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Items 2,701 to 2,750 of 2,932 on page 55 of 59
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Hungry Robot The Borderland (Lite) Ambient Digital Reverb With Octave Pedal Hungry Robot The Borderland (Lite) Ambient Digital Reverb With Octave Pedal Hungry Robot The Borderland (Lite) Ambient Digital Reverb With Octave Pedal Hungry Robot The Borderland (Lite) Ambient Digital Reverb With Octave Pedal
Cat: 780924 Rel: 03 Sep 20 • View all Effects pedals
 
Digital reverb with octave pedal
Notes: The Borderland (lite) contains the same base circuitry and reverb algorithm as its older sibling, but without the modulation options. It contains the same lush reverb algorithm and retains the three octave mode. It is perfect if you love the tone of The Borderland, but don't need the complex LFO and modulation options and just want a really solid ambient reverb.

Pressing down on the right footswitch sends the pedal into near infinite sustain with the trails teetering on the edge of self-oscillation. The Effect and Clean knobs allow you to dial in the perfect ratio of wet and dry signals. Adjusting the Ambiance and Brilliance knobs sets the length of decay and the cutoff frequency of the onboard low pass filter, ranging from a small room reverb to a cavernous, dark hall reverb.

The Borderland (lite) is the perfect for creating lush, ambient textures.

Knobs

"Clean" - Sets the volume of the original dry signal
"Ambiance" - Sets the overall decay of the reverb trails

"Brilliance" - Sets the cutoff frequency of the low pass filter

"Effect" - Sets the volume of the wet reverb signal

Toggle Switch

Octave - Enables a three octave reverb algorithm. Taking the original reverb signal and mixing it in with an octave up and octave down reverb.

Footswitches

Left - Master On/Off

Right - Sends the pedal into near infinite sustain

Other
"Secret Mode" - There is a secret mode that can be selected internally by way of a dipswitch. This mode replaces the reverb code with delay code. The "Ambiance" knob is now delay feedback and the "Brilliance" knob is now delay time.

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot The Karman Line Joystick Delay & Oscillation Device Pedal
Cat: 780928 Rel: 03 Sep 20 • View all Effects pedals
 
Delay & oscillation device pedal
Notes: The Karman Line is a modulating joystick delay and oscillation device that features a heavily filtered, lo-fi delay line with vinyl inspired pitch modulation.

The repeats on The Karman Line are dark and overdriven. The not-so-subtle grittiness provides the perfect tone for creating a deeply textured, lo-fi wall-of-sound. The Karman Line was designed for glitchy experimentalists, but can find its place in many musical settings.

The Karman Line features vinyl-esque pitch modulation centered on an all analog, light-based LFO. The modulation mimics the sound of slowing down a record player with your finger. The modulation can go from subtle to extreme, borderline obnoxious (in a good way) pitch bending.

The most intriguing aspect of The Karman Line is the implementation of a joystick. The Karman Line employs a delay chip that creates an audible warp as you manipulate the delay time, controlled by the Y-Axis of the joystick. The X-Axis controls the rate of modulation.

The "Swell" footswitch (center) and "Launch" footswitch (right) provide two methods for bringing the circuit into ramping oscillation. Both footswitches work by overloading the circuit with out-of-control repeats (a.k.a. oscillation).

The "Swell" footswitch is a momentary switch that allows you to create a ramping volume swell at any time. It lets the repeats crash into each other, getting louder and louder with each repeat. When you let go, the repeats return to their normal setting.

The "Launch" footswitch is a latching switch that creates a below the mix oscillation that can be manipulated with the joystick for outer space noises. The joystick also acts as a pitch selector. With the "Launch" switch activated, the O.Mix knob overrides the Mix knob to allow you to dampen the volume of the oscillation.

Max delay time is just under 500ms in "GUITAR MODE" and 1000ms in "BASS MODE." Mode is controlled by an internal dipswitch.

Current Draw: 37 mA

Switching: True-Bypass

Dimensions: 5.7" x 4.7" x 1.5"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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FORTHCOMING
TC Helicon Go XLR Broadcast Mixer With Midas Mic Preamp & Vocal Effects
Notes: Revolutionary Online Broadcaster Platform with 4-Channel Mixer, Motorized Faders, Sound Board and Vocal Effects


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Analogue Systems RS-95N VCO Dual Bus Module
Cat: 776867 Rel: 26 Jun 20 • View all Synth modules
 
oscillator module
Notes: The RS-95N oscillator is a premium, british sounding VCO with waveshaping possiblities. It has a new front panel design with elongated holes.

It is based on the RS-90 but has more features, predominantly a very special sine wave.

The RS-95N presented here is technically identical but instead a normal frequency control it features a gorgeous, lockable potentiometer with ten turns. This allows precise fine tune control and adds the look of an EMS synthesiser to the VCO.

The module has three audio outputs: pulse, triangle and sine.

The upper shape control affects the pulse width. The lower shape control not only morphs from a falling sawtooth over triangle to a rising saw (or ramp) but simultaneously alters the sine wave and produces a kind of smoothed, softer sawtooth. Additionally the saw/sine output is a CV-INPUT for the symmetry of the sine. Very extraordinary feature that all are voltage controllable.

The oscillator sync is "soft" and not only reacts to square waves but works with all waveforms.

The frequency control has three switchable modes:

STD (standard) with a range of two octaves.
2 is two octaves lower than STD.
WIDE mode gives a range from 0.3 Hz - 17kHz and thus allows use of the RS-95 as VC-LFO with waveshaping options!
The "vary" control not only attenuates but also can amplify the pitch CV. It controls linearly from 0V over 1V/oct to 0.4 V/oct.
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PP Cowbell With Mounting Bracket
Notes: Performance Percussion present this Cowbell with mounting bracket. It has a wing screw fixing and measures 4"/10cm.
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Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser
Notes: Deckard's Dream MkII is an eight-voice polyphonic analog synthesizer in desktop format. It is inspired by a certain cinematic sound from the late 1970s and early 1980s.

