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Native Instruments Traktor Kontrol S2 Mk3 USB DJ Controller Native Instruments Traktor Kontrol S2 Mk3 USB DJ Controller Native Instruments Traktor Kontrol S2 Mk3 USB DJ Controller
Cat: 702732 Rel: 16 Oct 18 • View all DJ controllers
 
Complete portable, USB-powered, club-ready 2-deck USB DJ control surface
Notes: Entry-level controller for NI's Traktor DJ software. Surprisingly feature-packed for such an affordable price. Two channels with integrated mixer and effects, plus RGB pads for hot cues and loops.

Supplier notes:
Whether it's bass-heavy breakdowns, steppy synths, or peak-time rewinds that define your style, the TRAKTOR KONTROL S2 has everything you need to make your mix happen. Craft sets on two decks and get creative with easy-to-use tools like looping, beat syncing, and club-grade effects.

Turn the music you listen to into the sets you play, with a streamlined interface that makes blending tracks a breeze. Plug in, line up a few of your favourite tracks, and get mixing wherever you are. You can leave the beatmatching to TRAKTOR, so you have more time to pick tunes that fit the vibe, experiment with FX, use looping and remix decks, and to define your own sound. Whether you're at a house party, a bar, or the club, you can create mixes made to make you move.

WHAT'S NEW?

The perfect way to really ramp up your mixing, with eight RGB pads on each deck. Cut straight to a hook everybody knows by setting and triggering cue points, or punch in your own edits with samples on a Remix deck.

Upsized, touch-sensitive jog wheels let you cue, scratch, and nudge tracks much more accurately - not to mention perform bigger backspins. They also mean more fun getting hands-on with your music.

A familiar club-standard layout, wherever you go. Browse tracks, adjust beatgrids, use effects and features like Flux Mode, directly on the TRAKTOR KONTROL S2. Everything you need for creative mixes at your fingertips.

Turn up your track transitions with new Mixer FX: Cut bass with a filter instead of EQ for resonant kicks, or get hi-hats galloping with delay. A choice of eight effects and three filters ensures you always have the right tools to hand.

Scale up your set with Steams and loops. Trigger one-shot sounds and samples to inject new energy into your mix.
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MRP:$322.06
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Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument
Cat: 662253 Rel: 29 Sep 17 • View all MIDI controllers
 
Compact, next-generation production & performance controller featuring integrated hardware & software system
Notes: Version 3 of NI's hybrid groovebox is a super-slick instrument, with the pad controller and Maschine software working in perfect harmony. Built-in audio interface, slick workflow and tons of sounds included to get you started.

Supplier's notes:
The new MASCHINE takes the classic groovebox workflow and makes it faster and more intuitive. Optimized based on customer research, it's packed with new features to boost your speed and increase your focus - all without breaking the workflow you love.

Bigger pads:
Big, bold, and in your face, the larger pads create more room for complex moves like flams and rolls. New technological updates make the pads more sensitive to lighter touches, for more expressive playing. And since the centre-to-centre distance is exactly the same, your muscle memory and workflow don't have to change.

Full colour, hi res screens:
With two full-colour displays and the four-directional push encoder, you can browse sounds, FXs, plug-ins, and instruments with a tactile, one-handed, completely visual workflow - simply find the thumbnail and load directly from the hardware. Plus, the high-res screens let you get more precise with your mixing, see an overview of your arrangement, or zoom in on waveforms to slice samples like a surgeon.

Studio-grade audio interface:
MASCHINE now comes with a studio-grade, 96kHz / 24-bit audio interface for pristine sound. Simply patch in a synth or add a dynamic mic for quick recording and sampling. Stereo line and MIDI ports make it a perfect centrepiece for any studio. Plus, it's USB-powered, so you can record anywhere with your laptop - or plug in the included power supply unit for brighter pads.

Faster workflow:
The new hardware layout cuts through the clutter to help you stay focused and get your ideas out fast. Instead of being hidden behind a shift-function button, some of the most-used features and functions can now be accessed directly with one touch.

8 touch sensitive knobs:
Go beyond tweaking with eight touch sensitive knobs. Touch once to activate special contextual menus, such as tag clouds, sound settings, and FX parameters. You can also map your most frequently used FX, instruments, or plug-in parameters to macros with the touch of a button.

Smart strip for new ways to play:
The Smart Strip opens up MASCHINE to whole new ways of playing. Use it like a keyboard wheel to pitch-bend and modulate sounds. Add new sonic textures, builds, or transitions with advanced performance FX like stutter and scratch. Or strum samples, synths, and drums like a guitar.
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ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate) ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351 Rel: 08 Sep 20 • View all Synth modules
 
Triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

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ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate) ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate) ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Cat: 776311 Rel: 08 Sep 20 • View all Synth modules
 
Rhythm generator module
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer
Cat: 786205 Rel: 11 Sep 20 • View all Synthesisers
 
Monosynth/drum machine/MIDI sequencer
Notes: Create a mono-synth, drum machine, or MIDI sequencer with the Field! It works as a great development tool, or handy small-form synth to take with you on the go. Comes with Daisy installed and 9V power adapter.
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ADDAC System ADDAC102 VC FM Radio Module (red faceplate)
Cat: 773955 Rel: 08 Sep 20 • View all Synth modules
 
FM radio module
Notes: This is Version 2 of this module, updated in order to be skiff friendly.

With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator- the static picks up all kinds of great electromagnetic interference.

It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.
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MRP:$334.99
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ADDAC System ADDAC222 4x6 Voices 1V/Octave to MIDI Notes Module (red faceplate)
Notes: Most recent from the ADDAC MIDI Series, the 222 converts 4 CV inputs to four distinct polyphonic MIDI NOTES streams, with up to 6 note voices per input. This allows the user to send midi notes to external midi devices straight from your modular: just plug it into your classic synth or your favourite virtual instruments. Combined with the ADDAC221 you can fully control any external midi device.

Ships with 2 stereo jack to din5 midi cables.
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ADDAC System ADDAC803 Quadraphonic Spatializer Module (red faceplate)
Cat: 776406 Rel: 08 Sep 20 • View all Synth modules
 
Quadophonic spatializer module
Notes: This is ADDAC System's Quadraphonic output module.

Using the VBAP (Vector-Base Amplitude Panning) principle, it allows to position a mono signal over a quadraphonic speaker array for sound spatialization. The VBAP algorithm can be controlled by Cartesian or Polar methods

Sound path is fully analogue featuring 4 high quality VCA's.

Featuring both 1/4 inch and 3.5mm jacks for adapter free connections.

Four 16 bit CV outputs mirror the signal sent to the VCA's control, when connected to 4 external VCA's these can be used for Polar Mixing of 4 diferent sound sources.

The 2 Filter CV outputs react according to the distance from the center point. The + output increases as the sound gets further away from the center of the room allowing to sync a Low Pass Filter to the input sound so that as it moves away from the center the High Frequencies get attenuated further increasing the spatialization experience. Another good practice would be to sync a reverb dry/wet signal as well so that the sounds gets more difused as it moves away from the center into the horizon.

Both the filter and the reverb should be plugged between the sound source and the 803, in order for the incoming sound to be processed before being routed to the 4 outputs.

The X and Y CV outputs mirror the cartesian sound position between 0 and +5v.

