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Yamaha DXL1K Column-Type Powered Speaker (single, black)
Yamaha DXL1K Column-Type Powered Speaker (single, black) (powered subwoofer with a line array speaker)
 
Powered subwoofer with a line array speaker
out of stock $1,108.63
Yamaha STAGEPAS 1K MK2 Portable PA System (single, black)
 
STAGEPAS 1K mkII Portable PA System
out of stock $1,319.00
Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer
 
MIDI controller and 8-channel studio mixer.
Notes: This solid piece of hardware is great to get hands-on control of your Ableton or Bitwig live sessions, and ready for both live performances and studio use.

With its 32 RGB push encoders, 24 small RGB buttons, 16 long RGB buttons, 8 faders, and 32 potentiometers It offers a ton of possibilities, and because of its quality components and generous spacing between components, it feels comfortable to play.

TURN's layout includes Volumes, Mute, Select, Arm, Solo/Cue, Clip/Session navigation, and other classic controls for an Ableton or Bitwig. The 32 RGB push encoders in the upper area can be used as a clip launcher, to automatically control the devices of the selected channel, to control the 8 sends of each channel, and much more. A curious detail: the background texture of the layout is a high-resolution image of Mars's surface.

Control-surface-ready: TURN requires no MIDI mapping and works out of the box in Ableton Live and Bitwig.

It is a plug-and-play device, and it has MIDI IN/OUT/THRU DYN5, hackable and open source firmware, USB MIDI (Plug and Play/Class Compliant), and is reprogrammable with Kilowhat, the powerful configuration app. Like all Yaeltex controllers, it's built with top-quality materials and components, including a stylish real wood case.

These are some of TURN's highlights:

Integration for Ableton Live and Bitwig
8-channel mixer with direct controls for MUTE, SELECT, ARM, SOLO/CUE
32 RGB push encoders, 24 small RGB buttons, 16 long RGB buttons, 8 faders, and 32 potentiometers
4 banks, clip navigation, and more.
Versatile 32 RGB push encoders that can be used as a clip launcher, as automatic control of the selected track devices, or to control each track sends
In Bitwig, use the Push Encoder matrix as a drum or polyphonic sequencer!

Features

32 push encoders with RGB LED feedback,, 24 small buttons with RGB LEDs, 16 long buttons with RGB LED feedback, 8 faders, and 32 potentiometers
Modular-Inside for affordable and easy repairment
1-year warranty
Upgradeable and open-source firmware
High-quality components
Fully mappable to any MIDI capable software or hardware
Fully reprogrammable with Kilowhat, our powerful configuration app.
NRPN, RPN, CC, note, Program change, keystrokes

Tech Specs:

Size: 27,5 * 17 * 6 cm
Weight: 4,1 kg
USB MIDI (Plug and Play/Class Compliant)
DYN5 MIDI (IN/OUT/THRU), route and merge functionality.
Optional power jack for higher brightness mode on the LEDs - 5v 3A
Soft case included
1,2 mt USB cable included
Hand-made wood case made in Patagonia
Aluminium front panel
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out of stock $1,198.04
Yaeltex Live15 MIDI Controller & 15-Channel Studio Mixer Yaeltex Live15 MIDI Controller & 15-Channel Studio Mixer Yaeltex Live15 MIDI Controller & 15-Channel Studio Mixer Yaeltex Live15 MIDI Controller & 15-Channel Studio Mixer Yaeltex Live15 MIDI Controller & 15-Channel Studio Mixer Yaeltex Live15 MIDI Controller & 15-Channel Studio Mixer
 
MIDI controller with 15-channel studio mixer.
out of stock $1,597.73
Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK)
Cat: 852690 Rel: 02 Dec 19 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.
Read more
out of stock $1,101.57
Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Keyboard Synthesiser
Cat: 868984 Rel: 10 Mar 22 • View all Synthesisers
 
The Iridium Keyboard is a 49-key FATAR TP/8SK semi-weighted polyphonic aftertouch pressure-providing keyboard synthesiser.
Notes: A true powerhouse of a synth, packaging the Quantum synth engine into a more manageable four-octave design. Five synthesis modes, powerful stereo filters, performance features and outstanding playability.

Supplier's Notes:
Waldorf Iridium has made the impossible possible. The mighty synth engine from Quantum is now available in a compact form. Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:
12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.

The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Specifications
16-voice polyphony, duo-timbral
Compatible with the Waldorf Quantum synth engine

3 Oscillators
Oscillator Modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM at audio rate)

3 Stereo Filters per voice
True stereo path
Dual Digital Filter:
Two filters with independable modes
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Digital Former:
Filter models from Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filter
Bitcrusher
Drive
RingMod
StateVariable mode
Analyzer displayed in Filter view
Filter curve moves when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Modulators:
6 Envelopes
6 LFOs
Komplex Modulator (LFO/Envelope combination with user-definable shape)

Mod Matrix:
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Pads:
4x4 silicon pad matrix with RGB backlights
Pads can play notes, chords, arpeggios and sequences
Latch mode

Performance features:
Arpeggiator
Step sequencer with up to 32 steps for notes and parameters
Favourites screen for quick patch recall
Onscreen Mod Wheel, Pitch Bend and Aftertouch

Screen:
Industrial-grade highly responsive touch screen

Patches:
Over 1000 factory sounds
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum can be loaded and vice-versa
Category filter for patch list
2GB user sample flash memory

Connections:
2x TS output
2x TS input
Headphones output with Gain control
DIN MIDI In/Out/Thru
USB MIDI
USB host for storage and MIDI devices
MicroSD slot
Kensingtonr lock

CV connections:
4 CV inputs plus Gate In, Trigger In, Clock In, Clock Out
Inputs can be used as modulation sources in the Mod Matrix

Overall:
Sturdy metal case with aluminium knobs

Dimensions: 440mm wide by 305mm depth by 85mm height (including controls)
Weight: 5.4kg
19" rack assembly parts available
Read more
MRP:$2,624.32 SAVE 10%
 1 in stock $2,365.58
Click for better price!
or call +44 20 7424 1960
quote 868984
Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser
Cat: 846738 Rel: 23 Sep 21 • View all Synthesisers
 
An eight-voice polyphonic, four-part multitimbral wavetable synthesiser.
Notes: Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.
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MRP:$1,744.99 SAVE 11%
 1 in stock $1,555.19
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser
Cat: 780395 Rel: 07 Jul 20 • View all Synthesisers
 
Digital polyphonic synthesiser
Notes: Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
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MRP:$2,312.98 SAVE 15%
 1 in stock $1,967.21
Waldorf Kyra Virtual Analogue Desktop Synthesiser Waldorf Kyra Virtual Analogue Desktop Synthesiser Waldorf Kyra Virtual Analogue Desktop Synthesiser Waldorf Kyra Virtual Analogue Desktop Synthesiser Waldorf Kyra Virtual Analogue Desktop Synthesiser Waldorf Kyra Virtual Analogue Desktop Synthesiser
Waldorf Kyra Virtual Analogue Desktop Synthesiser (virtual analogue desktop synthesiser)
Cat: 692803 Rel: 02 Dec 19 • View all Synthesisers
 
128-voice polyphonic synthesiser module
Notes: Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.
Read more
MRP:$1,744.99 SAVE 25%
out of stock $1,312.69
Waldorf Quantum 8-Voice Hybrid Polyphonic Synthesiser (black) Waldorf Quantum 8-Voice Hybrid Polyphonic Synthesiser (black) Waldorf Quantum 8-Voice Hybrid Polyphonic Synthesiser (black) Waldorf Quantum 8-Voice Hybrid Polyphonic Synthesiser (black) Waldorf Quantum 8-Voice Hybrid Polyphonic Synthesiser (black)
Cat: 648201 Rel: 24 Sep 18 • View all Synthesisers
 
Hybrid polyphonic synthesiser with a range of modulation capabilities and effects
Notes: Waldorf is proud to announce a new chapter in their tradition of designing high-end ground breaking synthesizers. Starting with Waldorf's famous wavetable technology developed decades ago, it was always a challenge to give our instruments a powerful flexible beating heart. Our digital oscillators coupled to the enormous power and efficient simplicity of our analog filters started the digital revolution back in the 80's.

Quantum combines the raw power of a classic digital & analog hybrid synthesizer, with futuristic sounds that are only possible with today's software synthesizers.