The synth features a fully analog signal path with two independent layers per voice. Discrete waveshapers help to reproduce the oddities of the original waveforms, especially the sawtooth glitch, which is a big part of the CS-80 sound. An autotune function assures that all 16 VCOs are tracking perfectly. It even offers detune and microtuning settings for a more vintage feel. With the addition of MIDI implementation, 256 presets (which can be managed on the integrated OLED display) and an upcoming software editor provided by Spektro Audio, this vintage inspired poly synth is at home in any modern studio.

For each layer, the synth offers a VCO with square, saw and sine waveforms, discrete 12 dB HP and LP filters with separate resonance controls, an ADSR for the filter with adjustable initial and attack levels, and an ADSR dedicated to the VCA. The synth also provides velocity and aftertouch controls for filter brilliance and volume levels.

Furthermore, polyphonic aftertouch gives Deckard's Dream expression that has only been possible on a very small number of synthesizers. MPE technology (using controllers by ROLI, LinnStrument, Haken) takes this even further with the addition of polyphonic pitch bend.
The Deckard's Dream MkII delivers everything the previous version did, in a new thin and light tabletop format with woodsides or rack-ears (both included). It also brings additional controls over Sustain modes and timing.

The synth is build in Japan, Tokyo, using only high quality electronic components.
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Hungry Robot The Moby Dick V2 Lofi Tape Delay With Modulation & Tap Tempo Pedal
Notes: The Moby Dick V2 brings up to date one of the first pedals that put Hungry Robot on the map. The original Moby Dick is well known for its chimey, tape-emulating delay line with slight lo-fi imperfections and subtle modulation; a "back-to-basics" delay in the world of multi-mode DSP delays.

The V2 has an obviously smaller footprint, but the most exciting changes lie in the circuit updates. When working on the V2, Hunry Robots wanted to further explore the sonic capabilities of the Moby Dick tape-emulation, rather than a miniature version of the pedal- specifically in a lo-fi, wrecked-tape context.

One of the magical qualities of recording to tape is the lovely saturation. The original Moby Dick had a gritty, saturated quality, but in the V2, this quality was pushed to its limit. A "Lo-Fi" knob which allows you to dial in additional tape saturation to the delay line. This is done by applying pre-gain amplification to the front end of the delay chip, resulting in a wonderfully organic character when gain is applied.

The capabilities of the modulation were also expanded. The original Moby Dick had a very subtle chorusing effect. Though it sounded great, it was admittedly subtle. The V2 increases the modulation depth dramatically, allowing it to travel beyond subtle chorusing into more extreme pitch bending territory. The "Mod" in conjunction with a cranked "Lo-Fi" knob creates the most amazing broken tape-deck quality, but when these knobs are dialed back it retains the overall character of the original.

Current Draw: 30 mA

Switching: True-Bypass

Dimensions: 4.7" x 2.6" x 1.5"

Delay Time: Approximately 1000ms

Powering: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot The Monastery Dual Channel Polyphonic Octaver Pedal Hungry Robot The Monastery Dual Channel Polyphonic Octaver Pedal Hungry Robot The Monastery Dual Channel Polyphonic Octaver Pedal Hungry Robot The Monastery Dual Channel Polyphonic Octaver Pedal Hungry Robot The Monastery Dual Channel Polyphonic Octaver Pedal
Cat: 780926 Rel: 03 Sep 20 • View all Effects pedals
 
Polypohnic octave generator pedal
Notes: The Monastery is a Dual Preset, Polyphonic Octave Generator that allows for simultaneous octave up and octave down with minimal latency and excellent tracking anywhere on the neck, even with multiple notes. The Monastery is inspired by the rich, multi-layered, timbre of vintage organs with its subtle Leslie warble.

The Monastery features highly intuitive controls. Hungry Robots decided to deviated from the standard three knob "Dry,Up,Down" controls used in many octave pedals and went for a more intelligent crossfade/pan arrangement. The biggest advantage of this setup is that the volume remains at unity-gain no matter where you set the knobs. The left knobs are the "Dry/Wet" controls. They adjust the ratio of wet and dry and can go from 100% wet to 100% dry with an even split at twelve o'clock. The right knobs are the "+/-" knobs. They work in a similar matter, but control the ratio of octave up and octave down.

The most compelling aspect of The Monastery is the dual preset function. You can seamlessly cycle between two presets with the right footswitch. The top LED denotes which row of controls is active. If the LED is lit, the top row of knobs is active. If the LED is unlit, the bottom row is active.

Current Draw: 74 mA

Switching: True-Bypass

Dimensions: 4.7" x 2.6" x 1.5"

Powering: 9V DC - Negative Center - 2.1mm Barrel

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Hungry Robot El Castillo Arpeggiating Reverb Pedal Hungry Robot El Castillo Arpeggiating Reverb Pedal Hungry Robot El Castillo Arpeggiating Reverb Pedal Hungry Robot El Castillo Arpeggiating Reverb Pedal Hungry Robot El Castillo Arpeggiating Reverb Pedal
Cat: 780927 Rel: 03 Sep 20 • View all Effects pedals
 
Reverb pedal
Notes: El Castillo is an arpeggiating reverb that takes pitch-bent reverb to an entirely new level.

It uses a unique combination of 3 circuit blocks (reverb, pitch-shift, and delay) to create a highly experimental, ambient reverb.

