecca full length has been on the cards for a while and now it lands a year after her breakout and self-titled "Lou" EP. The Austin-based Parisian synth-pop singer makes music that is nuanced with romanticism and driven by soft but decisive drum patterns that make you want to bop. There are vibrant songs with contemporary sensibilities, rich pop nuggets and darker tacks like "Break It Apart" but it is when Lou is at her most happy and outgoing that she sounds best for our money. Check the lovely, harmonically smooth ditty that is "Desire" for proof.
Review: Heavy rotation: Belgium badman Zygos returns to Foundation Audio with a full range of sounds. Three tracks, three vibes: opener "Rotation" is just as much of a techno jam as it is a dubstep track, all rolling motion and layers of percussion, "Sick As A Dog" brings the graveyard ghetto vibes, all spooky pads, groaning bass and rattlesnake snare rolls while "Tumble Dub" closes business on much more of a traditional halftime swagger vibe but with a mechanical hook that lives up to its name. Loopy business. Zygos always smashes it.
Review: Sicknote's been on absolute fire this year what with his dubplate cutting business and a whole slew of collaborations firing on the likes of PAWS and Sonic Force. Here we find him returning to Abstract Illusion's 2017 "Lo Fi Selassi". The original (if you were lucky to get it) still cuts heads clean off to this day and Sicknote's maintained that tradition with even more bass rawness and savage amens. "Swiftly", on the B, sees him tagging in longstanding mates Dissect and Justice for more of a jazzy, spacious work-out. It's dreamy... But you know with these guys dreams can turn into nightmares very quickly. And we love it when they do. Limited so don't hang around.
Review: Fat Frog's second EP of 2019 on his own Purple Fade finds him link with Donovan Kingjay and Addis Pablo. It's "Never Giving Up" first off with a spacious dub and tight studio work making it a clean and crisp affair that complements the heartfelt deliveries of Kingjay nicely. Things get more spaced out and cosmic on "Version" and "Melodica Cut" before finishing off with a stripped back, slower and more subliminal version.