Its 3 Oscillators offer four synthesis algorithms each:

- Waldorf-style Wavetables with the latest additions from Nave, including speech synthesis and wavetable generation from audio
- Classic Synthesizer Waveforms with multiple waves for an ultra fat sounds right out of the oscillators
- Granular Sampler with multi sampling plus traditional sampling mode
- Resonator for virtual sound sculpting
- Quantum Display

The flexibility emanating from Quantum's powerful oscillators and their interaction with one another is simply breath-taking. Never before has it ever been possible to create such a wide sonic bandwidth with one synthesizer. Stretching from classic analog, with precise sample playback, through to harsh or animated digital sounds, escalating all the way up to sound and sequence clusters, that can only be achieved with a modular synthesizer system.

Quantum's beautiful ergonomic and intuitive user panel supports an artist's workflow with a previously unknown elegance. The carefully crafted array of aluminium knobs and encoders surround an ultra hi-resolution multi touch display. Waldorf engineers spent many long hours perfecting the interaction between the display and the physical control elements. The stunning display is a highly flexible extension of the tactile experience, and is light-years ahead of any synthesizer currently on the market today.

To help understand functional correlations between one knob and another, each control knob is individually illuminated by a multi colour LED. This makes it instantly obvious when viewing complex settings and modulation settings, where related parameters can be adjusted quickly and efficiently. With the help once again of the gorgeous central display, precise settings can be handled with ease, much the same as the experience when using your cutting edge computer tablet.

When the Waldorf engineers decided to develop Quantum, little did they realise it would take several years of painstaking work. There were areas of Quantum that our years of experience with sound generation were bought to the fore. But Quantum is so powerful it took our team into uncharted territory, involving both sound and the way it was felt the musician would interact with it.

Quantum was designed and developed by our dedicated team in Germany. All essential components have been designed, manufactured and assembled here in Germany. This has allowed us to manufacture Quantum with an unparalleled build quality. We would also like to take this opportunity to thank a world class array of sound designers that have contributed to a multi-facetted factory sound set.
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out of stock $3,679.31
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK)
Cat: 914917 Rel: 07 Jul 20 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
Read more
out of stock $1,982.92
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK)
Cat: 943069 Rel: 07 Jul 20 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
Read more
 4 in stock $2,004.93
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK)
Cat: 947286 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
Read more
out of stock $1,852.81
Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser Waldorf Quantum MK2 16-Voice Polyphonic Aftertouch Hybrid Keyboard Synthesiser
Cat: 922419 Rel: 25 May 23 • View all Synthesisers
 
A 61-keys polyphonic aftertouch hybrid keyboard synthesiser.
Notes: When Waldorf introduced the Quantum in 2018 it immediately found its way in the studios and hearts of the most acclaimed film composers, producers, musicians and sound designers. Now five years later Waldorf have released an upgrade of the flagship Quantum synthesizer called "Quantum MK2".

Quantum MK2 was upgraded with a 61 keys polyphonic aftertouch keybed from Fatar, increased sampling storage to 59 GB, improved mechanical design and display. The new 3.0 firmware allows for up to 16 digital or any combination using the 8 analogue filter with additional 8 digital.

What's new?

61 keys Fatar TP8/SK with aftertouch

The Quantum MK2 is the first instrument which presents a 61 keys Fatar TP8/SK polyphonic aftertouch keybed to the world. With its increased possibilities for musical and gestural expression the keybed allows to utilize the enormous modulation capabilities of the Quantum synthesis engine. It is a next level of expression based on a traditional keybed, which keeps all playing capabilities of a musician, and then extends it with an additional dimension of control and creativity.

The polyphonic aftertouch is highly customizable in multiple dimensions globally as well as for individual keys. The high-resolution graphical display supports visual feedback and control for the customization process. In addition to its internal poly aftertouch keybed, the Quantum MK2 can be controlled by any MPE capable controller by directly connecting to Quantum's USB host port.

16 voices of polyphony, digital and analogue filters

Based on an 8 voice analogue dual-filter architecture, the Quantum has been opened up for up to 16 voices of polyphony in any combination of using digital dual multi-mode filters with the 8 analogue ones. Moreover the combination of analogue with digital filter opens up new sonic possibilities of what Waldorf Music stands for since its beginning: Hybrid digital and analogue synthesis. A new set of allocation modes gives the musician an easy control.

59 GB sampling storage

Another cornerstone of "The Quantum Mark 2" is its increased internal sampling storage from a few GB to 59 GB. The Quantum has quickly become the instrument of choice for modern advanced sampling capabilities for sound enthusiasts and cinematic composers from Berlin to Los Angeles. From firmware 1.0 to 3.0 Waldorf Music has listened to the requests and needs of musicians to extend it polyphonic granular sampling engine as well its traditional multi-sample engine.
Design and display

The updated mechanical design and a classy naval blue presents the musician an instrument of beauty and inspiration. The improved mounting of the high-resolution touch display provides wider viewing angles and an intuitive way of controlling the more advanced features of the Quantum synthesis engine.
Sounds and samples

Highly acclaimed sound designers from all over the world have contributed to the huge library of factory presets and an initial sample content of 2 GB. Waldorf Music is proud to have sounds from designers like Richard Devine, Howard Scarr, Reinhold Heil, BT, Matt Johnson, Joerg Huettner, Kevin Schroeder, Sascha Dikiciyan, Kurt Ader, Mike Huckaby, Thorsten Quaeschning and many more. All sounds are compatible with Waldorf's Iridium instruments in both directions.

Synthesis Platform

Waldorf Music has updated and improved its Quantum firmware continuously adding new synthesis capabilities and many feature requests by musicians. The Quantum firmware builds together with the Iridium firmware a "Waldorf Synthesis Platform".
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 1 in stock $4,353.54
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quote 922419
Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK) Waldorf Iridium 16-Voice Digital Polyphonic Desktop Synthesiser (black) (B-STOCK)
Cat: 926334 Rel: 07 Jul 20 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.
Read more
out of stock $1,893.29
Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK) Waldorf Kyra Virtual Analogue Synthesiser (B-STOCK)
Cat: 886442 Rel: 02 Dec 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.
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out of stock $1,136.40
Waldorf Kyra SE Virtual Analogue Desktop Synthesiser Waldorf Kyra SE Virtual Analogue Desktop Synthesiser Waldorf Kyra SE Virtual Analogue Desktop Synthesiser Waldorf Kyra SE Virtual Analogue Desktop Synthesiser Waldorf Kyra SE Virtual Analogue Desktop Synthesiser
Cat: 962639 Rel: 31 Jul 23 • View all Synthesisers
 
Virtual analogue desktop synthesiser.
Notes: Special edition sea blue version of Waldorf's excellent Kyra synth. Seriously powerful multitimbral virtual analogue monster, featuring eight independent parts each with up to 32 note polyphony.

Supplier's Notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices. Versatility further abounds as each PART has a dedicated multi-effects unit comprising nine stereo effects modules - namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter - with dedicated audio stream via USB (Universal Serial Bus).
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MRP:$1,744.99 SAVE 17%
out of stock $1,450.48
Waldorf M 16-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 16-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser Waldorf M 16-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser
Cat: 962645 Rel: 16 Aug 23 • View all Synthesisers
 
16-voice polyphonic & 4-part multitimbral wavetable desktop synthesiser.
Notes: Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II / XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, (16 voices for the M16) four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. M has a total of 16 banks with 128 memory slots each. The included sound presets - 1024 in total (divided into 8 banks of 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).


But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no classic modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers five (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensingtonr compatible security lock slot.