Mechanical:
. Format: Eurorack
. Width: 14 HP
. Depth: 6 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: + 5v

Electrical:
. Compatible with +-12v and +-15v power supplies?.
. Max current: 150mA on positive rail, 100mA on negative rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC501 Complex Random Module (red faceplate) ADDAC System ADDAC501 Complex Random Module (red faceplate)
Cat: 776328 Rel: 08 Sep 20 • View all Synth modules
 
Random CV generator module
Notes: The ADDAC501 does random CV generation and outputs it through four independent channels. You can control the desired range of voltages and time frequency at which new values are generated.

It can also be triggered by an external CV source and the output voltages can be either free or quantized (if you prefer to have a standard C Major scale).

Finally you can choose between pure randomness or a brownian distribution, for both the voltage and time intervals.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 5 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV output: 0 - 5v (0 - 10v through jumper)
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
- Max current: 150mA
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate) ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate)
Notes: This module was developed upon the Tubaz Filter which was released in 2014 by Gotharman but is currently no longer in production. We loved the original module so much that we officially licensed it's circuit and expanded it to feature several new functionalities.

Here's a paragraph from Gotharman regarding the original design:
"I designed it with the purpose of adding crunch, edge and distortion to my eurorack system. It is not an ideal bandpass filter, that cuts off all frequencies above and below the center frequency.
Because of its high drive, there are, in most cases, some bleedthrough of the harmonics, that should have been cut off. You might consider calling it a "Band Add" filter. The main purpose of it, was to add edge, not to be a perfect bandpass filter."

While everything he mentions is still true we believe he was being modest, It's a dirty, gritty, growling and whining monster which promises you some of the most peculiar filter sounds you'll ever hear.
However do not classify it as a "weird" distortion unit just yet because besides this hairy character it can be easily tamed (using lower volume levels) and then, with some care and intention from the user, it will transforrm itself showing it's feline purrrrr and cuddle sweet and caring, or like any good mut, showing up at night all happy, wet and dirty from a full dog's day and will lay down at your feet while wiggling it's tail howling as yawning just happy to be back home.

As such, standard volume principles do not quite apply to these units, the Audio Levels will go up to x2 amplification, Drive will go up to x11 and master outs go up to x2. The combination of these will cover all diferent qualities it can present. Overall sound can be distorted pre-Tube (raising input levels), in Tube (raising drive) or post-Tube (raising Out levels).
Higher Inputs and Drive will always be gritty, lower Inputs and Drive volumes together with higher Output levels will make the overall behaviour more mellow and closer to what a typical filter would behave like.

No standard expectations should be considered when acquiring these units, all of the tubes were built in the 70's and were bought from various sources, we always kept the premise that no tube was a bad tube (unless not really workinng) so due to each specific characteristics no module will sound exactly the same, making each unit particularly unique. This uniqueness will be particularly evident on their resonance/self-oscilating timbre as well as in their own microphonic qualities.

Regarding power and current draw, the module is designed using a low power tube, so it won't starve your eurorack power supply.

Tech Specs:
12HP
3.5cm deep
90mA +12V
60mA -12V
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MRP:$355.69
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ADDAC System ADDAC221 10x9 Channel CV to CC MIDI System Module (red faceplate)
Notes: The ADDAC221 is a standard midi controller that allows CV inputs, converting CV variations to MIDI Control Change Messages. This allows interaction with your favourite standalone synthesisers and softwares through simple plug-and-play midi control.

A dedicated software permits the user to store up to 9 different presets, where the CC values of each channel can be configured as wished.

This way the user can preset his favourite synths to control filters, envelopes and whatnot from CC messages coming from the module CV inputs.

Ships with 2 stereo jack to din5 midi cables.
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ADDAC System ADDAC503 Marble Physics Module (red faceplate) ADDAC System ADDAC503 Marble Physics Module (red faceplate)
Cat: 776332 Rel: 08 Sep 20 • View all Synth modules
 
Marble physics module
Notes: Newtonian physics on a modular synth! The ADDAC503 Marble Physics is a CV generator based on the mechanics behavior of a marble on a tray.

Through this realtime physics simulator you'll be able to control several parameters that will affect the behavior of a model of a spherical object against a plane. You can tilt the plane or bump the marble with a certain strength, which will cause it to roll and bounce on elastic walls.

The model will output the object's XY position or velocity and you can control other physical parameters, like the walls' elasticity or the strength of a bump. When the marble hits walls the bounce output triggers and you can additionally lock the X axis for a one dimension simulation. Finally you can also set the overall speed of the simulation.

By controlling all of these properties you be able simulate several scenarios where the marble falls, gets gently pulled by gravity, orbits indefinitely or bounces on walls like a pinball. Truly engaging physics simulations!

Mechanical:
. Format: Eurorack
. Width: 10 HP
. Depth: 5.2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 5v

Electrical:
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC702 Dual VC Filter Module (black faceplate)
Cat: 776359 Rel: 08 Sep 20 • View all Synth modules
 
VC filter module
Notes: Here's our first Voltage-Controlled Variable Filter, inspired by the original MS-20 filter.

This module features:

Two independent filters, a High-Pass and a Low-Pass with dedicated audio inputs and outputs.

Besides individual outputs the HP and LP are also sent to a voltage-controlled Mix between the HP and LP filters.

Both Cutoff and Resonance are voltage-controlled with dedicated cv attenuator pots.

Switch for selecting between normal cutoff behaviour and an adjustable Smooth circuit to simulate a vactrol behaviour for cutoff control.

Switch for setting filters Filters in Parallel (independent) or Series (HP > LP).

Inspired by the Oscar synthesizer we added a Coupling switch to tie the HP Cutoff control to the LP Cutoff control, in this case the LP cutoff controls act as an offset from HP setting.

Three position switch selects different resonance clipping paths: diodes / no clipping / leds.

Both filters features a post Distortion/Fuzz circuit that adds extra harmonics adds an even deeper growl or extra gritiness to it.

All audio outputs (HP, Mix, LP) feature a switch for choosing phase output, allowing additive or subtractive mixes.

Three Leds monitor the amplitude of the three outputs (HP, Mix, LP).
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MRP:$411.30
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ADDAC System ADDAC800X High-End Outputs Module (red faceplate) ADDAC System ADDAC800X High-End Outputs Module (red faceplate)
Cat: 776392 Rel: 08 Sep 20 • View all Synth modules
 
Outputs module
Notes: Inspired by the legacy designs of premium vintage gear, the ADDAC800X behaves like a high-quality DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 800X circuit is designed around a unity 1:1 type nickel core Hammond Audio Transformer from the 140UEX series (equivalent to Jensen audio transformers).

Operating in the 20 Hz to 20 KHz range and providing exceptional shielding from external sources, this impedance matching transformer provides the 800X with two fully balanced high-end outputs (via XLR connectors).

Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, the ADDAC 800X presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate the 800X from any other device, preventing hum problems coming from an outsider ground.

LEFT IN will output sound to both channels.
Through RIGHT IN, signal will only find its way on OUT 2 (if the LEFT/RIGHT toggle is lifted up, RIGHT IN will be ignored and LEFT IN will be present in both OUTs). With both INs connected you'll have two separate outputs (LEFT IN -> OUT 1 & RIGHT IN -> OUT2). However, lifting up the LEFT/RIGHT toggle you'll also find RIGHT IN ignored and LEFT IN will fed both OUTs.

