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Notes: Electro-Harmonix has reissued their late-1970's era Op-Amp Big Muff Pi. Sometimes also referred to as the IC or V4 Big Muff, the original circuitry has been faithfully re-created while several practical enhancements have been added including a compact, die-cast chassis and true bypass switching.

According to Electro-Harmonix founder, Mike Matthews, "The Op-Amp Big Muff was popularized by the brilliant Billy Corgan who first used it on the Smashing Pumpkins' epic 1993 album Siamese Dream. After he was videotaped playing and talking about the reissue, Billy stated: "The magic's still in the box, I can still get what I'm looking for!"

The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It's a sound that's been described by noted Big Muff collector and historian, Kit Rae, as: "a huge, crushing Big Muff sound with more crunch...great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads."

The Op-Amp Big Muff Pi features standard controls: Sustain, Tone and Volume, plus a Tone switch for bypassing the tone circuit. It comes equipped with a 9V battery or can be powered by an optional 9-volt AC adapter.

Notes: The Platform is a sophisticated, professional stereo compressor limiter that includes volume swell and tape reverse, plus overdrive. It's powerful for studio or post production work, yet compact enough to take to a gig!

The Platform's compressor/limiter enables the user to precisely tune their instrument's dynamics and provides controls for Volume, Attack, Release and Sustain plus pushbuttons for Hard or Soft Knee and the Limiter. Its foot-switchable overdrive section adds to the pedal's versatility with dedicated controls for Volume, Tone and Drive. (Volume) swell is controlled by a dedicated knob. As it's turned clockwise swell increases from zero and notes fade in more gradually.

The Platform is equipped for true stereo operation and can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out. The pedal includes a three color, bar graph, LED array with eight LEDs that display the compressor's actual gain reduction in real-time; they act in opposite to a VU meter. The Platform Stereo Compressor/Limiter comes with an EHX9.6-200mA power supply.

Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone

Notes: The MOOER GROOVE LOOP brings together both the MICRO LOOPER and MICRO DRUMMER into one micro pedal, for the ultimate in a portable jamming companion. Both elements can be used independently from one and other or simultaneously.

When used simultaneously the looper will be automatically synchronised to keep in time with the selected drum groove, and an intro click will be played when recording the first loop to ensure you're in time with the groove.

The tap tempo button makes adjusting the groove speed very easy and independent playback level controls for both the Drums and the Looper ensure GROOVE LOOP is a breeze to dial in and adjust on the fly.

Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!

Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015

Notes: A bass chorus inspired by the legendary Small Clone, optimized for bass and low-end clarity!

The EHX Bass Clone Chorus pedal's core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Compact chorus based on the legendary Small Clone with added features for bass
Provides precise sound shaping control for a tight, focused sound with a well-defined low end and shimmering chorus on top
Delivers an accurately articulated bottom end with excellent note definition
True bypass switching for maximum signal path integrity when in bypass mode
Tough, compact die-cast package
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
15mA
Year Released
2016

Notes: Killer wah and cocked wah sounds!

The EHX Wailer Wah features the great sound and tone of the award winning Crying Tone Wah in a rugged, lightweight pedal and with a traditional rack and pinion style operating mechanism. It's also extremely affordable.

Traditional rack and pinion style operating mechanism
Super affordable
Rugged yet lightweight, at just over 1.5 pounds it's lighter than most popular wah pedals and a real weight saver for your pedalboard
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
9.92 x 3.4 x 3.0
Current Draw
6mA
Year Released
2016

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.

Notes: EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument's sound like an envelope filter, but instead of the filter's response being controlled by playing dynamics, it's controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory!

Introducing the Blurst, a radical modulating filter. It's an effect often used on synthesizers, but we've designed the Blurst especially for guitar players and bassists who want to explore new sonic territory.

It features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo with tap divide and EXP control over Range, Rate or Filter. An EHX 9.6DC/200 AC adapter is included.

The Blurst is a must have for the experimental musician and works well with an expression pedal, the EHX 8-Step Program and other control voltage sources. Whether used alone or with other effects, the Blurst's hypnotic effects are spellbinding!

Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.

Notes: Produces volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects!

The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it's known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The freshly designed EHX Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!

Volume envelope manipulation with adjustable Attack and Decay times
Mono mode: one volume envelope at a time, the envelope resets when you play a new note
Poly mode: gives each note you play its own envelope
Built-in, fully adjustable, Harmonix fuzz enhances the volume envelope effect and produces bowed instrument sounds
Built-in effects loop allows for your own pedals to be inserted onto the volume envelope
Expression pedal or CV control over every knob on the Attack Decay
Save and recall up to three presets
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4.13 x 2.25
Current Draw: 140mA
Year Released: 2019

Notes: The Cab X2 is the latest digital cabinet simulation and impulse response pedal from MOOER Audio, featuring stereo input and output, build-in factory simulation models, and support for third-party impulse response files.

The Cab X2 provides robust stereo support for users that need to take their favorite digital cab sims and IR files from their laptop to the stage. The Cab X2 supports flexible stereo setups, allowing the option to bypass the cab sim pedal itself and connect to an external amplifier, sound board, PC, or pedal board. Two footswitch modes are also included and can be configured as a traditional on/off switch or to cycle through presets.

Designed to make management of all your presets and IR files simple, the Cab X2 editor software is free to download for MacOS/Windows and makes setting up your X2 fast and easy. Simply download the software, connect your X2 with the included USB cable, and tweak your cab simulation files to perfection.

While away from your PC, the Cab X2 includes a headphone jack to keep everything nice and quiet while you manage presets on-the-go or for practice.

Features:
High-quality, IR-loading stereo cabinet simulation pedal
Includes 14 user preset slots that can store two different cabinet simulation settings each
11 factory cabinet simulation files with support for loading third-party impulse response files
Choose between mono or stereo setups with the ability to bypass the cab sim for each channel
Footswitch can be assigned as a traditional on/off switch or to switch between presets
Comes with specialized editor software for preset management and IR loading

Specifications:
Input: 2*1/4" monoaural jack (Impedance value: 1M ohms)
Output: 2*1/4" monoaural jack (Impedance value: 510 ohms), 1*1/8'' stereo audio output jack (Impedance<1 Ohms)
Power supply: 9V DV center negative (Please ensure the voltage value of power supply is not more than 9V, ensure the polarity is correct.)
Current Draw: 300mA
Dimension: 0.334kg
Weight: 75mm(D)*115mm(W)*33mm(H)
Accessories: Owner's manual, USB TYPE-C to TYPE-A cable; DC 9V power supply, sticker

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Effects masters Eventide serve up a lush bucket brigade chorus inspired by the analogue classics of the 70s and 80s. Three chorus voices plus MicroPitch detuning for stereo width and complexity.