REVERB - The reverb block is the heart of the pedal. It uses the same high quality reverb brick found in my other reverb pedals. It has two controls: Level and Regen. The Level control increases the amount of wet signal, without effecting the dry signal. The Regen control controls the amount of signal fed through the feedback loop. Turing up the Regen knob will increase the decay and also the number or arpeggiations.

PITCH-SHIFT - The pitch-shift block is located in the feedback loop of the reverb. Adding a pitch-shift to the feedback signal creates a stair step effect. Each time the signal travels through the feedback loop, it will shift the pitch of the wet signal up or down. The pitch shifting section is controlled by the Quantize mode switch and the Pitch Knob (small, middle knob).

DELAY - The delay block is also located inside the feedback loop. It is a simple, single repeat delay that can range from 0-800ms. This feature causes the signal to delay going through the pitch-shift block. With the delay time set at minimum, the stair stepping effect happens very quickly. As you increase the delay time, the pitch intervals are stretched out and it creates a very gradual pitch arpeggiation. The delay length is determined by the Stretch knob.

MODES - El Castillo has 2 modes of operation: Un-Quantized and Quantized. The toggle switch selects the mode and determines the function of the Pitch knob.

---In the Un-Quantized mode (toggle to the left), the pitch knob has a free-range and can select any pitch interval between -1 octave and +1 octave. At 12 o'clock, there is zero pitch-shift.

---In the Quantized mode (toggle to the right), the pitch-shift is locked to -1 octave and +1 Octave. Turning the pitch knob crossfades between the two octave shifts to allow both to be heard at once or separately. Turning the knob fully to the left provides only octave down intervals. Turning the knob to the right provides only octave up intervals (traditional shimmer). At 12 o'clock, there is a 50/50 blend of octave up and octave down intervals.

Current Draw: 113 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot VCO Desktop Module
Cat: 780965 Rel: 03 Sep 20 • View all Synth modules
 
VCO module
Notes: The Hungry Robot VCO is an all-analog, low cost, workhorse of a VCO. It can output triangle, sawtooth, and square waveforms simultaneously with tremendous bass response. The VCO has exceptional 1V/OCT tracking with FM modulation. The FM modulation input has a built-in CV attenuator as well as an inversion switch. The square wave has PWM with a built-in CV attenuator. As with all Hungry Robot "Modular Boxes" the VCO can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-COARSE: Provides a wide sweep of output frequencies
-FINE: Provides a narrow sweep of output frequencies for fine tuning
-PWM: Attenuator for the PWM CV input.
-FM: Attenuator for the FM CV input

SWITCHES
-INVERT: Inverts the incoming FM CV input. Toggle to the right to invert incoming CV

PATCH POINTS
-1V/OCT: Input for 1V/OCT tracking
-FM: CV input for Frequency Modulation
-PWM: CV input for Pulse Width Modulation
-TRIANGLE: Triangle waveform output
-SAWTOOTH: Sawtooth waveform output
-SQUARE: Square waveform output

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Clockable LFO Desktop Module Hungry Robot Clockable LFO Desktop Module Hungry Robot Clockable LFO Desktop Module
Cat: 780980 Rel: 03 Sep 20 • View all Effects pedals
 
LFO module
Notes: The Clockable LFO brings multiple waveforms, CV control, subdivisions, and wave symmetry in a simple, user friendly package. LFO speed can be controlled by the tap tempo pushbutton, clock input, or over-sized Speed knob. There are three waveforms that can be selected by toggle and further modified by the Level and Symmetry knob. The Symmetry knob shifts the wave form from a symmetrical wave to a ramp up or ramp down waveform (or when using square wave, acts a pulse width control). Clock In and Clock Out for syncing with other devices. All knobs on the Clockable LFO can be manipulated with CV. As with all Hungry Robot "Modular Boxes" the Clockable LFO can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-SPEED: Sets the overall speed of the LFO. Turning this knob will override any tap or clocked tempo. This control is still affected by subdivision.
-LEVEL: Sets the level of the LFO output. Ranges from 0-10V peak-to-peak
-SYMMETRY: Sets the symmetry of the waveform. Shifting from ramp-down to ramp-up on triangle and sin waves. Adjusts pulse width on square.

SWITCHES
-SUBDIVISIONS: Selects subdivisions (x1,x2,#2). Automatically converts LFO speed.
-WAVESHAPE: Selects the waveshape of the LFO output (Sin, Triangle, Square)

PATCH POINTS
-SPD CV: CV input for Speed. Allows for CV control of this parameter.
-SYM CV: CV input for Symmetry. Allows for CV control of this parameter.
-LVL CV: CV input for Level. Allows for CV control of this parameter.
-CLK IN: Will sync to external clock. Will override the speed knob.
-CLK OUT: Outputs a 5V clock signal at 50% duty cycle. Can also be useful as a gate signal for your ADSR
-LFO OUT: Two outputs of final waveform. Both outputs are buffered for minimal signal attenuation. 10V Peak-to-Peak

PUSHBUTTON
-CENTER PUSHBUTTON: On-board tap tempo. Will override the speed knob.

Dimensions: 4.7" x 3.7" x 1.96"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot CV Keys Desktop Module Hungry Robot CV Keys Desktop Module Hungry Robot CV Keys Desktop Module
Cat: 780984 Rel: 03 Sep 20 • View all Synth modules
 
CV module
Notes: The Hungry Robot CV Keys is the perfect utility for incorporating 1V/OCT, chromatic semitones into a modular system when it is not convenient to use midi keyboards or a midi-to-CV interface. This small pushbutton keyboard has just enough functionality for most modular users and provides very accurate 1V/OCT tracking. The CV keys has a full octave keyboard as well as octave switch allowing you to jump between octaves on the fly. The Hold button latches the gate signal for handsfree use. It uses last note priority, has two unique gate modes, two buffered outputs, and a Transpose jack that let you patch in an external sequence and transpose it chromatically through the CV keys.