Each TRANSFORMER ISOLATED OUTPUT section has its signal overload warning led and two dedicated toggle switches: one that works as a simple amplifier / attenuator pad to +6dB / -10dB respectively, and a LIFT/FLOAT/GND toggle. This last one is a 3-way selector that lets you choose between lift, ground or floating ground (toggle's middle position) to be taken as reference for the ground point. In the LIFT position the module circuit will be lifted to ground through a 100R resistor and a 10nF capacitor and pin 1 of the XLR connection will act as the ground point. Choosing GROUND will put ground to be shared between inputs and outputs. Floating ground will leave ins and outs grounds completely apart from each other. Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of this options will work the best in a given situation.

An HEADPHONES AMPLIFIER (with VOLUME knob) connection is available for quietly working with your modular or pre-listen your sounds before making them public matter in a live situation. This section features an OPA2134 High-Performance Audio Operational Amplifier. This device presents the ideal characteristics for use with an headphones set, like ultra-low distortion and low-noise fully specified for audio applications, in combination with high-output drive capability and excellent DC performance that altogether allow for high-dynamic headroom and really superior sound quality.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 6.7 cm

Electrical:
. Max current: 100mA? on each rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC802 VCA Quintet Module (red faceplate) ADDAC System ADDAC802 VCA Quintet Module (red faceplate) ADDAC System ADDAC802 VCA Quintet Module (red faceplate)
Cat: 776403 Rel: 08 Sep 20 • View all Synth modules
 
Mixer module
Notes: This module comes to update the previous ADDAC802 Audio Mixer.

Each of the 5 channels has:
. VCA with initial Knob
. Monitor LED
. Independent output
. Linear or logarithmic control
. Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
. 1 Pre Master VCA output
. 1 Post Master VCA output
. 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through a headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 55mm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$485.03 SAVE 19%
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Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal
Cat: 783089 Rel: 10 Sep 20 • View all Effects pedals
 
Chorus/vibrato/flanger pedal
Notes: The Nebulus brings guitarists high quality chorus, flanger and vibrato effects in a really compact 4.5 by 3.5 inch pedal. To increase the tone range even further 3 variations on each effect are available for a total of 9 tweak-able modes. All this flexibility is easy to access via a preset system capable of storing up to 8 different presets.

The chorus mode offers a lush and warm sounding chorus, a fluid and dreamy multi-chorus, and a unique tremolo'ed chorus. The flanger setting has a classic tape flange, a 70's negative feedback type flanger, and the elusive thru-zero flange. Lastly, but certainly not least, are the vibrato sub-modes which include a standard vibrato, a classic vibe sound, and a rotating speaker effect.

Each mode includes a special switch which allows the guitarist to really tweak crucial settings and it also offers some bonus features like the ability to add compression to vibrato mode, for example. For further fine tuning, a tone switch is available offering warm, clean, and bright voicings to the effect.

This true bypass pedal offers the uncompromising sound quality that guitarists have learned to expect from Empress pedals in an incredibly small box. With chorus, flanger and vibrato all only one touch away, this pedal is an incredible value.

Specifications:
Input Impedance: 1Meg
Output Impedance: 1K
Frequency Response (-3dB) - 8Hz - 18.5kHz
Input Headroom: +10.8dBu
Output Headroom: +10.2dBu
Distortion: 0.40%
Signal to Noise: 102.7dB
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~300mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal
Cat: 782957 Rel: 10 Sep 20 • View all Effects pedals
 
I/O interface pedal
Notes: The Empress Buffer+ Stereo was designed to be the complete I/O interface for your pedalboard, all while maintaining the highest fidelity of your guitars' signal.

Signal loss due to long. un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the Buffer+ Stereo is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

All the features of the Buffer+ have been incorporated such as the foot-switchable boost, input padding, noise filters, and variable input loading, as well as a ton of additional features such as input metering and clip level indicators, AB/AY switching, external switch control, and of course full stereo in/out connectivity.

On top of all that, 12 different operating modes have been added, each with its own unique signal routing to provide maximum versatility and adaptability to just about any rig you can throw at it. Whether you're connecting stereo effects out to stereo amps, parallel mono effects chains, dual instruments to switch between, or effects in front of your amp as well as the fx loop, the Buffer+ Stereo has got you covered.

Input Impedance 1: 10kO - 1MO
Input Impedance 2: 1MO
Output Impedance 1: 47O
Output Impedance 2: 600O
Frequency Response: (-3dB): 20Hz - 38kHz
THD: 0.02%
Noise: -104dB
Input Voltage: 9VDC
Required Current: 150mA
Power Input Connector: 2.1mm Barrel Connector
Height (enclosure only): 1.5"
Height (including controls): 2"
Length: 4.5"
Width: 3.5"
Weight: 12.5oz
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MRP:$407.42 SAVE 17%
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Empress Effects Phaser Pedal Empress Effects Phaser Pedal Empress Effects Phaser Pedal Empress Effects Phaser Pedal Empress Effects Phaser Pedal
Cat: 783098 Rel: 10 Sep 20 • View all Effects pedals
 
Phaser pedal
Notes: Redefining the phaser effect from the ground up, Empress Effects has created a phaser pedal unlike anything else on the market. Employing a unique VCA based design, the Empress Phaser Pedal offers unparalleled signal-to-noise ratio. Choose between 2 stage, 4 stage or an Empress exclusive 3 stage mode; all controllable via tap tempo sweeping through an impressive set of 8 waveforms.

The Empress Phaser Pedal is the next generation in the evolution of digitally-controlled analog technology. It features an all-analog signal path but is controlled by a microprocessor, allowing it to maintain all its character and analog flavor while adding a ton of possibilities for control and adaptability. Sure, it does the classic jet sounds, super funky auto-wah and ring modulators, as well as having vibrato and Univibe sounds on tap. But what really sets the Empress Phaser Pedal apart are the auto modes: envelope following, audio-triggered sweeps, rhythms and direct control are just a few of the settings found on the Empress Phaser Pedal.

It also offers unsurpassed connectivity by featuring expression pedal control as well as accepting control voltage, external tap, external audio control and MIDI. All of this comes in a rock solid die cast aluminum enclosure with true bypass keeping things clean.

Specifications:

Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~120mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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quote 783098
Empress Effects Reverb Pedal Empress Effects Reverb Pedal Empress Effects Reverb Pedal Empress Effects Reverb Pedal
Cat: 783099 Rel: 10 Sep 20 • View all Effects pedals
 
Reverb pedal
Notes: Realistic simulations of spaces, as well as never-before-heard surreal ambiances are represented with stunning sound quality. Sporting stereo ins and outs, a small footprint and all the controls at your finger-tips, it strikes the perfect balance of control and ease of use, avoiding laborious menus. Presets, the versatile control port, and MIDI open up a world of possibilities for live performances. Whether you're looking for a classic spring, realistic room or new sonic flavors to expand your creativity, this pedal delivers. And....it's got a beer mode!

The pedal has 12 algorithm types, some include multiple variations. For example, vintage and studio plate, dark and bright springs. Also, as more algorithms get added you can update your pedal via the SD Card. It's the pedal that keeps on giving.

Pristine sounding classic hall, plate, spring and room sounds that rival or surpass studio units costing many times more.