Supplier's Notes:
Short Description: Stereo Bucket Brigade-style Tri-Chorus with Psychedelic Swirl; Eventide's lushest chorus ever! Product copy: Deep Modulation & Dreamy Textures

Inspired by the classic Tri-choruses and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide's legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative "Swirl" footswitch adds psychedelic flanging, phasing and Univibe-style tones. It has never been easier to dial in syrupy smooth deep modulation on guitar, bass, synths, strings, vocals and more.

Deep Modulation & Dreamy Textures

TriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy '80s sound.

A Trifecta of Tone

Like the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to "Chorus" mode. If you need something with more complexity and movement, "Chorale" produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try "Vibrato." Add detune for subtle pitch shifting sweetness. Engage the "Swirl" footswitch to get lost in a whirlpool of kaleidoscopic sound.

Notes: The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: All the modulation effects you could dream of in a compact pedal. Chorus, Phaser, Tremolo, Vibe, Rotary and Filter programs give you plenty of sonic options with nice tweakability and superb sound quality.

Supplier's Notes:
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.

Programs

Chorus - Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II adds a second chorus with an offset rate and depth. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus.
X knob controls Lag to set the maximum allowed amount of pitch detuning.

Phaser -Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-Stage model producing 2 notches for a stronger effect. Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe.

X knob introduces Feedback for a more dramatic phaser effect.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I focuses on traditional vibrato sounds like those found in Julia and Julianna's "V" mode. Old record players inspire type II with classic RPM's on the rate knob and some noise character you'd find in your dad's old dusty Speedwagon LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia. X knob manipulates the phase of the pitch modulation when connected with stereo outs in Type I and Type II and controls the amount of "flutter" modulation applied in Type III.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. X knob controls the drive of the horn.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics.

X knob controls filter resonance, bringing a more aggressive sound to the selected filter.

Tone controls the filter's center frequency or starting frequency where the modulation is applied.

Specs:

The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink.
The enclosure's exact size with knobs is 4.9" x 2.52" x 2.64". Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
USB firmware updates can be done via www.walrusaudio.io

Notes: Welcome to a new era of the most iconic fuzz/distortion sound the world has ever known. You know, that epically huge and super saturated tone (some might call it big and muffy) that has defined the signature sound of so many artists and countless records in the past few decades. It's arguably one of the pedals with the biggest impact on the entire industry, which has seen it modified over and over and over again. So much that you think it's all been done, right? Well, KMA Machines have a surprise for you right here!

Holding three different Gain Modes, a pre- or post-EQ Clean Blend, active Bass and Treble controls, a foot-switchable and expression-controllable parametric Mid-EQ as well as a switchable top-boost for even more raspy, grinding bite, CHIEF DISRUPTOR is the most flexible, beautifully balanced and LOUDEST muff-style pedal you'll ever hear!

Over the years, different muff drives had different levels of gain, so KMA Machines derived three major distinctive gain structures all based on what was thought to be the best versions. The Vintage Mode (VTG) will give you every shade of discrete overdrive, while the Tight Mode will give a more focused and modern tone with less bass and super crisp harmonics. Heavy Mode is the essence of what we all love about muffs. Heavy, sustaining and crazy thick fuzzy distortion, with bone-shaking lows and chewy mids. Just crank the Disruption (Gain) Control and you'll see this in action.

Tonal shaping was one of the true weak points of classic muff pedals, and this has been remedied with the Chief Distruptor. KMA Machines opened the gates to more modern tonal flexibility through the active Bass and Treble controls, which let you boost or cut highs and lows with up to 15 dB, while the parametric Mid-EQ with adjustable centre-frequency and level boost/cut allows you to fine tune the mids with extreme precision, for everything from classic scooped fuzz tones, modern mid-focused dirt tones and all the way to cocked-wah saturation.

You can take complete hands-free control of the Mid-EQ frequency via an expression-pedal. This lets you make instant tone changes on the fly, as well as unleash fast and quacky wah-like sounds or slow and enveloping phaser-like sweeps. If you feel like the filter needs to be more resonant for screaming synth-like sweeps or needs to be subtler, then you can adjust the Q of the Mid-EQ via an internal trimpot. The mids can also be turned on and off via the relay-based soft-switch, allowing you to kick in the mids for soaring solos, cutting chords or when you want to get filter freaky. Having super saturated mids and lows can sometimes result in a perceived loss of highs. To fix this, just engage the Top-Boost to give your high-mids a big push for more crunchy harmonics and bite to cut through any band mix. The Top Boost has been tweaked, but if you feel like it's either too loud or not loud enough, you can also adjust the Top Boost Level via an internal trimpot.

The gain control has been carefully balanced to achieve total control of even the slightest harmonic nuances. So, whether you're looking for low gain drive, crunchy medium gain rhythm tones, singing or saturated lead sounds or skull-crushing doom tones, the Disruption control can and will cover all of them! A lot of gain rules! But gain also means compression, and the more you compress your sound, the more your instrument will lose definition. To preserve your precious core tone the CHIEF DISRUPTOR sports a clean blend control and a toggle switch to define the insert position. Insert your dry signal before the EQ section for a more cohesive sound or place it post-EQ to keep your dry signal completely unaffected.

Last but not least, KMA Machines have implemented stacked headroom topology to keep the EQs from getting saggy when cranked, all which results in the tightest, most punchy and LOUDEST muff-style tone on the market. Go forth and empower your creative side, with tone that has true vision to inspire. If you are ready for a change in distortion history, then it's time to follow the CHIEF DISRUPTOR!

Notes: Designed to play nicely with guitars and synths alike, this OTA-based mono phase shifter excels at warm, characterful modulation. Three Eurorack-compatible patch points add creative options.

Supplier's Notes:
Lethargy derives from the greek word for forgetfulness, "Lethe". It is a state of being drowsy and dull. The feeling of having little energy or of being unable or unwilling to do anything.

Dreadbox LETHARGY is an OTA based Phase Shifter effect pedal suitable for fretted instruments and synthesizers, with eurorack patch compatibility.