KNOBS
-OCTAVE: Cycles between 6 octaves

PUSHBUTTONS
-HOLD: When LED is lit, Hold is on. When Hold Mode is on, the Gate and Retriggered Gate will latch so you don't have to hold down the key
-KEYS: 13 note, single octave keyboard. Last note priority

PATCH POINTS
-TRANSPOSE: Patching in a control voltage (i.e. from a sequencer) allows you to transpose the sequence according to the notes you play
-GATE: Standard 5V gate outputted when a key is played or when Hold mode is active
-GATE (Retriggered): 5V gate that retriggers with every new note played. NOTE: To retrigger an ADSR, you must use a short release setting
-CV OUT: Two buffered 1V/OCT outputs to patch to your multiple VCOs

Dimensions: 4.7" x 3.7" x 1.96"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot VCF Desktop Module Hungry Robot VCF Desktop Module Hungry Robot VCF Desktop Module
Cat: 780987 Rel: 03 Sep 20 • View all Synth modules
 
VCF module
Notes: Lovely little mono filter module in a compact desktop format. Based on the classic Prophet 5 filter, ideal for processing synths and signals, hooking up to Eurorack or other Hungry Robot modules.

Supplier's Notes:

The Hungry Robot VCF is an all analog, 4-pole low pass filter with a self-oscillating resonance control. It is a close replication of the filter circuit found on the famous Prophet 5. It uses a HM2040 which is a high quality, faithful replication of the original SSM2040 chip. This resonant filter has a beautiful tonal quality. The over-sized knobs provide a satisfying tactile response. The cutoff frequency can be controlled by external control voltage. It has a built-in attenuator and invert switch for the incoming CV. CV input does not track at 1V/Oct, but is scaled to act as a VCA when a 5V signal is applied to CV input. As with all Hungry Robot "Modular Boxes" the VCF can be powered by a simple 9V DC, Negative Center power supply.

KNOBS
-FREQUENCY: Sweeps the cutoff frequency of the filter.
-CV: Attenuator for incoming CV input.
-RESONANCE: Sets resonance of filter. Small volume drop is to be expected. Will self-oscillate at higher settings.

SWITCHES
-INVERT: Inverts the incoming CV input. Toggle to the right to invert incoming CV

PATCH POINTS
-IN: Patch Audio Signal In
-CV: CV input for Frequency. Allows for CV control of this parameter.
-OUT: Patch Audio Signal Out

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Dual VCA Desktop Module Hungry Robot Dual VCA Desktop Module Hungry Robot Dual VCA Desktop Module
Cat: 780988 Rel: 03 Sep 20 • View all Synth modules
 
Dual VCA desktop module
Notes: This basic building block of a modular system is indispensable. The Hungry Robot VCA provides 2 independent, high quality VCAs. These VCAs are DC coupled which means you can patch in audio sources as well as CV sources (though its primary function is for audio). As with all Hungry Robot "Modular Boxes" the VCA can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-CV Knobs: The two knobs are attenuators for the incoming CV inputs

PATCH POINTS
-IN: Patch in an Audio signal.
-CV: Patch in an envelope, LFO, or any CV source to provide voltage controlled amplification to the incoming source
-OUT: Output of VCA

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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FORTHCOMING
Hungry Robot Output Module Desktop Module Hungry Robot Output Module Desktop Module Hungry Robot Output Module Desktop Module
Cat: 780994 • View all Synth modules
 
Output module
Notes: The Hungry Robot Output Module allows users to interface your modular system with headphones, speakers, and recording interfaces. It uses a high quality amplifier circuit to boost the signal to the level you need. It accepts both mono and stereo signals. Plug in you inputs and output however you need, internal switching will automatically route the signal to where it needs to be based on what you have plugged in. As with all Hungry Robot "Modular Boxes" the Output Module can be powered with a simple 9V DC, Negative Center power supply.

KNOB
-VOLUME: Controls the overall volume of the output. Adjust to taste.

PATCH POINTS
-IN(L/MONO): Left input. Use this if you are running mono and want it split into stereo.
-IN(R): Right Input
-OUT(L/STEREO): Left output. Use this for stereo situations (TRS/Headphones)
-OUT(R): Right Output

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Slew Desktop Module Hungry Robot Slew Desktop Module Hungry Robot Slew Desktop Module
Cat: 780996 Rel: 03 Sep 20 • View all Synth modules
 
Slew generator module
Notes: This module is a dual channel Slew generator. In short, slew generators restrict changes in voltage. The most common use of this is to add portamento or glide to a fluctuating voltage. As with all Hungry Robot "Modular Boxes" the Slew can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-SLEW KNOBS (x2): Adjusts the amount of slew on each channel. Max slew time is approximately 750ms (patch both channels together for 1500ms)

PATCH POINTS
-IN (x2): Patch in the CV that you would like to add Slew or Portamento
-OUT (x2): Patch this to where you would like the resulting Slewed CV to go

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Attenuverter Desktop Module Hungry Robot Attenuverter Desktop Module Hungry Robot Attenuverter Desktop Module
Cat: 780999 Rel: 03 Sep 20 • View all Synth modules
 
Attenuverter module
Notes: This module is a simple two channel attenuverter and voltage source. An attenuverter takes an input voltage and allows you to attenuate and invert the voltage (i.e. 4.2V input would allow you to create new voltages ranging from -4.2V to +4.2V). With no input present, the module acts as a voltages source (-5V to +5V range). As with all Hungry Robot "Modular Boxes" the Attenuverter can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-MINUS/PLUS (x2): Allows you to attenuate and invert the original incoming voltage. In absence of an input, this can be used a a voltage source