Specifications

Oscillators: 2 Wavetable oscillators with independent wavetables and two different tone generation models - Waldorf Microwave I model and Waldorf Microwave II model. 96 Factory Wavetables + 32 slots for User Wavetables
Filter: Analog low-pass 24 dB/Oct VCF (SSI 2144 Improved Ladder Type) with saturation and resonance
Amplifier: Analog true stereo VCA for each voice with panning option
Envelopes: 4 Envelope Generators; 8 point loopable time/level Wave envelope generator, VCF and VCA ADSR envelopes and a free assignable loopable 4 points time/level envelope
LFOs: 2 LFOs with different waveforms
Arpeggiator with 16 preset patterns, chord mode and the ability to synchronise to MIDI clock
Sound storage: 2048 Sound programs + 128 Multi programs
Polyphony: 8/16 voices
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 1 in stock $1,901.18
Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK) Waldorf M 8-Voice Polyphonic & 4-Part Multitimbral Wavetable Desktop Synthesiser (B-STOCK)
Cat: 967496 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.
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MRP:$1,744.99 SAVE 27%
 2 in stock $1,275.62
Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser (B-STOCK) Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser (B-STOCK) Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser (B-STOCK) Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser (B-STOCK) Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser (B-STOCK) Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser (B-STOCK) Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser (B-STOCK)
Cat: 997273 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide
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MRP:$1,782.86 SAVE 13%
out of stock $1,547.90
Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser Waldorf Iridium Core 12-Voice Digital Polyphonic Desktop Synthesiser
Cat: 975777 Rel: 26 Oct 23 • View all Synthesisers
 
12-voice virtual analogue polyphonic desktop synthesiser
Notes: 12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide
Read more
MRP:$1,782.86 SAVE 23%
! low stock $1,365.28
Vermona ReTubeVerb Tube Spring Reverb Vermona ReTubeVerb Tube Spring Reverb Vermona ReTubeVerb Tube Spring Reverb Vermona ReTubeVerb Tube Spring Reverb
Cat: 572886 Rel: 09 Oct 15 • View all Effects units
 
Tube spring reverb unit with true bypass & "EFFECT STOP" function
Notes: Although spring reverbs have been built for more then five decades they are still highly desired because of their individualism and sound quality. They can almost be seen as standard for guitar amplifiers and can be found in a great number of studios around the world, as they are also a perfect choice for vocals, organs and synthesizers.

Once again VERMONA presents a tube spring reverb of it's own class and once again the name is "ReTubeVerb". Some details have been improved and there are also strongly requested features like balanced in- and outputs as well as the possibility to get it in a rack system.

Uncompromising Tube Technology:
The ReTubeVerb is build upon classical tube circuitry - you will not find a single semi-conductor in its signal flow. This uncompromising realization needs some efforts but the result justifies the concept! What you'll get is the warm and slightly compressed tube sound without interferences and unpleasant coloration.

Spring Tank:
The deep and voluminously reverb effect comes out of a high quality six-spring reverb tank (three double-springs) made by the spring reverb pioneer ACCUTRONICS.

Equalizer:
We've chosen three very usable frequencies which makes it easy to form the reverb effect as you like without much efforts.

Balanced In- and Output:
Beside the unbalanced instrumental- / line in- and outputs we've implemented a transformer-balanced input and output as well. It's not that kind of feature that's integrated just to have it, but with great attention towards sound quality. The audio transformers are made upon our specifications to perfectly fit for their purpose.

True Bypass:
There's a true bypass as well as the EFFECT STOP function. The latter allows refining the input signal by the tube preamp without reverberation.

The ReTubeVerb relies on traditional technology but also makes spring reverberation a cutting edge topic.

*For audio samples, please visit - http://www.vermona.com/index.php/en_retubeverb.html
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out of stock $1,019.13
Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser With CV/Gate Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser With CV/Gate Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser With CV/Gate
Cat: 439571 Rel: 22 Mar 12 • View all Synthesisers
 
4 voice analogue synthesiser with CV/gate
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.
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 2 in stock $1,459.95
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quote 439571
Vermona '14 Analogsynthesizer Monophonic Synthesizer Vermona '14 Analogsynthesizer Monophonic Synthesizer Vermona '14 Analogsynthesizer Monophonic Synthesizer
Cat: 630913 Rel: 23 Dec 16 • View all Synthesisers
 
Monophonic analog lead & bass synthesiser
Notes: With the completion of the '14 Analogsynthesizer, a long fostered dream becomes true: The design and realization of an uncompromising synthesizer for instrumentalists.

Equality of haptics and sound:
To us, expressive play means a balanced relation between melodic virtuosity and sound shaping. In our '14 Analogsynthesizer, these factors unite in full equality: Keyboard, pitch- and modulation-wheels are incomplete without the additional controls and switches of the remaining control surface. These offer direct access to each individual sound shaping parameter of the synthesis engine.

The '14 Analogsynthesizer is perfectly suited for distinctive solo and bass sounds including dynamic and individual sonic variations which are completely under your control at any time.

Uncompromising circuit implementation:
The components being responsible for the sound-generation and -shaping are based upon our proved and tested circuits of PERfourMER MKII and Mono Lancet '15. However, we did not just carry over these circuits but have adapted and refined these specifically for the '14 Analogsynthesizer. Besides stability and musicality, we paid great attention to an intuitive and practical scaling of each and every sound parameter.

The '14 Analogsynthesizer follows the classic subtractive synthesis structure: a versatile low-pass moulds the sound-source being created by two powerful analog oscillators. Typical for Vermona instruments, the sound is warm, round, classy and offers musical authority in the mix.

Handmade in our electroacoustic manufacture in Germany:
There a hundreds of work steps from the assembly of the circuit boards to the final, rigorous quality assurance of the finished instrument. Without exception, these steps are carried out with skilled craftsmanship and expert precision in our Elektroakustische Manufaktur in Erlbach, Germany.

Each '14 Analogsynthesizer is an outstanding instrument and leaves our manufacture as one of just 222 units.
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MRP:$2,249.87 SAVE 13%
out of stock $1,949.04
Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser (CV/gate option, black) (B-STOCK) Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser (CV/gate option, black) (B-STOCK) Vermona PerFourMer MkII 4-Voice Analogue Desktop Synthesiser (CV/gate option, black) (B-STOCK)
Cat: 916856 Rel: 22 Mar 12 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.
Read more
out of stock $1,314.80
Vermona PERfourMER MKII Quad Analogue Desktop Synthesiser (B-STOCK) Vermona PERfourMER MKII Quad Analogue Desktop Synthesiser (B-STOCK) Vermona PERfourMER MKII Quad Analogue Desktop Synthesiser (B-STOCK)
Cat: 949769 Rel: 22 Mar 12 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk
Read more
out of stock $1,173.85
Vermona PERfourMER MKII 4-Voice Analogue Desktop Synthesiser Vermona PERfourMER MKII 4-Voice Analogue Desktop Synthesiser Vermona PERfourMER MKII 4-Voice Analogue Desktop Synthesiser
Cat: 439566 Rel: 22 Mar 12 • View all Synthesisers
 
4-voice analogue synthesiser
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk
Read more
 1 in stock $1,354.76
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quote 439566
Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 230VAC for UK/Europe/Africa/Australia/South America) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 230VAC for UK/Europe/Africa/Australia/South America) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 230VAC for UK/Europe/Africa/Australia/South America) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 230VAC for UK/Europe/Africa/Australia/South America)
Cat: 906633 Rel: 09 Nov 22 • View all DJ mixers
 
This six-channel rack-mounted analogue rotary mixer has been meticulously engineered to meet the aspirations of audiophile DJ and vinyl lovers.
Notes: Ultra-high-end rotary mixer from legendary designer Andy Rigby-Jones. Six channels of audiophile sound in the classic rack-mounted format, including valve stages and high-pass filters on each channel, plus a three-band isolator.

Supplier's Notes:
Four years in development, the highly anticipated Orbit.6 has been unveiled by renowned mixer designer, Andy Rigby-Jones, and his new venture, Union Audio. The six-channel rack-mounted analogue rotary mixer, has been meticulously engineered to meet the aspirations of audiophile DJ and vinyl lovers.

Since forming in 2014, Union Audio has been collaborating with leading names in the DJ and sound reproduction field, including Ritchie Hawtin's Play differently, MasterSounds Audio and TPI, so the release of the first own brand product is a major milestone in the company's journey from garden shed to manufacturing stronghold.

"It has long been my dream to launch Union Audio's own product line, and we've been working on orbit.6 for the last four years, so it's incredibly exciting to see all this effort finally come to fruition," said company founder, Andy Rigby-Jones. "What better way to start a new product range than with a flagship mixer! I am very proud of my team, who have worked so hard to make this happen."

Orbit.6 features a per-channel valve stage, and a fully discrete internal signal path from Channel Input to Mix-Out. Equipped with four RIAA and eight Line inputs, each channel also incorporates an Aux send, High-Pass Filter and a heavily damped rotary fader, using Union Audio's bespoke "dampR" system. The Master section features an EQ/Isolator and custom VU Meters.