100 mm wide
140 mm high
90 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs:
IN/OUT : TS Unbalanced 6.4mm jack
Manual / Rate / LFO Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 90mA

Notes: The legendary Memory Man legacy continues with this compact take on the Deluxe model. Classic bucket brigade delay sounds with new modulation controls including rate and depth.

Supplier's Notes:
No one does analogue delay and modulation like Electro-Harmonix and the Nano Deluxe Memory Man delivers the unmistakably lush delay, chorus and vibrato of the benchmark large-format Deluxe Memory Man in a compact, pedalboard ready chassis.

The Nano Deluxe Memory Man delivers EHX's signature analog delay, chorus and vibrato plus some updates we've added including both Rate and Depth knobs for enhanced modulation control. It features a maximum delay time of 550mS, an internal user-accessible switch to turn delay tails on or off, true bypass switching when the tails feature is off and it comes equipped with a standard 9Volt power supply. For over 44 years the Deluxe Memory Man has been the gold standard for analog delay and modulation. Now it's available in an ultra-compact package!

Specifications:

Circuit: Analog
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2021

Notes: Instantly create matching harmonies to what you play.

The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It's like having one - or even two - guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX's renowned impeccable tracking and genuine musical tone.

Select your key and the Intelligent Harmony Machines will generate single note, diatonic harmonies* with a huge range of choices that includes both two- and three-part harmonies. Here are your choices:

1: 6th Down
2: Perfect 4th Down
3: 3rd Down
4: 3rd Up
5: Perfect 4th Up
6: Perfect 5th Up
7: 6th Up
8: 7th Up
9: 3rd Up + 5th Up
10: 3rd Up + 7th Up
11: Perfect 5th Up + Octave Up

These sound so cool that EHX have included them as extra options for the multi-harmony parts (selections 9, 10 and 11) to give you even more choices:

9 optional: 4th Down + 3rd Up
10 optional: 3rd Up + 6th Up
11 optional: Octave Down + 5th Up
9 optional: 6th Down + 4th Down
10 optional: 3rd Down + 3rd Up
11 optional: Octave Down + 4th Down
The Intelligent Harmony Machine also performs perfect polyphonic pitch shifts so the pitch shifts you dial up are applied to chords as well as single notes. We've even included a Major/Minor switch so you can select whether 2nds and 3rds will be major or minor. Here are the interval selections that are available:

1: Doubler
2: Perfect 4th Down
3: 3rd Down (minor on major)
4: 3rd Up (minor or major)
5: Perfect 4th Up
6: Perfect 5th Up
7: 2nd Down (minor or major)
8: 2nd Up (minor or major)
9: Octave Down
10: Octave Up
11: Perfect 5th Up + Octave Up

The Intelligent Harmony Machine's Moment Mode lets you instantly change pitch by simply depressing the pedal's footswitch. The pitch shift is engaged as long as you hold down the F/S. There's also an option so you can apply a user-set sweep time between dry and effect. Choose instant pitch changes or control the time it takes for the Intelligent Harmony Machine to sweep up and down between the set interval and the dry signal!

EHX Founder, Mike Matthews said: "We designed the Intelligent Harmony Machine for the player who craves maximum power, but in a minimal footprint. You'll dig its sweet, musical tone and spotless tracking!"

*Diatonic harmony means notes within a specific key that relate to each other.

Compact harmony generating, pitch-shifting powerhouse
Impeccable tracking and superb musical tone
Two distinct modes: Intelligent Harmony and Polyphonic.
Intelligent Harmony Mode generates diatonic harmonies in a set key based on the single notes you play. Key Selector and #/- switches provide access to all 12 keys.
In Polyphonic Override Mode you can play single notes and chords. The IHM's 11-position Interval Selector switch lets you select the harmony.
In Momentary Mode the effect is only active when the footswitch is depressed. Choose from instant shifts or set the time it takes the signal to sweep up and down.
Mix control sets the mix between your dry and shifted signals. Dry output adds signal routing and control options and flexibility
Comes equipped with an EHX 9 Volt power supply, can also run on 9 Volt battery

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 26mA
Year Released: 2021

Notes: Famous for its noiseless clean sustain, the Philosopher's Tone has staked its claim in the crowded world of compressor pedals. In addition to Volume and Sustain controls, the Philosopher's Tone features a parallel Blend knob that allows the musician to mix their instrument's original tone with the compressed sound effect. This technique restores natural pick-attack and allows more extreme sustain settings to remain musical. The Treble control provides up to a 6db cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher's Tone features true-bypass switching and internal 18V power rails for maximum clean headroom, even when used with hot pickups and line level signals.

Knob-by-knob

Volume: Sets the overall output volume.
Sustain: Sets the amount of sustain.
Treble: Boosts or cuts treble at 2kHz.
Blend: Mixes your compressed effect with your clean signal.

Rare design

Generations of guitar players have sought noiseless clean sustain from a compressor, and this was the guiding goal of the research and design behind Philosopher's Tone, yielding a compressor with an internal 18 volts of headroom and naturally musical tone control.

Modern-day alchemy
Practitioners of the mystical and ancient art of alchemy long sought an element called the Philosopher's Stone. They believed, if found, it could turn lead into gold and bestow immortality upon the person who wielded it. Turns out it was waiting in the depths of space all along.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig. Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control combines with exceptional headroom to deliver smooth transient response previously available only in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the user to control how long it takes gate to slam closed.

Knob-by-knob

Threshold: Sets the dynamic at which the noise gate activates.
Release: Sets the release time of the noise gate.

Designed for all rigs

Mercilessly cutting out any and all sounds you don't want to hear at the very instant you stop playing, the Gatekeeper was designed with even the most high-gain rigs in mind. Crank the volume without fear of the annoying 60-cycle hum or white noise.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Octava is an all-analog octave fuzz / frequency doubler featuring an on-board low pass Filter control that allows you to achieve singing octave up tones anywhere on the neck, without adjusting your guitar's tone control. A front-end Drive and gushing Fuzz circuit add signal power and easily convert Octava to shoegazey fuzz pedal capable of producing devastating, full-wave rectified distortion. Use the Blend knob to mix the octave up effect on top of your dialed-in drive.