PATCH POINTS
-IN (x2): Patch in the voltage you want affected. Leaving empty and this will normalize to 5V for use as a voltage source.
-OUT (x2): The resulting voltage after passing through the attenuverter is output to other modules

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Looping ADSR Desktop Module Hungry Robot Looping ADSR Desktop Module Hungry Robot Looping ADSR Desktop Module
Cat: 780975 Rel: 03 Sep 20 • View all Synth modules
 
ASDR module
Notes: The Looping ADSR is an extremely versatile envelope generator. It can act as a traditional ADSR envelope requiring a gate signal to activate or as a looping ADSR. Envelopes can be output with both linear and exponential curves. In Loop Mode it repeats the cycle of Attack, Decay, & Release. Once the Release phase is complete, it loops back to the Attack and begins the cycle again. The Looped envelope can be further manipulated with the Loop Scale knob. Loop Scale shrinks the overall size of the envelope while keeping the ratio of A:D:R identical. All knobs on the Looping ADSR have CV input. As with all Hungry Robot "Modular Boxes" the Looping ADSR can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-ATTACK: Sets the attack length (1st stage of ADSR cycle). Determines how long it takes to come to full voltage after gate is applied (up to 10 sec.)
-DECAY: Sets the decay length (2nd stage of ADSR cycle). Determines how long it takes to go from full voltage to sustain voltage (up to 10 sec.)
-SUSTAIN: Sets the sustain level. Determines what voltage the envelope returns to after decay stage
-RELEASE: Sets the release length (Final stage of ADSR cycle). Determine how long it takes to return to 0V after gate is released (up to 10 sec.)
-LOOP SCALE: When in loop mode, this knob scales down the length of the envelope while keeping the ratios identical

SWITCHES
-LIN/EXP: Selects the envelope type: linear vs. exponential curve
-LOOP/ADSR: Switches between Loop and ADSR mode. LOOP turns the loop on. ADSR is a traditional ADSR requiring a gate signal
-RPT./GATE: Works only in LOOP mode. RPT. automatically repeats the loop without a gate. GATE mode requires a gate to begin looping.

PATCH POINTS
-LS.CV: CV input for Loop Scale. Allows for CV control of this parameter.
-A.CV: CV input for Attack. Allows for CV control of this parameter.
-D.CV: CV input for Decay. Allows for CV control of this parameter.
-S.CV: CV input for Sustain. Allows for CV control of this parameter.
-R.CV: CV input for Release. Allows for CV control of this parameter.
-GATE: Gate input for ADSR mode as well as Gate/Loop mode
-OUT: Output of final envelope for all modes.

Dimensions: 4.7" x 3.7" x 1.96"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Black Corporation Kijimi 8 Voice Polyphonic Analogue Synthesiser
Cat: 767536 Rel: 28 May 20 • View all Synthesisers
 
analogue synthesiser
Notes: Long-awaited analogue monster from Japan's Black Corporation, inspired by the rare RSF Polykobol II keyboard. Raw synth power with eight-voice analogue-based architecture. Stunning.

Supplier notes:
The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
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 1 in stock $3,803.70
TC Helicon Go Guitar Portable Guitar Interface For Mobile Devices TC Helicon Go Guitar Portable Guitar Interface For Mobile Devices TC Helicon Go Guitar Portable Guitar Interface For Mobile Devices TC Helicon Go Guitar Portable Guitar Interface For Mobile Devices TC Helicon Go Guitar Portable Guitar Interface For Mobile Devices
Cat: 781363 Rel: 19 Oct 20 • View all Guitar amplifiers
 
Portable guitar interface
Notes: The amazing GO GUITAR is the only mobile interface you'll need to record quick, on-the-go riffs anywhere, anytime with your iOS, Android, Mac or PC mobile device. Just want to practice without the hassle of hauling around amps or blowing your roof off? Simply plug your electric or bass guitar into GO GUITAR along with your favorite pair of headphones. Jam or record literally anywhere you can fit yourself and your guitar.

Whether you're in your kitchen, relaxing in the park, or on the tour bus, GO GUITAR lets you create whenever and wherever the mood strikes. All you need is this simple guitar interface, a mobile device, and of course, your guitar!

Want to add some effects to your guitar or record the riffs you've been working on? GO GUITAR integrates seamlessly with the creative suite of TC Helicon mobile apps. When it comes to sparking your creativity, TC Helicon has you covered with an extensive array of mobile applications designed specifically for your GO GUITAR device, including effects, processing and much more - plus they are all free to download from your app store! And if that's not enough, GO GUITAR is also compatible with a wide range of apps and software from 3rd-party vendors.

Whether you want to jam in silence, or provoke noise-induced rage into your neighbors, GO GUITAR has you covered. Just connect some headphones to your GO GUITAR and hear yourself as you record or play with crystal clarity.

Yes, the word "Guitar" is in the name, but that's not GO GUITAR's only game! You can also use the line-in for your keyboard, mixer, or any other line-level audio device. GO GUITAR records high-quality recordings.

Once you've solidified that hit-making hook, feel confident that you can capture high quality audio directly to your iOS, Android, Mac, or PC device using your favorite recording DAW. GO GUITAR ensures a broad dynamic range for a distortion-free audio signal so you can rest assured that the recording you create will compete with the rest of the world.

For those times when you're crammed into an awkward space with nowhere to put your GO GUITAR, you can use the integrated clip and easily strap it onto your belt or guitar strap.



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Joue Board Pro Modular MIDI Controller With Bitwig Studio 2 & Arturia Analog Lab Lite Joue Board Pro Modular MIDI Controller With Bitwig Studio 2 & Arturia Analog Lab Lite Joue Board Pro Modular MIDI Controller With Bitwig Studio 2 & Arturia Analog Lab Lite
Notes: The Joue board is made of wood and metal and is equipped with a pressure sensitive sensor on which magic modules are placed. Be careful! The Joue board is delivered alone with no module attached.