Designed for the home studios of DJs and vinyl enthusiasts, as well as resident mixer in the booths of clubs and entertainment venues, Orbit.6 presents a unique and distinctive listening experience. Offering sweet clear highs, warm forward mids, and an extended, driving low end, orbit.6 promises to transform even the most modest setups while maximising the potential of high-end sound systems.
Read more
out of stock $5,774.57
Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 120VAC for USA & Canada) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 120VAC for USA & Canada) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 120VAC for USA & Canada) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 120VAC for USA & Canada)
Cat: 908108 Rel: 09 Nov 22 • View all DJ mixers
 
This six-channel rack-mounted analogue rotary mixer has been meticulously engineered to meet the aspirations of audiophile DJ and vinyl lovers.
Notes: Four years in development, the highly anticipated Orbit.6 has been unveiled by renowned mixer designer, Andy Rigby-Jones, and his new venture, Union Audio. The six-channel rack-mounted analogue rotary mixer, has been meticulously engineered to meet the aspirations of audiophile DJ and vinyl lovers.

Since forming in 2014, Union Audio has been collaborating with leading names in the DJ and sound reproduction field, including Ritchie Hawtin's Play differently, MasterSounds Audio and TPI, so the release of the first own brand product is a major milestone in the company's journey from garden shed to manufacturing stronghold.

"It has long been my dream to launch Union Audio's own product line, and we've been working on orbit.6 for the last four years, so it's incredibly exciting to see all this effort finally come to fruition," said company founder, Andy Rigby-Jones. "What better way to start a new product range than with a flagship mixer! I am very proud of my team, who have worked so hard to make this happen."

Orbit.6 features a per-channel valve stage, and a fully discrete internal signal path from Channel Input to Mix-Out. Equipped with four RIAA and eight Line inputs, each channel also incorporates an Aux send, High-Pass Filter and a heavily damped rotary fader, using Union Audio's bespoke "dampR" system. The Master section features an EQ/Isolator and custom VU Meters.

Designed for the home studios of DJs and vinyl enthusiasts, as well as resident mixer in the booths of clubs and entertainment venues, Orbit.6 presents a unique and distinctive listening experience. Offering sweet clear highs, warm forward mids, and an extended, driving low end, orbit.6 promises to transform even the most modest setups while maximising the potential of high-end sound systems.
Read more
out of stock $5,774.57
Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 100VAC for Japan) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 100VAC for Japan) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 100VAC for Japan) Union Audio Orbit.6 6-Channel Rack-Mounted Analogue Rotary DJ Mixer (black, 100VAC for Japan)
Cat: 908109 Rel: 09 Nov 22 • View all DJ mixers
 
This six-channel rack-mounted analogue rotary mixer has been meticulously engineered to meet the aspirations of audiophile DJ and vinyl lovers.
Notes: Four years in development, the highly anticipated Orbit.6 has been unveiled by renowned mixer designer, Andy Rigby-Jones, and his new venture, Union Audio. The six-channel rack-mounted analogue rotary mixer, has been meticulously engineered to meet the aspirations of audiophile DJ and vinyl lovers.

Since forming in 2014, Union Audio has been collaborating with leading names in the DJ and sound reproduction field, including Ritchie Hawtin's Play differently, MasterSounds Audio and TPI, so the release of the first own brand product is a major milestone in the company's journey from garden shed to manufacturing stronghold.

"It has long been my dream to launch Union Audio's own product line, and we've been working on orbit.6 for the last four years, so it's incredibly exciting to see all this effort finally come to fruition," said company founder, Andy Rigby-Jones. "What better way to start a new product range than with a flagship mixer! I am very proud of my team, who have worked so hard to make this happen."

Orbit.6 features a per-channel valve stage, and a fully discrete internal signal path from Channel Input to Mix-Out. Equipped with four RIAA and eight Line inputs, each channel also incorporates an Aux send, High-Pass Filter and a heavily damped rotary fader, using Union Audio's bespoke "dampR" system. The Master section features an EQ/Isolator and custom VU Meters.

Designed for the home studios of DJs and vinyl enthusiasts, as well as resident mixer in the booths of clubs and entertainment venues, Orbit.6 presents a unique and distinctive listening experience. Offering sweet clear highs, warm forward mids, and an extended, driving low end, orbit.6 promises to transform even the most modest setups while maximising the potential of high-end sound systems.
Read more
out of stock $5,774.57
UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (silver)
Cat: 847851 Rel: 16 Nov 21 • View all Synthesisers
 
12 voice polyphonic binaural analogue-hybrid synthesiser with super-wave technology
Notes: The Super 6 Desktop is our fully-featured 12-voice polyphonic, binaural analogue-hybrid synthesizer reimagined in a compact and super-flexible package. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

The desktop Super 6 takes everything the Super 6 is famous for and reimagines it in a more compact and super-flexible package. It is VESA compatible for use with widely-available monitor arms/mounts, rack mountable with a 7U footprint, and comes complete with robust retractable feet for a more ergonomic experience in desktop use settings.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

Compact, flexible and ergonomic

Offering the flexible and immediate control, gorgeous analogue sound and unrivalled build quality of the Super 6, but in a more compact package. The Super 6 Desktop is a fully-featured Super 6 analogue-hybrid 12 voice synthesizer, housed in a newly designed all-metal chassis. The Super 6 Desktop also includes ergonomic features such as VESA mount compliance, optional rack ears (7U) and robust flip up feet, as well as a huge 24-voice Super 6 polychain option.

Binaural analogue, signal path

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

True no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
Read more
MRP:$2,050.02 SAVE 13%
 1 in stock $1,786.01
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (blue)
Cat: 730240 Rel: 23 Jul 20 • View all Synthesisers
 
12-voice polyphonic binaural analogue hybrid synthesiser
Notes: The Super 6 is a 12-voice polyphonic, binaural analog-hybrid synthesizer. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analog tech. It is flexible, powerful and refined with a gorgeous analog tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analog signal path and flexible modulation.

Although UDO's first production synthesizer, the Super 6 is a result of many years of hard work and numerous iterations of development. Our mission with the Super 6 has been to harmonise what we love about archetypal electronic instrument design with modern, novel synthesis technologies that excel at generating spatially dynamic results.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

BINAURAL ANALOG
SIGNAL PATH
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

MASSIVE MODULATION WITHOUT MENUS
Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

INSPIRED BY THE CLASSICS,
BUILT FOR TODAY
The Super 6 is an instrument that is borne of a long-held passion for synthesizers. In designing the Super 6 we wanted to create an instrument that feels familiar at first glance, but offers new and inspiring opportunities when delving deeper. The layout and aesthetic is an homage to some of the classic synthesizers that have inspired us for many years i the instrument's features and capabilities bring these ideas firmly into the 21st century.

ANALOG VOICE ARCHITECTURE
Alongside an analog amplifier section, the Super 6's main filter is an analog 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

TRUE NO-COMPROMISE BUILD QUALITY
An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
Read more
MRP:$2,624.32 SAVE 10%
 1 in stock $2,364.52
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Keyboard Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Keyboard Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Keyboard Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Keyboard Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Keyboard Synthesiser (grey) (B-STOCK)
Cat: 945817 Rel: 24 Jul 20 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Super 6 is a 12-voice polyphonic, binaural analogue-hybrid synthesiser. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analogue technology. It is flexible, immediate, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation. Robust, compact and inviting to pick up and play with smooth, solid and responsive controls throughout, it cries out to be played.
Read more
out of stock $2,166.78
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey)
Cat: 730238 Rel: 24 Jul 20 • View all Synthesisers
 
12-voice polyphonic binaural analogue hybrid synthesiser
Notes: The Super 6 is a 12-voice polyphonic, binaural analog-hybrid synthesizer. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analog tech. It is flexible, powerful and refined with a gorgeous analog tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analog signal path and flexible modulation.

Although UDO's first production synthesizer, the Super 6 is a result of many years of hard work and numerous iterations of development. Our mission with the Super 6 has been to harmonise what we love about archetypal electronic instrument design with modern, novel synthesis technologies that excel at generating spatially dynamic results.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

BINAURAL ANALOG
SIGNAL PATH
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

MASSIVE MODULATION WITHOUT MENUS
Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

INSPIRED BY THE CLASSICS,
BUILT FOR TODAY
The Super 6 is an instrument that is borne of a long-held passion for synthesizers. In designing the Super 6 we wanted to create an instrument that feels familiar at first glance, but offers new and inspiring opportunities when delving deeper. The layout and aesthetic is an homage to some of the classic synthesizers that have inspired us for many years i the instrument's features and capabilities bring these ideas firmly into the 21st century.