A complete palette of tweak-able ambient sounds that offer the creative player so much territory to explore and make their own.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Many algorithms have infinite hold settings or the ability to tap in delay time.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control port control(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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quote 783099
Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal
Cat: 783082 Rel: 10 Sep 20 • View all Effects pedals
 
Fuzz/overdrive/distortion pedal
Notes: The idea of blending amps together has been a studio trick used on countless recordings over the years. Being able to blend the strengths of certain amplifiers and have other amps fill in the weaknesses produces a richer, better balanced sound. Up until now, the only way to repoduce this live was to haul a few amps around with you on the road. After a few gigs of doing that, a lot of players end up compromising tone for the ease of carrying 1 amp around with them. This is where the multidrive shines.

The multidrive allows you to blend Overdrive, Distortion and Fuzz together, creating a full and rich array of tones that would not be available otherwise. Let the sustain of fuzz, the bite of distortion and the clarity and note definition of overdrive all work together! It's like having an overdrive pedal, a fuzz pedal, and a distortion pedal, all in one box.

Specifications:
Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 180mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
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quote 783082
Empress Effects Heavy High Gain Distortion Pedal Empress Effects Heavy High Gain Distortion Pedal Empress Effects Heavy High Gain Distortion Pedal Empress Effects Heavy High Gain Distortion Pedal
Cat: 783043 Rel: 10 Sep 20 • View all Effects pedals
 
High gain distortion pedal
Notes: In this aptly named box you'll find a huge range of killer high gain tones. From crisp, mid-driven 80's metal, to scooped, modern down-tuned brutality, this little box of sonic mayhem does it all. The two independent channels can be voiced similarly so that one channel can be used as a solo boost, or they can be voiced entirely differently by using the mid range control in conjunction with the 3 position mid frequency select switch. Add in separate weight controls to shape the low end response of each channel, and a global hi/low eq section that allows you to fine tune your particular amp and cab combination, and you've got a serious tool to create a supremely heavy sounding rig.

On top of all this, there's an extremely responsive and hassle free noise gate that will ensure dead silent operation with even the most obscene amounts of gain added.

Input Impedance: 1M
Output Impedance: 510 Ohm
Frequency Response (-3dB): 35Hz - 17kHz
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 200mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1lbs
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MRP:$407.42 SAVE 18%
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quote 783043
Arturia Keylab Essential 88 MIDI Controller Keyboard
Cat: 762330 Rel: 03 Mar 20 • View all MIDI keyboards
 
MIDI controller keyboard
Notes: Arturia's 88-key controller is designed for those who place the emphasis on keyboard quality and feel. Piano-style hammer action makes it a nice choice for serious players.

Supplier notes:
Creating music in the digital world can be difficult. So many options, so many new things to learn. KeyLab Essential lets you focus on what's important.

8 pads, 9 rotaries, 9 faders, and an expressive keyboard, but so, so much more. Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. KeyLab Essential makes navigating inside your recording software a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting and inspiring experience.

Spend less time with a keyboard and mouse, and more time creating, performing, and playing.

The KeyLab 88 is a professional-grade 88-note MIDI keyboard controller designed with the working musician in mind. Featuring a new hammer-action keybed from Fatar and deep integration with our award winning Analog Lab software, the KeyLab 88 is unique with its robust, solid metal construction and classic wooden side panels.

An extensive array of controls, a stylish yet amazingly lightweight design, and brilliant integration with laptops and tablets: KeyLab 88 is perfect for modern keyboard players, pianists, demanding stage performers, and professional producers who will not compromise on quality. KeyLab 88 sets a new standard in professional controller keyboards.

As a professional hybrid synthesizer, KeyLab 88 offers the immediacy of a hardware synthesizer combined with the flexibility of a software-based solution.

Thanks to the top quality, hammer-action Fatar keybed, the KeyLab 88 is the ideal companion for demanding performers.



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MRP:$412.59 SAVE 26%
 4 in stock $306.10
ALM Squid Salmple 8 Channel 4 Output Sampler Module
Cat: 733238 Rel: 18 Jul 19 • View all Synth modules
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: Our favourite module of 2019. Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird. We love it.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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 9 in stock $428.98
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quote 733238
Native Instruments Traktor Kontrol Z2 DJ Mixer Native Instruments Traktor Kontrol Z2 DJ Mixer Native Instruments Traktor Kontrol Z2 DJ Mixer
Cat: 468767 Rel: 02 Nov 12 • View all DJ mixers
 
2+2 channel mixer and DJ controller
Notes: NI's Z2 helps you get the most out of Traktor with two standalone Traktor/CDJ/turntable channels and two Remix Deck channels. Intuitive Traktor controls give you the best of both worlds.

Supplier's Notes:

TRAKTOR KONTROL Z2 is the world's first 2+2 DJ control mixer. Built tough for pro club use, the Z2 excels both as a state-of-the-art club mixer alongside turntables and CDJs, and as the hub of an advanced setup of Remix Decks and controllers.

All-new Macro FX and Flux Mode in the latest TRAKTOR software expand your creative arsenal. And the heavy metal, standard installation-height chassis, sturdy RGB control buttons, and Innofaders assure rock-solid dependability. Whatever your style, however you play, welcome to the future of mixing.

Combining the best of all that's come before it, TRAKTOR KONTROL Z2 takes a powerful two-channel stand-alone mixer, adds an additional two channels for Remix Decks, puts TRAKTOR SCRATCH PRO 3 in the package and rolls it out in luxurious style.

The ultra-stable, aircraft-grade aluminum chassis provides an intuitive layout instantly familiar to DJs, offering unprecedented sonic control. Throw in an integrated premium audio interface and dedicated TRAKTOR controls for cue points and Remix Decks and your options become infinite. Whatever your style, you've never had control like this before.

TRAKTOR KONTROL Z2 delivers the reliability and pro sound quality essential for the world's biggest stages and hottest clubs.

Pro XLR outputs, a booth output and 24-bit sound quality mean your sets hit with maximum impact. Precision knobs, buttons, multi-colored cue point controls and Innofaders give you ultra-accurate control of your sets. Whether spinning vinyl, CDJs, playing digital files, or using TRAKTOR SCRATCH timecode control, switching formats is just a push of a button away - lightning-fast, uninterrupted creative flow. And the heavy metal chassis means your busy schedule won't take its toll on your new tool of choice.

Think you know your limits? You're about to erase them.

For the first time, TRAKTOR KONTROL Z2 adds Macro FX to the TRAKTOR software. Build a big drop or destroy your track beyond recognition with fresh new effect combos like Wormhole, LaserSlicer and Bass-o-matic - get expressive sound manipulation with intuitive, one-knob action.

Flux Mode tracks the time while you're juggling cue points or looping, and lets you drop back in at exactly the right moment - a powerful weapon for all creative DJs.

Integrate multiple TRAKTOR KONTROL F1 and X1 controllers with plug-and-play simplicity thanks to the Z2's USB hub, freeing up additional ports on your laptop.

Start using the included flagship TRAKTOR SCRATCH PRO 3 with Remix Deck technology and TRAKTOR SCRATCH timecode vinyl in record time - simply connect the Z2 to your computer with a single USB cable.