Software included:

Bitwig Studio 2 (8 tracks version)
Arturia Analog Lab Lite
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MRP:$442.23 SAVE 19%
 1 in stock $357.65
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Joue Fire Drum Pad For Board Play Modular MIDI Controller (yellow, orange)
Notes: Drum pads- Fire colour scheme
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MRP:$45.66 SAVE 17%
coming soon $38.04
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Joue Water Piano Pad For Board Play Modular MIDI Controller (blue, green)
Cat: 781789 Rel: 31 Oct 20 • View all MIDI controllers
 
Piano pad for Joue Play
Notes: Piano keyboard pad- Water colour scheme.
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Joue Fire Guitar Pad For Board Play Modular MIDI Controller (yellow, orange)
Cat: 781774 Rel: 30 Oct 20 • View all MIDI controllers
 
MIDI controller for Joue Play
Notes: 6-string guitar neck on 8 frets, Fire color scheme
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Fulltone Full-Drive 2 V2 Overdrive With Boost Pedal
Cat: 782837 Rel: 11 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: Since the 1990s, Fulltone's FullDrive series of pedals have been among the most popular overdrive stompboxes around. Undergoing many refinements and tweaks over years to meet the demands of its fans, the FullDrive 2 V2 is the smallest and most pedalboard-friendly version yet!

Featuring a super-compact enclosure without losing any of the key controls or functionality that users adore, this potent-sounding unit can really add some grit to your amp.

2 Footswitches:
Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone "Anti-Pop" circuit.
Right "Channel select" footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs.
100% Built in the USA.
16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews.
9-18VDC operation, extremely green circuit only pulling 10mA of current.

2 toggle switches to access the many clipping options
LEFT 3-position switch:
Comp-Cut- removes clipping diodes, not a clean boost because it can distort the opamp.
Flat Mids- a late 1990's Fulltone invention that feeds signal back on to the clipping diodes removing the Mid-hump.
Vintage- traditional 90's Full-Drive slightly asymmetrical clipping.
RIGHT 3-position switch
Wide- combines Mosfets & Schottky Diodes for more clarity, less compression, a more D*mble-like sound.
Standard- traditional 90's FD2 slightly asymmetrical.
Half-Clipped- another Fulltone exclusive, only clips the top waveform for extreme clarity, feel, and touch like you've never experienced!

Explanation of DRIVE 2 channel.
Think of it as the "More" Channel....
Engaging the DRIVE 2 footswitch brings in the DRIVE 2 knob, allowing you to add distortion (in addition) to what's selected on the DRIVE 1 knob.
At the same time, the pedal jumps from the (pedal's main, large) VOLUME knob level setting to a higher level selected on the DRIVE 2 VOLUME (mini-knob.)
Practical uses:

1) Use as a volume Booster (same Distortion setting, only louder): Set DRIVE 2 knob to "0" and set DRIVE 2 VOLUME mini-knob to taste

2) Use as a higher Gain lead tone with Volume Boost: set DRIVE 2 knob anywhere above "0" and DRIVE 2 VOLUME mini-knob to taste. Ideally you set DRIVE 1 for your lower-distortion sounds and DRIVE 2 for the higher distortion sound...effectively giving you 2 pedals.
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FORTHCOMING
Joue Board Play Modular MIDI Controller With Joue App For iPad & iPhone Joue Board Play Modular MIDI Controller With Joue App For iPad & iPhone
Notes: MIDI controller for Joue Play- iPad & iPhone compatible
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MRP:$348.30 SAVE 17%
coming soon $290.24
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Joue Fire Piano Pad For Board Play Modular MIDI Contorller (yellow, orange)
Cat: 781764 Rel: 30 Oct 20 • View all MIDI controllers
 
Piano pad for Joue Play
Notes: Piano keyboard- Fire colour scheme
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Joue Bubbles Pad For Board Pro Modular MIDI Controller Joue Bubbles Pad For Board Pro Modular MIDI Controller Joue Bubbles Pad For Board Pro Modular MIDI Controller
Cat: 781931 Rel: 22 Jul 20 • View all MIDI controllers
 
Controller module
Notes: Ever dreamed of controlling 12 parameters with one hand? The Bubbles module is the answer! With its 4 assignable buttons, this module is the wackiest in the Joue universe!
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 1 in stock $22.82
Joue Drums Pad For Board Play & Pro Modular MIDI Controller Joue Drums Pad For Board Play & Pro Modular MIDI Controller Joue Drums Pad For Board Play & Pro Modular MIDI Controller Joue Drums Pad For Board Play & Pro Modular MIDI Controller Joue Drums Pad For Board Play & Pro Modular MIDI Controller Joue Drums Pad For Board Play & Pro Modular MIDI Controller
Cat: 781933 Rel: 31 Jul 20 • View all MIDI controllers
 
4x4 matrix of sensitive drum pads
Notes: A 4×4 matrix of sensitive pads to play drums, percussion, melodies or to launch clips. Each pad is sensitive to velocity, vibrato and aftertouch and can be configured individually or in group.
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MRP:$22.18
 1 in stock $20.39
FORTHCOMING
Joue Fire Keys Pad For Board Play Modular MIDI Controller (yellow, orange)
Cat: 781779 Rel: 31 Oct 20 • View all MIDI controllers
 
Keys pad for Joue Play
Notes: 17 keyboard keys- Fire colour scheme
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Joue Strips Pad For Board Pro Modular MIDI Controller Joue Strips Pad For Board Pro Modular MIDI Controller Joue Strips Pad For Board Pro Modular MIDI Controller
Cat: 781938 Rel: 22 Jul 20 • View all MIDI controllers
 
Controller module
Notes: Slide your fingers across the 4 strips to control any parameter. There are delimited tactile areas to easily access min, mid and max values. It can be used horizontally or vertically.
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MRP:$22.18 SAVE 18%
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Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal Fulltone 2B Clean Boost With Germanium Limiter Pedal
Notes: The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the "Boost" channel in Fulltone's FD3 pedal.