Knob-by-knob

Volume: Sets the overall output volume.
Blend: Mixes in the octave-up effect.
Filter: A low-pass filter tone knob. Sets the cutoff frequency of the low pass filter on the input of the Octave circuit.
Drive: Mixes in warm front-end overdrive by increasing the gain of the J-FET preamp stage.
Fuzz: Activates the fuzz circuit.

All analogue, still versatile

Built with the theory of "do one thing and do it well" paired with the flexibility of more diverse effects units, the Octava transitions seamlessly between a singing octave-up to an overflowing fuzz, and every blended tone between.

The Octavia ribbons

Parallel ribbons made up of complex patternwork wave ever-so-slightly in the blackness of space. It is from this mysterious place Octava was harvested. Pretty much sounded like a badass octave fuzz.

Specifications

Electronics

Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150 ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: Moon Pool is an analog phase shifter and tremolo with independent speed controls featuring the ability to change the rate of one or both of the effects in either direction, corresponding to how hard you play. The 4-stage, VCA-based phaser and variable bias tremolo found in the Moon Pool can each be run as standalone effects or they can be combined in series for a mesmerizing mashup of modulators. A global Depth knob determines overall wetness, while a Sensitivity knob allows you to dial in the responsiveness of these changes to accommodate different playing styles and colors. Runs on standard 9VDC.

Knob-by-knob

Phase Speed: Sets the rate of modulation for the phaser.
Trem Speed: Sets the rate of modulation for the tremolo.
Depth: Sets the intensity of both the phaser and tremolo.
Sens.: Determines how much signal is required to change the speed of both phaser and trem when dynamics processing is turned on.

Trem / Phase (Three-Way Toggle): Up = trem engaged, Center = both engaged, Down = phaser engaged

Phaser Dyn. (Three-Way Toggle): Up = phaser speed increases in response to playing dynamic, Middle = no change, Down = decreases

Trem Dyn. (Three-Way Toggle): Up = trem speed increases in response to playing dynamic, Middle = no change, Down = decreases

Dynamically-responsive, wide-range dual LFOs

Moon Pool features a pair of LFOs that can be independently modulated by the amplitude of your playing. Engaging the dynamics switches enables these LFOs to travel well beyond normal limits, creating wild FM tones at maximum speed and gradually evolving textures when slowed way down. Equal parts out-of-this-world and inherently musical.

Get lost in the slosh

Sometimes, you gotta kick off your moon boots, slip into a moon pool, pour yourself a moon juice, and get lost in the slosh.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: The Bitmap is a bitcrusher with fractional bit reduction and sample rate modulation. The Bitmap 2 adds waveshaping, wavefolding, and a window comparator for extreme digital distortion. A drive control handles everything from single coil guitars to synthesizers, with +8 dBu maximum signal level and enough gain to sound like an overdriven mixer channel. Modulation and envelope control create dynamic, responsive distortion and digital artifacts.

The Bitmap 2 is tuned to provide maximum sustain without sputtering on staccato notes. Less extreme settings add layers of nonlinearities that interact in subtle ways, giving you the warmth and grit of 8- and 12-bit samplers. Sample rate reduction turns your guitar into 8-bit video game sounds or twists scales into inharmonic melodies. Sample rate modulation adds subtle motion or morphs your guitar into entirely new textures.

The Bitmap works with guitar, bass, synthesizers, drum machines, and other instruments or line level sources.

Size:3.05" x 4.75" x 2.5"
Input impedance:1 MO
Output impedance:< 1 kO
Bypass: analog buffered
Power: 9 VDC, center negative
Current: 250 mA

Notes: Second-gen Immerse offers true studio-quality stereo reverb in a compact pedal format. Eight high-quality algorithms with simple, user-friendly controls and top quality sound. Lush.

Supplier's Notes:
The Immerse Mk II raises the bar with eight rich stereo reverbs in one easy to use pedal. No user manual required. Experience studio-quality tone that can be used with instruments of all stripes.

Five controls:

Effect Select
Mix, from 100% dry to 100% wet
Reverb Depth
Tone / Echo Time / Hold Time (depending on effect)
Pre-Delay / Modulation / Blend (depending on effect)

Specifications:

Electrical

Input level: instrument / consumer line level
Input impedance: > 1 MO
Gain: unity
Frequency response: 20 Hz - 20 kHz
Total harmonic distortion: < 0.005%
Signal-to-noise ratio: > 107 dBA

Power

Input: 9-12 V DC, 80 mA
Connector: center-negative, 5.5 mm OD x 2.1 mm ID

Physical
Dimensions: 2.9" x 4.6" x 2.0" / 73 mm x 117 mm x 51 mm
Weight: 8.84 oz / 251 g

Notes: Excellent value from this simple but effective envelope filter pedal. User-friendly controls help you quickly dial in a tone with three different filter modes. Sounds as good on synth as it does on guitar or bass.

Supplier's Notes:
Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here's how it works: The Nano Q-Tron responds to the user's playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It's all about how you play and it's super interactive.

Specifications

Circuit: Analog
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 10mA

Notes: Gamma Drive is a germanium-enhanced overdrive with active Treble and Bass EQ controls. Achieving articulate, touch-sensitive performance characteristics via a unique mixture of germanium, LED and silicon diodes arranged to produce asymmetrical clipping, Gamma Drive offers overdrive rich in 2nd order harmonics, which creates sweet, blooming tone. Offering a range of overdrive from sparkling clean boost to a raging distortion, Gamma Drive was designed for versatile playing across a wide variety of musical genres.

KNOB-BY-KNOB
Gain: Sets the amount of distortion
Volume: Sets the output level
Treble: Boosts or cuts high frequencies centered at 2kHz
Bass: Boosts or cuts low frequencies centered at 80Hz.

TOUCH-SENSITIVE ANALOG DRIVE
Gamma Drive's unique mixture of clipping diodes allow for touch-sensitive response, where natural saturation breaks up further as the player digs in. With the addition of a 2-band EQ, players can dial in Gamma Drive with precision, resulting in a lively, amp-responsive tone.

RIPPING THROUGH THE UNIVERSE
Listen - how do you think Marvin has the time to explore the infinite depths of the cosmos and bring back all these wild discoveries? He kicks it into Gamma Drive, c'mahhhn.