Connect your turntables or CD decks with the inputs on the mixer and start using timecode control via vinyl or CDs. And thanks to TRAKTOR's advanced HID integration, the Z2 integrates effortlessly with the latest Pioneer CDJ generation and mixers.
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quote 468767
Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller
Cat: 662255 Rel: 29 Sep 17 • View all MIDI keyboards
 
Intuitive 49-note MIDI keyboard controller featuring pro-grade Fatar keybed with aftertouch
Notes: Updated mid-sized version of NI's controller keyboard, ideal for the brand's own plugins but also compatible with third-party software thanks to the NKS protocol.

Supplier's notes:
With the latest generation of KOMPLETE KONTROL, music-making becomes a more intuitive, hands-on experience. Perform expressively, browse and preview sounds, tweak parameters, sketch your ideas, then navigate and mix your project - all from one fully integrated centrepiece for studio and stage.

Immersive visual feedback:
See everything you need, when you need it, where you need it: Two high-res colour screens provide essential information on sounds and projects, backlit function buttons vary in colour and intensity to indicate their state, and the precision Light Guide pinpoints the location of sounds, key zones, switches, scales, and more.

Find your sounds faster:
Finding the right sound amongst a sprawling sound library can be difficult, not to mention time consuming. Now you can find exactly what you're looking for across all KOMPLETE and Native Kontrol Standard (NKS) instruments using a simple, intuitive tagging system - directly from the hardware. What's more, you can hear an instant preview of each sound as you browse.

Need a hip hop kit? Select Drums > Urban Drum Kit > Sample-based, scroll through the presets and pick the right one for your track. If you really like what you hear, just tag it as a Favourite for instant access next time.

Pre-mapped and ready to play:
All of your KOMPLETE and NKS instruments are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best - the instrument designers themselves. All essential parameters load instantly and are displayed across the two colour displays, intuitively divided into pages. That means you can see exactly what you're adjusting in real time - whether it's in kHz, dB, or BPM.

Pro performance:
Stay-on key, with notes of the currently selected scale or mode lit on the Light Guide. Activate chord mode to create a progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like, so you'll never hit a wrong note.

Precision pitch, mod, and expression:
Get precise control of pitch and mod functions via two ergonomic, rubberized wheels. And the ultra-sensitive touch strip provides a fun, responsive alternative to plugging in a dedicated expression pedal.

Get hands-on with your workflow:
Capture all your ideas, directly from the keyboard itself: KOMPLETE KONTROL gives you immediate access to transport, mixing, and editing controls in Logic Pro X, Ableton Live, and GarageBand, complete with visual feedback and volume metering on the keyboard's built-in displays. And with MIDI in / out, incorporating outboard gear into your setup is just as simple.

Note: Advanced integration with Cubase and Nuendo will be available via a free update in late 2017.

Integration for all your instruments:
NKS means intuitive control over hundreds of instruments from leading manufacturers - including Heavyocity, Spitfire and Soniccouture. This extended plug-in format allows all developers to define the way their products integrate with NI hardware, so support for powerful features like tag-based browsing, Light Guide feedback, and pre-mapped controls now extends far beyond the KOMPLETE universe. And for VST instruments that haven't yet been updated to NKS, it's simple to create your own mappings from KOMPLETE KONTROL software.

PLEASE NOTE: Does not include PSU - only comes with USB powered connection
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quote 662255
Noise Engineering Basimilus Iteritas Alter Parameterized Digital Percussion Module (black faceplate)
Cat: 641949 Rel: 18 Apr 17 • View all Synth modules
 
Analogue-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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quote 641949
Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE FET COMPRESSOR, PASSIVE ACTIVE PACK AND TRANSIENT SHAPER PLUGINS WITH CONSOLE 1 UNTIL 30TH SEPTEMBER 2020***
Notes: Softube's hardware controller gives hands-on control of your mixes. Works with any DAW and pairs seamlessly with Softube and Universal Audio plugins.

Supplier's notes:
Sound. Workflow. Control:
Quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs - there are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.

Modern Workflow:
The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is needed - the hardware is tightly integrated with the Console 1 software, straight out of the box.

Timeless Sound:
Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E console - probably the most used high end console in the history of music recording. Softube's emulation was developed in close collaboration with SSL, and it's included with the purchase of Console 1.

Expand Your Options:
Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.

A Lifetime of Mixing:
Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you'd expect from a high end analog console.

Add More Consoles:
In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modelled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series for Console 1, British Class A For Console 1 and Summit Audio Grand Channel for Console 1, with more to come.

Control Your DAW:
Console 1 works with any major DAW on the market. But certain DAWs - currently Presonus Studio One and Cakewalk SONAR - feature additional integration, meaning you can use the Console 1 hardware to control vital DAW functions such as track selection, volume, send levels, pan and solo/mute. We aim to have this functionality added for all DAWs.

And the Winner Is:
The first-generation Console 1 was an immediate success and did not only receive prestigious awards and praise from the pro audio press - but more importantly, the end users loved it. Even seasoned engineers such as Michael Brauer, Jason Goldstein, Dave Isaac and Gareth Jones took the system to their hearts.

Upgraded Hardware:
Three years after the original Console 1 release, it is time to introduce the Mk II version. It has the same build quality as the original units, with some minor layout changes such as more visible LED markers. More importantly, efficient manufacturing processes have made the system much more affordable.
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MRP:$619.54 SAVE 40%
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Waldorf Blofeld Desktop Synthesizer (white)
Cat: 370595 Rel: 20 Oct 09 • View all Synthesisers
 
Synthesiser comes with a FREE copy of The Waldorf Edition software, includes D Pole Filter Module, PPG Wave 2.V & Attack
Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.
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Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller
Cat: 752457 Rel: 24 Oct 19 • View all MIDI controllers
 
10-fader DAW control surface with world-class analogue sound
Notes: Improving feel and workflow, and making the best of hardware and software available in one place, Console 1 Fader allows you to raise the sound quality bar to new heights. Mixing a masterpiece isn't easy, but with Console 1 Fader there's no limit to what you can do. Now's the time.

Ten touch-sensitive 100 mm Alps motorized faders give premium professional feel and feedback, while the weighty powder-coated steel chassis means durability and substance in a sleek Scandinavian design.

Fader includes two console emulations (Tube and Discrete). Way more than a simple controller, Fader enriches the sound of your tracks in the same ways as a true analog console.

Riding faders is muscle memory for many mix engineers. For those of us who play the desk like an instrument, Console 1 Fader gives quick and intuitive control over volume, saturation, filtering, and much more.

The Console 1 mixing ecosystem is so much more than a simple DAW/plug-in controller. It's an efficient, elegant, and amazing-sounding modern mixing solution, combining hardware and software to give you the best of both worlds: the versatility, affordability, and usability of in-the-box mixing, alongside the workflow, feel, and focus dedicated hardware can bring.

Console 1 Fader can be used alone, or in combination with the original Console 1 channel strip controller for a tight 'complete desk' experience. You can even use multiple Console 1 Fader units to build the ideal workflow for your specific studio.

There are many ways to mix a masterpiece, but riding faders is a matter of muscle memory for a lot of us. And for good reason - reaching out and grabbing five or ten different sounds or groups at once, and quickly adjusting, listening, adjusting, listening, balancing... it's a full-body discipline, and software alone can't come close.