ANALOG VOICE ARCHITECTURE
Alongside an analog amplifier section, the Super 6's main filter is an analog 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

TRUE NO-COMPROMISE BUILD QUALITY
An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
Read more
MRP:$2,624.32 SAVE 14%
out of stock $2,269.64
UDO Audio Super 6 Desktop Synthesiser (B-STOCK) UDO Audio Super 6 Desktop Synthesiser (B-STOCK) UDO Audio Super 6 Desktop Synthesiser (B-STOCK)
UDO Audio Super 6 Desktop Synthesiser (B-STOCK) (desktop analogue-hybrid synthesiser)
Cat: 890216 Rel: 16 Nov 21 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Desktop module version of this unique synth. Powerful binaural synthesis approach uses separate synth circuits for each channel, up to 12-voice polyphony from the hybrid analogue architecture.

Supplier's Notes:
The brand new, super compact and beautifully designed Super 6 Desktop offers the irresistible combination of a powerful and accessible musical instrument with flexible and immediate control, gorgeous analog sound and unrivalled build quality. All in a desirable portable format designed to open the Super 6 to a new audience.

FEET

Retractable rear feet for a more ergonomic positioning in a desktop setting.

EARS

Optional detachable rack ears for easy mounting in 19" rack setups.

ARMS

Rear VESA mount attachments for easy use with standard monitor arms.
Read more
out of stock $1,882.57
UDO Audio Super 6 Desktop Synthesiser (B-STOCK) UDO Audio Super 6 Desktop Synthesiser (B-STOCK) UDO Audio Super 6 Desktop Synthesiser (B-STOCK)
UDO Audio Super 6 Desktop Synthesiser (B-STOCK) (desktop analogue-hybrid synthesiser)
Cat: 891245 Rel: 16 Nov 21 • View all Synthesisers
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Desktop module version of this unique synth. Powerful binaural synthesis approach uses separate synth circuits for each channel, up to 12-voice polyphony from the hybrid analogue architecture.

Supplier's Notes:
The brand new, super compact and beautifully designed Super 6 Desktop offers the irresistible combination of a powerful and accessible musical instrument with flexible and immediate control, gorgeous analog sound and unrivalled build quality. All in a desirable portable format designed to open the Super 6 to a new audience.

FEET

Retractable rear feet for a more ergonomic positioning in a desktop setting.

EARS

Optional detachable rack ears for easy mounting in 19" rack setups.

ARMS

Rear VESA mount attachments for easy use with standard monitor arms.
Read more
out of stock $1,839.57
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (limited edition white)
Cat: 950918 Rel: 06 Jul 23 • View all Synthesisers
 
12-voice polyphonic binaural analogue hybrid synthesiser.
Notes: Limited edition white version of UDO's powerhouse binaural synth. 49-key, 12-voice model with ultra-high-end sound courtesy of digital oscillators and pristine analogue signal path.

Supplier's Notes:
The Super 6 is a 12-voice polyphonic, binaural analogue-hybrid synthesizer. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

Although UDO's first production synthesizer, the Super 6 is a result of many years of hard work and numerous iterations of development. Our mission with the Super 6 has been to harmonise what we love about archetypal electronic instrument design with modern, novel synthesis technologies that excel at generating spatially dynamic results.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.
Binaural analogue

Signal path

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Inspired by the classics, built for today

The Super 6 is an instrument that is borne of a long-held passion for synthesizers. In designing the Super 6 we wanted to create an instrument that feels familiar at first glance, but offers new and inspiring opportunities when delving deeper. The layout and aesthetic is an homage to some of the classic synthesizers that have inspired us for many years - the instrument's features and capabilities bring these ideas firmly into the 21st century.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

True no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
Read more
out of stock $2,417.11
UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition blue) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition blue)
Cat: 950929 Rel: 06 Jul 23 • View all Synthesisers
 
12-voice polyphonic binaural analogue-hybrid synthesiser
Notes: Limited-edition blue version of UDO's incredible binaural Super 6 synth, here in its desktop module format, featuring 12-voice hybrid synth engine combining wavetable oscillators and analogue circuitry.

Supplier's Notes:
The Super 6 Desktop is UDO Audio's fully-featured 12-voice polyphonic, binaural analogue-hybrid synthesizer reimagined in a compact and super-flexible package. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

The desktop Super 6 takes everything the Super 6 is famous for and reimagines it in a more compact and super-flexible package. It is VESA compatible for use with widely-available monitor arms/mounts, rack mountable with a 7U footprint, and comes complete with robust retractable feet for a more ergonomic experience in desktop use settings.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

Compact, flexible and ergonomic

Offering the flexible and immediate control, gorgeous analogue sound and unrivalled build quality of the Super 6, but in a more compact package. The Super 6 Desktop is a fully-featured Super 6 analogue-hybrid 12 voice synthesizer, housed in a newly designed all-metal chassis. The Super 6 Desktop also includes ergonomic features such as VESA mount compliance, optional rack ears (7U) and robust flip up feet, as well as a huge 24-voice Super 6 polychain option.

Binaural analogue

Signal path
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

True no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. UDO Audio have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
Read more
MRP:$2,050.02 SAVE 13%
out of stock $1,786.01
UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (silver) (B-STOCK) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (silver) (B-STOCK) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (silver) (B-STOCK)
Cat: 962343 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Super 6 Desktop is our fully-featured 12-voice polyphonic, binaural analog-hybrid synthesizer reimagined in a compact and super-flexible package. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analog tech. It is flexible, powerful and refined with a gorgeous analog tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analog signal path and flexible modulation.

The desktop Super 6 takes everything the Super 6 is famous for and reimagines it in a more compact and super-flexible package. It is VESA compatible for use with widely-available monitor arms/mounts, rack mountable with a 7U footprint, and comes complete with robust retractable feet for a more ergonomic experience in desktop use settings.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

COMPACT, FLEXIBLE
AND ERGONOMIC
Offering the flexible and immediate control, gorgeous analog sound and unrivalled build quality of the Super 6, but in a more compact package. The Super 6 Desktop is a fully-featured Super 6 analog-hybrid 12 voice synthesizer, housed in a newly designed all-metal chassis. The Super 6 Desktop also includes ergonomic features such as VESA mount compliance, optional rack ears (7U) and robust flip up feet, as well as a huge 24-voice Super 6 polychain option.

BINAURAL ANALOG
SIGNAL PATH
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

MASSIVE MODULATION WITHOUT MENUS
Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

ANALOG VOICE ARCHITECTURE
Alongside an analog amplifier section, the Super 6's main filter is an analog 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

TRUE NO-COMPROMISE BUILD QUALITY
An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.

Read more
out of stock $1,625.08
FORTHCOMING
UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black)
Cat: 1008956 Rel: 30 Jun 24 • View all Synthesisers
 
12-voice polyphonic binaural analogue-hybrid desktop synthesiser with super-wave technology
Notes: The Super 6 Desktop is UDO's fully featured 12-voice polyphonic, binaural analogue-hybrid synthesizer reimagined in a compact and super-flexible package. A harmonious marriage of state-of-the-art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

The desktop Super 6 takes everything the Super 6 is famous for and reimagines it in a more compact and super-flexible package. It is VESA compatible for use with widely-available monitor arms/mounts, rack mountable with a 7U footprint, and comes complete with robust retractable feet for a more ergonomic experience in desktop use settings.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

Compact, flexible and ergonomic

Offering the flexible and immediate control, gorgeous analogue sound and unrivalled build quality of the Super 6, but in a more compact package. The Super 6 Desktop is a fully-featured Super 6 analogue-hybrid 12 voice synthesizer, housed in a newly designed all-metal chassis. The Super 6 Desktop also includes ergonomic features such as VESA mount compliance, optional rack ears (7U) and robust flip up feet, as well as a huge 24-voice Super 6 polychain option.

Binaural analogue signal path

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

The no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. UDO have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.

Unit Size:(L x W x H) 45 cm x 29 cm x 10cm (w. collapsed back feet).
Net weight 6.2kg
Packaged Dimensions:(L x W x H) 59cm x 48cm x 20cm.
Gross weight: 8.4kg

Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $2,050.03
(No payment required now - pay when released)
UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK) UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser (B-STOCK)
Cat: 1009122 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Stacked with up to 20 voices of polyphony, the Super Gemini boasts an immensely powerful sound engine where a performance isn't just a single sound, but an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Spectrally rich digital hardware oscillators of unique construction, decorated with a plethora of expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past. The result is a core- sound that is rich, evolving, engaging and addictive.

Stacked with up to 20 voices of polyphony, each performance is an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Unique spectrally rich digital hardware oscillators, decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past.