MODEL GAMMA DRIVE
MODEL NAME: Gamma Drive
SKU: GDR
FUNCTION: Overdrive with 2-band EQ
CATEGORY 1: Overdrive
CATEGORY 2: Distortion

EXPRESSION

BYPASS: True Bypass

ELECTRONICS
VOLTAGE: 9VDC
CURRENT DRAW: 100mA
INPUT IMPEDANCE: 10M
OUTPUT IMPEDANCE:150ohms

BODY
LENGTH (IN): 1.5
WIDTH (IN): 3.75
HEIGHT (IN): 1.75
WEIGHT (LBS): 0.5

Notes: Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

KNOB-BY-KNOB
Time: Sets the length of the delay line. Overrides tap tempo and vice versa. Select sub-divisions with the small push button. Can activate any two sub-divisions at once.

Mix: Sets the volume level of the delay signal.

Repeats: Sets the amount of regeneration in the delay line.

Mod: Select and set the modulation Speed, Depth, and Tone. Hold push button to sync Speed to tap tempo.

Preset Select: Push to toggle through presets, press and hold to select. To save a preset after making changes, press and hold. Presets can be toggled and selected using only footswitches (see manual).

Special FX: Reverse makes the delay line go backwards. Jump makes the delay line jump up one octave. Pong (activated with a push and hold) causes echoes to alternate between the left and right channels, meant to be used in stereo.

BREAK RULES AND BUILD WORLDS
Designed to offer a streamlined user experience and a massive feature set, Echolution 3 is a worldbuilder. In a compact package, "E3" offers multi-tap delay lines, with sound design FX options ranging from the subtly cinematic to the outlandishly dramatic. I/O options include stereo output, MIDI sync, and additional footswitch features. On board presets make revisiting your favorite corners of the Echolution 3 universe simple.

HOW TO DISAPPEAR COMPLETELY
Marvin has come across Echolutions in the Pigtronix universe beforeibut never quite like this. Echolution 3 is a supermassive black hole leading to a vivid dimension stuffed with color, light, and the unexplainable, causing the voyager to lose his or herself more deeply than they knew was possible. In this dimension, the imagination tends to expand: familiar figures appear in cloud formations, meteorites can be sat on like bean bag chairs, and ropes of light can be swung on like vines.

MODEL ECHOLUTION 3

MODEL NAME: Echolution 3
SKU: E3
FUNCTION: Stereo Multi-Tap Delay
CATEGORY 1: Delay
CATEGORY 2: Modulation
EXPRESSION: TRS Remote / MIDI
BYPASS: Buffered

ELECTRONICS
VOLTAGE: 9VDC
CURRENT DRAW: 100mA
INPUT IMPEDANCE: High
OUTPUT IMPEDANCE: 1k

BODY
LENGTH (IN): 3.25
WIDTH (IN): 4.5
HEIGHT (IN): 2.2
WEIGHT (LBS): 1

Notes: The classic Pantheon pedal gets even better with this Deluxe version. Two independent overdrive circuits give you classic Blues Breaker-style tone plus modern boutique sounds.

Supplier's Notes:
The now legendary Wampler Pantheon provided a unique interpretation of the classic "Blues Breaker" style stomp box, by capturing all the tonal nuance of the original, but with added flexibility and style. In doing so, it found its way onto thousands of pedalboards across the world. Enter the new Pantheon Deluxe - a dual overdrive pedal that takes this evolution several steps further by offering a flexible design with two completely independent Pantheon circuits, one voiced as a classic blues breaker and one with a more modern boutique sound. This palace of tone delivers a staggering 200 combinations of gain settings, featuring dual Inputs and Outputs, and for the first time ever, Wampler have added MIDI channel switching to one of their gain pedals.

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel. Independent side mounted Voicing and Gain Level switches allow you to further shape your tone to perfection.

DOUBLE UP

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel.

ALWAYS THE RIGHT FIT

Each Channel of the Pantheon Deluxe Dual Overdrive feature independent Gain, Level, Treble, and Bass controls to enhance the shaping of your tone. The Baxandall-style active Bass control is neutral at noon but boasts an extremely powerful sweep as you move through the range. A single global Presence control simultaneously alters each channel to add just the right amount of top-end chime to suit different guitars and amplifiers - perfect for when playing live or when in the studio.

MAXIMUM CONNECTIVITY

With the addition of MIDI In and Out, you can now also switch the analog channels of each circuit on and off with a MIDI switcher - saving you valuable hardware loops on your loop switcher. With dual analog inputs and outputs, you can split both channels in a loop switcher, insert pedals between each side, or run in stereo.

BUILT FOR FOREVER

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Pantheon Overdrive. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds its forever home on your pedalboard, so we built it to last that long.

TECHNICAL DETAILS

Built in the U.S.A
Dual Independent drive channels using Brian Wampler's classic Pantheon circuits; Channel 1 Classic Blues Breaker voicing, Channel 2 Modern Boutique voicing.
Independent Volume, Gain, Treble and Bass controls for both channels, global Presence control, front mounted Channel Order Switch, side mounted independent Gain Level and Voicing switches, MIDI In and Out (3.5mm TRS) and 2 sets of input and output jacks.
Top-mounted jacks make pedalboard placement effortless
Power draw: 55mA
9-18V power jack: DC supply only, do not exceed 18V DC, battery Included.
Includes Wampler's limited 5-year warranty
5" x 4.5" x 1.5" (88.9mm x 114.3mm x 38.1mm) - height excludes knobs and switches

Notes: The new Preamp Model X comes loaded with a host of new features that make it easy to customize your digital preamp and cab setup. Featuring 3 global cab sim files, support for third-party impulse response files, and 14 preset slots, each with two different channel settings to customize, the Model X offers plenty of space to prepare for long gigs or the freedom to explore and save different tonal combinations.

Where the Preamp Model X excels compared to previous Mooer preamp pedals is in the user interface and digital editor software. The expanded footswitch layout of the X2 gives users two settings to choose from: one for preset scrolling and one for A/B channel switching. This allows users to quickly cycle through presets at just a tap of the foot. The editor software is free and can be downloaded from Mooer's website (www.mooeraudio.com) and allows users the comfort of a desktop interface when customizing and tweaking presets, loading third-party impulse response files, or updating the Model X2's firmware.

The Preamp Model X has been specifically designed to be compatible with files created using Mooer's MNRS sampling technology. Simply download these files from Mooer Studio (www.mooerstudio.com) and load them into your Model X2 using the editor software. The Model X2 is also compatible with Mooer's GIR/GNR cab sim files as well as other major third-party impulse response filetypes.