Tapping into the same purpose-designed software environment as the original Console 1 channel strip controller, Fader brings new levels of control over the wider world of your mix. You can ride up to ten channels at once, working volume, high-and-low-cut filter values, drive and drive character (modeled desk saturation), and more. Then page up for ten more channels. And ten more, until you have easy access to your whole mix, even when tracks number into the hundreds.

Expandable with world-class sounds
Because all the audio signal processing happens in our award-winning component-modeled software, you can switch out the 'circuitry' of your console instantaneously for a different desk sound across your whole project, or even channel by channel.

In addition to the two analog console sounds Fader ships with, you can purchase any of our Console 1 channel strips and use those classic desk sounds with Fader.

Selected features

Fader modes
Fader allows you to quickly and intuitively control track volume, drive level, drive character, input gain, low cut, high cut, and up to three send levels, all from the same high quality motorized faders.

Transport controls
The three assignable buttons work by default as basic transport controls for the major DAWs, but each can be assigned to a keycommand of your choice (e.g. CTRL+Z), for whatever use you can imagine.

Encoder
Mounted on a high-grade all-metal potentiometer, Console 1 Fader's single encoder offers control of pan per track, but also unlocks a powerful stereo spatialization tool, to widen or consolidate your individual tracks, situating each sound perfectly in your mix.

Layer mode
With our innovative new 'Layer Mode' you can create layers of tracks, putting many levels of mixing at your fingertips. Low cut all your guitars at once, or saturate your groups early on for a top-down effect in seconds.

In short
A 10-fader approach to Console 1, our hybrid hardware/software mixing ecosystem
High quality hardware, designed and built for both feel and function
Take fast and intuitive control of volume, saturation, filtering, and more
Two awesome-sounding component-modeled console emulations included
Expand your sonic options with Console 1 expansion channel strips (sold separately)
'Layer Mode' allows you to organise and affect your mix in powerful new ways
Spatializer tool offers fast per-channel control of stereo width
Works with all major DAWs straight out of the box - no MIDI-mapping required
Use alone, or in combination with the original Console 1 channel strip controller
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 7 in stock $465.64
Sennheiser HD600 Avantgarde Professional Stereo Headphones Sennheiser HD600 Avantgarde Professional Stereo Headphones Sennheiser HD600 Avantgarde Professional Stereo Headphones Sennheiser HD600 Avantgarde Professional Stereo Headphones Sennheiser HD600 Avantgarde Professional Stereo Headphones
Cat: 405262 Rel: 24 Sep 10 • View all Studio headphones
 
Reference-grade headphones for audiophiles & professionals
Notes: Classic high-end headphones suitable for serious listening or mix applications. Open-backed design gives them a natural, detailed presentation that justifies the step up in price from cheaper models.

Supplier's notes:
The HD 600 Avantgarde are audiophile-quality, open dynamic hi-fi/professional stereo headphones. The advanced diaphragm design eliminates standing waves in the diaphragm material. The HD 600 can be connected directly to hi-fi systems of the highest quality, in particular DAT, DVD, MD and CD players. These headphones are an ideal choice for the professional recording engineer recording classical music.
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quote 405262
Intellijel/Applied Acoustics Systems Plonk Percussion Module
Cat: 643387 Rel: 21 Aug 17 • View all Synth modules
 
Physical modelling percussion synthesiser module - 12HP
Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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Intellijel Quadrax 4 Channel CV Controllable Function Generator Module
Cat: 747527 Rel: 18 Nov 19 • View all Synth modules
 
Quad Function/Burst Generator/LFO with CV Matrix
Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.
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Arturia Keylab MkII 49 Key USB MIDI Controller Keyboard (black) Arturia Keylab MkII 49 Key USB MIDI Controller Keyboard (black)
Cat: 694336 Rel: 30 Aug 18 • View all MIDI keyboards
 
Expressive, versatile & powerful next-generation 49-note USB MIDI controller keyboard - black
Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.
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MRP:$529.00 SAVE 28%
 2 in stock $380.47
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Vermona Melodicer Sequencer Module
Cat: 677524 Rel: 04 May 20 • View all Synth modules
 
sequence module
Notes: The Melodicer from Vermona is a CV/Gate sequencer with an innovative concept; the melody sequencer offers twelve faders for setting the note probability and two dice-(or random) buttons for generating melody and rhythmic structure.
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MRP:$485.03 SAVE 18%
 5 in stock $396.65
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Polyend Poly 2 Polyphonic MIDI To CV Converter Module
Cat: 732315 Rel: 11 Sep 19 • View all Synth modules
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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Waldorf Blofeld Desktop Synthesizer (Shadow edition, black) Waldorf Blofeld Desktop Synthesizer (Shadow edition, black)
Cat: 467331 Rel: 05 Sep 12 • View all Synthesisers
 
Synthesiser + Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack
Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
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 2 in stock $355.67
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Endorphin.es Blck_Noir 7 Channel Hybrid Drum Generator Module (black faceplate) Endorphin.es Blck_Noir 7 Channel Hybrid Drum Generator Module (black faceplate)
Cat: 688859 Rel: 10 Sep 18 • View all Synth modules
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
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 3 in stock $465.62
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Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller Audient Nero Desktop Monitor Controller
Cat: 731924 Rel: 03 Jun 19 • View all Studio & speaker controllers
 
Console-style, precision monitor control
Notes: Building on over 20 years of expertise in analogue console heritage, Nero has been designed to give you powerful control over your monitoring. Featuring a comprehensive range of I/O, console style monitor control, Precision Matched Attenuation Technology and more... Nero will quickly become the core of your studio.

Inputs:

As your studio grows it becomes harder to control. Nero enables you to centralise, connect and control all your monitoring needs from your desktop using Nero's array of stereo inputs.

Outputs:

Reference your mixes on up to three sets of speakers, independently set and match volume for all speakers and audition and assign your sub to any monitor path. Nero also provides one dedicated monitor grade headphone amp and three foldback grade headphone amps, making sure you're ready to take on the loudest of sessions with crystal clear headphone mixes.

Assignable Sub:

Easily assign a sub to activate when switching to a monitor path of choice but maintain the ability to switch it on and off without losing your saved preset. Nero also lets you audition the sub on any alternative set of speakers without forcing you to assign it permanently.

Smart Touchpoints:

Smart Touchpoints enable you to customise your workflow on the fly. Easily route and configure Nero's outputs and monitor controls to create monitoring combinations that suit your needs. Simply hold down a Smart Touchpoint to put it into setup mode, select your routing options and press it again to save.

Precision Matched Stereo Volume Control:

Nero perfectly matches the volume of the left and right channels of your stereo signal using Audient's custom Precision Matched Attenuation Technology. Unlike other monitor controllers, this prevents any deviation in volume between your left and right monitors or unbalancing of your stereo image, enabling you to monitor accurately and mix with confidence.

Console Style Monitor Control:

Utilising Audient's vast experience in implementing monitor control in both recording consoles and desktop controllers, Nero features David Dearden designed circuitry and a range of flexible monitor controls including dedicated talkback, cut & dim along with polarity, mono, speaker select and cue mix monitoring.
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 6 in stock $362.15
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Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones
Cat: 718817 Rel: 06 Feb 19 • View all Studio headphones
 
Premium quality closed-back studio headphones for monitoring, editing & mixing
Notes: The Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you'd expect from a Neumann product. The NDH 20 is thus ideally suited to monitoring and mixing tasks, even in loud and noisy environments. Circumaural memory foam ear pads offer high long-term comfort.