Why does a guitarist need a "Boost" pedal?

A boost pedal is not only used to kick up your volume when it's time for your solo! A good booster can also solve a lot of problems in the modern guitarist's rig, because today's pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It's a wonder there's any signal left after all the stuff we put our signal through. Ever played through a 10' guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the "touch" is back.

What happens when the 2B is turned OFF?

That's the problem with other boosters...once they're OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to "unity gain" and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF...and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB!

Why is the 2B a great booster?

The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o'clock. It's subtle, you may not hear it, but you WON'T hear that shrill top end that other boosters can impart!

What's the DYNAMICS knob?

The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp's input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B's DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an "ok" amp feel responsive and juicy, and will keep you from distorting the amp's input, a problem plaguing most booster pedals.

Specs:

Input Impedance: ultra-high 1.65mega ohms...Not a chance of any interaction issues with guitars or other effects
Output Impedance: ultra-low 300ohms..no chance of loading or interaction issues.
Max Gain: @ 20dB
Size: 4.5" x 2.1" x 2.3"
Weight= 12 ounces (with the included battery)
Power requirements: anything from 5 to 18 volts DC, 9 or 18 VDC recommended.
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FORTHCOMING
Joue Water Drum Pad For Board Play Modular MIDI Contoller (blue, green)
Cat: 781796 Rel: 31 Oct 20 • View all MIDI controllers
 
Drum pad for Joue Play
Notes: Drum pad- Water colour scheme.
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MRP:$45.66 SAVE 17%
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Joue Fretboard Pad For Board Play & Pro Modular MIDI Controllers (yellow) Joue Fretboard Pad For Board Play & Pro Modular MIDI Controllers (yellow) Joue Fretboard Pad For Board Play & Pro Modular MIDI Controllers (yellow)
Notes: With Fretboard, you can play guitar or any strings instrument like never. The module has 6 strings and 9 frets plus octave +/- buttons and 2 configurable buttons. The strings can be tuned all together or individually. Vibrato and bending are switchable depending on the musician’s intention.
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MRP:$33.92 SAVE 14%
 1 in stock $29.08
Joue Essential Pads Set For Board Pro Modular MIDI Controller Joue Essential Pads Set For Board Pro Modular MIDI Controller
Cat: 781976 Rel: 22 Jul 20 • View all MIDI controllers
 
Module pack
Notes: This pack contains :

1 Scaler module, for an immediate play with many available scales
1 Fretboard module, to play guitar, bass or any string instruments
1 Pads module, to play drums, percussion, melodies or launch clips
1 Area, which sends 3 MIDI control changes (X and Y axis + pressure).
1 Strips, to control any parameter (4 CCs)
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MRP:$114.80 SAVE 16%
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quote 781976
Joue Grand Fretboard Pad For Board Play & Pro Modular MIDI Controller Joue Grand Fretboard Pad For Board Play & Pro Modular MIDI Controller Joue Grand Fretboard Pad For Board Play & Pro Modular MIDI Controller
Notes: Inspired by traditional instruments and paired with a selection of sounds from the UVI catalog, the Grand Fretboard module offers a unique playing experience, the only one of its kind in the digital world.

Sensitive to velocity, vibrato and bending, the silicone strings express all of the musician playing nuances. The optimized design of the frets enables finger sliding on the strips, and the introduction of the "fretless" mode opens new playing possibilities, notably for acoustic sounds.
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 1 in stock $46.34
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quote 781972
Fulltone 69 MkII 60's Classic Fuzz With 2 Matched Germanium Transistors Pedal
Notes: This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.

If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.

Specifications subject to change at any given moment due to availability... and whimsy.

True-Bypass w/LED is standard equipment to preserve tone when the pedal is off!
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MRP:$228.29 SAVE 17%
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quote 782502
Fulltone 70 70's Classic Fuzz With Matched BC108C Silicon Transistors Pedal
Notes: Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Fuzztone's has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the "Fuzz" on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock. Don't try using it with a wah wah... you can't, and neither could Jimi, without it screaming and howling. You want polite and quiet? Go elsewhere. You want art in a box? Come on in.

Housed in a 16 gauge steel box and powder coated deep blue, this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut.
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 1 in stock $156.53
Jour Scaler Pad For Board Play & Pro Modular MIDI Controllers Jour Scaler Pad For Board Play & Pro Modular MIDI Controllers Jour Scaler Pad For Board Play & Pro Modular MIDI Controllers
Notes: The Scaler has 17 keys which are perfect to play harp, xylophone or balafon instruments but it also allows to rediscover your synth sounds with a complete new look. Each key responds to velocity, vibrato, aftertouch and Y control. Many scales are available for an immediate play. A bubble and a long ribbon complete the most expressive module we've done so far.
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MRP:$45.66 SAVE 12%
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Joue Grand Clavier Pad For Board Play & Pro Modular MIDI Controllers Joue Grand Clavier Pad For Board Play & Pro Modular MIDI Controllers Joue Grand Clavier Pad For Board Play & Pro Modular MIDI Controllers
Cat: 781964 Rel: 22 Jul 20 • View all MIDI controllers
 
Grand clavier pad
Notes: The Grand Clavier has 25 expressive keys to subtly play any type of digital instruments. The Glissando mode allows continuous pitch-bend between notes and open the door to microtonal interpretation.
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MRP:$45.66
 2 in stock $43.48
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Joue Area Pad For Board Pro Modular MIDI Controller Joue Area Pad For Board Pro Modular MIDI Controller Joue Area Pad For Board Pro Modular MIDI Controller
Cat: 781927 Rel: 22 Jul 20 • View all MIDI controllers
 
MIDI controller module
Notes: Control any effect easily with the Area module. Just slide your finger on the surface to modulate over 3 parameters simultaneously. The module sends X and Y positions values and Z pression control values which are 3 MIDI control changes by default. Each message can be customized.
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 1 in stock $23.10
Fulltone Full-Drive 1	Overdrive Pedal
Cat: 782522 Rel: 16 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: Yes it's true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes... with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90's FD2 anymore.