Specifications:

Input: 1*1/4" Monoaural jack (Impedance value: 1M ohms)

Output: 1*1/4" Monoaural jack (Impedance value: 510 ohms)

Num. of Preset Slot: 14

Num. of Factory Amp Model: 28 (Can be replaced by imported GNR file)

Num. of Factory Cab Sim: 3 (Global cab sim, can be replaced by imported GIR/IR file)

IR Spec: 44.1kHz/24bit/1024points

Power supply: 9V DV center negative (Please ensure the voltage value of power supply is not more than 9V, ensure the polarity is correct.)

Current Draw: 300mA

Weight: 0.334kg

Dimensions: 75mm(D)*115mm(W)*33mm(H)

Accessories: Owner's manual, USB TYPE-C to TYPE-A cable; DC 9V power supply, sticker.

Notes: Amp Academy Pedal

The Amp Academy is a complete valve amp modelling rig in a compact stomp box format. 3 storable scenes with 2 channels, selectable from 6 separate classic amplifier models. Each patch has Gain, Master and Boost for overdriven tones and 3-band EQ + Presence control. As with a real professional tube amp, there is an effects loop and internal rever effect. The addition of a noise gate helps to keep everything silent when no notes are played. Balanced or unbalanced outputs give flexible options for live performances via FRFR speakers, mixing console, or even for direct recording. All settings are fully editable via USB using the proprietary Amp Academy software and even self-made or third party IRs can be loaded for custom amp modelling. Next time you are carrying your heavy valve amplifier around, consider this incredibly flexible and pocket-sized alternative.

Power supply: 9Vdc, 100mA (min) pin-negative (not included)
Controls: Gain, Master, Boost, NR, Bass, Middle, Treble, Presence
Connections: Guitar in/out (6.3mm), Loop (6.3mm TRS), Aux (3.5mm), DI (XLR)
Dimensions: 115 x 105 x 58mm
Weight: 440g

Notes: The Collective is a brand new fuzz pedal designed by Hungry Robot. The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur. The Collective covers a lot of ground with plenty of external controls as well as over a DOZEN internal parameters to narrow down that perfect fuzz tone. The Collective is a pedal that requires and encourages exploration. The Collective has three fuzz circuits in one box. On top of that there is a 2-band State Variable Filter and a chatotic feedback loop.

Starting at the top of the pedal, the "Conventional" knob is a traditional sounding fuzz. This is meant to balance out the more chaotic fuzz tones and provides a bread-and-butter sound when you need it. The "Low Spectrum" and "High Spectrum" knobs are part of an active State-Variable Filter, similar to the one found on The Lumen. The "Synthetic" knob is a logic based CMOS fuzz that can be described using the words, velcro-ey, synth-ey, gate-ey, and glitch-ey. The "Pristine" knob allows you to blend in your clean signal when you need a bit of pureness to balance out the crazier sounds. On the left is the "Overload" knob. This controls the amount of signal let back through an internal feedback loop. The output of the fuzz is fed back into the input causing self-oscillation and some gnarly textures. Underneath the knob is a dedicated momentary footswitch to activate the feedback loop or you can latch the feedback loop ON by flipping the toggle switch up. On the right is the "Submerge" knob. This is a monophonic sub-octave fuzz. Similar to the "Synthetic" fuzz, this is also CMOS-based, so similar gated, unstable tones. The "Submerge" also has a dedicated momentary footswitch to add in the sub-octave with its own toggle switch that can latch the sub-octave.

Controls

Conventional: Adjusts the volume of the Conventional Fuzz
Synthetic: Adjusts the volume of the Synthetic Fuzz
Pristine: Adjusts the volume of the clean signal.
Overload: Controls how much feedback is looped back into front end when Overload is active.
Latching Toggle Next to Overload: Latches the Overload effect ON when up. When down, the effect is bypassed.
Footswitch Below Overload: Momentary control of Overload effect. Does the opposite of what the Toggle Mode is set to.
Submerge: Amount of Submerge, monophonic sub-octave is sent to the output.
Latching Toggle to Submerge: Latches the Submerge effect ON when up. When down, the effect is bypassed.
Footswitch Below Submerge: Momentary control of Submerge effect. Does the opposite of what the Toggle Mode is set to.
Middle Footswitch: Master Bypass

Technical specifications:

Current Draw: 97 mA
Dimensions: 5.7" x 4.7"
Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.

Notes: Queequeg 2

Sub Generator

Reawaken The Depths Below

KMA Machines released the original Queequeg in 2016. The pedal was our take on how simple and effective an analogue monophonic suboctave device could be.

Time doesn't stand still and so with Queequeg 2, KMA's aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. Queequeg 2's super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

"Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. Queequeg 2- look deep down and believe."

Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of Queequeg 2's specialties. The pedal's super quick tracking benefits from KMA's custom all-analogue circuit design, giving you very organic and smooth suboctave tones.

Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you're sure to find your mighty vessel of tone.

Beware - don't let your lows be dragged under! Queequeg 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analogue and thundering sub-sonic beast!

Notes: Based on the classic tones of bearded Texas legend Billy Gibbons (ZZ Top), El Hombre is the ideal overdrive for those feeling the blues or ready to rock all night. Capturing the nuances and touch sensitivity of an amplifier, El Hombre can go from mild to wild with the turn of the gain knob showing its versatility with each guitar plugged into it. From added harmonics to chewy sag El Hombre has it all. The El Hombre is simple in format but complex in its abilities. The tone section is highly effective allowing you to alter the drive style simply by adjusting the "Bite" control. When you bring the bite control up (Clockwise) it becomes more aggressive, turn it down (counterclockwise) making it smoother and more reminiscent of Dumble tones.

Notes: EarthQuaker Devices Special Cranker

An Overdrive you can trust

The Special Cranker is an all-discrete analogue distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone's integrity without muddying up the low-end or smearing the midrange.

The Special Cranker picks up where the beloved Speaker Cranker left off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly Level control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.

The More control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don't freak out; it's totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The Tone control gives the user full command over treble frequencies, cutting the highs when counter-clockwise and adding a slight high-frequency boost when turned clockwise. The Level control adjusts the output from nothing to nearly double at maximum.

Tech Specs:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 5M P
Output Impedance: <25 kO

Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power:

This device should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

The Special Cranker can be safely operated from 9-18 volts.

Notes: Part of Dreadbox's impressive effects line-up, the Disorder is a rowdy fuzzbox crossed with a self-oscillating filter, serving up some pleasingly nasty tones. An envelope follower with CV output adds versatility.