Critical Listening and Mixing - In the Studio, At Home, On the Road:

While many other closed-back headphones are marred by nasty resonances in the mid-band, making it difficult to come to reliable mix decisions, the NDH 20 offers an astonishingly detailed, well-balanced sound image, similar to Neumann's acclaimed studio loudspeakers. Superior sonics along with large memory foam ear pads make the NDH 20 a pleasure to wear for long periods without fatigue.

The NDH 20 uses newly designed drivers (38 mm/1.5") with high-gauss neodymium magnets to ensure high sensitivity and minimized distortion, thus allowing the user to listen to the pure audio signal without unwanted coloration. The mechanical construction, too, meets the highest standards. The adjustable headband is made of flexible steel while the ear cup covers are machined from lightweight aluminium. For easy transportation the headphone is foldable and can be placed into the supplied soft cloth bag. Two detachable cables (one straight, one coiled) and a 6.3 mm (1/4") adapter are also included.

Applications:

The NDH 20 is suited to all applications that require high sound isolation such as monitoring for musicians and engineers in the tracking room as well as FOH work. It is also an excellent choice for critical listening, free from disturbance from the outside world and, vice versa, without causing disturbance to people nearby due to leakage. Thanks to its extended frequency response ranging from 5 Hz to 30 kHz the NDH 20 is particularly helpful to check the upper and lower extremes of the audio band.

Unlike most other closed-back headphones, the Neumann NDH 20 is suited to mixing purposes too. An unusually even frequency response and natural stereo image allow for mixing with confidence and ensure compatibility to all playback systems. The NDH 20 is thus an indispensable tool for working on the road. Of course, it is also an excellent headphone for audiophile entertainment.
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1999 (remastered) (Super Deluxe Edition)
1999 (remastered) (Super Deluxe Edition) (180 gram vinyl 10xLP box set + DVD + book + MP3 download code in slip case)
Cat: 060349 7850051. Rel: 29 Nov 19
Funk
  1. 1999 (LP 1: original album remastered) (6:19)
  2. Little Red Corvette (4:59)
  3. Delirious (4:06)
  4. Let's Pretend We're Married (7:21)
  5. DMSR (8:21)
  6. Automatic (LP 2: original album remastered) (9:24)
  7. Something In The Water (Does Not Compute) (4:03)
  8. Free (4:55)
  9. Lady Cab Driver (7:55)
  10. All The Critics Love U In New York (6:11)
  11. International Lover (6:39)
  12. 1999 (LP 3: Promo mixes & B-sides remastered - 7" Stereo edit) (3:36)
  13. 1999 (7" mono Promo-only edit) (3:37)
  14. Free (Promo-only edit) (4:30)
  15. How Come U Don't Call Me Anymore ("1999" B-side) (3:43)
  16. Little Red Corvette (7" edit) (3:08)
  17. All The Critics Love U In New York (7" edit) (3:13)
  18. Lady Cab Driver (7" edit) (5:05)
  19. Little Red Corvette (dance remix Promo-only edit) (4:33)
  20. Little Red Corvette (Special dance mix) (8:28)
  21. Delirious (LP 4: Promo mixes & B-sides remastered - 7" edit) (2:41)
  22. Horny Toad ("Delirious" B-side) (2:11)
  23. Automatic (7" edit) (3:40)
  24. Automatic (video version) (8:22)
  25. Let's Pretend We're Married (7" edit) (3:44)
  26. Let's Pretend We're Married (7" mono Promo-only edit) (3:44)
  27. Irresistible Bitch (Let's Pretend We're Married B-side) (4:07)
  28. Let's Pretend We're Married (video version) (4:03)
  29. DMSR (edit) (5:06)
  30. Feel U Up (LP 5: Vault tracks) (6:41)
  31. Irresistible Bitch (4:40)
  32. Money Don't Grow On Trees (4:21)
  33. Vagina (3:27)
  34. Rearrange (6:15)
  35. Bold Generation (5:52)
  36. Colleen (5:20)
  37. International Lover (LP 6: Vault tracks - take 1 - live In Studio) (7:19)
  38. Turn It Up (5:26)
  39. You're All I Want (2:54)
  40. Something In The Water (Does Not Compute) (3:59)
  41. If It'll Make U Happy (4:16)
  42. How Come U Don't Call Me Anymore? (take 2) (6:13)
  43. Possessed (LP 7: Vault tracks - 1982 version) (8:49)
  44. Delirious (Full-length) (5:58)
  45. Purple Music (10:55)
  46. Yah, You Know (3:10)
  47. Moonbeam Levels (2019 Remaster) (4:03)
  48. No Call U (LP 8: Vault tracks) (4:30)
  49. Can't Stop This Feeling I Got (2:40)
  50. Do Yourself A Favour (8:56)
  51. Don't Let Him Fool Ya (4:37)
  52. Teacher, Teacher (3:37)
  53. Lady Cab Driver/I Wanna Be Your Lover/Head/Little Red Corvette (Tour demo) (7:02)
  54. Controversy (LP 9: live In Detroit 11/30/82) (5:34)
  55. Let's Work (5:32)
  56. Little Red Corvette (4:11)
  57. Do Me, Baby (7:24)
  58. Head (6:44)
  59. Uptown (2:37)
  60. Interlude (0:26)
  61. How Come U Don't Call Me Anymore? (6:40)
  62. Automatic (LP 10: live In Detroit 11/30/82) (6:49)
  63. International Lover (8:41)
  64. 1999 (9:58)
  65. DMSR (7:52)
  66. Live In Houston 12/29/82 (DVD)
 in stock $307.17
Doepfer A-111-4 Quad Precision VCO Module
Cat: 671550 Rel: 29 Nov 17 • View all Synth modules
 
VCO module featuring four precision oscillators - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination:
- Upper position: exponential frequency modulation (XM)lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- Min. 10 octaves range (with appropriate external CV)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (selectable via jumper)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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Korg MicroKorg XL+ Synthesizer & Vocoder Korg MicroKorg XL+ Synthesizer & Vocoder
Cat: 468414 Rel: 29 Oct 12 • View all Synthesisers
 
Keyboard synthesiser
Notes: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.
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Pioneer PLX500 Direct Drive Turntable (black) Pioneer PLX500 Direct Drive Turntable (black) Pioneer PLX500 Direct Drive Turntable (black)
Cat: 622118 Rel: 20 Oct 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Killer value turntable from the DJ gear specialists at Pioneer. Based on the range-topping PLX1000 but with a slightly more basic spec. Excellent choice for home DJ setups or light club use.

Supplier's notes:
Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound:
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording:
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs:
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand:
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable:
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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quote 622118
Arturia KeyStep Pro 37 Key Portable USB MIDI Keyboard Controller & Multi Channel Polyphonic Sequencer
Cat: 762332 Rel: 20 Apr 20 • View all MIDI keyboards
 
USB MIDI keyboard & sequencer
Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.
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MRP:$477.26 SAVE 24%
 More than 10 in stock $363.23
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quote 762332
Omnitronic RRM 502 Rackmount 5 Channel Rotary DJ Mixer Omnitronic RRM 502 Rackmount 5 Channel Rotary DJ Mixer Omnitronic RRM 502 Rackmount 5 Channel Rotary DJ Mixer Omnitronic RRM 502 Rackmount 5 Channel Rotary DJ Mixer Omnitronic RRM 502 Rackmount 5 Channel Rotary DJ Mixer Omnitronic RRM 502 Rackmount 5 Channel Rotary DJ Mixer
Cat: 707840 Rel: 22 Oct 18 • View all DJ mixers
 
5-channel rotary mixer primarily designed for DJ's
Notes: Want Urei or Bozak vibes on a budget? Omnitronic's rackmount mixer is the answer. Based on similar tech to the hugely popular TRM-202 rotary desktop mixer. Pure retro vibes.