Matching sonic innovation with tactility, the Super Gemini is equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, in addition to a custom engineered ribbon sensor for individual note articulation and a gestural way to explore your sound. With 256 performance and patch slots, 64 interchangeable waveforms and 16 sequences, you can safely store and edit your sounds without concern.

As the second synth in the 'Super' series, the Gemini represents a quantum leap in UDO's technology - building on the acclaimed rich sound pioneered by George Hearn and the Super 6. Adopting a true-stereo Binaural signal path with dual FPGAs and twin effects processors, Gemini will take you on an adventure of spectral dynamics, of glittering frequency and shattering subharmonics, of comfort and discord, expectations and surprises.

Duality in control

Equipped with dual synth-control levels, the Super Gemini gifts you with comprehensive and immediate control over multiple patches/timbral layers, calling out for you to tweak, mold and transform your performances in an unprecedented real-time form. This is a synth that opens new heights of powerful and immediate play.

The power of play

With a total of 20 voices, the option to split and stack patches, each with its own individual arpeggio or sequence, and an uncompromisingly powerful sound engine, the Super Gemini allows you to push sonic boundaries and to explore the acclaimed UDO sound to the fullest.

Inspired by the classics built for today

Super Gemini fuses a state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology. This harmonious marriage of old and new encompasses all that is great from the era of classic analogue polyphonic synthesizers, yet in an unparalleled form factor which is immensely powerful, flexible, and reliable.

Binaural synthesis

Employing a true-stereo signal path, the Super Gemini twins its 20 voices to form 10 'super voices'. As a result, the left and right channels, and each of your ears, are assigned a complete synthesizer voice. This empowers UDO's championed warm analogue tone, and enables you to create extremely dynamic spatial sounds.

Unlimited expression

Featuring a custom-designed ribbon controller and a 61-note semi-weighted keyboard with polyphonic aftertouch, the Super Gemini will enhance your musicianship from the first touch, opening up new ways for you to explore and express your sound.

True no-compromise build quality

Forged entirely from aluminium and steel, the Super Gemini is undeniably robust. Equipped with an array of superior quality mechanical controls, the Super Gemini is engineered for reliability and service. As a loyal workmate and companion, this instrument is designed to stand the test of time.
Read more
out of stock $3,515.79
UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK) UDO Audio Super 6 12-Voice Polyphonic Binaural Analogue Hybrid Synthesiser (grey) (B-STOCK)
Cat: 991874 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Super 6 is a 12-voice polyphonic, binaural analog-hybrid synthesizer. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analog tech. It is flexible, powerful and refined with a gorgeous analog tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analog signal path and flexible modulation.

Although UDO's first production synthesizer, the Super 6 is a result of many years of hard work and numerous iterations of development. Our mission with the Super 6 has been to harmonise what we love about archetypal electronic instrument design with modern, novel synthesis technologies that excel at generating spatially dynamic results.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

BINAURAL ANALOG
SIGNAL PATH
In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels i and each of the player's ears i are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

MASSIVE MODULATION WITHOUT MENUS
Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

INSPIRED BY THE CLASSICS,
BUILT FOR TODAY
The Super 6 is an instrument that is borne of a long-held passion for synthesizers. In designing the Super 6 we wanted to create an instrument that feels familiar at first glance, but offers new and inspiring opportunities when delving deeper. The layout and aesthetic is an homage to some of the classic synthesizers that have inspired us for many years i the instrument's features and capabilities bring these ideas firmly into the 21st century.

ANALOG VOICE ARCHITECTURE
Alongside an analog amplifier section, the Super 6's main filter is an analog 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

TRUE NO-COMPROMISE BUILD QUALITY
An instrument is cherished not just for the way it sounds but for the way it feels to play. We have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.
Read more
MRP:$2,624.32 SAVE 15%
 1 in stock $2,218.15
UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser UDO Super Gemini 20-Voice Dual Layer Polyphonic Binaural Analogue Hybrid Synthesiser
Cat: 945397 Rel: 20 Nov 23 • View all Synthesisers
 
20-voice dual layer polyphonic binaural analogue hybrid synthesiser with super-wave technology
Notes: Stacked with up to 20 voices of polyphony, the Super Gemini boasts an immensely powerful sound engine where a performance isn't just a single sound, but an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Spectrally rich digital hardware oscillators of unique construction, decorated with a plethora of expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past. The result is a core- sound that is rich, evolving, engaging and addictive.

Stacked with up to 20 voices of polyphony, each performance is an entire spectrum of sonic opportunity in which voices and timbral layers can be split, dualled, sequenced all at the touch of a single control. Unique spectrally rich digital hardware oscillators, decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and more, all feed into an all-analogue signal path inspired by the classic vintage instruments of our past.

Matching sonic innovation with tactility, the Super Gemini is equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, in addition to a custom engineered ribbon sensor for individual note articulation and a gestural way to explore your sound. With 256 performance and patch slots, 64 interchangeable waveforms and 16 sequences, you can safely store and edit your sounds without concern.

As the second synth in the 'Super' series, the Gemini represents a quantum leap in UDO's technology - building on the acclaimed rich sound pioneered by George Hearn and the Super 6. Adopting a true-stereo Binaural signal path with dual FPGAs and twin effects processors, Gemini will take you on an adventure of spectral dynamics, of glittering frequency and shattering subharmonics, of comfort and discord, expectations and surprises.

Duality in control

Equipped with dual synth-control levels, the Super Gemini gifts you with comprehensive and immediate control over multiple patches/timbral layers, calling out for you to tweak, mold and transform your performances in an unprecedented real-time form. This is a synth that opens new heights of powerful and immediate play.

The power of play

With a total of 20 voices, the option to split and stack patches, each with its own individual arpeggio or sequence, and an uncompromisingly powerful sound engine, the Super Gemini allows you to push sonic boundaries and to explore the acclaimed UDO sound to the fullest.

Inspired by the classics built for today

Super Gemini fuses a state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology. This harmonious marriage of old and new encompasses all that is great from the era of classic analogue polyphonic synthesizers, yet in an unparalleled form factor which is immensely powerful, flexible, and reliable.

Binaural synthesis

Employing a true-stereo signal path, the Super Gemini twins its 20 voices to form 10 'super voices'. As a result, the left and right channels, and each of your ears, are assigned a complete synthesizer voice. This empowers UDO's championed warm analogue tone, and enables you to create extremely dynamic spatial sounds.

Unlimited expression

Featuring a custom-designed ribbon controller and a 61-note semi-weighted keyboard with polyphonic aftertouch, the Super Gemini will enhance your musicianship from the first touch, opening up new ways for you to explore and express your sound.

True no-compromise build quality

Forged entirely from aluminium and steel, the Super Gemini is undeniably robust. Equipped with an array of superior quality mechanical controls, the Super Gemini is engineered for reliability and service. As a loyal workmate and companion, this instrument is designed to stand the test of time.
Read more
 1 in stock $3,679.31
Tiptop Audio Station 252HP Folding Eurorack Module Case (black widow, requires 4600mA Zeus power adapter - not supplied) Tiptop Audio Station 252HP Folding Eurorack Module Case (black widow, requires 4600mA Zeus power adapter - not supplied) Tiptop Audio Station 252HP Folding Eurorack Module Case (black widow, requires 4600mA Zeus power adapter - not supplied) Tiptop Audio Station 252HP Folding Eurorack Module Case (black widow, requires 4600mA Zeus power adapter - not supplied)
Cat: 618533 Rel: 03 Aug 16 • View all Synth Module Accessories
 
Portable Eurorack system for synth modules, ideal for use in the studio or on the road
Notes: Station 252 is a portable Eurorack system that transforms your collection of modules into a distinctive-looking musical instrument that is great for the studio, easy to travel with, and powerful on stage. In the studio, Station 252's ergonomic design provides a natural interface that allows you to work comfortably with your knobs, cables, and tactile elements.

Traveling is a breeze; it folds down and is ready to go in less than a minute and it's easy to carry in one hand, even when completely filled with modules. It was made to fit in an airplane overhead bin and provides the convenience of a universal power supply wherever you go. Under the spotlight, Station 252's clean, professional design enhances your system's appearance and seamlessly integrates with your electronic music performance.

Design:

Station 252 is the product of careful electromechanical engineering. The result is a rack system made of three rows of 84HP for a total module space of 252HP that converts into four different positions. Constructed from carefully selected lightweight materials, this entire Eurorack weighs only 13lbs/5.9kg when empty and is built to last.