Supplier's Notes:
The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person's daily life.

Dreadbox Disorder is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds.

Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah-wah sounds.

Specifications

Circuit: Analogue
Bypass: CMOS
Audio: Mono
Inputs / Outputs
IN/OUT: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (Not included)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 50mA

Notes: Atlas Compressor

The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors like the now-discontinued Diamond Optical Compressor to high-end rack units such as the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware.

A History Lesson in Compression

The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment. First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the excellent (but discontinued) Diamond Compressor. Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor. Finally, we're taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit... the Atlas has it all and does it well.

Optical Rack

The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars.

Studio 76
The Studio 76 compressor is based on the 1176 studio rack compressors of the late 60s and early 70s. This solid state FET compressor is known for its full body and super-fast attack. All of the attack times in 1176 compressors clock in at less than a millisecond. Studio 76 is a great compressor for fast and aggressive country pickin' (think Johnny Hiland), slap bass, slide guitar and much more.

Cubic Zirconia

The Cubic Zirconia was inspired by opto compressors that use an LED in place of the LA2A's electro luminescent panel. This technology is usually what you find inside effects pedals. Using an LED as an optical compressor's light source creates faster attack and release times, which generate artifacts that tend to make the compression sound a bit dirtier. This is a great sound for playing tight and funky riffs on the guitar.

Studio snap

A very aggressive and modern sounding compressor. It's based on hard-knee, VCA feed forward type compressor. It uses two compressors in parallel to handle both RMS level controls ("Root Mean Square" compression means that the compressor will react according to the "average loudness") AND the peaks. The combination of these two compression approaches gives STUDIO SNAP its character.

Dual band

The Atlas has two independent compressors that can be routed in a number of different ways. They can run in Series Mode (one running into another). They can also run in Parallel Mode and be mixed together with a Crossfade control. The Dual Band compressor runs in Band Split Mode, which is a version of parallel routing where one compressor controls only the higher frequencies (everything above 333Hz) and the other controls the lower frequencies (everything below 333Hz). With the Dual Band Compressor the high frequencies release faster than the lower frequencies, so as you sustain a chord the low frequencies remain compressed while the second compressor releases the high frequencies. The result is a beautiful blooming effect that accentuates high harmonics. This is a great compressor for slow ringing chords or lead lines with long sustained notes.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 165mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)

Notes: Dynamic hold effects are the aim with this creative reverb pedal. Three reverb modes (tape, comb filtering and resonant bandpass filtering) can be frozen and triggered to create infinite sustaining textures.

Supplier's Notes:
Dynamics. It's the shifting ebb and flow of the tide. It's the ups and downs of life. It's witnessing night turn into day, as the sun attacks and sustains through the nightly veil, making the darkness release its gloomy grasp and decay. It's where you'll find the Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb. An envelope triggered multi-mode reverb with the ability to dynamically freeze and sustain your notes forever, seeing you create truly mesmerising sunlit soundscapes.

Building on what made OBNE's top-selling Dark Star such a stellar early-chain pad reverb, Sunlight twists it into the other dimension as a reverb pedal centred around the idea of a dynamic hold. When you play, your new notes are let through and old notes are allowed to fade away, but when you stop playing, old notes have the chance to repeat forever.

A dead simple to use interface of just two knobs controls the nature of this relationship. In addition, there are three sonic modes that highlight modulation, comb filtering and resonant bandpass filtering, each of which takes their own spin on the reverb signal. The Mix, Input and Decay controls work exactly the same across each mode, as they help control the dynamics.

Mix sets the loudness of the reverb, which goes from all dry to all wet and anywhere in between, allowing you to create everything from subtle reverberations to deep ambient textures. Now, the interplay between Input and Decay is where the real Sunlight magic starts to happen. Decay determines how long the reverb trails will sustain, which will go from quick ephemeral evaporations to infinite reverb pads. On the other hand, Input controls how much of your signal is allowed into and fed back within the reverb. At zero, no new input will be added to your reverb, but as you increase it, more signal is let through, letting you create gently evolving ambient textures or drastically changing synth-like pads.

Rate and Depth are mode-dependent controls. TAPE Mode is a modulated reverb inspired by the unexpected shifts of a tape machine wobbling. Here, Rate and Depth set the speed and intensity of the lopsided vibrato applied to the reverb signal. COMB Mode is a combination of reverb and delay. Four delay lines are placed after the reverb, and the emphasis on stacked short delays creates comb filters like a fixed flanger. Rate sets the time of all four delays, and Depth sets the feedback (or resonance) of the delay section. PASS Mode is a bandpass filter applied between two reverb paths, where a random sample-hold function sets the cutoff frequency of the bandpass. Rate sets the timing of the sample-hold and Depth sets the range of possible cutoff frequencies. If Rate is set to 0, Depth sets a fixed cutoff frequency.

But the sound shaping adventure doesn't end here. Sunlight also contains a bunch of expressive capabilities performed through the on-board ALT switch, which can be set to change control settings either momentarily or latching. It can be assigned to the Rate, Depth, Decay or Input controls or any combination of the four. You can also control them externally via an external expression pedal, the OBNE Expression Slider or even the OBNE Expression Ramper, which will open up even more creative possibilities.

Dimensions:

Product Height (cm): 5.800
Product Width (cm): 6.600
Product Depth (cm): 12.000
Product Weight (kg): 0.300

Box Height (cm): 7.800
Box Width (cm): 8.200
Box Depth (cm): 14.400
Boxed Weight (kg): 0.453

Notes: SolidGoldFX EM-III- Compact Delay Powerhouse

Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date.

Building on SGFX's Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III's wide-ranging yet ultra-intuitive control set, warm analogue-voiced echoes, precise and modern delay, as well as experimental and futuristic sound designs, are all just a single stomp away.

At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll.

The EM-III also sports delay modulation introduced via the Flutter control. Keep it at centre position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance.

The colour knob allows you to engage both high-pass and low-pass filtering. Dead-centre you have a pristine full-frequency digital delay.

Dial it to the left and you cut the highs, creating warm, murky analogue-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays.

EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer.

Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time.

Designed to inspire and evoke emotion, EM-III can sound as pretty and cheerful or as dark and macabre as you wish.

Tune up, plug in and immerse yourself in the EM-III experience.