Supplier's notes:
- Classic rotary mixer with 5 input channels for DJs
- Vintage ALPS potentiometers (Blue Velvet RK27)
- High-grade components ensure long life and excellent sound quality
- Gain control, cue button and source selector per channel
- 10 line inputs, 3 of which switchable phono/line
- DJ microphone channel with separate level control and 2-band EQ
- Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
- Master, booth and balance control
- Record output, switchable pre/post
- FX send/return for external FX unit
- Rack installation: 2 U
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 1 in stock $362.37
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Befaco Hexpander Module (assembled) Befaco Hexpander Module (assembled)
Cat: 670607 Rel: 10 Jan 18 • View all Synth modules
 
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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MRP:$412.59 SAVE 20%
 3 in stock $329.82
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quote 670607
4ms Ensemble Oscillator Module
Cat: 762166 Rel: 18 May 20 • View all Synth modules
 
polyphonic oscillator module
Notes: Seriously potent polyphonic voice built around 16 sine-based oscillators. Capable of a huge range of tones thanks to FM, phase distortion and wavefolding. Another cracker from a consistently reliable brand.

Supplier's notes:
The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.

The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.

30 factory-programmed, user-writeable scales organized in three groups:
12TET: all notes quantized to equal temperament, repeating over octaves
Octave: unquantized notes, repeating over octaves
Free: unquantized notes, repeating over the interval between the lowest and highest note

16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header
Power consumption
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)
Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V
Gate inputs
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings
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MRP:$399.66 SAVE 22%
 More than 10 in stock $310.42
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Audio Technica AT LP140XP Direct Drive Professional DJ Turntable (silver) Audio Technica AT LP140XP Direct Drive Professional DJ Turntable (silver) Audio Technica AT LP140XP Direct Drive Professional DJ Turntable (silver)
Cat: 718811 Rel: 14 Mar 19 • View all DJ turntables
 
Professional direct drive manual turntable - silver
Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier's notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
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MRP:$451.40 SAVE 21%
 3 in stock $354.61
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quote 718811
Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine
Cat: 775229 Rel: 30 Apr 20 • View all Vinyl cleaning
 
record cleaning machine
Notes: Compact record cleaner based on the more expensive VC-S2. Quick and easy way to clean and care for your vinyl, improve sound and prolong stylus life.

Supplier's notes:
Vinyl Care
The VC-E is a compact, affordable vinyl record cleaning machine (RCM). Inspired by the developments made in the Pro-Ject VC-S2 ALU design, VC-E offers a string of premium features in a smaller package that's suited to smaller record collections and tighter space.
Boasting a striking aluminium surface that's not only visually appealing but is able to withstand excessive fluid spill without compromising the chassis, the VC-E still houses a sufficiently powerful vacuum motor to clean records, residue free, in as little as one or two rotations. The very best results are achieved with one rotation forward, followed by one backwards. The drive motor also makes one rotation within 2 seconds, which is about three times faster than comparable products. The end-result is a faster and more effective cleaning process for the cost.
A screw-on clamp, lined with a rubber pad, protects the record label from cleaning fluid and avoids damage to the label. The robust metal arm is easy to use, mechanically stable and focuses all suction power directly onto the record surface.
The VC-E is supplied with Pro-Ject's own eco-friendly, non-alcoholic vinyl cleaning concentrate, Wash-IT. It offers very good cleaning results and reduces static charge, so record wear and stylus wear are significantly reduced. It also evaporates in the air, dramatically reducing the number of times you need to empty the built-in 0.5l waste liquid tank.
If you demand the best sound from your hi-fi, and want to protect your precious investment in your record collection, the VC-E is an essential tool for delivering on both fronts.
Key Features:
Compact, new cabinet made out of luxurious materials
Clean records quickly and efficiently
0.5l tank for vacuumed cleaning liquid
Eco-friendly cleaning fluid effeciently cleans and removes static load off records
Screw-on clamp with rubber pad protects record label from cleaning fluid
Cloth cover available

Technical Data
Construction:
Aluminium Composite Panels (0.4mm alu / 4mm PE / 0.4mm alu)
Speed:
30 RPM
Power Consumption:
800W Max
Dimensions (W x H x D):
310 x 266 x 210mm (fully assembled)
Weight:
6.5kg
Supplied Accessories:
Vacuum Arm
Clamp
Felt Strips
Brush
Wash-IT 100
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MRP:$425.53 SAVE 17%
 7 in stock $354.61
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quote 775229
Erica Synths Fusionbox Desktop Analogue Effects Unit (delay, flanger & chorus) Erica Synths Fusionbox Desktop Analogue Effects Unit (delay, flanger & chorus) Erica Synths Fusionbox Desktop Analogue Effects Unit (delay, flanger & chorus) Erica Synths Fusionbox Desktop Analogue Effects Unit (delay, flanger & chorus) Erica Synths Fusionbox Desktop Analogue Effects Unit (delay, flanger & chorus)
Cat: 690929 Rel: 15 Jun 18 • View all Effects units
 
Multi-purpose analogue effects unit featuring dual BBD chips
Notes: Brilliant desktop/stompbox effect unit based on Erica's excellent Fusion module series. Delay, chorus, drive and vintage ensemble effects all based around BBD chips and valves for analogue goodness.

Supplier's notes:
Erica Synths Fusionbox is a distinct multifunctional analogue effects unit that combines BBD chip-based effects - delay, flanger, chorus - with tube overdrive in the delay output and feedback path for extra thickness of sound.

Fusion Box lowpass filtering is fully adjustable from none to extreme for a really deep bass sound. A special feature, not found in other contemporary stompboxes or effect units, is the Vintage Stereo Ensemble.

The Vintage Stereo Ensemble provides the classic "stereo ensemble" effect, found on many vintage synthesizers from almost any brand and make. In stereo ensemble effect, the delayed, processed and filtered sound is added back to the dry (mono) audio with inverted phase for one channel, and direct phase in the other. This gives it the distinct and unique moving character, different from that obtained with chorus effects. However, use of inverted phase in stereo field also adds certain peculiarities to watch out for. For example, when such stereo audio is played back on an older "surround" decoding sound system, ensemble effect sound may move to the rear sound channel. Also, if the output gets mixed back to mono, the effect may disappear. This also applies to mono subwoofer systems, or speakers that are placed too close. This is normal, and occurs with any similar vintage stereo ensemble processing. In this case and if such oddities are undesirable, to avoid mono mixing issues, you can choose to use only one of the output channels, or use two separate ensemble processors for left and right channels.

Fusionbox has adjustable input gain, therefore it works with various sound sources - guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Footswitch allows to switch on or bypass effects making Fusionbox ideal for guitar players.
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 1 in stock $432.58
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