Soundwise, this is based on the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the "pre FM/pre-MOSFET" versions of the FD2. This tiny pedal is the size of Fulltone's Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.

size: 4.8" x 2.9" x 2.35"
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Joue Water Guitar Pad For Board Play Modular MIDI Controller (blue, green)
Cat: 781799 Rel: 31 Oct 20 • View all MIDI controllers
 
Guitar pad for Joue Play
Notes: 6-string guitar neck pad with 8 frets, water color scheme.
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Joue Water Keys Pad For Board Play Modular MIDI Controller (blue, green)
Cat: 781801 Rel: 31 Oct 20 • View all MIDI controllers
 
Keys pad for Joue Play
Notes: 17 keyboard keys, water color scheme
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Fulltone Full-Drive 3	Overdrive With Boost Pedal
Cat: 782842 Rel: 23 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET's give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar's volume control.

3-way CLIPPING toggle switch:
Set to 90's and you'll get symmetrical clipping with ample midrange.
Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones.
set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp.

Discrete Channels:
Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel before or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit.

Buffered Bypass:
Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and feel of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin.

DYNAMICS knob:
A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp's input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies.

The Icing on the cake? The housing is about 20% smaller than the traditional FD2.

SPECIFICATIONS:
Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms.
Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz.
Power Consumption: maximum 13 ma with both channels on
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 1 in stock $161.16
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Fulltone Plimsoul Hi-Gain Distortion/Overdrive Pedal
Cat: 782862 • View all Effects pedals
 
Distortion/overdrive pedal
Notes: For many, many years you've basically had 2 choices for your Overdrive/Distortion pedals: You could either get "Soft-clipped" Bluesy, slightly compressed, (Toob Screemer, FD2, etc.) type Overdrive pedals... or you could get "Hard-Clipped" (OCD, Distortion+, Boss DS-1, etc.) type Distortion pedals.

What if there was a pedal that offered both? There is now... the Fulltone PlimSoul with it's Patented and completely unique dual stage clipping circuit which VERY accurately replicates not only the sound, but *the feel *of a tube amp with all of its subtleties and complexities.

PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it... you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.

Touch sensitive? Doesn't get any better.

Clean up with the guitar's volume control? More than any, yes, even more than the OCD.

Speaking of OCD, people ask "What's the comparison?" Easy answer: OCD has an honest flat EQ, won't change your amp's tone. PlimSoul has a gorgeous enhanced Midrange and Lower midrange... excellent to transform a combo into a Marshall-like lead machine, not so necessary if you already have a Marshall-like amp.

Good with Humbuckers as well as Single coils?
Yes.

Does it play nice with other pedals?
Yes, it has an Ideal 500K Input Impedance, ideal super low 10K output impedance.

Can I blend the 2 types of Distortion?
Yes, and you can have ONLY Soft clipped or ONLY Hard Clipped.
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Fulltone Soulbender	 60's Classic Fuzz Pedal with 3 Matched Germanium Transistors
Notes: The Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings.

Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding.

The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.
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MRP:$241.33 SAVE 24%
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Joue Synth Pad For Board Play & Pro Modular MIDI Controllers Joue Synth Pad For Board Play & Pro Modular MIDI Controllers Joue Synth Pad For Board Play & Pro Modular MIDI Controllers
Notes: The Synth is a 1,5 octave keyboard with octave +/- buttons and 4 configurable buttons. Aftertouch, natural vibrato and Y-control gives it unique expressiveness.
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MRP:$33.92
 2 in stock $30.98
Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal
Cat: 782509 Rel: 11 Sep 20 • View all Effects pedals
 
Wah pedal
Notes: The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original "CLYDE Standard" but with the following additions:

10-step Variable Input Level Control
True-Bypass w/ bright side-viewable low current Pilot light status indicator
3 selectable modes:
Wacked
Jimi" (Clyde Standard)
Shaft
The three-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all!

All CLYDE Deluxes sport the most authentic '60's Vox type inductor available, which happens also the quietest... our hand-wound MU-80 (80% nickel alloy) shielded Fulltone 500mH inductor and the long-life Fulltone-1 wah pot.
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MRP:$337.87 SAVE 25%
 1 in stock $254.36
Fulltone Supa-Trem Jr Amp-Style Opto Tremolo Pedal With Boost Fulltone Supa-Trem Jr Amp-Style Opto Tremolo Pedal With Boost
Cat: 782881 Rel: 11 Sep 20 • View all Effects pedals
 
Tremolo pedal
Notes: The logical progression to the beloved Supa-Trem1 is here!

It's a much, much smaller than the ST-1 at only 3.9" wide x 4" deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Don't forget, just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!

3 switchable waveforms:
Square, (modified) Sine, and (heartbeat-like) Warble wave-forms. Digital Brain (for the oscillator only) with 100% analog signal path. Unlike the ST-1, the Jr can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!
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MRP:$241.33 SAVE 23%
 1 in stock $186.97
Items 2,701 to 2,750 of 2,932 on page 55 of 59
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