Notes: Next-level version of KMA's excellent Tyler frequency splitter pedal. Variable 12dB/oct high- and low-pass filters, isolated effect loop sends, wet/dry mix control and relay-based soft switching.

Supplier's Notes:
Expanding on the already rich feature-set of KMA Machines' popular Tyler pedal, the upgraded Tyler Deluxe is the ultimate Swiss Army Knife for creative musicians to use on their pedalboards, live or in the studio. Ideal for Bass, Guitar or any other amplified instrument, it offers a host of new features and functions and is perfect for developing new sounds with an existing collection of pedals or splitting signals into multiple amplifiers/differing signal chains. All of this helping to lead musicians' creativity down new inspiring parallel paths.

Do you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature's most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is Tyler Deluxe - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.

KMA Machines' Tyler (active and variable two channel crossover/signal splitter) has successfully found its place on many bass and guitar players' boards around the world, helping them refine and define their tone. However never to stand still, the team at KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great feedback from users.

The heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths (both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let's dive into everything that makes this pedal Deluxe.

Since the original Tyler was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with Tyler Deluxe ! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancellation.

The next new must-have feature is there to ensure the transparency of your setup; the good old CLEAN blend has been added

So far so good, but the deluxe delights don't stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow Tyler's evolution, another claimed feature has been added. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.

Modern times brings modern needs, so Tyler Deluxe is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.

Some fun examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the HP LOOP footswitch and you will never turn off Tyler Deluxe again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and Tyler Deluxe will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any of your dirt pedals, for a very pronounced and punchy sound all coming from one amp.

If there ever was a Swiss army knife for your tone, then Tyler Deluxe must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.

Notes: Inspired by the first digital delay rack units introduced at the beginning of the "digital audio revolution" in the mid-late 70's. These units had lower bit resolution and bandwidth compared to today's digital delay standards.

TI:ME is not your typical sterile and ultra clean digital delay. With separate analogue and digital paths to get best of both worlds, this retro inspired echo effect will warm up your tone. An all analogue signal path featuring a high quality opamp is used for the best reproduction of your dry signal. Two digital recording devices, along with carefully tuned filtering, placed in parallel with the dry path give you the most ambient delay unit you have ever heard. Think of a Model 113 rack unit; the repeats are really musical, reminiscent of worn tape echoes.

Each TI:ME unit is hand lacquered in copper colour and one of a kind!

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-TIME delay pedal. This boutique pedal features 16 all-new delay effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-TIME pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-TIME leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional infinite-feedback effects. All combined, X-TIME delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-TIME, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Industry-leading integration

AmpliTube X-TIME includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-TIME pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-TIME there's no need for any other gear when it comes to recording guitar. The X-TIME features an USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-TIME pedal and your computer
Full MIDI implementation to map control

From soundcheck to final encore

When it's time to play out, AmpliTube X-TIME holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-TIME will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-VIBE modulation pedal. This boutique pedal features 16 all-new modulation effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-VIBE pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-VIBE leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional hyper-modulation effects. All combined, X-VIBE delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-VIBE, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Ultra-low noise, 24-bit/192kHz converters for class-leading sound quality
5 Hz-24 kHz frequency response to capture the full scope of your guitar's sound
112 dB dynamic range provides whisper-quiet operation at any gain setting
Selectable true or soft bypass for maximum control

Industry-leading integration

AmpliTube X-VIBE includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-VIBE pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-VIBE there's no need for any other gear when it comes to recording guitar. The X-VIBE has a USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-VIBE pedal and your computer
Full MIDI implementation to map control of AmpliTube and/or any compatible DAW

From soundcheck to final encore

When it's time to play out, AmpliTube X-VIBE holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-VIBE will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: The ultimate metal tone? An evolution of the brand's excellent Wurm distortion with the addition of an ultra-fast VCA-based noise gate, ideal for HM-2-inspired chainsaw tones. Heavy.

Supplier's Notes:
Fusing together the powerful evolution of KMA's highly regarded Wurm Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, Guardian of the Wurm is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond.

Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >150 mA max. current draw)

Notes: While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummelling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup.

Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII's dual Texture and Colour tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish.

All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away.

Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you're looking for a musical yet powerful fuzz capable of levelling Tokyo! Here's to the new Standard Fuzz.

Notes: Sunn O))) and EarthQuaker Devices are pleased to bring you the Life Pedal Volume III. The Life Pedal V3 circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi Switch Technology, for the octave to allow an additional method of quick and radical tone shaping. We are excited to have this back in permanent production, it is a true labour of love.

Life Pedal V3 is a distortion with a blendable analogue octave up and a booster combined in one compact package. The "Amplitude" side is faithfully modelled after the classic "White Face" distortion unit, using modern, reliable components to last a lifetime. The only modifications made to the original circuit are in the clipping section. The traditional circuit uses a single pair of silicon diodes for a tight, compressed crunch.

As with version 2, Life Pedal V3 offers two additional clipping options to better adapt to different rigs. The first position is no diodes to allow for full, grinding Op Amp assault at maximum volume. The second position utilizes two silicon diodes and one LED in an asymmetrical clipping configuration. This delivers a slightly compressed and smooth crunch, similar to a valve amplifier.

The last position is the stock double silicon diode configuration which provides that classic tone you know and love. The Octave in Life Pedal is an all-discrete, analogue full-wave rectifier base on a classic vintage design. Located at the input of the circuit, the Octave control slowly blends in the octave effects as you turn it clockwise. This feature can also be used via expression control allowing for wild, hands-free octave swells mid-riff or using the footswitch for immediate octave fuzz destruction.

Because this is an analogue octave effect, it is monophonic and works best playing single notes above the twelfth fret while using the neck pickup. Playing chords with the analogue octave will sound clanging and chaotic.

Using the bridge pickup and playing below the twelfth fret will produce a very subtle octave effect. Going full Octave transforms Life Pedal from a simple distortion device into a swelling, raging fuzz similar to the classic Super Fuzz!

The "Magnitude" section of Life Pedal is a simple all-discrete MOSFET booster designed to blast your preamp tubes and drive them wild. It is a 100% clean, no-nonsense, high impedance booster that adds very little colour to your tone. It does not add distortion on its own but has plenty of output to push your amp into saturation.

The signal path goes Octave>Distortion>Boost. The octave distortion and booster can be used independently with their own respective foot switches. The Petrine Cross is the octave distortion and the Christian Cross is the booster.