Station 252 comes equipped with a complete hardwired ZEUS Studio Bus power supply system, the world's only high-power system that can guarantee low noise with minimal bleed-through between modules for a clear sounding synth. This monster power system has proven record of reliability, safety, and performance all around the world. Included are three Zeus Studio Bus boards supplying up to 7200mA of audio grade power to your modules, that is twice more than previous version of Zeus. ZEUS keeps your modules in a coot space, optimizing their performance and extending their lifecycles. The Station 252 can take power anywhere in the world from 100-240VAC.
Read more
out of stock $1,029.94
Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface Teenage Engineering TX-6 Field Mixer Portable Studio Mixer & Audio Interface
Cat: 875391 Rel: 22 Jun 22 • View all Studio mixers
 
TX-6 is a professional 6-channel mixer with a multi-functional audio interface.
Notes: A tiny powerhouse of a mixer and audio interface. High-end electronics crammed into a compact, battery-powered format, featuring six stereo inputs, MIDI and Bluetooth support.

Supplier's Notes:
Ultra-portable pro-mixer and audio interface

TX-6 is an ultra-portable, battery-powered mixer and multi-channel audio interface. Comparable to larger units, but with even more tech packed into one sturdy little machine.

Mix 6 stereo input channels, use tempo sync, discover the internal synthesizer and sequencer or use the built-in tuner. MFi compatibility even lets you connect to your ios devices.

The smallest of its kind.

Tx-6 features a 6 channel stereo mixer with a configurable knob layout. Choose to have the three-band EQ at your fingertips, or customize each knob to control whichever setting you prefer. With more than meets the eye, TX-6 is packed full of features and connectivity options.

Battery powered

The rechargeable battery holds for about 8 hours. For energy efficiency, the display automatically goes to sleep when not in use, and led strength is completely adjustable.

Synthesizer & sequencer

TX-6 also functions as a portable synthesizer and sequencer with 4 oscillator waveforms and 4 synthesized drum sounds. Use tempo sync to stay on the beat.

8 built-in effects

Explore send effects like reverb, chorus and delay, and creative effects freeze, tape, filter, and distortion. Each channel has a three-band EQ and adjustable compressor.

Quality and engineering

TX-6 is a sturdy little machine. Encased in CNC aluminium with 2k moulding, custom-made encoders and faders, and custom PCB - engineered for portability.

Wireless connectivity

With BLE, you can use TX-6 as a wireless controller for other BLE MIDI devices or trigger and sync the internal synth and sequencer from other sources.

Super slimline cables

High quality, slimline cables custom-made for tx-6. The narrow profile allows you to use all 6 channels at once and makes for an easy pack down.

Customizable interface

When you're ready for the studio, use tx-6 as a 12 channel audio interface and connect to any daw over USB-C. MFi also allows you to connect to ios devices.

DJ mode

Turn TX-6 on its side and use it as a DJ mixer. Turn channel 1 into a fader to crossfade between the channel 5 and 6 so you can fade or cut between the two.

6.35 + 3.5 mm output

Connect your audio output through 3.5 mm mini jack or use the included and removable 6.35 mm jack to 3.5 mm mini jack adapter.

Field bags

Designed to fit TX-6 field mixer and constructed in heavy duty fabric and hardware, field bags are designed for durability, ready to be used out in the field.

Multitrack elegance.

The first portable pro-mixer that can be used as a multi-functional 32-bit 48khz audio interface that has an instrument tuner, built-in digital FX, synthesizer and drum machine.

Connect to your daw for 12 channel multitrack recordings. Use the internal synth and sequencer, or control them via external midi device. With MFi you can even connect to your ios device.inputs and outputs.

Specifications

Inputs and outputs.

32-bit/48kHz USB interface
3.5 mm mini jack to 6.3 mm jack
Headset mic input
Aux output
Connect to iPhoner, lightning cable
Stereo or mono for each input

Dimensions and weight

90 mm (102 mm with adapter) x 62 mm x 23 mm
160 g / 5.6 oz

Electrical characteristics
Audio inputs:
Impedance: 10 kOhm
Analog gain: 0 - 42 dB
Max level 8 dBu, 2 Vrms
TLV320ADC3140 burr-brown
SNR ~ 102 dBA
Audio output (main and aux):max level 8 dBu, 2 Vrms
Cirrus Logic Master Hifi CS43131
SNR > 120 dBA
Audio output (cue):max level 2 dBu, 1 Vrms
Cirrus logic CS47L35SNR > 110 dBA
Handling
Ambient working temperature: 0-50-C (32-122-F)
Ambient storage temperature: 0-30-C (32-86-F)

Clean the shell of the unit with a microfibre cloth. Use pressurized air to remove dust from the faders.

To keep the battery healthy, the unit should be charged at least every 6 months. If not used for a long time, it may not charge again.
Read more
 1 in stock $1,039.21
Teenage Engineering OP-1 Portable Synthesiser, Sampler & Sequencer (white) Teenage Engineering OP-1 Portable Synthesiser, Sampler & Sequencer (white) Teenage Engineering OP-1 Portable Synthesiser, Sampler & Sequencer (white)
Cat: 727158 Rel: 03 Apr 19 • View all Synthesisers
 
All-in-one portable synthesiser, sampler & controller with additional features - new 2019 edition
Notes: One of our favourite instruments: hugely creative digital synth, sequencer, sampler, multi-track recorder and effects unit. Inspiration in a box. A true modern classic. Check out our full review.

Supplier's notes:
The OP-1 from Teenage Engineering is a high-end portable synthesiser, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether you're in a home, project or professional studio, the OP-1 delivers power and performance every time.

The OP1 from Teenage Engineering grabs your attention, with its simplistic layout and colour coded interface. The OP1 is also a portable, compact, hand-held synthesiser. The power of the OP-1 lies in the features; 8 built-in synthesiser engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4-channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion-controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16-hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.

To continue Teenage Engineering's ten year celebration of the OP-1, here is another free update (July 2021):

OP-1 is now capable of streaming audio over USB. In effect, this means that every OP-1 owner just got a new portable USB sound card. enjoy!

Streaming USB Audio

With update #243, every OP-1 is now capable of streaming stereo audio over USB. This means that you can now sample and record to OP-1 directly from any USB audio host, as well as get OP-1 audio straight into your favourite DAW, in effect replacing the need for an external sound card. It works with both PC and Mac, as well as with iOS and Android, and has been made possible by adapting and using the knowledge from OP-Z. the update also includes a range of bug fixes and stability improvements.

Here's some of the update highlights:

Added USB audio device in & out
External tempo sync stability improved
When tape is armed and OP-1 receives a play command, recording now starts

How to update: visit https://teenage.engineering/downloads/op-1 and follow the steps to update your OP-1.
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out of stock $1,260.09
Teenage Engineering OP-1 Field Portable Digital Synthesiser (white) (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Synthesiser (white) (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Synthesiser (white) (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Synthesiser (white) (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Synthesiser (white) (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Synthesiser (white) (B-STOCK)
Cat: 901611 Rel: 10 Aug 22 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm
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out of stock $1,992.07
Teenage Engineering TX-6 Portable Studio Mixer & Audio Interface (B-STOCK) Teenage Engineering TX-6 Portable Studio Mixer & Audio Interface (B-STOCK) Teenage Engineering TX-6 Portable Studio Mixer & Audio Interface (B-STOCK) Teenage Engineering TX-6 Portable Studio Mixer & Audio Interface (B-STOCK) Teenage Engineering TX-6 Portable Studio Mixer & Audio Interface (B-STOCK)
Cat: 902845 Rel: 01 Jan 90 • View all Studio mixers
 
*** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***
Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


A tiny powerhouse of a mixer and audio interface. High-end electronics crammed into a compact, battery-powered format, featuring six stereo inputs, MIDI and Bluetooth support.

Supplier's Notes:
Ultra-portable pro-mixer and audio interface

TX-6 is an ultra-portable, battery-powered mixer and multi-channel audio interface. Comparable to larger units, but with even more tech packed into one sturdy little machine.

Mix 6 stereo input channels, use tempo sync, discover the internal synthesizer and sequencer or use the built-in tuner. MFi compatibility even lets you connect to your ios devices.

The smallest of its kind.

Tx-6 features a 6 channel stereo mixer with a configurable knob layout. Choose to have the three-band EQ at your fingertips, or customize each knob to control whichever setting you prefer. With more than meets the eye, TX-6 is packed full of features and connectivity options.

Battery powered

The rechargeable battery holds for about 8 hours. For energy efficiency, the display automatically goes to sleep when not in use, and led strength is completely adjustable.

Synthesizer & sequencer

TX-6 also functions as a portable synthesizer and sequencer with 4 oscillator waveforms and 4 synthesized drum sounds. Use tempo sync to stay on the beat.

8 built-in effects

Explore send effects like reverb, chorus and delay, and creative effects freeze, tape, filter, and distortion. Each channel has a three-band EQ and adjustable compressor.

Quality and engineering

TX-6 is a sturdy little machine. Encased in CNC aluminium with 2k moulding, custom-made encoders and faders, and custom PCB - engineered for portability.

Wireless connectivity

With BLE, you can use TX-6 as a wireless controller for other BLE MIDI devices or trigger and sync the internal synth and sequencer from other sources.

Super slimline cables

High quality, slimline cables custom-made for tx-6. The narrow profile allows you to use all 6 channels at once and makes for an easy pack down.

Customizable interface

When you're ready for the studio, use tx-6 as a 12 channel audio interface and connect to any daw over USB-C. MFi also allows you to connect to ios devices.

DJ mode

Turn TX-6 on its side and use it as a DJ mixer. Turn channel 1 into a fader to crossfade between the channel 5 and 6 so you can fade or cut between the two.

6.35 + 3.5 mm output

Connect your audio output through 3.5 mm mini jack or use the included and removable 6.35 mm jack to 3.5 mm mini jack adapter.

Field bags

Designed to fit TX-6 field mixer and constructed in heavy duty fabric and hardware, field bags are designed for durability, ready to be used out in the field.

Multitrack elegance.

The first portable pro-mixer that can be used as a multi-functional 32-bit 48khz audio interface that has an instrument tuner, built-in digital FX, synthesizer and drum machine.

Connect to your daw for 12 channel multitrack recordings. Use the internal synth and sequencer, or control them via external midi device. With MFi you can even connect to your ios device.inputs and outputs.

Specifications

Inputs and outputs.

32-bit/48kHz USB interface
3.5 mm mini jack to 6.3 mm jack
Headset mic input
Aux output
Connect to iPhoner, lightning cable
Stereo or mono for each input

Dimensions and weight

90 mm (102 mm with adapter) x 62 mm x 23 mm
160 g / 5.6 oz

Electrical characteristics
Audio inputs:
Impedance: 10 kOhm
Analog gain: 0 - 42 dB
Max level 8 dBu, 2 Vrms
TLV320ADC3140 burr-brown
SNR ~ 102 dBA
Audio output (main and aux):max level 8 dBu, 2 Vrms
Cirrus Logic Master Hifi CS43131
SNR > 120 dBA
Audio output (cue):max level 2 dBu, 1 Vrms
Cirrus logic CS47L35SNR > 110 dBA
Handling
Ambient working temperature: 0-50-C (32-122-F)
Ambient storage temperature: 0-30-C (32-86-F)

Clean the shell of the unit with a microfibre cloth. Use pressurized air to remove dust from the faders.

To keep the battery healthy, the unit should be charged at least every 6 months. If not used for a long time, it may not charge again.
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out of stock $1,064.45
Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK) Teenage Engineering OP-1 Field Portable Digital Keyboard Synthesiser (B-STOCK)
Cat: 945511 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm
Read more
out of stock $1,785.80
Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder Teenage Engineering TP-7 Field Recorder Portable Audio Recorder
Notes: A thing of beauty. Teenage Engineering channel the vibes of vintage open-reel tape recorders mashed up with modern tech. A proper all-round recording solution, from voice memos to studio work.

Supplier's Notes:
There are thoughts, ideas and fragments that - for the sake of humanity - we need to record and be able to return to as a reference, as a seed for new thoughts or just to remember another time. TP-7 is built for just that, to record sound, music, interviews and important ideas with zero friction in the highest possible quality. A device engineered in every detail to do only one thing and to do it well. A dedicated piece of hardware for ideas, or just a dirty riff.

The ultra-portable audio recorder. Record and listen back using the internal mic and speaker, or use any number of the 3x two-way jacks for external mics, headsets or other signal sources. Multiple connectivity options include USB-C, MFi and Bluetooth. Instant voice-to-text transcription available via the IOS app. Included in the box: 6.35 mm jack adapter, textile USB-C cable, user guide and reusable plastic storage box.

Intuitive muscle reflex control.

TP-7 fits perfectly in the palm of your hand and lets your fingers naturally adopt the controls. The index finger triggers fast forward and the middle finger rewinds. Your thumb records a memo, the pinky selects the mode. It's a genuinely rewarding experience.

Tape reel sensation.

The centre piece of the TP-7 is the motorized tape reel. A delicately engineered brushed motor with ball bearings, and a highly sensitive hall sensor that lets you virtually grab your recording. the reel is also used for scrubbing, to pause, menu navigation and as gentle visual feedback during playback and recording.

The rocker.

The side-mounted rocker allows you to quickly scrub through your audio.
just press on the top edge to fast forward, and down to rewind. watch the wheel spin around and hear your tracks scrub in 'hyperspeed'.

Transcription hell turned into transcription heaven.

We've all experienced the process of transcribing recorded speech to text by hand. A key feature of the TP-7 is its ability to streamline the process of turning audio into text. simply connect your phone to TP-7 via BLE or USB, open the TP-7 app and press transcribe. Job done!

(* Additional languages, text-to-audio edit and other useful features will be added over time.)

Off the record.

Picture yourself in an interview situation. The reel on the TP-7 is spinning slowly, the bright red record lamp is lit. Both the reel and the lamp indicates that a recording is taking place. The interview is going quite well. The situation gets heated, you're suddenly asked some personal questions. In that moment, you gently place a finger on the reel and pause the recording, allowing you to continue the interview 'off the record'.

The importance of zero friction.
(or how to remove steps from thought to action.)

Let's compare TP-7 to the most common recorder today - the smartphone:
Once you've turned on and unlocked your phone, found the recording app and started recording, you've probably forgotten whatever you had in mind. When recording on TP-7: press the memo button and start talking.

Inputs, outputs and 20 years of ideas.

TP-7 features three stereo two-way jacks to be used as either inputs or outputs, for connecting external mics, headphones, studio monitors, or any other audio equipment like OP-1 field or TX-6, recording with all 6 stereo channels. Use USB-C for multi-channel audio interface, MIDI, data transfer and charging, and BLE and MFi for wireless connectivity. TP-7 also includes a 6.35 mm to 3.5 mm jack adapter. Add to that 128 GB of internal storage and you can preserve 5 minutes of ideas a day for 20 years..

Applications.

Interview

Let you, and your subject, focus on the job at hand. When conducting interviews, TP-7's discreet size and dedicated function makes for an unobtrusive recording device.

Podcast

Whether you're in the studio or out in the field, TP-7's high quality audio is perfect for podcast recording. Connect up to 3 external mics, or use the internal mic in a pinch. Keep an eye on your levels with the VU meter and headphones.

Voice memos

Think out loud, tape does the rest. Let TP-7 capture your thoughts, then convert them into accurate text using the TP-7 app. For professionals, and avid thinkers and writers.

Field recording

Inspiration can strike when you least expect it. With an internal mic, 3x inputs, and a 7 hr rechargeable battery, you can use tape to record samples and demos on the go. Never lose an idea again.

Live performance

Use TP-7 in a live performance or recording scenario. Track all the instruments in your studio, or record your live set when performing. You can even use TP-7 as turntables and TX-6 to mix.

The field system.

TP-7 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.

TP-7 specifications

Highlights
3x stereo two-way jack input/output/headset connectors
1x stereo headphones connector with 3.5 to 6.35 mm jack adapter
Internal microphone and speaker
Motorised 'tape reel'
128 GB internal storage
24-bit/96 kHz usb audio interface
Bluetooth low energy
Rechargeable battery
7 hr battery life
64x32 pixel monochrome display
LED VU meters
Companion transcription app

Dimensions and weight
96 mm x 68 mm x 16 mm
170 g / 5.6 oz

Electrical characteristics
Two-way jacks (3.5 mm TRRS)

Stereo input:
Input impedance 9.5 kOhm
Analogue gain 0 - 42 dB
Max level 8 dBu (2 Vrms)
SNR 105 dBA

Headset:
Max level out 2 dBu (1 Vrms)
SNR 110 dBA
Microphone SNR 98 dBA

Headphone output (6.35 mm TRS)
Max level 8 dBu (2 Vrms)
SNR 120 dBA
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 5 in stock $1,365.28
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